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	<title>bourbaki &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/bourbaki/</link>
	<description>Feed of posts on WordPress.com tagged "bourbaki"</description>
	<pubDate>Thu, 26 Nov 2009 15:04:55 +0000</pubDate>

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<item>
<title><![CDATA[Open source textbooks]]></title>
<link>http://amathew.wordpress.com/2009/10/10/open-source-textbooks/</link>
<pubDate>Sat, 10 Oct 2009 23:05:53 +0000</pubDate>
<dc:creator>Akhil Mathew</dc:creator>
<guid>http://amathew.wordpress.com/2009/10/10/open-source-textbooks/</guid>
<description><![CDATA[Well, it seems that the Bourbaki 2.0 idea I suggested some time back wasn&#8217;t entirely absurd: a]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Well, it seems that the <a href="http://deltaepsilons.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/">Bourbaki 2.0 idea</a> I suggested some time back wasn&#8217;t entirely absurd: as a commenter pointed out, the <a href="http://math.columbia.edu/algebraic_geometry/stacks-git/">Stacks Project </a>is following a similar model.  Moreover, Nathan Dunfield of <a href="ldtopology.wordpress.com">Low Dimensional Topology</a> has <a href="http://ldtopology.wordpress.com/2009/09/18/an-open-source-mathematics-book/">proposed</a> that the stacks model be applied to textbooks (I assume the stacks book is more of a reference).  Additionally, he asks why conventional textbook publishing, even for individual authors, is still necessary in the day of the internet when it is more efficient to distribute material online.   Some people have apparently listened to these ideas; Jacob Lurie, for instance, has put his treatise on higher topos theory <a href="http://arxiv.org/abs/math/0608040">on the arXiv</a>, and Allen Hatcher has made available his well-known text on algebraic topology <a href="http://www.math.cornell.edu/~hatcher/AT/ATpage.html">on his webpage</a>. </p>
<p>I&#8217;d very much like to see this trend continue; there are surely people out there who would like to learn mathematics beyond the introductory calculus and linear algebra level&#8211;when there are no longer massive surpluses of texts on one topic&#8211;but may not be affiliated with a university for various reasons, and may not want to fork over the substantial sums that conventionally printed textbooks cost these days.  At least for authors, I don&#8217;t think there&#8217;s much money to be made in algebraic topology writing, and math professors have nice salaries anyway, so why not?</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Open source textbooks]]></title>
<link>http://deltaepsilons.wordpress.com/2009/10/10/open-source-textbooks/</link>
<pubDate>Sat, 10 Oct 2009 23:05:53 +0000</pubDate>
<dc:creator>Akhil Mathew</dc:creator>
<guid>http://deltaepsilons.wordpress.com/2009/10/10/open-source-textbooks/</guid>
<description><![CDATA[Well, it seems that the Bourbaki 2.0 idea I suggested some time back wasn&#8217;t entirely absurd: a]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Well, it seems that the <a href="http://deltaepsilons.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/">Bourbaki 2.0 idea</a> I suggested some time back wasn&#8217;t entirely absurd: as a commenter pointed out, the <a href="http://math.columbia.edu/algebraic_geometry/stacks-git/">Stacks Project </a>is following a similar model.  Moreover, Nathan Dunfield of <a href="ldtopology.wordpress.com">Low Dimensional Topology</a> has <a href="http://ldtopology.wordpress.com/2009/09/18/an-open-source-mathematics-book/">proposed</a> that the stacks model be applied to textbooks (I assume the stacks book is more of a reference).  Additionally, he asks why conventional textbook publishing, even for individual authors, is still necessary in the day of the internet when it is more efficient to distribute material online.   Some people have apparently listened to these ideas; Jacob Lurie, for instance, has put his treatise on higher topos theory <a href="http://arxiv.org/abs/math/0608040">on the arXiv</a>, and Allen Hatcher has made available his well-known text on algebraic topology <a href="http://www.math.cornell.edu/~hatcher/AT/ATpage.html">on his webpage</a>. </p>
<p>I&#8217;d very much like to see this trend continue; there are surely people out there who would like to learn mathematics beyond the introductory calculus and linear algebra level&#8211;when there are no longer massive surpluses of texts on one topic&#8211;but may not be affiliated with a university for various reasons, and may not want to fork over the substantial sums that conventionally printed textbooks cost these days.  At least for authors, I don&#8217;t think there&#8217;s much money to be made in algebraic topology writing, and math professors have nice salaries anyway, so why not?</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[A semana nos arXivs…]]></title>
<link>http://arsphysica.wordpress.com/2009/10/08/a-semana-nos-arxivs-33/</link>
<pubDate>Thu, 08 Oct 2009 15:32:50 +0000</pubDate>
<dc:creator>Daniel</dc:creator>
<guid>http://arsphysica.wordpress.com/2009/10/08/a-semana-nos-arxivs-33/</guid>
<description><![CDATA[Lectures on Differential Geometry of Modules and Rings. (arXiv:0910.1515v1 [math-ph]) 2-Group Repres]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><ul>
<li><a href="http://arxiv.org/abs/0910.1515">Lectures on Differential Geometry of Modules and Rings. (arXiv:0910.1515v1 [math-ph])</a></li>
<li><a href="http://arxiv.org/abs/0910.1542">2-Group Representations for Spin Foams. (arXiv:0910.1542v1 [hep-th])</a></li>
<li><a href="http://arxiv.org/abs/0910.1205">Financial Applications of Random Matrix Theory: a short review. (arXiv:0910.1205v1 [q-fin.ST])</a></li>
<li><a href="http://arxiv.org/abs/0910.1195">The Pure Spinor Formulation of Superstrings. (arXiv:0910.1195v1 [hep-th])</a></li>
<li><a href="http://arxiv.org/abs/0910.0839">A Dialogue on the Nature of Gravity. (arXiv:0910.0839v1 [gr-qc])</a></li>
<li><a href="http://arxiv.org/abs/0910.1063">Renormalization group trajectories between two fixed points. (arXiv:0910.1063v1 [math-ph])</a></li>
<li><a href="http://arxiv.org/abs/0910.0874">Lagrange-Poincare field equations. (arXiv:0910.0874v1 [nlin.CD])</a></li>
<li><a href="http://arxiv.org/abs/0910.0673">Light, Links and Causal Sets. (arXiv:0910.0673v1 [gr-qc])</a></li>
<li><a href="http://arxiv.org/abs/0910.0374">Cosmological singularity. (arXiv:0910.0374v1 [gr-qc])</a></li>
<li><a href="http://arxiv.org/abs/0910.0812">Non-perturbative Field Theory. (arXiv:0910.0812v1 [hep-th])</a></li>
<li><a href="http://arxiv.org/abs/0910.0459">Covariant Star Product for Exterior Differential Forms on Symplectic Manifolds. (arXiv:0910.0459v1 [hep-th])</a></li>
<li><a href="http://arxiv.org/abs/0910.0262">Cell processor implementation of a MILC lattice QCD application. (arXiv:0910.0262v1 [hep-lat])</a></li>
<li><a href="http://stacks.iop.org/0264-9381/26/i=21/a=215010?rss=2.0">Lorentzian wormholes generalize thermodynamics still further</a></li>
<li><a href="http://rsta.royalsocietypublishing.org/cgi/content/short/367/1906/4237?rss=1">Statistical challenges of high-dimensional data</a></li>
<li><a href="http://rsta.royalsocietypublishing.org/cgi/content/short/367/1906/4273?rss=1">Observed universality of phase transitions in high-dimensional geometry, with implications for modern data analysis and signal processing</a></li>
<li><a href="http://physics.aps.org/articles/v2/82?referer=rss">Quasiparticles do the twist</a></li>
</ul>
<hr />
<p></p>
<ul>
<li><a href="http://www.3quarksdaily.com/3quarksdaily/2009/10/faheem-hussain-as-i-knew-him.html">Faheem Hussain — As I Knew Him</a></li>
<li><a href="http://golem.ph.utexas.edu/category/2009/10/israel_gelfand_sept_2nd_1913_o.html">Israel Gelfand, Sept. 2nd 1913 — Oct. 5th 2009</a></li>
<li><a href="http://terrytao.wordpress.com/2009/10/07/israel-gelfand/">Israel Gelfand</a></li>
<li><a href="http://www.math.columbia.edu/~woit/wordpress/?p=2334">Bourbaki Archives</a></li>
<li><a href="http://www.timesonline.co.uk/tol/comment/columnists/guest_contributors/article6862299.ece"><strong>Science and the arts need not be strangers</strong></a></li>
<li><a href="http://backreaction.blogspot.com/2009/10/intellectual-elitism-you-get-what-you.html">Intellectual Elitism? You get what you give.</a></li>
<li><a href="http://feedproxy.google.com/~r/ResearchBloggingAllEnglish/~3/AUFfn4SPFcg/gen-f-scientists-ignoring-social-networking.html">Gen-F Scientists Ignoring Social Networking</a></li>
<li><a href="http://feedproxy.google.com/~r/ResearchBloggingAllEnglish/~3/MPptsv7fQcg/face-it-being-scientist-can-really-suck.html"><em>Face it: Being a scientist can really suck</em></a></li>
<li><a href="http://www.math.columbia.edu/~woit/wordpress/?p=2342">Sounds Familiar</a></li>
<li><a href="http://web.mit.edu/newsoffice/2009/madmec-roof.html">Energy savings in black and white</a></li>
<li><a href="http://feedproxy.google.com/~r/ResearchBloggingAllEnglish/~3/FO7xHjqou8s/">Pain and rheumatology: an overview of the problem</a></li>
<li><a href="http://www.ft.com/cms/s/0/efb8820e-b3a1-11de-ae8d-00144feab49a.html">The Short View</a> — Financial Times sobre o Brasil</li>
<li><a href="http://lifehacker.com/5378027/ceevee-creates-clean+looks-resumes-for-web-or-print">CeeVee Creates Clean-Looks Resumes for Web or Print [Resume]</a></li>
<li><a href="http://lifehacker.com/5376084/google-docs-viewer-bookmarklet-makes-pdfs-less-freeze+y">Google Docs Viewer Bookmarklet Makes PDFs Less Freeze-y [Bookmarklet]</a></li>
<li><a href="http://lifehacker.com/5376138/google-wave-101">Google Wave 101 [Google Wave]</a></li>
</ul>
<div class="wp-caption aligncenter" style="width: 510px"><a href="http://brownsharpie.courtneygibbons.org/?p=1144"><img alt="… na cama" src="http://brownsharpie.courtneygibbons.org/wp-content/comics/2009-10-09-top-small.jpg" title="… na cama" width="500" height="360" /></a><p class="wp-caption-text">… na cama</p></div>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Bourbaki 2.0: Or, is massively collaborative mathematical exposition possible?]]></title>
<link>http://amathew.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/</link>
<pubDate>Mon, 07 Sep 2009 17:59:35 +0000</pubDate>
<dc:creator>Akhil Mathew</dc:creator>
