akai « WordPress.com Tag Feed

Specjalna edycja samplera Akai

0dBpl — Mon, 30 Nov 2009 13:51:53 +0000

Choć nowy sampler Akai, MPC2500SE miał już swój światowy debiut na targach Music Fair w Japonii, to jednak jego handlowa premiera przewidziana jest na styczeń 2010, zapewne na NAMM. Urządzenie dostępne będzie w ograniczonej liczbie egzemplarzy (podobnie jak w przypadku ubiegłorocznej wersji LE wyprodukowanej przez Akai dla Guitar Centre w liczbie 500 sztuk). SE będzie miał niebieski wyświetlacz oraz srebrną plakietkę z indywidualnym numerem seryjnym. Na pokładzie znajdzie się maksymalna ilość pamięci RAM (128 MB) oraz napęd CD.

Więcej informacji na temat wersji SE znajdziecie na tej stronie.

Informacja z godz. 21.00 dn. 30.11.2009 – produkt jest już niedostępny w sklepie Dolphin Music, ale można jeszcze zamawiać w Digital Village oraz pytać u polskiego dystrybutora Akai, w firmie Audiostacja.

My New Toy

paulfrichet — Sat, 28 Nov 2009 16:26:51 +0000

J’ai reçu hier mon dernier joujou, un sampleur Akai S3000!

Yesterday, i’ve just received my brand new toy (well, not so new…), an Akai S3000 sampler!

De plus, j’ai eu la plaisante surprise en recevant cette antiquité des années 90 de m’apercevoir qu’ il y avait un disque dur installé dedans et une extension de mémoire vive, ce qui va m’éviter de me prendre la tête avec des disquettes. Bref, il ne me reste plus qu’ à apprendre à me servir de cette grosse boite…

As a bonus, i’ve had the pleasing surprise to learn that there’s already an hard drive installed in it, plus extended memory, so i won’t have to deal with floppys drama. So, all i got to do right now is to learn how to use that big metal box…

EGADZ!

praxis83 — Thu, 26 Nov 2009 05:41:24 +0000

I was blessed enough to catch bay area beat bully egadz about a month back, as he hit up Seattle via the always solid STOP BITING night @ Lo-Fi Lounge. Dude mashed through his set on the mpd with surgical dexterity despite being admittedly sloshed, this video gives you at taste of what homie can do.

His latest and last album is called egadz is dead, and at aforementioned show he said it would be the last night he was performing under said moniker, citing a desire to move on to a new project. So treat your ears, sample and support egadz music here or here.

No>Such>Thing.

tak4prez — Fri, 20 Nov 2009 00:51:04 +0000

No one I know keeps his ear to the ground like Todd. Between his connecs in the music biz and his sharp eye for talent, he’s managed to work with some really gifted artists. Most recently, he’s been globetrotting with his latest artist, Nosaj Thing, who’s quietly become the face of LA’s burgeoning underground electronic music scene.

Nosaj’s debut album, Drift, is a good soundtrack for some of those rainy days. But it’s his live show that really seals it. Watching him gyrate sweatily over his Akai MPD-32 is oddly hypnotic; as he splices in Portishead or Busta Rhymes acapellas, it’s easy to forget that he’s this soft-spoken Korean kid from Pasadena. Live Electronic music has always suffered from the lack of a visible performance aspect, which has prompted acts like Glitch Mob to tilt their controllers towards the audience. But somehow, even though it’s hard to tell whether he’s actually manipulating anything, Nosaj manages to engage the audience.

In the video below, he breaks down his live set a bit, which simply involves his laptop, Ableton Live, and the MPD (which also triggers his light show). You can peep more of Nosaj Thing’s music in the sidebar music player.

