Show do ACDC no Brasil

(Back in Black)

Abertura dos portões: 16h
Show de abertura: 20h30
Início do Show: 21:30h

Preços dos Ingressos:
Pista – R$250,00
Cadeira Inferior – R$250,00
Cadeira Superior – R$300,00
Arquibancada Vermelha especial – R$190,00
Arquibancadas Azul e Vermelha – R$170,00
Arquibancada Laranja – R$150,00

Meia Entrada:
É necessária a apresentação de documento comprobatório de condição de beneficiário no ato da compra e na entrada do evento.

Área de Deficientes Físicos:
Área reservada no Anel Inferior Portão 17

Orientação para o público:
Indicadores uniformizados para a orientação do público.

Classificação etária:
12 a 15 anos permitida a entrada acompanhados dos pais ou responsáveis. A partir de 16 anos desacompanhados.

Objetos Proibidos:
- Correntes e Cinturões
- Garrafas Plásticas
- Bebidas Alcoólicas
- Substâncias Tóxicas
- Fogos de Artifício
- Inflamáveis em geral
- Objetos que possam causar ferimentos
- Armas de Fogo
- Copos de Vidro
- Frutas Inteiras
- Latas de Alumínio
- Guarda-Chuva
- Jornais e Revistas
- Bandeiras e Faixas
- Capacetes de motos e similares
- Vidros em geral

Alimentos Permitidos:
- Sanduíches
- Bolachas
- Copos Descartáveis
- Frutas Cortadas

Serviços de Alimentos e Bebidas:
- Tendas e Bares distribuídos nos Anéis do Estadio onde serão vendidos sanduíches, água, refrigerante, cerveja, etc.

Máquinas Fotográficas:
Está liberado o uso de máquinas fotográficas que não sejam profissionais. Proibido Filmadoras.

Banheiros:
Serão disponibilizados cerca de 180 banheiros químicos (masculinos e femininos), distribuídos em diversos pontos no local do show; Além dos banheiros já existentes em todos os anéis do Estádio.

Atendimento Médico:
Haverá postos médicos em todos os Anéis do Estádio , ambulâncias, UTI´s móveis, médicos, profissionais de enfermagem e brigadistas à disposição para qualquer eventualidade.

Segurança:
- 650 seguranças (homens e mulheres) contratados e uniformizados garantirão a segurança do evento.
- 140 Brigadistas e Bombeiros no atendimento aos Primeiros Socorros.
- Efetivo do 2⁰ Batalhão de Choque da Policia Militar
- Apoio do 16⁰ Batalhão da Policia Militar no entorno do Estádio.

Bilheteria Ticketmaster: Bilheteria no Portão 2 e no Portão 4

Confira o provável set list do show que será apresentado no Morumbi em 27 de novembro.
(fonte: Billboard /novembro de 2009)

Rock N Roll Train
Hell Ain’t A Bad Place To Be
Back In Black
Big Jack
Dirty Deeds Done Dirt Cheap
Shot Down In Flames

Setores no Morumbi

Mapa dos setores para o show do ACDC no Morumbi

Fonte: Show ACDC

Michel Leme

Jam Session EM&T
25 de Novembro de 2009

Michel Leme toca com seu Trio na primeira meia-hora e, em seguida, convida os músicos presentes para as canjas no auditório da EM&T.

Endereço: Av. Engenheiro George Corbisier, 100 – ao lado do metrô Conceição
Horário: 20h
Couvert: 2 kg de alimento não-perecível

Programa Michel Leme & Convidados
26 de Novembro de 2009

Nesta quinta, Michel toca com a cantora Grazi Medori. O programa é transmitido ao vivo pelo www.tvciadamusica.com.br todas as quintas-feiras, às 19h30min. Para conferir in loco, venha ao auditório da Cia da Música!

Endereço: Rua Afonso Celso, 124 – Vila Mariana (SP), ao lado do metrô
Fones pra informações e reservas: 11 5574-0039
Horário: 19h30min
Couvert: Entrada Franca!

Michel Leme no Clube Onne
26 de Novembro de 2009

O guitarrista se apresenta no evento ‘Onne Night of Jazz’ ao lado do pianista Pepe Rodriguez Cisneros, do baixista Thiago Alves e o baterista Serginho Machado. No repertório, grandes standarts do Jazz.

