#161 – Cher – “Believe” – (1998)

I could not be less of a Cher fan, but when this song came out, I didn’t know who Cher was and I was easily won over by the ridiculous electronic sound of this song. Plus, it was everywhere (and if you didn’t like it when it came out, it was probably because you thought too highly of yourself).

#162 – 98° – “The Hardest Thing” – (1998)

98 Degrees had to suffer as “the other boy band” during the boy band explosion of the late 90s – well, none of them were technically bands. “The Hardest Thing” was the better of their two singles from 98° and Rising. The other was “I Do (Cherish You)” and was the star of the first Making the Video (remember how big that show was?) It had Screech in it. Why? I’m guessing because that was a pop-culture reference that people who watched MTV 10 years ago still understood.

GBI (German Bold Italic)

#164 – Natalie Imbruglia – “Torn” – (1998)

This one was terribly overplayed, unfortunately – to almost Aerosmith proportions. There were other singles, but none nearly as popular as this one – however fortunately or unfortunately that may be.

Thể loại : Kinh dị, Giả tưởng, Mỹ

Năm : 1998

Hãng sản xuất : Dimension Films

Đạo diễn : Robert Rodriguez

Diễn viên : Josh Hartnett, Clea DuVall, Elijah Wood, Salma Hayek, Laura Harris, Usher

Nội dung : Một nhóm học sinh trường trung học Herrington phát hiện các thầy cô giáo trong trường đã bị bọn Alien xâm nhập vào cơ thể và điều khiển bọn họ. Bọn chúng có dã tâm thôn tính cả địa cầu và nhóm học sinh này là cứu tinh duy nhất của nhân loại khi họ tìm ra được điểm yếu của bọn xâm nhập. Tuy nhiên người thật sự đứng sau điều khiển bọn Alien này lại chính là một học sinh trong trường …

Audio : English

Subtitles : English – Vietnamese

Chất lượng : HD

Giá : 15.000 đ / 1DVD

- por Bernardo Brum

A era hippie acabou e agora todos estão trabalhando. Mas você sabe, às vezes tem um homem que pode mudar tudo isso.  Sem comunistas, agora no máximo podemos acreditar no discurso deste republicano ou daquele democrata. Mas às vezes existe um homem para provar como nós todos estávamos enganados. Tudo agora é baseado no dinheiro para a caridade, para as artes plásticas ou para fortalecer a máfia da pornografia em videotape, que não sabem mais o que é cinema. Só que as vezes tem um homem que não liga, chega e destrambelha tudo.  E esse homem que eu não conheço não é ninguém importante, mas você sabe que às vezes tem um homem que… Hum, perdi o fio da meada.

Eis Jeffrey Lebowski, O Cara, exímio jogador de boliche que junto de seus incapazes amigos – o cardíaco Donny e o psicótico ex-combatente do Vietnã Walter – é tirado do seu mundo de baseados, white russians e calorosos debates nos clubes onde bolas rolam e pinos caem para fazer as vezes de Sam Spade. Ou de Philip Marlowe. Para aqueles sombrios anos pós-depressão,  o homem era Bogart, gel no cabelo, terno impecável, cigarrinho no canto da boca e frases ferinas. Nesses anos de incrível ressaca moral, nós temos que deixar isso pra lá e buscar compensação por nossos carpetes mijados e nossas fitas do Creedence.

Esse é o dilema moral do Cara. Tomado por um milionário homônimo, tendo seu carpete mijado e tendo que sair por aí atrás de uma ex-atriz pornô casada com o tal Grande Lebowski – que, segundo o próprio foi raptada por uma gangue de… niilistas? E, claro, no meio do caminho tendo que aguentar moleques arrogantes, a filha excêntrica do milionário, o síndico afetado, o pederasta mothafucka’, agiotas do mundo pornô, a polícia, um taxista que é fã do Eagles, os ataques de Walter, e lá vamos nós.

Predileção dos Coen, O Grande Lebowski é um grande filme sobre o nada, a desinformação, a estupidez e a fragilidade da vida. Só O Cara que não parece ligar sobre isso, e em momento algum ele reina soberano – o mundo faz gato e sapato de um pobre vagabundo metido em uma conspiração digna de um O Falcão Maltês ou À Beira do Abismo que, no final das contas, surgiu apenas por causa do caos que faz de nossas vidas grandes campanhas em nome de coisa alguma e que só foram empreendidas, afinal, porque nós somos estúpidos demais para fazer qualquer coisa útil. Ou preguiçosos, talvez.