Scratch: Le Dj, c'est vous !

netzik — Thu, 19 Nov 2009 22:41:02 +0000

Produit par Scratch DJ Game, LLC, « Scratch : The Ultimate Dj » est un jeu qui, à la manière d’un Guitar Hero, placera le joueur directement à la place de l’artiste. Le software sera accompagné à sa sortie d’une platine réalisée en association avec les célèbres marques Numark et Akai. Cette manette de contrôle, qui n’en est ici plus vraiment une, a souvent été comparée lors de différents tests à la N57 de Numark, ainsi qu’à la MPC de Akai. Et pour cause, les deux constructeurs ont ici mis leur savoir-faire au service du jeu en recréant des éléments qui ont fait leur renommé. Le joueur aura ainsi à sa disposition des pads de contrôle similaires à ceux présents sur la célèbre boîte à rythme, ainsi qu’un plateau et un cross-fader lui permettant de reproduire des centaines de gestes de Dj.

Prévu pour début 2010, il est certain que ce jeu saura séduire certains aficionados de musique urbaine qui auront à cœur d’imiter leurs idoles.

Pour illustrer ce billet, découvrez ci-dessous une vidéo présentant ce fameux combo platine/boîte à rythmes :

GT.

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Prévu pour début 2010, il est certain que ce jeu saura séduire certains aficionados de musique urbaine qui auront à cœur d’imiter leurs idoles.

Pour illustrer ce billet, découvrez ci-dessous une vidéo présentant ce fameux combo platine/boîte à rythmes :

Akai MPC 2500 im Skiurlaub!

musikshop — Thu, 12 Nov 2009 14:43:09 +0000

Fast hätten wir ihn nicht erkannt, doch er ist es: Gesichtet wurde der Akai MPC 2500 LE in winterlichem Weiß. Schick sieht er aus und auch an Funktionen wurde nicht gespart. Doch endgültige Informationen zum Erscheinen und den Features gibt es keine, sicher ist aber, dass er kommt.

Großer oder kleiner Bruder des Akai MPC 2500? Weiterentwicklung? Upgrade? Wir wissen es nicht! Aber er sieht so gut aus, dass uns nichts anderes übrig bleibt, als dran zu bleiben.

Interessantes und Wissenswertes zum MPC 2500 ist bis dahin im Musikshop Leipzig nachzulesen.

Akai MPC 2500 im Skiurlaub!

deejayladen — Thu, 12 Nov 2009 14:35:27 +0000

Großer oder kleiner Bruder des Akai MPC 2500? Weiterentwicklung? Upgrade? Wir wissen es nicht! Aber er sieht so gut aus, dass uns nichts anderes übrig bleibt, als dran zu bleiben.

Interessantes und Wissenswertes zum MPC 2500 ist bis dahin im Deejayladen nachzulesen.

Akai MPC 2500 im Skiurlaub!

musikhauskorn — Thu, 12 Nov 2009 14:33:24 +0000

Großer oder kleiner Bruder des Akai MPC 2500? Weiterentwicklung? Upgrade? Wir wissen es nicht! Aber er sieht so gut aus, dass uns nichts anderes übrig bleibt, als dran zu bleiben.

Interessantes und Wissenswertes zum MPC 2500 ist bis dahin im Musikhaus Korn nachzulesen.

Televisions for Free!!

Nilesh — Mon, 09 Nov 2009 04:26:56 +0000

Last time Akai had entered Indian market, the consumers and competitors were taken by surprise when they launched tv’s with price tag of less than 10000 rs.

This time around what should we expect? May be one on one offer? May be free TVs !!

I thinks others consumer electronics manufacturers might have started wetting their pants.

Akai MPC 500 - review

synthvibrations — Wed, 04 Nov 2009 15:11:31 +0000

Akai is famous for their tradition in making samplers and recording machines.
The MPC500 is one of the last sampler produced in a world ruled by softsamplers, let’s understand why…
The MPC series is a sampler and sequencer combo that made history.
The MPC60 (the first MPC ever!) was the evolution of the sampling drum machine LINN 9000, a really revolution in the drum machine contest in the 80s.
The MPC concept is basicly a drum/percussion sampler with a powerful midi sequencer inside a box with sensitive touch pads.
That combination seems like a little rhythm making studio in a box, because you ‘re not limited to standard drum sounds but you can sample your own sounds and use it in combination with the sequencer to create a composition that’s something more than a rhythm.
After the 60 came the 3000 that offered more memory and some adds like easy scsi storage, than the 2000 that enhanced the possibilities of the machine with graphic editing and the 2000xl with multi timbral and melodic capabilities.
The top of the line during the 2000xl period was the MPC4000 , a large MPC that used the Z4/Z8 sampling engine (a standard sampler , not geared only towards beat making) with a big sequencer, control surface…

