<?xml version="1.0" encoding="UTF-8"?><!-- generator="wordpress.com" -->
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	>

<channel>
	<title>cso &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/cso/</link>
	<description>Feed of posts on WordPress.com tagged "cso"</description>
	<pubDate>Tue, 01 Dec 2009 19:01:21 +0000</pubDate>

	<generator>http://en.wordpress.com/tags/</generator>
	<language>en</language>

<item>
<title><![CDATA[Yo-Yo Ma and Alison Krauss Record "The Wexford Carol"]]></title>
<link>http://aaronthephotographer.com/2009/11/30/yo-yo-ma-performs-with-alison-krauss-2/</link>
<pubDate>Mon, 30 Nov 2009 05:22:32 +0000</pubDate>
<dc:creator>Aaron</dc:creator>
<guid>http://aaronthephotographer.com/2009/11/30/yo-yo-ma-performs-with-alison-krauss-2/</guid>
<description><![CDATA[Here&#8217;s the video. Also, Yo-Yo Ma recently performed at the Charlotte Symphony.   Here are a fe]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;">Here&#8217;s the video.</p>
<p style="text-align:center;"><embed src='http://admin.brightcove.com/destination/player/player.swf' bgcolor='#FFFFFF' flashvars='viewerSecureGatewayURL=https://services.brightcove.com/services/amfgateway&#038;servicesURL=http://services.brightcove.com/services&#038;cdnURL=http://admin.brightcove.com&#038;autoStart=false&#038;initVideoId=47713782001' base='http://admin.brightcove.com' name='bcPlayer' width='480' height='360' allowFullScreen='true' allowScriptAccess='always' seamlesstabbing='false' type='application/x-shockwave-flash' swLiveConnect='true' pluginspage='http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash' /></p>
<p style="text-align:center;">Also, Yo-Yo Ma recently performed at the Charlotte Symphony.  <br />
Here are a few photos I took at the reception following the performance.  </p>
<p style="text-align:center;"><a href="http://aaronthephotographer.wordpress.com/files/2009/11/01_blogyoyoma.jpg"><img class="aligncenter size-full wp-image-879" title="01_BlogYoYoMa" src="http://aaronthephotographer.wordpress.com/files/2009/11/01_blogyoyoma.jpg" alt="" width="864" height="595" /></a><a href="http://aaronthephotographer.wordpress.com/files/2009/11/02_blogyoyoma.jpg"><img class="aligncenter size-full wp-image-880" title="02_BlogYoYoMa" src="http://aaronthephotographer.wordpress.com/files/2009/11/02_blogyoyoma.jpg" alt="" width="864" height="595" /></a><a href="http://aaronthephotographer.wordpress.com/files/2009/11/03_blogyoyoma.jpg"><img class="aligncenter size-full wp-image-881" title="03_BlogYoYoMa" src="http://aaronthephotographer.wordpress.com/files/2009/11/03_blogyoyoma.jpg" alt="" width="864" height="595" /></a><a href="http://aaronthephotographer.wordpress.com/files/2009/11/04_blogyoyoma.jpg"><img class="aligncenter size-full wp-image-882" title="04_BlogYoYoMa" src="http://aaronthephotographer.wordpress.com/files/2009/11/04_blogyoyoma.jpg" alt="" width="864" height="595" /></a><a href="http://aaronthephotographer.wordpress.com/files/2009/11/05_blogyoyoma.jpg"><img class="aligncenter size-full wp-image-883" title="05_BlogYoYoMa" src="http://aaronthephotographer.wordpress.com/files/2009/11/05_blogyoyoma.jpg" alt="" width="864" height="595" /></a></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Reaching Senior levels in IT management]]></title>
<link>http://archangelnikk.wordpress.com/2009/11/24/reaching-senior-levels-in-it-management/</link>
<pubDate>Tue, 24 Nov 2009 10:44:13 +0000</pubDate>
<dc:creator>archangelnikk</dc:creator>
<guid>http://archangelnikk.wordpress.com/2009/11/24/reaching-senior-levels-in-it-management/</guid>
<description><![CDATA[The path to senior IT management can be reached from many different directions. The most important f]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>The path to senior IT management can be reached from many different directions. The most important factors in achieving this level are the abilities to be a good leader and understand the needs of the business. Clearly an understanding of information technology is important. Having a background in various IT positions at different levels can be very useful. But when it comes to rubbing shoulders with the other C-Levels you need business intelligence. An MBA is probably one of the most useful degrees to attain in your quest for more responsibility and to be a CXO. Combining this with various experience, leadership roles and maybe even a certification or two.  I think if there is one trait that really matters its personality.  Knowing how to explain information technology concerns at any level takes a certain amount of finesse.  Going from the help desk to CXO depends greatly upon being able to communicate effectively to any audience. Whether it’s a Power Point presentation in the board room or just being articulate and having some common sense.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[The World Food Summit, November, Rome 2009]]></title>
<link>http://casipblog.wordpress.com/2009/11/23/the-world-food-summit-november-rome-2009/</link>
<pubDate>Mon, 23 Nov 2009 13:48:34 +0000</pubDate>
<dc:creator>Kay Chapman</dc:creator>
<guid>http://casipblog.wordpress.com/2009/11/23/the-world-food-summit-november-rome-2009/</guid>
<description><![CDATA[When compared with donor focus on “the food crisis” that was so evident last year,  there has been a]]></description>
<content:encoded><![CDATA[When compared with donor focus on “the food crisis” that was so evident last year,  there has been a]]></content:encoded>
</item>
<item>
<title><![CDATA[Triple Bottom Line of Green Infrastructure ]]></title>
<link>http://hpigreen.com/2009/11/18/triple-bottom-line-of-green-infrastructure/</link>
<pubDate>Wed, 18 Nov 2009 21:51:42 +0000</pubDate>
<dc:creator>hpigreen</dc:creator>
<guid>http://hpigreen.com/2009/11/18/triple-bottom-line-of-green-infrastructure/</guid>
<description><![CDATA[Before and After of Green Infrastructure Improvements (Source:“Green Cities Clean Waters&#8221; Plan]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><a href="http://hpigreen.wordpress.com/files/2009/11/philadelphia_green_street.jpg"><img class="aligncenter size-full wp-image-306" title="Philadelphia_green_street" src="http://hpigreen.wordpress.com/files/2009/11/philadelphia_green_street.jpg" alt="" width="375" height="141" /></a>Before and After of Green Infrastructure Improvements<br />
(Source:“Green Cities Clean Waters&#8221; Plan)</p>
<p>In an earlier post titled <a href="http://hpigreen.com/2009/11/06/making-green-infrastructure-common-place/" target="_blank">“Making Green Infrastructure Common Place”</a> we discussed the recent release of Philadelphia’s $1.6 billion dollar <a href="http://www.phillywatersheds.org/ltcpu/" target="_blank">“Green Cities Clean Waters&#8221; Plan</a>. Its thrust is to transform over 4,000 acres of impervious areas within the City&#8217;s Combined Sewer System to green space over the next 20 years through the use of green infrastructure strategies. This would involve converting over 34% of all existing impervious areas. Of this, the conversion will primarily be made on public property and right-of-ways. Green streets, the most widely used management tool, will comprise nearly 38% of these improvements (see graphic). The report claims this is “the largest green stormwater infrastructure program ever envisioned in this country”. While green infrastructure has been utilized and proven in many parts of the country, the sheer magnitude and commitment of the city is a radical departure from the conventional approach to stormwater management practices.</p>
<p style="text-align:center;"><a href="http://hpigreen.wordpress.com/files/2009/11/green_streets_map.jpg"><img class="aligncenter size-full wp-image-305" title="Green_streets_map" src="http://hpigreen.wordpress.com/files/2009/11/green_streets_map.jpg" alt="" width="375" height="291" /></a>Map of Green Street Locations<br />
(Source:“Green Cities Clean Waters&#8221; Plan)</p>
<p>So why did Philadelphia decide to rely so heavily on green infrastructure as a means of  reducing overflows in their CSO system? Quite simply it was cheaper, significantly cheaper. The plan estimates over the next 20 years the plan is to be implemented, the “triple bottom line” benefits (social, environments, economic) of the plan alone will add up to a present value of $2.2 billion dollars. The following is a breakdown of the benefits that comprise this figure.</p>
<ul>
<li>Heat Stress Mortality Reduction (35%)</li>
<li>Recreation (22%)</li>
<li>Property Value Added (18%)</li>
<li>Water Quality and Habitat (14.5%)</li>
<li>Air Quality (4.6%)</li>
<li>Avoided Social Costs from Green Jobs (3.7%)</li>
<li>Energy Savings (1.0%)</li>
<li>Carbon Footprint Reduction (0.6%)</li>
<li>Reduction in Construction- Related Disruptions (0.2%)</li>
</ul>
<p>So instead of employing conventional underground infrastructure that is one-dimensional, and is estimated to cost $16 billion, the city has decided that implementing a multi-dimensional strategy with multiple benefits made more sense. But not only is it more desirable, it is politically easier to implement because it makes the city a more beautiful and healthy place. So if you are going to have to spend the money anyway, why not make it count.</p>
<p>The shortcomings of the conventional “tanks and tunnels” approach were not only that it exceeded the EPA’s affordability standard for stormwater management (2% of median household income), but it also did not address water quality issues and could require green infrastructure tools anyway to meet these requirements. In addition, the report points out that the conventional solution isn’t aligned with the EPA’s broader goals of sustainability, reduces streams baseflow thereby damaging the resources that is designed to protect, and doesn’t offer any secondary triple bottom line benefits. Furthermore, since the conventional solution is not delivered incrementally it is not flexible and does not offer any benefits immediately.</p>
<p>Green infrastructure on the other hand offered the city the opportunity to revitalize and restore the city’s streams and rivers, enhance the quality of the built environment throughout the city, improve air quality, reduce the heat island effect, and sequester carbon. While accumulating these benefits, the approach was more flexible, offered immediate benefits, and, most importantly, the cost of implementation was offset by the dollar value of the benefits. (<a href="http://www.phillywatersheds.org/ltcpu/Vol02_TBL.pdf" target="_blank">see Volume 2: Triple Bottom Line Analysis of the plan for specifics</a>)</p>
