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HP Pavilion dv2800t Artist Edition , Intel(R) Core(TM) 2 Duo Processor T8300 (2.40GHz) , 14.1″ diagonal WXGA High-Definition HP BrightView Widescreen Display (1280 x 800) , 4GB DDR2 System Memory,128MB NVIDIA GeForce 8400M GS , Intel(R) PRO/Wireless 4965AGN Network Connection and Bluetooth(TM) , 160GB 5400RPM SATA Hard Drive , LightScribe SuperMulti 8X DVD+/-RW with Double Layer Support , Microsoft(R) Works 9.0 , Windows Vista Home Premium Feature

• Intel(R) Core(TM) 2 Duo Processor T8300 (2.40GHz) , 14.1″ diagonal WXGA High-Definition HP BrightView Widescreen Display (1280 x 800)
• 4GB DDR2 System Memory,128MB NVIDIA GeForce 8400M GS , Intel(R) PRO/Wireless 4965AGN Network Connection and Bluetooth(TM)
• 160GB 5400RPM SATA Hard Drive
• LightScribe SuperMulti 8X DVD+/-RW with Double Layer Support
• Microsoft(R) Works 9.0 , Windows Vista Home Premium

HP Pavilion dv2800t Artist Edition , Intel(R) Core(TM) 2 Duo Processor T8300 (2.40GHz) , 14.1″ diagonal WXGA High-Definition HP BrightView Widescreen Display (1280 x 800) , 4GB DDR2 System Memory,128MB NVIDIA GeForce 8400M GS , Intel(R) PRO/Wireless 4965AGN Network Connection and Bluetooth(TM) , 160GB 5400RPM SATA Hard Drive , LightScribe SuperMulti 8X DVD+/-RW with Double Layer Support , Microsoft(R) Works 9.0 , Windows Vista Home Premium Overview

HP Pavilion dv2800t Artist Edition , Intel(R) Core(TM) 2 Duo Processor T8300 (2.40GHz) , 14.1″ diagonal WXGA High-Definition HP BrightView Widescreen Display (1280 x 800) , 4GB DDR2 System Memory,128MB NVIDIA GeForce 8400M GS , Intel(R) PRO/Wireless 4965AGN Network Connection and Bluetooth(TM) , 160GB 5400RPM SATA Hard Drive , LightScribe SuperMulti 8X DVD+/-RW with Double Layer Support , Microsoft(R) Works 9.0 , Windows Vista Home Premium Specifications

*** Product Information and Prices Stored: Nov 28, 2009 14:55:04

Friends Link : Related post portable dvd player for car

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Double Decks Unlimited, Inc.
Mesa Verde Ave. Ste. 240 1757
93003 Ventura (United States)
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• Stand construction: custom build

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Hy en estadística me ha dado por preguntarle a la profesora por la fórmula para obtener la probabilidad de que salga un determinado resultado, así que para ayudaros un poquito a hacer vuestras predicciones de cara a una tarde frente a un mapa o talero, y teniendo en cuenta que hace falta un poco de tiempo para sacarlo por cuenta de la vieja (o yo no me cosqué), lo pongo por aquí. En este caso, es para sacar fuerza irresistible en whf con 3D6, es decir, al menos dos 6.

P(66NU6N6UN66) = 1/6 · 1/6 · 5/6 + 1/6 · 5/6 · 1/6 + 5/6 · 1/6 · 1/6 + 1/6 · 1/6 · 1/6 = 16/216 = 2/27

Es decir, de cada 27 tiradas de 3D6 que hagamos, en 2 saldrá un doble  un triple 6.

Todo este párrafo esá aplicado al 3D6. La probabilidad, obviamente, es la misma para todos los demás resultados. Para hallar la probabilidad de que salgan otros resultados, sólo hay que multiplicar lo que nos ha dado antes (2/27) por el número de resultados favorables de entre 6. Por ejemplo, la probabilidad de que nos salga un doble cualquiera con 3D6 e de 12/27.