After the the 2000xl and 4000 Akai started a third generation MPCs: the 1000 and than the 500 , 2500 and now the 5000.
The new mpcs have a new dimensions that’s to compensate softsampler limits and the stability, they take the mpc concept a step ahead , to create somenthing that does not compete with softwares but that can be used with sw and workhorse for live duty.

The MPC 500 is the lighter and cheaper model of the serie, it lacks some interesting features of its bigger bros but has some winning points!
First It’s important to say what the 500 miss:

graphic editing of the samples
the sequencer has 48 midi tracks instead of 64
12 pads instead of 16
no individual outs
the volume of outs in this machine is lower than the others MPC.
the rubber sensitive pads are harder to on the touch, it seems you have to push them harder to get velocity 127!

The graphic editing is important on machine like this if you want to use it as a standalone production tool, but it has usb, and CF card for storage so you can edit and load or save your samples on your computer and it’s a fast operation, no sds midi dumps or scsi connections…

The sequencer has 48 tracks instead of 64… well 48 tracks for pattern are a lot, I don’t feel like missing the 64tracks using the MPC500…

12 pads instead of 16… well it maybe a limitation but I find useful instead!
When I use tuned samples 12 pads are like 1 octv keyboard, so I use to samples one sound for octv and then with 4 samples I can play a 4 oct sound without the feeling of loosing the “reality” of the sound, because 1 sample does not stretch too much.
And using the 12 levels the sample has 1 octv play!

The 500 has only the stereo out, and this is a limitation if you want to do record a bunch oof tracks at the same time, but if this is not your need the absence of the multi outs is not a bad miss.

One important aspect of this machine is the particular “low” volume output.
In a A-B test with the MPC2000xl the 500 outputs half the volume of the 2000 with an headroom set not to have distortion or degradation of the sound.
I think at AKAI designed this machine as a battery operated , so to let the batterys last longer they reduced the amplification consumption, leading to a lower volume.
I ‘m honest, this is one of the things I don’t really like in the 500, because this aspect influences the sound, annd if you want a “clean” sound you have not to push the headroom to 0dB and stay calm with the mixer section.
The more you try to pump the sound from the internal volumes, the more it sound harsh or with a light distortion on higher frequencies.
But if the volume are set in the right way (70/80 on the mixer, and a headroom of minimum 6dB) everything works very well, the sound is clean and punchy.
The only way to get the 500 pump louder is to rise the volume on your mixer or use a preamp/compressor.

The sensibility of the pads is another downfall of the 500.
They have a particular curve that can be tricky to manage at first.
To get a velocity value 127 you have to thump really hard, so my use of the velocity with the pads is quite limited…
I usually tend to switch velocity to 100% and play the main rhythm (kick and snare ) then I switch velocity on and start playng with the note repeat in order to make a quantised rhythm with velocity movements.
The other alternative is to record every track with velo at 100% and then edit the velocity using the slider in realtime.

Apart from these points the 500 has some major strenghts!

It’s superportable, superslim!
Battery powered
USB connectivity and CF card drive
A SUPERB timing!
A great sequencer that can control the onboard sampler together with other midi devices
It’s really easy to use
onboard effects are ok
can work as a multitimbral sound generator with /without using its own sequencer.
Multimode filters are good and are realtime effective (not on the previous models)
Sounds really good (if you don’t push your headroom to 0 dB!)

The sampler engine is complete with even resampling and easy editing.
The sound engine is well thought and has indipendent multimode filters , AD envelope, two efx with send/insert, mute groups…
The 12 levels (to play the sample chromatically) works as on the previous models, and the interesting aspect is that every motion recorded is realtime and fluid.
All in all this little machine has many strong features and some minor letdown (the hard sensitive pads and the “not so high” volume) but can be really useful to many task in every kind of music, and could be the portastudio for hip hop & R’n’B producers who want to compose in the park or in the subway…

Micro-controller djs.

