This was my only resource for the exam and I passed.While my exam did not have ANY sims, compared to the Vista Config Exam, which had LOTS of sims.So if you are expecting to wiggle out some extra points by fidgeting with whats available in the sim and whats not, don’t count on it.

Product Description
If you set up, maintain, and troubleshoot desktop applications on Windows Vista, now you can build your skills and take the next step towards your MCITP: Enterprise Support Technician, Microsoft’s new job-based certification track for desktop support professionals. With this in-depth guide, you’ll learn how to support Vista in an enterprise setting, plus have the perfect study tool to help you prepare for exam 70-622. Find full coverage of all exam objectives, practical hands-on exercises, challenging review questions, a CD with testing software and electronic flashcards, and more.

From the Back Cover
The perfect study tool to prepare you for MCITP: Enterprise Support Technician

If you are a support professional who sets up, maintains, and troubleshoots desktop applications on Windows Vista, now you can build your skills and take the next step towards your MCITP: Enterprise Support Technician – Microsoft’s new job-based certification track for desktop support professionals. With this in-depth guide, you’ll learn how to support Vista in an enterprise setting, plus have the perfect study tool to help you prepare for exam 70-622, Supporting and Troubleshooting Applications on a Windows Vista Client for Enterprise Support Technicians. Inside, you’ll find:

• Full coverage of all exam objectives in a systematic approach, so you can be confident you’re getting the instruction you need for the exam

• Practical hands-on exercises to reinforce critical skills

• Real-world scenarios that put what you’ve learned in the context of actual job roles

• Challenging review questions in each chapter to prepare you for exam day

• Exam Essentials, a key feature in each chapter that identifies critical areas you must become proficient in before taking the exam

• A handy tear card that maps every official exam objective to the corresponding chapter in the book, so you can track your exam prep objective by objective

Featured on the CD

SYBEX TEST ENGINE:
Test your knowledge with advanced testing software. Includes all chapter review questions and bonus exams.

ELECTRONIC FLASHCARDS:
Reinforce your understanding with flashcards that can run on your PC, Pocket PC, or Palm handheld.

Also on the CD, you’ll find the entire book in searchable and printable PDF. Study anywhere, any time, and approach the exam with confidence.

Look inside for complete coverage of all exam objectives.

Click Here to see more reviews about: MCITP: Microsoft Windows Vista Desktop Support Enterprise Study Guide: Exam 70-622 (Paperback)

Back in 2000, I praised the teen-horror flick “Ginger Snaps” for finding new ground in the long thought dead genre of werewolf films. The film went on to become an instant cult success and to this day still ranks as one of the greatest werewolf films of all time.

The reason the film was so good because it didn’t stall on a lot of the hang-ups of conventional werewolf films. You don’t have silver bullets, a man who is the wolf, a sudden metamorphosis and a cult for or against the beast. Instead you had two sisters who cling to each other as one becomes overwhelmed by the beast inside.

In the original we saw the fate of older sister Ginger (Katharine Isabelle) and now her younger sister, Brigitte (Emily Perkins) is on the run. Trying to fight off the affliction she inherited from her dead sister, Brigitte is found by the police and sent to a drug rehab centre since it is believed she is a user from all the needle marks on her arms.

Brigitte wakes up and finds herself without her injections to fight her transformation and trapped within the centre. Brigitte befriends a young girl, Ghost (Tatiana Maslany), and they hatch a plan to escape the centre so Brigitte can also escape her destiny. But first they have to slip past a sadistic orderly, Tyler (Smallville’s Eric Johnson) and the centre’s matron, Alice (Janet Kidder).

“Ginger Snaps 2: Unleashed” is a worthy successor to the 2000 original as it breaks new ground without ignoring what made the first so interesting. I was really surprised that how well the film’s story and take on the werewolf mythos was addressed in this entry even without it being a sequel.

In the original we saw Ginger’s story as a typical popular girl at high school deals with slowly becoming more lethal and eventually an outcast. Now with Brigitte’s story we continue with the struggle of a teenage girl except instead the whole drug angle is continued from the first film and we see how Brigitte has to deal.

