While Americans and Australians wait to see what their respective stimulus packages end up containing, some foreign policy discussion is going on – Robert Farley and Matt Yglesias discuss the viability of the Human-Cylon Alliance.

“Blood on the Scales”

February 6th, 2009

For the second time this season, I found myself in a situation wherein being able to watch Battlestar Galactica wasn’t in the cards. I am not a fan of this particular development, as it is inherently frustrating, especially when the episode was actually spoiled for a couple of people I was with for the weekend. BSG’s friday night time slot seems great in theory sometimes, but when you actually have an event going on it’s kind of tough to find the time to slot it in.

And by the time I did sit down late Saturday night to watch “Blood on the Scales,” I have to say that I didn’t find it quite as exciting as some others did. Perhaps it was the scenario in which I watched it, but there is something about this episode that felt like it was the simplest of solutions. There wasn’t anything surprising in the episode, outside of a couple of loose ends that never really played a role in the episode. This isn’t to say that the episode lacked excitement, or that its darkest moments had no impact on me, but rather that for all the escalation and all the entertaining turnarounds it ended up exactly where we knew it would end up.

So this isn’t likely going to be incredibly lengthy, primarily because I wrote so much about “The Oath” that saying too much more here is probably going to get redundant.

My biggest problem with “Blood on the Scales” is also the scene that was perhaps the most shocking: as the Quorum asks Zarek to leave the room so that they can discuss the insane position the fleet finds itself in, Zarek departs and then informs a group of marines to shoot and kill them all. It’s an incredibly powerful scene, watching as Zarek walks down the corridor as the gunshots barrel behind him, but for me its shock value was precisely what takes an incredibly complex moral situation for Gaeta and turns it into a situation that is clearly out of his hands.

It’s not that I am surprised that Gaeta would balk at the murder of the Quorum, but rather that I wish he had something much less shocking to react to. To this point the mutiny has been morally ambiguous, but to have Zarek be so willing to murder the political structure of the colonies is too much of a red flag for Gaeta to ignore, and by the time he eventually more or less surrenders himself you’re kind of like “well, obviously.” The problem is that in my books we’ve known Gaeta all along. His Lady Macbeth-esque scratching of his leg has been ongoing all this time, and I don’t think that anyone who avoided being reactive and chose instead to view Felix as a conflicted person who believes in something he doesn’t understand could see him as being someone who needed a wakeup call in the form of a murdered political body to know that he and Zarek were on different pages.

As a result of this, it felt like there were parts of the episode that were inherently fascinating in and of themselves (Lampkin coming out of the woodwork to be assigned to assist Adama, Roslin’s desperate attempts to contact the fleet, Adama’s reaction to being told Tigh is dead, Roslin’s reaction to being told Adama is dead), but for all intents and purposes it felt like all of it was going to happen regardless and lead to that final moment where the coup is ended, Adama regains control, and they place Gaeta and Zarek in front of the firing squad.

I think the reason I found the episode so underwhelming compared to some of the concensus is that lack of surprise: last week managed to draw amazing action sequences and yet use them to build character and show us sides of people we haven’t seen for a while or sides that were new for this very complex situation. And yet here, it felt like the action did nothing of the sort: Roslin perhaps reached a new level of determination with here haunting “we are coming for all of you,” Baltar seems to have truly begun to analyze his own behaviour after falling in bed with the Six, but it seems like everyone else was just on the same path we saw them on before. It never felt like the episode took us anywhere that expand either the philosophical boundaries or the character development of the series.

Except for Gaeta. This episode ultimately boils down to that final scene with Gaeta and Baltar sitting in the break room, sipping their coffee and smoking their cigarettes. That speech is something I plan to revisit, Gaeta’s story of his life and his obsession with architecture. I think this arc has been extremely valuable for the show in that it has given Gaeta a greater purpose, placed him in a unique position of being so driven by his emotions that he ignored the physical sign of his mind’s disapproval, the itchiness of his leg, and kept moving. When he takes off the limb before heading out to the CiC after ordering Adama’s murder, it’s just getting worse. When he eventually is about to face the firing squad, though, he realizes that it has stopped, a realization that comes right before he dies.