Albert — Tue, 03 Nov 2009 00:21:17 +0000

Is it wrong that right after a post extolling the virtues of vinyl and bemoaning the closure of another record store that I post about by burgeoning interest in digital djing using micro-controllers?

I don’t think so.

DJTechTools just did a very interesting post comparing (inter alia) the Korg NanoPad with the Akai LPD8. Of course, as soon as I saw the Akai’s 8 pads and 8 knobs, my head was spinning with potential Traktor layouts. I had to buy one. Then I had to YouTube it and see what other people were doing:

Needless to say, it’s got me thinking. Given the sudden influx of micro-controllers onto the market, will we see them taken up by professional djs as new portable djing solutions? I mean, we’ve already seen that Russ Chimes djs with little more than a Nocturn and analogue mixer – but why stop there?

Changing Wordpress.

tsuri2akai — Mon, 02 Nov 2009 06:19:53 +0000

We’ve decided to change to blogspot!!

It’s more hardcore and pimp xD

Compared to wordpress…

it’s GODLIKE!!

WordPress doesnt have much bling.. xD

SOo YEA~

We’ve considered to move our blogs to blogspot~

So it’ll be a while until we blog again xD

Music and creating your own theme FTW!! (since paying in wordpress is needed…)

well yea~
Have FUN ^^V

www.tsuri2akai.blogspot.com <– ^^V

Ableton DJ Setup

loopscious — Mon, 02 Nov 2009 04:06:21 +0000

This is my new ableton live DJ setup:

Ableton Live DJ Setup

8 Tracks total broken down as follows:

Track 8: Turntable B
Track 7: Turntable A
Track 6: set up to grab loops in real time from 7 or 8 (see “Loop Grab” below)
Track 5: open, prob for beat loops
Tracks 1-4: “Crates”
Send A: Ping Pong
Send B: Open
Send C: Routes all incoming audio to Deck A
Send D: Routes all incoming audio to Deck B

Tracks 1-6: output to Sends Only
Buttons assigned for each of 1-6, such that it toggles – one push turns up send C to 127 and send D to 0 (zero), a second push flips this. The result: any clip on any of the first six tracks can be routed to Turntable A/B (tracks 7 or 8).

Clip Preparation

I take each clip and put it through Mixed in Key, renaming the file as
Key – BPM – Track Name

Next, each track is broken down into parts – with different start points and sometimes even loops. This enables me to jump around from section to section of songs.

Here’s the trick:

I use Track 2 as a copy of Track 1, and Track 4 as a copy of Track 3. Why?

Well, if I route 1 to Deck A and 2 to Deck B, then I can jump around in a song arrangement by triggering different sections, and then cross-fading between the channels.

Loop Grab

I use Bome’s midi translator for a few things, such as the send toggle on tracks 1-6. I also use it to convert a button push into a series of key strokes. One button on my controller routes audio from Turntable A into track 6 and arm it for record. Another button turns off the routing to track 6 and puts it back into play mode. Similarly, a button routes audio from Turntable B into track 6 and arms it. Again, another button disables this.

The routing occurs by sending Turntable A/B into Send E, and Send E is setup to route to Channel 6.

The key here is muting channel 6 during recording b/c if you don’t, it will create a feedback loop!

This technique allows me to grab various parts of whatever is playing, do it in real time, and work it back into the mix. Now I am just playing with this, though I’m not entirely committed to it… Given how every track is cut up, I can already trigger parts of songs… so I’m not sure if I’ll use this feature, but we’ll see!

Bome’s midi translator

At some point I’ll be posting a video of how the rig is set up w/the APC40. While I recently picked it up, and have enjoyed figuring it out, I am very much looking forward to max4 live (I have no max experience at all) — I suspect it will be a lot more powerful, and run native, with respect to modifying the APC setup.

Posting the set, Follow me on Twitter

If you have any questions, hit me up.

At some point I’ll also post the ableton setup w/bomes w/the video… can’t promise when, given life’s busy but I hope to do it soon. In the meantime, follow me on twitter @loopscious.