Aí, uma bola de feno sendo empurrada por aí pelo vento logo transforma-se em sonhos psicodélicos envolvendo garotas gostosas vestidas de viking em uma pista de boliche, ou cinzas de um defunto sendo jogadas em nosso rosto. É tudo muito frágil, ridiculamente frágil. E é tudo muito estúpido, hilariamente estúpido. O planeta é tão rico em oxigênio quanto em burrice, e assim segue o balaio das grandes epopéias dos inúteis, por gerações. Por que, às vezes, tem um Cara para nos mostrar tudo isso. Às vezes, tem um cara para acender uns baseados e ouvir uns rockzinhos safados antes de terem a cabeça afundada na privada. Às vezes, tem… um Cara.

5/5

Ficha técnica: O Grande Lebowski (The Big Lebowski) – 1998, EUA. Dir.: Joel e Ethan Coen. Elenco: Jeff Bridges, Julianne Moore, Philip Seymour Hoffman, John Goodman, Steve Buscemi, Tara Reid, John Turturro, Flea

Miss November 1998 was the lovely and talented Tiffany Taylor, who had already appeared in Playboy several times on tearsheet type pictorials.

Photographed by Richard Fegley

She totally looks like Liv Tyler in that shot, don’t you think? I think there is a strong similarity. Then again, it could just be a case of me seeing what I want to see.

Even at a young age I was fascinated by the women on swimsuit posters. I thought those women were the most beautiful women ever and I longed to look like them. This began my desire to be a model. (official site bio)

I was very shy as a child (a trait I still have today) and could barely order food for myself when I went out to dinner. Luckily my step mother helped me to break out of my shell a little bit and become more assertive. My childhood was happy and filled with love, family, and lots of pets.

Q : Unlike a lot of Playmates, you don’t want to be an actor. Why not?
A : I don’t like the Los Angeles party scene. I’ve seen too many people my age who look like they’re 30 because they do drugs and party all night. I’m a real homebody. I suffer withdrawal when I miss South Park.
(“Taylor Made,” Playboy, November 1998)

Oh, how terrible to look 30. I cannot imagine. Gross.

YOU CAN NEVER HAVE ENOUGH
Ferrets, Coca-Cola, good loving, time to sit back and relax.

I’M ALWAYS
Driving fast, dining out, playing with my babies (my 7 ferrets). (Playboy data sheet)

I am totally on board with the driving fast and the preference of Coke over that nasty oversweetened malted battery acid the jokers call Pepsi, but ferrets? Hell to the no. J-Mys had some when she was engaged to Senor R way back in the day (just saw J-Mys this weekend for the first time since my wedding day, it was really good and she looked beautiful, blonder but still gorge) and those ferrets stank up the whole upstairs of their house. Grody to the max.

New York Comic-Con 2007

Ms. Taylor lives in Los Angeles now, despite her claim of disliking it. (Also, she is now 32.) But she does find time to travel back to the East Coast for special appearances. Here she is a couple years ago at the NYC Comic-Con with some lucky stormtroopers. Dude, I seriously love that picture so much. That’s one of the best I’ve seen of a playmate in present action yet.

The Handsome Family – Through The Trees
Carrot Top 1998

Listen while reading:

___________________________________________________

Through The Trees. Man, when I hear just the name of this album I have some of my best music related memories because there are not many other records that got me so intense as this one. This was also the first album that got me in touch with The Handsome Family and I can still remember the day. It was one summer afternoon back in 2008 and I sat down with two friends of mine, Jan and Lance, to watch Jim White’s documentary Searching for the Wrong-Eyed Jesus. And in this film, along with many other artists, The Handsome Family was featured with their song My Sisters Tiny Hands. But the strange thing was that I thought that their sound was special, but I was not that sure to start further investigations. But in the next days there was this strange feeling that I must listen to the music again – but still I wasn’t caught totally. It was Jan some weeks later who told me, that the actual band name was The Handsome Family and from this point on, I listend to their music – and to be exact to Through The Trees. I have to admit that it took me some rounds to get comfortabel but then I was like possessed with the album and I’m still. Every track on it seems to be a magical tune and Bret’s voice is so creppingly haunting – it’s hard to find the right words. Also the whole sound of the album was improved by 100 percent towards Milk And Scissors because they quit using the hard distorted guitar sound but totally include the keyboards. And, as I said in the article on Milk And Scissors, I’m not quite a fan of this instrument. But the both of them are freaking gods creating melodies and atmospheres that will never ever leave your brain again. Also they found a special and very unique way to combine country sound with what I call the typical Handsome Family sound. And this is also the reason why I include three tracks for you to listen to. Yet it is hard to choose just three of them! But because they are all so good I can’t make a mistake and that is quite something. I decided to include the opener (Weightless Again), the follow up (My Sisters Tiny Hands) and Cathedrals. I did so because the first two tracks are one of the best album beginnings I’ve ever heard. They sum up the whole album but still they are not the two smash hits wherefore the rest of the album must be worse. It’s the perfect middle ground and I just love it and love it even more. Cathedrals I had to include (right now I’m arguing with myself if I should rather include The Giant Of Illinois?…) because it is one perfect example of how they combine country with what maybe is the alternative in alt. country. Yeah, it sounds different but it’s is so familiar. What the heck, let the music speak for itself, I can’t do any better! But one track I need to mention seperately because it sounds different than the others. I’m talking about Down In The Ground – and this is one track you have to learn to love because the cawing vocals of Rennie are not everyone’s taste. But you can believe me when I tell you that this is no Big Bad Wolf 2 but rather a succsessful experiment that boots the whole album. So I think I talked enough – Through The Trees is a golden piece of musical history.

#168 – Shaggy – “Luv Me, Luv Me” – (1998)

What UB40 was doing ten years earlier really kind of peaked in the mid-to-late 90s and this is one of the best examples of reggae-influenced popular music from the 90s. And it’s yet another example of a soundtrack-sourced song scoring big, this time from the Angela Bassett film, How Stella Got Her Groove Back.

 Оценка альбома: 9/10.

 В целом “Oceanborn” очень хороший – есть песни, где по-меньше метала добавили, есть где по-больше, да и музыка мелодичная.

 Правда встречались пара переходов, где с одного ритма “прыгнули” на другой без дополнительных проигрышей, соединяющих эти ритмы. Также не очень понравилась песня The Pharaoh Sails To Orion, так как слишком длинная.

 А в остальном “Oceanborn” замечательный. Я получил настоящее удовольствие при его прослушивании.
 Хочу отметить песню Stargazers(ссылка на нее), как самую лучшую из альбома(мое мнение). Она и в самом деле что-то среднее между симфонией и металом, поэтому вышла на славу.

 Для любителей Symphonic Power Metal “Oceanborn” не будет разочарованием, поверьте мне.

Название альбома: Oceanborn Жанр: Symphonic Power Metal Год: 1998 Продолжительность: 00:53:14 Список песен: 1 Stargazers[ 00:04:28 ] 2 Gethsemane[ 00:05:22 ] 3 Devil & The Deep Dark Ocean[ 00:04:46 ] 4 Sacrament Of Wilderness[ 00:04:12 ] 5 Passion And The Opera[ 00:04:50 ] 6 Swanheart[ 00:04:44 ] 7 Moondance[ 00:03:31 ] 8 The Riddler[ 00:05:16 ] 9 The Pharaoh Sails To Orion[ 00:06:26 ] 10 Walking In The Air[ 00:05:31 ] Исполнитель: Nightwish Скачать Прослушать онлайн

Format: Demo
Year: 1998
Label: Self-released
Country: Brazil
Genre: Power Metal
Official Website

01. Templo de Fogo (Intro)
02. Guerreiros
03. Renúncia
04. Eternamente
05. Mistérios
06. Maior Mandamento

Download @ MediaFire

Maud

Maud loved gardening.  Maud was also quite adept at holding off the hordes of undead with her gardening implements: a lopper here, a trowel there.  When the virus did eventually catch up with Maud something in her now exposed brain still kept her favouring gardening implements, although this time the harvest was brains.

Reaper

Maud is another old 1980s GW zombie.  As noted before I tend to avoid armed zombie miniatures if possible, but Maud made it into the horde nonetheless.

I was in the newsroom when this story came over the police scanner.

Four officers had opened fire on a teenager. She was dead.

These details are not disputed:

She was drunk and stoned. She was passed out in a locked car with music blaring inside. The car was running. Police could not rouse her by banging on the windows. She had a semiautomatic pistol in her lap.

