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<channel>
	<title>allo &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/allo/</link>
	<description>Feed of posts on WordPress.com tagged "allo"</description>
	<pubDate>Sun, 27 Dec 2009 06:40:01 +0000</pubDate>

	<generator>http://en.wordpress.com/tags/</generator>
	<language>en</language>

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<title><![CDATA[Charlie Hyung?]]></title>
<link>http://ygbabies.wordpress.com/2009/12/13/charlie-hyung/</link>
<pubDate>Mon, 14 Dec 2009 02:42:22 +0000</pubDate>
<dc:creator>Lee Kimmy</dc:creator>
<guid>http://ygbabies.wordpress.com/2009/12/13/charlie-hyung/</guid>
<description><![CDATA[If you didn&#8217;t know&#8230; Charlie is actually OLDER than Boss and Ga Ho! Combined! The picture]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>If you didn&#8217;t know&#8230; <strong>Charlie is actually OLDER than Boss and Ga Ho!</strong><strong> Combined!</strong></p>
<p style="text-align:center;"><img class="aligncenter" src="http://i233.photobucket.com/albums/ee146/bigbangxlove/ygbabies_019.jpg" alt="" width="302" height="247" /></p>
<p>The picture was actually posted on<strong> Choi Hye Yoon </strong>(TOP&#8217;s older sister)&#8217;s minihompy on <strong>April 3 2007.</strong> &#38; I&#8217;m guessing by 2010 Charlie will be <strong>3 years old</strong>. I was wondering why in <a href="http://ygbabies.wordpress.com/2009/12/12/its-charlie/">the picture of him and <strong>Allo</strong></a>, he looked so old x_x.</p>
<p>Kind of doubting if <strong>TOP</strong> had him since he was a pup or if Charlie&#8217;s even his. He never once mentioned about any pets and I think he even said he wanted a dog in a Japanese interview?</p>
<p style="text-align:center;"><img class="aligncenter" src="http://i233.photobucket.com/albums/ee146/bigbangxlove/ygbabies_020.jpg" alt="" width="202" height="278" /></p>
<p style="text-align:center;"><em>&#8220;How could you take a molca of me like that, nuna! :$&#8221;</em></p>
<p>Or he&#8217;s just hella good at keeping his personal life a secret. Like he always says&#8230; &#8220;비밀~&#8221;</p>
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<title><![CDATA[It's Charlie! ]]></title>
<link>http://ygbabies.wordpress.com/2009/12/12/its-charlie/</link>
<pubDate>Sun, 13 Dec 2009 00:14:24 +0000</pubDate>
<dc:creator>laydeehvip</dc:creator>
<guid>http://ygbabies.wordpress.com/2009/12/12/its-charlie/</guid>
<description><![CDATA[It&#8217;s been a while since we last heard from Charlie since his daddy-yo is too busy to give him ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>It&#8217;s been a while since we last heard from <strong><em><span style="color:#0000ff;">Charlie</span></em></strong> since his daddy-yo is too busy to give him an official debut.</p>
<p>And I know a lot of y&#8217;all have been dying to know or see more of this adorable Big Bang pup.</p>
<p>So here&#8217;s a lil&#8217; advance christmas gift from the <span style="color:#000000;"><strong>YGBABIES</strong></span> fambam.</p>
<p><a href="http://ygbabies.wordpress.com/files/2009/12/p091003002.jpg"><img class="aligncenter size-full wp-image-468" title="p091003002" src="http://ygbabies.wordpress.com/files/2009/12/p091003002.jpg" alt="" width="240" height="180" /></a></p>
<h3><span style="color:#3366ff;"><span style="color:#ff0000;"><em>EDIT:  </em><span style="color:#3366ff;">[<span style="text-decoration:line-through;">Arlo</span>] Allo</span></span> &#38; Charlie </span></h3>
<blockquote><p><span style="color:#000000;">That&#8217;s <span style="color:#3366ff;"><em>Allo, </em></span>owned by TOP&#8217;s sis <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </span></p>
<p><span style="color:#000000;">And guess who&#8217;s been spotted in this picture?! LOL </span></p></blockquote>
<p>Thanks to the lovely <span style="color:#ff00ff;"><em>stardaisy212 </em><span style="color:#000000;">for the info. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  </span></span></p>
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<title><![CDATA[The Pains of Being Pure at Heart, Male Bonding, Allo Darlin']]></title>
<link>http://makedomagazine.wordpress.com/2009/12/07/the-pains-of-being-pure-at-heart-male-bonding-allo-darlin/</link>
<pubDate>Mon, 07 Dec 2009 17:55:51 +0000</pubDate>
<dc:creator>lottysanna</dc:creator>
<guid>http://makedomagazine.wordpress.com/2009/12/07/the-pains-of-being-pure-at-heart-male-bonding-allo-darlin/</guid>
<description><![CDATA[The Pains of Being Pure at Heart, Male Bonding and Allo Darlin&#8217; are playing on December 8 at S]]></description>
<content:encoded><![CDATA[The Pains of Being Pure at Heart, Male Bonding and Allo Darlin&#8217; are playing on December 8 at S]]></content:encoded>
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<title><![CDATA[CONGRESSO SIMG - OBIETTIVI, ECCO COME CAMBIA LA MEDICINA DI FAMIGLIA]]></title>
<link>http://azione.wordpress.com/2009/11/29/congresso-simg-obiettivi-ecco-come-cambia-la-medicina-di-famiglia/</link>
<pubDate>Sun, 29 Nov 2009 14:54:17 +0000</pubDate>
<dc:creator>azione</dc:creator>
<guid>http://azione.wordpress.com/2009/11/29/congresso-simg-obiettivi-ecco-come-cambia-la-medicina-di-famiglia/</guid>
<description><![CDATA[Si dovrà attendere un parere tecnico del ministero della Salute sulla compatibilità tra la legge 194]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Si dovrà attendere un parere tecnico del ministero della Salute sulla compatibilità tra la legge 194 sull&#8217;aborto e la nuova pullola abortiva.</p>
<p>I farmacisti, cattolici ma non solo, hanno il diritto e il dovere di fare obiezione di coscienza di fronte alla commercializzazione ormai prossima della Ru486, come della pillola del giorno dopo o del &#8216;kit eutanasico&#8217; in vendita in alcuni paesi europei.</p>
<p>Sacconi: dall&#8217;Aifa indicazioni certe circa i modi di utilizzo del farmaco affinchè esso sia vincolato nella prassi al rispetto dei profili della legge 194 sull&#8217;interruzione volontaria di gravidanza.</p>
<p>Il politologo Giovanni Sartori a Rainews24 rilancia la sua proposta per uscire dall&#8217;impasse delle vicende giudiziarie del presidente del consiglio e fa la sua proposta sull&#8217;immunità parlamentare.</p>
<p> Fonte:</p>
<p>http://www.rainews24.rai.it/it/tag.php?id=1323</p>
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<title><![CDATA[Naguib Sawiris conteste le redressement fiscal et prend la tête d'Orascom Telecom Algérie "Djezzy"]]></title>
<link>http://wahidland.wordpress.com/2009/11/21/naguib-sawiris-conteste-le-redressement-fiscal-dorascom-telecom-algerie-djezzy/</link>
<pubDate>Sat, 21 Nov 2009 20:42:42 +0000</pubDate>
<dc:creator>W@hid</dc:creator>
<guid>http://wahidland.wordpress.com/2009/11/21/naguib-sawiris-conteste-le-redressement-fiscal-dorascom-telecom-algerie-djezzy/</guid>
<description><![CDATA[Mauvaise nouvelle pour Orascom Telecom Algérie (OTA) (Djezzy) : le fisc algérien lui inflige un redr]]></description>
<content:encoded><![CDATA[Mauvaise nouvelle pour Orascom Telecom Algérie (OTA) (Djezzy) : le fisc algérien lui inflige un redr]]></content:encoded>
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<title><![CDATA[La blonde au téléphone]]></title>
<link>http://epitz.wordpress.com/2009/11/18/la-blonde-au-telephone/</link>
<pubDate>Wed, 18 Nov 2009 22:03:24 +0000</pubDate>
<dc:creator>epitz</dc:creator>
<guid>http://epitz.wordpress.com/2009/11/18/la-blonde-au-telephone/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://epitz.wordpress.com/files/2009/11/2009-11-18-2259.png"><img class="aligncenter size-full wp-image-151" title="2009-11-18-2259" src="http://epitz.wordpress.com/files/2009/11/2009-11-18-2259.png" alt="" width="480" height="1208" /></a></p>
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<title><![CDATA[Editoria allo staccio continua con "Infanzia di sogno e grande letteratura" il 26 novembre a Villa Montalvo]]></title>
<link>http://campibisenzio.wordpress.com/2009/11/17/editoria-allo-staccio-continua-con-infanzia-di-sogno-e-grande-letteratura-il-26-novembre-a-villa-montalvo/</link>
<pubDate>Tue, 17 Nov 2009 07:26:10 +0000</pubDate>
<dc:creator>campibisenzio</dc:creator>
<guid>http://campibisenzio.wordpress.com/2009/11/17/editoria-allo-staccio-continua-con-infanzia-di-sogno-e-grande-letteratura-il-26-novembre-a-villa-montalvo/</guid>
<description><![CDATA[Ancora un&#8217;incontro rivolti ai bibliotecari dal titolo Editoria allo Staccio, giunti ormai alla]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:justify;">Ancora un&#8217;incontro rivolti ai bibliotecari dal titolo Editoria allo Staccio, giunti ormai alla quinta serie.Giovedì 26 novembre 2009, Adalinda Gasparini presenta &#8220;Infanzia di sogno e grande letteratura&#8221;, dal Brutto Anatroccolo al Piccolo Principe: una lettura psicoanalitica.<br />
Il Brutto Anatroccolo aiuta il bambino rifiutato a sperare di sbocciare da grande, o permette al genitore di amare il figlio non per quello che è, ma per qualcosa che potrebbe diventare, ma che non è? E il Piccolo Principe, permette di sognare e progettare un mondo più bello, dove si può essere sinceri e dove i propri disegni verranno compresi, oppure invita ad allontanarsi dalla vita quotidiana con le sue opacità dolorose, magari con l&#8217;aiuto di un serpente che manda in cielo?<br />
Molti sogni, oggi più che mai, hanno trovato rifugio nella stanza dei bambini: sono utili per crescere, per diventare adulti ancora capaci di sognare, o ci prendono in ostaggio, perché l&#8217;infanzia deve sostenere la speranza che i &#8220;grandi&#8221; hanno perduto?<br />
Il bambino polimorfo perverso di Freud ha una grazia irresistibile unita a spinte distruttive. L&#8217;adulto troppo spesso lo idealizza in un&#8217;immagine innocente e rimuove quanto lo disturba o lo interroga in modo impertinente, condannando queste spinte a restare senza nome, ma non senza effetti.<br />
La lettura psicoanalitica di alcuni capolavori ci permetterà di vedere che non avendo un significato univoco, come i sogni notturni, ci parlano sia del rischio radicale che della bellezza dei bambini che abbiamo da crescere e dei bambini che siamo stati.<br />
L&#8217;incontro, promosso dal Centro regionale di servizi per le biblioteche per ragazzi toscane in collaborazione con la Regione Toscana, si svolgerà presso la Biblioteca di Villa Montalvo, via di Limite 15, Campi Bisenzio, dalle ore 9.30 alle 12.30.<br />
Gli incontri, sono rivolti a bibliotecari, operatori che lavorano nel campo dei libri per bambini e ragazzi, insegnanti ed educatori, si svolgono <strong>presso la Biblioteca di Villa Montalvo a Campi Bisenzio dalle ore 9.30 alle 12.30. La partecipazione è gratuita</strong>, previa iscrizione che può essere fatta on-line.<br />
<span style="text-decoration:underline;">Segreteria e iscrizioni</span>: <strong>Idest srl </strong>- Via Ombrone 1, 50013 Campi Bisenzio – Tel. 055 8944307-055 8966577 – Fax 055 8953344 convegni@idest.net<br />
Biblioteca di Villa Montalvo. Centro regionale di servizi per le biblioteche per ragazzi – Via di Limite 15 – 50013 Campi Bisenzio (FI) – Tel. 055 8959600 – Fax 0558959601<br />
Sito Web: http://www.comune.campi-bisenzio.fi.it/biblioteca – E-mail: biblio.centroregionale@comune.campi-bisenzio.fi.it</p>