<p>While conventional infrastructure has its place, the combination of the two can play a significant role in addressing many of the issues facing our cities. It is critical that we continue to move toward making these strategies common place. By doing so we can make our cities healthier and more beautiful for all of us to enjoy, while at the same time responsibly managing our stormwater.</p>
<p>-Brian Phelps</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Én a lelkem eladnám, hogy mellettem légy.]]></title>
<link>http://gerieh.wordpress.com/2009/11/18/uto-happy-name-day/</link>
<pubDate>Wed, 18 Nov 2009 19:50:48 +0000</pubDate>
<dc:creator>gerieh</dc:creator>
<guid>http://gerieh.wordpress.com/2009/11/18/uto-happy-name-day/</guid>
<description><![CDATA[-Cső. ma nagyon unalmas napom volt. tiszta álmos voltam szinte egész nap, napközbe aludtam is egy ki]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="color:#33cccc;"><a href="http://gerieh.wordpress.com/files/2009/11/dsc01903.jpg"><img class="alignleft size-thumbnail wp-image-201" title="DSC01903" src="http://gerieh.wordpress.com/files/2009/11/dsc01903.jpg?w=150" alt="" width="150" height="120" /></a>-Cső. ma nagyon unalmas napom volt. tiszta álmos<a href="http://gerieh.wordpress.com/files/2009/11/dsc01901.jpg"><img class="alignright size-thumbnail wp-image-202" title="DSC01901" src="http://gerieh.wordpress.com/files/2009/11/dsc01901.jpg?w=150" alt="" width="150" height="120" /></a><br />
voltam szinte egész nap, napközbe aludtam is egy kicsit, de olyan rosszul aludtam, hogy nem emlékszem miről álmodtam&#8230; <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' />  de valakiről, hogy valahol, valamit csináltunk, arra emlékszem, és ha jól emlékszem azzal voltam, akit régen nagyon nagyon szeretem&#8230; de még most is szeretem. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  :$ ma voltam kint, Tomival és Dáviddal, .. mentünk bényén egy kört, komenczi csak levegőzni jött ki. xD  mert beteg .:S és nem tudunk azért buziskodni.. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' />  jó hír, decemberbe fogunk menni budapester, a tudományos múzeumba .. vagyis eddig minden igaz oda megyünk.. egész napos túra , kirándulás lesz.. szóval lehet suli időbe meünk, és akkor nekünk nem lesz suli. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  .. de nem is érdekel annyira.:D felőlem mehetünk hétvégén is. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_razz.gif' alt=':P' class='wp-smiley' />  .. jah és februárba újra fogunk menni korcsolyázni.. de jó lesz.. <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  prímáhhh. :$ <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' />   nah cupcup.                 <span style="color:#ff99cc;">Suta.<span style="color:#ff0000;">♥<br />
</span></span></span></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[OBERLIN, OH - Darren Doherty | Permaculture | Cold Climate Design ]]></title>
<link>http://eriewire.wordpress.com/2009/11/16/oberlin-oh-darren-doherty-permaculture-cold-climate-design/</link>
<pubDate>Mon, 16 Nov 2009 08:33:34 +0000</pubDate>
<dc:creator>eriewire</dc:creator>
<guid>http://eriewire.wordpress.com/2009/11/16/oberlin-oh-darren-doherty-permaculture-cold-climate-design/</guid>
<description><![CDATA[Permaculture Design by The Erie Wire Click on Image to view a large PDF file of a powerpoint present]]></description>
<content:encoded><![CDATA[Permaculture Design by The Erie Wire Click on Image to view a large PDF file of a powerpoint present]]></content:encoded>
</item>
<item>
<title><![CDATA[News de Bretagne]]></title>
<link>http://elevagedesavigny.wordpress.com/2009/11/15/news-de-bretagne/</link>
<pubDate>Sun, 15 Nov 2009 11:24:53 +0000</pubDate>
<dc:creator>mariedom</dc:creator>
<guid>http://elevagedesavigny.wordpress.com/2009/11/15/news-de-bretagne/</guid>
<description><![CDATA[Oria était engagée sur les deux bons concours de Bretagne, Pontivy et Vannes, démarrant ainsi la sai]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Oria était engagée sur les deux bons concours de Bretagne, Pontivy et Vannes, démarrant ainsi la saison indoor durant laquelle elle va faire quelques parcours avant les grandes vacances sur des épreuves à 1.30m (Gd prix et vitesse).</p>
<p>C&#8217;est tout ce qu&#8217;il faut à ces jeunes chevaux  après les grosses barres du championnat !</p>
<p>Et d&#8217;ailleurs Oria répond présente et est aux résultats  !</p>
<p><strong>A Pontivy</strong>, une belle 6ème place dans le Gd prix et 4 points dans la vitesse du deuxième jour.</p>
<p><strong>A Vannes</strong>, deux très belles 2èmes places dans les deux épreuves de vitesse courues, avec plus de 100 engagés !</p>
<p>Bravo à notre belle blonde&#8230; et à son cavalier !</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[#120.]]></title>
<link>http://erdemeselni.wordpress.com/2009/11/13/120/</link>
<pubDate>Fri, 13 Nov 2009 19:02:14 +0000</pubDate>
<dc:creator>zsolyzsoly</dc:creator>
<guid>http://erdemeselni.wordpress.com/2009/11/13/120/</guid>
<description><![CDATA[Mikor porszívózás közben felszippantok valamit és az végig kocog a csőben. (Zsófi boldogblogja) (To ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><em><a href="http://erdemeselni.wordpress.com/files/2009/11/120.jpg"><img class="aligncenter size-full wp-image-501" title="120" src="http://erdemeselni.wordpress.com/files/2009/11/120.jpg" alt="120" width="315" height="420" /></a></em></p>
<p style="text-align:center;"><em>Mikor porszívózás közben felszippantok valamit és az végig kocog a csőben. (</em><a href="http://plakatmaganyban.freei.me/" target="_blank"><em>Zsófi boldogblogja</em></a><em>)</em></p>
<p><em>(To the ground by </em><a href="http://shotgunxserenade.deviantart.com/"><em>ShotgunxSerenade</em></a><em>)</em></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[West African Civil Society Orgs. Plan Mass Protest Against Guinean Junta]]></title>
<link>http://guineaoye.wordpress.com/2009/11/12/west-african-civil-society-orgs-plan-mass-protest-against-guinean-junta/</link>
<pubDate>Fri, 13 Nov 2009 00:06:14 +0000</pubDate>
<dc:creator>magbana</dc:creator>
<guid>http://guineaoye.wordpress.com/2009/11/12/west-african-civil-society-orgs-plan-mass-protest-against-guinean-junta/</guid>
<description><![CDATA[  CSOs plan mass protest against Guinean junta   Date: 12-Nov-2009            West African Civil Soc]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><strong><img class="aligncenter size-full wp-image-359" title="GUINEA MILITARY" src="http://guineaoye.wordpress.com/files/2009/11/guinea-military.jpg" alt="GUINEA MILITARY" width="420" height="280" /></strong></p>
<p><strong> </strong></p>
<p><strong><a href="http://news.peacefmonline.com/news/200911/31514.php">CSOs plan mass protest against Guinean junta<br />
</a></strong> <br />
Date: 12-Nov-2009       <br />
 <br />
 </p>
<p>West African Civil Society Organisations (CSO) on Wednesday initiated moves to galvanise mass social and civil agitation across the region against the military junta in Guinea.</p>
<p>The mass social and civil agitation would also target the ECOWAS Commission, member countries and the African Union (AU) to adopt proactive and punitive stand against the Guinean military dictators, Mr Alimou Diallo, Regional Coordinator, West Africa Network for Peace Building (WANEP) stated in Accra.</p>
<p>Mr Diallo was speaking at a regional public forum organised by Media Foundation for West Africa on the &#8220;Political Situation in Guinea &#8211; End Impunity Now.&#8221;</p>
<p>He said the suspension of Guinea from ECOWAS and AU in line with the principle of zero tolerance for unconstitutional change of government was not enough.</p>
<p>Mr Diallo said the socio-economic conditions of the ordinary Guineans had worsened and there was widespread fear that the nation was being held hostage by an unidentified group of individuals motivated by personal gain.</p>
<p>He said there was rising concern that the political imbroglio unfolding in Guinea, once regarded as an oasis of calm against the civil wars in neighbouring countries, could lead to uncertain and dangerous scenarios that would spread across the region.</p>
<p>Mr Diallo said the mass agitation therefore would expose the carnage the military junta was perpetrating on ordinary Guineans especially women, children and the vulnerable.</p>
<p>Mr Thierno Balde, Guinean Attorney and President of the Research Institute on Democracy and Rule of Law (IRDED), said the level of security in Guinea had deteriorated steadily since the coup in December 2008 and had been made worse by the massacre of more than 150 people on 28 September in Conakry.</p>
<p>He said although Conakry was currently relatively calm the city remained tense with sporadic shooting and looting of shops at night.</p>
<p>Many shops, offices, banks and petrol stations are currently closed while the military junta that took over power on 23 December 2008, the National Council for Democracy and Development (CNDD) had banned any gatherings of large groups and prohibited demonstrations.</p>
<p>Mr Balde said areas of Guinea bordering Senegal and Guinea Bissau were reported as being tense with increased military presence, whilst the border areas with Côte d&#8217;Ivoire, Liberia and Sierra Leone were also unstable.</p>
<p>Mr Balde, who is also a member of the Guinean Bar Association, said the country was on the verge of total collapse and called on ECOWAS, AU and the international community to intervene immediately.</p>
<p>Mrs Adwoa Kluvitse, Country Director, Actionaid Ghana, condemned atrocities committed against women and girls, especially alleged gang rape of over 30 women and girls during the massacre of opposition protesters in Guinea.</p>
<p>On September 28 some military personnel opened fire on thousands of opposition activists protesting against the prospect of the junta leader standing in presidential elections set for January 31 next year.</p>
<p>Whilst the junta claimed 56 civilians were killed, the United Nations put the death toll at more than 150, while the Guinean Human Rights Organisation quotes at least 157 dead with about 1,253 being wounded in the crackdown.</p>
<p>Professor Kwame Karikari, Executive Director of MFWA, said the foundation in collaboration with other civil society groupings was using the forum to draw attention to the deteriorating political situation in Guinea.</p>
<p>He said the Guinean case would send a negative signal to the international community on democracy and good governance in West Africa.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Don’t Ignore the “Paranoid” Security Guy, Part 2]]></title>
<link>http://axway.wordpress.com/2009/11/12/don%e2%80%99t-ignore-the-%e2%80%9cparanoid%e2%80%9d-security-guy-part-2/</link>
<pubDate>Thu, 12 Nov 2009 20:55:09 +0000</pubDate>
<dc:creator>axway</dc:creator>