These details are murkier:

She was frothing at the mouth. She snapped awake when officers broke a window. Her hand moved toward the gun.

As the story gained fame, so did the side picking. Everyone sat in judgment over somebody in this story.

I’m on the side of the officers, who fired 27 shots into the Nissan Sentra and hit that 19-year-old with 12 of them.

Here’s why. This kid drank booze, smoked pot and went to a public convenience store with a loaded gun.

Using the same roads my loved ones and I use with babies in the back seats, she drove a vehicle so under the influence that she passed out and was unwakeable.

She sat armed and mentally altered where I might have been stopping with my children.

I’m going to come right out and say it. When someone makes those choices and becomes that level of a danger to the community, the officers should fire. Her rights, I believe, ended when she tried to take away everyone else’s right to safety in public.

I call open season on drunk people at gas stations with guns.

Apparently I’m in the minority.

I was also in the newsroom when the wire announced the four officers lost their jobs.

From/De: EA

Need for Speed SHIFT Revs up with All-New Team Racing Mode and Legendary Cars

REDWOOD CITY, Calif.–(BUSINESS WIRE)–Electronic Arts Inc. (NASDAQ: ERTS) today announced an all-new Team Racing pack for the critically-acclaimedNeed for Speed SHIFT™. The content pack takes online racing to the next level with an action-packed new race mode and five renowned racing cars – all for free (Need for Speed SHIFT and Xbox LIVE® or PlayStation®Network account required). The Team Racing pack is the first downloadable content for Need for Speed SHIFT and will be available worldwide on December 1^st on the Xbox 360® video game and entertainment system. The pack will be released for the PlayStation®3 computer entertainment system on December 3^rd in Europe and on December 10^th in North America.

The Team Racing mode brings a fresh new challenge to SHIFT by completely redefining online racing. In this mode, two teams of up to six racers will battle against each other for online supremacy. Individual driving strategy and playing it safe won’t work as team tactics and 200 mph split-second decisions are required to push your team to the podium.

As part of the new content, players will also get access to these legendary racers:

• 1967 Chevrolet Corvette Stingray 427
• 1967 Shelby GT-500
• 1969 Dodge Charger R/T
• 1971 Dodge Challenger R/T
• 1998 Toyota Supra Mark IV

The Team Racing content pack is custom-made for Need for Speed SHIFT, a spectacular racing game originally released in September 2009. The game introduces a brutal first-person crash dynamic and a signature cockpit view that delivers a true driver’s experience. The game further personalizes the experience through the all-new driver profile — a unique persona based on the driving skill and style of each player. With a perfect ‘10’ score from GameSpy.com and G4TV.com, and 90+ scores from IGN.com, Official Xbox Magazine, PlayStation: The Official Magazine, Team Xbox.com, Game Daily.com, Gametrailers.com and more, Need for Speed SHIFT is the highest rated Need for Speed game in years.

Need for Speed SHIFT is now available on the PlayStation3, Xbox 360, PC, PSP® (PlayStation®Portable) system, mobile and coming soon on the iPhone™. More information can be found at www.needforspeed.com or follow us on Twitter at NeedforSpeed.

Press can download assets at http://info.ea.com.

About Electronic Arts

Electronic Arts Inc. (EA), headquartered in Redwood City, California, is a leading global interactive entertainment software company. Founded in 1982, the Company develops, publishes, and distributes interactive software worldwide for video game systems, personal computers, wireless devices and the Internet. Electronic Arts markets its products under four brand names: EA SPORTS^TM, EA^TM, EA Mobile ^TM and POGO^TM. In fiscal 2009, EA posted GAAP net revenue of $4.2 billion and had 31 titles that sold more than one million copies. EA’s homepage and online game site is www.ea.com. More information about EA’s products and full text of press releases can be found on the Internet at http://info.ea.com.

EA, EA SPORTS, EA Mobile, POGO and Need for Speed are trademarks or registered trademarks of Electronic Arts Inc. in the U.S. and/or other countries. The names, designs, and logos of all products are the property of their respective owners and used by permission. Microsoft, Xbox and Xbox 360 are trademarks of the Microsoft group of companies. “PlayStation” and “PSP” are registered trademarks of Sony Computer Entertainment Inc. All other trademarks are the property of their respective owners.