Para tiradas que no sean de 3D6, hay que hacer lo mismo siguiendo esta fórmula para hallar la probabilidad de, al menos un doble, en la tirada, pero añadiéndole un ·5/6 más a cada uno de las multiplicaciones (excepto la última, a la que se añaden ·1/6) y añadiendo tambén otra multiplicación más igual que las anteriores por cada dado que añadamos a a tirada. Una vez obtenida la probabilidad de cualquier doble.

Paratriples o cuáduples, sólo hay que poner en cada términ de la suma (cada multiplicación) un 1/6 en vez de 5/6.

Espero haberos echado una mano a la hora de planificar rol y wargames.

By: J-Fénix

Why do I need another credit card?

Tonia PSC:

It feels really great to know that Discover cardcontinue to show their gratitude towards their customers despite the economic downturn. Discover has actually increased the opportunity for customers to earn double reward points. I use my discover card for everything especially gas. Every swipe is a return back to me….that’s investing. Why do I need another credit card.

Tadpoles Organic Double Knit Cotton Footed Snap Front Romper, Salmon, 6-9 Months Review

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• Includes 1 footed romper
• Organic, pesticide-free, and baby-safe
• Available in 3 colorways

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No need to choose between fashion and health! This snap-front footed romper in organic cotton double knit with a subtle diamond pattern is the best choice to give your baby a good start in life. Made from soft 100% certified organic cotton that is healthy to use, eco-friendly to produce, and soft on baby’s skin. Manufactured without harmful chemicals, the comfortable romper dresses your baby in style. Available in cocoa, sage and salmon. Machine-washable. Organics by Tadpoles – good for your baby’s future.

Tadpoles Organic Double Knit Cotton Footed Snap Front Romper, Salmon, 6-9 Months Specifications

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*** Product Information and Prices Stored: Nov 26, 2009 14:20:04

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Lisa G claims that her breast size is a 30 double D. No one believes her, obviously. Just look at her photos. Anyhow, ladies pay attention. I want your bra’s to be comfortable. Ronnie “The Limo Driver” Mund enters the studio pissed off because he doesn’t believe her. His outrage is hilarious.  Order Sirius-XM and get the Howard Stern Show!

If you go outside and just take a few quiet moments in observing people, you will notice that almost everyone are carrying their own gadgets:  You will see that businessmen are busy talking to someone on their cellphones; teenagers have their ears plugged with earphones listening to their i-pods;  children are busy playing with their PSP;  moms listening to their self-help audio in their MP3s;  and employees researching on the internet using their laptops;

Now you ask yourself this:  “What would this people want for christmas?”  I’m pretty sure that almost all of your family members have one of the gadgets that were mentioned above.  Well, enough thinking and let me help you.

I had one of my friend, Shirley Choa, showed me her fantastic product.  It is called Hamburger Mini Speakers.  When she showed me this tiny speaker, I couldn’t believe how loud and clear the sound was!  You can also carry it anywhere with you without worrying about carrying bulky speakers and looking for a power outlet to make it work.  It is so convenient for me I bought the red one at first sight. 

For you tech-wise guys out there, the following specifications are for you:

Dimension: (L) 55.5 MM x (H) 77 MM
Net Weight: 112g
Speaker: 36MM
Input: L/R380mV
Power Output: 7W X 2
S/N: 80dB
AMP Freq Range: 280Hz %u2013 16KHz
Charge Voltage: 5V 0.5V
Charge Time: 1.DC 5V 200MA%u2014300MA about 2.5 hours
3 USB about 4 hours
Suitable Temperature: 0°C-40°C

Now what’s even greater here is that she also have Double-Speakers.  They are two mini speakers which can be put together– which would look like an egg.  The bottom part of the speakers are magnetized, which means you can place them anywhere that’s metallic.  Double the sound means double the fun!