<guid>http://axway.wordpress.com/2009/11/12/don%e2%80%99t-ignore-the-%e2%80%9cparanoid%e2%80%9d-security-guy-part-2/</guid>
<description><![CDATA[by Taher Elgamal Chief Security Officer Axway (To read Part 1, click here.) This is going to continu]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="color:#ffffff;">by Taher Elgamal<br />
Chief Security Officer<br />
Axway</span></p>
<p><span style="color:#ffffff;">(To read Part 1, click <a title="Part 1" href="http://ow.ly/Btef">here</a>.)</span></p>
<p><span style="color:#ffffff;">This is going to continue to be an arms race for a long  time.</span></p>
<p><span style="color:#ffffff;">I don’t think society will actually change. People in  important positions don’t even listen to financial experts, let alone IT  security experts. And I’m willing to bet money that there is another financial  problem that somebody has warned us about, and that nobody is paying attention  to, because of the cost. People are hesitant to take action with anything that  involves cost. I’m not saying you should spend money on a whim. But there are  certainly a collection of experts in every single one of these technical fields  that can make a judgment call as to how much risk a system is willing to take  and when we must draw the line. And right now, we’re drawing the line so far out  that a lot of criminals can gain a great deal of unauthorized access, and the  level of fraud online carried out today is indicative of this.</span></p>
<p><span style="color:#ffffff;">The real issue is a fundamental lack of imagination on  the part of the decision makers and CEOs. “Why am I going to spend all this  money?” the CEO asks. The CEO waits until a regulation comes up. When the  government actually speaks up and sticks a regulation to a certain type of  company for something, the CEO puts forth the effort to get there. The problem  with mere regulation—and this is how the entire system works—is that it doesn’t  solve the real problem. It just makes people compliant. It does not make sure  that the wrong people don’t gain unauthorized access, it just makes sure that  the right people are acting just a little bit more safely. It’s true, I’ll  admit, it <em>is</em> a little bit better  to be compliant with all these regulations. But it <em>does not</em> address the real  issue.</span></p>
<p><span style="color:#ffffff;">Finally, consider this:</span></p>
<p><span style="color:#ffffff;">If the concern over cyber issues is now an integral part  of business, if it’s no longer a back office thing, if it’s now front and  center, in the middle of everything, then cybersecurity people should be  involved in the decision-making process, not just dismissed as back-office  techies. That implies more training for the cybersecurity people to both be able  to evaluate risk <em>and</em> to  understand the particular business needs that the enterprise faces. Are you  ready for that?</span></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Don’t Ignore the "Paranoid" Security Guy, Part 1]]></title>
<link>http://axway.wordpress.com/2009/11/11/don%e2%80%99t-ignore-the-paranoid-security-guy-part-1/</link>
<pubDate>Wed, 11 Nov 2009 22:00:44 +0000</pubDate>
<dc:creator>axway</dc:creator>
<guid>http://axway.wordpress.com/2009/11/11/don%e2%80%99t-ignore-the-paranoid-security-guy-part-1/</guid>
<description><![CDATA[by Taher Elgamal Chief Security Officer Axway Michael Fitzgerald’s excellent piece for CSOOnline.com]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="color:#ffffff;">by Taher Elgamal<br />
Chief Security Officer<br />
Axway</span></p>
<p><span style="color:#ffffff;">Michael Fitzgerald’s <a href="http://www.csoonline.com/article/503308/Organized_Cybercrime_Revealed">excellent piece for CSOOnline.com, “Organized Cybercrime Revealed,”</a> continues to be pointed to on Twitter more than a month after its publication.</span></p>
<p><span style="color:#ffffff;">And rightly so. It’s a nice article, full of excellent details and compelling information.</span></p>
<p><span style="color:#ffffff;">But the thing that puzzles me always about an article like this is why it discusses, as news, something that is completely expected. If you put money in front of a criminal, what do you think they’re going to do with it? We’ve continued to blame criminals for criminal acts, which makes no sense: it’s what they do! When society provides opportunities for criminals to act like criminals, it’s society who is truly at fault.</span></p>
<p><span style="color:#ffffff;">If you would’ve asked anyone in the security/technical community—any reasonable CSO—at any time in the last fifteen years, “How will the profile of a hacker shift in the future?”, they would’ve told you that the smart hacker who wants to be famous by writing cute little viruses will be replaced by an actual criminal committing an actual crime, because things online aren’t secured very well. Sure, we have some controls and technologies deployed, but there has not been enough support to deploy even simple authentication technologies, and the absence of these technologies gives modern hackers gumption. The entire Web runs on passwords, and these passwords are very easy to guess. And that this is still the paradigm reflects a fundamental ignorance on the part of business people and governments. People who implement systems and run corporations—they don’t want to listen to security guys because security guys are, in their opinion, flat-out paranoid. Why would you want to listen to a paranoid guy tell you that there is a possibility that at some point in the future something bad will happen? But despite the fact that so many bad things are happening, and this “just ignore the paranoid security guy” attitude led to these bad things, we still think this way.</span></p>
<p><span style="color:#ffffff;">In the second part of this blog entry, I’ll speculate on where this is all going.</span></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Making Green Infrastructure Common Place ]]></title>
<link>http://hpigreen.com/2009/11/06/making-green-infrastructure-common-place/</link>
<pubDate>Fri, 06 Nov 2009 19:27:34 +0000</pubDate>
<dc:creator>hpigreen</dc:creator>
<guid>http://hpigreen.com/2009/11/06/making-green-infrastructure-common-place/</guid>
<description><![CDATA[Getting more for less is an approach almost everyone can appreciate. Why wouldn’t you want to get th]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img class="aligncenter size-medium wp-image-222" title="Philly_Green_City1" src="http://hpigreen.wordpress.com/files/2009/11/philly_green_city1.jpg?w=233" alt="Philly_Green_City1" width="233" height="300" /></p>
<p>Getting more for less is an approach almost everyone can appreciate. Why wouldn’t you want to get the most out of your investments? Appropriately applying green infrastructure in ways that effectively addresses critical stormwater issues while creating a more beautiful and economically vibrant community is common sense. Unfortunately, it isn’t common place. As the use of the available sustainable site tools and technologies continues to grow, it may not be long before green infrastructure is the conventional approach to stormwater management.</p>
<p>With the Release of their <a href="http://www.phillywatersheds.org/ltcpu/" target="_self">“Green Cities Clean Waters Plan”</a>, Philadelphia joins a handful of cities across the Country that have committed to green infrastructure and seek to institutionalizing it throughout the city. Philadelphia’s plan published last September sets forth a bold plan to invest $1.6 billion. Of this total 62% ($1 billion) of it will allocated directly to green stormwater infrastructure. Another 18% ($290M) will directed to stream corridor restoration and preservation and 20%($320M) will address wet weather treatment plant upgrades.</p>
<p>Over the next few weeks we will take a closer look at <a href="http://www.phillywatersheds.org/ltcpu/" target="_self">Philadelphia&#8217;s plan</a>. At over 3,000 pages, there is a lot of information to sift through. In addition, we will also look at Pennsylvania Environmental Council released a report  titled <a href="http://www.pecpa.org/fundinggreen" target="_self">“Implementing Green Infrastructure: Developing a Winning Strategy to Fund Philadelphia’s Ambitious Plan”</a> that looks at the economic benefits of the plan and how other cities across the country are funding their stormwater initiatives. Together they are an impressive step forward for the City of Philadelphia and the Nation.</p>
<p><a href="http://www.hawkinspartners.com/people/brian-phelps" target="_self">-Brian Phelps</a></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Global Pilates]]></title>
<link>http://escritoriodecriacao.wordpress.com/2009/11/04/global-pilates/</link>
<pubDate>Wed, 04 Nov 2009 21:08:50 +0000</pubDate>
<dc:creator>csodesign</dc:creator>
<guid>http://escritoriodecriacao.wordpress.com/2009/11/04/global-pilates/</guid>
<description><![CDATA[Saiu do forno o novo website da Global Pilates feito aqui na CSO. Criação e programação de Luiz H. O]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Saiu do forno o novo website da Global Pilates feito aqui na CSO. Criação e programação de Luiz H. O. Perez. Confiram clicando na imagem.</p>
<p style="text-align:center;"><a href="http://www.globalpilates.com.br"><img class="aligncenter size-full wp-image-793" title="Picture 8" src="http://escritoriodecriacao.wordpress.com/files/2009/11/picture-8.png" alt="Picture 8" width="378" height="284" /></a></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA["The Collective" - Yeni Odak Merkezi]]></title>
<link>http://halilaksu.wordpress.com/2009/11/04/the-collective-yeni-odak-merkezi/</link>
<pubDate>Wed, 04 Nov 2009 08:36:22 +0000</pubDate>
<dc:creator>Halil Aksu</dc:creator>
<guid>http://halilaksu.wordpress.com/2009/11/04/the-collective-yeni-odak-merkezi/</guid>
<description><![CDATA[Gartner communitylerin tümünü ve oradaki bireylerin ve grupların tümünü &#8220;The Collective&#8221;]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Gartner communitylerin tümünü ve oradaki bireylerin ve grupların tümünü &#8220;The Collective&#8221; olarak isimlendiriyor.</p>
<p>Buyrun bunun Türkçesine ne demeli???</p>
<p>Önerileri olan buraya yorumlarını yazarsa, birlikte Türkçemize yeni bir kelime, kavram kazandırabiliriz.</p>
<p>&#8220;The Collective&#8221; web 2.0, web 3.0 ve enterprise 2.0, enterprise 3.0 dünyasında bireylere ve gruplara daha çok önem verilmesi gerektiğini vurguluyor. Sadece pazarlama amaçlı değil, daha çok hassasiyet göstermek için, inovasyon için fikir toplamak için, fikirler hakkında feedback almak için, müşteriler ve bireyler arası self-support tesis etmek için, önemsenmeli, kullanılmalı. </p>