<p style="text-align:center;"><a title="Come raggiungere la sede del seminario" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/1514" target="_blank">Come raggiungere la sede degli incontri</a><br />
<a title="Dove dormire a Campi Bisenzio" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/649" target="_blank">Dove dormire a Campi Bisenzio</a></p>
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<item>
<title><![CDATA[Allo]]></title>
<link>http://motslegos.wordpress.com/2009/11/13/allo/</link>
<pubDate>Fri, 13 Nov 2009 00:34:00 +0000</pubDate>
<dc:creator>theeliot</dc:creator>
<guid>http://motslegos.wordpress.com/2009/11/13/allo/</guid>
<description><![CDATA[Y&#8217;a un humain dans la salle&#8230;. Hallo&#8230; Oui.. Y&#8217;a bien un humain dans la salle.]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a un humain dans la salle&#8230;.</span></i>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Hallo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Oui..</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a bien un humain dans la salle.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Non, non, ce n&#8217;est pas un programme qui écrit.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Enfin, pas encore.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Dans vingt ans peut être, </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">mais pas pour le moment.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un humain &#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Oui.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Z&#8217;avez pas vu ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est un truc qui dit oui, qui dit non.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un truc qui choisit, qui sélectionne.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un truc qui entend&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Rien&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Trop humain pour entendre.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Trop pas suffisamment</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">pour ne se faire entendre.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un humain qui n&#8217;y parvient pas.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Il lui reste quoi ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo, </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">y&#8217;a un humain dans la salle.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un machin chose, </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">il est né un jour.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca vient, ça part,</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">ça passe.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca comprend pas.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca comprend rien.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca parle pas bien.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca écrit mal.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Et ça dort mal</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Vous avez vu !</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a un humain&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un vrai &#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un truc machin chose</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">qui ressent des bidules.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Mais bon.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est qu&#8217;un zumain cet humain.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Sait pas quoi en faire.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca encombre.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">A la fois l&#8217;émetteur</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">et le récepteur.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Il est où le zumain ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Le machin&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Vous savez,</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">celui qui l&#8217;écrit des trucs ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un zumain, </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">c&#8217;est un petit z.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est pas un grand Zumain.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Trop petit pour être grand.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Un Zumain, c&#8217;est limité.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Les zumains comme les humains,</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">ils ont un temps compté.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est dommage de le gâcher.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est dommage de rien en faire.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est dommage qu&#8217;un Zumain </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">ne puisse pas dire à un humain.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a-t-il un humain dans la salle&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est le Zzumain qui lui parle&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Non&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pas de réponse.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pas de Humain pour le zumain.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pourquoi ça résonne pas.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca ne porte pas.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pas d&#8217;échos.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Rien&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Le son se fond dans le vide.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Le vide l&#8217;absorbe.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Il est fait de silences.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a un humain ? </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est le zumain qui voudrait lui parler.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca ne mord pas un zumain.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca ne crie pas non plus.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ca parle avec les yeux,</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">avec les gestes parfois.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Comment faire comprendre à un Humain ? </span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Comment accompagner son envie ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Comment donner l&#8217;envie&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Vous n&#8217;avez pas vu un Humain&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Non pas tous&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pas la planète&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Cela ferait de trop !</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Juste un..</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Juste une&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Juste elle&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pas les autres.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Humain&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Humaine&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Ou es tu ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">M&#8217;entends tu ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Comment vas tu ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Y&#8217;a personne&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">C&#8217;est coupé&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">La ligne doit être en dérangement&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Depuis si longtemps&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Pourquoi elle est toujours pas réparé un peu ?</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;..</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Allo&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Non&#8230;</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Rien&#8230;.</span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;"><br /></span></i></div>
<div><i><span class="Apple-style-span" style="color:#660000;">Toujours rien&#8230;</span></i></div>
<div></div>
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<title><![CDATA[Editoria allo staccio 5° serie, Giovedì 12 novembre Federico Maggioni propone "A che servono le immagini? Illustrare un libro oggi, nell’era della multimedialità"]]></title>
<link>http://campibisenzio.wordpress.com/2009/11/10/editoria-allo-staccio-5%c2%b0-serie-incontri-di-orientamento-su-novita-e-tendenze-dell%e2%80%99editoria-per-ragazzi-12-novembre-2009/</link>
<pubDate>Tue, 10 Nov 2009 07:16:20 +0000</pubDate>
<dc:creator>campibisenzio</dc:creator>
<guid>http://campibisenzio.wordpress.com/2009/11/10/editoria-allo-staccio-5%c2%b0-serie-incontri-di-orientamento-su-novita-e-tendenze-dell%e2%80%99editoria-per-ragazzi-12-novembre-2009/</guid>
<description><![CDATA[Riprendono gli incontri rivolti ai bibliotecari dal titolo Editoria allo Staccio, giunti ormai alla ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:justify;">Riprendono gli incontri rivolti ai bibliotecari dal titolo <strong>Editoria allo Staccio</strong>, giunti ormai alla quinta serie. <strong>Giovedì 12 novembre, Federico Maggioni, Illustratore e concept design, </strong>propone il tema: <strong>A che servono le immagini? Illustrare un libro oggi, nell’era della multimedialità</strong>.<br />
<em>«… In una calda serata di settembre passeggiavo con un amico da poco tornato da una vacanza trascorsa sulle spiagge dell’Algarve. Il suo racconto era appassionato, ricco di dettagli: sole cocente, gelide acque dell’oceano (blu, blu, blu come diceva lui), sabbia finissima mi colpirono particolarmente. Qualche sera dopo, in sogno, percorrevo la calda sabbia di una furiosa marina di Soutine: il mare, alla mia sinistra, di un blu quasi nero, sembrava gonfiarsi come respirasse, il cielo, rosso di un tramonto violento, era appena venato di giallo. Dalla sabbia finissima due scogli tronco conici verdi si ergevano come torri, emettendo un vapore verdastro che rendeva le forme leggermente indefinite. Il tutto comunicava una sensazione di disagio, di allarme, ed era come se i due roccioni fossero entità viventi. Mentre mi allontanavo velocemente da questo influsso che sentivo negativo, scorsi in lontananza un foglio fluttuare scompostamente. Volteggiando rapidamente, si fermò ai miei piedi, immobile, a qualche centimetro dal suolo, sospeso a mezz’aria. Mi inginocchiai per osservare meglio lo strano fenomeno e scorsi su questa pagina errante le seguenti parole “Domine non sum dignus” ».<br />
«Abbandonati i tentativi infruttuosi di interpretazione, capii quanto significava per me questa visione: il sogno era l’illustrazione del racconto del mio amico».</em><br />
Gli incontri, sono rivolti a bibliotecari, operatori che lavorano nel campo dei libri per bambini e ragazzi, insegnanti ed educatori, si svolgono <strong>presso la Biblioteca di Villa Montalvo a Campi Bisenzio dalle ore 9.30 alle 12.30. La partecipazione è gratuita</strong>, previa iscrizione che può essere fatta on-line.<br />
<span style="text-decoration:underline;">Segreteria e iscrizioni:</span> <strong>Idest srl </strong>- Via Ombrone 1, 50013 Campi Bisenzio &#8211; Tel. 055 8944307-055 8966577 – Fax 055 8953344 convegni@idest.net<br />