The small problems I had with this film were the darkness and heavy shadowing used in the film’s photography. In some places it was hard to see what was actually happening. I was also confused as to what was the story about the male werewolf. Where did he come from?

I really enjoyed this film and the strong performance by lead Emily Perkins was amazing after she was so over-shadowed by Katharine Isabelle in the first film. She is amazing in this film. I also adored the performance from young Tatiana Maslany who could give Dakota Fanning a run for her money.

Overall this sequel makes me also anticipate the third entry in the series which has been said to be a prequel set in the 1800s. I can’t wait to see it.

4 out of 5

So Says the Soothsayer.

1990 r., Nowy Jork (USA). Eric Johnson to niezwykle ceniony amerykański gitarzysta rockowy. “Cliffs of Dover” jest zaś najbardziej cenionym jego utworem i pochodzi z najbardziej znanej płyty muzyka – “Ah Via Musicom”, która ukazała się w 1990 r. Za ten utwór Johnson dostał w 1991 r. Grammy w kategorii najlepszy rockowy utwór instrumentalny.

To these people who insist on fabricating entire genres based on a single album (remember Battles’ Mirrored?): the last time I checked, nobody’s dad wanted to listen to Nels Cline’s guitar howl and grind for a full minute during a one-note interlude. Or if they do, they’ve probably got interesting taste in music that extends well beyond the experimental confines of Wilco (The Album), which, if you were wondering, isn’t far. Instead, it would appear Wilco has graciously accepted their place as a band with a camel on their album cover. A camel with a party hat on.

Guitarist Nels Cline is to Wilco, this late in their career, a technical godsend. On the albums, it’s uncontested, but his rangy presence on stage, even, is a unifying and wondrous thing to behold. Throughout Wilco – and even moreso on Sky Blue Sky, for that matter, his mastery over the guitar is absolutely mind-blowing, and not in an Yngwie Malmsteen type of way. See, those types of guys — and don’t think this list doesn’t include Steve Vai, Joe Satriani, Eric Johnson, etc. — are really little more than solo jocks, with every miserable track they write another divine platform for them to grandstand on until their audience is visibly glowing with admiration. Worse still, their followings are disgustingly loyal, and at the same time, not at all the kind of people you want to have in your corner (think of Mike Tyson’s grinning, tattooed face holding up signs reading “Free Kobe;” thanks, but no thanks, buddy). At any given concert (read: recital), you’d need a palm counter to keep track of all the t-shirts covered in sundry guitars with phrases like “So Many Choices, So Little Time,” and “Life Is Guitar, The Rest Is Just Details.” Ok, we get it – you learned how to finger-tap. Ladies, please, keep your shirts on!

Though Nels has a relatively reserved arsenal for a man of his ability, the crowd simply can’t get enough, and frequently egg him on between songs. It’s really no wonder: aside from being a prodigiously talented individual, he is a magnetic stage personality. He flails his limbs wildly during interludes, kicking his heels out sideways as he abuses the tremolo bar to wrestle out his trademark fluttering vibrato (“One Wing”). It’s as if he is the guitar solo made manifest, acting outwardly whatever internal passion his hands cannot convey. He owns the music and loves it simultaneously; it is a delight to watch. At least, it’s a lot more delightful than watching fanboys expel shuddering hyperbole on the merits of Surfing With The Alien.

You can almost see the wizened band members shaking their heads and chuckling to themselves when bandleader Jeff Tweedy presented them with “Wilco (The Song).” Gleefully smug and casually self-referential, the lyrics are oddly comforting: “tired of being exposed to the cold / the stare of your stereo / put on your headphones / before you explode / Wilco / Wilco / Wilco’ll love ya, baby.” Just as quickly as it began, the bizarre band-name-as-title-track is off the stage, and Wilco is bathing the listener lovingly in brushed acoustic strings and harpsichord pangs. “Deeper Down” goes in fits and starts, pausing between phrases to suss out the weight of Tweedy’s plaintive phrasing. Other highlights include the Feist feature “You And I,” and “Sonny Feeling,” an ambling alt-country rocker.

