Here is the latest song from Lil Wayne, Tity Boi & Dre Produced by Kanye West.

It’s got a lot of swearing in it.

I’m not crazy about songs that have a lot of profanity in them, not my cuppa tea.

I like good lyrics that encourage or uplift you and make you feel good.

Im not a huge [fan anymore] but I like this beat. so it gets a NICE.

Lil Wayne – Real As They Come f. Tity Boi & Dre (prod. Kanye West)

Something New From Lil Wayne Feat. Tity Boi & Dre ‘Real As They Come’ Off Dj Smalls Follow Me Mixtape. Dope Beat Listen Now  

Lil Wayne(Feat Tity Boi & Dre)–Real As They Come[DJ] …::LISTEN::…

Tagged. Off DJ Smallz’ “Follow Me” mixtape, hosted by Lil Boosie.

Lil Wayne feat. Tity Boi & Dre – Realest They Come (Produced by Kanye West) | Mediafire

Follow him: @DJSmallz.

Via: Nah Right

The big homie Game .. Did an interview with Complex where he talks about the R.E.D. album, 50 Cent, Jay-Z, Interscope and working with Dre again! Interview after the jump!

It’s been over a year since we’ve seen Jayceon Taylor on covers of magazines with a gun to his head, and crying on YouTube videos about hip-hop of the past. He’ll be the first to admit his life is an emotional roller-coaster, but nowadays The Game seems more content than usual.
And maybe he has good reason to be. He’s back working with Dr. Dre and says his forthcoming LP The R.E.D Album (due out February 16) is his favorite since The Documentary. He’s even feeling relieved that Jay-Z never responded to his sideways comments he made in his last Complex interview. Yesterday, we reconnected with Game to get his take on 50 baiting Jay into a battle, the new album, young rappers like Drake, and why Interscope chairman Jimmy Iovine wants to reunite the hip-hop Beatles. It was Game on as usual…

Interview by Joe La Puma

Complex: Starting off, talk about the reasoning behind naming your new joint The R.E.D. Album.

Game: R.E.D is simply rededicated. That’s what R.E.D is, the r-e-d in red for me. And rededicated to what? My family, my craft, which is hip-hop, my fans, which are world wide, my children, my hood, my city, and what got me here—which is the color. I think that before I came out there was no red. There was Snoop, everybody was Crip walking. I came in, I took the color on as a whole. People just adapted to who I am and where I come from. I mean now, even Crips wear red.

Complex: How do you feel about other rappers who claim Blood and shout “Soo-Woo”?

Game: I mean, look what I did to Jim Jones, and look at Weezy, and look at Gucci Mane. I feel like I did that. It’s a free country. People can do whatever they want to do and if anything they’re just making me bigger and my legacy and where I come from and what I represent bigger.

Complex: I know Gucci Mane is on the album. What other collaborations can we expect?

Game: I got Rick Ross. I got Beanie Sigel, I got Jeezy. I finally did a song with Jeezy that’s fuckin’ crazy too. For the most part it’s me, with a couple of features from people I haven’t worked with yet—I always try to work with new people every album. But it’s people that I respect and that are also poppin’ in the world and that other people want to hear.

Complex: I read somewhere that there’s going to be some production by RZA. Is that true?

Game: RZA gave me a beat, which I am so fuckin’ ecstatic about. I appreciate it because he doesn’t make beats anymore. RZA gets paid millions of dollars now to score movies, big fuckin’ movies. So, for him to come in my studio and for him to say “Yo Game, I brought this beat to you and just listen to it and just tell me if you like it…” So I listened to it and I was so crazy about it. I called him and he was like, “Yo, you could have that beat.” That’s all it was and I ain’t talk to RZA since, shit [Laughs].

Complex: So Jay-Z did The Black Album, The Beatles did The White Album. How does The R.E.D. Album stack up against those masterpieces?

Game: I just would consider this my best effort since The Documentary. My favorite would be the Doctor’s Advocate, but The Documentary is my first album. It is to the people what Illmatic was to the people, what Ready to Die was, what Reasonable Doubt was, Straight Out of Compton, and all those albums. It’s the first album, so I kind of think that people are biased to say that it’s classic. But The R.E.D. Album is as dope as The Documentary was. There’s no controversy in my way. There’s nobody telling me to rap like this or anything, I’m just dead me on this album. I did it by myself, with the help of Dr. Dre this time and that was a breath of fresh air and relieved a lot of my stress and tension. It’s always easier when you’re rolling with that mastermind, man.

Complex: So working with Dre again, it seemed to piss 50 off a little bit…

Game: That made 50 mad, man.

Complex: Do you think it was a jealousy thing?

Game: 50’s just bitter, man. For what reason? I don’t know. He doesn’t have to be. Me and his beef is old at this point. It’s pure comedy for me at this point. When he says something, I laugh. If I shoot a shot back it’s just a joke at this point. Nobody is going to kill each other. Nobody is gonna beat each other’s ass. I’m not gonna do none of that. So we might as well get along. We exist in hip-hop. You know with opening arms he can re-join my band of brothers. Just say sorry and you want to make music. He’ll never be as big as he was and he’ll never be able to put out an album that people will be waiting for and anticipate as much without me, period. And I ain’t saying that he needs me, but me and him made the best records together. I understand it, he needs to understand it, and maybe one day we’ll record. He said recently in an interview that he’ll never work with Game again but that’s all him talking and his ego. I can’t wait to mend the ties with Eminem. Me and Eminem had never been at odds but he had to take 50’s side. That’s his artist and his homie and what not, and I understood it but I’d love to get back with Eminem and work again and sort of restructure the Voltron if you will.

Complex: Even though he says he won’t work with you, it seems like right now you’re telling me you’d definitely work with 50 again…

Game: ‘Cause I don’t hold grudges. Like, it’s hip-hop, man. We’re not fuckin’ WWF wrestlers, we’re not boxers man, it’s just hip-hop. It’s just make music or don’t make music. It’s not a gang war, like he’s not a Crip and I’m a Blood, and this ain’t fuckin’ ‘85, and I’m not gonna ride through his hood and do a drive by, like it’s not that serious, bruh. It’s just hip-hop and I think that he’s more bitter towards me then anyone else he’s had drama with because look what I did to his brand. I killed G-Unit. I killed the clothes, I killed the brand, I killed Tony Ya-Yo, Banks, and Buck at that time. Like I really fucked up a lot of money for that dude. Not only for him but my label, Jimmy Iovine, who at this point, I’m apologetic to.
Complex: Is the label situation cool now?
Game: I’ve mended the wounds at Interscope. You know I went against my own label and I came out the smoke with my hands held high and my head, man. So I mean, I don’t know what 50’s problem is but I’m here. Whenever he wants to call me on the phone and talk about it, squash it or we can keep on going with this fucking child- like antics. He can do it, I can do it and we can do it ’til we fuckin’ die, it makes me no difference, man.