Biblioteca di Villa Montalvo. Centro regionale di servizi per le biblioteche per ragazzi &#8211; Via di Limite 15 &#8211; 50013 Campi Bisenzio (FI) &#8211; Tel. 055 8959600 &#8211; Fax 0558959601<br />
Sito Web: http://www.comune.campi-bisenzio.fi.it/biblioteca &#8211; E-mail: biblio.centroregionale@comune.campi-bisenzio.fi.it</p>
<p style="text-align:center;"><a title="Come raggiungere la sede del seminario" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/1514" target="_blank">Come raggiungere la sede degli incontri</a><br />
<strong><a title="Dove dormire a Campi Bisenzio" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/649" target="_blank">Dove dormire a Campi Bisenzio</a></strong></p>
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<title><![CDATA[Sarkozy et le syndrome de la Marquise !]]></title>
<link>http://jmouton.wordpress.com/2009/11/03/sarkozy-et-le-syndrome-de-la-marquise/</link>
<pubDate>Tue, 03 Nov 2009 16:32:56 +0000</pubDate>
<dc:creator>jmouton</dc:creator>
<guid>http://jmouton.wordpress.com/2009/11/03/sarkozy-et-le-syndrome-de-la-marquise/</guid>
<description><![CDATA[ça ne doit pas être facile d’annoncer une mauvaise nouvelle à Sarko, notre narcisso-président ! Ses ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>ça ne doit pas être facile d’annoncer une mauvaise nouvelle à Sarko, notre narcisso-président !</p>
<p><img class="alignnone size-full wp-image-467" title="630459_sarkozy colère froide" src="http://jmouton.wordpress.com/files/2009/11/630459_sarkozy-colere-froide.jpg" alt="630459_sarkozy colère froide" width="383" height="480" /></p>
<p><span style="color:#ff0000;"><strong>Ses colères froides ou chaudes sont terribles !</strong></span></p>
<p><span style="color:#ff0000;"><strong><span style="color:#000000;">Imaginez un instant que dépendant de lui vous ayez à affronter ce regard là !?</span></strong></span></p>
<p>Ministres, médias, conseillers, parlementaires …il ne supporte autour de lui, que <strong>des allongés </strong>!</p>
<p>C’est sa nature, c&#8217;est son exigence.</p>
<p><strong>Au temps des empereurs romains, tout annonceur de mauvaises nouvelles était mis à mort !</strong></p>
<p><strong>Il en reste encore quelque chose…</strong></p>
<p>Dès qu’il s’agit d’annoncer une mauvaise nouvelle à quelqu’un qui exerce le pouvoir, tout le monde se défile ! Il n’y a plus personne pour le lui dire !</p>
<p>A plus forte raison avec notre narcisso-président !</p>
<p><strong><span style="color:#0000ff;">C’est ce que j’appelle « le syndrome de la marquise ».</span></strong></p>
<p><img class="alignnone size-full wp-image-466" title="Tout-va-tres-bien-Madame-la-Marquise-Ray-Ventura-et-ses-Collegiens" src="http://jmouton.wordpress.com/files/2009/11/tout-va-tres-bien-madame-la-marquise-ray-ventura-et-ses-collegiens.jpg" alt="Tout-va-tres-bien-Madame-la-Marquise-Ray-Ventura-et-ses-Collegiens" width="400" height="384" /></p>
<p>Je fais référence à la chanson «  <em>Tout va très bien madame la Marquise </em>» de Ray Ventura.</p>
<p>La marquise est au téléphone avec son valet de chambre Albert : « <em>Allo, allo, Albert, quelles nouvelles ?</em> » .</p>
<p>Et à chaque fois celui-ci lui délivre des informations de plus en plus mauvaises, mais toujours, au compte goutte.</p>
<p>Le marquis est ruiné, il s’est suicidé, en se tuant il a mis le feu aux rideaux,  les rideaux ont brulé et le château aussi …les écuries sont en feu et la jument grise de la marquise est morte dans les flammes …</p>
<p>Mais à chaque fois que la pauvre marquise s’affole de plus en plus, d’apprendre une nouvelle mauvaise nouvelle, ce cher Albert, lui répète imperturbablement</p>
<p>« <em>Tout va très bien, madame la Marquise, tout va très bien, tout va très bien !</em> ».</p>
<p>Ce syndrome est très dangereux car alors que le pouvoir aurait besoin de savoir que ça va mal, pour pouvoir redresser la barre à temps, ses laquais affolés se repassent la patate chaude.. .  &#8221;<em>On ne peut tout de même pas lui dire çà ! Pas maintenant ! En tous les cas, pas moi ! Toi, peut-être … ? Ah non tu es fou, tu veux me faire tuer !</em></p>
<p><em> </em></p>
<p>Imaginons l’entourage au château, assemblé peureusement derrière « La » porte !</p>
<p><strong><span style="color:#ff0000;">Qui va lui dire que son copié/collé de discours entre celui de  février et celui de Poligny le 23 octobre est passé à la télé ? sur Canal en plus !?</span></strong></p>
<p>Un qui a le sens du sacrifice !</p>
<p>Il lui en a fallu du courage à celui-là !</p>
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<title><![CDATA[Taglio di Po (ro): LA CORRIDA, DILETTANTI ALLO SBARAGLIO]]></title>
<link>http://polesine.wordpress.com/2009/10/27/taglio-di-po-ro-la-corrida-dilettanti-allo-sbaraglio/</link>
<pubDate>Tue, 27 Oct 2009 05:11:01 +0000</pubDate>
<dc:creator>polesine</dc:creator>
<guid>http://polesine.wordpress.com/2009/10/27/taglio-di-po-ro-la-corrida-dilettanti-allo-sbaraglio/</guid>
<description><![CDATA[inviato da: Gessica Vidali LA CORRIDA, spettacolo organizzato in collaborazione con Pro Loco, USD Ta]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>inviato da: Gessica Vidali</p>
<p>LA CORRIDA, spettacolo organizzato in collaborazione con Pro Loco, USD Tagliolese, Vecchie Glorie Tagliolesi e con il patrocinio del Comune di Taglio di Po&#8230;.Grande serata con ben 18 concorrenti che si<!--more--> esibiranno per voi cantando, recitando poesie e barzellette&#8230;.l&#8217;entrata è libera e l&#8217;incasso verrà devoluto in beneficienza all&#8217;associazione &#8220;BARRIERE INVISIBILI&#8221;&#8230;&#8230;.Ospiti della serata ALBERTO MONESI, ELEONORA RANZATO, LUCIANO MORETTO e FULVIO PREGNOLATO Presentano la serata FIORIGI e la GEKY&#8230;.NON MANCATE!!!<br />
sabato 31 ottobre 2009<br />
Ora: 20.30<br />
Sala Europa, TAGLIO DI PO<br />
Via Dante Alighieri </p>
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<title><![CDATA[Television Walk-on]]></title>
<link>http://ezekiel99.wordpress.com/2009/10/22/television-walk-on/</link>
<pubDate>Thu, 22 Oct 2009 14:18:00 +0000</pubDate>
<dc:creator>ezekiel99</dc:creator>
<guid>http://ezekiel99.wordpress.com/2009/10/22/television-walk-on/</guid>
<description><![CDATA[I got into doing television extra work quite by accident. I had always loved theatre, but in particu]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div style="text-align:justify;">I got into doing television extra work quite by accident. I had always loved theatre, but in particular I had wanted to get into television, with the idea of working in drama. I was told by the BBC, at around the time I left school in the late 1960&#8217;s that if I worked in theatre, particularly in stage management, then, once I had a few years experience behind me I might be considered for work as an A.F.M. (Assistant Floor Manager.) I wrote what looked like endless letters to theatres all over the country to see whether I could get a job in their stage management departments, and eventually got a job at the Everyman Theatre in Cheltenham as a Student A.S.M. This was really a good way for the theatre to get cheap labour, as I wasn&#8217;t paid a real wage, getting the princely sum of something like £2.50 a week, which meant that my parents had to subsidise me, although I was getting some sort of training for the time I was there, just under a year. The hours were extremely long, but I suppose you do that sort of job &#8216;for the love of it.&#8217; </div>
<p>
<div style="text-align:justify;">I seem to be wondering off the track of what I had intended writing about, so I should skip quite a bit and get on to talking about television &#8216;walk-on,&#8217; or &#8216;extra&#8217; work, although in some cases the term &#8216;extra&#8217; is wrong, and in some cases rather derogatory. I will explain why as I proceed with writing this. This was the time when to work in theatre you needed to be in the union, Equity, and unless you had a card, then you couldn&#8217;t work and particularly you couldn&#8217;t do &#8216;Walk-On&#8217; work. The agencies were quite hot on this. I managed to gain my Equity membership when I worked in Stage Management. My main reason to do this sort of work was that I was really interested in the making of films and television, and this always seemed a really good way to see, first hand, how a television show was made. The idea that you could be paid for it was a bonus, but at the time that side of it had never occurred to me. Being paid for doing something you like doing was even more of a bonus.</div>
<p>
<div style="text-align:justify;">I think I must have answered an advertisement in the Stage to join an agency to do &#8216;walk-on&#8217; and must have forgotten, because, quite out of the blue I got a telephone call asking me if I was interested in doing a day&#8217;s filming on a television series called &#8216;Jenny&#8217;s War&#8217; which was on location at the Nene Valley Railway, just beyond Peterborough. I said that I was, and I was then told that I needed to go there almost immediately for a costume fitting to be a German soldier. Not only was I fitted with a costume, but I was also given a haircut, not your average sort of hair-cut, but a very severe short-back-and-sides sort of haircut that would have been executed on German soldiers of the Second World War period. All this I did, and was then told that the next day I needed to return bright and early to work on the &#8217;shoot&#8217; as a walk-on. All this was very new to me, but I managed to report to the correct person within the film unit and we spent the rest of the day getting in and out of carriages and pretending to be German soldiers, and generally enjoying the whole experience of being on a film set. </div>
<p>
<div style="text-align:justify;">I heard from several of the other &#8216;Walk-Ons&#8217; that I really needed to join another agency, as they had far more work than the one I had got the day&#8217;s work from, and based just outside Norwich. I was given their address and telephone number. So, next day, I rang them, and was immediately told that they wanted Walk-Ons on a B.B.C. television film being made at the time called &#8220;The Burston Rebellion.&#8221; The nice lady at the agency told me that, if I wanted to do more work with them, I ought to send them some photographs of myself, and more details of my height, hair colour, waist measurements and so on, to be put on their files, so as to make casting me in future productions easier. As a result I had to get some photographs taken of myself, which I sent off to this agency. I seemed to get quite a lot of work from them, and worked on such shows as &#8220;Lovejoy&#8221;, &#8220;Campion&#8221; and &#8220;Middlemarch.&#8221; Infact, I did quite a lot of &#8216;bits&#8217; in &#8220;Lovejoy&#8221; over the years, and always looked forward to April, when it begin filming. </div>
<p>
