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Why I love the comforts of old Hindi cinema

There’s this delightful, irreverent new literary journal called AntiSerious. Which, as its name suggests, is all about not being serious. Not being serious about politics, society and its morals, the economy, literature, or whatever. 99 more words

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Armaan (1966)

Comments on blog posts here tend to go off on tangents. I don’t have a problem with that (in fact, I often contribute)—and, best of all, sometimes these completely tangential comments give me ideas for other posts. 2,144 more words

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Kakushi-toride no san-akunin (1958)

Known in English as The Hidden Fortress, though the literal translation is The Three Villains of the Hidden Fortress. One of Akira Kurosawa’s finest samurai films. 2,448 more words

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Gustakhi Maaf (1969)

Happy New Year!

The other day, someone mentioned that after Omkara, Maqbool and Haider—based respectively on Othello, MacBeth and Hamlet—Vishal Bhardwaj was going to be making a trio of films based on Shakespeare’s comedies. 2,411 more words

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3 Godfathers (1948)

There are two traditions I’ve maintained on this blog ever since I began blogging. One is to celebrate my birthday with a pertinent post (coming up in two weeks’ time). 2,133 more words

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Book Review: Gautam Chintamani’s Dark Star: The Loneliness of Being Rajesh Khanna

I was born in an odd generation that somehow missed the Rajesh Khanna euphoria. I missed inheriting it from my parents, who had been young and film-crazy when Ashok Kumar, Shammi Kapoor and Dev Anand had been in their prime. 1,260 more words

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