Later.

Death Note.

tsuri2akai — Sun, 01 Nov 2009 12:02:49 +0000

Watching the Anime wasn’t enough…
Additionally we watched the live action movie.
The movie wasn’t as dramatic as the Anime…
SooO we decided ..
Hmm why not attempt and make the Anime version into Reality~
And that’s what we did!
It’s just a Beta and we just did it for fun xD
We decided to add better dramatic effects when we have the time~
Note: That’s why it’s just a Beta.. xD
Well~
We hope you Enjoy ^^V

| This film is clearly fan-made |
.
Death 1# Dies from pooping
Death 2# Dies from picking nose
Death 3-5# Die from heart attacks
The person in the computer is our best mate Calvin (wearing red)
Death 6# Dies from falling backwards
Death 7# Dies from tripping over shoe
Death 8# Dies from seizure (played by Henry ^^)
Death 9# Dies from drinking
.
You should watch our vid with the original Anime at the same time (ep 1)
It’s pretty close I guess xD
Atleast we had fun!! ^^V
It took us 4-5hours to edit and film.
Just for 1minute xD
How epikly crazy~

We’re thinking of make ep 1 as well xD

Well that’s if we get the time…

Working on Some New Musical Masterpieces Tonight!

Sha'ul — Sat, 31 Oct 2009 00:11:11 +0000

Tonight I’ll be sampling some good old vinyl, and piecing together a bouillabaisse (or paella) of sound. Some dusty Vinyl, Ableton Live, the MPD 24 and occasional dabbling with Left 4 Dead, and tonight I’ll create some wildness. I may drop another post later on some ol’ “editorial” shit like I’ve been doing before.

Take care.

-Sha’ul

“Looking for Messages in Music the Answers us”

tttadmin — Fri, 30 Oct 2009 13:54:29 +0000

THE “N.A.S.A. SPIRIT OF APOLLO” CONTEST “looking for messages in music the answers us” (Charli2Na) H

Delay on Games.

tsuri2akai — Fri, 30 Oct 2009 07:04:13 +0000

Seriously what in the world is going on these days. T_T

It’s so annoying having games delayed!!

Tekken 6 was supposedly coming out in September.

We googled our way…

and found out it wasn’t coming out until October.

Seeing Tekken 6 with a sign saying ‘Coming Soon’ we headed over to the worker in Ebgames and asked when it was officially coming out.

The person working there said it was going to come out on 27th November.

So…our suspense began to build for the ULTIMATE GAME!

The day had finally arrived!!

But unfortunately…

the worker was wrong T_T….

It’s actually coming out somewhere in December…

T_T_T__T how gay!!

Our long wait continues…

I hope this wait is worth it…

xD btw check out the Tekken 6 endings on youtube ^^V

Shakugan No Shana OP

tsuri2akai — Thu, 29 Oct 2009 09:36:57 +0000

WOooaahh~

I really like this opening song xD

This anime’s not as bad as I thought.

But they do get off track most of the time.

Anyway~ Just felt like letting you hear what I listen to~

sepasang manusia jalang

thecnove — Thu, 29 Oct 2009 00:10:05 +0000

sepasang manusia itu.. lelaki dan wanita yang itu.. jahat.. kejam.. munafik.. egois.. sok suci.. sok baik.. sok berbudi luhur..

padahal mereka busuk.. penipu dan jalang..

*asal tahu aja, ak gag bodoh, ak gag buta, gag usah pura-pura juga, anj*ng!

Akai MPK 61 - Keyboard Performance MIDI Controller lieferbar!

deejayladen — Wed, 28 Oct 2009 10:38:36 +0000

Das Akai Professional MPK61 erweitert als Keyboard Performance MIDI Controller die beliebte MPK Serie. Alle MPK Controller vereinen eine hochwertige Tastatur mit einzigartigen Akai Professional MPC Pads, zuweisbaren Q-Link Controllern und Schlüsseltechnologien der legendären MPC Familie.