<div style="text-align:justify;">I worked on another series which used the Nene Valley Railway as a location, and called &#8220;Christabel.&#8221; We were German soldiers once more, and we had to do a night shoot. We were called at around 2.00 and told that we would be rehearsing a sequence which would require us to sing a song, in German, and which was to be part of a scene on a train which was supposed to be stuck in the snow on the German border, and the R.A.F. were supposed to be bombing in the background. We had to learn this song phonetically, and it was rather like the number &#8220;Tomorrow Belongs to Me&#8221; in the film of &#8220;Cabaret,&#8221; where it&#8217;s set outside a tavern, and one boy starts to sing, and gradually the rest of the people sitting at tables join in, until the whole screen is filled with singing. Well, that was how this song was supposed to be shown in this scene, set on board a train. When it came to actually filming, quite late at night, it took endless takes, and with the principals (the main actors.) doing their bit whilst we did our bit in the background (incidentally, the actress playing the title character in this, was played by Elizabeth Hurley.) Anway, you can imagine how difficult a lot of this was, in a cramped railway carriage, with a load of other walk-ons, all dressed as German soldiers, together with the added extra of the rifles and back-packs we had to carry with us, and also all the camera and sound equipment and unit personel, director, cameraman and so on that were involved in the making of this film. It was during all this that one of the walk-on&#8217;s had something fall on their head, from the luggage rack in the railway carriage, and they had to be taken by a member of the crew to Accident and Emergency at the local hospital. To this day I don&#8217;t know what happened to them.</div>
<p>
<div style="text-align:justify;">When this show was eventually shown on television I watched it, and the scene we had filmed, with us singing that song, was cut so that there was no singing at all! Perhaps the show ran too long so they decided to cut that sequence. Who knows? All that work and effort for nothing, it would seem.</div>
<p>
<div style="text-align:justify;">Having a scene cut is quite often the case on things I&#8217;ve done. Don&#8217;t do Walk-On work if you expect to see yourself in every scene, as generally you won&#8217;t see yourself. You can end up behind a pillar, or so far back in the scene that you are little more than a speck on the screen, or you walk past and are gone in a split second! Generally you are in the background and the principals (those actors in speaking roles) are the centre of the scene being filmed. The general rule is don&#8217;t stare at the camera, don&#8217;t trip over the scenery and do whatever is asked of you. If you don&#8217;t you will get a reputation as a trouble maker and won&#8217;t be used again. And the golden rule is, never speak to the principals unless they speak to you first, and NEVER, EVER ask for autographs! Or take a camera with you onto the set, as it will most likely be taken off you. On most set-ups. you will be directed by one of the floor crew or an assistant director. It is quite rare for the director of the production to direct Walk-Ons, although I have been directed by the actual director of a production. You will be told what you have to do and then the scene is rehearsed, and then several &#8216;dry-runs&#8217; attempted. Then, when it has been decided that everything is as the director wants it, they will &#8216;go for a take.&#8217; You then have to remember what it is you have to do and begin on &#8216;action&#8217; or &#8216;background action.&#8217; If the director is satisfied then they will move on to the next set-up or several more &#8216;takes&#8217; will be shot. The Walk-On&#8217;s will then be told to wait somewhere off-set until they are needed again, and usually there is a great deal of waiting around, but you have to be ready and waiting for the call to go back on the set for another scene. Always take something with you on location to keep yourself occupied when not filming, such as a book, a newspaper, a Nintendo DS or an iPod.</div>
<p>
<div style="text-align:justify;">I got called by the agency one Saturday morning. I needed to be on location immediately to film on the BBC series &#8220;Campion.&#8221; I drove to the location and got there in about an hour and a half. I was to be a policeman in a scene with Peter Davison and Brian Glover, who were in a vintage car (the show was set in the 1930&#8217;s). I was to ride a bicycle and they were held upp by a man hearding sheep along a country lane. The sheep behaved impeccably, working really well and did as they were told, but the car that the actors drove in didn&#8217;t appreciate all the waiting and being left to idle, so it kept cutting out, which meant that there were endless takes for the scene in question.</div>
<p>
<div style="text-align:justify;">We did quite a few scenes on that episode with me as a policeman. On one such scene there were several of us in a car, which was supposed to stop and we were supposed to get out and chase after the villain (I think it was the climax of one of the episodes, but I can&#8217;t remember the name of the story.) We attempted several rehearsals, but then it was decided that, if we took our helmets off we&#8217;d find it easier to get out of the car, which was quite small. So, on the next attempt we did it helmetless, and it worked perfectly.</div>
<p>
<div style="text-align:justify;">Another “Campion” story I was in I was the opposite side of the law, one of the villain’s henchmen (played with real gusto by Iain Cuthbertson, who seems to have made playing ‘heavies’ his forte.) It certainly made a change from being a ‘goody.’ We were dressed in suitable 1930’s garb, and I wore a long leather coat and broad-brimmed hat, and the make-up department had given me a scar across one cheek, which had been made with a substance which came in a small bottle rather like nail-polish and was applied with a brush. On drying, it made the skin of my face contract and produce a really convincing scar. When it was dry, another layer was applied, and on each application, the skin seemed to contract even more, making the ‘scar’ appear even more convincing. And, to make things even more menacing, I was given an eye-patch to wear over one of my eyes!</div>
<p>
<div style="text-align:justify;">We did quite a few scenes driving around the North Norfolk countryside in some marvellous period cars, which didn’t always behave as the crew would have wanted, and didn’t appreciate being kept idling in the warm sunshine, so, whenever a take was required and the director called ‘action’ they didn’t always move on cue. </div>
<p>
<div style="text-align:justify;">On one particular occasion we were taken by bus to another location, a wood, and myself and another Walk-On were supposed to be spying on Peter Davison (as Albert Campion) as he walked through the woods (no doubt looking for clues or something.) We weren’t supposed to be seen by him, for obvious reasons, and we had been detailed by one of the assistants to stand by a dilapidated shed and look menacing. They had wanted me to smoke a cigarette, but, as I don’t smoke, I was given a match stick to chew. The sequence started with the camera full on us, I chewed on the matchstick, and then threw it away. The camera then picks up Campion moving through the trees in mid-distance, and I signal to my companion, and we walk slowly through the woods, being as stealthy as possible, presumably so as not to be seen by Campion. The crew had marked a line on the floor where we were supposed to stop, so that we were at the front of the shot, and Campion was in the background. We rehearsed it several times, but, because of the eye-patch, I could never see the mark on the ground! We did eventually complete the sequence successfully, and I have seen this in the finished production, but I still can’t recall the name of the story or the episode it is in!</div>
<p>I managed to keep the scar once we had finished shooting, and drove home with it on. It lasted a day or so, but eventually I had to peel it off!</p>
<div style="text-align:justify;">There are one or two scenes in other shows where I am quite prominent, and not hidden behind a lamp-post and just a fleeting, passing shadow. I worked on an episode of &#8220;Keeping Up Appearances.&#8221; It&#8217;s the one where Hyacinth persuades the hapless Richard (her husband) to test drive a Rolls Royce (just another attempt to put one over her neighbours and look down her nose at the socially-inept.) He agrees and drives the Roller off the forecourt of the garage where they have been looking at the cars on show. They drive off into the country, much to Richard&#8217;s dismay, but as usual Hyacinth is goading him to &#8216;put his foot down.&#8217; They eventually arrive at a country hotel (which is actually a few miles outside Stratford-Upon-Avon.) This is where a friend of hers is staying and she hopes that arriving in a Rolls Royce will be the icing on the cake to cause envy. And who else should arrive at the hotel, but her sister Daisy and her uncouth husband Onslow and Daddy, in a clapped out banger which has an exhaust which explodes unexpectedly and leaves clouds of smoke as it goes along. Anyway, as they get to the hotel, the car breaks down (really unlikely, as Rolls Royce vehicles never &#8216;break down&#8217; or at least they are never supposed to.) It is at this point that some of the guests appear at the windows of the hotel and come outside to have a look to see what all the noise is about. (I think Richard sets off the car alarm on the Rolls or something.) and I am one of the guests who is seen quite clearly in the centre of all the action, hamming it up for all I&#8217;m worth! In fact, I&#8217;m in several of the shots in this sequence, making disapproving faces and generally having a good time. Well, as we weren&#8217;t allowed to speak, I had to make some sort of expression and &#8216;act&#8217; accordingly.</div>
<p>
<div style="text-align:justify;">I did some work on something else which wasn&#8217;t actually classed as a &#8216;drama.&#8217; It was a documentary series called &#8220;Soldiers&#8221; which was about fighting men through the centuries and they used dramaticised sequences where we were used, but didn&#8217;t speak. A lot of it was filmed in the army training area near Thetford, in Norfolk. There was a sequence which was filmed in a disused church in the battle area, and we were dressed in period soldiers uniforms and were laying around on the floor (!) being treated by medical people. It was really quite uncomfortable. There was another sequence which showed a soldier having his leg amputated and they had a false leg which had be taken off a soldier. I recall one of the Walk- On&#8217;s being chosen to be the poor soldier who has his leg cut off and having to lie on this make-shift operating table and his leg having to match as near as possible the false leg!</div>
<p>
<div style="text-align:justify;">We were put into these soldier&#8217;s uniforms, beautifully made, and they must have cost a fortune, whether they had been hired from a costume company or been made specially for this production I don&#8217;t know, and then they wanted us to look as if we&#8217;d been injured in battle and the costume department had to rip great holes in these uniforms, tear chunks out of the arms or legs and then we had to put mud on them to make them look as if we&#8217;d been injured in a battle, and to cap it all we had stage blood and gore applied to make it look even more authentic. Some people had latex scars put on their heads and arms and other parts of their bodies, and what made it even more grotesque was when these bits of latex came off, and usually at inapropriate times, such as when we were having coffee or lunch breaks, and then the make-up ladies had to stick them back on again!</div>
