graffitihunt wrote 1 year ago: … more →
maosir wrote 1 year ago: nice to meet u! i’m interested in hong kong’s graffiti. here are some of my collections … more →
jethrolock wrote 1 year ago: Moe 最新作品 bomb in 蒲吧. 新發現的塗鴉在將軍澳 … more →
graffitihunt wrote 1 year ago: … more →
graffitihunt wrote 1 year ago: … more →
graffitihunt wrote 1 year ago: … more →
graffitihunt wrote 1 year ago: … more →
graffitihunt wrote 1 year ago: … more →
graffitihunt wrote 1 year ago: 周星馳到李小龍的踪跡,可見在尖沙咀加連威老道。 … more →
graffitihunt wrote 1 year ago: 商業機構為青少年塗鴉者提供機會,讓大眾認識化他們的能力與作品。 … more →
graffitihunt wrote 1 year ago: 社區組織怎樣鼓勵青少年及提供機會讓青少年發揮其塗鴉的天份? … more →
graffitihunt wrote 1 year ago: Designer與Artist的結合,塗鴉豈不是藝術? … more →
graffitihunt wrote 1 year ago: 塗鴉不是亂七八糟的繪畫,而是經過有系統及計劃的設計。如何著色、圖畫的光暗配置均是藝術作品的構成因素。 … more →
graffitihunt wrote 1 year ago: 香港塗鴉者能遵循塗鴉”BATTLE”的傳統嗎? … more →
graffitihunt wrote 1 year ago: 青少年工作機構強調塗鴉的過程應合法,但隊員面對外界的壓力亦不少,蒲窩工作者怎樣與青少年共同面對此困難? … more →
graffitihunt wrote 1 year ago: 『補筆』為塗鴉者的大忌,因『補筆』而被警員逮捕的阿MOE,被控刑事毀壞。 … more →
graffitihunt wrote 1 year ago: 香港的『隱敝之地』成為阿MOE塗鴉的頭號選擇,是純粹為追求刺激或另有表達的目的? … more →
graffitihunt wrote 1 year ago: 曾灶財為阿MOE眼中的『死硬派』塗鴉表表者,有風格,亦應受人尊重。 … more →
graffitihunt wrote 1 year ago: 商業與獨立設計的平衡,如何選擇? … more →