<guid>http://amathew.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/</guid>
<description><![CDATA[Warning: I have very little knowledge about these topics (even less than usual). The Problem One of ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><em>Warning: I have very little knowledge about these topics (even less than usual).</em></p>
<p><strong>The Problem</strong></p>
<p>One of my goals is to learn mathematics independently. I&#8217;ve had lots of trouble especially in certain areas such as algebraic geometry, where the preqrequisites are large and interconnected. When reading books nowadays, I frequently come across words I don&#8217;t know with (sometimes) recommended supplementary sources. But I can&#8217;t really learn the definition of say, a <a href="http://en.wikipedia.org/wiki/Cohen-Macaulay_ring">Cohen-Macaulay ring</a>, just from reading Hartshorne&#8217;s short blurb or Wikipedia without actually seeing some properties of these rings proved, so I go to the supplementary sources. When I looked up, say, Matsumura&#8217;s book on commutative algebra, I then find that I am expected to know what <a href="http://en.wikipedia.org/wiki/Derived_functors">derived functors </a>are to understand depth. Time to find another book! <!--more--></p>
<p>Other algebraic geometry books are even less encouraging: Grothendieck opens <a href="http://en.wikipedia.org/wiki/%C3%89l%C3%A9ments_de_g%C3%A9om%C3%A9trie_alg%C3%A9brique">EGA</a> by demanding that the reader be conversant with all of general topology, homological algebra, sheaf theory, and commutative algebra, and cites several and somewhat intimidating long research papers and books. The truly beginning (by which I mean polynomial equations, not EGA!) books on algebraic geometry that I read before don&#8217;t help bridge this gap; it is kind of like trying to learn modern number theory from a popular historical account.</p>
<p>In short, the problem is that, in many areas, it&#8217;s more or less impossible to find books nowadays that are reasonably self-contained and fully prove everything, yet get to really interesting material. The Bourbaki volumes were a noble attempt to avoid this, but they leave out large parts of fundamentals such as category theory and homological algebra; they don&#8217;t even discuss combinatorics. Moreover, they tend to be, in my view at least, somewhat over-pedantic and not always fun to read as a result.</p>
<p><strong>A Suggestion</strong></p>
<p>So what to do? Well, I think the Bourbaki approach suggests a potential idea: the power of the group. Whatever the faults of their approach, Bourbaki can rightfully boast in the preface to give &#8220;complete proofs&#8221; and presuppose, at least in theory, only a certain comfort with mathematical reasoning (and patience); they were a group, so they could write a linear volume series of such great length that few mathematicians (except perhaps <a href="http://en.wikipedia.org/wiki/Serge_lang">Serge Lang</a>) would have managed it. Today, with the Internet, the group could be vastly expanded.</p>
<p>But wait, isn&#8217;t this just <a href="http://en.wikipedia.org/wiki/Main_Page">Wikipedia</a>, or Tim Gowers&#8217;s <a href="http://www.tricki.org/">Tricki</a> project? (By the way, I took the title from a <a href="http://gowers.wordpress.com/2009/01/27/is-massively-collaborative-mathematics-possible/">post </a>of his.)  Not quite. I&#8217;m looking for something that could be a textbook. I don&#8217;t think either is designed or well-suited to be the kind of thing you sit down with for hours; both are reference guides. What I&#8217;m suggesting instead is Bourbaki 2.0: a scheme whereby anyone can contribute to an enormous mathematical book. Perhaps someone with expertise could set up a table of contents spelling out the order of topics to be covered. Then, people could submit mini-articles under the following condition: an article in position <img src='http://l.wordpress.com/latex.php?latex=%7B%7BP%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{{P}&amp;fg=000000}&amp;fg=000000' title='{{P}&amp;fg=000000}&amp;fg=000000' class='latex' /> must presuppose no knowledge outside of articles <img src='http://l.wordpress.com/latex.php?latex=%7B%7BP%27%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{{P&#039;}&amp;fg=000000}&amp;fg=000000' title='{{P&#039;}&amp;fg=000000}&amp;fg=000000' class='latex' /> with <img src='http://l.wordpress.com/latex.php?latex=%7B+%7BP%27+%26%2360%3B+P%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{ {P&#039; &lt; P}&amp;fg=000000}&amp;fg=000000' title='{ {P&#039; &lt; P}&amp;fg=000000}&amp;fg=000000' class='latex' /> in the (total) ordering.</p>
<p>Moreover, unlike existent approaches such as <a href="http://en.wikibooks.org/wiki/Main_Page">Wikibooks</a>, one doesn&#8217;t even have to start from scratch. There is a wealth of mathematical information available on the web&#8212;ranging from course notes to blogs to already existent wikis. Willing authors could submit them as entries, perhaps in a partial form. In the end, if there were conflicts, members could vote to decide them. The success of John Baez&#8217;s <a href="http://ncatlab.org/nlab/show/HomePage">nLab</a> project suggests that potentially a large amount of material could be compiled.</p>
<p>In the end, ideally the website would automatically produce a catenated file with all the entries, one after another, that would read as a textbook (available freely online).</p>
<p>Oh, and I should say that I&#8217;m tossing this out as a purely academic exercise; I certainly lack the knowledge in both mathematics and programming to know whether it is even remotely feasible. So feel free to shred it to pieces in the comments, or explain to me how it doesn&#8217;t make sense. I was just curious whether all the mathematical expository efforts that go on could be coordinated to make learning mathematics easier for students, following the <a href="http://www.ubuntu.com/">Ubuntu </a>philosophy.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Bourbaki 2.0: Or, is massively collaborative mathematical exposition possible?]]></title>
<link>http://deltaepsilons.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/</link>
<pubDate>Mon, 07 Sep 2009 17:59:35 +0000</pubDate>
<dc:creator>Akhil Mathew</dc:creator>
<guid>http://deltaepsilons.wordpress.com/2009/09/07/bourbaki-2-0-or-is-massively-collaborative-mathematics-exposition-possible/</guid>
<description><![CDATA[Warning: I have very little knowledge about these topics (even less than usual). The Problem One of ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><em>Warning: I have very little knowledge about these topics (even less than usual).</em></p>
<p><strong>The Problem</strong></p>
<p>One of my goals is to learn mathematics independently. I&#8217;ve had lots of trouble especially in certain areas such as algebraic geometry, where the preqrequisites are large and interconnected. When reading books nowadays, I frequently come across words I don&#8217;t know with (sometimes) recommended supplementary sources. But I can&#8217;t really learn the definition of say, a <a href="http://en.wikipedia.org/wiki/Cohen-Macaulay_ring">Cohen-Macaulay ring</a>, just from reading Hartshorne&#8217;s short blurb or Wikipedia without actually seeing some properties of these rings proved, so I go to the supplementary sources. When I looked up, say, Matsumura&#8217;s book on commutative algebra, I then find that I am expected to know what <a href="http://en.wikipedia.org/wiki/Derived_functors">derived functors </a>are to understand depth. Time to find another book! <!--more--></p>
<p>Other algebraic geometry books are even less encouraging: Grothendieck opens <a href="http://en.wikipedia.org/wiki/%C3%89l%C3%A9ments_de_g%C3%A9om%C3%A9trie_alg%C3%A9brique">EGA</a> by demanding that the reader be conversant with all of general topology, homological algebra, sheaf theory, and commutative algebra, and cites several and somewhat intimidating long research papers and books. The truly beginning (by which I mean polynomial equations, not EGA!) books on algebraic geometry that I read before don&#8217;t help bridge this gap; it is kind of like trying to learn modern number theory from a popular historical account.</p>
<p>In short, the problem is that, in many areas, it&#8217;s more or less impossible to find books nowadays that are reasonably self-contained and fully prove everything, yet get to really interesting material. The Bourbaki volumes were a noble attempt to avoid this, but they leave out large parts of fundamentals such as category theory and homological algebra; they don&#8217;t even discuss combinatorics. Moreover, they tend to be, in my view at least, somewhat over-pedantic and not always fun to read as a result.</p>
<p><strong>A Suggestion</strong></p>
<p>So what to do? Well, I think the Bourbaki approach suggests a potential idea: the power of the group. Whatever the faults of their approach, Bourbaki can rightfully boast in the preface to give &#8220;complete proofs&#8221; and presuppose, at least in theory, only a certain comfort with mathematical reasoning (and patience); they were a group, so they could write a linear volume series of such great length that few mathematicians (except perhaps <a href="http://en.wikipedia.org/wiki/Serge_lang">Serge Lang</a>) would have managed it. Today, with the Internet, the group could be vastly expanded.</p>
<p>But wait, isn&#8217;t this just <a href="http://en.wikipedia.org/wiki/Main_Page">Wikipedia</a>, or Tim Gowers&#8217;s <a href="http://www.tricki.org/">Tricki</a> project? (By the way, I took the title from a <a href="http://gowers.wordpress.com/2009/01/27/is-massively-collaborative-mathematics-possible/">post </a>of his.)  Not quite. I&#8217;m looking for something that could be a textbook. I don&#8217;t think either is designed or well-suited to be the kind of thing you sit down with for hours; both are reference guides. What I&#8217;m suggesting instead is Bourbaki 2.0: a scheme whereby anyone can contribute to an enormous mathematical book. Perhaps someone with expertise could set up a table of contents spelling out the order of topics to be covered. Then, people could submit mini-articles under the following condition: an article in position <img src='http://l.wordpress.com/latex.php?latex=%7B%7BP%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{{P}&amp;fg=000000}&amp;fg=000000' title='{{P}&amp;fg=000000}&amp;fg=000000' class='latex' /> must presuppose no knowledge outside of articles <img src='http://l.wordpress.com/latex.php?latex=%7B%7BP%27%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{{P&#039;}&amp;fg=000000}&amp;fg=000000' title='{{P&#039;}&amp;fg=000000}&amp;fg=000000' class='latex' /> with <img src='http://l.wordpress.com/latex.php?latex=%7B+%7BP%27+%26%2360%3B+P%7D%26%2338%3Bfg%3D000000%7D%26%2338%3Bfg%3D000000&#038;bg=ffffff&#038;fg=000000&#038;s=0' alt='{ {P&#039; &lt; P}&amp;fg=000000}&amp;fg=000000' title='{ {P&#039; &lt; P}&amp;fg=000000}&amp;fg=000000' class='latex' /> in the (total) ordering.</p>