Complex: Interesting…

Game: If he ever wants to do something of catastrophic proportion, then we could. If we said tomorrow Game and 50 are coming out with an album, you know how many motherfuckin’ antennas would go up? We could still sell a million records just off promoting it alone. I mean, I understand the business aspect of it. I understand that you know, he’s got a big ego. I’m just not one with it, I don’t have one. I forgive and forget and that’s life. One day you’re alive and the next day you die. So why spend it bitter and mad at the fuckin’ world, man? I don’t understand it.

Complex: 50’s been baiting Jay-Z recently. As someone who’s had issues with both of them, how do you feel about him going after Jay?

Game: Oh yeah, I already did that Jay-Z thing. 50’s just doing what I’m doing. Nobody went at Jay, I went at Jay. Now everybody wants to get at Jay, not saying anything about Beanie Sigel, that’s personal and I stay out of that. He’s just a man and he’s got all the right in the world, but I feel like I did something that people have been wanting to do, but everybody is scared because Jay-Z is so lyrically inclined to cut your throat and your career in half that nobody wanted to do it. But me? I just don’t give a fuck sometimes.

Complex: What do you think that the result of that battle would be?

Game: Jay-Z will fuck 50 up in a battle! It would be so fast and over with. 50 is funny, but Jay is witty. Jay-Z is not to be toyed with. If he fuckin’ responds, if he feels like you’re really pissing him off and he responds, he’s gonna fuck you up! He would fuck me up, I’m just glad he didn’t fuckin’ respond, so I didn’t have to go dig in my fuckin’ bag and try to fuck him up. I definitely think that Jay-Z didn’t come at me like he came at any other rappers because I definitely would have been more disrespectful and once you start a beef with me you better be ready to go the whole motherfuckin’ 12 rounds because I will try to chew your fuckin’ ear off like Mike Tyson. I’ll do it and I think he knew that—I’m disrespectful. So Jay, he did the right thing and just kinda let it die down and I let it die down ’cause it wasn’t anything really. It was fuckin’ fun and I really admire Jay’s career. I just really don’t care too much for the man himself.

Complex: Now, I saw on your Twitter that you were talking to Shyne recently.

Game: Yeah, I talked to him for about an hour. Just about his well being and both of our next moves. What I thought he should do and he listened and held me on my thoughts and he gave me a lot of insight on my career and what he thought of my career from the several years while he’s been locked down. He’s the reason why I’m not ready to jump into beefs and controversy today because he kind of shed light on some different situations and it gave me a different perspective. Which is one that I respect being that he’s been behind those bars. So we just chopped it up about life and issues and each other, man.

Complex: Last year we saw you on the cover of The Source with a gun to your head and you were saying some days are good, some days are bad. What is your mind frame like today?

Game: I’m in such a fuckin’ good mood man, you could damn near run in my front yard and blow up my car and I would just smile at you. I might fuckin’ shoot you with a sling-shot or something, but I’m definitely less drama filled and I’m just having a good time with my music and my life. I’ve been going out a couple of nights with my boys and drinkin’ and hangin’ and chillin’ and I’m just having fun. You know, the other night I was in a club out here with a couple of billionaire homies and we bought some Ace of Spades and joked about Jay-Z, but at least we contributed 17 grand. It costs 17 grand in the club and five grand on the fuckin’ street. We bought it and just balled out man. In the name of Jay-Z, H-O-V, R-O-C, ya heard? [Laughs]

Complex: [Laughs] I noticed that you Twitter a lot. What rap blogs do you read?

Game: Rap blogs? None. Man I don’t fuckin’ buy XXL anymore, unless I see them around in the studio anymore, [but] I won’t pick them up. I’m so lost, like people were telling me, “Yo, you gotta hear this new kid, J. Cole.” Like people had to force feed me Drake, I never even heard him until a while after he started blowing up and then I became a fan. But I’m so out of the fuckin’ loop. Like I got my Biggie greatest hits, my Makavelli, my fuckin’ EPMD albums in every car. So I don’t know what’s going on currently in hip-hop, unless it pertains to me and my career directly.

Complex: There’s not a young rapper who really impressed you?

Game: Oh, Drake’s the man! Drake is fuckin’ phenomenal. I like Drake, he’s dope as fuck. Lyrically that dude, the shit he says and where he gets it from is crazy. Drake is dope. I haven’t heard a bad song yet.
Complex: So going back to the label situation, it seems like everything is smooth with Interscope?
Game: Everything that happened in my career was nobody’s fault but mine. They run a business and I went against that business and, I paid for it. With the loss of the group aspect. Jimmy Iovine likes to say, “Thanks for breaking up the Beatles, Game. Thank you.”

Complex: And he’s referring to you…

Game: John Lennon and Paul McCartney. I’m John Lennon and 50 is Paul McCartney and Jimmy always says, “Thanks for breaking up the Beatles, man, you guys are worth more together. So I don’t know what the fuck you guys are doing. Whenever you guys want to fuckin’ get your heads out your asses. Come sit down and take a meeting, make some money, we can talk. Until then, just keep the shit out of my office.” That’s Jimmy Iovine for you, man.

via Complex

Ok, I admit it. I’m from the suburbs. I went to a private high school. I bought my own car at 17. I worked at Starbucks. I grew up on angst-filled rock ‘n’ roll.

I’m your definition of a middle class suburban kid.

So, of course, I have an unnatural fixation on Che Guevera. Revolution! Er, wait, didn’t he like, murder people and stuff? Nevermind, they sell his shirts at the mall! Hooray!

When we were picking our logos, I kept pushing for all this ‘Power to the People’ and ‘Revolution’ stuff. I give you:

Yes, I like Photoshop.

There is logic here, despite what you may think.

I firmly believe that what is happening with social media, why its exploding, changing, adapting all the time is because it is giving power back to the people.