Nothing, of course, matches the the brutal deconstruction of “I Am Trying To Break Your Heart” that Wilco is so famous for. Not all of it is lost yet, however. It might be the one holdout track, but the band spends the latter part of “Bull Black Nova” investigating a single note suspended over what might be their funkiest bass groove yet. The band shrieks and wails as Tweedy, riddled with desperation, musters “it’s in my hair / there’s blood in the sink / I can’t calm down / I can’t think.”

Wilco’s “Bull Black Nova.” from Wilco (The Album).

And after fifteen loyal years, fans have come to terms with Tweedy’s relatively sedate nature on-stage. Any action he performs, that in any universe could be considered even slightly funny, is instantly made hilarious because Jeff Tweedy’s doing it, and that in itself is half the charm of whatever rare between-song banter happens to take place. When guitarist Pat Sansone steps forward and raises his guitar demonstratively aloft in his best Pete Townshend, the audience doesn’t bat an eye. Jeff Tweedy trades shirts with a crowd member, however, and they cheer and holler as if he’s cured some virulent disease.

All of this talk of the band and so little about the actual music probably leaves the reader wondering: is there any meat to the review, or indeed, to the record itself? In fact, the essence of the record is best conveyed with an understanding about the band. Not a forgiving understanding of the elderly, mind you; this is not a list of excuses for the band’s shortcomings in its members’ middle age years. In short, Wilco is not a failure at innovation, it’s a success at dignified folk-rock craft. Wilco has yet again asserted their territory as a dependably enjoyable group of musicians; they have all the technical ability of a group of studio players, combined with the posture and creativity of a road act. The best part is, they don’t veer toward the cloying pseudo-spirituality of so many aged rockers still trying to hogtie the intangible – their irretrievable youth.

So, really, the main difference between Sky Blue Sky and Wilco (The Album) is not so much the music, but that the fans (and perhaps the band members) have accepted that Wilco is simply a band embracing a mature eminence. What’s more, they still have a leg up on many Top 40 rock groups — most of them in their 20s and 30s — and they also still have a lot of fun doing what they do. Wilco (The Album) is a success partially because it’s well-written, but mostly because it’s delivered with such comfort and confidence, in the studio and on stage.

- JB

Karl Benjamin @ CGU (****) Paintings from 1969-71 look as fresh as if painted yesterday. Bright colorful triangles within grids of squares.
8:34 PM Sep 1st from txt

Bruce Nauman: Leave the Land Alone @ Arroyo Seco (****) Really exciting when the planes started puffing smoke and letters appeared. #artLA
5:16 PM Sep 12th from txt

Jeni Spota: Fool’s Small Victory @ Kathryn Brennan (***) Liked small stripe painting best. Show a bit sparse and out of balance. Too soon?
5:20 PM Sep 12th from txt

Roger Herman @ Jancar (***) Architectural exteriors and interiors far superior to the figurative work. Straight lines v. curves?
5:37 PM Sep 12th from txt

Uudam Nguyen: Natural Feelings @ Sabina Lee (**) Too much political mumbo jumbo trying to prop up this work. Doesn’t really mean much.
5:50 PM Sep 12th from txt

Rachel Khedoori @ The Box (****) This work actually means something and presents it in a moving way.
6:03 PM Sep 12th from txt

Libby Black: Timeless @ Charlie James (*****) Great variety of work. Perfectly installed. Love the gouaches of vintage Vogue covers. #artLA
6:06 PM Sep 12th from txt

Ruth Pastine: Limitless @ Edward Cella (****) Best viewed at an angle. Favs are “Excruciating Pleasure” & “Ethics & Desire”. #artLA
7:04 PM Sep 12th from txt

Zoe Sheehan Saldana: Ersatz @ Steve Turner. Not sure I get the “why” but I like the “how.” Will rate later.
7:06 PM Sep 12th from txt

Kevin Appel: Drawings @ ACME (***) Pretty disappointing compared to his Citibank Emerging Artist Award paintings. #artLA
7:24 PM Sep 12th from txt

Seasonal Pictures @ ACME (**) Brad Eberhard is the only bright spot in this otherwise blah painting show.
7:31 PM Sep 12th from txt