It’s all extremely poetic, but the rest of the episode felt like it was never given that chance. There was never any real uncertainty that they wouldn’t be able to stop the mutiny, and part of the episode felt like the mid-season resolution to say the Eye of Jupiter storyline: simple, quick, and focused on letting everyone move on. However, this is reductive in the end, considering that the Quorum is dead, there isn’t a Vice-President, Gaeta and many others are gone, there are major questions of loyalty throughout the fleet, Baltar is newly engaged, etc. This isn’t some chance for the show to go back to normal, it’s just a shift that was so clearly defined last week that the aftermath is not surprising and when combined with my weird viewing conditions never felt all that exciting either.

Overall, it just felt like “Blood on the Scales” was about doling out justice, and yet we had seen the case so many times that we could have told you how it went down: while that doesn’t take away the great moments or the highly emotional content or the fascinating elevation of Felix Gaeta, it does kind of take the wind of out of this blog post.

Cultural Observations

• My one major disappointment, to be honest, is that they did so little with the Cylons they were holding hostage: it felt as if there was a lot of potential for them to be used as leverage with the Cylons more explicitly, and for Hera to play a role (did anyone else notice that with Caprica being the one holding Hera as they left the cell the Opera House is returning to the forefront?), but instead they were set free and nothing ever really came of it (except for what I’ll get to in a second). It felt like this was going to be a huge episode for them, so perhaps this explains my slight disappointment that they were so left behind.
• Of course, this doesn’t change the fact that Samuel T. Anders seems like he might soon be dead. Obviously, this is going to raise some serious questions about the Final Five (ie, Tigh will be watching very carefully to see how Anders handles death to see just what might have happened to Ellen), but here it seems weird that we didn’t see any sort of resolution: we left it on Starbuck getting Lampkin’s begrudging assistance to help her get Anders to sick bay. I liked seeing this side to Starbuck, but taking her out of the action to deal with Anders felt like a copout when she didn’t get to take part in retaking the ship.
• We also don’t know what it is, exactly, that Tyrol saw when he tore that piece out of the FTL drive in order to stop the ship from jumping away. It was interesting to see the innerworkings of the ship, but what was that giant hole: is the FTL drive screwed, resulting in them being sitting ducks for a Cavill attack? Or is that something that has Tyrol trapped in there and potentially in danger? It seemed like these moments were such teases, not really giving us a sense of what was happening because there were other things to deal with. Darnit, I want answers now!

Battlestar Galactica Season 5 Episode 4 (SciFi calls this Season 4 episode 14) “Blood on the Scales” was one of the best – if not THE BEST Battlestar Galactica episodes EVER.

We don’t know who will get shot, who will live and who will die. Who is in charge? Will they jump? Will they not jump?

From beginning till the end this episode kept us guessing on all those questions.

At first we were certain Adama, Tigh or Rosyln would get toasted, but that didn’t happen.

Zarek issueing the order to kill the whole quarom – WOW…

Roslyn’s argument to fight no matter what…

and the people all those people on Galactica who tried to follow their conscience whether that meant following Gaeta or Adama.

Felix Gaeta is truly the great tragic hero of this show. Unlike Zarek he is not evil. Unlike Baltar he didn’t betray his people to the Cylons .

Gaeta from beginning till the end really always tried to do the right thing, whether it was helping the resistance on New Caprica, plotting the right jump point or overthrowing Adama because he didn’t want they Cylons to run the fleet.

Gaeta wasn’t evil he wasn’t thirsty for power – only for justice.

The final scenes of this episode were awesome – Gaeta telling Baltar of his youth and then finally the pain subsiding in his lost leg.

While it was inevitable that Gaeta would die once Adama retook control, it was also a sad ending to a noble and brave character. It’s unfortunate that we didn’t get to hear Gaeta sing again before dying and this site for one will miss him.

Rest in Peace Felix Gaeta. Rest in peace.

SO SAY WE ALL.

