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Blogs about: Film Formtech

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Analysing the Portrayal of Violence in Mad Max and Rashomon

Katie Wellbrook wrote 1 week ago: In Akira Kurosawa’s Rashomon and George Miller’s Mad Max it is undeniable that violence is a key and … more →

Tags: Action, australian cinema, Genre, Japanese cinema, Narrative, Akira Kurosawa, George Miller, Mad Max, Rashomon

Exploring Noir – The Representation of Family and Gender in Film Noir1 comment

A.R. Duckworth wrote 3 weeks ago: In this article I will explore Sylvia Harvey’s ‘Women’s Place: The Absent Family o … more →

Tags: Film Noir, Genre, Hollywood, Narrative, film noir, Classic Hollywood, double indemnity, Women, Gender

Narrative Signposting in French Connection II

A.R. Duckworth wrote 6 months ago: Commonly the construction of a compelling narrative utilizes a “signposting” device in order to draw … more →

Tags: Narrative, Hollywood, Narration, narratology, Basic Narrative Elements, signposting, French Connection II, French Connection

Exploring Noir: Where The Sidewalk Ends2 comments

A.R. Duckworth wrote 8 months ago: In the coming weeks and months I will be exploring some “film noirs”, sometimes focusing … more →

Tags: Genre, Film Noir, Hollywood, film noir, film, Cinema, symbolism, Film Form, criticism

Influential Theorists: Andre Bazin - The Myth of Total Cinema

A.R. Duckworth wrote 8 months ago: This article continues my examination of Andre Bazin’s What Is Cinema? The Myth of Total Cinem … more →

Tags: Andre Bazin, Bazin, Cinematic History, history of cinema, Influential Theorists, Objectivity, Realism, Realist Aesthetic, subjectivity

A Sketch of the First Episode in Nanni Moretti's Caro Diario

A.R. Duckworth wrote 10 months ago: I am currently writing a collection of articles on the auteur theory, exploring Sarris and his detra … more →

Tags: Narrative, italian cinema, postmodern, Diagetic, Non-Diagetic, Subjective, Episodic Narrative, Postmodernity, Dear Diary

Basic Film Techniques: Wipe

A.R. Duckworth wrote 10 months ago: The much maligned wipe – infamous for its inclusion in “tacky” wedding videos – has recently become … more →

Tags: Continuity System, Continuity Editing, Editing, Aesthetic Continuity, Spatial Continuity, Temporal Continuity, Elliptical Editing, Basic Film Techniques, Elliptical Editing Technique

Basic Film Techniques: Extreme Long Shot

A.R. Duckworth wrote 11 months ago: The extreme long shot is a shot wherein the object, in the western genre typically the “lonerider”, … more →

Tags: Background, Basic Film Techniques, Bourne Identity, camera angle, characterisation, Editing, Extreme Long Shot, foreground, the searchers

Basic Film Techniques: Slow Motion2 comments

A.R. Duckworth wrote 1 year ago: Slow motion is the technique through which time appears slowed down. The slow motion technique regul … more →

Tags: film, Cinema, War Film, Film Form, Violence, War Films, Cross of Iron, slow motion, Anti-War Film

Basic Film Techniques: The Dissolve2 comments

A.R. Duckworth wrote 1 year ago: The dissolve is a common film technique which is often used as an indicator of a passage of time; th … more →

Tags: film, Editing, Film Form, Elliptical Editing, Basic Film Techniques, Film - Technique, dissolve, Elliptical Editing Technique, Transition

Basic Film Techniques: The Jump Cut2 comments

Vedette Bianciotti wrote 1 year ago: The jump cut is an elliptical editing technique which foregrounds the form and constructed nature of … more →

Tags: Film Form, Breathless, À bout de souffle, jump shot, Elliptical Editing, Basic Film Techniques, jump cut

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image5 comments

A.R. Duckworth wrote 1 year ago:   Andre Bazin is undoubtedly a famous figure in film criticism and film theory. Bazin was a co-found … more →

Tags: Philosophy, film, Cinema, Aesthetics, Objective, Subjective, Perception, film theory, Realism

Basic Film Techniques: The Extreme Close-Up2 comments

A.R. Duckworth wrote 1 year ago: The extreme close-up is a shot that would only show an eye, mouth or portion of an actors’ fac … more →

Tags: film, Close-Up, Film Form, extreme close-up, Basic Film Techniques

Basic Film Techniques Round-Up

A.R. Duckworth wrote 1 year ago: Currently my head is lost to Locke’s Political Philosophy and Empiricism and will be for the n … more →

Tags: Admin/Misc., Basic Film Techniques

Shallow Focus and the Aura of Authenticity in Gamorra4 comments

A.R. Duckworth wrote 1 year ago: Gamorra/Gamorrah(2008)   Gamorra the film selects several stories from investigative journalist Robe … more →

Tags: italian cinema, 2008, Actor Recognition, Aesthetic of Reality, Aesthetics, Andre Bazin, Aura of Authenticity, authenticity, camorra

Basic Film Techniques: Match-Cut1 comment

A.R. Duckworth wrote 1 year ago: A mach-cut is a cut between two shots which match graphically. This match establishes a sense of con … more →

Tags: Continuity System, Continuity Editing, symbolism, Match Cut, Graphic Match, Spatial Continuity, Temporal Continuity, Spatial Enviroment, Temporal Enviroment

Basic Film Techniques: The Kuleshov Effect1 comment

A.R. Duckworth wrote 1 year ago: In order to proceed with basic film techniques I felt that a short exposition on the ‘Kuleshov … more →

Tags: film, Continuity System, Continuity Editing, Editing, Relational Editing, Soviet Cinema, Soviet Montage, Film Form, semiology

Slow Motion (2)1 comment

A.R. Duckworth wrote 1 year ago: Just a little addition to my Cross Of Iron (1977) article concerning slow motion. In The Defender (1 … more →

Tags: Film Form, audience, Action, Cross of Iron, slow motion, The Defender, Zhong Nan Hai Bao Biao, Jet Li, Martial Arts Film

Slow Motion in Sam Peckinpak's Cross Of Iron2 comments

A.R. Duckworth wrote 1 year ago: Cross Of Iron (1977) In Sam Peckinpak’s war film (anti-war) Cross Of Iron we see the use of sl … more →

Tags: War, film, Cinema, War, Violence, Modern War Films, War Films, world war II films, Cross of Iron


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