• Origem: New York
•  Gênero: Death Metal, Grindcore 

>Faixas<

1. I Will Kill You
2. Disposal of the Body
3. Sentenced to Burn
4. Blood Drenched Execution
5. Gallery of Suicide
6. Dismembered and Molested
7. From Skin to Liquid
8. Unite the Dead
9. Stabbed in the Throat
10. Chambers of Blood
11. Headless
12. Every Bone Broken
13. Centuries of Torment
14. Crushing the Despised

• Site oficial 

Оценка альбома: 9/10.

В целом “Oceanborn“очень хороший – есть песни, где по-меньше метала добавили, есть где по-больше, да и музыка мелодичная.

Для любителей Symphonic Power Metal “Oceanborn” не будет разочарованием, поверьте мне.

Название альбома: Oceanborn Жанр: Symphonic Power Metal Год: 1998 Продолжительность: 00:53:14 Список песен: 1 Stargazers[ 00:04:28 ] 2 Gethsemane[ 00:05:22 ] 3 Devil & The Deep Dark Ocean[ 00:04:46 ] 4 Sacrament Of Wilderness[ 00:04:12 ] 5 Passion And The Opera[ 00:04:50 ] 6 Swanheart[ 00:04:44 ] 7 Moondance[ 00:03:31 ] 8 The Riddler[ 00:05:16 ] 9 The Pharaoh Sails To Orion[ 00:06:26 ] 10 Walking In The Air[ 00:05:31 ]   Исполнитель: Nightwish Скачать Прослушать онлайн

http://www.discogs.com/B-1-Cardinal-Sins/release/253940

Label: Rawkus
Catalog#: RWK 163-1
Format: Vinyl, 12″
Country: US
Released: 1998
Genre: Hip Hop
Style: Gangsta
Tracklist:

A1 Cardinal Sins (Radio)
Featuring – Kool G Rap
Producer – Chuckie Madness
A2 Cardinal Sins (Street)
Featuring – Kool G Rap
Producer – Chuckie Madness
A3 Cardinal Sins (Instrumental)
Producer – Chuckie Madness
B1 The Life We Lead (Radio)
Producer – DJ Kool G
B2 The Life We Lead (Street)
Producer – DJ Kool G
B3 The Life We Lead (Instrumental)
Producer – DJ Kool G

http://www.mediafire.com/?ncovw0dj2vz

The Gadjits were a ska and rock and roll band from Kansas City, Missouri. – from wikipedia

i really like this album even though it’s not spectacular in any way. it’s pretty laid-back and fun.

http://www.mediafire.com/?zz0kkyvxjkn

Stunt

Barenaked Ladies

1998

Reprise

Ah yes, the Barenaked Ladies… ridiculous lyrics, fun music, and an overall good time.  And of course, Stunt had a few hits on it, which never hurts either.  This was the first album I picked up from them, obviously from the first track, which everybody and their mother knew.  It instantly became one of my favorite albums, and still is up there on my list, although now, Everything To Everyone by BnL (that’s Barenaked Ladies… remember that, I’ll use it a lot cause I’m lazy) is their best offering, in my opinion.

So now onto what matters, the songs.  What better way to start off than the huge hit single.  Everyone either knew every lyric, couldn’t understand what the hell they were saying, or was under a goddamn rock.  “One Week” is what I’m talking about of course.  This song pretty much sums up what I expect from BnL on every album.  Maybe because it was my gateway song to them, but it seems like most of their songs have an upbeat, ridiculous sound to them.  I used to (and still do) know every single lyric to this song.  In fact, the only part that ever tripped me up was ‘gotta get a set of better clubs, gotta find the kind with tiny nubs’.  I still can’t get that exactly right…

So enough about that, onto “It’s All Been Done”.  I still occasionally hear this song on the radio (what tiny, tiny amount I listen to it).  Another cool song, albeit different than the preceding track.  A bunch of stories about how everything with love and romance has been done, whether today, in the 13th century, or during the Roman empire.  Or maybe it’s about how love can persevere for that long? I dunno, but it’s a damn good song.

The album slows down a lot for the next track, “Light Up My Room”.  I never could get into this song until recently.  Something about it put me off, but now I think it’s pretty good, and not a low point like I had previously thought.  The guitar kicks in pretty bad-assedly at times, and it’s just a mellow, flowy song.