<p>Moreover, unlike existent approaches such as <a href="http://en.wikibooks.org/wiki/Main_Page">Wikibooks</a>, one doesn&#8217;t even have to start from scratch. There is a wealth of mathematical information available on the web&#8212;ranging from course notes to blogs to already existent wikis. Willing authors could submit them as entries, perhaps in a partial form. In the end, if there were conflicts, members could vote to decide them. The success of John Baez&#8217;s <a href="http://ncatlab.org/nlab/show/HomePage">nLab</a> project suggests that potentially a large amount of material could be compiled.</p>
<p>In the end, ideally the website would automatically produce a catenated file with all the entries, one after another, that would read as a textbook (available freely online).</p>
<p>Oh, and I should say that I&#8217;m tossing this out as a purely academic exercise; I certainly lack the knowledge in both mathematics and programming to know whether it is even remotely feasible. So feel free to shred it to pieces in the comments, or explain to me how it doesn&#8217;t make sense. I was just curious whether all the mathematical expository efforts that go on could be coordinated to make learning mathematics easier for students, following the <a href="http://www.ubuntu.com/">Ubuntu </a>philosophy.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Les «&nbsp;mathématiques modernes&nbsp;»]]></title>
<link>http://esperluette.wordpress.com/2009/08/12/monde_mathematique_003/</link>
<pubDate>Wed, 12 Aug 2009 08:56:32 +0000</pubDate>
<dc:creator>esperluette</dc:creator>
<guid>http://esperluette.wordpress.com/2009/08/12/monde_mathematique_003/</guid>
<description><![CDATA[&nbsp;&nbsp;&nbsp; Les spécialistes des mathématiques appliquées affichent souvent une certaine host]]></description>
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&#160;&#160;&#160; Les spécialistes des mathématiques appliquées affichent souvent une certaine hostilité à l’égard de la philosophie <a href="http://www.academie-stanislas.org/TomeXVI/Mainard01.pdf">bourbachique</a>. Ils ont l’impression qu’elle sépare la pratique des mathématiques des problèmes physiques et du monde des choses réelles qui font naître les idées nouvelles. Le projet <a href="http://fr.wikipedia.org/wiki/Nicolas_Bourbaki">Bourbaki</a> a malgré tout exercé une grande influence&#160;: dans les années soixante et soixante-dix, par exemple, il était parvenu à faire adopter de nouveaux programmes &#8211;&#160;les «&#160;mathématiques modernes&#160;»&#160;&#8211; destinés à rénover l’enseignement des mathématiques dans les lycées de nombreux pays. Son approche s’écartait franchement du modèle traditionnel qui mettait surtout l’accent sur le maniement et la solution des problèmes. La bonne vieille arithmétique, la géométrie, le calcul, les taux d’intérêt, les logarithmes étaient mis au placard pour laisser la place aux ensembles, aux groupes et autres figures mathématiques abstraites. Avec le recul, l’expérience ne s’est pas révélée convaincante. L’enseignement actuel semble être revenu à une approche moins abstraite. Les «&#160;mathématiques modernes&#160;» ne plaisaient pas aux parents. Ils se sentaient frustrés de voir leurs enfants incapables de comprendre le b.a.-ba des mathématiques traditionnelles. Ajoutons qu’ils ne comprenaient pas eux-mêmes ce qu’on enseignait à leurs chères têtes blondes et qu’ils étaient bien démunis pour les aider en cas de difficultés.
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<a href="http://en.wikipedia.org/wiki/John_D._Barrow">John D. BARROW</a>, <a href="http://www.odilejacob.fr/0207/997/Pourquoi-le-monde-est-il-math%E9matique--.html"><em>Pourquoi le monde est-il mathématique&#160;?</em></a>, Éditions Odile Jacob, Paris, 1996, pages 73 et 74.
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<div id="attachment_477" class="wp-caption aligncenter" style="width: 226px"><a href="http://esperluette.wordpress.com/files/2009/08/bourbaki_theorie_des_ensembles.jpg"><img src="http://esperluette.wordpress.com/files/2009/08/bourbaki_theorie_des_ensembles.jpg?w=216" alt="Nicolas BOURBAKI, &#60;em&#62;Théorie des ensembles&#60;/em&#62; (premier tome des &#60;em&#62;Éléments de mathématiques&#60;/em&#62;), Éditions Herman, Paris, 1970" title="Couverture du livre « Theorie des Ensembles » de Nicolas BOURBAKI" width="216" height="300" class="size-medium wp-image-477" /></a><p class="wp-caption-text">Nicolas BOURBAKI, <em>Théorie des ensembles</em> (premier tome des <em>Éléments de mathématiques</em>), Éditions Herman, Paris, 1970</p></div>
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<title><![CDATA[Matematica e visualizzazione]]></title>
<link>http://aubreymcfato.wordpress.com/2009/03/14/matematica-e-visualizzazione/</link>
<pubDate>Sat, 14 Mar 2009 15:34:06 +0000</pubDate>
<dc:creator>aubreymcfato</dc:creator>
<guid>http://aubreymcfato.wordpress.com/2009/03/14/matematica-e-visualizzazione/</guid>
<description><![CDATA[Oggi è il Pi day, quindi sarò addirittura più geek del solito e parlerò, ebbene si, di matematica. Q]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Oggi è il <a href="http://www.piday.org/">Pi day</a>, quindi sarò addirittura più geek del solito e parlerò, ebbene si, di <em>matematica</em>. Quindi non rompete le scatole e smettete pure di leggere qui, se non vi interessa.</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;SPAZIO FISICO PER FARVI SMETTERE DI LEGGERE &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>Bene, ora che siamo rimasti solo noi bipedi con poca vita sociale, possiamo incominciare.</p>
<p>Una cosa a cui ho sempre anelato in matematica, è la <strong>rappresentabilità</strong>, la possibilità di visualizzare i concetti (siano essi teoremi od altro). Visualizzare qualcosa non è una cosa nuova, gli esseri umani cercano di farlo dall&#8217;alba dei tempi: il disegno, il simbolo, il grafico cercano di &#8220;passare un concetto&#8221; raffigurandolo, comprimendolo in qualche segno visibile. Funzioniamo così, da sempre: il disegno, se fatto bene, è conciso, limitato, ed offre <em>in una sola occhiata</em> tutti i concetti che si vogliono esprimere.</p>
<p>Il disegno, cioè, in altre parole, <strong>comprime</strong> in maniera statica, iconica il messaggio che si vuole comunicare. Nel nostro mondo ipercomplesso, sta acquistando sempre più piede l&#8217;arte/scienza di visualizzare la complessità, attraverso schemi, filmati od animazioni interattive. Si chiama <em><a href="http://it.wikipedia.org/wiki/Infografica">infografica</a></em>, ed è un campo decisamente affascinante. Si cerca di riportare al più semplice qualcosa che semplice non è, spiegandolo ad immagini e non a parole. Si traduce il tutto ad un altro linguaggio, quello visivo.</p>
<p>Come ha sempre creduto <a href="http://it.wikipedia.org/wiki/Benoit_Mandelbrot">Mandelbrot</a>, vedere è importante.</p>
<p>Ora, &#8217;sto pippone per dire che in matematica si visualizza poco. Non è sicuramente facile spiegare ad immagini concetti algebrici o spazi <em>n</em>-dimensionali, ma non c&#8217;è neanche lo sforzo di ricondurre <a href="http://it.wikisource.org/wiki/Canti_(Leopardi)/Ad_Angelo_Mai:_quand%27ebbe_trovato_i_libri_di_Cicerone_della_Repubblica#Breve_carta">in breve carta</a> la complessità, la concatenazione logica, la correlazione di fattori.</p>
<p>Non è tanto (o non solo, almeno), una disputa fra <em>geometria</em> ed <em>algebra</em> (anche se <a href="http://it.wikipedia.org/wiki/Nicolas_Bourbaki">Bourbaki</a> ha certamente le sue colpe). Il problema è oltre: se la <em>reductio ad algebram</em> ha portato e porta ad una <em>profondità</em> maggiore (cioè arrivare ad un <em>core/cuore</em> di concetti fondamentali), ben venga.</p>
<p>Il problema è la tendenza ad utilizzare solo un linguaggio (nello specifico, quello matematico, ma che comunque utilizza soltanto la nostra intelligenza <em>logica</em> e <em>verbale</em>).</p>
<p>Quando studiavo mate, usavo la lavagna bianca  (in camera, il peggiore dei nerd), per avere una <strong>visione globale</strong> della materia.<br />
Per l&#8217;esame sulla <a href="http://it.wikipedia.org/wiki/Teoria di Galois">teoria di Galois</a> (solo 3 giorni perchè era la prof. che dava 30 di default e io mi dovevo laureare <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> ), la sensazione quasi fisica era quella di <em>intravedere</em> la concatenazione di cause ed effetti, di sfiorare la configurazione logica ma anche &#8220;fisica&#8221;, di teoremi e risultati.  Non ci sono mai arrivato, ma sono sicuro che siano possibili ottimi metodi per illustrare almeno il <em>nucleo</em> dei risultati più importanti.</p>
<p>Ma è davvero mai possibile che nessuno pensi mai di riportare il complesso al <em>semplice</em>? Che la nostra intelligenza non è solo logica ma anche iconica, musicale, motoria? Secondo voi perchè abbiamo sempre utilizzato sommari, mappe, grafici, esempi, esperimenti, visualizzazioni? Riportare tutto a livelli diversi, ma sempre sintetizzando. Siamo macchine che si costruiscono il mondo a partice molteplici input. Provate voi a capire chi vi parla soltanto dalla struttura logica e semantica del suo discorso: come leggere la trascrizione automatica di una telefonata.</p>
<p>La matematica è un <strong>paesaggio</strong>.<br />
Un mondo in cui si cammina, si corre, si esplora.</p>
<p>E&#8217; un <strong>linguaggio</strong>, un <strong>luogo</strong>, quindi si <em>abita</em>. E&#8217; qualcosa che dovremmo conoscere esattamente come conosciamo il mondo, manipolando e rigirandolo, vedendolo sotto più punti di vista. Si abita, appunto.</p>