With this kind of gift to my loved ones, I’m pretty sure they would remember the day I gave it to them.  The children would be very happy with the fantastic sound on their PSP and teens can now party without carrying large stereos!

This is my first Ever crossover project. I partnered up with my Favorite Blogger, ms. Starrene “SoopaStarr” Rhett of www.Gangstarrgirl.com to release this, which is one half of my double mixtape “How To Make A Mixtape” that we released across her site and mine on my birthday in 2008 as apart of a week long marketing campaign that included witty (but Cheap) Youtube “Commercials” and site takeovers (me doing an intro video on hers, and her doing an intro video on mine).  A whole bunch of other blogs showed love and supported the kid so it was a good run.

On this Volume 1 of that double mixtape, the subtitle is

“Who doesn’t Rap??!”

and the theme attacks the over-saturation of the game.

Starrene Handles the hosting duties with no help from the Dj who I bumped heads with during the post-production and release process, but that’s a story for another time…

For now, come to your own conclusion and

Click the picture below to download.

Also,

I included the now infamous “Jackin For Flows” video clip which has become quite viral by now. It’s track 3 on the mixtape, and tho it’s been done before,

Nobody does it better than me!!!

Peep Commercial #1

Phytologie PhytoPanama Mild Protecting Shampoo Reviews

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The Magic of Fat Loss: Lose Fat and Double Your Energy for Life Review

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Eight chapters of concise information, along with beautiful photos of some of the fittest physiques, bring together a complete picture of how to lose weight and double energy for life.

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*** Product Information and Prices Stored: Nov 25, 2009 16:40:04
The basics of fat-burn aerobics – –
I agree with the above reviews. These are the basics of the book:
Magic=aerobic training combined with weigth training & diet!
Duration:
Minimum: 30 min (first after 20 min fat burn)
Suggested: 45 min
Ideal: more than 60 min, e.g. 90 min (after 60 min supercharged fat burning). “Research has shown that when the exercise lasts longer than one hour the metabolism stays high and hot for quite some time after the exercise is over, burning off fat long after you have stopped working.”

Intensity:
65-70% of maximum heartbeat rate:
220
-age
*65 or 70%
Frequency:
At least 3 times a week.
Exercises:
 Power walking
 Treadmill
 Stairway
 Cycling
 Aerobics.
Mix the exercises or stay with one.
Move whenever you can: walk, shop, clean house, climb the stairs…
No magic…just hard work! – Lee Mellott – Frederick, Maryland
I only wish this book offered the magic to “achieving rapid loss of unsightly fat” as it states on the back cover. The inside contents reveal that good ole’ exercise is the key! The book does offer some good info. on exercise. It includes information about different forms of exercise and how to achieve goals utilizing these forms. However it could have gone into greater depth. On the chapter on weight training for example, it suggests different sets but does not give any information on form, technique etc. The other element missing from this book is information on diet. The book states “For information on diet check out the nutrition section at your local bookstore.” Since diet is at least 75% of the fat loss game and this book is about fat loss.. something is missing here. The 62 page book includes lots of the usual “muscle mag” type poses in black and white, which are inspirational. I do feel there was some valuable information in the book but it needed to be beefed up alot.
Great Pictures but not enough information given – Shondal@aol.com – Shonda P Virginia, USA
The book has a great cover and the Pictures are wonderful. The book cover states ” The Magic of Fat Loss tackles your overweight problems and solves them by showing you how to get Mother Nature on your side.” But what the book does not tell you is what a correct diet is. In fact the Diet section says ” For more information on diet checkout the nutrition section in your bookstore.” I feel that there should be something more on Diet other than check your book store.