Endereço: Rua Orobó, 125 – Alto de Pinheiros. São Paulo – SP.
Horário: 21h00min

Michel Leme na Virtuose
28 de Novembro de 2009

No repertório, composições próprias já gravadas e inéditas – além de standarts. A Virtuose fica perto da estação de Metrô Guilhermina-Esperança.

Endereço: Rua São Bento do Sapucaí, 137 – Zona Leste de SP
Horário: 15h
Couvert: R$ 5,00



Tracklist:

01 – Hell Bells

02 – Shoot to Thrill

03 – What Do You Do for Money Honey

04 – Givin’ the Dog a Bone

05 – Let Me Put My Love into You

06 – Back in Black

07 – You Shook Me All Night Long

08 – Have a Drink on Me

09 – Shake a Leg

10 – Rock and Roll Ain’t Noise Pollution

http://lix.in/-64fb95

Back in Black

AC/DC

1980

Atlantic Records

 In early 1980 (February 19th, to be exact), the intense singer of hard rockers AC/DC, Bon Scott, passed out in his car after a night of heavy drinking.  He was found deceased, choked on his own vomit, and also had alcohol poisoning.  The rest of the band, after considering breaking up, instead insisted that to continue without Scott, believing that this would be what he would’ve wanted.  Of course, the band found Brian Johnson, still with the band today (like you needed me to tell you any of that?).  How Angus and Malcolm Young wound up with two of the most unique voices in classic rock is beyond me (when I was younger, I initially thought the two singers to be the same person – imagine my confusion when looking at the liner notes).

Of course, the album that was quickly recorded in the wake of Scott’s untimely demise is the classic Back in Black (quick note, the album cover is black to signify that the band was in mourning).  This album provides some of the band’s biggest hits (the title track, “Hell’s Bells,” You Shook Me All Night Long”).  And yet, despite it’s inclusion into the rock and roll canon, the songs never grow old.  Actually, that could be the reason that the album is canonized. 

The album opens with ominous ringing bells – “Hell’s Bells” has begun.  After a few of the bells, an awesome guitar riff plays over them.  AC/DC, despite losing their singer, uses this to show that they still rock – even harder than before (and probably ever since then too, but that’s more of my opinion than anything else).  It doesn’t matter that this is a mid-tempo song.  It kicks ass, no matter what.  The drums, refined at first, provide a steady beat, just being awesome.  After the extended intro, the audience is introduced to Johnson as he sings some of the most brilliantly Hellish lyrics ever (“White lightning’s flashing across the sky, you’re only young but you’re gonna die”).  Can you imagine what it would be like if this had happened now?  One of the most popular rock groups loses their singer and brings a new one on board.  Today, we have leaked albums available for anyone to hear months before the album officially comes out – no one would even care about the switch of the singers.

The album continues with another great riff in the form of “Shoot to Thrill.”  In fact, Malcolm Young’s rhythm guitar is just as hard as his brother’s lead.  The intro even captures a great drum fill by Phil Rudd.  As the band comes into the bridge, Johnson sounds extremely excited when he sings “I’m gonna pull it, pull it, pull the trigger!”  The band’s execution here is flawless, providing a sense of hesitation before the chorus.  The chorus has a great lyric of excess: “Too many women, too many pills.”  Right before the guitar solo, the band brings the excitement to a new high.  Johnson screams “Pull the trigger!” and a syncopated riff is played, then the great instrumental break.  Again, the rhythm guitar is just as cool as the lead, which doesn’t sound difficult at all, but has so much feeling placed into it.  The ending of the song is also brilliant, bring the pace down low.  Great arrangement.

The third track is the derisive “What Do You Do for Money Honey.”  The intro again shows the band’s affection for hard chords in the form of riffs (which one will notice on every AC/DC album ever – the thing with AC/DC is when you buy one of their albums, you already know what to expect.  Which could be a great thing or a bad thing depending on how you view it).  With the vocals, Johnson’s words drip with malice, “You’re always pushin’, shovin’, satisfied with nothin’, you bitch, you must be gettin’ old.”  The music provides a short, seemless buildup to the chorus, again an old AC/DC trick.  The one thing I don’t particularly like about the song is the background vocals.  They sound detached, bringing an impression of separateness from the music.  With everything else so in-your-face, they don’t fit perfectly in.  But they’re not bad.  At all.