Eric Johnson @ William Turner (****) Solid show. Translucent resin wall sculptures-one in red-orange, the other in royal blue-rock. #artLA
9:28 PM Sep 12th from txt

Oliver Sutter: Intention @ 24hr Gallery (***) Mix of cryptic symbols on bright color fields w/ hard-edge stripes & black letterbox bars.
1:12 PM Sep 20th from TweetDeck

Irving Penn: Small Trades @GettyMuseum (*****) Amazingly, the subjects are both individual and typical. #artLA
6:14 PM Sep 25th from TweetDeck

Irving Penn: The plain studio backdrop forces you to see the person instead of a scene, focusing on clothing details and facial expressions.
6:15 PM Sep 25th from TweetDeck

Irving Penn: Some are impressive because of their bravado like the London chef donning a toque & apron, arms crossed, knife in hand.
6:16 PM Sep 25th from TweetDeck

Irving Penn: Others are striking for their humble honesty like the New York groom wearing worn shoes and a sweater full of holes.
6:16 PM Sep 25th from TweetDeck

Joel Kyack: Knife Shop @ Kunsthalle (***) Like set 4 performance that doesn’t happen. Hints @ some ideas, but point left unexpressed. #artLA
6:26 PM Sep 26th from TweetDeck

Jim Agnello said on Thursday that he has resigned as the athletic director and the head baseball coach at St. Rose after leading the Purple Roses to consecutive Non-Public B titles in his only two seasons as head coach.

“I’m moving on and expanding my business in Staten Island,” Agnello said. “I agonized and agonized over this. The kids are what kept me there and it hurts me to leave. It was a tough decision because of those quality kids, and I wish them the very best. Me leaving doesn’t mean they have to stop what they’ve been doing the last couple years.

“My business has been strong and I’ve only devoted less than half my time to it, so I think it can take off with me there full time.”

Agello runs “Jim Agnello’s Baseball Academy” in Staten Island, where he was an assistant at Wagner for six years before coming to St. Rose. A Howell graduate, Agnello came in as the athletic director first and then took over the Purple Roses’ baseball program shortly after because of the controversial end to the tenure of former long-time coach Bart McInerney, who was charged with 12 counts of child endangerment in 2008.

“We really tried to build a program, a culture, and an idea of moving forward, and the kids really worked hard to make that a reality,” Agnello said.

Agnello didn’t rule out trying to coach again in the Shore Conference but said it would not even be a consideration for at least a year or two. St. Rose defeated Montclair Kimberly Academy, 11-0, in five innings to win their second straight Non-Public B title in the fall and also reached the semifinals of the Monmouth County and Shore Conference Tournaments. In 2008, St. Rose also reached the SCT semis while winning the MCT in addition to sectional and state titles. St. Rose had won three overall state titles in its history before winning the two straight and turning in consecutive 20-win seasons under Agnello. St. Rose also went undefeated in Class B Central in both years as well.

The candidates for his replacement as baseball coach could be his assistants, including former Central head coach Jerry Frulio, who has been an assistant at St. Rose for two years. Assistant Mike Cerminaro and jayvee coach Rich Lanko are other possible candidates to helm a team that lost most of its starting lineup to graduation as a 14-player senior class walked the aisle this past spring.

In other St. Rose baseball news, the site of their home field could be in jeopardy. Their regular home field has been at the Shore Christian Academy, which has closed, and the property has been foreclosed on. That means that a potential buyer that does not want to use the property for a school could get rid of the baseball field to accommodate whatever the buyer wanted to do with the land. The bank still owns the property as of now and it has not been sold.

In other baseball news, T.J. O’Donnell has been approved by the Board of Education and has returned as Raritan’s head baseball coach after a two-year hiatus. O’Donnell, who led the Rockets to a Group II title and perennial playoff berths in his previous tenure, replaces Bobby Devlin.

Finally, there are some college commitments to report as the Toms River North duo of pitcher Rudy Ferrentino and infielder/pitcher Brian Gilbert have both offered verbal commitments to Seton Hall, so congrats to them. Colts Neck senior infielder/pitcher Charlie Lasky has also reportedly verbally committed to Rutgers, and Red Bank senior pitcher/outfielder Jake Kalish has committed to George Mason. All four were Carpenter Cup selections in the spring.