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France Luxe Double Rectangle Ponytail Holder – Nacro Aqua Reviews

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How Our Thoughts Affect Us And Our Earth

A nation that destroys it’s soil, destroys itself.
Forests are the lungs of our land, purifying the air and giving fresh strength to our people.
- Franklin D. Roosevelt

“Every thought, emotion and desire creates and transmits an “elemental” – also called thought-form – that carries on an existence of its own. We create and regenerate two types of elementals. When negative emotion prevails over thought, we have created emotional thought-forms, or desire-thoughts. When our ideas, desires and emotions pass through reason and love, we create reasoned thought-forms, or thought-desires. An elemental can never be destroyed, only disenergized (when no longer fed with etheric vitality). Elementals of a kind collect to form powerful group elementals. If an individual, or a collection of individuals, are vibrating at the same frequency, they will attract such group elementals. Archangels also create elementals (e.g. nature spirits and angels) in the service of the Divine Plan.”

-Daskalos

*`•.¸(¯`•.•´¯)¸.•´

Water Crystal After Prayer

“With appropriate training, we can project and direct etheric vitality from the etheric doubles of the bodies and send it over vast distances, and perform so-called miracles. To do this we can take part of the Mind-substance of etheric vitality, give it form and project it as a mental image, outside both our gross material body and our etheric double.”

-Daskalos

*`•.¸(¯`•.•´¯)¸.•´

Water Crystal from Japan Shimanto River, referred to as the last clean stream in Japan

“Our present personalities, that is to say the vehicle through which most of us experience and interpret the worlds, are compositions of  various thought-forms born either subconsciously, self-consciously or super-consciously. Thought forms having once been created and projected, gain a material existence  of their own. Upon still closer examination, we learn that each elemental owns a psychic and a noetical counterpart, which inherits the intentions of its creator.”

-Daskalos

*`•.¸(¯`•.•´¯)¸.•´

Yodo River, Japan, pours into the Bay of Osaka. The river passes through most of the major cities in Kasai.

“Just as the gross material body consists of many cells, organized into a working whole, so our personality consists of a network of interdependent psycho-noetical images. The cells of our personality, as we might call them, are precisely, one by one, the thought-forms which we create and project as a result of our desires and weaknesses, strengths and virtues.”

“With every thought, each glance, idea, distraction or feeling we create thought forms. Even as we sleep, we are emitting thought forms that will affect us and those around us.”

-Daskalos

*`•.¸(¯`•.•´¯)¸.•´

Water Crystal from Lourds -France

“The thought forms are emitted with an intensity corresponding to the strength of the desires which gave birth to them. When they have reached their goal and served their purpose, they return to their creator to be projected once again with ever increasing power. This procedure is repeated many times, creating within our personality, either a terrible environ­ment of darkness if the thought forms are of low degree, or a strong atmosphere of love if they are good thought-desires.”

-Daskalos

*`•.¸(¯`•.•´¯)¸.•´

Fujiwara Dam, before offering a prayer

“In the same way we can poison the material body by consuming harmful food, or can cleanse it by improving the way we care for it, so we poison or cleanse our personalities.  This is how human character evolves.”

- Daskalos

- Photos courtesy of Masaru Emoto’s website – The Message In Water.

Masaru Emotos extraordinary work is an awesome display, and powerful tool, that can change our perceptions of ourselves and the world we live in, forever. We now have profound evidence that we can positively heal and transform ourselves and our planet by the thoughts we choose to think and the ways in which we put those thoughts into.

Material on this page is from the following website links.

http://www.life-enthusiast.com/twilight/research_emoto.htm

http://daskalos.org/

http://researchersoftruth.net/index.htm -

The above website link is to the virtual circle  lessons from which the above quotations are taken.  I am forever grateful to have read the huge body of work that is now part of  Daskalos’s legacy. His books are treasures.

A double neck guitar looks like a set of Siamese twins. With two separate and distinct necks and a single, wider-than-average body, the instrument really does appear to be two independent entities joined by a common body. This description is, in fact, not too far from the truth. The benefit of the double neck guitar is that it essentially allows the musician access to more than one instrument at a time. To take the most common example, consider the typical double neck guitar. This instrument has one neck with twelve strings and one with six. The musician can, at any point during his or her performance, choose to switch between the two necks. This freedom of choice allows him or her to double the kind of music he or she can produce. Hence, to play the double neck guitar is to essentially play two instruments not simultaneously, but at least back-to-back.

