Some, if not all but one of these have already been released in Japan and some have already had their European premieres (For Love’s Sake, 11:25) but overall it is a good line-up with a mixture of enjoyable titles and we get to see the latest titles from filmmakers like Hideo Nakata of Ringu fame and Masahiro Kobayashi who specialises in bleakies.

There is no common thread in the subject matter although two do deal directly with the March 11^th disaster. The festival has proven to be the place where titles and filmmakers from Asia break out on the international stage. Will Ryutaro Ninomiya gain anything like the prominence of Kiyoshi Kurosawa? Is Yutaka Tsuchiya the next Sion Sono? Are these comparisons glib? Yes to all of them because there is a new generation of indie talent on display alongside some familiar names and it is too early to make any comparisons. So early, there are trailers and posters missing because nobody has thought to make one easily available!

Of all of the films on offer I know I’d want to see all but Japan’s Tragedy. If I had a choice of three I would settle for GFP Bunny, The Complex and 11:25 because I have not seen them and they appeal to me the most.

Here are the films on offer!

The Charm of Others

Japanese Title: 魅力 の 人間

Romaji: Miryoku no Ningen

Running Time: 89 mins.

Director: Ryutaro Ninomiya

Writer: Ninomiya Ryutaro

Starring: Yoshitaka Hosokawa, Ryutaro Ninomiya, Kensuke Ashihara, Daisuke Udagawa, Keisuke Minakawa, Takuya Makino

This indie film premiered at last year’s Vancouver International Film Festival. I am really not all that familiar with it and used the wrong Kanji when typing the title! The film deals with the loneliness felt by people in their day-to-day lives. No poster but an excerpt from the film.

The action takes place at a vending machine repair workshop in Yokohama. Yoda (Hosokawa) is the outsider there and doesn’t fit in with the other guys. As a result he gets picked on by some of the knuckleheads. The only person who goes out of his way to befriend Yoda is Sakata (Ninomiya) but this causes Yoda a degree of discomfort.

GFP Bunny                                                    

Japanese Title: GFP BUNNY タリウム少女のプログラム

Romaji: GFP Bunny Tariumu Shoujo no Puroguramu 

Running Time: 82 mins.

Director: Yutaka Tsuchiya

Writer: Yutaka Tsuchiya

Starring: Kanji Furutachi, Makiko Watanabe, Takahashi, Yuka Kuramochi

Yutaka Tsuchiya is considered one of the more interesting names amongst indie film makers in Japan and scored major kudos with his film Peep “TV” Show. He has been largely silent since then but now he has released this interestingly titled film which stars Kanji Furutachi who has appeared in trashy genre pieces like Dead Waves and Joker Game and has appeared in major titles like My Back Page and indie films like Being Mitsuko, The Woodsman and the Rain, Dreams for Sale and Odayaka. He is supported by Odayaka co-star and Sion Sono regular Makiko Watanabe (Himizu, Love Exposure). Here is the Trailer.

Apparently based on a true story (with some key facts changed), we follow the actions of Thallium Girl (Kuramochi) who is slowly poisoning her mother with thallium and records her detached world view in her diary. It is clear she has some mental problems which are exacerbated by bullying at school. This just causes her to retreat from reality into a darker place.

The Complex                                              

Japanese Title: クロユリ　団地

Romaji: Kuroyuri Danchi

Running Time: N/A

Director: Hideo Nakata

Writer: Hideo Nakata, Junya Kato, Ryuta Miyake

Starring: Atsuka Maeda, Hiroki Narimiya

It might be fair to say that Hideo Nakata has never been able to capture the same success that he had with Ringu. He has tried his hand at other genres like thrillers but he keeps returning to horror with mixed results. The only other title in his filmography that can compare to Ringu is Dark Water. The Complex sounds a bit like that film in so far as it takes place in a haunted apartment building but what else does it offer? It stars the beautiful Atsuka Maeda who is a former member of AKB48 and starred in The Drudgery Train, one of the more interesting titles released in Japan last year. Here is a CM/trailer fresh from Japanese television.

Asuka (Maeda) has moved into the Kuroyuri apartment complex. It is a place with a chequered history as mysterious deaths occurred there 13 years ago. It isn’t long before she starts hearing the sound “garigarigari” from the apartment next door where an old man lives and it isn’t long before he is found dead! This is the start of a series of horrifying events that strike the apartment. Asuka calls upon Sasahara (Narimiya), a man who cleans up the homes of the recently deceased, to help solve the mystery.