Produzenten, Keyboarder, DJs und VJs, die Wert auf ein synthgewichtetes Keyboard mit 61 Tasten und Aftertouch legen und das einmalige Spielgefühl mit 16 anschlag- und druckdynamischen MPC Pads nicht vermissen wollen, werden mit dem MPK61 den perfekten Controller finden, Insgesamt 72 zuweisbare Q-Link Controller, MPC Note Repeat, MPC Swing sowie ein Arpeggiator vervollständigen die Ausstattung. Die Größe des MPK61 eignet sich ideal für User, die mehr Tasten als beim Original MPK49 benötigen und trotzdem Wert auf Portabilität in Verbindung mit einer hochwertigen, synthgewichteten Tastatur legen. Das MPK61 besitzt die Key Split Funktion aus dem MPK88, die das gleichzeitige Spielen von zwei Sounds ermöglicht.

Wie auch die anderen MPK Modelle – das MPK25, MPK49 und MPK88 – inspiriert und ermöglicht das MPK61 dank Arpeggiator, MPC Note Repeat und MPC Swing das einfache Spielen von melodischen, harmonischen und rhythmischen Phrasen.

Im Lieferumfang des MPK61 ist mit der Ableton Live Lite Akai Edition Software eines der populärsten und leistungsstärksten Audioperformance Programme enthalten. Ableton Live Lite ermöglicht es Musikern mit seiner nahtlosen Audio/MIDI Integration auf spontane Art, Musik zu komponieren, aufzunehmen, zu mixen und zu editieren. Das MPK61 sendet Daten über die USB Schnittstelle und lässt sich über Plug-und-Play ohne Treiberinstallation problemlos an Mac und PC betreiben. Der Controller arbeitet mit fast jeder MIDI-kompatiblen Software zusammen.

Alle Features und die technischen Daten zum MPK 61 erfährst du im Deejayladen.

Akai MPK 61 - Keyboard Performance MIDI Controller lieferbar!

musikhauskorn — Wed, 28 Oct 2009 10:35:05 +0000

Alle Features und die technischen Daten zum MPK 61 erfahren Sie im Musikhaus Korn.

Story Behind Emails.

tsuri2akai — Wed, 28 Oct 2009 09:05:10 +0000

^^ I recently found out (well not recently… I always noticed but never remembered…)

that there’s always a story behind an email.

Friends:

Sean’s Story:

|azn_fire_burn|

I’m azn
I like fire
I like burning shit
The End.
^^

Hau’s Story:

|hautran2|

hautran was taken
so I chose hautran2
hahahaha

James Story:

|jf_575|

jf is my initials.

7 is my fav number

‘55′ is what i use on my rc models, and in games.

plus +++ I want to make this my license plate

Bill’s Story:

|l973196|

l973 – if you look carefully it actually represents ‘love’

l = L | 9 = O | 7 = V | 3 = E

1 = 1 | 9 = O | 6 = O|

Love 100

Note: 100 was one of his fav numbers xD + he’s into computers too~ xD

xD codes~ xD how creative~

Relatives:

Conrad’s Story:

|mu1423|

oh
no its nothing
i was young and stupid and random

Richii’s Story

|another.lovestory|

i downloaded this song,

i listened to that song,

i loved it hard out,

that i wanted to create an email called “another.lovestory”

Uncle’s Story:

|xxmysticxx|

mystic was an alias i used when i played FPS games long ago, like CS etc back in 1999
though i dont use it anymore, but i’ve got too many things associated with this e-mail address to bother changing it to a different one

xD woahhh I also realised his email didn’t mean Ex-Ex- My- Stick- Ex Ex xD

I never knew it was actually mystic xD as in mystical xD

Athena’s Story:

|athena_0407|

its my birthday date xD

Akai/Apham’s Story:

| apham4 |

My email is an incomplete sentence.

It’s waiting for its other half.

apham4**** ~ | apham for ****

^^V

How cool and mysterious xD

I guess most emails represent who you are and what you like ^^V

or just random xD

If your one day bored~

Ask your friends …

“Why’d you choose your email?”

Some might have epic stories!