Blood on the Scales

Execution of Tom Zarek and Lt. Felix Gaeta

Well they killed off Richard Hatch this week… it’s a biter-sweet time for BSG fans. It’s good to see a show not compromise and end while it’s on top but at the same time it sucks that the show is ending. Tonight was a big step to the end with the execution of Tom Zarek played by Richard Hatch who was Catain Apollo on the original Battlestar Galactica series in the 70’s and who has been keeping the BSG story alive all these years. – just thought I’d say “thanks”

After last week’s episode – The Oath – a lot of things have changed and a lot of things are up in the air.

SciFi and Space Network (in Canada) have put out a pair of teaser trailers for Battlestar Galactica Season 5 episode 4 – that pretty much show us exactly what’s next. (Update -watch Blood on the Scales now)

Here’s the spoiler – Roslyn and Adama survive – but Adama ends up in front of Gaeta’s firing squad charged with Crimes against the fleet.

The best line in either trailer is Admiral Adama telling Gaeta, “Go Shove it Up Your Ass!.”

The Canadian trailer is better than SciFi’s but we’ve included both below:

and SciFi’s trailer:

Blood on the Scales

Third episode of what we think should be Season 5 (SciFi calls it Season 4 episode 13) was one awesome episode.

Called the Oath – clearly both sides think they’re upholding their Oath to the Colonial Fleet. The dept of Felix Gaeta’s mutiny is astounding he’s got the majority of Galactica (but not his boyfriend?!) on board.

Sure he didn’t shoot Adama, but Gaeta is a nice guy — or at least he was until he ordered the outgoing Raptor destroyed.

The Oath
Someone is gonna die there, will it be the Raptor team? or will it Be Tight? Or will Admiral Adama be toasted???

My bet is the raptor with all hands lost.

It’s sad that after everything that’s happened humans are turning against humans again. Innocent people are getting killed and all for what? Just because they don’t trust the Cylons?? That is a big issue and hey if i was on Galactica, personally I’d probably side with Gaeta too.

After the setup of the last episode – this episode is only part of the payoff.. i suspect that this mutiny will carry us forward right till the final episode.

Watch The Oath

“The Oath”

January 30th, 2009

“Every revolution begins with one small act”

This was what Tom Zarek told Felix Gaeta when they made their uneasy alliance at the end of “A Disquiet Follows My Soul,” and the events of “The Oath” are in many ways the result of this particular theory, if not quite in the way that Zarek meant these words.

Fundamentally, yes, the act of mutiny that begins at 0630 hours was in fact one small act that would spiral into something much large, but at this point it is impossible to consider any action or any event as anything but a culmination of past tensions. The entire episode is spent taking a trip down memory lane: to Anders’ days back on Caprica surviving the Cylon attack, to the fight of the resistance on New Caprica, to the treasonous activities during the reunion of Galactica and Pegasus, they all played a role in who these people are and how they came to be there. They all took an oath, every single one of them, and although that Oath has been tested it is in this moment that they will make a decision.

The result is quite literally a showdown between the present and the past, one that each character on an individual level is forced to reconcile. Despite being the most action-packed episode perhaps of the entire season thus far, and featuring in my mind the most tense and human-driven action we’ve seen since “Pegasus,” this was much less about the action than it was about what it meant to the people involved. From grunt marines to basic civilians to the former political and military leaders of these people, humanity is indeed at a crossroads, and this is as much an inner revolution of their minds as it is an attempt to take over control of Galactica.

Every revolution may begin with a small act, but “The Oath” was anything but small, and certainly represents a return to seat of your pants, edge of your seat engagement without sacrificing the psychological investigation of characters that truly sets the show apart.

In the battle between valuing the present or valuing the past, there is very little question that Felix Gaeta is haunted by the past. There is a reason why, when he is leaving with Zarek, he delays long enough to scratch at his amputated leg: he is attempting to redeem himself for past acts (including what the Webisodes have told us about his time in Baltar’s administration), and more importantly he is attempting to gain retribution to those who have hurt him and who have let this happen to him. He has lost all connection to his present condition: he has no idea what he is going to do once he takes control of Galactica because he never thought that far ahead: his goal was never about creating a better future, because the reason he was taking action in the first place was because he had given up on the prospect of the future being put in front of him.