Japan’s Tragedy                                 

Japanese Title: 日本　の　悲劇

Romaji: Nihon no Higeki

Running Time: 101 mins.

Director: Masahiro Kobayashi

Writer: Masahiro Kobayashi

Starring: Tatsuya Nakadai, Shinobu Terajima, Kazuki Kitamura, Akemi Ohmori

Japan’s Tragedy looks like the ultimate bleakie. The film’s synopsis reads like an absolute misery-fest and the black and white imagery looks gruelling as opposed to attractive. It deals with dark subject matter from disease to the March 11^th earthquake and tsunami and it is directed by Masahiro Kobayashi whose last film, Women on the Edge also involved the repercussions of said disaster. He is not one to shrink from tough subject as proven with the film that allowed him a degree of international recognition Bashing which followed the homecoming of a Japanese hostage released by terrorists in Iraq. He has worked with great Japanese actors like Teruyuki Kagawa (Key of Life, Tokyo Sonata), Shinobu Terajima (The Millennial Rapture, Vibrator), Ryo Ishibashi (Audition, Suicide Club, Koroshi), Makiko Watanabe (Love Exposure) and Nene Otsuka (The Foreign Duck, the Native Duck). No trailer but shaky footage from a recent festival screening. I’ll update it when I do find a trailer.

Fujio Murai (Nakadai) is unemployed and a widower. Although living with his son Yoshio (Ohmori) life seems bleak as he has been diagnosed with lung cancer and Yoshio’s wife and daughter have not been seen since the 2011 earthquake. Fujio decides to lock himself in his room and mummify himself. Trapped in the room, he thinks back over the course of his life.

For Love’s Sake                                            

Japanese Title: 愛　と　誠

Romaji: Ai to Makoto

Running Time: 134 mins.

Director: Takashi Miike

Writer: Takayuki Takuma (script), Ikki Kajiwara (manga)

Starring: Satoshi Tsumabuki, Emi Takei, Takumi Saito, Sakura Ando, Ito Ono, Tsuyoshi Ihara, Kimiko Yo, Ken Maeda, Yo Hitoto, Masachika Ichimura

For anybody who has not seen For Love’s Sake, they are in for a treat as it is one of the most enjoyable films released last year. Miike brings a satirical touch to the much loved and classic fighting youth/romance story Ai to Makoto, using kitschy but infectious 70’s pop and his exuberant visual style and brand of highly dark humour to make a rich treat for the senses. It is packed with brilliant performances from the entire cast with Satoshi Tsumabuki wowing as the delinquent youth Makoto and getting brilliant support from Ando, Ihara and Saito. As my review showed I was wowed by it. If you need relief from all of the serious subject matter then this is the one for you.

1972, Tokyo, Ai Satome(Takei) is an angelic high school student who comes from a respectable family. She leads a charmed life until Makoto Taiga (Tsumabuki), the boy who stole Ai’s heart as a child and an ultra-delinquent, arrives in Tokyo to settle a score from his past. He soon gets arrested after a rumble with some local toughs and is sent to reform school. Ai is still in love with Makoto and manages to get him released. She brings him to Aobodai Prep School where she studies. Ai’s love for Makoto inspires jealousy in Iwashimizu (Saito), the President of the Student Council, who loves Ai. Soon Makoto is sent to Hanazono Trade School where girl gang leader Ango Gumko (Ando) and Yuki, a “sad chick”, soon develop feelings for him. With Makoto in the centre of this tangled web of love things get extremely complicated and melodramatic.

11.25 The Day He Chose His Own Fate                                                                        

Japanese Title: １１. ２５自決の　ひ　三島　由紀夫　と　若者　たち

Romaji: 11.25 Jiketsu no Hi: Mishia Yukio to Wakamono-Tachi 

Running Time: N/A

Director: Koji Wakamatsu

Writer: Masayuki Kakegawa

Starring: Arata, Shinnosuke Mitsushima, Tasuku Nagaoka, Takatsugu Iwama

Koji Wakamatsu is one of the big figures of Japanese cinema but he tragically died last year. This is a politically charged movie which tackles the writer, critic, and nationalist Yukio Mishima. The film screened at Cannes in the Un Certain Regard category and managed to collect mixed reviews but it should be worth going to see one of the last few films from an important voice in Japanese cinema.