<p>
<div style="text-align:justify;">One sequence we did which was quite complex was shot at night. It was supposed to be after the Battle Of Waterloo, and we were supposed to be the dead and dieing. A special camera track was set up, which would be used for a long tracking shot, while a large camera crane was bought in to do some ariel shots. If I remember correctly, the whole shoot was held up beccause this crane got stuck in some soft ground or something and they had to get it out before the shoot could begin. This was all done in the evening as the sun was setting, but to be historically accurate it was actually supposed to be the morning with the sun setting. Another actor was used to ride a horse through the dead and dieing and was made up to be the Duke Of Wellington, and at a given cue people were supposed to appear, carrying lighted branches and loot the bodies. Now, we were laying on the ground, which wasn&#8217;t exactly comfortable, and it was also really quite cold, as this was quite early in the year, around April. So, there we were, laying on the ground, pretending to be dead, and it&#8217;s cold, so we were shivering, the camera is tracking along this specially constructed railway-line, and we&#8217;re trying our hardest not to shiver, because, remember, we&#8217;re supposed to be dead, and then Wellington comes along on his horse (or, at least, and actor pretending to be The Iron Duke.) and the horse has to carefully tread over us bodies on the ground, and we mustn&#8217;t react to this at all (as we are supposed to be dead.) and then one of the stage crew notices that our boots which we are wearing have 20th century soles to them, so the set-up has to be re-taken after we have moved our feet so that the soles of our boots aren&#8217;t seen by the camera! </div>
<p>This entire sequence took something like six hours to set up and film, and when it was shown in the finished programme which I saw when it was broadcast, the sequence lasts&#160; no more than 45 seconds.</p>
<div style="text-align:justify;">When we had finished filming for the day, we had to change out of our costumes and put our every-day clothes on again to go home. We had been covered in stage blood and gore and had the chance to use a shower to wash it all off, but it was really late, or rather, very early morning when we had finished and I just wanted to drive home, so I didn&#8217;t bother to wash the blood and gore off. I drove away, and then realised that I needed to fill the car up with petrol and went to a filling station on the A14 somewhere near Newmarket. I don&#8217;t know what the cashier thought when he saw me coming towards him to pay after I&#8217;d filled the car up with fuel, as I must have looked like one of the walking dead as I was covered in this stage blood and gore!</p>
<p>&#8221; &#8216;Allo, &#8216;Allo&#8221; was another show I worked on and used the Thetford battle area for some of it&#8217;s scenes. It was partly written by David Croft, responsible, with Jimmy Perry for many classic sitcoms of the sixties and seventies. &#8220;Dad&#8217;s Army&#8221; is perhaps the best known, and many exterior scenes were filmed in and around Thetford, Thetford Forest and the battle area.&#160; There was one sequence that was a sort of spoof of all Word War 2 films, a sort of cliche being that someone is rescued from a prisoner of war camp by escaping through a tunnel to the outside world. Well, this being &#8221; &#8216;Allo, &#8216;Allo&#8221;&#8216; the characters are trying to get IN to a prisoner of war camp! (just to make sure that it gets maximum comic potential, of course!) &#8221; &#8216;Allo, &#8216;Allo&#8221; used Swaffham as the unit base for the production, and we filmed quite a lot around that area. I was dressed up as a German Soldier and had to go to a hotel in Swaffham for a costume fitting before the week&#8217;s shooting began a few week&#8217;s later. A lot of scenes were done at Lynford Hall in Norfolk. This is a rather imposing country house, in the style of a French chateau, which makes sense as the show is set in France. I believe the exterior of the house was used quite extensively in the show. The stable courtyard at the back of the house was made up to be the village square and the exterior of Rene&#8217;s cafe.&#160; Actually, not a lot happened to tell you here, and it was a rather ordinary week&#8217;s filming, but I am in quite a few scenes. These were usually of me outside Rene&#8217;s cafe, sitting at a table, drinking either coffee or wine. (You have to remember that these were the exterior scenes, and the scenes inside the cafe were shot in a studio at B.B.C. Television Centre in London, so I&#8217;m not in any of those scenes, unfortunately.)</p>
<p>This series, together with &#8220;Keeping Up Appearances,&#8221; is constantly being repeated on either the UKTV channels, or on BBC 1, usually at Sunday lunchtimes.</div>
<p>
<div style="text-align:justify;">Another series I did quite a lot of work on was &#8220;Middlemarch.&#8221; I have a feeling that this adaptation of the George Eliot novel was what started the current trend for doing costume dramas, as the BBC hadn&#8217;t done one for quite a few years prior to this series. Most of it was shot in and around Stamford in Lincolnshire. This particular scene involved several hundred Supporting Artistes, and we were supposed to be watching Robert Hardy as a totally inept politician, give a speech. We had to arrive at around 6 a.m to get into our costumes, and once we were dressed we went to a car park in the centre of Stamford (Carol and I went to Stamford recently and parked in the same car park during our visit.) and we were tried out to see what our reactions were like. We had to cheer and generally make a lot of noise, as if we were reacting to someone giving a speech. It was during this that the stage crew selected a handful of the assembled mass to be at the front of the crowd, myself included, as we would be seen extensively during the finished scene, and would need to take quite a lot of direction and therefore had to react to the actors. We worked most of the day on the scene, which barely lasts ten minutes in the finished episode, but I am quite visable and really managed to over-act, which made the day more interesting than merely standing in the background (which happened to the rest of the Walk-Ons.)We had to hurl rotten fruit at the poor Robert Hardy (he is such a likeable person that throwing anything nasty at him seemed so awful!) and he also had an egg thrown in his face at one point, which had to be re-shot several times, which cannot have been very nice for the poor man.</div>
<p>
<div style="text-align:justify;">Another sequence I was involved in filming on “Middlemarch” was in one of the streets in Stamford, near where the hustings scene was shot. We were passers-by, and some of the principals were doing their scene the other side of the street. There were horses being ridden past and carts, drawn by horses, as the traffic in the street, and myself and another Walk-On had to cross the road, on cue, but it was timed just before a horse and cart went by. We did several rehearsals and it was then that I realised how dangerous this was. A car can stop dead, when the brakes are applied, but a horse is somewhat unreliable and might not stop dead when commanded to do so by the driver who was in control. Also, as it rumbled past, I could feel the whole road vibrate with the weight and sheer strength. I really was relying on the driver of the cart to know his stuff and make sure he could stop if there was an emergency. We eventually did several ‘takes’ and it went well enough, but it was somewhat hairy, to say the least!</div>
<p>
<div style="text-align:justify;">Another show I did, about a year later, was partially shot at Burleigh House, just outside Stamford. This was called “Buccaneers” and was based on a novel by Edith Wharton. We were supposed to be guests at a society wedding. The interiors for the actual reception were shot at another location, Grimsthorpe Castle, near Grantham, actually not too far from Stamford. We had done those scenes about two week before the shoot at Burleigh. </div>
<p>
<div style="text-align:justify;">One scene we shot was of the married couple leaving at the end of the reception. We were supposed to be watching, through a metal fence at the front of the house, and the camera was set up to get our reactions as we watched the carriage driving away. As we were facing away from the departing carriage, the camera obviously couldn’t see it. A member of the floor crew was detailed to run across the park behind, waving a clip-board in the air, to give us an eye-line as if he was the departing carriage! When the film was cut together you would have seen the carriage going away with the happy couple, and the reverse shot of us watching through the fence!</div>
<p>
<div style="text-align:justify;">Not all the television work I have done has been directly as a Walk-On or Support Artiste. I got called one day by a London agency to work on a Dennis Potter production which was being shot at Ealing Studios, called “BlackEyes.” I was to be a stand-in and double for Nigel Planer. I was told ages ago that there was a close facial resemblance between myself and this particular actor. I had to report to the unit management of this production early the next day at Ealing. I was going to be working with a young lady who was going to be standing in for one of the other principals in this production, Gina Bellman. We had to ‘walk-through’ certain scenes from the production, and speak the lines of the actors, as the camera and lighting crews set up the shots that the actors would later film, as the ‘takes’ were to be really long (about ten minutes) without any ‘cut-aways’ as is usual in making a film or television drama. It meant that, once the scene started, the scene would continue with the camera moving around the actors, and wouldn’t contain any sort of ‘cut-aways’ in all that time. </div>
<p>
<div style="text-align:justify;">The work of a stand-in is to assist the cameraman, lighting director and sometimes the director as they light certain scenes, and you have to be generally the same height and body-shape of that actor. The principals, meanwhile, are in their dressing room or trailer, and don’t come onto the set until all the technical bits-and-pieces have been sorted out. </div>
<p>
<div style="text-align:justify;">So, we spent two days on this work, and I was also used as a double for Nigel Planer, being dressed in exactly the same costume as he wore, and was supposed to be watching from a window across the street, looking into the flat where most of the action was taking place. There was also a man walking on stilts outside in the street, who walked past and also looked into the windows of the flat. I seem to remember that it was actually a mews flat, and the set was built as a ‘cut-away’ section of mews flat and the street outside, complete with a section of pavement, tarmac-surfaced road and cobbles, stairs up into the flat, which was complete with lounge, kitchen, bedroom and bathroom, although none of it was plumbed in, but it was all very realistic. There was even a tiny garden at the back, planted very realistically with plants, trees, flowerbeds and a tiny bit of lawn. </div>