A while back I wrote an article titled “SEO, SMO, and Why You Shouldn’t Care” which still gets a ton of traffic. It’s actually a decent article, and worth reading if you haven’t. But I say something at the end that it’s pretty cool (in my own self-promoting opinion):

“Companies and Marketers need to understand that they are no longer able to put a spin on things that make them look new and shiny. They need to engage in a conversation with their consumers, and trust that the loss of control will result in the gain of momentum.”

I agree more now than when I wrote this. Heck, I was just trying to stir things up and get a conversation going at the time.

YOU, my friends, have the power to share what makes you. What defines you. Your opinion, worldview, whatever you want to call it. Share that, because that’s what separates you from everyone else.

Until next time…

-Drew.

Un hommage bien mérité!

The Real Focus ft Crooked I, Jay Rock, Marsha Ambrosius & Kida – Homage to Dr. Dre

The Real Focus est un ex-producteur pour Aftermath. L’album sortira en 2010

Props à HHNM

Lorsque l’on parle de rap américain, les premiers noms qui viennent à l’esprit sont Eminem, 50 Cent, The Game, Lil’ Wayne ou encore Snoop Dogg. Le point commun entre tous ces artistes tient en trois lettres : Dre. En effet, André Romelle Young, alias Dr. Dre, est considéré comme le meilleur producteur de rap de tous les temps. Originaire de Compton, au sud de Los Angeles, dans un quartier rongé par la misère et les gangs, le jeune André est bercé très tôt par la musique qui envahit à longueur de journée les rues du ghetto. Cette influence sera décisive. Après s’être procuré des platines, le jeune Dre produit ses propres sons. Il rencontre alors le rappeur Eazy-E avec qui il forme le groupe NWA. Avec son album mythique Straight Outta Compton (sorti en 1987), le groupe popularisera le maintenant très médiatisé gangsta rap. Dre y fait ses armes en qualité de producteur et forge ce qui deviendra le G-funk (son typique de la Californie qui se distingue par le sampling de classiques du funk, mélangé à des beats rap), qui explosera dans les années 90, popularisé par des artistes tels que 2Pac ou encore Snoop Dogg.

Affilié au très controversé label Death Row, le doc n’a sorti officiellement que deux disques (The Chronic en 1992, et The Chronic 2001, en 2001). Il promet la sortie du troisième opus, The Detox, depuis deux ans, mais étant occupé à produire ses poulains, il ne trouve le temps nécessaire à achever ce qui s’annonce déjà comme un grand album et un succès énorme. En conclusion, que l’on aime ou que l’on n’aime pas le rap, on se doit de reconnaître le caractère visionnaire de Dr. Dre, ainsi que sa capacité perpétuelle à se réinventer, et ce depuis vingt ans. Certes sa musique véhicule une forme de violence, cependant, elle reflète une réalité que l’on ne peut ignorer, celle de la vie du ghetto. Réussir à se démarquer dans de telles conditions de vie jusqu’à obtenir un succès interplanétaire, fait de Dre un artiste incontournable qui a toute mon admiration… raison pour laquelle j’ai choisi de vous le présenter.

Xavier

…Vous trouverez les disques de Dr. Dre dans notre catalogue en tapant :

Recherche par index
Recherche : Doctor dre
Choisissez : Catalogue général – Auteur

When digging through a clearance rack, only one thing is certain: If there is a quality release somewhere in the rows of forgotten CD’s stashed on the ground, you’re going to have to go through a lot of worthless bull shit, most likely covered with computer generated images of diamonds, cars, money, women, wild animals, and mansions to find it. Thanks No Limit. But how do you know if you are better off buying an album you’ve never heard of, or spending your $2 asking the homeless guy selling newspapers out front to freestyle for you? Although there is never a guarantee, the best way is to stick to names that you recognize. It doesn’t have to be your favorite rapper, it could easily be someone you’ve only heard spit a few verses, or that you know is affiliated with other artists that you like. Yet, sometimes the album cover is so incredibly horrible that you don’t take the time to even read the words written on it. That nearly happened to me the other day.

Check the scenario: I’m looking through the racks at Amoeba, and already have around 5-6 CD’s that I’m happy with. Yet you never know where the gems are, so I don’t stop there, I push myself to look through every Hip-Hop album available on clearance. In the last row of seemingly worthless discs I peep an album cover way too stupid to not take a moment and laugh at. It’s a low budget cartoon of a cigar smoking turkey, adorned in glistening jewelry, a top hat, and coat. Whatever group of people agreed that a fucking turkey was a great way to sell gangsta rap albums deserve to have their eyes gouged out with rusty nails. Yet right as I’m about to move on, I see that it’s actually a King Tee album entitled Thy Kingdom Come. Really? Then hidden under the $1.95 price tag, I make out the words “Produced by Dr. Dre, DJ Quick (Yes they spelled his and practically everyone else’s name on the album wrong), Battlecat, Ant Banks, etc…”. What the fuck? Then I remembered, wasn’t King Tee one of the many rappers signed to Aftermath, who never had his project released? Could this possibly be that album? Astonishingly, despite the pathetic attempt at a cover, and the unforgivable error of misspelling the artist’s name (it’s Tee not T), this is actually the project that Dre was supposed to release in 1998. 4 years later, Greedy Green Entertainment made the album available to the public, but apparently dedicated zero funds towards marketing it. With misspelled names galore, and not even a picture of King Tee anywhere on the product, it is unclear if the artists had anything to do with releasing the material. Still, regardless of the shadiness most likely involved with this record, buying a King Tee album with beats from my favorite West Coast producers for $2 is definitely a hell of a come up.

King Tee – Speak On It (Produced by Dr. Dre)

At the same time, the good doctor didn’t release Thy Kingdom Come for a reason, so I wasn’t going to get riled up yet. I put the disc in, and after a very forgettable intro by Ice T, the record opens up perfectly with the hard hitting, Dre produced, “Speak On It”, which erased all sense of doubt I had about the authenticity or quality of the disc. Straight up, the shit knocks, and it’s West Coast to the core. Lyrically, King Tee gives a solid performance throughout the entire project. While no one verse on any track blew me away, I can’t think of a song which I felt he totally flopped on either. As always his delivery stands out as his most endearing quality. The man exudes ridiculous amounts of confidence with every word. Yet unlike the artists of today, Tela does not allow his swagger on the mic to dumb down his flow. Although his subject matter is pretty much limited to repping the West Coast, destroying his enemies, macking on hoes, getting trashed, and stacking cash, he manages to not get too bogged down in monotony by weaving a fair amount of stories and choosing instrumentals that convey a variety of emotions.