Taking place in 1960’s Japan at a time when economic growth sky-rocketed but the nation was wracked by political turmoil and social changes from sexual liberation to student riots over individual’s rights and the US military presence in Japan, author and intellectual Yukio Mishima was a major voice, a nationalist who espoused traditional values based on the Bushido code while having a controversial private life. He and his militia will attempt a coup d’Etat by taking a military commander hostage.

Odayaka                                                                      

Japanese Title: おだやか　な　日常

Romaji: Odayaka na Nichijou

Running Time: 102 mins.

Director: Nobuteru Uchida

Writer: Nobuteru Uchida (Script),

Starring: Kiki Sugino, Yukiko Shinohara, Takeshi Yamamoto, Ami Watanabe, Ami Watanabe, Yu Koyanagi, Makiko Watanabe, Maho Yamada, Susumu Terajima, Maki Nishiyama, Kotaro Shiga, Kanji Furutachi, Yuko Kibiki, Yuya Matsumura, Kan Takashima, Eriko Oguchi,

This is the second film which uses the March 11^th earthquake and tsunami as part of its story and was originally released at the end of last year. It follows Women on the Edge (a Masahiro Kobayashi film which also has Makiko Watanabe), The Ear Cleaner and The Land of Hope (Sion Sono). It is written and directed by Nobuteru Uchida (Love Addiction).

Saeko (Sugino) and Yukako (Shinohara) are neighbours in a Tokyo apartment complex. Following the March 11^th Tohoku Earthquake and Tsunami both find their lives affected by newfound fears. Saeko is undergoing a divorce and fears her daughter may get radiation exposure. Yukako also fears the radiation and asks her husband to move. When Saeko saves Yukako from suicide, the two become close.

What does the top of the Japanese movie box-office charts look like?

1.  Men in Black III
2.  Dark Shadows
3.  Thermae Romae
4.  Girls for Keeps
5.  Sadako 3D

Two so-so Hollywood comedies are dominating while Thermae Romae refuses to leave the top three even after 5 weeks. The only new film released last week to break into the top ten was Girls for Keeps while the interesting looking and well received film My House failed to make it which is a bit of a shame.

What’s released this week?

11.25 The Day He Chose His Own Fate                                                                       

Japanese Title: 11.25 Jiketsu no Hi: Mishia Yukio to Wakamono-Tachi １１．２５自決の　ひ　三島　由紀夫　と　若者　たち

Release Date: 2^nd June 2012 (Japan), Premieres at Cannes

Running Time: N/A

Director: Koji Wakamatsu

Writer: Masayuki Kakegawa

Starring: Arata, Shinnosuke Mitsushima, Tasuku Nagaoka, Takatsugu Iwama

Koji Wakamatsu’s latest film screened at Cannes in the Un Certain Regard category and managed to collect mixed reviews. It is another politically charged movie which tackles the writer, critic, and nationalist Yukio Mishima.

Taking place in 1960’s Japan at a time when economic growth sky-rocketed but the nation was wracked by political turmoil and social changes from sexual liberation to student riots over individual’s rights and the US military presence in Japan, author and intellectual Yukio Mishima was a major voice, a nationalist who espoused traditional values based on the Bushido code while having a controversial private life. He and his militia will attempt a coup d’Etat by taking a military commander hostage.

Black Dawn                                                              

Japanese Title: Gaiji Keisatsu 外事　警察

Release Date: 02^nd June 2012 (Japan)

Running Time: 129 mins.

Director: Kentaro Horikirzono

Writer: N/A

Starring: Atsuro Watabe, Machiko Ono, Kim Kang-Woo, Yoko Maki, Min Tanaka, Ryo Ishibashi

The Anti-Terrorism Investigators make the leap from the small-screen to the silver-screen. In the cast are Atsuro Watabe who was in Love Exposure and Ryo Ishibashi who appeared in Audition and The Grudge.