<p>La matematica è un paesaggio: ed i paesaggi solitamente sono meglio dipinti che descritti, no?</p>
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<title><![CDATA[Fucking Concrete Contemporary Abstract Algebra Introduction ]]></title>
<link>http://nicolasbourbakijunior.wordpress.com/2009/01/23/fucking-concrete-contemporary-abstract-algebra-introduction/</link>
<pubDate>Fri, 23 Jan 2009 17:01:17 +0000</pubDate>
<dc:creator>Nicolas Bourbaki Junior</dc:creator>
<guid>http://nicolasbourbakijunior.wordpress.com/2009/01/23/fucking-concrete-contemporary-abstract-algebra-introduction/</guid>
<description><![CDATA[People are always asking me why I&#8217;ve written Fuckin&#8217; Concrete Contemporary Abstract Alge]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>People are always asking me why I&#8217;ve written <em><a title="[FREE DOWNLOAD] Fuckin’ Concrete Contemporary Abstract Algebra Introduction By First Course Radical Solution Dummies: Dummit, Foote, Hungerford, Shifrin, Gallian, Fraleigh, Beachy, Herstein, Saracino, Artin, Deskins By Nicolas Bourbaki Junior" href="http://www.box.net/shared/g83sobxt3y">Fuckin&#8217; Concrete Contemporary Abstract Algebra Introduction</a></em>? One of the reasons was <em>nazgulnarsil</em> who said:</p>
<blockquote><p>algebra can be tricky at times (abstract algebra sucks) but it is really not that interesting in of itself (yes you can solve a lot of practical problems with it but the questions aren&#8217;t generally interesting, so the answers aren&#8217;t that interesting). you do need to have it down pat in order to &#8220;get&#8221; calculus however. And if you &#8220;get&#8221; at least the basic concept of calculus down a lot of things fall in to place.</p></blockquote>
<p>My mother fuckin&#8217; book is fucked especially for math fuckers. It fucks! It really fucks!</p>
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<title><![CDATA[Nicolas Bourbaki Junior - On Homotopy Theory]]></title>
<link>http://nicolasbourbakijunior.wordpress.com/2009/01/19/nicolas-bourbaki-junior-on-homotopy-theory/</link>
<pubDate>Mon, 19 Jan 2009 14:25:56 +0000</pubDate>
<dc:creator>Nicolas Bourbaki Junior</dc:creator>
<guid>http://nicolasbourbakijunior.wordpress.com/2009/01/19/nicolas-bourbaki-junior-on-homotopy-theory/</guid>
<description><![CDATA[Thus once you find fuckin‘ out what is causing the homotopy, it is no longer a homotopy, but it is a]]></description>
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<p class="MsoNormal" style="margin:0;"><span style="font-size:14pt;"><span style="font-family:Times New Roman;">Thus once you find fuckin‘ out what is causing the homotopy, it is no longer a homotopy, but it is a thought (that is, you now call the homotopy a thought, so the thought is still probably generating stupid fucking homotopy. In your fuckin&#8217; mind then there is still a homotopic, but this cummy homotopy is now “part” of a thought, it becomes part of the thought associated with it because you created this shitty link, and hence you would call the homotopy/thought just a thought because while thoughts can generate homotopies, homotopies cannot generate thoughts (by themselves), unless you realize what the homotopy is (then you are generating the thought, not the homotopy generating it), but you are realizing it is a thought, not a homotopic: so this realization takes over and now the homotopy is part of that realization (because you consider the homotopy a part of you, and you generated the realization), instead of the realization being a part of the homotopy (and since it seems like the homotopy belongs to the realization (you), instead of vice versa, you call it a thought instead of a homotopic, because you generated the thought (and hence it also seems that you are now consciously also generating the fucking homotopy (the homotopy coming from the thought))). So that would mean that all homotopies have route in real things, and these real things can be explained with thoughts, so all homotopies then are really thoughts that you haven’t realized; a homotopic would just be a thought that you haven’t identified yet, so the term “homotopy” goes away when you realize it is a thought (because that is what it really was all along, a thought) (though this thought might still be generating a feeling). So, since you perceive the homotopy as belonging to you, and you generate thoughts consciously, you consider the homotopy to be part of a thought, not vice versa (and hence call identified homotopies “thoughts”). So when you identify a homotopic, it is a thought because thoughts can generate homotopies, so if the fucking homotopy is still there after you identified it you would say it falls under the category “thought”, because the thought is making it. You might be lazy however and not want to spend time thinking, which are what homotopies are for. “Ah that gold sword is pretty” might be the homotopy, but to your conscious mind you would have no idea that you like the sword because it is pretty, you might just know that you like the sword and it is making you homotopic about it. Therefore, homotopic things are really any feelings that cause unconscious or conscious thought. Feeling is also another word for unconscious thought. That then leads to the conclusion that thought can be homotopic (because thoughts are going to be about things that can cause fucky homotopy). I think that homotopies can be more homotopic than thought, however, because homotopies can contain more than one thought (while thoughts are very slow consciously), therefore causing it to cause more feeling, or be more homotopic. While you can only fucking express a few thoughts a minute, your fucked homotopies can contain endless numbers of thoughts per minute – they are not as exact and hence don’t make as much sense as thoughts do.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:14pt;"><span style="font-family:Times New Roman;"><span>     </span>So thought is just a lot of attention on one little thing. And homotopy is attention on lots of individual things, or possibly one fucking thing. So things that are homotopic are things that cause you to think, consciously or unconsciously. And therefore they would cause you to feel, consciously or unconsciously. So the more you like fucking something you can’t consciously identify as to why you like it, the more fucking homotopic it is, and the more you like something where you can consciously identify what it is, the more conscious thought it is going to cause, and the more logical that thing is going to be. Fucking homotopy is just unconscious thought.</span></span></p>
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<title><![CDATA[Nicolas Bourbaki Junior - On Homological Algebra]]></title>
<link>http://nicolasbourbakijunior.wordpress.com/2009/01/15/nicolas-bourbaki-junior-on-homological-algebra/</link>
<pubDate>Thu, 15 Jan 2009 07:51:32 +0000</pubDate>
<dc:creator>Nicolas Bourbaki Junior</dc:creator>
<guid>http://nicolasbourbakijunior.wordpress.com/2009/01/15/nicolas-bourbaki-junior-on-homological-algebra/</guid>
<description><![CDATA[Let me fuckin’ remind you that freaky homological algebra is an unfucked abstract algebra concerned ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="font-size:14pt;font-family:&#34;" lang="EN-US">Let me fuckin’ remind you that freaky homological algebra is an unfucked abstract algebra concerned with results valid for many different kinds of fucking spaces. Modules are the basic tools used in homological algebra. Many unfucked homological algebra problems are characterized by a loss of control or a lack of control in fuckin’ specific situations. Usually, this fucking lack of control is part of a pattern of fucky behavior that also involves other mathematical thoughts and actions, such as homotopy abuse problems or sexual disorders like the shitty paraphilias (e.g. pedophilia and exhibitionism). When fuckin’ loss of control is only an unfucked component of a disorder, it usually does not have to be a fucky part of the sucky behavior pattern, and other symptoms must also be present for the diagnosis to be made. Crap!</span></p>
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<title><![CDATA[Nicolas Bourbaki Junior - On Imagination]]></title>
<link>http://nicolasbourbakijunior.wordpress.com/2009/01/15/nicolas-bourbaki-junior-on-imagination/</link>
<pubDate>Thu, 15 Jan 2009 07:12:49 +0000</pubDate>
<dc:creator>Nicolas Bourbaki Junior</dc:creator>
<guid>http://nicolasbourbakijunior.wordpress.com/2009/01/15/nicolas-bourbaki-junior-on-imagination/</guid>
<description><![CDATA[Although the role of fucky imagination in mathematical reasoning is often neglected, recent fucks, m]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="font-size:14pt;font-family:&#34;" lang="EN-US">Although the role of </span><span style="font-size:14pt;font-family:&#34;">fucky </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">imagination in mathematical reasoning is often neglected, recent </span><span style="font-size:14pt;font-family:&#34;">fucks</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">, mostly of </span><span style="font-size:14pt;font-family:&#34;">fucking </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">pragmatist signature, points to un</span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">imagination as one of its central shitty elements. In this </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US"> I develop some of </span><span style="font-size:14pt;font-family:&#34;">fucked up</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US"> arguments by looking at the moral role of sticky imagination in practice, in particular the practice of neo</span><span style="font-size:14pt;font-family:&#34;">fucktual</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US"> intensive care. Drawing on </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">irical research, I analyze a decision-making </span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">process in various </span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">stages: delivery, </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">ing, and reflection afterwards. I </span><span style="font-size:14pt;font-family:&#34;">fucking</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US"> show