King Tee- Monay Featuring Dr. Dre (Produced by Dr. Dre)

While King Tee is definitely one of the few West Coast MC’s that hip-hop heads can be proud of due to his combination of flow and lyricism with hardcore gangster subject matter, the production on this album is what really stands out. As hard is it may be to believe, there is literally not a single bad instrumental on the whole project. “Let’s Make A.V.” is a classic, smooth and laid back DJ Quik track. When Mexican rapper Frost comes in to spit his verse, the beat seamlessly transitions into a salsa influenced portion, that perfectly exemplifies the superior level of musicality that Quik brings to his beats. Ant Banks provides a great example of 90’s Bay Area Mob sound on the Too $hort assisted “Big Boyz”, and Battlecat provides two funky ass head nodders as well. Yet most fans want to know how Dre sounds on his 8 offerings. While none of the beats would probably make it to your top 10 Dr. Dre instrumentals, he does not disappoint. His sound is most akin to “Keep Their Heads Ringin’” rather than the commercial genius of Chronic 2001, or the super clean yet pretty played out piano based tracks that he’s been delivering for the past 4-5 years. On Thy Kingdom Come Dre provides that heavy, bass laden, West Coast sound that makes you feel bullet proof while listening. Although none of it would have that much of a real chance of topping the charts, it meshes perfectly with Tee’s ultra confident style.

If you love the West Coast sound, this shit will make you want to roll up a fatty, buy a few 40‘s and reminisce on when being from California universally meant that you were not to be fucked with. It’s definitely one of the most impressive albums I’ve found on the clearance rack in a while. It sucks that Aftermath never released it, and as a result the majority of the world will never know that it exists, but I guess that’s how the music world works. At least we don’t have to wait for Tee’s death to experience the fruits of his labor. With this in the library, I’m now waiting for Rakim’s work with Dre to surface, and Crooked I’s Death Row material to hit shelves as well. Far fetched? In this day and age, you never really know.

RE: RE: Dear: SA FM

OK I get it. You probably get thousands of emails a day from people who think they can change the station with vague ideas such as “don’t play shit music” and you may be thinking “oh it’s all well and good to sit atop your high horse and give orders. Come do what we do.” Then allow me to do a rapid dismount. My ideas include:

Less Akon more Dre: Tell Akon to give it up. Dre did it better with ‘Bitches Ain’t Shit’. He wasn’t trying to get on their good side during the corporate hours by telling them they’re “Sexy Bitches” then come evening trying to slip it in while they slept. I’m on to him.

Less Chris Brown more T-Pain: One likes to give a solid beat down. One likes to cruise on boats. I know who I’m going to the afterlife with.

Less Jessica Mauboy Less Guy Sebastian More Shannon Noll More Lisa Mitchell: Nothing good can come of reality TV. Unless it’s Paradise Hotel, that show was great. Perhaps if the premise of Australian Idol was “Let’s give them something to sing for: Their LIFE.” Same deal, except whoever’s in the bottom 3 would go one-on-one with a great white or perhaps a panther. The survivor then gets to come back and do it again the following week. I guarantee you contestants would give 110% to their song choice and we’d get to weed out the Damien Leith’s of the world nice and early. Actually pretend you didn’t read this, I am going to pitch this to Channel Ten. In the meantime play more “Big Black Shiny Car”, that song is hilarious.

Less ‘Better Man’ more ‘Do The Evolution’: Did you know that Pearl Jam have a whole back catalogue of songs on albums? Feel free to play one of them. This also applies to Nirvana ‘Smells Like Teen Spirit’ and ‘Come As You Are’.

Less ‘Haileys Comet’ more ‘Sussidio’: Every time you feel your hand go to the PLAY button ask yourself  “Is today the day?” So is today the day that one person flips out from a comet overload? If the answer is “possibly” then quickly go to the emergency programming of Phil Collins – Sussudio or John Farnham – Playing to Win.

Less Lady GaGa more Peaches: Hey GaGa, Peaches called. She wants her look and demeanour back. Whenever you’re ready.

Less Newton Faulkner more James Blunt: If you don’t know this already, I do not rate James Blunt. Check him for a vulva I say. But Newton Faulker is the new Blunt. Who was the new Enrique Iglesias. Who was the new Marc Cohn. Who was the new Rick Astley. Pattern? As there were many before him, so shall there be many after him. Should I take solace in the fact that in 2 months time when “Steve Jones” releases the hit “Baby Girl I’m Gonna Lay You Down And Enter You” which will take the easy listening chart by storm, I will probably be praying for a little “Dream Catch Me”?

How am I doing so far? Do you require more ideas? Don’t bite off more than you can chew, digest these first and then I’ll feed you more in due course. (Too much with the food metaphor?)

http://www.safm.com.au/contact Sent 02/11/09

Dr Dre de Romania .. )

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• Powered Isolation technology actively reduces external noise for crystal-clear sound; advanced speaker design
• Extra-large 40mm drivers deliver rich transient response
• Powered digital amplification provides wide, natural sound with deep bass
• Headband with hinged ear cups and ultrasoft, breathable plush ear pads is comfortable to wear
• Monster Quadripole headphone cable for reduced interference and expressive sound
• Includes Monster iSoniTalk headphone cable with integrated microphone and answer button for use with iPhone, Blackberry and other music-enabled cell phones
• Push to Listen mute button lets you talk on your cell phone without removing the headphones
• Folding design for go-anywhere portability

• Includes 2 AAA batteries, antimicrobial cleaning cloth, iSoniTalk cell phone cable, 1/8″-to-1/4″ headphone adapter and protective case

You can cop these athttp://www.bestbuy.com

//

First, a brief word of apology to Jefferson Morley, whose excellent and meticulously researched book, Our Man in Mexico: Winston Scott and the Hidden History of the CIA was first mentioned here almost exactly one year ago, with the promise of a review to come…like so many other worthy projects, the review ended up on the back burner (the saltmine beckons and is unusually active at present), but it has not been forgotten.  In the meantime, Machetera will say this: the book is terrific – engagingly written, carefully corroborated, it is a must-read for anyone curious about the CIA’s long reach in Mexico, particularly during the period in the fall of 1963 when the CIA did and then didn’t know about Lee Harvey Oswald’s visit to Mexico City in his failed search for a Cuban visa.  So get the book, now.