After that, the album keeps a slightly lower tone, with “I’ll Be That Girl”.  This song has some really dark undertones, which is weird.  It seems like it’s either about a girl committing suicide, what with the talk of hanging, and there being no tomorrow.  It’s almost like the girl wants the attention of a guy, and would attempt suicide as a way to get the attention.  Sadly, this could very well be a reality for some people.  Still a good song though.

“Leave” is up next, and thankfully it’s more upbeat.  There’s some very cool instrumental work in this song, some of it more subtle than others.  And the do-do-do’s as a chorus is brilliant; it flows so well with the rest of the song.  Also, harmonies! Hell yeah!  And the solo is awesome too!  This song is so good, and was definitely one of the first songs besides the hits I got attached to from the album.

“Alcohol”, ‘my permanent accessory’.  This song possesses the best qualities of BnL’s awesomeness:  ridiculous lyrics, upbeat, up-tempo music, and brilliant vocals.  So a song about discovering how awesome life is when drunk… not much more to say here, other than great keyboard work to go along with the great vocals that always come from BnL.

“Call And Answer” slows it down again, but doesn’t slack on the vocals, or anything for that matter.  A tame, simple drum beat, peaceful guitar, soothing vocals, it’s another mellow masterpiece here. (See what I did there with alliteration?) The one problem with this song is the length… it’s almost six minutes long, and the fact that it’s a slow song seems to make it longer.  It still isn’t a bad song, but it also isn’t as good as “Alcohol” or “One Week”.  Oh yeah, and if the vocals after about the four minute mark don’t sell you on Ed and Steve’s vocal ability, you’re seriously insane.

“In The Car” is a song of young love leaving someone unfulfilled.  The guy because he couldn’t assert his insertion, and the girl because the guy left for good.  Also, they were searching for something inside themselves, and instead “found” each other, if you know what I mean (Do you know what I mean?).  Oh and the guy had a wet dream about the girl’s mom, and never told her.  Seriously, the song is weird, but still good.

“Never Is Enough” is more classic BnL:  strange lyrics, and upbeat music.  It’s all about the stuff you don’t want to do with your life, and saying that never doing them is doing them enough for you.  It’s something everyone can connect with.  Some of the stuff they talk about is a little silly, but who the hell cares, that’s what you should be ready for with these guys.

“Who Needs Sleep?” is pretty much the first song I got addicted to after “One Week”.  Yet more ridiculousness here, with some cool sound effects in the percussion beat.  Anybody who has ever had trouble sleeping (yes, that includes you there) can connect with this song.  Also, there’s more talk about contrast in relationships.  The chorus is so awesome, with the whole band joining.  And a man who has been awake wince WW2? That line still kills me… I don’t know where the hell they got that from.  Definite candidate for best song on the album, with “One Week” and “Alcohol”.  Oh and find the secret (not so secret) hulla hulla hulla.  It’s great.

“Told You So”  combines some ridiculous lyrics with some serious ones.  A tough thing to do, but BnL does it really well.  The guitar and bass weave together in a pretty cool way here.  I seriously can’t figure out what this song is about… Some lyrics make me think it’s about holding grudges, some make me think it’s about being arrogant, some make me think it’s about being stubborn.  Solid song nonetheless, and definitely a good listen.

Weird percussions again? But of course! “Some Fantastic (Ivory and Ivory)” is up next and I dunno where they got the parenthetical part of the title from, perhaps from two similar people being together?  Seriously, though, there’s some stuff I wish I could do in this song.  For example, making a machine to eliminate all the people in front of you in line or making a satellite and naming it after someone.  Also, there’s one specific part that sounds kinda tame, but gets worse as it goes on: ‘Someday I will work with animals’ Okay, not too bad… ‘All the tests I’m gonna do’ Okay, where is this going, could be bad or good… ‘and when it’s done I’ll boil em down for glue’ Woah, wait what?  I’ll leave this song with that thought.

The album closer, “When You Dream” is kinda upsetting.  I never could get into this song, and I still can’t.  It’s not the type of song I expect from BnL, and while they do a good job, it’s just not for me.  Personally, it’s the low point of the album.  That’s why I stop listening after the previous song.

So that’s all for Stuntby Barenaked Ladies.  Overall, I’d rate this album a 7.5/10, because there’s too many songs that turn me off too much, and deviate from what I want to hear from BnL.  If you’re looking to get into these guys, give this a listen, then listen to Everything to Everyone.  Those are their two best albums, and they give the best overall picture of their whole spectrum of music.

Buy This Album

Official Site

Last.fm Page