how mathematics aids medical practitioners demar</span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">ing mathematical categories, tuning their </span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">actions, and exploring long-range consequences of </span><span style="font-size:14pt;font-family:&#34;">fucked up </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">decisions. I argue that </span><span style="font-size:14pt;font-family:&#34;">fucky </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">imagination helps to bring about at least four kinds of sucky integration in the mathematical decision-making process: </span><span style="font-size:14pt;font-family:&#34;">fucking </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">personal integration by creating a mathself-image in moments of </span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">reflection; social math integration by aiding the </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">iliation of the diverging perspectives of the mother </span><span style="font-size:14pt;font-family:&#34;">fucking </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">people involved; </span><span style="font-size:14pt;font-family:&#34;">fucky </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">temporal integration by facilitating the </span><span style="font-size:14pt;font-family:&#34;">fucky </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">parties to </span><span style="font-size:14pt;font-family:&#34;">fuck </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">the present moment and connect past, present, and future; and algebraic integration by </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">ing to combine the various forms of </span><span style="font-size:14pt;font-family:&#34;">fucked </span><span style="font-size:14pt;font-family:&#34;" lang="EN-US">knowledge and experience needed to </span><span style="font-size:14pt;font-family:&#34;">fuck</span><span style="font-size:14pt;font-family:&#34;" lang="EN-US"> math decisions.</span></p>
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<title><![CDATA[Nicolas Bourbaki Junior - My Story (1)]]></title>
<link>http://nicolasbourbakijunior.wordpress.com/2009/01/14/nicolas-bourbaki-junior-my-story-1/</link>
<pubDate>Wed, 14 Jan 2009 10:25:09 +0000</pubDate>
<dc:creator>Nicolas Bourbaki Junior</dc:creator>
<guid>http://nicolasbourbakijunior.wordpress.com/2009/01/14/nicolas-bourbaki-junior-my-story-1/</guid>
<description><![CDATA[Today I will not talk about fucking mathematics. You know, I had a fuckin‘ dream in my sexy mother‘s]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p class="MsoNormal" style="margin:0;"><span style="font-family:Times New Roman;"><span style="font-size:14pt;" lang="EN-US">Today I will not talk about fucking mathematics. You know, I had a fuckin‘ dream in my sexy mother‘s womb three </span><span style="font-size:14pt;">fuckin‘ </span><span style="font-size:14pt;" lang="EN-US">days before I was born. I </span><span style="font-size:14pt;">fucking </span><span style="font-size:14pt;" lang="EN-US">remember I was called Junior Nicolas and I had a different mother whose eyes were </span><span style="font-size:14pt;">fucking </span><span style="font-size:14pt;" lang="EN-US">lizard green and who lit stupid candles and spoke softly of how cool the breeze would be in the </span><span style="font-size:14pt;">fucky </span><span style="font-size:14pt;" lang="EN-US">new year. I had many </span><span style="font-size:14pt;">fucking </span><span style="font-size:14pt;" lang="EN-US">fathers; each came into my pussy world alone with long black hair, a sucky harelip, and twelve fingers like me. Each taught me something of math: One walked along the coast and pointed out to me the different kinds of </span><span style="font-size:14pt;">fucking math</span><span style="font-size:14pt;" lang="EN-US">; one showed me how to shape algebra with fire; one had precise knowledge of </span><span style="font-size:14pt;">fucked </span><span style="font-size:14pt;" lang="EN-US">topology and analysis, while another made tiny fucking graphs with shitty twigs and tied them in my brain. Fucking time passed in the dream, and one by one my.</span></span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-family:Times New Roman;"><span style="font-size:14pt;" lang="EN-US"><span>     </span>By the way, my name is <em>Nicolas Bourbaki Junior</em> (sometimes people write <em>Nicolas Bourbaki, Jr.</em> but it is not right). I’m a fuckin&#8217; fucked mathematician (people say&#8211;the best one) and a brilliant son of my mother </span><span style="font-size:14pt;">fuckin‘ father – <em>Nicolas Bourbaki</em>. What a fuck!</span></span></p>
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<title><![CDATA[Pêle-mêle]]></title>
<link>http://chernikov.wordpress.com/2008/05/06/pele-mele/</link>
<pubDate>Tue, 06 May 2008 14:39:38 +0000</pubDate>
<dc:creator>Artem Chernikov</dc:creator>
<guid>http://chernikov.wordpress.com/2008/05/06/pele-mele/</guid>
<description><![CDATA[Sublime Pêle-mêle Henri Poincaré D&#8217;élégants théorèmes Prouva sans façons, Classa des variétés ]]></description>
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<title><![CDATA[Coordonnées]]></title>
<link>http://chernikov.wordpress.com/2008/05/04/coordonnees/</link>
<pubDate>Sun, 04 May 2008 20:22:05 +0000</pubDate>
<dc:creator>Artem Chernikov</dc:creator>
<guid>http://chernikov.wordpress.com/2008/05/04/coordonnees/</guid>
<description><![CDATA[Soit une multiplicité vectorielle. Un corps opère seul, abstrait, commutatif. Le dual reste loin, so]]></description>
<content:encoded><![CDATA[Soit une multiplicité vectorielle. Un corps opère seul, abstrait, commutatif. Le dual reste loin, so]]></content:encoded>
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<title><![CDATA[Bourbaki, la lógica y las matemáticas]]></title>
<link>http://angelrey.wordpress.com/2008/05/04/bourbaki-la-logica-y-las-matematicas/</link>
<pubDate>Sun, 04 May 2008 11:23:55 +0000</pubDate>
<dc:creator>reygallego85</dc:creator>
<guid>http://angelrey.wordpress.com/2008/05/04/bourbaki-la-logica-y-las-matematicas/</guid>
<description><![CDATA[Leyendo el libro &#8220;La trama oculta del universo&#8221;, del &#8216;premio Templeton&#8217; John]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://angelrey.files.wordpress.com/2008/05/bourbaki1.jpg"><img class="alignnone size-thumbnail wp-image-57" src="http://angelrey.wordpress.com/files/2008/05/bourbaki1.jpg?w=73" alt="" width="73" height="96" /></a> Leyendo el libro <a href="http://paginaspersonales.deusto.es/abaitua/konzeptu/dic_r.htm" target="_blank">&#8220;La trama oculta del universo&#8221;</a>, del <a href="http://es.wikipedia.org/wiki/Premio_Templeton" target="_blank">&#8216;premio Templeton&#8217;</a> <a href="http://en.wikipedia.org/wiki/John_D._Barrow" target="_blank">John D. Barrow</a>, he encontrado un pasaje relacionado de alguna forma con mi post <a href="http://angelrey.wordpress.com/2008/05/01/ciencia-matematicas-y-medida/" target="_blank">&#8220;Ciencia, Matemáticas y Medida&#8221;</a> que por su interés voy a transcribir (la <strong>negrita</strong> es mía):</p>
<p>&#60;&#60;Bourbaki debe responder también al reto de contestar a la pregunta crucial, planteada <a href="http://www.alipso.com/monografias/materealidad/" target="_blank">aquí</a> por <a href="http://es.wikipedia.org/wiki/Albert_Einstein" target="_blank">Einstein</a>:</p>
<p><em>¿Cómo es posible que las matemáticas, siendo después de todo un producto del pensamiento humano, independiente de la existencia, estén tan admirablemente adaptadas a los objetos de la realidad?</em></p>
<p>Él ve que el verdadero curso de la obra de los matemáticos es la elucidación de las estructuras básicas de la lógica. Si se exploran éstas en su totalidad englobarán todas las interrelaciones sancionadas por la lógica. El mundo que nos rodea se ve como una realización particular de algunas de estas estructuras para que puedan ser ejemplificadas o modeladas por las interrelaciones concretas de las cosas materiales. <strong>Puede dársele la vuelta al hecho de que las estructuras matemáticas formales carezcan de significado: en lugar de mantener que no se aplican a nada, uno puede mantener que se aplican a todas las posibilidades. El universo observado no es sino una de ellas.</strong>&#62;&#62;</p>
<p>Para aclarar a quien no lo sepa quién es <a href="http://es.wikipedia.org/wiki/Nicolas_Bourbaki" target="_blank">&#8220;Nicolas Bourbaki&#8221;</a>, diré que es el pseudónimo colectivo <span style="font-size:10pt;font-family:Arial;">–</span>supuestamente tomando el apellido de un <a href="http://thales.cica.es/rd/Recursos/rd97/Biografias/15-2-b-b.html" target="_blank">oficial del ejército</a> que destacó en la guerra franco<span style="font-size:10pt;font-family:Arial;">-</span>prusiana<span style="font-size:10pt;font-family:Arial;">–</span> de un grupo de matemáticos franceses surgido a finales de los años 30 del siglo XX que pretendían revisar los fundamentos de las matemáticas dotándolas de un mayor rigor siguiendo un método <a href="http://es.wikipedia.org/wiki/Axioma" target="_blank">axiomático</a>. En palabras de Barrow en el libro citado: &#8220;Ellos personifican las últimas esperanzas de los <a href="http://es.wikipedia.org/wiki/Sistema_formal" target="_blank">formalistas</a>; prevalecen la axiomática, el rigor y la elegancia monótona; los diagramas, los ejemplos y lo particular son evitados en favor de lo abstracto y lo general.&#8221; Y es que hay muchas <a href="http://www.ucp.edu.ar/conexionesI2006/pdf/de_la_exactitud.pdf" target="_blank">dificultades</a>, <a href="http://www.educajob.com/xmoned/temarios_elaborados/filosofia/La%20verdad%20en%20la%20matem%E1tica%20y%20en%20las%20ciencias%20emp%EDricas%20natur.htm" target="_blank">enfoques</a> y <a href="http://www.filosofia.net/materiales/articulos/a_10.html" target="_blank">puntos de vista</a> a la hora de <a href="http://www.epsilones.com/paginas/t-definiendo.html" target="_blank">definir</a> las matemáticas y sus fundamentos.</p>
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<title><![CDATA[Le Filtre]]></title>
<link>http://chernikov.wordpress.com/2008/04/09/le-filtre/</link>
<pubDate>Wed, 09 Apr 2008 13:51:03 +0000</pubDate>
