Tags » Electroacoustic Music

Padova, Workshop with artists (game music, crowdfunding, ecological composition, sound art and more...)

Il Laboratorio rinnova la collaborazione intrapresa negli anni tra Veneto Jazz, l’Università degli Studi di Padova e la Regione Veneto. Con il 2014, il laboratorio giunge alla sua… 1,670 more words

Electroacoustic Music

Roberto Fabbriciani and Luigi Nono: over a decade's collaboration

I just published my contribution to this fascinating collaboration. Flutist Roberto Fabbriciani and composer Luigi Nono created wonderful pieces during the ’80s, when working and researching at the Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestfunks E.V. 683 more words

Electroacoustic Music

Two electronics, two double basses: Kürvers, Kneer, Scott and Erel at Ma Thilda, Oct 9

Korhan Erel will play with three very exciting musicians on October 9 at Ma Thilda in Berlin: Klaus Kürvers and Meinrad Kneer on double bass and Richard Scott on modular synthesizer. 66 more words

Free Improvisation

Recherches philologiques autour de la computer music

Le 25 et 26 septembre je participerai au colloque


Je présenterai les principaux résultats des enquêtes que j’ai effectuées dans les dernières années.  368 more words

Electroacoustic Music

NanoBalad 2012


Roland Cahen (2012)

Commissioned by and composed in the INA/GRM studios in 2012

Creation multiphonies INA/GRM Friday 25 January 2013 19:30
Auditorium Saint Germain ( 2,094 more words


John Chowning et Jean-Claude Risset : pionniers de la computer music

Colloque / Concert – 25 et 26 septembre 2014

Université de Bordeaux (LaBRI) / Institut Polytechnique de Bordeaux (ENSEIRB-MATMECA)

1964 marque les débuts des travaux de John Chowning et Jean-Claude Risset dans le domaine de la synthèse sonore par ordinateur, le premier à l’Université Stanford et le second au sein des Bell Telephone Laboratories sous l’égide de Max Mathews. 163 more words

Electroacoustic Music

Michel Chion’s “Guide to Sound Objects: Pierre Schaeffer and Musical Research” (PDF)

“Our ambition, with this Guide to Sound Objects, has always been to give researchers, musicians, music-lovers and all who are directly or indirectly interested in the sound-universe an unbiased, clear and dependable tool (if this can be done) for a better knowledge and understanding of Pierre Schaeffer’s considerable contribution to this field, by means of an inventory of the ideas and concepts developed in his most important work, the Traité des Objets Musicaux.” 6 more words