Los directores de empresa deben identificar cuáles de los procesos de negocio que se llevan a cabo en sus organizaciones requieren la aplicación de la ciencia –en específico la estandarización— para mantener la calidad de sus productos o servicios, y cuáles otros deben llevarse a cabo aplicando el arte para diferenciarse y crear una marca única que impacte al cliente.

Así lo afirmó el profesor Eric Johnson, de Tuck Business School, en la sesión que ofreció a participantes del Programa Alta Dirección en Innovación y Tecnología (ADIT) en IPADE Business School.

En su participación en el ADIT, el profesor Johnson abordó el tema de las cadenas de suministro y la tecnología de operaciones hoy en día y cuestionó a los presentes: “¿cuándo debe ser un proceso un arte y cuándo una ciencia?”.

Lo primero que hay que hacer, sostuvo, es identificar cuidadosamente los procesos para descubrir cuáles necesitan la estandarización y cuáles deben llevarse de forma más artística.

“Algunos procesos requieren más de la aplicación del arte y no tanto de la ciencia. Si los estandarizas, muchas veces haces infelices a los clientes. Parte de hacer arte en los procesos es lograr tratarlos de manera personalizada. Los procesos son ahora más artísticos, en aras de personalizar más los servicios que se proveen”, agregó.

Johnson también dijo que los directores deben buscar el balance entre ciencia y arte en sus negocios.

“Tomemos como ejemplo a las personas que trabajan en ventas, quienes deben cerrar grandes tratos con clientes. Necesitas arte para eso y no todas las personas que trabajan en ventas se concentran en el arte de negociar. Lo que haces generalmente es recolectar información, dirigir las relaciones con el cliente, crear callcenters y eso está bien, pero la clave está en lograr que tanto el arte como la ciencia funcionen adecuadamente”, afirmó.

The certification exam 70-623 is geared to customer support. I have heard it is for Geek Squad and Nerds on site and such. Yet the materials in this book will be useful for anyone who services computers or provides customer/consumer support. It spends more time on soft skills than a lot of certification exam books do.

Having already worked through other books and written exams for 70-620 and 70-622, I still found I learned a lot from this book both about Vista and about some of its features and resources.

This book comes with a CD that has the PDF of the book, so you can keep the searchable electronic copy with you. This is a great resource. It also contains a sample test, electronic flashcards for learning and a custom test engine to help you prepare for what the real exam will be like.

This book, and the material that the Erics teach through it, contains skills that anyone in the computer industry could benefit from. Having worked through this book in a week, I was able to pass the 70-623 exam with flying colours.

One of the biggest advantages of this book over some others, is that it gives you the answer keys to the review questions at the end of each chapter, rather than needing to hunt and search, or find someone with an instructor CD.

Product Description
If you are a support professional who sets up, maintains, and troubleshoots desktop applications on Windows Vista, now you can build your skills and prepare for exam 70-623, MCITP: Supporting and Troubleshooting Applications on a Windows Vista Client for Consumer Support Technicians, the required exam for achieving certification as an MCITP: Consumer Support Technician. Inside this comprehensive study guide you’ll find full coverage of all exam objectives, practical hands-on exercises, real-world scenarios, challenging review questions, and more.

From the Back Cover
The ideal study tool for MCITP exam 70-623

If you are a support professional who sets up, maintains, and troubleshoots desktop applications on Windows Vista, now you can build your skills and prepare for exam 70-623, MCITP: Supporting and Troubleshooting Applications on a Windows Vista Client for Consumer Support Technicians, the required exam for achieving certification as an MCITP: Consumer Support Technician. Inside this comprehensive study guide you’ll find:

• Full coverage of all exam objectives in a systematic approach, so you can be confident you’re getting the instruction you need for the exam

• Practical hands-on exercises to reinforce critical skills

• Real-world scenarios that put what you’ve learned in the context of actual job roles

• Challenging review questions in each chapter to prepare you for exam day

• Exam Essentials, a key feature in each chapter that identifies critical areas you must become proficient in before taking the exam

• A handy tear card that maps every official exam objective to the corresponding chapter in the book, so you can track your exam prep, objective by objective

Look inside for complete coverage of all exam objectives.