“Given the Dog a Bone” has one the best riffs, which just flows perfectly.  The intro is surprisingly quick, with an awesome buildup.  The entire song features great, pulsating bass lines from Cliff Williams.  Being that this isn’t one of their more famous songs, it is actually one of their best, definitely one of my favorites.  And actually, the answering backup vocals in this song are done well, even though they don’t sound too different from those in the last.  The guitar solo, again not very difficult, is bombastic.  Following the minor pentatonic scale, like most, if not all, of Angus’ solos, he hits the mood perfectly.  This is particularly true at the end of the solo, with scratching fret sounds and feedback when the rest of the music pauses.

“Let Me Put My Love Into You” is a slower (keyword: slower.  Not slow) bluesy song.  Normally, I grow bored with bluesy songs (I have to be in the mood to listen to anything blues, but I particularly like blues with harder tendencies (as shown here), such as Zeppelin, SRV, or even Robben Ford), but AC/DC provides enough bite to keep it genuinely interesting.  Best part of the song:  the interspersed guitar licks between Johnson’s vocals during the bridge, “Don’t you struggle” – winding guitar lick – “Don’t you fight” – answering guitar riff.

The next two songs are two of the most famous songs ever, definitely two that are in the collective conscious of everyone, ever.  “Back in Black” is the first of the two, with one of the most recognized guitar riffs of all time.  Everyone HAS to know this song, and if they don’t, that person should be executed or sent to an insane asylum.  The riff speaks amounts of refinement.  It doesn’t overboard the listener with noise and sound.  Instead it even provides for pauses – even the drums get in on following the walking lines.  The song is amazing, even if the chorus is nothing more than the repetitive “‘Cause I’m bad, yes, I’m bad, Well, I’m ba-a-a-a-ad.”  The guitar solo is especially lyrical, exchanging high notes with low notes, and just flows.  And there’s a breakdown section!  (Well, maybe not a breakdown, per se, but still…) The song is just awesome, no doubt.

Next is “You Shook Me All Night Long,” which is one of the most overplayed songs on classic rock radio, and actually, even normal radio (Quick note to prove my point: I’ve heard this song on modern rock radio stations and even at school dances.).  Again, this is a very important cultural song, as everyone has to have heard it.  I won’t say it’s the weakest song on the album, as there is no song that could be described as weak on Back in Black.  However, I will say this is the least bad-ass song here, being a love song.  It is an AC/DC love song though, and does have the lyrics, “She told me to come, but I was already there,” “Now I’m back in the ring,” and “She kept her motor clean.”  This last line could be the strangest idea of love I’ve ever heard.  It’s a very popular song for a reason, and that reason is that it is quite great.

Track eight, “Have a Drink on Me” brings the album back to its ass-kicking mode.  Again, another AC/DC intro complete with lead guitar lines, a powerful buildup, and awesome drums (in fact, the drums are my favorite part of the opening).  The song is one of the best about drinking ever, and the line “Forget about the tip, we’ll get Hell to pay” deserves an honorary award of being Fuckin’ Awesome.  The guitar solo is amazing, but, actually sounds countryish when you listen closely.  That’s alright, as it’s so hard, no one will ever care where the inspiration is from.

“Shake a Leg,” the penultimate track, tricks the audience.  It starts slowly, almost bluesy, and Johnson even echoes himself (“Of the law, of the law”).  However, a stop / start arrangement comes in, then with a huge, grandiose, drum fill the riff kicks in turning the song into an all-out rocker.  It’s an awesome song, but after the intro it’s pretty straightforward AC/DC.

Lastly is “Rock and Roll Ain’t Noise Pollution.”  Which is kind of an excessive taunt to disco, I believe.  Which is fine, being excessive is what ROCK AND ROLL IS ABOUT, MOTHERFUCKER. Ahem, sorry about that.  Got carried away with how awesome rock and roll is.  Commanding a certain respect is the tone of the song, though.  It doesn’t go all-out, fast-tempo, hard-rock.  Instead it takes a step back, beginning with a slow bluesy riff, with very little distortion.  We hear Johnson exhale in a sigh, a nice touch as we’ve come this far, and this is the first time the album rests a little bit.  The drums snap, and you know a more powerful part is coming soon with that, and the feedback from the guitar.  Of course, the lyrics could be cliché, but the band is so intent on the message that it doesn’t come across like that at all.  It’s a powerful message, and could’ve been the song that killed disco, had not “My Sharona” come out the year before.  Still, it’s a great ending to a great album.