Second, José Pertierra has just published an exclusive interview with Morley at Cubadebate.  Normally Machetera resists translating articles written by those with a perfect grasp of English, such as that possessed by Pertierra, not least because translation is invariably an imperfect art and she dislikes second-guessing an interview that undoubtedly transpired in English to begin with.  But this interview is exceptionally interesting and important, and as yet, no English version has appeared.  So in the meantime, with additional apologies to Morley, and to Pertierra, here it is.  A bit of a filmed interview with Morley follows the interview.

Jeff Morley: “I’m only asking that the CIA obey the law” - Español

José Pertierra for Cubadebate

English translation: Machetera

Washington – The day that his brother was assassinated, the Attorney General of the United States, Robert F. Kennedy, spoke by telephone with one of the leaders of the terrorist campaign against Cuba, Enrique “Harry” Ruiz-Williams.  Kennedy said to him directly: “One of your men did it.” Bobby Kennedy didn’t ask him.  He told him.  It came from his gut, because he knew those people.  That’s how the journalist/researcher Jefferson Morley tells it in an interview he granted Cubadebate.

“The assassination of President John F. Kennedy on November 22, 1963 and the dirty war against Cuba organized by the Miami Cubans are intimately linked: they’re battles in the same war, “ said Morley.

“The anecdote about the conversation between Bobby Kennedy and Ruiz-Williams is well founded,” says Morley, “because the prestigious journalist Haynes Johnson was a witness.  He was with Ruiz-Williams during the conversation with Kennedy.”

Jefferson Morley has a long career as a well-known journalist in Washington.  He worked for 15 years for the Washington Post and has also been published in the New York Review of Books, the Nation, the New Republic, Slate, Rolling Stone and the Los Angeles Times.  Recently, he published a biography of the CIA station chief in Mexico, Our Man in Mexico: Winston Scott and the Hidden History of the CIA. Six years ago he filed suit (Morley v. CIA) against the CIA in order to force the Central Intelligence Agency to declassify documents dating from the period between 1962 and 1964, relative to George E. Joannides, a CIA official charged with many of the operations against Cuba in that period.  On November 16^th, Judge Richard J. Leon of the U.S. District Court in Washington D.C., will hold a hearing to listen to the arguments of both Morley and the CIA about the possible declassification of these documents.

José Pertierra: Why do you believe the CIA wishes to keep nearly 50 year old documents secret?

Jefferson Morley: Because they may contain something delicate or embarrassing for the CIA.  The story that we’re told about Joannides is a show.  A lie.  According to his own documents which I’ve gone over personally, the story that the CIA tells us now about Joannides doesn’t match reality.  The Agency tries to trivialize Joannides’ role in the operations that took place between 1962 and 1964, but history shows us the truth.  Furthermore, if the documents being hidden truly do not incriminate the CIA, why do they want them to be hidden?  Could it be because Kennedy was killed in 1963?  That conditioned reflex to keep this secret hides something.

JP: Who was George E. Joannides?

JM: He was a CIA man whose assignment was to control and direct the Miami Cubans who  were in charge of the operations against Cuba at the beginning of the 1960’s.  Specifically, he was charged with controlling the Directorio Revolucionario Esudiantil (DRE) [Revolutionary Student Directorate].  The CIA commended him in 1963 for his good work directing the DRE. After the missile crisis in October of 1962, Washington wanted to “reign in” the DRE’s activities, and the CIA put Joannides in charge of that assignment.  When the CIA gave him his evaluation in August of 1963, he was congratulated for having “controlled” the DRE.

JP: Who was the DRE?

JM: It was a Cuban organization headquartered in Miami.  A CIA analyst told me that the DRE came to be “the most militant of the Miami exile organizations at the beginning of the 1960’s.”

Its leaders were Alberto Muller, Ernesto Travieso and Juan Manual Salvat.  Salvat later started a bookstore on Miami’s Calle Ocho, called the Librería Universal [Universal Library].  One of its militants was the young Jorge Mas Canosa, who would later go on to found the Cuban American National Foundation (CANF).  The DRE operated from Miami under the direction of a couple of important CIA officers: David Phillips and Howard Hunt.

One of their most well-known violent operations against Cuba took place in August of 1962, when Salvat and a group of DRE militants headed to Cuba from Miami in a small boat and attacked the Hotel Rosita de Hornedo, known after the revolution as the Hotel Sierra Maestra, in Miramar (Havana), at midnight.  They attacked the hotel with a cannon, terrorized the guests, and fled.  Among the DRE militants who attacked the hotel that night was José Basulto, who would go on to found the Brothers to the Rescue organization in 1995.  Basulto told me personally that he was the one who purchased and shot the cannon that was used to attack the Hotel Sierra Maestra that night.  He said that he’d bought it in a Miami pawnshop.

(Translator’s note: Morley repudiates the word “terrorized” as it is attributed to him.)

In August of 1963, members of the DRE in New Orleans had a series of encounters with Lee Harvey Oswald.  After the assassination of President Kennedy on November 22, 1963, the members of the DRE spread a publicity campaign to insinuate that Castro had assassinated Kennedy, because Oswald was supposedly affiliated with Cuba and the Soviet Union.

JP: George E. Joannides’ official assignment was “Head of psychological warfare for JMWAVE.”  What were his responsibilities?

JM: The plan was to affect the psychology of the enemy.  To change their perceptions of reality in order to bring about a change in government.  The best example is that of Guatemala in 1954, when the CIA orchestrated false news bulletins about an opposition to the Arbenz government, in the Guatemalan jungle.  In the end, Arbenz confused fiction for reality and panic set in.  Something that never happened to Fidel Castro or Che Guevara.  They understood very well the difference between the fiction of psychological war, and reality.

Joannides paid the members of the DRE.  He gave them a lot of money.  We know that they received $50,000 a month.  In today’s currency that’s more than $150,000.  It was a lot of money.  He was Washington’s man in Miami in charge of the DRE.

The DRE members at that time were the CIA’s favorite Cubans.  Under Joannides’ direction, the DRE had four specific tasks:

1. Political action against Cuba.
2. Acquisition of intelligence against Cuba.
3. Distribution of propaganda against Cuba.
4. Distribution of its actions and propaganda toward Latin America.

JP: What is the connection between Lee Harvey Oswald, the individual who is said to have assassinated President Kennedy in November of 1963, and the DRE?  What might the CIA documents tell us about that?