<p>
<div style="text-align:justify;">It was really exciting to be working with Dennis Potter as the director, and I have a feeling, looking back, that this would have been one of the last projects he worked on before he died. I did see the finished production when it was broadcast, and I will admit that it wasn’t something I particularly enjoyed. I didn’t see myself in it, or if I was in it, it was only very briefly, and I never did see the stilt-walker. Having said that, it was a really interesting experience. I do wish now that I had taken a camera with me onto the set, as I’d have loved to have had a photograph of myself with Nigel Planer, as it was rather like looking into a mirror as we do look similar. Do I look like him, or does he look like me? I was thinking that, if his career really took off, I could be his stand-in on more films he gets involved in, but he doesn’t seem to be one of those actors who makes very many films. Some people make quite good livings as stand-ins for famous actors and go to Hollywood, but it doesn’t seem to be the case with me. Oh well, there is always another day!</p>
<p>Although this blog is about television walk-on, there are other areas of work in the non-speaking field. I&#8217;m not a trained actor and have never been to stage&#160; school (although I did have interviews for stage management courses at R.A.D.A. and the Central School of Speech and Drama but never got in, hence getting into stage management as a student at Cheltenham.) I have done one television commercial, for water privitisation and some modelling (for a magazine called &#8220;Moneywise.&#8221;) These areas of work can be far more lucrative than mere &#8216;Walk-On&#8217; and particularly if you are featured.</p>
<p>The &#8220;Moneywise&#8221; shoot was done in a studio in London. It was to go with an article in the magazine called something like &#8216;How to Get Rich Quick&#8217; and I was supposed to be Mr Scrooge. They lit me in a rather garish green light and I was supposed to look greedy and rub my hands together (in the style of Ebenezer Scrooge.) Later in the shoot, I was joined by a lady who was supposed to be Mrs Scrooge (I know, there wasn&#8217;t one!) and we had to grab £10 notes which were dropped from a height. No, we weren&#8217;t allowed to keep them. These photographs were used within the article itself. The photographer took Poloroid shots to get the lighting correct and to see that what he was shooting was in accord with the creative director&#8217;s plans for the cover design and layout. Once this was right he took the actual photographs. The whole shoot took no more than three hours.</div>
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<title><![CDATA[Ce qu'il manquait au spectacle de Guy Laliberté]]></title>
<link>http://lemarcoux.wordpress.com/2009/10/19/ce-quil-manquait-au-spectacle-de-guy-laliberte/</link>
<pubDate>Mon, 19 Oct 2009 12:30:22 +0000</pubDate>
<dc:creator>Steve Marcoux</dc:creator>
<guid>http://lemarcoux.wordpress.com/2009/10/19/ce-quil-manquait-au-spectacle-de-guy-laliberte/</guid>
<description><![CDATA[Logo Fondation One Dr Depuis une semaine, je me demandais pourquoi j&#8217;avais trouvé ça si pénibl]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div class="wp-caption alignright" style="width: 126px"><img title="Logo Fondation One Drop" src="http://i736.photobucket.com/albums/xx4/stevemarcoux/onedrop.jpg" alt="Logo Fondation One Drop" width="116" height="116" /><p class="wp-caption-text">Logo Fondation One Dr</p></div>
<p>Depuis une semaine, je me demandais pourquoi j&#8217;avais trouvé ça si pénible regarder le spectacle planétaire de la fondation <a href="http://www.onedrop.org/fr/default.aspx" target="_blank">One Drop</a>.</p>
<p>Il est facile de dire que c&#8217;était tout simplement mauvais.  Ce qui n&#8217;est pas loin de la vérité. Mais après réflexion ( rassurez vous j&#8217;ai pas trop pensé à ça longtemps) <strong>j&#8217;ai finalement trouvé</strong> ! C&#8217;est parceque il manquait un invité de taille afin de bien souligner le thème; <span style="text-decoration:underline;">Raoul Dugay</span> !</p>
<p>Pour bien comprendre, il faut voir le segment à partir de 1:10 jusqu&#8217;à la fin.</p>
<p>Avec ça le show aurait été space !</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/QCQJ18ly2Fo&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/QCQJ18ly2Fo&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
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<title><![CDATA[Allo :3]]></title>
<link>http://robloxfever.wordpress.com/2009/07/26/allo-3/</link>
<pubDate>Sun, 26 Jul 2009 06:47:51 +0000</pubDate>
<dc:creator>writerofenigma</dc:creator>
<guid>http://robloxfever.wordpress.com/2009/07/26/allo-3/</guid>
<description><![CDATA[Lawlz, first time on a blog. Yey&#8230; but yeah, I&#8217;m WriterOfEnigma and I guess I&#8217;m a n]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Lawlz, first time on a blog. Yey&#8230; but yeah, I&#8217;m WriterOfEnigma and I guess I&#8217;m a new author. As you can tell, I like saying yey. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' />  Well&#8230; yeah, this post is crappeh, nothing to write about in this one&#8230; hm. Oh well.</p>
<p> </p>
<p>-*REAAAAAAAAACCCSHHHHHH!*</p>
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<title><![CDATA[Viareggio, allo stadio i funerali. Napolitano: fare chiarezza]]></title>
<link>http://didyoknow.wordpress.com/2009/07/19/viareggio-allo-stadio-i-funerali-napolitano-fare-chiarezza/</link>
<pubDate>Sun, 19 Jul 2009 21:20:59 +0000</pubDate>
<dc:creator>didyoknow</dc:creator>
<guid>http://didyoknow.wordpress.com/2009/07/19/viareggio-allo-stadio-i-funerali-napolitano-fare-chiarezza/</guid>
<description><![CDATA[VIAREGGIO (Reuters) &#8211; Si sono svolti questa mattina allo Stadio dei pini di Viareggio i funera]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>VIAREGGIO (Reuters) &#8211; Si sono svolti questa mattina allo Stadio dei pini di Viareggio i funerali solenni di 15 delle 22 vittime del disastro ferroviario del 29 giugno, con gli spalti gremiti di folla e alla presenza del presidente della Repubblica Giorgio Napolitano.</p>
<p>Le bare sono state portate a spalla sul prato dai rappresentanti di tutte le organizzazioni che hanno partecipato ai soccorsi, per una cerimonia officiata dal vescovo di Lucca, Italo Cappellini, a cui si è unito per una preghiera il presidente della Federazione islamica della Toscana, Wahid el Fihri.</p>
<p>La fuoriuscita di Gpl da una ferrocisterna che si è rovesciata dopo aver deragliato vicino alla stazione di Viareggio nella notte del 29 giugno ha provocato un forte incendio che ha investito le strade vicine alla ferrovia, bruciando intere palazzine.</p>
<p>Si deve fare chiarezza prima ancora di verificare se ci sono delle responsabilità&#8221;, ha detto ai giornalisti Napolitano, che dopo i funerali è andato in ospedale a trovare i quattro feriti dall&#8217;esplosione ricoverati in città.</p>
<p> Fonte:<br />http://it.reuters.com/article/topNews/idITMIE5660JL20090707</p>
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<title><![CDATA[Allo Streaming : Le site streaming "gratuit" pour vos films, mangas et séries !]]></title>
<link>http://weelakeo.com/2009/07/14/allo-streaming-le-site-streaming-gratuit-pour-vos-films-mangas-et-series/</link>
<pubDate>Tue, 14 Jul 2009 14:03:29 +0000</pubDate>
<dc:creator>weelakeo</dc:creator>
<guid>http://weelakeo.com/2009/07/14/allo-streaming-le-site-streaming-gratuit-pour-vos-films-mangas-et-series/</guid>
<description><![CDATA[Allo Streaming : Le site streaming &#8220;gratuit&#8221; pour vos films, mangas et séries ! Films ]]></description>
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<h1>Allo Streaming : Le site streaming &#8220;gratuit&#8221; pour vos <a class="zem_slink" title="Film" rel="wikipedia" href="http://en.wikipedia.org/wiki/Film">films</a>, mangas et séries !</h1>
<p><a href="http://secure.rentabiliweb.com/masterGoTo.php?CAFF=67M5KYMVTDMV6YC&#38;PRID=898" target="_blank"><img src="http://www.clicvod.com/images/logomini.png" border="0" /></a></p>
<p><em> <a href="/users/dkformation/"></a></em></div>
<div class="article-content"><span><strong>Films &#8211; Séries &#8211; Mangas</strong> &#8211; Pour mieux visionner less films,  séries et mangas <a href="http://www.allostreaming.biz.st/" target="_blank">c&#8217;est  tout simplement sur Allo Streaming</a> et c&#8217;est &#8220;gratuit&#8221; !</span></div>
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<h3><span>Ces articles peuvent vous intéresser :</span></h3>
<p><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570" target="_blank"><img src="http://www.sv2.biz/modules/cbsys/promo/bannieres/produits/619/20060724193506_120x240_03.gif" border="0" alt="" /></a></p>
<ul>
<li>
<h2><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Allo streaming le site streaming &#8220;gratuit&#8221; qui remplace le légendaire r4v3n !</a></h2>
<p>Le site ne consiste  qu&#8217;en un référencement de liens vidéos de séries, films ou mangas hébergées par  des sites publics et légalement reconnus tels que :&#8230;  <a class="lnk-red-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Lire la suite</a></p>
<div><em> </em><br />
<a class="lnk-blue-underlined" href="/internet/">INTERNET</a></div>
</li>
<li>
<h2><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Allo Streaming Film Vidéo : Un site &#8220;gratuit&#8221; comme l&#8217;était r4v3n !</a></h2>
<p>Le site ne consiste qu&#8217;en un référencement de liens vidéos de  séries, films ou mangas hébergées par des sites publics et légalement reconnus  tels que :&#8230;  <a class="lnk-red-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Lire la suite</a></p>
<div><em> </em><br />
<a class="lnk-blue-underlined" href="/internet/">INTERNET</a></div>
</li>
<li>
<h2><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Allo Streaming : Vos films en streaming &#8220;gratuitement&#8221; !</a></h2>
<p>AlloStreaming &#8211;  Le site ne consiste qu&#8217;en un référencement de liens vidéos de séries,  films ou mangas hébergées par des sites publics et légalement reconnus&#8230;  <a class="lnk-red-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Lire la suite</a></p>
<div><em> </em><br />
<a class="lnk-blue-underlined" href="/cinema/">CINÉMA</a>,     <a class="lnk-blue-underlined" href="/culture/">CULTURE</a></div>
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<h2><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Film gratuit : Allo Streaming le nouveau r4v3n.com pour notre Streaming !</a></h2>
<p>Le site ne consiste qu&#8217;en un référencement de liens vidéos de  séries, films ou mangas hébergées par des sites publics et légalement reconnus:  <a class="zem_slink" title="Dailymotion" rel="homepage" href="http://www.dailymotion.com">Dailymotion</a>,&#8230;  <a class="lnk-red-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Lire la suite</a></p>
<div><em> </em><br />
<a class="lnk-blue-underlined" href="/internet/">INTERNET</a></div>
</li>
<li>
<h2><a href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Allo Streaming le Streaming qui cartonne &#8220;gratuitement&#8221; !</a></h2>