<p>Bankada kendi işimizi kendimiz halletmeye alıştık. Hatta şubeye gitmemekten dolayı memnunuz. Çünkü istediğimiz zaman yapabiliyoruz, çünkü istediğimiz yerden yapabiliyoruz. Bu kabiliyetlerini önemseyen kurumlar, mümkün olduğunca iyileştirmeye ve geliştirmeye gayret ediyorlar.</p>
<p>Telekom şirketleri çağrı merkezinde ve destek internet sitesinde gönüllük bazlı, müşterilerin birbirlerine yardımcı olmasına izin veriyor. Çünkü pek çok müşteri destek uzmanlarından daha iyi destek verebilecek konumda. Böylece o tüketici kişisel tatmin ve sevinç yaşıyor, iyi hizmet alan diğer müşteri memnun oluyor ve telekom şirketi sadece platformu sağlayarak ilave bir masrafa girmeden müşterilerine destek vermiş ve müşteri memnuniyetini artırmış oluyor. &#8220;Let them work for you and make it convenient&#8221;</p>
<p>Nasıl? Hoş, değil mi?</p>
<p>Peki! Şu &#8220;The Collective&#8221; için Türkçe önerisi olan var mı? Teşekkürler.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Muti and Brahms]]></title>
<link>http://bybe.wordpress.com/2009/11/03/muti-and-brahms/</link>
<pubDate>Tue, 03 Nov 2009 06:07:22 +0000</pubDate>
<dc:creator>knowb</dc:creator>
<guid>http://bybe.wordpress.com/2009/11/03/muti-and-brahms/</guid>
<description><![CDATA[Last week, I attended the CSO performance of Brahms&#8217; Ein Deutsches Requiem, with music directo]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Last week, I attended the CSO performance of Brahms&#8217; <em>Ein Deutsches Requiem</em>, with music director designate Riccardo Muti conducting. The CSO dedicated its four performances of the Requiem to the CPS students that have lost their lives in the senseless violence of the previous months and to the families and friends they have left behind. This was a thoughtful gesture, although it would truly speak volumes if the orchestra donated a portion of the ticket sales to youth programs that keep teenagers productive after school.</p>
<p><!--more--></p>
<p>The Requiem Mass contains some of the most beautiful texts in the Roman Catholic liturgy; Brahms, however, carefully chose his own biblical passages from the German Luther Bible to set to music. The title is often misinterpreted: the modifier &#8220;German&#8221; refers solely to the choice of language. Brahms wanted the <em>Requiem</em> to be universal in a personal way, as he wrote it (or more precisely, completed it) while grieving for the death of his mother in 1865. It is also likely a memorial to his mentor, Robert Schumann, who passed away in 1856. I&#8217;m not sure if this is accurate, but Brahms may have started the tradition of Requiems intended for the survivors of the deceased, in contrast to the fire/brimstone themes in those of Mozart and Verdi. From my own experience, it works &#8211; I sang the fourth movement for a classmate&#8217;s funeral in high school. The first lines of the Requiem are from Matthew 5:4:</p>
<blockquote><p>Selig sind, die da Leid tragen, denn sie sollen getröstet werden.</p>
<p>Blessed are they who mourn, for they shall be comforted.</p></blockquote>
<p>Having recently repeatedly listened to Bon Iver&#8217;s <em>For Emma, Forever Ago</em>, I am struck by how music composed with earnest emotion never fails to entrance, even though it may take different forms. Brahms uses his chosen passages effectively &#8211; the choir is at times plaintive, longing, rejoicing, and death-defying (literally). He expertly oscillates between soft and loud, building and pulling back with deftness. Notably, he accomplishes this not only in the framework of each movement (the second movement is a model), but within the structure of the entire Requiem itself. The first movement conveys the essence of loss, sudden rudderless-ness, and confusion in survivors that follows a recent death. The third and sixth movements wear their emotions more on their sleeves, with fugues bombarding the audience with gorgeous sounds. The fourth movement is mellifluous, the fifth relatively serene. The last movement concludes peacefully, like a final release from the pain of mourning. One could write a thesis on this piece, but I&#8217;d encourage you to just sit down and listen, preferably at a live performance.</p>
<p>It is unfair for me to give an objective review of the concert as my seat was in the last row of the upper balcony with a non-existent view of the stage; unfortunately, the CSO did not reserve student tickets for this performance. My attempt to save a couple of bucks was unwise. The sound balance was off: the choir was too soft, the percussion seemed muffled, the woodwinds sounded distant, and the horns were deprived of their capacity to rivet you in your seat. From what I could hear, the choir sang admirably, although the tenors were a little underpowered, as was Torontonian baritone Russell Braun. I don&#8217;t remember the soprano soloist, as I think my attention wandered during her solo movement. The strings were consistently strong, but the woodwinds seemed out of sync at some points. There was also one French horn whose entrances were noticeably weak.</p>
<p>Much has been made of the CSO landing Muti as principal conductor, luring him away from La Scala in Milan (where his tenure was not without controversy). Apparently, the New York Philharmonic was also courting him as a successor to Lorin Maazel. I&#8217;m not an expert on contemporary conductors and their styles, but I know how important a conductor is to shaping an ensemble&#8217;s sound and coaxing the best performance out of its players. I remember reading somewhere that American orchestras tend to play at faster tempi than their European counterparts. Not so for this performance. Although Muti never lost the shape or phrasing, the music dragged at times (especially during the second movement). Thankfully, the fugal passages did not suffer.</p>
<p>At the conclusion, the audience gave a long and resounding standing ovation. Muti gave a speech about the CSO being a world-class orchestra. Unfortunately, my $24 did not grant me auditory privilege to his words.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Mizoram only northeast state to beat the average India income: Who ate the development funds?]]></title>
<link>http://causebecause.wordpress.com/2009/11/02/mizoram-only-northeast-state-to-beat-the-average-india-income-who-ate-the-development-funds/</link>
<pubDate>Mon, 02 Nov 2009 14:24:01 +0000</pubDate>
<dc:creator>causebecause</dc:creator>
<guid>http://causebecause.wordpress.com/2009/11/02/mizoram-only-northeast-state-to-beat-the-average-india-income-who-ate-the-development-funds/</guid>
<description><![CDATA[Mizoram is the only state where per-capita income has remained above the national average through th]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Mizoram is the only state where per-capita income has remained above the national average through the past 15 years. As per the net state domestic product data released by the National Accounts Division of the Central Statistical Organisation (CSO), incomes in seven of eight northeastern states are below the national average.</p>
<p>In 1993-94, Arunachal Pradesh, Nagaland and Sikkim had incomes 10 per cent to 20 per cent higher than the national average. All three have now crashed as Arunachal is below the national benchmark by over 15 per cent, while Nagaland is lagging by a whopping 25 per cent. Sikkim is fractionally below the national average by 2 per cent.</p>
<p><img class="alignleft size-full wp-image-138" title="northeast-main" src="http://causebecause.wordpress.com/files/2009/11/northeast-main1.jpg" alt="northeast-main" width="500" height="240" /></p>
<p>Of the remaining four states, always poor in terms of incomes, three have slid even further down. Assam and Manipur are trailing by over 35 per cent, compared to about 25 per cent in 1993-94. Meghalaya used to be 10 per cent below the national average, and now it is 17 per cent behind.</p>
<p>Tripura used to be the most laggard state 15 years ago with its net state income per person almost 30 per cent short of the national average. In 2007-08, it is still behind, but only by 5 per cent.</p>
<p><strong> </strong></p>
<p><strong>Who ate the development funds? </strong></p>
<p><strong><span style="font-weight:normal;">Home to more than five crore people, belonging to over 80 ethnic groups, the eight northeastern states are rich in mineral and natural resources. The policymakers in New Delhi have spent several billions on development of the region; yet, the results are dismal. </span></strong></p>
<p>Since 1998, all central government ministries have been earmarking 10 per cent of their annual budgets for northeastern states. According to the Ministry of Development of North-Eastern Region, between 1998 and 2006, more than Rs 42,600 crore was kept for the northeast.  Moreover, the North-East Council, the key agency for channelizing funds to the region, has approved nearly Rs 1,100 crore in the last three years for development projects. Have all these funds been appropriately spent? The northeasterner would know better.</p>
<p>The unspent funds meant for the northeast were collected in a huge treasure chest that goes under the rather awkward name of Non-Lapsable Common Pool of Resources. It was to be used to directly fund developmental projects ranging from educational institutions to roads and bridges. Between 1998 and 2006, over Rs 10,000 crore were accumulated in the corpus.  About Rs 4,800 crore of this has been spent, that is, less than 50 per cent.</p>
<p>Since it is common for funds to get lost in India’s bureaucratic-political maze, officials, like always, claim that implementation is poor at the ground level, while activists say that the whole set-up is driven with nepotism and corruption. Project sanctioning has become a tool for patronage rather than development.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[there is no arguing with time management]]></title>
<link>http://lovchayil.wordpress.com/2009/10/27/there-is-no-arguing-time-management/</link>
<pubDate>Tue, 27 Oct 2009 19:50:51 +0000</pubDate>
<dc:creator>lovchayil</dc:creator>
<guid>http://lovchayil.wordpress.com/2009/10/27/there-is-no-arguing-time-management/</guid>
<description><![CDATA[This was two weeks ago. It was 10 minutes to 8pm before I had to move sound equipment with my fellow]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>This was two weeks ago. It was 10 minutes to 8pm before I had to move sound equipment with my fellow CCF Worship Team members. It is the routine Wednesday evenings of this fall semester for all of us, whether or not you&#8217;re scheduled to play the keyboard or not. I was slated to play for the evening. As I scrambled for my car keys, my cru buddies, Steve and Theo, went off moping about how I couldn&#8217;t stay a bit longer to jam with them. If only they showed up sooner, like an hour earlier. Don&#8217;t we all wish people showed up earlier or on time, so we could have more quality time?.. well, my worship team beckoned the same from me.</p>