JM: Four months before President Kennedy’s assassination, Oswald and members of the DRE met several times in New Orleans.  They had an altercation with him in the street.  The DRE sent a member to his house, making him seem like a follower of Fidel.  They debated about this on the radio and sent the tape of the debate to Joannides; they even wrote to Congress asking for an investigation of Oswald who at that point in time was an innocuous person.  You have to remember that at that time, the DRE had specific instructions to ask for the CIA’s authorization before making any kind of public declaration.

Scarcely an hour after Oswald’s arrest on November 22^nd, the DRE leaders published the documentation they’d accumulated against Oswald and in this way influenced the coverage of the assassination by insinuating that a Castro agent had killed the President of the United States.

The Warren Commission, who investigated the assassination, never realized the connection between Joannides’ employees in the DRE and Oswald.  Even in 1978, when the House of Representatives Committee on Assassinations hired Joannides as an advisor to its investigation, Joannides didn’t inform the Committee about his role in the events of 1963 and the DRE.

The attorney for the House Committee, Bob Blakey, says that Joannides obstructed the investigation by not divulging the role he played with the DRE.

JP: What are you asking of the CIA with this suit you filed in December of 2003?

JM: I’m only asking that the CIA obey the law.  The CIA has told me that it has more than 295 documents that it will not release for reasons of national security.  The documents I have show that Joannides traveled to New Orleans to complete tasks that the CIA charged him with in 1963 and 1964.  [They show] that the CIA entrusted him with delicate operations throughout 1962-64.  We don’t have any information about those operations.  Joannides can’t tell us, because he died in 2001.  Those are the only documents about what he did in that city with the DRE members.  The CIA has the legal obligation to declassify those documents, but it does not want to declassify them.  It’s locked them up.  I believe that the lockup sources from the CIA department in charge of Latin America.  They are hiding something.  The CIA tells us that Joannides had nothing to do with the DRE.  I know that’s not true.  The documents I have in my possession prove that indeed there was that relationship.  Why do they make these statements that are so openly false?  What are they hiding?

I hope that on November 16^th, Judge Richard J. Leon will support my motion to have the CIA declassify these documents, so that they may be studied.  This is the only way for us to know what really happened in those two mysterious CIA operations in which Joannides worked in 1963 and 1964.

JP: The CIA says that if these documents are declassified, the national security of the United States will be endangered.  Do you know what the danger is?

JM: There’s no danger.  Washington has a mistaken perception about what is truly national security.  I’m told that they cannot declassify nearly 50 year old documents for reasons of national security.  That’s not true.

I don’t know who killed Kennedy, I don’t pretend to know.  What I’m asking is that these documents be declassified which have to do with George E. Joannides during 1962 and 1964, in order to clarify the facts.  This is not a threat to the country, and the Freedom of Information Act says that they must be declassified.  I am only asking that the CIA obey the law.

Machetera is a member of Tlaxcala, the network of translators for linguistic diversity. This translation may be reprinted as long as the content remains unaltered, and the source, author, and translator are cited.

One of the joys of being a man in his late 50’s is the sheer exquisite experience of the annual physical that includes the delightful DRE (Digital Rectal Examination). Seriously. While it’s not quite the full blown pleasure of a colonoscopy like we are treated to every several years – 17,000 miles of tubing snaking up your arse and winding its way all thru your instestines until you can taste camera lens on the back of your palate –  it is a close second in all time favorite life experiences.

And the guys who go to college to take up this career are so special. Ya gotta be a certain, erm …. way, to want to finger men’s hineys all day, right? And then I have to imagine there’s the gay clients who request, “Use two fingers, please doc?” That has to be a most satisfying session for both doc and patient. Special.

So enthralled am I with this charming, oh-so-manly procedure I did some searching for a suitable tribute to it. Please enjoy this video with the same joyous, heartfelt ear to ear smiles the Old Silly has as he drives across town on his way to turn a trick for the doc have his annual checkup-

Isn’t that just a stitch? And speaking of stitches, I may need … nah, not gonna go there – I’d wind up being the butt of that joke!

Click on Tweety Bird and tweet this post if you liked it!

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Jackson concert surpasses initial estimates
Nov 02, 2009 – Worldwide ticket sales for Michael Jackson’s concert movie exceeded initial forecasts when final data were issued on Monday, rising to $103.9 million, distributor Columbia Pictures said.
The Sony Corp 6758.T< <SNE.N unit had said the day before that “This Is It” earned a preliminary $101 million since opening worldwide on Wednesday.

Michael Jackson movie ‘This Is It’ tops charts with $101M revenue in five days
Nov 02, 2009 – “Michael Jackson’s This Is It” pulled in $101 million worldwide in its first five days, and distributor Sony is extending the farewell performance film beyond its planned two-week run. The film was the No. 1 Halloween thriller domestically with a $21.3 million opening weekend, according to studio estimates Sunday. The previous weekend’s No. 1 movie, Paramount’s low-budget horror sensation “Paranormal Activity,” slipped to No. 2 with $16.5 million, lifting its total to $84.8 million. “This Is It” captures Jackson in behind-the-scenes performances in the weeks before his death last June, as he rehearsed his biggest hits for the London shows.

Could ‘Michael Jackson’s This Is It’ win an Oscar?
NOv 02, 2009 – “Michael Jackson’s This Is It” comes too late in the year to be considered for a documentary Oscar, but the film about the late King of Pop’s preparations for a series of comeback concerts could qualify for other Hollywood honors, including the Academy Award for best picture. The film, which opened around the globe last week already has earned rousing praise from fans and critics, who say it restores Jackson’s reputation as a world-class entertainer.

Jackson’s ‘This Is It’ Is Top Weekend Movie With $21.3 Million
Nov 02, 2009 – “Michael Jackson’s This Is It” was the top film in ticket sales in U.S. and Canadian theaters this weekend, bringing in $21.3 million for distributor Sony Corp. Last week’s No. 1 film, “Paranormal Activity” from Viacom Inc.’s Paramount Pictures, fell to second place with $16.5 million, researcher Hollywood.com Box-Office said today in an e- mailed statement.

Michael Jackson was planning Thriller movie
Nov 02, 2009 – Late pop legend Michael Jackson was planning to make a feature-length big screen version of his hit Thriller video when he died, it has been revealed.  Close friend and Jackson’s comeback tour director Kenny Ortega reveals he had discussed several movie projects with the star including a Thriller movie, and a film version of Peter Allen musical Legs Diamond, reports starpulse.com.