And we know, politically speaking, that Zarek is no better: his plan appears to have been to just sit over on Colonial One and let Gaeta do the dirty work, likely in order to give him an escape should Gaeta fail to secure the other side of the bargain. Zarek is positioning himself, rather than actually choosing a position. He doesn’t have a plan for what he is going to do with this fleet, and there is no sense of how they are going to survive without their Cylon alliance. It’s all stuck in the past: fear of the Cylons and what they’ve done, fear of the alliance that has been made. But like I said last week, Zarek is technically right in many ways, as Lee at one point says tonight. He tells Tigh, flat out, that he agrees with Zarek that this is fundamentally frakked up, that it shouldn’t have come to this. But Lee, unlike Gaeta or Zarek, sits contemplating past, present and future as a wholistic idea, whereas Gaeta is hung up on one, reckless with another, and continues to elide the third.

Alessandro Juliani has never been asked to do this much before, but I think he’s been up to the task: you hated him as he took control of all communications and refused to put Starbuck or Lee through to Adama, you loathed him when he finally took control and acted like he was in charge, but I have to admit that part of me felt for him as the chatter came over the wireless, all of the fleet captains asking who was in charge, what was going on. They were turning to Gaeta for a plan, an order, anything to give them peace of mind, and all he could do was radio off to Zarek who, like the reluctant father figure, questions Gaeta’s intelligence of keeping Adama alive as opposed to offering reassurance. The show never goes so far as to make Gaeta sympathetic, but you see in the final moments of the episode that he is going against the grain here. There is part of Felix that didn’t want to order them to shoot down the raptor with Roslin and Baltar on board, but he saw the looks on everyone’s faces and remembered something that Adama said to him earlier: there is no more amnesty, there is no going back, who you are will be decided by the decisions you make on this day. And for Gaeta, so tormented by the past, that means doing everything he can to complete his mission.

The other more interesting example of a character throwing all caution to the wind is someone who has thrown away past and future and, having stopped spending all of her time pondering her existential being, suddenly wakes up from a coma of sorts to kick some ass. Starbuck has been in a funk pretty much all season: ever since she almost died, she has become a character driven by uncertainty, motives that she doesn’t even understand leading her in new directions and confusing trajectories. She was one of the people who helped lead to this deal with the Cylons, but she has had no part in its makeup because she hasn’t cared, hasn’t been driven to do anything. And yet, when she pieces together that civilians are being armed, and realizes that something is very amiss aboard Galactica, something changes in Starbuck.

The episode is moving at a pretty decent clip at most points, but it hits hardest when Lee is taken off of that Raptor and ambushed, nearly shot before Starbuck is able to shoot his asailant first. It was a fantastic point of tension for the episode, as I believed in that moment that Lee was in danger, and Starbuck suddenly appearing behind the falling marine was a brilliant directorial decision. But what the scene really establishes is that Starbuck doesn’t care about the past or her own future: she shoots Racetrack’s co-pilot the second he offers a word of resistance, and later tries to shoot Adama and Tigh’s hostage primarily because she has drawn a clear line in the sand. Starbuck has been looking at her life as shades of grey since she returned from her death, pondering where it fits within this question of human and Cylon and identity, but when placed into this situation she sees black and white: there are those who support the mutiny, and those who are against it. She shoots at them because she is at a point where she doesn’t care about feelings, or consequences, or loyalties: she holds the Oath, if not by name, as sacred, and something that one can’t take for granted in leading such an uprising.

My favourite scene with Starbuck, though, was with Lee in the storage locker, taking a break before investigating the situation further. Lee tries to pause, waffling on something and overthinking it, and Starbuck just kisses him and tells him that she hasn’t felt this alive in a long time. And it’s true: we haven’t seen an episode this action-packed since New Caprica in terms of ground combat, and Starbuck often works best in those kinds of environments (plus, she hasn’t been in a raptor since the season four premiere either). As a character, she works best in these kinds of environment, where her moral standing coincides with her decisions in the field, but what we see here was the most unflinching Starbuck yet. It brought out more of her character than we’ve seen recently, and nicely situates her for the rest of the season.