<p>I got to Crosby suites, parked my car, got let into Crosby suite, and did the routine heave-and-ho through the hallways, down the stairs or the elevator, and to the curb. We loaded the equipment; I shottied a ride with Preston to SERC building. A valuable conversation commenced:</p>
<blockquote><p><strong>Me:</strong> <em>Have you been busy lately? You have not keyboarded in a while.</em></p>
<p><strong>Preston:</strong> <em>Yep.. been pretty busy. So you&#8217;re playing twice in a row</em>!</p>
<p><strong>Me:</strong> <em>I know.. but I&#8217;ve been pretty busy with stuff too. You know.. I had to do two papers today, because they were both due today..</em></p>
<p><strong>Preston:</strong> <em>Huh, that&#8217;s crazy.</em></p>
<p><strong>Me:</strong> <em>Yup, but I&#8217;m still heree</em></p>
<p><strong>Preston:</strong> <em>Great job</em></p>
<p><strong>Me:</strong>.. <em>There is this thing called &#8220;time management&#8221;</em></p>
<p><strong>Preston:</strong>..<em>Time management? Whoa.. I think I might have heard a term like that before. But tell me more about it!</em> *<strong><em>sarcasm of course</em>*</strong></p>
<p><strong>Me:</strong> <em>Haha. Suree. So time management.. you know, when you just plan way ahead of time. You give certain hours for studying, and sleeep..and eating. Say you give 4 hours of studying each day, an hour and a half eating, and 8 hours for sleeping.. that gives you.. 24 hours minus 13 1/2,  equals 10 1/2 hours to do everything else!! And Wednesday Large Group meeting is only..3 hours!</em></p>
<p><strong>Preston:</strong> <em>Mm..but you got classes too!</em></p>
<p><strong>Me:</strong> <em>I&#8217;m sure those 10 hours are more than enough for that, exams and many things. So you really have no excuse to skip keyboarding.</em></p>
<p><strong>Preston:</strong> <em>Haha.</em></p></blockquote>
<p><strong><em><img class="alignleft" title="clock" src="http://blogs.discovermagazine.com/intersection/files/2009/05/28-time-management.jpg" alt="" width="358" height="239" />[3 hours goes by, CCF large group meeting over, heave-and-ho of sound equipment ensues, and loading of them finishes.</em></strong>]</p>
<p><strong>On the car-ride back to suites..</strong></p>
<blockquote><p><strong>Preston:</strong> <em>Cecilia, you should play for the CSO event.</em></p>
<p><strong>Me:</strong> <em>Why? I don&#8217;t even like The Fray. What&#8217;s the song they want from us again?</em></p>
<p><strong>Preston:</strong> <em>You Found Me.</em></p>
<p><strong>Me</strong>: <em>Mmm.. I would give it a listen. But why can&#8217;t you play it?</em></p>
<p><strong>Preston: </strong><em>I don&#8217;t know it that well. You can&#8217;t really hear the keyboard in the song, only in the intro.</em></p>
<p><strong>Me:</strong> <em>I mean, I could try. The thing is my schedule&#8217;s gonna get crazier come November.</em></p>
<p><strong>Preston:</strong> <em>Mmm..well, there IS this thing called &#8220;Time Management.&#8221;</em></p>
<p><strong>[<em>Two second pause..</em>]</strong></p>
<p><strong>Me:</strong> <em>Hahaha&#8230;oh wow..</em></p>
<p><strong>Preston:</strong> <em>Yup! There you go.</em></p>
<p><strong>Me:</strong> <em>Dang, you&#8217;ve caught on, Preston! Good job!</em></p></blockquote>
<p>And there you have it. If you&#8217;ve ran out of time for something that you would like to do, it is never because there&#8217;s not enough time. There always is, and I speak this in the midst of my worst week of hell ever: exam, 3 long papers due, weekly assignments due. On top of all that, I have til the weekend to submit some applications and extraneous writing projects. Also, it is baseball postseason. Things can&#8217;t get more distracting than this, with the Yankees in the World Series and the temptation to head to Philly for Game 3 Saturday. I feel screwed and fatigued. Even so, that is still not enough to argue with Time Management.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[CSO d'Auvers au Lensbaby]]></title>
<link>http://photan.wordpress.com/2009/10/26/cso-dauvers-au-lensbaby/</link>
<pubDate>Mon, 26 Oct 2009 16:10:39 +0000</pubDate>
<dc:creator>Antoine</dc:creator>
<guid>http://photan.wordpress.com/2009/10/26/cso-dauvers-au-lensbaby/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img class="aligncenter size-full wp-image-377" title="auvers" src="http://photan.wordpress.com/files/2009/10/auvers.jpg" alt="auvers" width="497" height="497" /></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Surf dérmico: El devenir de la piel]]></title>
<link>http://filosofiasalvaje.wordpress.com/2009/10/25/surf-dermico-el-devenir-de-la-piel/</link>
<pubDate>Sun, 25 Oct 2009 20:25:00 +0000</pubDate>
<dc:creator>bufubufu</dc:creator>
<guid>http://filosofiasalvaje.wordpress.com/2009/10/25/surf-dermico-el-devenir-de-la-piel/</guid>
<description><![CDATA[En realidad, lo que no soportamos es la estridencia de esos sonidos inarticulados. Es el «nada más d]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div class="separator" style="clear:both;text-align:center;"><a href="http://filosofiasalvaje.wordpress.com/files/2009/10/surface_temps_by_janetino.png" style="margin-left:1em;margin-right:1em;"><img border="0" src="http://filosofiasalvaje.wordpress.com/files/2009/10/surface_temps_by_janetino.png?w=300" /></a></div>
<div style="text-align:justify;"></div>
<div style="text-align:justify;"><i>En realidad, lo que no soportamos es la estridencia de esos sonidos inarticulados. Es el «nada más de aquel todo». Lo que no soportamos es que somos un poco Penélopes, un poco Ulises, un poco máquinas célibes, un poco replicantes &#8230; y no solamente eso. E incluso, en los momentos en que, desavisados, conseguimos soportarlo, descubrimos con cierto alivio que, de la convivencia desencontrada de esas figuras, se destila ya una nueva suavidad</i>.<b>&#160; Suely Rolnik</b></div>
<div style="text-align:justify;"></div>
<div style="text-align:justify;">Hablar de la piel sin metáfora alguna. Sea delicado. Hablar de la piel sin recurrir a la erudición médica porque lo que acontece es todo lo que acontece en la piel, en la superficie de los cuerpos. Sea. La piel muda es lo mismo que decir la piel deviene. Cambio de superficie o superficie cambiada, cambiante, <i>superficiante</i>. La corporeidad de lo superficial es la nueva suavidad o el contacto. Cada cual tiene su piel. Nada de blancos, negros, amarillos y marrones, toda piel es piel para contactar. El deseo fluye y hace fluir la piel. Recordemos la ignorancia e imbecilidad de la teoría racista, fluya ésta por donde fluya, en el consenso entre negros y blancos, o en el disenso de los mismos. Curiosamente, en la teoría racista y racial se tomó muy en serio la cuestión dérmica, solo que la piel era tomada como un factor determinante que se encadenaba a toda una carga discursiva con componentes despóticos, militares y económicos, siendo estos componentes discursivos carga a su vez de la común acepción de piel. En realidad todo se hacía mover en términos disyuntivos, partiendo de un origen, de una supremacía de uno u otro, del Uno-Sujeto y del Otro-Objeto. La piel hace mucho que entró en escena, con tatuajes, perforaciones, pinturas, etcétera. Pero la <i>dialéctica dérmica</i> fue la enfermedad, el cáncer de la piel. El discurso en torno a la misma se ha cerrado sobre todo en el ámbito de la sexualidad (“quiero sentir tu piel y tu roce para…”) imposibilitando la expansión por otro lado de la esfera a favor de la ausencia de un contacto real (no dirás quiero sentir la piel a más de una persona, a no ser que sea de la familia,  y ya la maldita mirada parece que se torne perversa). </div>
<p><a name='more'></a>
<div style="text-align:justify;">La piel, dicen, es un órgano y la dermis un tejido. Para nosotros la piel no es un órgano, al menos la piel no se organiza, es organizada, es compuesta y tejida. Como todo tejido es un espacio liso o estriado. En nuestro caso hablaremos de tejido liso y tejido estriado, para tratar de acercar la piel-superficie (la de los cuerpos) a la de la entre-piel, piel entre dos o más (la que es tejida entre cuerpos).</div>
<div style="text-align:justify;">Bellas son las arrugas de la piel, que marcan el flujo de una vida, porque son los organismos los que mueren, no la vida. Suave es la piel lisa de un bebé, pero suave también la mejilla de un anciano. Una prácticamente lisa, otra forcejeando entre la herida y el hiriente. Devenir-dérmico. </div>
<div style="text-align:justify;">La piel desorganizada es un desierto. Ya no será más un órgano ni un conjunto de órganos. Piel y dermis. La piel es una interfaz. La piel es una red. La piel es una tela de araña, solo que bajo ella hay riesgos: organización, jerarquización y principio. La piel ha sido seccionada, escindida, ahora dermis, ahora epidermis&#8230;y lo peor es que al seccionar para organizar después, todo registro de acontecimiento ha sido viciado de antemano. Y no hay ni una sola metáfora. </div>
<div style="text-align:justify;">Cuando decimos que la piel es sinónimo de superficie, también queremos decir que lo es de contacto. La piel es una siendo múltiple. Y tenemos una. Ha sido magnífico no ser posible decir tengo dos pieles, como si dijésemos tengo dos riñones, o dos pulmones, o dos corazones. En cualquier caso, también hay tejido en ellos. También hay <b></b>. O lo que es lo mismo, un riñón no es riñón sino contactando, filtrando (cortando) flujos de sangre y produciendo otro flujo, la orina. La piel, incluso como los órganos, es elástica, y los órganos son más o menos elásticos en función del tejido que los con-forma. ¿Qué es sino envejecer sino una dilatación del tiempo que hiere y marca la piel gracias, entre otras cosas, a un cierto cociente de elasticidad? ¿Por qué los bebés tienen la piel tan suave? Porque todavía no han sido heridos, marcados. </p>
<p>[ Advert: No es nuestra intención aquí cambiar el concepto de vida (bios) ni el de cuerpo (corpus) por el de piel (dermis), pero debemos saber que el uno incluye a los otros y viceversa. Y por supuesto, otras tantas cosas que no abordaremos en el presente texto. ] </p>
<p>La piel está libre de órganos, de tal suerte que sea ésta la que controle, se responsabilice de la formalidad de los mismos. Quemarse la piel no es sólo un cierto cuadro clínico, que también. Quemarse la piel es la herida de un acontecimiento, de una serie de movimientos en la superficie. Digamos que quemarse la piel es “playear”, “marinear”, Acontecimientos. Digamos más aún que quemarse la piel es jugar a la pelota en la arena, junto al mar, disfrutar de la actividad, olvidarse de la crema protectora solar, etc. </p>