So, after the death of Bon Scott, AC/DC had the decision to make of whether to quit or continue.  It must have been a tough decision, for if they continued on, they would’ve needed to prove themselves.  Back in Black is just that, showing that they can be heavier, more massive, and more popular than before.  Johnson had to have been extremely anxious, for these guys were AC/DC.  But Back in Black has stood since 1980, and is of course, one of the greatest rock albums.  There is not one bad song on the album, and is essential to anyone who listens to music.

Buy This Album

Official Site

071109_7240, originally uploaded by simsurf.

Free drinks and I lasted 2 beers before i nearly keeled over from a bout of bali gastro!!! Devastated to say the least! Only 4 days left in Bali.

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Now it’s time to count down the Top 5 Best Morning Wake Up Songs!

Let’s start off with something blunt. Dramatic. A catchy tune to ease you out of Dreamland.

5. “Wake Up“
-Arcade Fire

Now it’s time to get PUMPED to start your day with some Rock and Roll!!!! COME ONNNN, People!!!!!

4. “Hells Bells“
-AC/DC

At this point I’m hitting the snooze button again and again. How about we try something more… wholesome?

3. “Float On“
-Modest Mouse

OK, man. You seriously need to get your ass up. Time for something to pierce the eardrum.

2. “Deep Hit of Morning Sun“
-Primal Scream

And finally, something… inspirational… and just plain AWESOME.

1. “Don’t Stop Believin‘”
-Journey

Don’t ever stop believin’, baby!!!!

Now it’s your turn. What are your favorite songs to wake up to? I want to know! Leave me your list in a comment below!

Un’altra canzone prima della pausa cena. Abbiamo visitato l’Inghilterra sulle note degli Oasis, di David Bowie, adesso ci spostiamo in Australia (anche se in teoria tutti i membri di questa band sono nati in Inghilterra). La canzone che vi propongo adesso fa parte di un album che è stato stimato come il secondo più venduto al mondo (circa 45 milioni di copie) dopo Thriller di Michael Jackson. Signori, sto parlando degli Ac/Dc con la loro Back in Black! E con questa vi auguro una buona cena, a più tardi!

Everything I had left that didn’t quite fit else where. And yes I want to do them now.

AC/DC

Highway to Hell

Back in Black

Blue Oyster Cult

Bat out of Hell

Cry Little Sister (the Lost Boys)

The Doors – People are Strange

Y como ya aviso @Vicereine(las fotos son del dia anterior a mi examen), me voy al concurso nacional de biologia.

En cierta forma me alegra mucho, pero en otra parte siento que me limitara mucho de tiempos, cosas que amo, gente a la que quiero, etc, por lo que si he estado un poco sacado de onda y he echo cosas de las que si me arrepiento, pero pues lo hecho esta…. recorde esa frase de spiderman, un gran poder conlleva una gran responsabilidad, y ese poder es el tener una vida, las decisiones que se toman buenas o malas, y la responsabilidad de seguir adelante.

El poema, es otro tema, pero es algo que quise hacer no por un fin totalmente  romantico(lol la mitad de la inspiracion si) sino para demostrarme que todavia tengo esas cualidades en la redaccion(el otro 50 por ciento de inspiracion), solo que ahora ya muy desgastadas por su desuso.

Llegue  a veracruz sin la esperanza de sacar un lugar, mis planes solo eran ir, echar un rol con Vicereine, platicar un rato y nada mas, y al dia siguiente el examen, y regresar a mi casa, tener una platica con @Okami, y regresar a mi equilibrio natural (en biologia se le llama homeostasis).Pero no, todo salio mal, me di cuenta de cosas que sentia, regrese al 2007 y mi playlist igual, y por idiota debo aguantar vara.Pero hoy ya me recupere, espero todo regrese a su equilibrio y…. que las guitarras dominen el mundo!!!

Y para salir de todo el enrollo mental mio, 3 canciones que me recordaron quien soy y mis raices…

Freebird!!!

(inicia lento, pero termina bien alegre, asi soy…)

On the road again

Debe ponerse intantaneamente despues del final de freebird.

Twist and shout.

Alegre y con un final épico.