Akon, T-Pain Oz concert marred by violence
Nov 02, 2009 – Rapper Akon took matters into his hands at a gig in Australia when he jumped between brawling fans and ordered them to “calm down”. Akon was performing at Melbourne’s HiSense Arena as part of his co-headlining gig with T-Pain when rival gangs got into fisticuffs.

Michael Jackson commands the public one last time
Nov 01, 2009 – In a scene from “This Is It,” stage director and creative partner to Michael Jackson Kenny Ortega was sorting out how to seamlessly jump from a video feed to the King of Pop’s live cue. As MJ suggested he would face the audience, Ortega worried how Michael would know if the grand visual already flashed his cue to take it over via live performance. Michael answered, “I have to feel it.”

‘No Ceilings Mixtape’: Lil’ Wayne’s ‘No Ceilings’ official mixtape in high demand
Nov 01, 2009 – Lil’ Wayne has once again become the main subject of rap fans, and it’s not because rapper is headed to jail in 2010.  Lil’ Wayne’s official mixtape, “No Ceilings,” has become a massive hit online.

Lil Wayne slapped with copyright lawsuit
Nov 01, 2009 – Lil Wayne, who faces yet more legal woes, is now being sued for copyright infringement along with fellow rapper Birdman.

Singer killed by coyotes: Teenager folk star Taylor Mitchell attacked on remote solo walk
Oct 30, 2009 – Up-and-coming singer Taylor Mitchell died after being attacked by coyotes in a national park in her native Canada, while hiking alone in a national park. Other hikers raised the alarm after hearing the terrified screams of 19-year-old folk singer Taylor Mitchell. Read the full message from Taylor’s Mom

US-ENTERTAINMENT Summary
Nov 01, 2009 – Michael Jackson’s much-hyped concert movie reigned at the worldwide box office on Sunday, but its performance in North America was hardly a thriller. “This Is It,” composed mostly of rehearsal footage recorded in the weeks before the “King of Pop’s” death in June, earned an estimated $101 million in the five days since opening globally on Wednesday, distributor Columbia Pictures said.

Justin Timberlake Inks Tequila Deal With Live Nation
Oct 29, 2009 -  Timberlake has signed a deal with Live Nation to make his 901 Tequila the official tequila sponsor at clubs, arenas and amphitheaters across the country. It’s the first time Live Nation has entered into this sort of deal for something as specific as tequila, and it’s possible it could lead to more business between Timberlake and Live Nation.

Bucky Covington – “Gotta Be Somebody”
Oct 29, 2009 -  Nobody was more excited than Bucky Covington when Nickelback frontman Chad Kroeger showed up as a co-writer on the lead single to what will likely be Tim McGraw’s last album for Curb Records. “Nickelback is country, Nickelback is country!” Covington shouted as he dashed out into the streets, embracing strangers and swinging toddlers playfully around by the arms. One of his longest-held dreams had finally become reality.

Late Michael Jackson’s Mom Katherine fights back for his assets
The shadow of darkness still prevails on the Jackson Family. Likewise, it is reported that Late Michael Jackson’s mother Katherine dismissed the lawyers whom she hired to represent her in an ongoing probate case with the executors of the singer’s estate.

Top-Earning Dead Celebrities
The money might be drying up in Hollywood, but there’s still plenty of cash being made in the graveyard. The 13 iconic figures on Forbes’ list of the Top-Earning Dead Celebrities grossed a collective $886 million in the past 12 months.

Michael Jackson’s final curtain call
Oct 29, 2009 -  His music was at the heart of it all but the videos, the costumes, the live shows, the legends about his sprawling home and immeasurable wealth — all of it fuelled the public’s interest in him and his fans’ devotion to him.

“Michael Jackson’s This Is It” carries a title dripping with tragic irony
Oct 29, 2009 -  The title for Jackson’s 50-concert stand at London’s O2 Arena, which was to have begun July 9, was a triumphant declaration that Jackson was bringing his whole arsenal of musical gifts to the stage for millions of fans.

Critics’ Choices and other notable concerts: Ghostface Killah, Dan Deacon, Thao with the Get Down Stay Down, and more Oct 29, 2009

Dr. Dre is not too fond of Rush Limbaugh
Oct 25, 2009 – Legendary hip-hop producer/MC/label head Dr. Dre, notoriously press-shy, recently revealed his feelings about one Rush Limbaugh, the conservative radio talk show host.

Rocker brings melodies, big hooks for Breslin show
Oct 25, 2009 – Back in 2006, Chris Daughtry had the same reaction as the rest of us: How had he been voted off “American Idol”?!? That seemed impossible. Now jump ahead three-and-a-half years, with his Breslin Center concert coming up. Things may be even bigger than Daughtry had fantasized.

Dr Dre Says “Man F*ck Rush Limbaugh”
Oct 25, 2009 Grammy-Award-Winning producer Dr Dre recently became the latest hip-hop artist to call out controversial talk show host (and radio personality) Rush Limbaugh. During a on-street interview over the weekend (where the paparazzi caught Dre getting into his car), Dre shared his opinion on Limbaugh and promised his long-awaited “Detox” album was on it’s way.

Morrissey Rushed to Hospital After Collapse on Stage in England
Oct 25, 2009 – Morrissey collapsed on stage in Swindon, England, Saturday night, and was rushed to the hospital, the BBC reports. He has since been released and is resting at home.

Marching to his own Beats – David E Beats
Oct 25, 2009 – From his modest beginnings of writing poetry to his breakthrough in the rap music industry, David E Beats has always had a desire to be the best. Hailing from Washington, Beats made significant strides in the music industry when he released his first mixtape, David E Beats BLVD, a fusion of hip-hop, R&B and rock.

Four Very Different Releases From Four Very Different Artists
Oct 23, 2009 – “Southern Voice” (Curb Records): Country star and husband to Faith Hill Tim McGraw has 30 No. 1 singles under his belt. He’s sold more than 40 million albums. Yet on his 12th studio album, “Southern Voice,” the remarkably consistent McGraw resorts to the unthinkable: Nickelback’s Chad Kroeger cowrites a tune on this disappointing 12-song work.

KTVU.com Talks To Kelvin Swaby Of The Heavy

Nickelback’s Chad Kroeger gets jiggy with Timbaland
Oct 22, 2009 – Timbaland and Chad Kroeger sitting in a tree? You bet. On Monday (October 20), the super-producer revealed the list of collaborators on his upcoming Shock Value II album, with the Nickelback mastermind turning up on the track “Put Tomorrow in a Bottle”.