Or maybe just plain~

My mum chose my email T_T

P.S~ Thanks to the friends for giving me their stories xD and emails xD

btw~ my favourite email I have on my contact list ….

is…. Johnny’s!!~

|sleepy.day| <– so creative and cool xD

Akai liefert MPK61 & MPK88 aus

audiopalace — Tue, 27 Oct 2009 08:07:25 +0000

Nicht nur etwas für die Kleinen, mit zarten Fingern gesegneten Menschen konnte Akai diesen Monat mit dem LPK25 erstmalig an den Start bringen, auch die mit den Holzfäller-Händen, die sich mal schnell zum Gig ein 88er unter den Arm klemmen, kommmen noch im Oktober noch auf ihre Kosten.

Sollten das LPK25 Mini-Keyboard oder die Hammer-Action Tastatur des MPK88 nicht das Richtige sein, trifft vielleicht das mit einer ausgewogenen 61er Synthie-Tastatur ausgestattete MPK61 mehr den Geschmack – auch die Pad-Sektion ist gegenüber dem MPK49 etwas erwachsener geworden.

Damit komplettiert AKAI ihre Keyboardreihe MPK mit nun insgesamt 4 Modelln. Da ist für jede Tastengröße etwas dabei

Akai MPK 49

USB/MIDI Controller Keyboard mit 49 Tasten und 12 MPC Pads

399,00 EUR

Akai MPK 25

USB/MIDI Controller Keyboard mit 25 Tasten und 12 MPC Pads

309,00 EUR

AKAI MPK 61

61-Keys, halbgewichteter MIDI Keyboard Controller mit 16 MPC Pads, Q-Link Kontrolle, MPC Technologie und Ableton Live Lite Software

499,00 EUR

AKAI MPK 88

88-Keys, vollgewichteter Keyboardcontroller mit 16 MPC Pads, Q-Link Kontrolle, MPC Technologie und Ableton Live Lite Software

699,00 EUR

Akai MPK 49

USB/MIDI Controller Keyboard mit 49 Tasten und 12 MPC Pads
incl. 19 % UST exkl.// <![CDATA[
document.write('Versandkosten');
// ]]>Versandkosten Versandkosten

399,00 EUR

Akai MPK 25

USB/MIDI Controller Keyboard mit 25 Tasten und 12 MPC Pads
incl. 19 % UST exkl.// <![CDATA[
document.write('Versandkosten');
// ]]>Versandkosten Versandkosten

309,00 EUR

AKAI MPK 61

61-Keys, halbgewichteter MIDI Keyboard Controller mit 16 MPC Pads, Q-Link Kontrolle, MPC Technologie und Ableton Live Lite Software
incl. 19 % UST exkl.// <![CDATA[
document.write('Versandkosten');
// ]]>Versandkosten Versandkosten

499,00 EUR

AKAI MPK 88

88-Keys, vollgewichteter Keyboardcontroller mit 16 MPC Pads, Q-Link Kontrolle, MPC Technologie und Ableton Live Lite Software
incl. 19 % UST exkl.// <![CDATA[
document.write('Versandkosten');
// ]]>Versandkosten Versandkosten

699,00 EUR

Capped/Short Break

tsuri2akai — Sun, 25 Oct 2009 12:51:57 +0000

Being capped is probably and possibly the worst thing that could ever happen on the internet.

Well apart from receiving a virus…

Even though you’d most likely be too capped to get a virus []_[]”.

At the moment, I’m too capped to upload photos or even make a simple post like this one…(Since it takes long to load and post).

This is what happens when you share your internet usage with siblings…

sigh~.

During my off-peak which is… from 2am to 12am….

It’s basically when I’m in school or asleep T_T…60gb.

My on peak which is during the afternoon which is used up so easily T^T (30gb)….

Well yea~

I won’t be blogging for a while~

Unless it’s the weekend or a new month…

So hopefully Calvin or TsuRi take over ^^V

SoO I’ll still take photos and probably put my notes of what I did into Word or something xD.

Don’t worry missing a few days or weeks of blogging won’t kill me xD.

It’s used to kill time ^^V / It’s fun remembering the good times~

Bye for now~ ; ]