Proximamente el One-Shot del concurso.

I

Me despedí de tí…

De una forma apresurada

Cuando tu camino agarrabas,

Las ultimas palabras

Y adiós

II

Y te soñé

Y recordé ese adiós y buena suerte

Que me llegaron en un momento difícil

Y todo parecía real,

Pero la vida no te da el camino fácil…

III

Y no dormí,

Solo para  fijar en mi frágil memoria

Ese sueño

En el que vi a tu corazón latir

IV

Amaneció

Y con ello la realidad,

Luchar.

Como un espartano solitario

En una batalla contra casi 100 persas,

Divisé la silueta de tu rostro,

Siguiéndome y dándome ánimos,

Como fantasma en el bosque prohibido.

Y recordé esa batalla en la que caí rápidamente,

Y visualicé la forma de remendar ese error

No por tí,

Sino por mi ego…

V

Sobreviví a esa oleada

Pero así como vino esa oleada, regresó

Y me defendí de nuevo,

Y logré quedarme en pie

Esperando el final de la batalla

Que no terminará

Hasta que el ego o mis sentimientos lo decidan….

Axaluza

17-10-09

SHAKIRA warned her parents not much clothing would be involved in promoting new album She Wolf.

And as you can see in this shot for i-D magazine, she has been true to her word.

Shakira said: “I had to say to them, ‘I’m a woman now, this is the way I express myself.’

“My dad understood but my mum was scared what people could think. She said, ‘Is it too much?’”

But, to her surprise, both mum and dad were impressed by her video for new single, also called She Wolf, where she writhes around in a cage wearing a flesh-coloured leotard.

She added: “They sent me an email and said, ‘The video’s spectacular. A little provocative but spectacular.’
I second that.

                          Back In Black (1980)
                           Who Made Who (1986)
       SINGLE: Rock And Roll Ain't Noise Pollution/Hells Bells (1980)
        SINGLE: Hells Bells/What Do You Do For Money Honey (France?) (1980)
                                LIVE (1992)
                         (Young, Young, Johnson)

I'm a rolling thunder, a pouring rain
I'm comin' on like a hurricane
My lightning's flashing across the sky
You're only young but you're gonna die

I won't take no prisoners, won't spare no lives
Nobody's putting up a fight
I got my bell, I'm gonna take you to hell
I'm gonna get you, Satan get you

CHORUS:
Hell's Bells
Yeah, Hell's Bells
You got me ringing Hell's Bells
My temperature's high, Hell's Bells

I'll give you black sensations up and down your spine
If you're into evil you're a friend of mine
See my white light flashing as I split the night
'Cause if [God's | good's] on the left,
then I'm stickin' to the right

I won't take no prisoners, won't spare no lives
Nobody's puttin' up a fight
I got my bell, I'm gonna take you to hell
I'm gonna get you, Satan get you

CHORUS

yeow
Hell's Bells, Satan's comin' to you
Hell's Bells, he's ringing them now
Hell's Bells, the temperature's high
Hell's Bells, across the sky
Hell's Bells, they're takin' you down
Hell's Bells, they're draggin' you around
Hell's Bells, gonna split the night
Hell's Bells, there's no way to fight, yeah

Ow, ow, ow, ow

Hell's Bells

                          Back In Black (1980)
                               LIVE (1992)
  SINGLE: Big Gun/For Those About To Rock(live)-Shoot To Thrill(live) (1993)
                         (Young, Young, Johnson)

All you women who want a man of the street
But you don't know which way you wanna turn
Just keep a coming and put your hand out to me
'Cause I'm the one who's gonna make you burn

I'm gonna take you down - down, down, down
So don't you fool around
I'm gonna pull it, pull it, pull the trigger

Shoot to thrill, play to kill
Too many women with too many pills, yeah
Shoot to thrill, play to kill
I got my gun at the ready, gonna fire at will

Yeah

I'm like evil, I get under your skin
Just like a bomb that's ready to blow
'Cause I'm illegal, I got everything
That all you women might need to know

I'm gonna take you down - yeah, down, down, down
So don't you fool around
I'm gonna pull it, pull it, pull the trigger

Shoot to thrill, play to kill
Too many women with too many pills
Shoot to thrill, play to kill
I got my gun at the ready, gonna fire at will
'Cause I shoot to thrill, and I'm ready to kill
I can't get enough, I can't get my fill
I shoot to thrill, play to kill
Yeah, pull the trigger