The concept of the double neck guitar is not a new one. Instruments similar to this have been around for at least a few hundred years. A double neck version of the Russian guitar, for example, was popular in the beginning of the 19th century. Today, however, double neck guitars are generally Western-style electric instruments. As mentioned, the most common models have twelve strings on the top neck and six strings on the bottom. However, some versions have six strings on one neck and only four on the other. Fretted instruments are most common, but sometimes only one neck will be fretted and the other fretless. In fact, almost any combination of guitar characteristics is possible with these instruments. Some models eve have three, four or five necks. Such guitars only increase the variety of music that can be played on a “single” instrument.

Although double neck guitars have traditionally been simply standard electric guitars, bass instruments have gained popularity in recent years. Double neck bass guitars are often tuned differently, an approach that significantly widens the player’s range. Other models vary the use of frets or the number of strings. A more unusual approach is to have a double neck instrument with one neck set up as a standard electric guitar and the other set up as a bass guitar.

The double neck guitar is, needless to say, rather startling in appearance. This no doubt contributes to its popularity with a number of musicians in famous bands. After all, not only does the double neck guitar allow the artist to increase his musical variety, it also ensures that a great number of people will be staring at his instrument. These musicians are usually bassists, and they include Jimmy Page of Led Zeppelin, Joe Perry of Aerosmith, Slash of Guns N’ Roses, Richie Sambora of Bon Jovi and Eddie Van Halen of Van Halen.

It should be mentioned that while the harp guitar is a relative of the double neck guitar, the two instruments are not the same. The harp guitar features unstopped strings that are designed to be plucked like those of a harp. The double neck guitar’s strings, on the other hand, are invariably meant to be played like those of a guitar.

My Links : Cheap Bass Guitars

Photo credit: Max Bellamy

Neon

The studies for this particular work is described in detail in a previous post STAY FOREVER, and for this reason the background to this current manifestation of Stay Forever, will not be discussed here. Which suits the purpose of this post for there is much I aim at going over with Stay Forever, from the installation within, Maybe, In the End, It Was a Dream, to the material used, as well as other issues that arose for me whilst spending time within the space throughout the duration of the show.

I always associated, through studies, to installing the neon in MITEIWAD, this work to be a happy work. The bright colourful neon flickering in a room, music sub-culture referent; Ween’s 2000 single “Stay Forever”, and the usage of neon in clubs and disco environments, added to a sense of visual aroma that would be all encompassing and beautiful. After install I still believe all these qualities were in fact present, but with time, and consideration of the work within the exhibition it was a part of, a more sinister reading began to permeate.

As mentioned in the previous post Bridget Pistol Sex Riley, this work was going to be installed directly on a white wall in the gallery, with its own space, so as to not disrupt other works through its flickering and visual luminosity. Whilst covering the wall in tape, and understanding from here he enormity of the space I was working in, I decided Stay Forever really had to be erected directly onto Bridget Pistol Sex Riley. This came out of a need to break the continuity of the wall drawing, but also to allow the neon to be placed directly by the door that is the exit to Maybe, In the End, It Was A Dream. With this positioning, I believe the registration of the work for the viewer changed dramatically.

Clive Humphreys, one of my MFA supervisors, described Stay Forever as an interior work, in that it pertained to environments that exist as an inside space: clubs, shops, and music venues, support this. The work was registered by the viewer within the entire space, but upon exiting there was an engagement that called attention to the function of leaving, and the work at this level acted as a plea not to leave the space, to in fact, stay forever…please. This was never an intention in the conception of the work, from drawings, studies, and finally into its neon production, but with time, being present within the exhibition as a whole, these further associations began to develop.