The other two characters to wake up in the episode were the two who in many ways mattered the most. In terms of the show’s narrative, Gaius Baltar has been woefully unrepresented this season, given only a few speeches and a few token appearances. While the show has acknowledged that he has continued to spread his philosophy and speak his wisdom to the people, and that he has turned on his Cylon God in the wake of Earth’s destruction, it has never given us a real sense of what he will be doing as this fleet moves forward. However, it is no coincidence that he is onboard that shuttle for a reason, and I for one am very glad for it. While he doesn’t get a hugely redemptive speech in the episode, what he does get are smaller moments of reconnection: with his battles with Roslin, with his past actions as President of the colonies, and with that sense of political drive that has been dormant during his religious phase.

It isn’t that Baltar is making a shift from religion to politics, but rather that he is making the leap from the abstract to the tangible; before he believed that the Cylon God had a plan for them all, but without that plan he has only the past to turn to in order to plan for the future. It fits perfectly with his turn to an atheist-like perspective in the wake of the state of Earth, that all of a sudden he is a man without a God who reconnects with something very real. Religion was something that made sense for Gaius because of his relationship with Head Six and his complicated involvement with the Cylons, but the show has more or less wiped away religion in favour of a more complicated philosophy: life. Baltar’s lived an interesting one, so on that merit alone he has a lot to give to these people and in his phone call with Gaeta we sense that he’s willing to give it. He reaches out to Gaeta for many of the same reasons why Roslin talks to the people: they both know that they have some sort of clout, and are now discovering a reason to use it.

It’s hard not to root for Laura Roslin, especially as she wakes up from her post-drugs euphoria to discover that her civilization is falling apart without her leadership. I love the first few scenes with her and Adama discussing the resistance to the Cylon jump drives: it’s like being inside the Clinton household about now, as Hilary comes home with complicated foreign policy issues and Bill can’t help but interject his opinion into the matter. But Roslin, unlike Bill, doesn’t want to remain involved at that point: she is content to play domestic partner to Adama, with her bathrobe, her book, her coffee, and the dinner she’ll have on the table when he gets back. It’s a tragic picture of domesticity when we know what’s abut to happen, but Roslin eventually overcomes any sense that this will be for her a tragic journey when she opens the hatch door to meet Lee and Starbuck, dressed with a wig on her head.

She was already ready: there was a new rhythm to her speech, a power in her voice, a determination we haven’t seen in quite some time. Roslin has more or less been coasting all season, letting the relative peace lead her to a complacency. It wasn’t a fast shift in just the last week: even beforehand, she was dealing with mortality, her time aboard the Cylon baseship a lesson in the idea that she would let the people decide Baltar’s fate and that her own would be decided by them. She let her anxiety over death, rendered so brilliantly in “Faith” and in other episodes, take over her to the point where the destruction of Earth was the last thing she could handle: here was supposed to be this vindication, and then there was nothing. Her past was suddenly all a lie, her worst anxities proven true as she would become the dying leader who led the people to a nuclear wasteland. She gave up on past, present and future in that moment, but here discovers that the people need a leader, even one who lied to them.

I loved the scenes between Roslin and Baltar not just because of how much I like these two characters but because here they are completely stripped down: a companion piece of sorts to their scene in last year where Roslin saved Baltar from certain death, here we find two characters who have taken down all of their defences. Baltar can sense that Roslin isn’t there to set a trap because he knows her character too well, sees that her guard isn’t up and that she is here because he has something that she needs and that she believes he will let her use it. And he does, and she uses it to discuss the crossroads the fleet is now on: not only is this fitting considering the season three finale’s title, but the sheer power of her voice creates havoc for Gaeta and Zarek. The Ship’s captains want to know: what is Roslin going to do, why was Roslin cut off, why isn’t Roslin in control? And while I will agree with Baltar to an extent that the show is perhaps overestimated her oratorical skill in terms of how it outweighs the fleet’s unrest in the face of the post-Earth period, I also feel her speech hit the right note: she is not selling them fear, and is contextualizing her comments as their last hope where Zarek is offering nothing but blind change.