<p>Allo Streaming le Streaming qui cartonne  &#8220;gratuitement&#8221; &#8211; <a href="http://www.allostreaming.com">www.allostreaming.com</a> &#8211; Découvrez le  plaisir de visionner un ensemble de films, mangas et&#8230;  <a class="lnk-red-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">Lire la suite</a></p>
<div><em> </em><br />
<a class="lnk-blue-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">CINÉMA</a>,     <a class="lnk-blue-underlined" href="/culture/">CULTURE</a>,     <a class="lnk-blue-underlined" href="http://xstreaming.saxodvd.com/page/telecharger.html?id=10570">INTERNET</a></div>
</li>
</ul>
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<div class="last-comments">
<h2><span>LES COMMENTAIRES (31)</span></h2>
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<div class="leave-coment-info"><span>Par caramel</span><br />
<span>posté le 07 juillet à 12:18</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/235814/">Signaler un abus</a></div>
<p>bande de perver ya ke des truk porno la dedans moi jveu les des cinema bande de cons</p></div>
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<div class="leave-coment-info"><span>Par daren</span><br />
<span>posté le 25 juin à 19:32</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/230469/">Signaler un abus</a></div>
<p>pour tous vos films préféré voila un tres bon site <a href="http://stream.land13.com">http://stream.land13.com</a></div>
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<div class="leave-coment-info"><span>Par lili</span><br />
<span>posté le 15 juin à 17:26</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/225296/">Signaler un abus</a></div>
<p>pour des film en streaming et en illimité <a href="http://stream.link44.com">http://stream.link44.com</a></div>
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<div class="leave-coment-info"><span>Par lilou</span><br />
<span>posté le 15 juin à 11:28</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/225156/">Signaler un abus</a></div>
<p>il ya aussi ce site que je trouve tres bien <a href="http://stream.link44.com/">http://stream.link44.com/</a></div>
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<div class="leave-coment-info"><span>Par aline</span><br />
<span>posté le 14 mai à <a class="zem_slink" title="17:28" rel="lastfm" href="http://www.last.fm/music/17%253A28">17:28</a></span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/207184/">Signaler un abus</a></div>
<p>un super site a mon avis c mieux <a href="http://stream.land009.net/">http://stream.land009.net/</a></div>
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<div class="leave-coment-info"><span>Par mpqls</span><br />
<span>posté le 10 mai à 19:48</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/203785/">Signaler un abus</a></div>
<p>un tres bon site <a href="http://streamania.co.cc">http://streamania.co.cc</a> sans pub</div>
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<div class="leave-coment-info"><span>Par newbiel</span><br />
<span>posté le 12 avril à 18:52</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/178873/">Signaler un abus</a></div>
<p>Sur Streamiz regardez Wolferine en streaming avec plus + de 2000 films en megavideo illimités</p></div>
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<div class="leave-coment-info"><span>Par newbiel</span><br />
<span>posté le 12 avril à 18:51</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/178872/">Signaler un abus</a></div>
<p>Sur Streamiz.com regardez megavideo en illimité avec les dernieres nouveautés tel que wolferine en streaming et + de 2000 films</p></div>
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<div class="leave-coment-info"><span>Par redzzz</span><br />
<span>posté le 30 mars à 16:44</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/168639/">Signaler un abus</a></div>
<p>Comme dans la vie ya pas QUE allostreaming essayez LE moteur de recherche streaming</p></div>
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<div class="leave-coment-info"><span>Par blouf</span><br />
<span>posté le 20 mars à 15:24</span></div>
<p><a class="lnk-coment-signaler" rel="nofollow" href="/forum/warn/159081/">Signaler un abus</a></div>
<p>le top c&#8217;est <a href="http://www.CineSoir.com">http://www.CineSoir.com</a> , pour moi c&#8217;est mieux qu&#8217;Allostreamnazzz</div>
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<div class="posterous_quote_citation">via <a href="http://www.paperblog.fr/568772/allo-streaming-le-site-streaming-gratuit-pour-vos-films-mangas-et-series/">paperblog.fr</a></div>
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<title><![CDATA[Una maxidiscoteca allo Stade de France]]></title>
<link>http://algoryth.wordpress.com/2009/07/10/una-maxidiscoteca-allo-stade-de-france/</link>
<pubDate>Fri, 10 Jul 2009 09:45:52 +0000</pubDate>
<dc:creator>algoryth</dc:creator>
<guid>http://algoryth.wordpress.com/2009/07/10/una-maxidiscoteca-allo-stade-de-france/</guid>
<description><![CDATA[Estate, tempo di eventi di cui conservare gelosamente il biglietto d&#8217;ingresso. Lo Stade de Fra]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Estate, tempo di eventi di cui conservare gelosamente il biglietto d&#8217;ingresso.</p>
<p>Lo Stade de France, il campo dove gioca la nazionale di calcio francese alle porte di Parigi, si trasformerà per una notte in una maxi-discoteca che accoglierà i più grandi dj del momento.</p>
<p>Da sabato sera fino alle prime luci dell&#8217;alba di domenica si alterneranno alla consolle del megaevento transalpino il francese David Guetta, l&#8217;olandese Armin Van Buuren, lo svedese Axwell, che ha firmato â€&#8217; fra gli altri â€&#8217; remix per gente come e .</p>
<p>&#8220;Nel tempo di una notte, questo tempio dello sport celebrerà tutti i generi dance e i migliori dj del momento&#8221; ha aggiunto, sperando di poter esportare il progetto all&#8217;estero.</p>
<p> Fonte:<br />http://musica.excite.it/news/22568/Una-maxidiscoteca-allo-Stade-de-France</p>
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<title><![CDATA[Viareggio, funerali allo stadio dei Pini]]></title>
<link>http://delfortuna.wordpress.com/2009/07/10/viareggio-funerali-allo-stadio-dei-pini/</link>
<pubDate>Fri, 10 Jul 2009 09:32:00 +0000</pubDate>
<dc:creator>delfortuna</dc:creator>
<guid>http://delfortuna.wordpress.com/2009/07/10/viareggio-funerali-allo-stadio-dei-pini/</guid>
<description><![CDATA[Alla cerimonia parteciperà il Capo dello Stato, Giorgio Napolitano.Sono attese anche le altre ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Alla cerimonia parteciperà il Capo dello Stato, Giorgio Napolitano.Sono attese anche le altre &#8220;alte cariche dello Stato&#8221;, anche se il primo cittadino, Luca Lunardini, ha fatto intendere che per i presidenti di Camera e Senato mancano ancora conferme ufficiali.</p>
<p>Per questi giorni di lutto, il sindaco ha invitato i locali della città &#8220;ad astenersi dall&#8217;organizzare eventi in cui vi sia musica, anche di sottofondo, per non alterare quel raccoglimento doveroso che dobbiamo alle vittime&#8221;.INDAGINI A 360 GRADI.</p>
<p>Ieri è stata rimossa la cisterna che trasportava il gpl che ha provocato l&#8217;esplosione.Per la prima volta, vigili del fuoco e polfer, impegnati nella rimozione del convoglio, hanno potuto vedere la falla da cui è fuoriuscito il gas: si tratterebbe di un taglio allargato, che sarebbe stato provocato dall&#8217;impatto fra la cisterna rovesciata dopo il deragliamento &#8211; e ancora in movimento &#8211; ed un oggetto che gli investigatori ipotizzano possa essere un paletto, un picchetto o una controrotaia.Intanto, anche la Procura di Prato, che sta indagando sul deragliamento di due vagoni di un treno merci avvenuto nei giorni scorsi, avrebbe concentrato l&#8217;attenzione sul possibile cedimento di un asse, così come ipotizzato per il disastro di Viareggio.POLEMICHE NEL QUARTIERE DELLA STAZIONE.</p>
<p>Allo stato attuale, potrebbe essere più pericolosa una bombola di gas in casa&#8221;.Il sindaco ha tranquillizzato i cittadini e ha spiegato che il trasferimento delle cisterne è un problema amministrativo che deve essere risolto da Trenitalia: &#8220;Ho chiesto che ciò avvenga in fretta, anche perché la nostra stazione non è abilitata per la sosta permanente&#8221;.</p>
<p> Fonte:<br />http://www.lasicilia.it/index.php?id=24212&#38;template=lasiciliait</p>
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<title><![CDATA[Allo de la Valigetta ( scoprite cosa c'è dentro! )]]></title>
<link>http://outofclub.wordpress.com/2009/06/18/allo-e-la-sua-valigetta-scoprite-cosa-ce-dentro/</link>
<pubDate>Thu, 18 Jun 2009 09:55:43 +0000</pubDate>
<dc:creator>outofclub</dc:creator>
<guid>http://outofclub.wordpress.com/2009/06/18/allo-e-la-sua-valigetta-scoprite-cosa-ce-dentro/</guid>
<description><![CDATA[Sentivamo il bisogno mistico, di intervistare Allo e Marco Allegri, che apparentemente sembrano la s]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Sentivamo il bisogno mistico, di intervistare Allo e Marco Allegri, che apparentemente sembrano la stessa persona, ma in realtà sono due entità che convivono con le stesse Nike ai piedi, ma per il resto, cosa si nasconde, dietro al dolce musetto di Marco, quando esce la sera e si trasforma in Allo, quali meccanismi intercorrono dentro di lui&#8230;Abbiamo indagato, lo abbiamo intervistato, ed ecco cosa siamo riusciti a scoprire di lui..</p>
<p><strong>1) chi è Allo e cosa porta con se dentro la valigetta?</strong></p>
<p>Allo è Marco  Allegri. Nato e residente a Cremona.<br />
Gira i dischi da un pò di anni e con  Coojo gestisce una indie-label che si chiama appunto La Valigetta: Rifoki (Bob  Rifo + Steve Aoki &#38; more), Blatta &#38; Inesha, 3 is a Crowd, Useless Wooden  Toys e Titan alcune delle release in cantiere per la stagione  2009/2010.<br />
Un&#8217;adolescenza vissuta a pane e beat grassi, fiero b-boy già in  epoche precoci, se la gira con i suoi dischetti belli happy e densi di groove  che alimentano sorrisi.<br />
E&#8217; residente al Sottomarino Giallo (rest in peace),  Rocket e Magnolia, tutti e tre a Milano.</p>
<p><strong>2) Se non eri Allo, oggi chi  saresti?</strong><br />
Da piccino sognavo di diventare dentista. Prospettiva orrenda  ben presto accantonata appena un barlume di ragione ha illuminato la mia  passione per le cose belle (e le carie non sono tra queste).<br />
Sono sempre  stato un abile chiaccherone anche se timido e talvolta schivo. Altro sogno al  quale ho provato a dar concretezza è stato il deejay radiofonico, anche in  questo caso ben presto accantonato una volta reso conto che la mi &#8216;erre moscia&#8217;  non dava adito ad ambizioni interessanti. Ciò è servito a rendermi consapevole  di quanto godessi nel far sentire i miei dischi ad altre persone. Da qui  Allo.<br />
Detto questo credo che sarei semplicemente Marco Allegri, entusiasta di  musica ed organizzatore di eventi cultural-musicali aka quello che sono oggi al  di fuori della valigia con il cuore dentro.</p>
<p><strong>3) Progetti futuri?  saranno sicuramente meglio di quelli passati secondo te, o sai che rimpiangerai  qualcosa?</strong><br />
Stiamo lavorando per protare l&#8217;etichetta ad una credibilità  internazionale.<br />