Pull it, pull it, pull it, pull the trigger

Oh

Shoot to thrill, play to kill
Too many women, with too many pills
I said, shoot to thrill, play to kill
I got my gun at the ready, gonna fire at will
'Cause I shoot to thrill, and I'm ready to kill
And I can't get enough, and I can't get my thrill
'Cause I shoot to thrill, play it again

Yeah

Shoot you down

Yeah
I'm gonna get you to the bottom and shoot you
I'm gonna shoot you
Oh hoo yeah yeah yeah

I'm gonna shoot you down yeah yeah
I'm gonna get you down
Yeah yeah yeah yeah
Shoot you, shoot you, shoot you, shoot you down
Shoot you, shoot you, shoot you down

Oh, oh, oh, oh, oh, oh, ooooooh

I'm gonna shoot to thrill
Play to kill
Shoot to thrill

yeah, ooh yeah

                          Back In Black (1980)
       SINGLE: Hells Bells/What Do You Do For Money Honey (Ger?) (1980)
                         (Young, Young, Johnson)

You're working in bars
Riding in cars
Never gonna give it for free
Your apartment with a view
On the finest avenue
Looking at your beat on the street
You're always pushing, shoving
Satisfied with nothing
You bitch, you must be getting old

So stop your love on the road
All your digging for gold
You make me wonder
Yes I wonder, I wonder

Honey, whaddya do for money?
Honey, whaddya do for money?
Where you get your kicks?

You're loving on the take
And you're always on the make
Squeezing all the blood out of men
They're all standing in a queue
Just to spend the night with you
It's business as usual again
You're always grabbin', stabbin'
Trying to get it back in
But girl you must be getting slow

So stop your love on the road
All your digging for gold
You make me wonder
Yes I wonder, yes I wonder

Honey, whaddya do for money?
Honey, whaddya do for money?
Yeah, whaddya do for money honey, how you get your kicks?
Whaddya do for money honey, how you get your licks?

Go
Yeow
Honey, whaddya do for money?
I said, Honey, whaddya do for money?
oh ho honey
Oh honey
Whaddya do for money?
What you gonna do
Honey
Oh yeah honey
Whaddya do for money?

What you gonna do?

Awww, what you gonna do?

                          Back In Black (1980)
                         (Young, Young, Johnson)

She take you down easy
Going down to her knees
Going down to the devil
Down down to ninety degrees
Oh, She's blowing me crazy
Till my ammunition is dry

Oh, She's using her head again
She's using her head
Oh, She's using her head again

CHORUS:
I'm just a givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
I'm just a givin' the dog a bone
Givin' the dog a bone
I'm just a givin' the dog a bone
Givin' the dog a bone

Yeow

She's no Mona Lisa
No, She's no Playboy star
But she'll send you to heaven
Then explode you to Mars

Oh, She's using her head again
Using her head again
She's using her head
Using her head again
Oh, She's using her head again
Using her head

CHORUS

Let's go
Oooh, oh, oh, oh

She got the power of union
Yeah, She only hits when it's hot
And if she likes what you're doing
Yeah, She'll give you alot
(Given everything she got)

I've just given the dog a bone
Givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
I've just given the dog a bone
Givin' the dog a bone
I'm just givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
Givin' the dog a bone
I'm just a givin' the dog a bone
Givin' the dog a bone
I'm just a given a dog
Givin' a dog
Givin' a dog
Ooooh
I'm just a givin' a dog a bone

                            Back In Black (1980)
                          (Young, Young, Johnson)

Flying on a free flight
Driving all night
With my machinery
'Cause I, I got the power
Any hour
To show the man in me
I got reputations
Blown to pieces
With my artillery
Whoa ho
I'll be guided in
We'll be ridin'
given what you got to me

Don't you struggle
Don't you fight
Don't you worry
'Cause it's your turn tonight

CHORUS:
Let me put my love into you, babe
Let me put my love on the line
Let me put my love into you, babe
Let me cut your cake with my knife

Oh, Like a fever
Burning faster
You spark the fire in me
Crazy feelings
Got me reeling
They got me raising steam

Don't you struggle
Don't you fight
Don't you worry
'Cause it's your turn tonight
Yeah