Roslin is suddenly, terminal cancer and all, thinking about the future again, but this is ultimately not her battle to be fighting. I don’t care what you think about any other part of this episode, but the image of Admiral William Adama pulling out a semi-automatic and settling in next to Colonel Saul Tigh in a last stand against an oncoming mutinous force is just frakking badass. There are no new shades to his character here, just the grit and determination we’ve seen in the past overflowing in abundance. The show did an amazing job balancing the characters’ motivations and their actions tonight, which I’ll get to in a bit more depth in a moment, but with Adama they didn’t even have to try: Olmos is in such control over this character that him wielding a gun still felt less violent than his vicious speech while the CiC was being taken over. He brought the Oath, to us an abstract construct in many ways, into very clear focus, and he placed to all of them a very simple comment: there is no more amnesty, there is no more forgiveness, this is the final straw.

And that’s Adama’s relationship with temporality: he doesn’t give a frak about anything but being able to live with himself. It’s quite similar to the current attitude of Tigh, for that matter: Adama is simply deciding to live life by the values and morals he knows best, which means that he is neither willing to back down to Gaeta’s demands or willing to kill in cold blood the marine who seems willing to share old war stories and relucant to being a part of this mutiny. Adama is, like Kara or even Gaeta, throwing caution to the wind, but he is not throwing himself out there at the same time: while he might be acting differently than he did before, he is only removing the shackles of the responsibility of the Admiralcy as opposed to the fundamental nature of his identity (which Kara has stopped trying to identify and which Gaeta sees as the source of internal corruption). He would never be able to live with himself if he went on that shuttle and abandoned his own ship, but he sure as hell is going to make out with his woman before he stays behind, and doesn’t care how awkward it made his son (answer: really awkward).

The fascinating thing is that all of this character development was in one hell of an action-packed episode, which is a testament to Mark Verheiden’s script. All of the action built to something, and there are even loose ends that we haven’t even picked up on heading into next week’s episode. What I loved is that it really was a reunion tour, and most definitely was meant to remind us of the past human-driven conflicts that we have seen. Why else would it have been the engineer from the Pegasus, a civilian forced into service by Cain’s orders, who challenged Gaeta and Zarek’s shuttle? And is it a coincidence that both of the main civilian conspirators were the guy who was on New Caprica and who tried to kill Baltar at the start of the season and one of the Pegasus officers who was involved in the attempted rape of Athena? Anders got much the same treatment, attacked for being a Cylon and for not loving Seelix like she wanted him to. It was, in many ways, like the war stories Adama told later in the episode, designed to remind us of the history that these humans (and Cylons, I guess) have with each other.

But it’s all the same story: all human/human conflict we’ve seen in this series has been driven by the question of the human/Cylon binary that forms the underpinnings of this threat. It is the thing which threatens the Oath most often, the threat from Pegasus being over the treatment of Athena and Gina, Baltar’s trial resulting from the balance of resistance vs. cooperation on New Caprica, and even the short-lived mutiny about the Demetrius being over the question of whether or not to even believe the Cylon refugees. It is Roslin and Baltar who can bring these two sides together, it is Starbuck who has some type of role to play in discovering their identities, and it is the final Five Cylons who are the key to understanding at least part of this complex relationship. But for this week, the Cylons remained in a holding cell aboard Galactica because this isn’t really about them: they claim it is, but it’s really about humanity’s attempts at reconciling the past, figuring out the present, and grasping for a future.

And while they think that’s all about the Cylons, it’s not: it’s about their interpretation of The Oath and their belief in the collective will of humanity, questions that are given surprising depth by some kickass gun battles, a dual-wielding Saul Tigh and an explosive cliffhanger that will send this one into the books as one of Galactica’s most accomplished hours.