In Italia abbia raccolto davvero tanto (tenendo anche  presente i soli 2 anni d&#8217;attività) portando progetti come Mojomatics,  Post-Remixes e Useless Wooden Toys in contesti davvero importanti. Parlo di  Radio Deejay e 105 che passano le nostre produzioni e la Hot Parade che ci  seleziona (unici italiani con i Crookers) per la compilation Spring 2009 (vedi  il recente boom di Useless Wooden Toys &#8211; Teen Drive In / Spiller rmx), clip in  alta rotazione su Mtv ed All Music (Uwt, Post-Remixes con Ex-Otago e Tre Allegri  Ragazzi Morti, etc) o di palchi come Mtv Day (UWT), Italia Wave (Mojomatics),  etc.<br />
Le amicizie si sono moltiplicate e la consapevolezza di poter/saper far  qualcosa di interessanti si è rafforzata. Il tutto ovviamente con denominatori  comuni i piedoni sempre schiacciati a terra ed umiltà  a perdita di vista. Non è  da Valigetta montarsi la testa.<br />
Per questo l&#8217;obiettivo dichiarato per la  prossima stagione è extra-confine ed il recente passaggio / anteprima di Titan  remixato da His Majésty Andre su BBC Radio 1 (Ep in uscita a Luglio) fa davvero  ben sperare.<br />
Per questo e mille altri motivi voglio confidare che gli anni  sucessivi siano sempre migliori di quelli passati, è nella nostra natura di  ottimisti.<br />
Non ci proveremmo se non ci credessimo al 120%,  almeno.</p>
<p><strong>4) Tre aggettivi per descriverti?<br />
</strong>[Ndr: ma cos'è The  Box? Staniz guarda che io non mando sms al 15,25 euro l'uno. Mica mi fotti!  eheh]<br />
Comunque direi (solo perchè sei oggettivamente un figo pauroso):  Onesto, Sorridente, Eterosessuale</p>
<p><strong>5) Tre aggettivi che usano gl&#8217;altri  per descriverti?</strong><br />
Onesto, Sorridente, Omosessuale</p>
<p><strong>6) Tornerai su  questo blog? se si per quale motivo?</strong><br />
Blog? assì?<br />
Ovvio, per accertarmi  che le tue domande siano sempre così belle!<br />
W Staniz.</p>
<p>p.s: La scelta di questa foto, è stata accuratamente voluta per mettere in evidenza al pubblico femminile, le carnose labbra di Allo.</p>
<p><img class="alignleft size-medium wp-image-41" title="n1329831637_93708_4080" src="http://outofclub.wordpress.com/files/2009/06/n1329831637_93708_4080.jpg?w=300" alt="n1329831637_93708_4080" width="300" height="246" /></p>
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<title><![CDATA[Allo..]]></title>
<link>http://excdm.wordpress.com/2009/06/11/allo/</link>
<pubDate>Wed, 10 Jun 2009 18:33:41 +0000</pubDate>
<dc:creator>(ex)cdm</dc:creator>
<guid>http://excdm.wordpress.com/2009/06/11/allo/</guid>
<description><![CDATA[Hey guess what i&#8217;m back! Ok grammar nazi please don&#8217;t spank me like a dang i knew my eng]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Hey guess what i&#8217;m back! Ok grammar nazi please don&#8217;t spank me like a dang i knew my english is as bad as my chinese &#8211; -&#8217; but yeah i believe in optimism.If you start from 0, you still could end up as hero as long as you work for it heh</p>
<p>So cheers and wait for more update on this site..</p>
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<title><![CDATA[CMYK Party]]></title>
<link>http://backsideblog.wordpress.com/2009/06/04/cmyk-party/</link>
<pubDate>Thu, 04 Jun 2009 13:43:45 +0000</pubDate>
<dc:creator>backsideblog</dc:creator>
<guid>http://backsideblog.wordpress.com/2009/06/04/cmyk-party/</guid>
<description><![CDATA[CMYK Shoe presenta&#8230;la sagra full/color/istica. Eccovi tutti i dettagli. Sabato 20 giugno l]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://cmykshoes.com/">CMYK Shoe</a> presenta&#8230;<strong>la</strong> <strong>sagra full/color/istica</strong>. Eccovi tutti i dettagli.</p>
<p><strong>Sabato 20 giugno l&#8217;appuntamento è in Nevegal, a due passi da Belluno</strong>. L&#8217;inizio sarà per le ore 20.00 con aperitivo e mostra fotografica di action sports/street culture a cura di Felice De Sena, Giorgio De Vecchi, Riky Monti e Roby Bragotto. Dalle 21.30 sul palco il reggae di casa dei <a href="http://www.myspace.com/macismobile">Maci&#8217;s Mobile</a>. Alle 23.30 si cambia musica e il dj set presenta due chicche come <a href="http://www.myspace.com/djcolor">Color</a> della scuderia <a href="http://www.myspace.com/nanorec">Nano Records</a> e <a href="http://www.myspace.com/lavaligetta">Allo &#8220;La Valigetta&#8221;</a>. <strong>Plus: campeggio libero, free entry, cheap drinks e servizio navetta da Belluno.</strong></p>
<p><img class="alignleft" title="CMYK" src="http://blog.cmykshoes.com/wp-content/gallery/fullkoloristica/fullkoloristicas.jpg" alt="" width="500" height="673" /></p>
<p>Approfitto inoltre per segnalare&#8230;il <strong>nuovo blog CMYK</strong>, nato per tenervi aggiornati su eventi, team, news dal mondo CMYK. Questi ragazzi sanno fare comunicazione!</p>
<p><a href="http://blog.cmykshoes.com">www.blog.cmykshoes.com</a></p>
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<title><![CDATA[Tomorrow I`ll be heading for Paris]]></title>
<link>http://trygoogleme.wordpress.com/2009/05/25/tomorrow-ill-be-heading-for-paris/</link>
<pubDate>Mon, 25 May 2009 18:47:08 +0000</pubDate>
<dc:creator>trygoogleme</dc:creator>
<guid>http://trygoogleme.wordpress.com/2009/05/25/tomorrow-ill-be-heading-for-paris/</guid>
<description><![CDATA[I am setting course tomorrow for Paris via Oslo. The trip report will be located under Trips, here.]]></description>
<content:encoded><![CDATA[I am setting course tomorrow for Paris via Oslo. The trip report will be located under Trips, here.]]></content:encoded>
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<title><![CDATA[Treviso. Scontri davanti allo stadio,]]></title>
<link>http://laxvita.wordpress.com/2009/05/20/treviso-scontri-davanti-allo-stadio/</link>
<pubDate>Wed, 20 May 2009 13:40:22 +0000</pubDate>
<dc:creator>laxvita</dc:creator>
<guid>http://laxvita.wordpress.com/2009/05/20/treviso-scontri-davanti-allo-stadio/</guid>
<description><![CDATA[TREVISO (19 maggio) &#8211; Una rissa scoppiata davanti allo stadio Tenni di Treviso, , ha &#8220;re]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>TREVISO (19 maggio) &#8211; Una rissa scoppiata davanti allo stadio Tenni di Treviso, , ha &#8220;regalato&#8221; a 22 tifosi biancocelesti un decreto di allontanamento dagli impianti sportivi (Daspo) per ben 3 anni.</p>
<p>Non solo, per cinque di loro è stato disposto dalla questura di Treviso anceh l&#8217;obbligo di firma in occasione delle partite.</p>
<p>In quell&#8217;occasione, uno dei tifosi, già raggiunto in precedenza da un decreto di allontanamento dagli impianti sportivi (Daspo), era stato arrestato per resistenza e violenza a pubblico ufficiale.</p>
<p>Ferma restando la piena libertà di ognuno di esprimere la propria opinione su fatti che possano interessare la collettività o sugli argomenti specifici da noi proposti, i contributi non dovranno in alcun caso essere in contrasto con norme di legge, con la morale corrente e con il buon gusto.</p>
<p> Fonte:<br />http://www.gazzettino.it/articolo.php?id=58788&#38;sez=SPORT</p>
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<title><![CDATA[Editoria allo Staccio 4° serie di incontri per l'orientamento su novità e tendenze dell'editoria per ragazzi]]></title>
<link>http://campibisenzio.wordpress.com/2009/04/13/editoria-allo-staccio-4%c2%b0-serie-di-incontri-per-lorientamento-su-novita-e-tendenze-delleditoria-per-ragazzi/</link>
<pubDate>Mon, 13 Apr 2009 21:18:16 +0000</pubDate>
<dc:creator>campibisenzio</dc:creator>
<guid>http://campibisenzio.wordpress.com/2009/04/13/editoria-allo-staccio-4%c2%b0-serie-di-incontri-per-lorientamento-su-novita-e-tendenze-delleditoria-per-ragazzi/</guid>
<description><![CDATA[Martedì 21 aprile prende il via la quarta serie di incontri di orientamento su novità e tendenze del]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:justify;"><strong>Martedì 21 aprile</strong> prende il via la <strong>quarta serie di incontri di orientamento su novità e tendenze dell’editoria per ragazzi promossi dal Centro regionale di servizi per le biblioteche per ragazzi attivo presso la Biblioteca di Villa Montalvo</strong>. In tutto tre incontri, che si svolgeranno fra aprile e maggio, rivolti a bibliotecari, insegnanti ed educatori e a chi opera nel campo dei libri per bambini e ragazzi. Gli esperti invitati a relazionare affronteranno temi della letteratura e della divulgazione con particolare riferimento alle novità e alle tendenze emergenti dal panorama delle offerte editoriali. Il programma prevede per ogni incontro:<br />
<strong>Martedì 21 aprile</strong> <em>Alla ricerca di nuove tendenze</em> con Carla Poesio, studiosa di letteratura per l’infanzia, che farà strada tra i percorsi editoriali della recente Fiera internazionale del libro per ragazzi di Bologna.<br />
<strong>Venerdì 8 maggio</strong>, Gabriela Zucchini e Eros Miari, esperti di promozione della lettura e letteratura per l’infanzia, propongono <em>Nel giardino della lettura</em>, un percorso tra posti segreti e tane dei giovani lettori che, a partire da <em>Il giardino segreto</em> di Mary F.Burnett, approda alla letteratura contemporanea e presenta la lettura come specchio di adolescenze possibili.<br />
Infine, <strong>giovedì 28 maggio</strong>, graphic novel, percezione sociale, autorialità, progettualità multimediale, sperimentazione, futuro, scuola sono le <strong>Sette parole chiave del fumetto in Italia</strong> che Marco Pellitteri, sociologo ed esperto di comunicazione visiva, utilizzerà per una panoramica critica tra diversi media.<br />
Gli incontri si svolgeranno presso la <strong>biblioteca di Villa Montalvo a Campi Bisenzio, con orario 9.30-12.30</strong>. In autunno è in programma una quinta serie di incontri.<br />
<strong>La partecipazione è gratuita</strong>, previa iscrizione, che può essere fatta on line nella sezione Convegni del portale www.liberweb.it (segreteria: Idest srl, tel. 055.8944307, e-mail: convegni@idest.net).
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<p style="text-align:center;"><a title="Come raggiungere la sede del seminario" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/1514" target="_blank"><span style="font-weight:normal;">Come raggiungere la sede degli incontri</span></a></p>
<p style="text-align:center;"><span style="font-size:x-small;color:black;"><span style="font-size:10.5pt;color:black;"><strong><a title="Dove dormire a Campi Bisenzio" href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/649" target="_blank"><span style="font-weight:normal;">Dove dormire a Campi Bisenzio</span></a></strong></span></span></p>
<p style="text-align:center;"><strong>Biblioteca di Villa Montalvo. Centro regionale di servizi per le biblioteche per ragazzi</strong> &#8211; Via di Limite 15 &#8211; 50013 Campi Bisenzio (FI) &#8211; Tel. 055 8959600 &#8211; Fax 0558959601 Sito Web: <a href="http://www.comune.campi-bisenzio.fi.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/242" target="_blank"><span style="color:black;"><span style="color:black;">http://www.comune.campi-bise<span>n</span>zi<span>o</span>.fi.it/biblioteca</span></span></a> &#8211; E-mail: <span style="font-size:xx-small;font-family:Arial;"><span style="font-size:8pt;font-family:Arial;"><a href="mailto:biblio.centroregionale@comune.campi-bisenzio.fi.it" target="_blank">biblio.centroregionale@comune.campi-bisenzio.fi.it</a></span></span></p>
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