Click Here to see more reviews about: MCITP: Microsoft Windows Vista Desktop Support Consumer Study Guide: Exam 70-623 (Paperback)

Eric Johnson: Recent Works @ William Turner

“Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin. The handcrafted abstract works are sheathed in resin skins, often revealing glimpses of skeletal armatures and hidden architectures. Over the past twelve years, the structures have become organic and revealing to their formation. The current work merges the passion for depth and structure with an obsession for color and surface.”

OPENING RECEPTION: Saturday, September 19, 2009, 6:30-8:30pm

William Turner Gallery
2525 Michigan Ave., E-1
Santa Monica, CA 90404

September 12 – October 24, 2009

One of my all time favorite guitar players, Eric Johnson. Being a guitar player myself, duplicating Erics effort take true discipline and hard work. Just like anything else worth while. Give a view at the YouTube Video and I think you will agree this Guy is one of the Masters. ~shoop
.
Live at the Bottomline, NY, 1990. Cliffs of Dover is appeared on EJ’s 1990 “Ah Via Musicom” album. The song takes its name from the white Cliffs of Dover along the British shoreline. It was voted number 17 in Guitar World magazine’s list of 100 Greatest Guitar Solos and won a Grammy award for Best Rock Instrumental Performance in1991.
The song is featured in the video game Guitar Hero III: Legends of Rock and this video game appearance prompted a renewed interest in the song and Eric Johnson mostly among younger audience.

......

This Tool Saves Me A Ton Of TIME. I Use it Every Day ~shoop

Cliffs of Dover

Cliffs of Dover es una canción instrumental escrita por el músico Eric Johnson en la decada de los 80s. Forma parte de su álbum Ah Via Musicom. Esta canción toma su nombre de los acantilados de Dover que se extienden a lo largo de la costa de Inglaterra.

Esta canción ganó un Premio Grammy en 1991 por la Mejor Interpretación de Rock Instrumental, venciendo a The Allman Brothers Band, Rush, Yes y a Danny Gatton. Esta canción también apareció en el videojuego Guitar Hero III: Legends of Rock en la tanda final de canciones

Via Wikipedia

Sony Music Entertainment and Experience Hendrix L.L.C. have agreed to a monumental catalog licensing deal to set the stage for a worldwide campaign to make all of Jimi’s extraordinary music, including classics, never before heard archive recordings, and filmed concerts available through every type of media.

Legacy Recordings, Sony’s catalog music division, will issue definitive deluxe editions of the classics released during Jimi’s all too brief career including GRAMMY(R) Hall Of Fame Inductees “Are You Experienced”, “Axis: Bold As Love”, “Electric Ladyland” and (outside the US) “Band of Gypsys.” In addition, Legacy will also release those posthumous compilations produced by Experience Hendrix during its stewardship. Each title will also be available through major Digital Service Providers.

Dagger Records, Experience Hendrix’s “official bootleg” division, now in its eleventh year, offers recordings of great historical significance. The company has also sponsored numerous Experience Hendrix tours that have showcased contemporary artists performing the music of Jimi Hendrix in concert to underscore the never ending vitality and inspiration of Hendrix’s music. Participating artists on these tours have included Robert Randolph, Carlos Santana, Paul Rodgers, Buddy Guy, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, members of Pearl Jam, Aerosmith, the Doors, Los Lobos and many others. Details about the 2010 Experience Hendrix Tour will soon be revealed. This historic partnership will include Legacy’s participation in Dagger Records, the Experience Hendrix tours and other Hendrix-related businesses.

“Jimi’s legacy and vision were unique and there will never be another that reaches his unparalleled genius. He was the greatest guitarist ever,” said Janie Hendrix, President and CEO of Experience Hendrix. “We are confident that our new relationship with Sony Music will honor my beloved brother’s legacy and will deliver Jimi’s special ‘Message Of Love’ across the globe. We look forward to the creative partnership and ground breaking releases that this new relationship will engender to bring Jimi’s music to successive generations of fans.”