Cultural Observations

• I’m curious to know whether or not the various timestamps, going from 0620 to 1040 or so, were in the original script. There were a strong device at demonstrating how quickly this was all happening, and how little reaction time everyone really had to it all. It kept things in perspective, and in many ways heightened the tension because we knew there wasn’t huge gaps between events, like this was 24 and they’re magically on a road with no traffic when we come back from commercial.
• No, seriously, dual-wielding Saul Tigh, people – it was just plain kickass. All of the gun stuff was pretty great: we don’t get to see much of it, so to have marines opening fire in the CiC and to see people actually dying and going down was shocking to the system in a very good way. It brought out some great character stuff first and foremost, but it was also freeing for the director and even the sound guys to really give the ship some atmosphere with the muffled gunshots proving more of a soundtrack that Bear McCreary’s music (which was pretty unnoticeable in this episode outside of a few refrains of Roslin and Adama, although I was a little distracted by the action).
• It’s interesting that we still haven’t returned to Tory at all – it seems odd to be ignoring her entirely, although I understand that she is the most reconciled with her Cylon self out of all of them. I’m guessing that the next half of the episode, with Roslin and Baltar heading to the baseship, will open our eyes a bit to the Cylon side of all of this, especially considering who is being held in Caprica’s cell.
• Speaking of those people: you have Anders, who is the real bargaining chip it appears, but you also have Helo and more importantly Caprica, Athena and Hera. We’re starting to unite the people who are in the Opera House dream, and already you can see tension between Caprica (who is posturing about how they’re threatened by Cylon procreation with her baby) and Athena who clearly wants nothing to do with any of it and wants to shelter Hera from these broader ideas of destiny. There’s a lot of awesome dynamics there that we never really get back to in this hour, and I can’t wait to be a fly on that wall next week.
• My other favourite character moment in the episode was everything that Tyrol did: seeing him there helping Baltar, organizing against the revolution, was one of those moments where you realize how he really is a decent person. His reasoning for helping Adama, that he didn’t think the old man deserved to go down that way, was such a perfect representation of where the character stands, and he is another one who is ignoring traditional identity binaries in favour of going with his gut instincts.

Second episode of what we’re calling Season 5 (scifi channel is calling it season 4 episode 11) – and we’ve got the making of (yet another) full scale human mutiny.

We’ve had human mutiny before in this show – but this time will be a little different.

Now we’ve got Cylon’s fighting Cylons, Humans fighting humans and you need a score card to figure who is one what side.

And what’s the deal with Calli and Tyrol’s baby?!!! woops sorry Chief you’re not the dad! Hot Dog is the dad and calli was a slut – too bad for you.

What happened to Baltar!!! For the first few seasons he was one of our favorite characters – now he just plain sucks. He doesn’t have visions of Six anymore (and she doesn’t have visions of him) he doesn’t even talk to six. That’s just stoopid and negates three plus years of plot development.

One thing is for sure though – with the (yet another) mutiny on tap we’re in for a whole lot more action in the final 8 episodes of Battlestar Galactica. No doubt Ellen Tigh will be pissed too when she comes back to find Saul with Six and a new cylon baby.

*If you missed the episode live Amazon has it up now on demand -  A Disquiet Follows My Soul

 I really want to know.  I remember that in SoaW, Liir begets a child, on Candle.  But for some reason, I didn’t recall it being anymore than a fleeting experiment; I thought she might have even mounted him while he was comatose, a la The World According to Garp.  Now, I haven’t exactly finished their relationship, but this:

They retired.  Candle fell asleep quickly.  Liir rolled up against her for warmth.  I am not a soldier any longer, he said to himself; this is not my Qua’ati girlfriend.  He stiffened, as a man will, but took pains to govern the appetite.  She was his rescuer and not his concubine.  He might be infected with something contagious, and he wouldn’t endanger her in that way. (Quote continues after the jump)

When it seemed that the sweet lettucey smell of her breathing, the roll of her breast in the moonlight was too much to bear–that he would sink his mouth upon it–he turned onto his side.  A minute or two of envisioning the burning bridge at Qhoyre was all it took to restore him to to the sadder state in which he’d spent most of his life. (p.211)

What??   I didn’t remember eroticism- even hesitant- of the heterosexual persuasion.  I do remember some sort of gay physical relationship with Trism.  Perhaps (I haven’t re-reached it yet) it is only implied, but for some reason I seem to recall that beyond a shadow of a doubt, Liir and Trism engaged in the love that dare not speak its name.  I’m equally positive that Liir leaves Candle at the end, but whether or not it’s with Trism, I don’t remember.