The clear disco/club component, coupled with the adjacent Elvis projection, forced the neon work into a commentary, or narrative on this culture that I was seeking to obtain, but not necessarily with this individual work. Su Ballard’s perception of the ‘bleeding’ that occurred between the works, affected the way Stay Forever was ultimately perceived. If ‘stay forever’ is an impossibility, an oxymoron, it certainly is a possibility within celebrity, or in the minds of one who wants to be famous, the Elvis imagery performed this completely; through fame, it is possible to indeed ‘stay forever’ outside of the physical.

Photo credit: Max Bellamy

An installation within Maybe, In the End, It Was a Dream, titled AM, also played off this idea of staying forever, in the recent death of celebrity Deejay, DJ Am, who died of an accidental overdoes in New York. Here again is the bleeding quality of the works on one and other, where the context and proximity to each had a direct reading on seemingly disparate elements within the show. In fact, I found the relationship to these two works quite strong, and AM affected the way I looked at, and engaged with, Stay Forever significantly. There could really be multiple reasons for this. The first and most straightforward is that AM is a blinding, epileptic and fractured installation of broken objects, light and scaffolding, and in this context Stay Forever is a sort of reprieve within the space. Even though this work itself is visually jarring, with bright neon and flickering movement, this was insignificant within the same room as AM. The second, and more interesting for me, not only for this show, but with future works also, is the cross-over, or bleeding these works espoused upon each throughout the entire installation. AM in fact is not a dark work, but with so much happening visually within the space, there was just too much stimuli for the show not to be seen as dark. Like the party sub-culture AM was referring to, there was excess, and Stay Forever was ultimately another element in that excess.

Photo credit: Max Bellamy

Actual install of Stay Forever was initially going to be horizontal, and sitting low to the ground to maximise reflection from the polished concrete floor. With Bridget Pistol Sex Riley on the wall, it was evident the neon work would need maximum presence within the enormity of the space, and the tape wall drawing itself. Moving the individual letters around the floor, constructing a mental image of the possibilities on the wall, became an exercise in understanding text as form, not just about words being displayed. Here I decided the form would be STAY/FOR/EVER stacked in a square format (painting) that takes on a significant amount of wall space. The transformers were set so that one word, or section of the text, illuminated in sequence while the other two remained unlit, the glass being clear, was not visually present whilst in this non-illuminated state. Through the lighting, a minor visual narrative occurred, positive and negative interspersed in creating a singular cohesive image.

As mentioned previously, Clive Humphreys rightfully referred to this work as interior, and I am very much concerned with this interior type of space within the context of this show, and my MFA at large. It simplifies the issue too much in stating that the fact the exhibition in inside a room, that the space is also interior. We’ve really got two types of interior here (and in talking about interior, one must also look at exterior purely through its exclusion from an interior). One is through physicality: within a room, inside: whilst the other being an insular, personal or psychological space. The former relates to the confines of an environment. Within this environment are tools, and props that facilitate the type of event being generated. In this case it was disco/club culture, so the material here is laser light and disco balls, the material within the exhibition signified this, and this allows the audience to enter immediately the space of that environment. The neon here is a part of that interior domain, whether that be inside a club venue, inside a shop for advertising, or outside a shop or club advertising the type of space that is inside. This was enhanced within Maybe, In the End, It Was a Dream where what should have been outside through the windows, was a reflection of the inside, keeping the work, the environment, clearly within an interior.

Photo credit: Max Bellamy

This is where the inside/outside becomes interesting. Stay Forever was positioned to receive best access from the outside. Two window panels the height of the walls faced entry into the School of Art campus, where this work could clearly be seen illuminating. This decision did refer to signage, and in a sense was a part of an appeal to the outside, but always with the intention of the audience, being with the work on the inside. This is where my painting mentality is clear, for a painting is made (murals aside) to be within a space, I am not a sculptor, so I can’t so much see work I make as existing with an exterior space.