When Japan is hit by the 2011 Tōhoku earthquake and tsunami it falls into chaos. The disaster coincides with news from the CIA that uranium is being smuggled in Japan. Kenji Sumimoto (Watabe) is part of the foreign affairs division of the Tokyo Metropolitan Police. A detective with the willingness to bend the rule, he finds himself handed a hot case when sensitive documents and enriched uranium go missing following the disaster. His mission is to uncover the truth of the smuggling operation which stretches to the Korean peninsula. His one lead is Kaori Okuda (Maki), the wife of a businessman thought to be a spy. He will soon be joined by an undercover Korean policeman named Ahn Min-Chul (Kang-Woo) in what will become an explosive adventure.

Mask the Kekkou Reborn                                                                                    

Japanese Title: Kekko-Kamen Shinsei – Reborn けっこう仮面　新生 Reborn

Release Date: 02^nd June 2012 (Japan)

Running Time: N/A

Director: Nozomu Kasagi

Writer: Go Nagai (Manga)  

Starring: Aino Kishi, Rei Toda

AV actress Aino Kishi (Samurai Priness) is back with Rei Today (star in this year’s Futari Ecchi movie) in the latest live-action version (eighth to be exact) of Go Nagai’s manga Splendid Mask. Yes, go Nagai of Cutie Honey and Mazinger Z fame and Shameless School notoriety. Having watched anime adaptations of Nagai’s Devilman and Violence Jack stories I picture this as an unrepentantly silly example of exploitation cinema.

There is a boarding school that goes by the name Spartan Institute of Higher Education run by a demon named Toenail of Satan. It is a misogyistic and evil place run by demons who get their kicks by sexually humiliating students who make mistakes. Who can protect the students? Kekkou Kamen can. She is a female who only wears a mask, gloves, scarf, and boots and uses a combination of acrobatic martial arts and her deadly pubic hair jump special move to subdue the teachers.

The Final Judgement                                               

Romaji: Fuuinaru Jajjimento

Japanese Title: フアイナル　ジャッジメント

Release Date: 02^nd June 2012 (Japan)

Running Time: 111 mins.

Director: Masaki Hamamoto

Writer: Ryuho Okawa (Novel)  

Starring: Kota Mirua, Umali Thilakarathna, Ken Kaito, Jo Shishido, Shiro Namiki, Ryo Tamura, Fumiko Mizuta, Tomoki Fukuzawa

I don’t recognise the principal staff or cast but I recognise some of the support like Shiro Namiki (Mitsuko Delivers, Land of Hope) and Fumiko Mizuta (Shibuya Kaidan/The Locker).

Shogo Washio (Miura) tries to warn the world about the dangerous expansionist policies of the nation of Ouran (the high school host club?!?!?) and teams up with Kenzo Nakagishi (Kaito) to forms a political party. Nobody listens to them and Ouran continues to grow in power until they conquer Japan. Martial law is imposed and freedoms are taken away but this only causes the emergence of a resistance organisation named ROLE which Washio joins.

Day 10: 11.25 The Day He Chose His Own Fate – Un Certain Regard

Director: Koji Wakamatsu, Writer: Masayuki Kakegawa, Starring: Arata, Shinnosuke Mitsushima, Tasuku Nagaoka, Takatsugu Iwama

Prolific veteran director Koji Wakamatsu tackled the violent and tough story of an extreme far left group during the turmoil of 1960’s Japan in the award winning United Red Army and now he is tackling a controversial figure on the right in the shape of Yukio Mishima, a writer, critic, and nationalist who espoused traditional values based on the Bushido code. He and his militia attempted to launch a coup d’Etat by taking a military commander hostage.

He is at Cannes with his film where he took part in a Q&A which had some interesting quotes:

What does Un Certain Regard mean to you?
It is an honour for me to be selected at “Un Certain Regard” since making film means how director express own “regard”.

Why is cinema essential to you?
Film making is my essential weapon for expression.

What about that critical reception?

“11/25: The Day He Chose His Own Fate is not as rigorous a work as it should be, but it is a complex and absorbing re-interpretation of the Mishima legend.” Simon Abrams (indiewire)

“Flat as a TV movie, Wakamatsu goes earnest with biopic, sans Schrader’s arty flamboyance & RED ARMY’s ferocious autocannibalism” Budd Wilkins (Slant Magazine)

After watching the trailer the film seemed like heavy going. Wakamatsu’s latest movie gets released in Japan next month.