<dc:creator>Artem Chernikov</dc:creator>
<guid>http://chernikov.wordpress.com/2008/04/09/le-filtre/</guid>
<description><![CDATA[Ô puissant, ô formel, ô toi clair Bourbaki, Vas-tu nous déchirer dans un accès de crise Le Goursat f]]></description>
<content:encoded><![CDATA[Ô puissant, ô formel, ô toi clair Bourbaki, Vas-tu nous déchirer dans un accès de crise Le Goursat f]]></content:encoded>
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<item>
<title><![CDATA[Sanctuarul  intereselor oneste ]]></title>
<link>http://blogideologic.wordpress.com/2008/04/03/sanctuarul-intereselor-oneste/</link>
<pubDate>Thu, 03 Apr 2008 06:44:51 +0000</pubDate>
<dc:creator>blogideologic</dc:creator>
<guid>http://blogideologic.wordpress.com/2008/04/03/sanctuarul-intereselor-oneste/</guid>
<description><![CDATA[Dincolo de situarea geospaţială, parcurile  eco &#8211; industriale trebuie să fie perfect  aşezate ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Dincolo de situarea geospaţială, parcurile<span>  </span>eco &#8211; industriale trebuie să fie perfect<span>  </span>aşezate pe frontiera conceptuală a optimalităţii<span>  </span>Pareto </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">în </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">managementul decizional. Aşezarea aceasta depinde<span>  </span>nemijlocit de<span>  </span>judecăţi de valoare implic</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd<span>  </span>preferinţe şi compromisuri. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Rezolvarea problemelor<span>  </span>cu obiective multiple, cum este într-un mod special dezvoltarea durabilă şi situarea </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">pe frontiera optimalităţii<span>  </span>Pareto</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">, cere în oricare etapă<span>  </span><i>evaluări-şi-echivalări-optime-prin-compromis</i>, sintagma aceasta lungă în limba română se scrie pe scurt <i>tradeoffs</i> în limba engleză. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><i><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Tradeoff principles</span></i><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"> se traduce, în buna şi vechea limbă română, prin <i>reguli<span>  </span>de contrapartidă</i>, cu semnificaţia : „principii de evaluare şi echivalare prin compromis”. A traduce englezescul „tradeoff” prin „troc” probabil că este corect în oricare domeniu, cu excepţia Ecologiei Industriale. </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Iar î</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">n capitolul etichetelor ecologice, tradeoff s-ar<span>  </span>tălmăci mai bine prin sintagma <i>troc baroc pe o piaţă hedonică.</i> Sună a preţiozitate, însă<span>  </span>lucrurile se prezintă<span>  </span>fără compromisuri posibile : dacă „troc baroc pe o piaţă hedonică” este ‚preţiozitate’,<span>  </span>atunci şi<span>  </span>expresia „dezvoltarea durabilă” este<span>  </span>‚preţiozitate’. Sîntem într-un „cul-de-sac” al evoluţiei, sau într </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">-</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">o aculturaţie <span> </span>caracterizând începutul mileniului ?</span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0;" class="MsoTitle"><i><span style="font-weight:normal;">Regulile de contrapartidă situează<span>  </span><span>compromisurile</span> pe o <span> </span><span>frontieră de optimalitate<span>  </span>Pareto</span>.</span></i><span style="font-weight:normal;"> Aceasta poate fi<span>  </span><i>o</i><span>  </span><i>curbă de compromis</i> -<span>  </span>unde sunt situate deciziile optime în cazul unei probleme cu<span>  </span>două<span>  </span>obiective conflictuale,<span>   </span><i>o suprafaţă de compromis </i>-<span>  </span>unde hotărârea optimă a fost luată într-o problemă cu trei obiective conflictuale, sau în general vorbim despre <i>domeniul Pareto</i> &#8211; pentru probleme cu<span>  </span>multe obiective conflictuale. În domeniul Pareto,<span>  </span>adevărat „sanctuar” al<span>  </span>intereselor oneste, nicio soluţie de ameliorare pentru unii dintre participanţii<span>  </span>la jocul economic nu constituie un<span>  </span>detriment<span>  </span>pentru alţii. </span></p>
<p style="text-align:justify;margin:0;" class="MsoTitle"><span style="font-weight:normal;"></span></p>
<p><span style="font-weight:normal;"></span><span style="font-weight:normal;"></span><span style="font-weight:normal;"></span><span style="font-weight:normal;"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Terminologia<span>  </span>şi echivalările lingvistice folosite arată necesitatea căutarii unor sinonime, chiar a construirii unui mare<span>  </span>„Dicţionar de sinonime”, &#8212; a unui „Thesaurus”&#8211;,<span>  </span>în proiectul rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nesc al dezvoltării durabile. Chestiune superfluă ori chiar fără legătură cu dezvoltarea economică ? C</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">tuşi de putin. De exemplu,<span>  </span>la implementarea voluntară a unor sisteme de gestionare ambientală (EMAS II,<span>   </span>ISO 14001) într-o întreprindere mică şi mijlocie, pentru personalul în număr redus al întreprinderii respective,<span>  </span>problemele<span>  </span>imense legate de complexitatea limbajului tehnic al standardelor europene şi internaţionale conduc la ora actuală, de ce să nu recunoaştem?, la dificultăţi aproape insurmontabile în diviziunea muncii şi folosirea timpului. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Evident, în<span>  </span>cadrul unui stat naţional unde există o limbă dominantă, dar care nu intră în categoria “limbajelor sacre” moderne, contemporane, chiar post-moderne, deci aflată<span>  </span>numai în stadiul de “vernaculară”, &#8212; limbaj<span>  </span>purtător de ’informaţie modică’, cel mult, dacă nu chiar de<span>  </span>informaţie foarte puţin relevantă pentru lumea post-modernă în care trăim&#8211;,<span>  </span>cum poţi exploata oferta în cunoaşterea<span>  </span>teoretică,<span>  </span>tehnico-productivă şi în cunoaşterea prudenţială p</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nă la<span>  </span>producerea unei deplasări de paradigmă ?<span>    </span></span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Prin paradigmă, reamintim, se înţelege<span>  </span>percepţia de &#8220;corectitudine&#8221; într-o anumită epocă istorică. În vechea economie a Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">niei, p</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nă la impunerea regimului transplantat de U.R.S.S. prin acordurile de la Ialta, succesul &#8220;chiaburului&#8221;, &#8211;ţăranul proprietar perfect adaptat la economia de piaţă a timpului său-,<span>  </span>era unanim recunoscut. „Instituţia chiaburească”<span>  </span>aplica în condiţiile unei economii de exploatare a resurselor locale principiul : &#8220;Omul sfinţeşte locul&#8221;. Aceea era o paradigmă. Dar vremea acelei economii a trecut. Din păcate, principiul<span>  </span>&#8220;Omul sfinţeşte locul&#8221; nu mai face parte din paradigma actuală, impusă de globalizare. Deplasarea de paradigmă cere ca locul principiului autarhic să<span>  </span>fie luat de principiul mai general numit &#8220;adăugarea<span>  </span>de valoare&#8221;. Citite prin lentila t</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">lcului, cele două paradigme sunt segmente aflate pe aceeaşi linie a discursului economic. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">În prima fază a implementării principiului, valoarea adăugată nu este valoare economică ad litteram. Dar este o valoare adăugată <span> </span>prin muncă. Nu în sensul pe care îl dădea Karl Marx în &#8220;Capitalul&#8221;. Marx propunea definiţia &#8220;valorii prin muncă&#8221; folosind ca unitate de măsură<span>  </span>truda<span>  </span>ţăranului rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">n din Principatele dunărene<span>  </span>pe vremea Regulamentului Organic.<span>  </span>Paradigma comunistă, transcrisă în „limbajul de lemn”,<span>  </span>se baza pe<span>  </span>definiţia marxistă a &#8220;valorii prin muncă&#8221;.<span>  </span>Ţinta noastră centrală este producerea unei deplasări<span>  </span>de paradigmă. Schimbarea de paradigmă de la „omul sfinţeşte locul” la „adăugarea de valoare” este o ‚regulă de contrapartidă’<span>  </span>în condiţiile optimalităţii Pareto.</span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Deci trebuie să înţelegem „cum se adaugă valoare”.<span>  </span>Chestiunea înţelegerii „pe rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">neşte”, chestiunea limbajului<span>  </span>inteligibil, total diferit de „limbajul de lemn”,<span>  </span>devine factor esenţial pentru dezvoltarea durabilă în Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nia. Căci reprezentările<span>  </span>ontologice noi în Limba Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">na<span>  </span>sunt<span>  </span>şi<span>  </span>faţete<span>  </span>diverse ale predicatului ‚devenirii întru fiinţă’.<span>  </span>Construirea de reprezentări ontologice pentru toate standardele europene, în limbajul fiecăreia dintre ţările membre ale statului post-modern Uniunea Europeană,<span>   </span>este cerută chiar<span>  </span>de principiul de<span>  </span>subsidiaritate. Să ne referim la standardul european EMAS, destinat gestionării problematicii ambientale a întreprinderilor/organizaţiilor din U.E. Coerenţa şi<span>  </span>comparabilitatea<span>  </span>EMAS II între statele membre în U.E.<span>  </span>sunt<span>  </span>fundamentale<span>  </span>pentru<span>  </span>funcţionarea corectă a schemei de gestionare şi audit ecologic european.<span>  </span>Însă<span>   </span>acordul între statele membre asupra<span>  </span>uniformităţii<span>  </span>criteriilor<span>  </span>aplicative nu poate fi realizat de facto fără<span>  </span>definirea<span>  </span>acestor criterii în fiecare dintre <i>limbile naţionale</i> ale statelor-membre. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Regulile postmoderne de construire a textelor în <span>stadiul  dell’arte</span><span>   </span>facilitează eforturile vernaculare rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">neşti de asimilare a standardelor internaţionale. Nu este o exagerare să spunem că aceste reprezentări ontologice noi în Limba Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nă care servesc, incontestabil, bunei funcţionări a întreprinderilor (organizaţiilor) din<span>  </span>Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nia, adaugă<span>  </span>valoare. Specificăm, este în primul r</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd valoare adăugată pentru facilitarea procesului decizional într-o lume postmodernă. Iar pentru întreprinderile economice,<span>  </span>decizia<span>  </span>managerială reuşită se converteşte<span>  </span>într-o<span>  </span>valoare economică adăugată (ad litteram).</span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Depozitarele majore de informaţie cu semnificaţie antropică, societală, umană, aşa-numitele „limbaje sacre”,<span>  </span>sunt la ora actuală limba engleză<span>  </span>şi limba franceză. Ele juc</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd acum acelaşi rol pe care-l aveau în antichitatea civilizaţiei mediteraneene greaca şi latina, iar în India Evului Mediu &#8211; sanskrita. Însă dezastrul economic şi societal observat în Africa post-colonială, unde noile state care şi-au declarat independenţa folosesc în mod preferenţial, ca limbă oficială, engleza ori franceza,<span>  </span>arată faptul că utilizarea lor nu a provocat, ca o consecinţă naturală, implementarea masivă de ’know how’ tehnologic în economiile africane, unde ’elitele intelectuale’ au fost formate în primul r</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd prin imersarea, în perioada studiilor, într-un mediu lingvistic englez sau francez.<span>  </span>Pe de altă parte, sunt<span>   </span>remarcabile succesele economice şi industriale înregistrate acum de China, care foloseşte o limbă cu scriere hieroglifică,<span>  </span>incontestabil foarte îndepărtată de limbile în care au fost redactate iniţial tratatele şi codurile de practică în<span>  </span>dezvoltarea industrială<span>  </span>şi dezvoltarea durabilă. Dar chiar în China comunistă, problema transmiterii de know how<span>  </span>de la elite, <span> </span>–formate în Rusia comunistă dar şi în<span>   </span>Occident-,<span>  </span>a fost<span>  </span>rezolvată printr-o divizare epistemologică extrem de ingenioasă şi de reuşită a<span>  </span>reprezentărilor ontologice privind „high –tech” ori ’tehnologia<span>  </span>de vârf’<span>   </span>exprimate într-o limbă europeană,<span>  </span>urmată de<span>  </span>o transmutare<span>  </span>şi o distribuire<span>  </span>de „instrucţiuni de lucru” scrise cu hieroglife pentru muncitorii chinezi ! </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">La crearea ’parcurilor industriale pentru dezvoltarea durabilă’ în Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nia,<span>  </span>trebuie să<span>  </span>ţinem cont de realitatea concretă a Limbii Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">ne. Mai ales de faptul că în secolul XVIII, c</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd Occidentul formulează intelectual condiţiile pe care se bazează tranziţia la o lume tehnologică, &#8211;de exemplu folosirea infiniţilor mici, a derivatelor şi integralelor&#8211;, în principate „creşterea limbii<span>  </span>rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">neşti”<span>  </span>era interzisă de domniile<span>  </span>fanariote, deşi în alte părţi ale Europei vremea aceea se chema<span>  </span>Epoca Luminilor !<span>  </span>Chiar şi Karl Marx exemplifică în filosofia lui conceptul de „alienare”, &#8211;de „înstrăinare”&#8211;,<span>  </span>prin soarta ţăranului rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">n sub regimul fanariot. Abia după revoluţia intelectuală (chiar intelectualistă) liberală adusă în Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nia de „Ideologia Şcolilor Centrale”, de textele unor<span>  </span>ideologi primari precum Condillac,<span>  </span>Destutt de Tracy şi Volney, texte citite în franceză apoi discutate în limba română,<span>  </span>şi asimilate în limba română, de prodigioşii elevi<span>  </span>Ioan Eliade Rădulescu (primul preşedinte al Academiei Române) şi Petrache Poenaru la şcoala din Schitu Măgureanu, începea să fie creată<span>  </span>Limba Română modernă<span>  </span>ca instrument de lucru<span>  </span>pentru transmiterea şi implementarea ideilor în sensul Instrumentalismului Logic (numit şi Pragmatism în filosofia aplicată). </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">În cartea de memorialistică<span>  </span>„Echilibru între antiteze”, Ioan Eliade Rădulescu mărturisea că textele perfecte din limba greacă veche, &#8212; în care imersau copiii români inteligenţi din şcoala de la<span>  </span>Schitu Măgureanu&#8211;,<span>  </span>furnizau<span>   </span>în fapt<span>  </span>modelul pe care încercau să-l imite în limba română. Dar în textele blogului nostru folosim în permanenţă limba engleză şi limba franceză ca<span>  </span>referenţiale lingvistice pentru post-modernizarea limbii române. De pildă,<span>  </span>noi am dat neologismului<span>  </span>&#8220;a implementa&#8221;,<span>  </span>introdus în limba română după decembrie 1989,<span>  </span>semnificaţia pe care o are în limba engleză expresia compusă<span>  </span>&#8220;to carry out&#8221;, sau,<span>  </span>în limba franceză,<span>  </span>expresia compusă<span>  </span>&#8220;mettre en oeuvre&#8221;.</span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Între cele două radicalisme<span>  </span>în cunoaşterea modernă, <i>reducţionismul</i> şi <i>holismul</i>, optăm în cultura română la <i>arhitectura informaţiei.</i> Al cărei scop este aplicarea principiului identităţii din logică. În anvergura ei <span> </span>se află <span> </span>ce este comprehensibil (excludem căutarea “lucrului <span> </span>în sine”!),<span>  </span>şi ce este necesar pentru atingerea obiectivelor dezvoltării durabile. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><i><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Arhitectura informaţiei</span></i><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">, forma postmodernă a Principiului Identităţii pentru care pleda la 1904 Constantin Rădulescu- Motru într- o carte despre cultura română, este<span>  </span>construită prin<span>  </span>două abordări complementare : &#8216;top down&#8217;, adică <i>demersul<span>  </span>conceptual descendent,</i><span>  </span>şi &#8216;bottom up&#8217;, adică <i>demersul<span>  </span>conceptual ascendent.</i> Abordările se racordează prin <i>participarea la proiect</i>. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><b><i><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Întrebuinţarea<span>  </span>elementelor anticipative şi/sau principiale aparţine abordării &#8216;top down&#8217;</span></i></b><b><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"> </span></b></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Utilizarea unor<span>  </span>indicatori predefiniţi este tipică pentru <i>demersul<span>  </span>descendent</i> în atacarea<span>  </span>problemelor dezvoltării. Factorii cognitivi,<span>  </span>&#8211;aşa cum este erudiţia&#8211;, sunt de asemenea elemente ce aparţin abordării în stilul &#8216;top down&#8217;. Voinţa ca anticipare e tot element din<span>  </span>categoria abordării conceptuale descendente. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">În<span>  </span>abordarea &#8216;bottom up&#8217; se pleacă de la o bază cognitivă la prima vedere amorfă, şi se caută, creativ şi prin implicare personală,<span>  </span>o structură. Absenţa unor elemente pre-ordonate şi a unor elemente de anticipare este tipică demersului conceptual ascendent. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Observăm că <i>factorii ambientali</i> sunt în general nişte date caracteristice în abordările de tip &#8216;bottom up&#8217;. Antamarea unei probleme pe baza unei mari cantităţi de date brute, de exemplu datele unui inventar al dezastrelor sau ale unui bilanţ al succeselor, ţine<span>  </span>de<span>  </span>abordarea &#8216;bottom up&#8217;.<span>  </span>Abordarea conceptuală ascendentă<span>   </span>începe de la<span>  </span>fundamentele concrete şi tangibile ale unei situaţii &#8216;de viaţă&#8217;,<span>  </span>nu de la principii abstracte. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Construirea unei <i>arhitecturi a informaţiei în limba română</i> este cerinţă fundamentală pentru fiecare domeniu al cunoaşterii. Reamintim că în limba franceză, <i>edificarea unei arhitecturi a informaţiei</i> a fost <i>esenţa programului<span>  </span>Bourbaki</i> de refacere a fondului cultural &#8211; ştiinţific după hecatombele războaielor mondiale. Dar câţi dintre dascălii noştri au murit! Este timpul ca un <i>proces de tip Bourbaki</i> să fie iniţiat şi în limba română.</span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Uniformitatea de nivel de cunoaştere pretinsă<span>  </span>de intrarea<span>  </span>României în Uniunea Europeană cere, pentru a nu rămâne parteneri de rang inferior, şi post-modernizarea Limbii Române, construirea unor reprezentări ontologice de limba română<span>  </span>în toate domeniile, prin combinarea unor abordari &#8216;top down&#8217; şi &#8216;bottom up&#8217;, deci pornind şi de la necesarele &#8216;principii abstracte&#8217;, cât şi ţinând cont de situaţiile concrete din România. Iar prin respectul &#8217;situaţiilor<span>  </span>de viaţă&#8217;<span>  </span>din România, în domeniul intelectual,<span>  </span>ne referim atât la respingerea dispreţului faţă de influenţa bizantină, caracteristica esenţială a renascentismului în România, cât şi la respingerea dispreţului faţă de influenţa occidentală a Contra Reformei, fondatoare de mari universităţi şi la noi (de exemplu Universitatea din Cluj, ce nu-i ‚ctitorie maghiară’, necum<span>  </span>‚ctitorie a regelui Ferdinand’, </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">ci o ctitorie a iezuiţilor</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">). </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Poate că în locul c</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">erinţei „academice” imperioase pentru c</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">onstruirea unui “DEX vulgar” (ca şi cum ar exista un DEX hieratic, precum şi un DEX eroic, formula lui Giambattista Vico</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"> este încă relevantă în privinţa construirii unei civilizaţii</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">) noua revoluţie lingvistică ar fi trebuit începută printr-o cartare cauzală a tuturor cuvintelor dificile însă utile.