<p>La piel no tiene nada que ocultar. Pero la piel contornea el cuerpo. Y el cuerpo sí ha querido ser ocultado. El cuerpo de los n sexos, el cuerpo de la hipócrita moral victoriana, el cuerpo del bio-poder, ¡incluso el cuerpo del delito! (La piel del cuchillo es la bolsa, o la tela o caja). A tales efectos, es piel que se cubre, superficies de inscripción donde todo queda representado. Abajo o arriba el telón, tanto da. </p>
<p>La performatividad de la ciencia también tiene muy en cuenta la piel. Sea el contagio y sea además el miedo al contagio. Y el contagio siempre es por contacto. Piel “abierta”, herida. Sea el VIH, destrucción del tejido individual como destrucción del tejido, de la piel social, del contacto entre personas. De nuevo el miedo. Hay toda una política del miedo. Sean la violencia + delincuencia: Anticipación y asunción del miedo. No registramos sino el código del Miedo bajo orden y mandato de la bio-política. Sea la música en los pubs: Imposibilidad de contacto gozoso de las relaciones, habilitación para la imposición del seguir la pauta del menor <i>contacto-máximo placer.</i> Imposible expresión descodificada de cuerpos. Lo que se expresa no es sino la réplica de un código producido, a saber: la pornografía social. De nuevo, no se enseña la piel, más bien queda como residuo. Se enseña, se presupone un pene erecto, una vagina, unos músculos, unos senos y una serie de discursos en torno al sexo y contacto bien delimitados. Organización de la dermaticidad de la sexualidad, del deseo y del cuerpo-piel. La piel, actualmente, sólo puede ser estimulada, más que estimular. La piel sólo registra un número definido de estímulos para soportar la enorme cantidad de pulsaciones que sufre bajo un único y mutante código sexual. Nuevos agenciamientos despóticos cancelan la dermaticidad, y por tanto la elasticidad de la misma. Nuevos agenciamientos despóticos anulan el contacto por la imantación  que por otra parte ha hecho del Placer el sustantivo por excelencia de la sexualidad de los siglos XX y XXI. </p>
<p>Así las cosas, la piel se estría hasta quedar tan seca y tiesa como el cuero. Esto me hace pensar en la concepción que tenemos de responsabilidad, y del tomar precauciones. Y no podía ser de otra manera, la piel dentro de este tipo de  agenciamiento sólo se torna cancerígena. Una piel que ha soportado el&#160; <b></b><b> </b>total de su elasticidad. ¿Quién puede decir que las masivas y mediáticas operaciones de cirugía estética son un alisado de la piel? ¿No será, por el contrario, el estriamiento dérmico pasado por un dispositivo de falso alisado? ¿No será que, de haber estriado la piel al punto de casi su fragmentación es imposible que tenga un desenvolvimiento normal en la imagen dogmática de la Mirada-Estética? ¿No es acaso la cirugía estética la reterritorialización de lo impotente para que el rostro vuelva a funcionar? ¿No será el alargamiento del pene una reterritorialización de la significación dominante de la sexualidad capitalística porque el contacto (la dermaticidad) ha reducido las conexiones de la interfaz técnica a tres o cuatro puntos cardinales? ¿No será este un agenciamiento despótico ensamblado con la Viagra y la impotencia genital y sexual del hombre?</p>
<p>La piel se regenera. Detengámonos en este punto, pues tal vez sea fundamental para pensar la piel y lo que Suely Rolnik llamó “nueva suavidad”. Las células de la piel se regeneran para bien si no hay un cáncer que lo impida. La piel por tanto no sólo es superficie, sino que es el territorio en que se actualizan las células, por tanto nuevas. Las que traen algo de oxígeno.&#160;</p>
<p>Toda piel tiene poros. El poro es tanto salida como entrada. Por el poro entra suciedad, que hace bulbo como quiste. También por los poros salen espinillas, granos. También el sudor, que es nuestro refrigerador corporal. También sale el pelo. Por supuesto, la piel contiene olores, gustos, tonalidades. El poro es la salida-entrada a la madriguera. Pero cuando la madriguera dérmica se tapona, el cuerpo se enquista. Se vuelve totalmente tóxico y cancerígeno. Pero como sabemos, el bio-poder / poder sobre la piel siempre necesita (no puede hacer otra cosa) que se deje un grado de porosidad no taponada. Es curioso que hasta la fecha, los granos en la cara, en la piel en definitiva, resulten desfavorables para las “relaciones sociales”. Pero el grano, es el grano que el <b></b>  trabaja desde fuera hacia dentro. La Mirada-Estética censura el grano porque emerge, y condena a la piel en consecuencia, como tierra en que todo lo que se planta, es basura, solo que la basura, es prefabricada. Para el capitalismo, todo es defectuoso, y hay que arreglarlo (todo lo contrario que el funcionamiento de las máquinas deseantes). El poro de la piel es el desnivel de una duna del desierto. No podríamos sentir la suavidad sin un cierto grado de porosidad, ni sentir la porosidad sin un cierto grado de suavidad. Sentimos porosidad y suavidad (no como términos opuestos, sino relacionales) gracias a la piel.</p>
<p><b><i>¿Cómo hacerse una piel sin cáncer y no morir en el intento?</i></b><br /><b><i>&#160;</i></b><br />Repetimos: La piel es superficie. La superficie conoce muy bien las intensidades que por ella pasan, van, se quedan, se instalan y marchan. La piel no es lo que está arriba (de los órganos) ni abajo. La piel es el entre-órgano. La piel es la superficie desértica entre órganos. “El desierto crece…”. Un órgano cancerígeno y la piel, inevitablemente, lo sufre. “La selva crece…”. Selva y desierto, mar y glaciar, selva, desierto, mar, glaciar: Eso es la piel. Venimos con una piel, y no precisamente de serie. La producción dérmica en serie vendrá ipso facto, pero no de serie. Toda construcción de piel, toda recombinación, toda regeneración de piel sólo puede venir de agenciamientos colectivos de contacto.  Parezca o no tautológico (no estamos aquí para metodizar) el caso es que no lo es en absoluto. Se trata de crear nuevos agenciamientos que permitan el contacto (añadiremos contacto físico productivo) como una táctica de liberación de sueños enjaulados, de presentes idénticos, de identidades presentes…como una táctica de liberar flujos de deseo. Obviamente una nueva dermaticidad implicará nuevos agenciamientos de deseo. ¿Pero en qué consiste esta nueva dermaticidad?</p>
<p>“La piel es suave por un pliegue de sensación, la piel es áspera por un despliegue de sobrecodificación”. Sentir la dulzura en la piel es un nuevo agenciamiento. Transportar la dermaticidad de los órganos bucales a la dermaticidad de las manos. Devenir-dérmico, devenir-mano de la lengua, devenir-lengua de la mano, devenir-oceánico, revolución corporal sin órganos, articulando únicamente intensidad. La piel no conoce la homogeneidad. Es en sí misma heterogénea, mezcla de composiciones y composiciones de mezcla en superficie. No pidamos a la piel justamente lo que no soporta: Hacer una imagen de sí misma y decir que es Otra para tranquilizarnos.<br />La elasticidad de la piel es también adaptación de superficie. Una nueva dermaticidad supone una nueva sensación superficial. La superficie estriada, codificada <i>ad nauseam</i> siempre incluye la angustia y la alegría del incompleto bloqueo. El capitalismo siempre trata de registrar hasta que punto se rompe la piel, pero el registro siempre queda incompleto porque la piel, sus granos, su sudor, su dulzura, sus pelos, siempre emergen donde menos se le esperaba. Porque la piel no entiende de axiomas ni de principios. Sólo de heridas, de combinación de las mismas y de cicatrices que al descifrarlas gritan el paso del Acontecimiento. Siempre hay una porción de piel, vale extensión, no marcada, un desierto al borde del desierto. ¡Siempre hay una zona donde no hay vellosidad y de cualquier manera no podemos asegurar que no emerja!</p>
<p>Estamos en el nivel 0 de la elasticidad. Por decirlo de alguna manera, se trata de una piel virgen, aun considerando este adjetivo poco satisfactorio, entre otras cosas, porque una piel contiene tantos adjetivos como agenciamientos se efectúen en y alrededor de ella. Entramos de lleno en la posibilidad de efectuación de una nueva suavidad.</p>
<p>Entenderemos por suavidad <i>la disposición de un tejido para permitir el desplazamiento de partículas, moléculas, afectos, bloques de infancia, bloques de amantes, sin dependencia de una sobrecodificación psicoanalítica, capitalista, ideológica y estatal</i>. La suavidad es el grácil devenir del tacto, no en tanto uno de los llamados cinco sentidos, sino en tanto el tejido del devenir. La violencia o tranquilidad que se dé en el tejido del devenir no depende de la suavidad, sino que aquéllas dependen de en qué tejido se esté dando el devenir y qué nivel de suavidad posee dicho devenir.&#160;</p>
<p>El devenir-niño de que Guattari habla (sobre posibles devenires en Japón), el devenir-animal de Kafka, el devenir-caballo del pequeño Hans…todos estos devenires, según los dicho, no se clasifican en más violento o más tranquilo según lo que antes hemos expuesto. El devenir-animal podrá ser tranquilo o violento en función de los bloques que arrastre, de los agenciamientos que conforme y hacerlo en una suavidad. No existe un violento o tranquilo por excelencia, entre otras cosas, porque la velocidad es acelerada y lentificada en el propio devenir.&#160;</p>
<p>La suavidad es el despliegue del sentir. Del afecto, de afecciones, de ardientes pasiones, de melodías. La suavidad es siempre melodía del cuerpo. Un cuerpo sin melodía deja de ser suave y puede por supuesto posarse sobre/en otro tejido y pasar a otra disposición. La suavidad es el devenir-xilófono de Lullatone, el devenir-mar de Christopher Willitts y Ryuichi Sakamoto, el devenir-elástico de Ludovico Einaudi. Vemos como la suavidad es un agenciamiento del devenir, un espacio que habilita el devenir. Se dice de Van Gogh que su pintura es de colorido violento, que no transmiten tranquilidad alguna, pero de nuevo, podemos decir que es una pintura que posee una suavidad impecable: Las transiciones del amarillo sólo son posibles por una suavidad que habilite las tonalidades. ¿Por qué la suavidad no iba a ser uno de los materiales del pintor, del artista? Picasso optó por no trabajar con la suavidad, y no es extraño que las pinturas resultaran angulosas, cúbicas, una <i>pseudo</i>deconstrucción del rostro que promovía la construcción de enormes figuras que seguían remitiendo a un rostro. Picasso seccionaba y diseccionaba todo, por eso la suavidad no fue aliada suya.&#160;</p>