CHORUS

Cut it
Let me, let me
Oooh

CHORUS

Oh

Let me put my love into you, babe
Let me put my love on the line
Let me put my love into you, babe
Let me give it all
Let me give it all
To you, to you

Give it all

                          Back In Black (1980)
                                LIVE (1992)
           SINGLE: Let's Get It Up/TNT(live)-Back In Black(live)
                 SINGLE: Big Gun/Back In Black(live) (1993)
                         (Young, Young, Johnson)

Back in black
I hit the sack
I've been too long I'm glad to be back		[I bet you know I'm...]
Yes, I'm let loose
From the noose
That's kept me hanging about
I've been looking at the sky
'Cause it's gettin' me high
Forget the hearse 'cause I never die
I got nine lives
Cat's eyes
Abusin' every one of them and running wild

CHORUS:
'Cause I'm back
Yes, I'm back
Well, I'm back
Yes, I'm back
Well, I'm back, back
(Well) I'm back in black
Yes, I'm back in black

Back in the back
Of a Cadillac
Number one with a bullet, I'm a power pack
Yes, I'm in a bang
With a gang
They've got to catch me if they want me to hang
Cause I'm back on the track
And I'm beatin' the flack
Nobody's gonna get me on another rap
So look at me now
I'm just makin' my play
Don't try to push your luck, just get out of my way

CHORUS

Well, I'm back, Yes I'm back
Well, I'm back, Yes I'm back
Well, I'm back, back
Well I'm back in black
Yes I'm back in black

hooo yeah
Ohh yeah
Yes I am
Oooh yeah, yeah Oh yeah
Back in now
Well I'm back, I'm back
Back, I'm back
Back, I'm back
Back, I'm back
Back, I'm back
Back
Back in black
Yes I'm back in black

Out of the sight

                          Back In Black (1980)
       SINGLE: You Shook Me All Night Long/Have A Drink On Me (1980)
   SINGLE: You Shook Me All Night Long/You Shook Me All Night Long(live)-
                       She's Got Balls(live) (1986)
                           Who Made Who (1986)
                               LIVE (1992)
                      Private Parts Soundtrack (1997)
                         (Young, Young, Johnson)

She was a fast machine
She kept her motor clean
She was the best damn woman I had ever seen  [...that I, ever seen]
She had the sightless eyes
Telling me no lies				   [telling me my own line]
Knockin' me out with those American thighs
Taking more than her share
Had me fighting for air
She told me to come but I was already there

'Cause the walls start shaking
The earth was quaking
My mind was aching
And we were making it and you -

CHORUS:
Shook me all night long
Yeah you shook me all night long

Working double time
On the seduction line
She was one of a kind, she's just mine all mine
She wanted no applause                      [Taking no applause]
Just another course
Made a meal out of me and came back for more
Had to cool me down
To take another round
Now I'm back in the ring to take another swing

'Cause the walls were shaking
The earth was quaking
My mind was aching
And we were making it and you -

CHORUS

And knocked me out and then you
Shook me all night long
You had me shakin' and you
Shook me all night long
Yeah you shook me
Well you took me

You reall took me and you
Shook me all night long
Ooooh you
Shook me all night long
Yeah, yeah, you
Shook me all night long

Your really took me and you
Yeah you shook me, yeah you shook me
All night long

                          Back In Black (1980)
       SINGLE: You Shook Me All Night Long/Have A Drink On Me (1980)
                         (Young, Young, Johnson)

Whiskey, gin and brandy
With a glass I'm pretty handy
I'm trying to walk a straight line
On sour mash and cheap wine
So join me for a drink boys
We're gonna make a big noise

So don't worry about tomorrow
Take it today
Forget about the cheque
We'll get hell to pay

Have a drink on me
Have a drink on me
Yeah
Have a drink on me
Have a drink on me
On me

Come on

Dizzy, drunk and fightin'
On tequila white lightnin'
My glass is getting shorter
On whiskey, ice and water
So come on and have a good time
And get blinded out of your mind

So don't worry about tomorrow
Take it today
Forget about the cheque
We'll get hell to pay

Have a drink on me
Have a drink on me
yeah
Have a drink on me
Have a drink on me
On me