“No artist has ever transformed the pop music landscape as profoundly or as permanently as Jimi Hendrix,” said Adam Block, Senior Vice President and General Manager, Legacy Recordings. “We are proud to be partnering with Experience Hendrix, keeping the sound and spirit of Jimi’s music alive for future generations around the world.”

About Legacy Recordings

The multiple Grammy-winning Legacy Recordings, Sony Music Entertainment’s catalog division, produces and maintains the world’s foremost catalog of historic reissues, an unparalleled compendium of thousands of digitally re-mastered archival titles representing virtually every musical genre including popular, rock, jazz, blues, R&B, folk, country, gospel, Broadway musicals, movie soundtracks, ethnic, world music, classical, comedy and more.

About Experience Hendrix L.L.C.

Founded by James ‘Al’ Hendrix, Jimi’s father, in 1995, Experience Hendrix, has been managed since its inception by the family members handpicked by Al during his tenure as Chairman. It is the official family company charged with managing the music, name, image and likeness of Jimi Hendrix. As a part of their daily operations, Experience Hendrix and Authentic Hendrix oversee Jimi’s timeless legacy on a worldwide basis.

www.LegacyRecordings.com

www.MySpace.com/LegacyRecordings

www.YouTube.com/SonyMusicUSA

Nope, it’s not the same song I dedicated yesterday.  This time it’s a song of nearly the same name that talks to my wife’s Texan heritage.  When I met her she lived in the Red River valley, just about as plains-desert an area as you can get.  For the moment we’re apart, but we’ll see each other again.  I’ve no doubts about that.

Love you honey. You are My Desert Rose.

Pedaço do vídeo “Standing Room Only” (Produzido por Allan Main e Hugh Thomas em 1978). Nele vemos Rabbit Bartholemew e Larry Bertleman, dois dos melhores soul surfers dos anos 70.

Nessa época não se ganhava dinheiro com surf, esses são os verdadeiros Soul Surfers, ou como a mídia chama hoje e a industria paga pesado, os Free Surfers.

Olha a trilha sonora! Eric Johnson, Steve Vai e Joe Satriani tocando Jimi Hendrix. Aumenta o volume e pira.

Repara que ja existia crowd.

Olha uma session com uma prancha toda quebrada (TOCO) o cutback que o cara dá. Para!!!

OLHA O TUBO QUE O lARRY FAZ COM ESSE TOCO AOS 3 MIN E DEZ SEGUNDOS.

Só eu ja assisti mais de dez vezes. Esse não tem nem pro “Carlos Leite”, seus nove títulos mundiais e suas quadriquilhas.

“Marching In” is NOW AVAILABLE at Guitar9.com!
Buy your copy today!

Find out why GUITAR PLAYER magazine calls Marching In “whacked out genius”..!

Dan Sindel, a “One Man Orchestra,” recreates John Philip Sousa’s and Handel’s orchestral scores on Marching In by transposing and transcribing the compositions to accommodate the guitar’s tonal range. Hundreds of layered guitar tracks create a massive electric guitar wall of sound. This collectible “limited edition” CD features an eclectic blend of Dan’s “Symphonic Guitar” instrumental orchestrations and brings a new light to modern guitar playing and arrangement. Some of the greatest mixing engineers and producers in the music business today lent their talents to bring Dan’s unique musical vision to life including: Steve Sykes (Steve Lukather, Bon Jovi, Stanley Clarke, David Benoit), Carmen Rizzo (Prince, Coldplay, Seal, Ray Charles, Paul Oakenfold), Bruno Canale (Brian Welch of Korn, Alex Acuna). Rick Shlosser (Alice Cooper, Rod Stewart, Van Morrison, Cher, Diana Ross) – percussion, Bernie Becker (Tenacious D, Frank Sinatra, Neil Diamond) – mastering. Marching In also features the beautifully digitally re-mastered bonus fifteen minute, three song medley “Excerpts From Handel’s Messiah”. Instrumental Guitar (Electric/Rock/Classical), total running time, 23:26