<p>Si la suavidad es el despliegue del sentir, inevitablemente debemos considerar el Amor. Salvo en el amar cortés o en el amar sufí y el <i>amor zen</i>, los agenciamientos en los que se instala (el Amor actual) son del todo menos suaves. Al no haber transición (amar como tonalidad), al existir un decálogo de qué debe entenderse por Amor (Amor mercantil con todo tipo de artilugios para mantener el agenciamiento en stand-by), al entender la suave del Amor como sexo con Amor mercantil (que dicho sea de paso, es una construcción bastante pobre) y al anteponer el Placer al Goce, el Amor hoy no es más que un teatro basado en una obra con exquisita caligrafía, de una página y de contenido cerrado sobre sí.  El amor cancerígeno es el producto resultante de la aleación de rudeza, mercantilización de las emociones y de la detención del flujo deseante que cristaliza en los dos primeros elementos (rudeza y mercantilización).</p>
<p>Una máquina célibe se engancha a la megamáquina pornográfica que fluye por Internet, una máquina paranoica se vuelve adicta a la máquina religiosa… Una máquina deseante se enchufa a una máquina alcohólica, una máquina de guerra es destruida por el acople a la máquina discursiva de juventud dominante. La maquinación de ilusiones es reducida a la ilusión de descarga mediante la obtención de placer. Ante esto, nosotros decimos: La suavidad deviene sensualidad en el Amor. Por eso es nueva y regeneradora. Por eso la sensualidad no tiene nada que ver con lo Mortuorio, pues la sensualidad centrifuga el placer, la paranoia y la adicción maquínica. La sensualidad es la captación de signos en el devenir de un amante; amante que por otro lado ya es amante por el mismo proceso de captación de signos, salvo que no deviene tal hasta decir “¡Ello es lo que quiero!”. Sentir al Otro es devenir-Otro. “Tu piel es mi piel y es pura diferencia”. Amar es construir un agenciamiento, una inclusión masiva producida a través de signos que son importantes para uno, de gestos, de miradas, de pestañeos, de formas de dedos, de tono de voz. La sensualidad es el despliegue del sentir. ¿Por qué despliegue? Porque ya no se trata de sentir EN sino sentir CON, ENTRE, sentir es saber que la piel siempre es extranjera de sí misma, y que cuando la piel siente, se enriquece su elasticidad, con la que se pliegan multitud de signos, afectos y afecciones.</p>
<p>La sensualidad no busca la Belleza en ningún sitio. Encuentra bello este lugar, que es la piel, la dermis, porque le interesa “El borde del desierto es el desierto…y es un desierto en mí.”. Una piel no contacta especialmente con Otra piel. Es una nueva piel que se pliega y despliega y, por tanto, contacta. Éstas son las operaciones básicas del contacto: plegar y desplegar. Va de suyo que plegar y desplegar no son contrarios, pues siempre hay plegado en el despliegue, siempre se pliega algo, del mismo modo que siempre se despliega en el plegado, siempre se despliega algo. Son operaciones generativas, productoras de otros tejidos, de otra piel. El pliegue es necesario para la suavidad.&#160;</p>
<p>El contacto no es bueno ni malo a priori, ni tampoco por “naturaleza”. Ni siquiera lo suponemos. Que el contacto sea bueno o malo depende exclusivamente del deseo. “No deseo porque algo sea bueno, sino que algo es bueno porque lo deseo”. Un contacto es un encuentro, y si se nos permite, diremos que es un encuentro dérmico. Un encuentro con su temperatura, con su porosidad, con sus espacios lisos y sus espacios estriados, con su elasticidad. Un contacto que no deseamos siempre nos provocará rechazo. Un contacto que deseamos puede tornarse cancerígeno si el deseo agencia componentes antagónicos, tristes, <i>despotenciadores</i> entre sí. “El pueblo alemán deseaba el contacto con Austria, Francia y Ucrania”.  Cómo contactar, cómo agenciar dermis es todavía experimentar y sentir el experimento, hendirlo. Pero de esa novedad, de ese agenciamiento</p>
</div>
<blockquote><div style="text-align:justify;"> <span style="color:#666666;">sabemos apenas dos o tres cosas. La pr­imera es que él sólo se hace si preservamos lo conquistado por las máquinas célibes -tener autonomía de vuelo, un vuelo donde el encuentro con lo irreductiblemente otro nos desterritorialice; ser pura intensidad de ese encuen­tro. La segunda es que, si eso es necesario, no es suficiente: al mismo tiempo que se da la desterritorialización, es preciso que, a lo largo de los encuentros, se construyan territorios. Y nos empeñamos en la creación de esta nueva escena (¿Nuevas escenas?). Somos casi replicantes, ya sabemos también de qué está hecho ese empeño: está hecho de amor. (ROLNIK 2008)</span></div>
<p></p></blockquote>
<div style="text-align:justify;"> No podemos saber qué depara un encuentro, pero sí sabemos si potencia o no la creación de nuevos tejidos, y con ellos, nuevos territorios. El su defensa del Cuerpo Sin Órganos y su (continua) fabricación, Deleuze y Guattari pedían cautela, atención, cierta responsabilidad, mesura. Exactamente lo mismo pedimos nosotros, desde nuestros residuos micro-fascistas, con nuestras revoluciones moleculares, con nuestros defectos y virtudes. No hay pieles mejores que otras, hay dermaticidades (las singularidades de/sobre la piel) que agencian tejidos más o menos estriados y con los que se producen encuentros afortunados o desafortunados. No hay una piel superior ni inferior, porque la piel es siempre superficie, y la superficie atiende a nivelaciones, más que a niveles, atiende a gradaciones e intensidades, climas: Efectos de superficie. Olvidarse de la piel, del contacto, de la sensualidad es producir máquinas-cancerígenas en la propia piel. Olvidamos la piel, pero la hemos encontrado de nuevo en lo nuevo: </p>
</div>
<div style="text-align:justify;">
<blockquote> <span style="color:#666666;">Las franjas de frecuencia de ese inusitado viaje aún no están bien sintonizadas. Hay ruidos, sonidos inarticulados y muchas veces no soportamos la espera de que una composición se cree: en nuestra prisa por oírla, corremos el riesgo de componer esos sonidos con viejos clichés.  (ROLNIK 2008)</span></p></blockquote>
<p>::: Bibliografía: Suely Rolnik,&#160; <i>Por una nueva suavidad</i>. El texto aparece íntegro en el libro <i>Micropolítica: Cartografías del Deseo</i>.&#160; Ed. Traficantes de sueños, Madrid, 2008.</div>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Os sete pecados das políticas de segurança (PSI)]]></title>
<link>http://dominioti.wordpress.com/2009/10/25/os-sete-pecados-das-politicas-de-seguranca-psi/</link>
<pubDate>Sun, 25 Oct 2009 08:00:46 +0000</pubDate>
<dc:creator>Fernando Henrique</dc:creator>
<guid>http://dominioti.wordpress.com/2009/10/25/os-sete-pecados-das-politicas-de-seguranca-psi/</guid>
<description><![CDATA[O primeiro passo para evitar problemas de vazamento de informação é criar uma política de segurança ]]></description>
<content:encoded><![CDATA[O primeiro passo para evitar problemas de vazamento de informação é criar uma política de segurança ]]></content:encoded>
</item>
<item>
<title><![CDATA[Impresiones y pliegues. La (de)Construcción del sujeto. Síntesis I]]></title>
<link>http://filosofiasalvaje.wordpress.com/2009/10/19/impresiones-y-pliegues-la-deconstruccion-del-sujeto-sintesis-i/</link>
<pubDate>Mon, 19 Oct 2009 17:10:00 +0000</pubDate>
<dc:creator>bufubufu</dc:creator>
<guid>http://filosofiasalvaje.wordpress.com/2009/10/19/impresiones-y-pliegues-la-deconstruccion-del-sujeto-sintesis-i/</guid>
<description><![CDATA[Las síntesis pasivas Si la materia-sustancia se reduce a un flujo de imágenes siempre conectadas al ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div style="text-align:center;">
<div class="separator" style="clear:both;text-align:center;"><a href="http://filosofiasalvaje.wordpress.com/files/2009/10/reality_or_surreal__by_nicogamer.png" style="margin-left:1em;margin-right:1em;"><img border="0" src="http://filosofiasalvaje.wordpress.com/files/2009/10/reality_or_surreal__by_nicogamer.png?w=300" /></a></div>
<p><b>Las síntesis pasivas</b></div>
<div style="text-align:center;"></div>
<div style="text-align:justify;">Si la materia-sustancia se reduce a un flujo de imágenes siempre conectadas al exterior, sin sustancialidad que permita a la imagen servirle de substrato, ¿cómo se constituye el sujeto a través de imágenes y hábitos? ¿Es posible su deconstrucción? Responderemos alegando que se pueden recoger tres movimientos, que se desarrollan a continuación:</div>
<div style="text-align:justify;"></div>
<div style="text-align:justify;">El primer movimiento es imagen sin ojo alguno que las vea. Dicho de otra forma, las imágenes <i>no pueden</i> ser aún contraídas como hábitos todavía. En el segundo movimiento se registra un r<i>itmado de imágenes</i> para ser contraídas, y de las que se seleccionan algunas de ellas, enfocadas a la práctica siempre y cristalizadas en un hábito, que las reflexiona al futuro (Pliegue). El tercer movimiento y último consiste en la <i>aparición de una diferencia</i> tras ese pliegue. Se produce una sensación, que no es más ni menos que la contracción de miles y miles de vibraciones en una receptiva superficie. Lo sentido será por tanto una diferencia entre como mínimo dos impresiones. La sensación sólo es producidas gracias a la diferencia. Así,<i> la impresión es precisamente donde se engendra la sensación, lo sentido</i> (El sentimiento es algo muy distinto). El pliegue (esa síntesis de impresiones pasadas y reflexionadas hacia el futuro) frenan el flujo infinito de la materia-imagen y permite reflejar las imágenes como diferencia:<i> Lapso</i> entre pasado y futuro, lapso por cierto <i>imperceptible</i> que habilita y presupone toda percepción. La imagen garantiza la percepción de un objeto, se ha de sentir un mínimo de tiempo sensible continuo. La imperceptibilidad del <i>lapso</i> de que hablábamos es <i>una casi-nada que permite</i> una “base” de recepción de las vibraciones, ondulaciones dispersas. Precisamente aquí la diferencia es esa casi nada y por supuesto Nadie que crea la &#8220;base&#8221; sensitiva del CsO (Cuerpo sin Órganos) y es depósito receptivo, de recepción, como se podía advertir en este párrafo a medida que hablábamos de esa imperceptibilidad.</div>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Hump Day (but not)]]></title>
<link>http://smithstalker.wordpress.com/2009/10/13/hump-day-but-not/</link>
<pubDate>Wed, 14 Oct 2009 00:00:40 +0000</pubDate>
<dc:creator>smithstalker</dc:creator>
<guid>http://smithstalker.wordpress.com/2009/10/13/hump-day-but-not/</guid>