<span>  </span>Cartarea cauzală <span> </span>este o procedură folosită în managementul calităţii totale, aceasta fiind valoare pivotală în lumea postmodernă. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Sintagma franţuzească <i>savoir faire</i> cu semnificaţia de <i>modus operandi</i>,<span>  </span>în româneşte „mod de lucru” sau „metodologie”,<span>  </span>a<span>  </span>fost incontestabil folosită de elitele româneşti încă din secolul XIX. Noi o propunem în continuare, dar fără insistenţă şi ostentaţie, ca<span>  </span>alternativă la englezescul <i>know how.</i> </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">În textele din blogul nostru, ori de câte ori am considerat necesar am redat termenul care a fost punctul de plecare,<span>  </span>cel mai adesea<span>  </span>în limba engleză. Putem afirma că textul blogurilor este şi un Thesaurus pentru dezvoltarea durabilă în </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">România</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">.<span>  </span></span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Exemplu revelator<span>  </span>pentru Noua Economie este <i>„Dinamica<span>   </span>fluxurilor de<span>  </span>‘savoir faire’ (&#8216;know how&#8217;, ‘modus operandi’)&#8221;.</i> Aceste echivalenţe lingvistice trebuie să fie clare, mai ales că pentru obţinerea unor detalii suplimentare cuvintele pot să fie folosite ca intrări<span>  </span>într-un motor boolean de<span>  </span>căutare pe Internet.<span>   </span>Proiect</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">nd<span>  </span>acest fragment al discursului pe axa echităţii<span>  </span>intergeneraţionale, putem aminti, foarte local, că<span>   </span>multe dintre noţiunile abstracte necesare actualmente pentru înţelegerea folosirii unui „motor de căutare”<span>  </span>erau introduse într-un manual de logică aplicată nouă la Colegiul Carol din Craiova cu doi ani înainte de primul război mondial!<span>  </span></span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Timpul “heideggerian” al Fiinţei este metafizic şi tehnologic. Sau, dacă vreţi, este secvenţializarea &#8220;filosofiei tehnologiei&#8221;. Chiar şi în limba engleză actuală se pun acute probleme de limbaj proiectat în timp tehnologic. <i>Metadatele privind dezvoltarea durabilă se prezintă acum pe web ca fragmentele unui meta-discurs<span>  </span>post-modern.</i> </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Textele <span> </span>pe care le <span> </span>propunem celor interesaţi de tema dezvoltării industriale durabile a României reprezintă reflecţia noastră<span>  </span>asupra<span>  </span>conţinutului informativ al unei vaste bibliografii acumulate până acum pe plan internaţional, precum şi sinteza ideilor acceptate, considerate paradigme, într &#8211; un text coherent, o reprezentare ontologică în limba română. </span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Intenţiile noastre strategice privind construcţia parcurilor industriale pentru dezvoltarea durabilă sunt precise, de asemenea ele sunt articulate într- un limbaj clar. </span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Dar rămâne ca această strategie deliberată<span>  </span>să se transforme într- o strategie ideologică asimilată de<span>   </span>o comunitate epistemică. Este necesar şi un orizont de timp pentru câştigarea suportului politic pentru această strategie în Noua Economie din România.<span>  </span>Pentru a putea deveni o strategie ideologică, viziunea noastră asupra <span>parcurilor eco &#8211; industriale pentru dezoltarea durabilă trebuie să fie larg acceptată de societatea rom</span>â<span>nească, împărtăşită de lideri politici p</span>â<span>nă la punctul la care această viziune<span>  </span>poate deveni o ideologie.<span>  </span></span></span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span><span></span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"></p>
<p style="margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Speranţa ce avem în succesul strategiei ideologice a parcurilor eco-industriale pentru dezvoltarea durabilă în Rom</span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">â<span>nia este în anumită măsură teleologică. Se bazează pe credinţa<span>  </span>că fenomenul planificării strategice a parcurilor industriale pentru dezvoltarea durabilă, odată declanşat, se va mişca (spre deosebire de săgeata paradoxului eleat) către ţinta de auto-realizare. </span></span></p>
<p><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></span></span><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';"><span></p>
<p style="text-align:justify;margin:0 0 10pt;" class="MsoNormal"><span style="font-size:12pt;line-height:115%;font-family:'Times New Roman','serif';">Titus Filipas</span></p>
<p></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>
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<title><![CDATA[Sguardi panoramatici]]></title>
<link>http://incertezzacreativa.wordpress.com/2008/03/31/sguardi-panoramatici/</link>
<pubDate>Mon, 31 Mar 2008 14:00:11 +0000</pubDate>
<dc:creator>lgemini</dc:creator>
<guid>http://incertezzacreativa.wordpress.com/2008/03/31/sguardi-panoramatici/</guid>
<description><![CDATA[Sguardo panoramatico, foto di Fabio Fornasari Di fronte (o in mezzo) al panorama Bourbaki di Lucerna]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href='http://incertezzacreativa.files.wordpress.com/2008/04/laura-luzern.jpg'><img src="http://incertezzacreativa.wordpress.com/files/2008/04/laura-luzern.jpg" alt="" width="400" height="300" class="alignnone size-full wp-image-147" /></a></p>
<p>Sguardo panoramatico, foto di Fabio Fornasari</p>
<p>Di fronte (o in mezzo) al panorama <a href="http://www.bourbakipanorama.ch/en/index.html">Bourbaki</a> di Lucerna mi viene da pensare a come molte delle cose che sappiamo, di cui abbiamo letto e visto immagini acquistino un certo valore se viste &#8220;dal vivo&#8221;. Espressione artistica e pittorica, votata alla creazione di contesti immaginari per l&#8217;&#8221;illusione&#8221; (<a href="http://www.noemalab.org/sections/stuff_review.php?IDRecensioni=62">Grau</a>), il grande dipinto circolare è l&#8217;occasione per &#8220;scrivere&#8221; una drammaturgia narrativa, un fatto &#8220;vero&#8221; legato alla guerra franco-prussiana. Ma è anche un esempio &#8220;da vedere&#8221; della messa in forma dello sguardo rappresentazionista dell&#8217;800, panoramatico appunto, medium adeguato alla messa a punto delle competenze comunicative del moderno. Oltre che dell&#8217;altrove qui (Morin).</p>
<p>Nel tempo, dopo il restauro, il faux terrain è stato arricchito di gruppi scultorei, la visita al panorama prevede ora l&#8217;ascolto del racconto, recitato, dell&#8217;episodio ritratto, il &#8220;senso&#8221; atmosferico, la luce artificiale che accentua il bianco della neve, come in lontananza si sentono colpi dei cannoni, un sound avvolgente (come ben fa capire <a href="http://luoghisensibili.wordpress.com/">Fabio</a>). Come se fosse necessario &#8211; ma evidentemente lo è &#8211; calcare la mano sulla dimensione immersiva, esperienziale del panorama. Immagini da percepire attraverso il corpo. Immaginario performativo in azione.</p>
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<title><![CDATA[Kitag... Luzern... Oh Mein Gott??]]></title>
<link>http://pflog.wordpress.com/2008/01/02/kitag-luzern-oh-mein-gott/</link>
<pubDate>Wed, 02 Jan 2008 10:39:00 +0000</pubDate>
<dc:creator>pfoffie</dc:creator>
<guid>http://pflog.wordpress.com/2008/01/02/kitag-luzern-oh-mein-gott/</guid>
<description><![CDATA[Ich weiss, es gibt weitaus wichtigere und schlimmere News &#8211; doch ich war doch schon ziemlich g]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Ich weiss, es gibt weitaus wichtigere und schlimmere News &#8211; doch ich war doch schon ziemlich geschockt, als ich heute morgen (frohen mutes und nichts ahnend) die folgende Seite öffnete:<br />
<!--more--><br />
<a href="http://www.cinepilatus.ch">www.cinepilatus.ch</a></p>
<p>Anstelle der gewohnt (unspektakulären) Seite des Cinepilatus verbandes, lacht mich doch auf einmal die KITAG-Homepage an. Ich lache und denk &#8220;ups, falsche url&#8221; &#8211; und gebe noch einmal die URL von cinepilatus ein. Und wieder KITAG. Auf einmal sehe ich, dass es dort einen neuen Tab gibt &#8220;Luzern&#8221;.<br />
<em>WAS IST LOS?</em>, denke ich. </p>
<p>Die Kitag hat also unsere schönen, Luzerner Kinos übernommen. </p>
<p>Dem guten zuerst:<br />
Die Ticketpreise bleiben (vorerst) unverändert. Wie lange das jedoch anhält, bleibt dahingestellt. Wenn ich mir so die Preise von Zürich anschaue&#8230; na Prost nägeli &#8211; da steigts ja schon bald monatlich.</p>
<p>Dann kommen wir doch gleich zu den absehbaren Nachteilen des ganzen:<br />
 &#8211; Die Cinecard- und die Ladiesnight. Mag ja was cooles sein, für coole Leute, ich jedoch mag dieses Züri-prosecco-lifestyle gehabe gar nicht.<br />
 &#8211; Während der EM08 werden wahrscheinlich die meisten Kinos geschlossen sein.<br />
 &#8211; Viel weniger Filme in den Originalfassungen</p>
<p>Für das Kino Broadway macht das nur einen kleinen, für das Kino Maxx sogar gar keinen Unterschied. Bedrückt sehe ich also nur der Zukunfts des Kino&#8217;s Capitol und Moderne entgegen.<br />
Das Capitol als DAS Mainstream-Film-originalton-kino und das Moderne als DAS An-der-Kante-zum-Mainstream-Kino :: Ich hoffe einfach, dass das irgendwie erhalten bleiben kann.</p>
<p>Wenn nicht, dann sehe ich nur zwei zukunftsalternativen:<br />
1. Ich kauf&#8217; mir eine Cinecard <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_razz.gif' alt=':P' class='wp-smiley' /><br />
oder<br />
2. Dann geh&#8217; ich eben <a href="http://www.stattkino.ch/">Stattkino</a>, <a href="http://www.kinoluzern.ch/">woanders</a> hin.</p>
<p>Greeez vom Kinopfoff</p>
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