Another way of thinking about this, and less formed or articulate on my part, is the psychological space certain environments create. My research within this area, particularly with Neil Nehring’s Popular Music, Gender, and Postmodernism: Anger Is an Energy, is with sub-cultural environments, or movements facilitating social cohesion through a psychological exterior. In other words, the kid who is at home, listening to her ‘strange’ music and dressing weird, finds a commonality within such groupings. Punk, Rave’s, Disco, Metal, Doof’s, or whatever act as a forum for like minded social unity, and act as a place where real exterior, Otherness can be achieved psychologically through this environment that has the ability to locate one outside themselves, even if just for a while.

Photo credit: Max Bellamy

Photo credit: Max Bellamy

Photo credit: Max Bellamy

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Espace Double Mixte
Boulevard du 11 Novembre 1918
69100 Villeurbanne (France)
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• Standmaterial / Modular systems / Walls / Woodwork

Mountain Biking still seems a bit insane to me.  You drive your bike to a park because it’s probably too specialized to ride any reasonable distance on-road, tool around for a while and then drive it home. It’s nonetheless fun once you can get around the suburban commute aspects.

Has anyone out there ever bought a car to support their mountain biking habit? I bet they have.

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DANGER: These cupcakes may cause good children (and adults) to turn into brats.

Ingredients:

• 12 tablespoons unsalted butter, softened
• 1 3/4 cups sugar
• 2 1/2 teaspoons baking powder
• 2 teaspoon vanilla extract
• 3/4 teaspoon salt
• 4 large eggs
• 2 large egg yolks
• 2 3/4 cups all-purpose flour
• 1 1/2 cups milk
• 30 Lindt Dark Chocolate Truffles

Chocolate Truffle Buttercream

• 9 ounces dark milk chocolate, in pieces
• 6 ounces semi sweet chocolate, in pieces
• 3 ounce unsweetened chocolate, in pieces
• 2 sticks + 2 tablespoons unsalted butter, softened

How?:

1. Preheat oven to 350 degrees F. Line standard sized cupcake tins with paper liners.

2. Using the paddle attachment, cream together butter, sugar, baking powder, vanilla, and salt, until light and fluffy (about 5 minutes).

3. Add the eggs and yolks one at a time, beating well after each addition. On a slow speed, add one-third of the flour, then half the milk, then another third of flour, the rest of the milk then the rest of the flour. Scrape down in between.

4. Spoon batter into paper-lined cups, only filling half-way up. Press a truffle into the center of each.

5. Bake for 14 minutes or until a toothpick come out clean. (Stick the toothpick in a little off center and don’t go all the way down to the bottom.) Cool in the pan for 10 minutes, then remove to the cooling rack to cool completely before frosting.

6. For buttercream, melt the chocolate over a double boiler of hot water, but not simmering. You can remove it from the heat when it’s still lumpy and stir until smooth. Let it cool until no longer warm to the touch.

7. Whisk the chocolate into the butter, until uniform in color. Frost cupcakes with it and keep in room temperature. Eat within 24 hours.

Taí uma música que conheço há muito tempo (me lembro de ainda ser criança quando ouvi as primeiras vezes), gosto muito dela, mas só a pouco tempo veio fazer sentido pra mim.

Por causa da mulher de cabelo cinza que aparece no video, as sis disseram que esse video – e a música – são a minha cara. Engraçado. Há algo de familiar nessa música toda vez que ouço.

E vou te contar…tem vezes que não consigo parar de ouvir.

Definitivamente,  é uma das minhas músicas. Das que refletem quem sou eu.

.

.

Diz aí, o Kurt Maloo não é um charme?

.

.

It was way past midnight

and she still couldn’t fall asleep.

This night the dream was leaving

she tried so hard to keep.

.
And with the new day’s morning

she felt it drift away.

Not only for a cruise, not only for a day.

.

Too long ago, too long apart

she could not wait another day for

the captain of her heart.

As the day came up, she made a stop.

She stopped waiting another day for

the captain of her heart.