<description><![CDATA[Ah, the Wednesday after fall break. Fall break is done (so sorry!) so you should theoretically be we]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Ah, the Wednesday after fall break. Fall break is done (so sorry!) so you should theoretically be well rested and excited about getting back to work (what a joke!), but wait! It&#8217;s a Wednesday, so you are faced with a serious case of humpdayitis along with a mild form of can&#8217;tconcentrateafterfallbreakosis.</p>
<p>We will try to help you get over both highly serious and highly contagious conditions, but it may be hard; they&#8217;re difficult to treat. As a prescription, we are announcing some oh-so-lovely events for you to check out (we mean it, really go and check them out).</p>
<p><strong>After Smith:</strong></p>
<p>Interested in grad school? The UK? Royal Holloway/University of London is coming to Smith for the day to talk about <strong>graduate programs</strong> and opportunities <strong>in the UK</strong>. Upperclasspeople, be sure not to miss this: you never know what another country could offer you. They will be at one of the information tables in the <strong>Campus Center </strong>(presumably downstairs) from <strong>11:30 am &#8211; 1:30 pm</strong> on Wednesday. For more information about the school, click <a href="http://www.rhul.ac.uk/">here</a>.</p>
<p><strong>Driving: </strong></p>
<p>The SGA is hosting another <strong>van certification</strong> training session. This is the first class you have to go to (if you&#8217;ve already done that, don&#8217;t go to this one). If you want to drive your house or club around, be in <strong>CC 103/104</strong> from <strong>5-6 pm</strong> on Wednesday. For more information, click <a href="http://smithstalker.wordpress.com/sga-van-certification/">here</a>.</p>
<p><strong>Blood!</strong></p>
<p><strong>Sign-up to donate blood</strong> or volunteer at the upcoming blood drive, hosted by the Community Service Office. The blood drive will be October 19 and 20, but the sign-ups are from <strong>12-1 pm</strong> at the information tables downstairs in the <strong>Campus Center</strong>. Someone will be there all week at this time.</p>
<p>That&#8217;s all I have for today! If you have any events you want to advertise, email us at <strong>smithstalker@gmail.com</strong>.</p>
<p>Also, did you do anything exciting over fall break? <strong>Share your stories or pictures</strong> (or both) with us and we&#8217;ll post them. Email us at smithstalker@gmail.com.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[cso]]></title>
<link>http://thecrazysalesman.wordpress.com/2009/10/11/cso/</link>
<pubDate>Sun, 11 Oct 2009 13:30:58 +0000</pubDate>
<dc:creator>T.C. Seward</dc:creator>
<guid>http://thecrazysalesman.wordpress.com/2009/10/11/cso/</guid>
<description><![CDATA[Chicago Symphony Orchestra]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><img class="aligncenter" src="http://www.arts.illinois.gov/ArtistRoster/Media/2334/Chicago-Symphony-Orch-03-05.jpg" alt="" /></p>
<p><em><a href="http://www.arts.illinois.gov/ArtistRoster/ProfileView.aspx?rid=1&#38;pid=2334&#38;ref=search">Chicago Symphony Orchestra</a></em></p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[Avec l'orgue]]></title>
<link>http://bybe.wordpress.com/2009/10/10/avec-lorgue/</link>
<pubDate>Sat, 10 Oct 2009 22:40:56 +0000</pubDate>
<dc:creator>knowb</dc:creator>
<guid>http://bybe.wordpress.com/2009/10/10/avec-lorgue/</guid>
<description><![CDATA[I have no excuse for not frequently attending CSO concerts. I appreciate &#8220;classical&#8221; mus]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I have no excuse for not frequently attending CSO concerts. I appreciate &#8220;classical&#8221; music, I live a 20-minute bus ride from Symphony Hall, the CSO is one of the premier orchestral ensembles in the world (with principal conductors Bernard Haitink, Pierre Boulez, and Riccardo Muti), and I can take advantage of $11 student tickets (including fees).</p>
<p>On Thursday, the CSO played a program of French and German music by Fauré, Bruch, and Saint-Saëns, which featured <a title="Joshua Bell" href="http://www.joshuabell.com/" target="_blank">Joshua Bell</a> on the violin in Bruch&#8217;s Violin Concerto No. 1. There was an <a title="Pearls Before Breakfast" href="http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html" target="_blank">article</a> published in The Washington Post magazine in 2007 by Gene Weingarten about an experiment conducted by the Weingarten and Bell: would subway commuters recognize a world-class violin virtuoso&#8217;s musicianship during the morning hour rush? I won&#8217;t elaborate &#8211; a discussion of this would be a whole other blog post.</p>
<p><!--more--></p>
<p>I don&#8217;t know much about the violin, and have only seen a handful of concertos played live. The first experience was exhilarating &#8211; <a title="Midori" href="http://www.gotomidori.com/english/" target="_blank">Midori</a> played Mendelssohn with the <a title="Toronto Symphony Orchestra" href="http://www.tso.ca/" target="_blank">TSO</a>, and she produced a purity of tone of which I did not think the violin was capable. I&#8217;m not familiar with Bruch&#8217;s work, although I am aware that his violin concertos are held in high regard. No. 1 is a great piece and Bell played admirably, coaxing a lot of emotion out of the violin during the second movement.</p>
<p>I have enjoyed Fauré&#8217;s music since singing his<em> </em>famous <em>Requiem</em> and <em>Cantique de Jean Racine</em> in high school. Among the still well-known composers of his era, his style seems oddly unique (and <em>French</em>, as it&#8217;s often described now). Fauré&#8217;s emotional restraint and harmonic innovations imbue his music with a sort of potency different from the grandiosity of other Romantic composers. <em>Pelléas et Mélisande</em> is typical Fauré: gorgeous and mellifluous.</p>
<p>Having grown up in a school that trained organists, I have always appreciated the &#8220;king of instruments&#8221;. One of my classmates was a good organist, and I used to turn pages for him (and press the &#8220;full organ&#8221; button at random intervals to annoy him). Saint-Saëns&#8217;s Symphony No. 3 is <em>not</em> an &#8220;organ symphony&#8221;, but a symphony <em>avec l&#8217;orgue</em>; an organ symphony is a distinct form of music for solo organ. That being said, the symphony is fantastic: it&#8217;s catchy and accessible, it doesn&#8217;t need time to grow on you, but you need not be embarrassed for liking it. Although he was a prodigy and a polymath, Saint-Saëns wasn&#8217;t known as a pioneer &#8211; the program notes quote him referring to himself as &#8220;first among composers of the second rank&#8221; &#8211; but if I could produce even one work of this quality in my lifetime, I&#8217;d die happy. Saint-Saëns packs quite a bit of bombast, majesty, and artistic firepower in these 35-ish minutes.</p>
<p>I&#8217;ll list off some of the features of the piece that I personally find endearing. The misleading slow introduction that dissolves into restless strings. The rhythmic <em>Dies Irae</em>-like motif in the brass (perhaps for Liszt?). The lyrical &#8220;second&#8221; movement, especially the part where the organ chords and pizzicato strings transition from minor to major. Four hands on the piano. A piano. The opening of the &#8220;fourth&#8221; movement. A coda topped off by a descending scale on the organ played at a volume notated by a double-digit number of <em>f</em>&#8217;s. &#8220;French&#8221; music this is not.</p>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[A tale of two concerts]]></title>
<link>http://beethovenprevin.wordpress.com/2009/10/08/a-tale-of-two-concerts/</link>
<pubDate>Thu, 08 Oct 2009 23:11:01 +0000</pubDate>
<dc:creator>classicinformer</dc:creator>
<guid>http://beethovenprevin.wordpress.com/2009/10/08/a-tale-of-two-concerts/</guid>
<description><![CDATA[The last few weeks have seen the classical seasons kick off in earnest in London. A time of year I a]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>The last few weeks have seen the classical seasons kick off in earnest in London. A time of year I always enjoy, especially this year after what has seemed to me to be a rather underwhelming Proms season  (I&#8217;m not a massive fan of the Proms anyway, but maybe more of that another time).</p>
<p>Opening the Southbank&#8217;s visiting Orchestra season was the Chicago Symphony Orchestra, and I made it to the second of their two vastly over-priced concerts there. Really, the prices being charged were pretty outrageous &#8211; £75 for the stalls (usually about £35), £50 for the side stalls (usually about £25 or so). No wonder that the choir stalls sold out first, and that the second concert was some way short of full.</p>
<p>But hey, this is the Chicago Symphony Orchestra, and with <span style="text-decoration:line-through;">boring </span>the esteemed Bernard Haitink, so surely we were in for an exceptional night out? Hmm&#8230; Well I have to say it <em>was </em>perfect. But unfortunately perfection doesn&#8217;t necessarily make for a thrilling evening. The opening Haydn had no joy, no life, no sense of fun, entertainment. It was as if to say &#8216; this is how symphony orchestras play Haydn&#8217;, no one had bothered to rethink it, enquire or question. It was, in short, flat. Oh to hear the OAE or AAM play it! To be fair, I had higher expectations of the Bruckner that followed. But no, my hopes were dashed. Sure, it was very good, note perfect etc. But it had no passion, and I had no sense that the players or indeed conductor were really interested in playing it. Of course the performance was greeted by wild applause and a standing ovation, but if I had paid £75 I think I would have wanted to pretend it was the best performance ever too.</p>
<p>A spot-on review in the FT <a href="http://www.ft.com/cms/s/0/2f56d2bc-a96b-11de-9b7f-00144feabdc0.html" target="_blank">here</a>:</p>
<p>A few days later I was back at the RFH for one of the LPO&#8217;s season openers: Mahler 2, coupled with a piece by Kurtag. Now, the LPO is by no means as perfect as the CSO, and Vladimir Jurowski&#8217;s performances are sometimes too clinical. But this performance, for me, knocked the socks off the CSO a few days previously. It wasn&#8217;t perfect by any means, but that doesn&#8217;t matter when you can feel the music in this way, when you are exhilarated, taken on a journey and transported. It wasn&#8217;t music making &#8216;by numbers&#8217;, and perhaps the fact it does stretch the orchestra adds to the excitement. For me, this was real music-making, done with seriousness, intent, but also love and passion, which for me, is what music is all about, be it classical or otherwise. For this season, the home team is currently winning one-nil.</p>
</div>]]></content:encoded>
</item>

</channel>
</rss>