The 65^th Cannes Film Festival takes place from the 16^th to the 27^th of May so Cannes-chan (left) is going to be following the festival. Every time you see her expect some news on the Japanese films competing. Major news came out at the end of last week when the organisers released the line-up of films that will screen at the glamorous event. There are some interesting titles taking part at this year’s festival with the likes of David Cronenberg and Brandon Cronenberg bringing projects. America has some great entries and there is a strong European presence with Ken Loach and Michael Haneke (if you want a proper run-down of the contenders then read Bonjour Tristesse’s blog). There is also a strong Asian selection but there are only four major Japanese films so here they are:

11.25 The Day He Chose His Own Fate

Release Date: 2^nd June 2012 (Japan), Premieres atCannes

Running Time: N/A

Director: Koji Wakamatsu

Writer: Masayuki Kakegawa

Starring: Arata, Shinnosuke Mitsushima, Tasuku Nagaoka, Takatsugu Iwama

Prolific veteran director Koji Wakamatsu tackled the violent and tough story of an extreme far left group during the turmoil of 1960’s Japan in the award winning United Red Army and now he is tackling a controversial figure on the right in the shape of Yukio Mishima. Taking the lead role is Arata who was in United Red Army and also appeared in Kore-eda’s wonderful film After Life.

Taking place in 1960’s Japan at a time when economic growth sky-rocketed but the nation was wracked by political turmoil and social changes from sexual liberation to student riots over individual’s rights and the US military presence in Japan, author and intellectual Yukio Mishima was a major voice, a nationalist who espoused traditional values based on the Bushido code while having a controversial private life. He and his militia will attempt a coup d’Etat by taking a military commander hostage.

Like Someone in Love

Release Date: Premieres atCannes

Running Time: N/A

Director: Abbas Kiarostami

Writer: Abbas Kiarostami

Starring: Rin Takanashi, Tadashi Okuno, Denden, Ryo Kase

Like Someone in Love is Abbas Kiarostami’s follow-up to Certified Copy. A French/Japanese co-production and it is the only Japanese language film In Competition it stars Rin Takanashi (Goth: Love of Death), Denden (Cold Fish, Himizu) and Ryo Kase who starred in the recent box-office smash SPEC: The Movie. Kiarostami has form in Cannes having previously won the Palme d’Or for Taste of Cherry in 1997.

A young female student named Akiko (Rin Takanashi) works as a prostitute to pay off her university fees. One of her clients is an elderly academic (Tadashi Okuno) who is fond of her. Soon a relationship develops between the two.

Ai to Makoto

The Legend of Love and Sincerity (International Title)

Release Date: 16^th June 2012 (Japan), Premieres atCannes

Running Time: N/A

Director: Takashi Miike

Writer: Takayuki Takuma (script), Ikki Kajiwara (manga)

Starring: Satoshi Tsumabuki, Emi Takei, Takumi Saito, Sakura Ando, Ito Ono

Last year Takashi Miike was at Cannes with his 3D remake of Harakiri. This year Takashi Miike is back with an adaptation of Ikki Kajiwara’s romance manga Ai to Maokto. Kajiwara should be a famous name to manga fans from his work on tiger Mask and Ashita no Joe). The film sees Miike reunite with Emi Takei and Takumi Saito (13 Assassins) two stars from his previous film, Ace Attorney. It also stars Satoshi Tsumabuki (Villain) and Sakura Ando (Love Exposure).

Takashi Miike’s live-action film adaptation of Ai to Makoto is the fourth so far, the previous three being made in 1974, 75, and 76. It was announced as part of the Midnight Screenings section of the festival.

High school student Makoto Taiga (Tsumabuki) is an ultra-delinquent who has arrived in Tokyo to avenge an incident from his past. That will have to wait as he falls in love with the angelic Ai (Takei) who comes from a respectable family. Things will get complicated as Iwashimizu (Saito) is in love with Ai while Gamuko (Ando) has feelings for Makoto.

Riyoushi (The Barber)

Release Date: Premieres atCannes

Running Time: N/A

Director: Shoichi Akino

Writer: N/A

Starring: N/A

Shoichi Akino is a student at the Tokyo University or the Arts and he sees his short film take part in the Cinéfondation Selection which has whittled down 1,700 films from 320 film schools to 15. Information is scarce at this point.