So, again, I want to know why I am so bothered by the near-erotic passage above, and others like it.  Do I not want Liir to be in love unless it’s with a man?  Do I want to call Liir bisexual?  Do I want Liir to be just experimenting with Candle?  Why am I not happy with any of these?  I want him to be a through and through no doubt at all gay man.  Like Crope, and Tibbet.

I guess that, even as an old man, I want characters to identify with.  And I love my Angels in America.  And I love my City and the Pillar.  And lord knows, against the wishes of classier homosexuals, I love my Queer as Folk DVDs.  And others and others and others.  And of course, strong gay men (maybe not so strong in Pillar) are at the center of these novels.

But they’re ultimately queer novels.  They deal with queer issues.  And what I want to see is a totally mainstream novel and totally mainstream story (as far as SoaW is mainstream) where the characters’ sexuality is really more of an afterthought.   A character that just happens to be gay.  I’m sure that there are some that I’m just not thinking of, but SoaW set me off.  Let’s start bringing out not more gay novels,  but more fully fleshed, fully out, fully sexual gay characters whose defining characteristic isn’t their sexuality.  Isn’t it time?

Maybe novels should take a cue from this television character:

Finally, after years of speculation (except to those of us whose gaydar picked up on it and gossiped about it four years ago), Lt. Felix Gaeta of the Battlestar Galactica has come out of the closet by engaging in a physical relationship with another man.  No open mouthed kiss here yet, but I’ll take an intimate kiss on the lips goodbye.

This is so cool and positive for two reasons. 

The first is that Lt. Gaeta is already established as one of the core individuals on the show who make Galactica run.  He is courageous, self sacrificing, competent, heroic, and thoroughly human.   He lost a leg in service of his crewmates (hrm, any relation to Eric Alva, the first US Iraqi casualty- and a gay soldier who lost his leg?  I hadn’t thought of that until just now!).  He isn’t a gay character; he’s a good heroic character on one of the most popular shows on television and just happens to be gay.

The second reason this is cool and positive is that the, um, actor who plays him, Alessandro Juliani, is hot.  Hawwwhhht.

Now, just reflect on this for a minute:  gay soldiers in fictional science fiction militaries thousands of years in the future have more civil rights than humans in Georgia today.

Reflect on that again.

Just as the case the last two half season – we’re going to get 10 webisodes this time around.
The official title of the Webisode series is, “The Face of the Enemy,” and Felix Gaeta is the major character.

There is also rumor that the webisodes will ‘out’ Gaeta as he is expected to have a real ‘male bonding” scene with another male character.

Not sure this will be as interesting as the flashback stuff we had prior to season 4 when we saw the younger Adama – Husker – kick Cylon arse – that was cool. Oh and don’t forget the season 3.5 webisode’s Resistance where we saw the going-ons of new Caprica.

Until we see what’s going on with Earth and the final Cylon – not sure that anything else really matters for Battlestar Galactica.

The song that Felix Gaeta sings after he loses his leg in the last episode of Battlestar Galactica 4×7 is one of the most stunning and haunting songs in modern scifi history.

Now the dude that wrote the sheet music and the lyrics for the song – Gaeta’s Lament -  Bear McCreary has blogged extensively about the song, how he put it together and what it all means.

* Alone she sleeps in the shirt of man
* With my three wishes clutched in her hand
* The first that she be spared the pain
* That comes from a dark and laughing rain
When she finds love may it always stay true
* This I beg for the second wish I made too

* But wish no more
* My life you can take

* To have her please just one day wake