Get stoned

Have a drink on me
Have a drink on me
Yeah
Have a drink on me
Come on
Oooh

Gonna roll around				[gonna double down]
Gonna hit the ground
Take another [swing | swig]
Have another drink
Gonna drink it dry
Gonna get me high
Come on all the boys
Make a noise

CHORUS
Have a drink on me
Have a drink on me
Have a drink on me
Have a drink on me
Have a drink on me
Have a drink on me
Have a drink on me
Have a drink on me

Have a drink oooooooon me

                          Back In Black (1980)
                        (Young, Young, Johnson)

Idle juvenile on the street, on the street
Who is kicking everything with his feet, with his feet
Fighting on the wrong side of the law, of the law
Don't kick, don't fight, don't sleep at night
It's shake a leg, shake a leg, shake a leg, shake it yeah

Keeping out of trouble with eyes in the back of my face
Kicking ass in the class and they tell me you're a damn disgrace
They tell me what they think but they stink and I really don't care
Got a mind of my own, move on, get out of my hair

CHORUS:
Shake a leg, shake your head
Shake a leg, wake the dead
Shake a leg, get stuck in
Shake a leg, shake a leg 

yeah

Magazines, wet dreams, dirty women on machines for me
Big licks, skin flicks, trickey dick's are my chemistry
Goin' against the grain, trying to keep me sane with you
So stop your grinnin' and drop your linen for me 

CHORUS

Shake it
Come on yeah, ow

Idle juvenile on the street, on the street
Kicking everything with his feet, with his feet
Fighting on the wrong side of the law, of the law
Spitting and biten' and kicking and fightin' for more

Shake a leg, shake your head
Shake a leg, wake the dead
Shake a leg, get stuck in
Shake a leg, play to win

CHORUS

Shake it
Oh yeah
Ow

                             Back in Black (1980)
        SINGLE: Rock And Roll Ain't Noise Pollution/Hells Bells (1980)
      SINGLE: Nervous Shakedown-Rock And Roll Ain't Noise Pollution(live)/
              Sin City(live)-This House Is On Fire(live) (1983)
                       (Young, Young, and Johnson)

(All right)
Hey there, all you middle men
Throw away your fancy clothes
And while you're out there sittin' on a fence
So get off your ass and come down here
'Cause rock 'n' roll ain't no riddle man
To me it makes good, good sense

Good sense
Ow
Oooh yeah

Heavy decibels are playing on my guitar
We got vibrations coming up from the floor
We're just listening to the rock that's giving too much noise
Are you deaf, you wanna hear some more

We're just talkin' about the future
Forget about the past
It'll always be with us
It's never gonna die, never gonna die

Rock 'n' roll ain't noise pollution
Rock 'n' roll ain't gonna die
Rock 'n' roll ain't noise pollution
Rock 'n' roll it will survive

Yes it will, ha ha ha ha

I took a look inside your bedroom door
You looked so good lying on your bed
Well, I asked you if you wanted any rhythm and love
You said you wanna rock 'n' roll instead

We're just talkin' about the future
Forget about the past
It'll always be with us
It's never gonna die, never gonna die

Rock 'n' roll ain't noise pollution
Rock 'n' roll ain't gonna die
Rock 'n' roll ain't no pollution
Rock 'n' roll is just rock 'n' roll

Oh Rock 'n' roll ain't noise pollution
Rock 'n' roll ain't gonna die
Rock 'n' roll ain't no pollution
Rock 'n' roll ain't gonna die

Rock 'n' roll ain't no pollution
Rock 'n' roll it'll never die

Rock 'n' roll ain't no pollution
Rock 'n' roll
Oh
Rock 'n' roll is just rock 'n' roll

Esses dias me dei conta que não tem AC/DC aqui no blog.Como não podia deixar assim, venho postando o maior clássico deles! Feito em 1980 em tributo ao falecimento de Bon Scott, esse clássico é um marco na história da banda e na própria história do metal!

..::Track List::..

1. “Hells Bells” — 5:12
2. “Shoot to Thrill” — 5:17
3. “What Do You Do for Money Honey” — 3:35
4. “Givin’ the Dog a Bone” — 3:31
5. “Let Me Put My Love into You” — 4:15
6. “Back in Black” — 4:15
7. “You Shook Me All Night Long” — 3:32
8. “Have a Drink on Me” — 3:58
9. “Shake a Leg” — 4:05
10. “Rock And Roll Ain’t Noise Pollution” — 4:16