Top 40 radio is back on top
We don’t know yet whether Lady Gaga is the Sylvia of 2009, destined to be remembered only when today’s listeners play dinner-party trivia games asking for the names of her Top 40 hits.

Meet DJ Beverly Bond, Founder Black Girls Rock!, Inc
Oct 19, 2009 – New York City born and Maryland bred; DJ Beverly Bond was raised in St. Mary’s County, Maryland prior to her success as a fashion model and DJ. Beverly emerged into the music scene, almost a decade ago and went on to become one of the most sought after DJ’s, as well as the only female DJ of NYC’s own Heavy Hitters.

Lil Wayne: As a rock star he isn’t the great he wants to be, but as a rapper? Still almost peerless
Oct 19, 2009 While still holding on firmly to the ghetto-fab failsafes of cash, money and bitches, this former Hot Boy and New Orleans scene harbinger has made his name by being smarter and subtler than thick lad Fiddy and mentally stabler than crazy uncle Eminem. And, like Kanye, he’s unafraid of experimentation, as the grand unveiling of his new rock direction demands tonight. Thankfully there’s less risk of him making a massive tit of himself in the manner Mr West is so keen on.

A very promising band called Kaos
Oct 14, 2009 – This new rock band called Kaos may intrigue you with its name alone. When asked what it means, lead vocalist Francis Marion “Kiko” Linsangan said “it means as it sounds – chaos,” which intrigued us even more.

Nominees for ‘2009 American Music Awards’ announced
Oct 13, 2009 – Recording artists Paula Abdul, Adam Lambert and Snoop Dogg revealed the American Music Awards (AMAs) nominees this  morning from the Beverly Hills Hotel. Alicia Keys, Black Eyed Peas, Jennifer Lopez and Adam Lambert were also announced as performers for the 37th annual AMAs. The AMA’s will be Adam Lambert’s debut performance of music from his forthcoming CD release. Additional acts and presenters will be announced in the coming weeks.

New Adam Lambert Song Titles Revealed
Oct 13, 2009 – Adam Lambert told MTV News today that Time For Miracles will be released on Oct. 18 and one of his producers, Rob Cavallo, also revealed three potential song titles to Yahoo! Music today.

 Eminem received four American Music Awards Nominations
Oct 13, 2009 — Nominees for the 2009 American Music Awards were announced on Tuesday (October 13), and a diverse collection of artists are in battle and the show airs live on Sunday, November 22 at 8 p.m. ET.

Em’s nominations include,
* Artist of the Year
* Favorite Male Pop or Rock Artist
* Favorite Male Rap/Hip-Hop Artist
* Favorite Rap/Hip-Hop

Dr. Dre’s ‘Detox’ Album Delayed Again
Oct 9, 2009 – Dr. Dre’s first studio album in 10 years since his 1999 smash hit ‘2010 has been pushed back again to 2010. The album was set to be released by the end of 2009, but Dre is still unhappy with the end product.

Warner Music Group names producer Rob Cavallo chief creative officer
Oct 8, 2009 – Warner Music Group has tapped producer Rob Cavallo for the newly created position of chief creative officer. In the new role he will help develop acts across all of the Warner music labels including Atlantic, Asylum, Electra and Warner Bros. Cavallo, a multiple Grammy winner, has a strong track record with credits that include Green Day’s “American Idiot,” Kid Rock’s “Rock N Roll Jesus” and most recently the top-10 release “Brand New Eyes” from the rock band Paramore.

Greg Ladanyi Grammy-Winning Rock Producer Dies
Sept 30, 2009 – Greg Ladanyi, 57, a Grammy Award-winning producer who worked with Jackson Browne, Don Henley, Fleetwood Mac and other rock bands, died Tuesday at a hospital in the Republic of Cyprus, according to his record company, Maple Jam Music Group.

Legendary Rock Producer Tom Werman Talks With KTVU.com

RAEKWON : ONLY BUILT 4 CUBAN LINX II

Sorti le 8 septembre, presque quinze ans après le 1er… Et surtout quatre ans après l’annonce de la sortie de Only Built 4 Cuban Linx II, le Chef Raekwon n’a plus à défendre son projet dans d’innombrables interviews pour justifier son retard, nous sommes servis. Et il s’agit d’un produit de qualité, quoique la critique est mitigée.

La production est irréprochable, homogène alors que le nombre de producteurs est impressionnant: RZA, Dre, The Alchimist, Mathematics, Erick Sermon, Scram Jones, Pete Rock, Marley Marl… même J Dilla (RIP) était présent au début. Cet album est un classique du genre, or qui dit classique dit ennuyeux. Ce n’est plus la misère qui inspire ce Raekwon devenu daron : il la regarde de haut avec classe comme un bon OG, un ol’gangster qui campe le marché de la musique.

Les histoires de gangsters se succèdent, le crew w se confond avec les parrains de la rue. Les samples de Soul 60’s coulent à flot et évoquent déjà une certaine nostalgie, elle-même entretenue par les prods de Dilla, par l’hommage de Raek à ODB lorsqu’il cite Brooklyn Zoo sur l’éponyme Ason Jones. A l’écoute de l’album on est bercé dans un univers mafieux, violent et sombre. Comme d’hab quoi. Sauf que dans le premier OB4CL Raek et Ghost font l’apologie de leur milieu gangsté, dans le OB4CL2 ils assument avoir baigné dedans d’où le calme apparant.

La signature du wu se ressent fortement : tout comme cet autre pillier du rap qu’est Jay-Z avec le titre D.O.A.(Death of Auto-tune) sur The Blueprint 3 (sorti ce 8 septembre), Raekwon ne fait aucun appel aux ingrédients de ce qui marche actuellement, à l’autotune, aux vocoders et autres fashioneries de mauvais gout. Wu tang clan ain’t nuthin to fuck with. RZA créait le New Wu, morceau de haut qualibre. Ghostface Killah est partout sur OB4CL2, par la même occasion il sort son 8ème album “Ghostdini”, plus R&B… plus coktail.

Bref, on écoute ces 24 titres comme on regarde un bon vieux film de gangsta. L’album reprend des extraits de films qui s’illustrent dans leur genre (The Killer, The Godfather, etc). On écoute aussi par respect, pour les stars du rap qui font un travail impeccable. Et on profite du bonus track aux effluves hawaïennes (prod. de Scram Jones), morceau qui ne figure pas sur l’album, Raek ayant souhaité filer un coup de main aux ventes d’Itunes: