Was tun, wenn’s brennt?/ Yangın anında ne yapmalı ?

Brennen lassen! / Bırak yansın !

Was tun, wenn’s brennt? / What to do in case of fire? / Yangın anında ne yapmalı?  filmi herşeyden önce ideallerimize ne oldu sorusunu suratımıza çarpıyor. 80′li yılların sonunda Berlin’in bir ada olarak Doğu Almanya’nın ortasında olduğu zamanlarda Berlinli altı anarşist Alman genç türlü eylemlerle, sisteme karşı duruşlarıyla, polis çatışmaları ile günlerini geçirmektedirler. Bu anarşist gençlerin 80′lerin sonunda bir villaya yerleştirdikleri ev yapımı tuhaf bombanın (!) tutup 2000 yılında patlaması, 12 yıl aradan sonra bir araya gelmelerini sağlıyor. Çünkü bombanın patlamasıyla aralarında bir devlet görevlisinin de bulunduğu iki kişi yaralanınca polis bombacıları bulmak üzere harekete geçiyor. Yapılan bir polis baskınında bombayı yapan grupta bulunan Tim ve Hotte’nin evindeki eşyalara da el konuluyor. Üstelik bu eşyaların arasında grubun bombayı yaparken kendi görüntülerini çektikleri bir film de var. Böylece 80′lerin hızlı anarşistleri mecburiyetten bir araya gelerek filmlerini polis izlemeden emniyet müdürlüğünden almak üzere bir plan yapıyorlar.

Altı anarşist gence gelince, aradan geçen 12 yılda gruptan değişmeyen 2 kişi sadece Tim ve Hotte’dir. Gruptaki diğer gençlerden Nele artık iki çocuk annesidir. Maik zengin bir reklamcı olmuştur. Terror şimdi bir hukukçu olarak arkadaşlarının karşısındadır. 80′lerde Tim’in sevgilisi olan Flo ise şimdilerde zengin bir adamla evlilik hazırlıkları içerisindedir. Eski filmlerini emniyet merkezinden alamazlarsa kariyer, aile, huzurlu yaşam (!) diye bir şey kalmayıp tümü hapse düşebilecektir. Bir araya gelirler, geçmişlerinin muhasebesini yaparlar, artık birbirlerine karşı yok olmuş güvenlerini oluşturmaya çalışırlar ve filmi ele geçirme planlarını uygulamaya geçerler.

What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former eastern Germany. At the end of the 80s they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany’s new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to grips with the reason they separated 12 years ago.

In 1987, in Berlin, six young idealistic anarchic activists leave a handcrafted bomb in a mansion. Only thirteen years later the bomb explodes, wounding two persons. The police force, under the command of the experienced inspector Manowsky , investigate the terrorist act and go to the old apartment, where Tim  and the crippled Hotte  live, collecting all possible evidences, including many films. One of these films show the group making the bomb, and Hotte and Tim decide to find the former four members of their group to tell them that they may go to jail, if the investigation watch the film. Maik is a successful man working in an advertisement agency; Terror  is a lawyer; Nele  is a mother of two children; and Flo  is a mysterious wealthy woman. The group joins force and plots a plan to retrieve the film.

türkçe altyazılı, ( almanca ) / german ( with turkish subtitles ) !!!

online izle / watch online:

http://www.archive.org/details/WhatToDoInCaseOfFire

indir ( 736 mb. ) / download ( 736 mb. ):

http://www.archive.org/download/WhatToDoInCaseOfFire/WhatToDoInCaseOfFire.avi

not: internationala’ ya teşekkürler..

alex, ikinci paylaşım savaşı yıllarında tüm ailesi  toplama kamplarına gönderildikten sonra nazilerden bir yahudi gettosuna saklanarak kurtulan 11 yaşında bir çocuktur. film alex’ in gözlerinden gettoyu anlatıyor.

alex is an 11-year old boy who, during WWII, hides in the jewish ghetto from nazis after all the relatives have been sent to the concentration camp. the movie portrays the ghetto through his eyes.

ingilizce / english !!!

http://rapidshare.com/files/306906368/The.Island.on.Bird.Street.1997.DVDRip.part1.rar
http://rapidshare.com/files/306918698/The.Island.on.Bird.Street.1997.DVDRip.part2.rar
http://rapidshare.com/files/306928550/The.Island.on.Bird.Street.1997.DVDRip.part3.rar
http://rapidshare.com/files/306936571/The.Island.on.Bird.Street.1997.DVDRip.part4.rar

Propaganda Amerika Serikat di Film 2012

(Dikutip dari milis kahmi)

Gedung bioskop XXI di salah satu mal di Bogor sudah dipenuhi
oleh para penonton film 2012. Sulit dimengerti mengapa orang-orang Indonesia  tiba-tiba seperti tersihir menonton film ini.

Waktu menunjukan pukul 15.15 WIB. Film 2012 pun muncul di
layar. Adegan pertama menceritakan sebuah penemuan ilmiah terkait ledakan di matahari. Ledakan itu mempengaruhi kondisi di bumi, bahkan di kerak bumi.

Berdasarkan penemuan ilmiah itu diperkirakan kiamat akan terjadi di tahun 2012.

Informasi itu segera disampaikan ke Presiden Amerika Serikat. Singkat cerita, Amerika Serikat segera mengajak negara-negara kaya lainnya untuk melakukan misi penyelamatan dari kiamat di tahun 2012.

Seakan meniru kisah Nabi Nuh dalam agama samawi (Islam, Kristen, Yahudi), negara-negara kaya yang dipelopori oleh Amerika Serikat pun membuat bahtera yang super besar dan kuat. Bahtera itu dibuat di China.

Adegan film berikutnya, menggambarkan kejadian gempa bumi di
berbagai negara menjelang tahun 2012. Hingga tiba saatnya di tahun 2012, kiamat benar-benar terjadi. Para petinggi Amerika Serikat digambarkan sibuk
mempersiapkan keberangkatan ke China untuk menyelamatkan diri dari kiamat.

Namun, Presiden Amerika Serikat menolak ikut pergi ke China
untuk menyelamatkan diri dari kiamat dengan bahtera. Sang Presiden memilih berada di tengah-tengah rakyatnya saat kiamat itu terjadi. uh, betapa mulianya sikap Sang Presiden Amerika Serikat itu. Presiden Amerika Serikat hanya mengikutkan anaknya ke dalam misi penyelamatan dari kiamat itu.

Singkat cerita, semua pemimpin negara-negara maju/kaya sudah berada di bahtera itu. Bahtera pun siap diberangkatkan. Menjelang datangnya
kiamat, seorang ahli geologi asal Amerika Serikat melihat bahwa masih banyak orang yang berada di luar bahtera. Atas inisiatifnya lah pintu bahtera dibuka untuk menampung warga biasa non pejabat tinggi dari negara-negara maju itu.

Adegan berikutnya tentu saja menggambarkan betapa dahsyatnya
kiamat itu terjadi. Tidak ada yang tersisa kecuali bahtera yang telah dinaiki
para petinggi negara-negara maju itu.

Dalam ajaran agama samawi dan mungkin juga agama lainnya,
ketika kiamat terjadi tidak ada satu pun mahkluk di bumi yang akan selamat,
semua hancur bersama dengan hancurnya alam semesta. Namun film 2012 ini mengirimkan pesan bahwa kiamat boleh saja terjadi, dan jika kiamat terjadi maka ikutlah bersama gerbong yang telah dibuat oleh Amerika Serikat dan negara-negara maju, pasti anda akan selamat.

Film 2012 itu seakan melawan ajaran agama tentang kiamat.
Tuhan pun tidak mampu menghalangi misi penyelamatan yang telah digagas oleh Amerika Serikat dan negara-negara maju. Film 2012 ini seakan ingin mengirimkan pesan bahwa jalan keselamatan bukan ada di agama-agama namun ada di gerbong yang dipimpin oleh Amerika Serikat dan negara-negara maju.

Di dunia nyata,  gerbong yang dibangun oleh Amerika Serikat dan negara-negara maju itu  lain dan tak bukan adalah jalan neoliberal. Pengertian neoliberal itu  adalah konsepsi ekonomi-politik yang melarang negara ikut campur dalam  ekonomi. Semua persoalan ekonomi harus diserahkan ke mekanisme pasar,  cabang-cabang produksi dan jasa yang menguasai hajat hidup orang , seperti energi, listrik, pangan, air, pendidikan dan kesehatan. Jika  warga miskin yang menjadi korban dari gerbong neoliberal itu ya dianggap saja sebuah seleksi alam.

Menurut ajaran neoliberal, negara hanya boleh campur tangan
dalam persoalan ekonomi jika itu untuk menjamin mekanisme pasar dapat berjalan.

Para penonton mungkin terksima dengan teknologi dalam film ini. Namun itu akan segera berlalu, menyusul ditemukan teknologi animasi baru yang lebih canggih dan apik dibandingkan film 2012 ini. Jika rasa kekaguman akan teknologi animasi di film 2012 itu hilang, maka yang tersisa hanyalah
pesan dalam film ini bahwa jika ingin selamat maka ikutlah dengan rombongan Amerika Serikat dan negara-negara maju. Another world is not posible (dunia , tanpa pasar bebas dengan kepemimpinan Amerika Serikat dan negara-negara maju, tidaklah mungkin ada). Pasar bebas adalah sebuah keniscayaan, kata para pakar ekonomi pemuja neoliberal.

Semoga para penonton film 2012 tidak mengistirahatkan akal sehat dan nuraninya. Semoga para penonton film 2012 setelah keluar dari gedung  tetap pada keyakinan bahwa another world is posible. Karena penyelamatan manusia dan alam semesta terlalu penting jika hanya diserahkan ke tangan Amerika Serikat dan negara-negara maju. Terlebih mereka telah terbukti  model pembangunan yang mengakibatkan pemiskinan dan kehancuran alam ..

Sumber: http://satudunia. net/?q=content/ propaganda- amerika-serikat- di-film-2012

(tr)Hayaller üzerine bir film. Bir adamın hayalleri ve hayalleri gerçek dünyadaki büyük uçurumu farkedişini takip ediyoruz film boyunca. Ve filmdek sorgulamayı takip ederken bir anda kendinizi ana karakterin yerinde bulabiliyorsunuz. Ve bu sefer de kendinizi sorgulamaya başlıyorsunuz. Film hem çekim tekniğiyle hem atmosferiyle hem de diyaloglarıyla gerçekten kaliteli bir yapım.

(en)Dreams. What are they? An escape from reality or reality itself? Waking Life follows the dream(s) of one man and his attempt to find and discern the absolute difference between waking life and the dreamworld. While trying to figure out a way to wake up, he runs into many people on his way; some of which offer one sentence asides on life, others delving deeply into existential questions and life’s mysteries. We become the main character. It becomes our dream and our questions being asked and answered. Can we control our dreams? What are they telling us about life? About death? About ourselves and where we come from and where we are going? The film does not answer all these for us. Instead, it inspires us to ask the questions and find the answers ourselves.

İNGİLİZCE, TÜRKÇE ALTYAZILI / ENGLISH with TURKISH SUBTITLES

Netten İzle / Watch Online (Sadece İngilizce / Just English)

http://video.google.com/videoplay?docid=7583894250854515095

İNDİR / DOWNLOAD

http://rapidshare.com/files/6826707/Waking_Life.part1.rar
http://rapidshare.com/files/6826869/Waking_Life.part2.rar
http://rapidshare.com/files/6827097/Waking_Life.part3.rar
http://rapidshare.com/files/6825692/Waking_Life.part4.rar
http://rapidshare.com/files/6825871/Waking_Life.part5.rar
http://rapidshare.com/files/6826194/Waking_Life.part6.rar
http://rapidshare.com/files/6826485/Waking_Life.part7.rar
http://rapidshare.com/files/6826533/Waking_Life.part8.rar

ya da / or

http://www.archive.org/download/RichardLinklaterisawesome/Waking_Life.avi

Türkçe Altyazı / Turkish Subtitle

http://www.4shared.com/file/153616033/c6e037a2/WakingLife-TurkishSubtitle.html

bizden habersiz başlamış ve aynen öyle yaşanıp bitecek olan hayatları ters taraftan izlemeye başlıyoruz. ya da ortasından, “özgür bir dünya”da göçmenlere göçmenliklerinden kendilerinin suçlu olduğunu (tıpkı fırsat eşitliği ve seçme özgürlüğüne rağmen -!- yoksul kalabilenler gibi) kısa ve kesin cümlelerle buyuran, her şeyin ikamesinin mümkün olduğu bu sistemde insana(/ı) her zaman dilsizliği(/e), evsizliği(/e), yoksulluğu(/a) yakış(/yaklaş)tıran bir düzenin aracılarının gözünden, kesinlikle alışık olmadığımız muğlak bir noktadan bakıyoruz.

film, çağımızın en önemli sorunlarından olan göçmen sorununa farklı bir açıdan yaklaşmış. İzleyiciyi, aslında bu sorunun, insan emeği üzerinde oynanan çok çirkin bir oyun olduğu konusunda düşündürüyor. Çalıştığı işte uğradığı hakarete tepki gösteren Angie , bir arkadaşıyla birlikte İşçi Bulma firması kurar.

Londra’nın izbe semtlerinde yaşamlarını barakalarda geçiren göçmen işçileri büyük firmalara pazarlayan Angie ve ortağı Rose kısa sürede birçok işçiyi pazarlamaya başlar. Piyasada ucuz iş gücüne olan ihtiyacı da arkalarına alarak hızla kaçak işçiler arasında markalaşırlar. Her sabah barakaların önünde toplanan Polanyalı, Ukranyalı, Şilili, İranlı kaçaklar çaresizlikten Angie ile çalışırlar. Kamyonetlere balık istifi doldurulan işçileri büyük fabrikalara, sandviç imalathanelerine, temizlik şirketlerine pazarlarlar. Angie, kısa sürede çok para kazanırlar. Para kazandıkça da hırsı büyür… Film sınıf atlamaya çalışan bir kadının yaşadığı çelişkileri ve ’özgür’ olduğu söylenen bir dünyadaki eşitsizlikleri gösteriyor.

Angie sets up a recruitment agency with her flat-mate Rose, working in a twilight zone between gangmasters, employment agencies and the migrant workers ine her place. This is a tale set against the reality of the Anglo Saxon miracle of flexible labour, globalisation, double shifts and lots of happy, happy, happy consumers: Us.

ingilizce orjinal, türkçe altyazılı / english ( with turkish subtitles ) !!!

indir / download:

http://rapidshare.com/files/76621961/iafw-By.school_bus.part1.rar
http://rapidshare.com/files/76625200/iafw-By.school_bus.part2.rar
http://rapidshare.com/files/76628342/iafw-By.school_bus.part3.rar
http://rapidshare.com/files/76631356/iafw-By.school_bus.part4.rar
http://rapidshare.com/files/76634595/iafw-By.school_bus.part5.rar
http://rapidshare.com/files/76637600/iafw-By.school_bus.part6.rar
http://rapidshare.com/files/76640391/iafw-By.school_bus.part7.rar

I just saw Adam Elliot’s brilliant animation. It’s a fantastically dark tale of two distinct characters with mental problems forming an unlikely bond across two continents. Barry Humphries does a dead pan narration to create a wonderful pastiche of those old children’s cartoons the BBC used to make. It’s really pretty dark so don’t take the kids. It’ll make you laugh, and it might well make you cry too. I loved it and so far it’s my favourite film of the year.

Taliban rejiminin hüküm sürdüğü Afganistan’da kadınların yanlarında bir erkek akrabaları olmadan sokağa çıkmaları yasaklanmıştır. Hiçbir erkek yakını olmayan kadınlarsa evlerinde açlıktan ölmeye mahkumdur.

Bir anne ve oniki yaşındaki kızı da Taliban başa geçtikten sonra işsiz kalırlar ve anne kocasıyla erkek kardeşini savaşta kaybeder. Kendisi ve çocuğunu hayatta tutabilmek için annenin yapabileceği tek birşey vardır. Kızını erkek kılığına sokmak… Artık her dakikaları Taliban askerleri tarafından farkedilme ve öldürülme korkusuyla geçmeye başlar. Hayat artık zorlu bir yolculuğun ucundadır.

Gerçek bir hayat hikayesinden uyarlanan Osama’nın  özelliklerinden birisi de filmdeki hiçbir başrol oyuncusunun profesyonel olmaması.

After the brutal Taliban regime bans women from working and forbids them to leave their homes without a male escort, a 12-year old girl and her mother find themselves on the brink of starvation. With nowhere left to turn, the mother disguises her daughter as a boy. Now called “Osama,” the young girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from discovering her true identity.( Inspired by a true story )

peştumca, türkçe altyazılı / pashtu with turkish subtitles !!!

indir / download:

http://rapidshare.com/files/20934978/O159s369m147a.Def.part1.rar

http://rapidshare.com/files/20675350/O159s369m147a.Def.part2.rar

http://rapidshare.com/files/20935213/O159s369m147a.Def.part3.rar

http://rapidshare.com/files/20935314/O159s369m147a.Def.part4.rar

http://rapidshare.com/files/20935419/O159s369m147a.Def.part5.rar

http://rapidshare.com/files/20935513/O159s369m147a.Def.part6.rar

http://rapidshare.com/files/20935618/O159s369m147a.Def.part7.rar

http://rapidshare.com/files/20935646/O159s369m147a.Def.part8.rar

türkçe altyazı / turkish subtitle:

http://divxplanet.com/sub/s/18192/Osama.html

“El arte es un arma Cargada de futuro”
“Sanat,içinde geleceği barındıran bir silahtır…”

Film ,Alfredo Baeza (Oscar Jaenada) adlı gencin ailesini bırakarak Murcia’dan Madrid’ e konservatuarı kazanmak için gelmesiyle başlar.Sırtından indirmediği garip kuklası ve sokak lambasıyla hazırladıgı mizansen onun konservatuara giriş bileti olur. Alfredo ilk günden edindigi arkadaş grubu ile günlerini konservatuar ve kantinde geçirmekten artık sıkılmaya başlamıştır. Bir gün söylediği  bir yalan yüzünden hocasıyla kavga etmesi  onun ve arkadaşlarının hayatını değiştiren gün olur. O tartışmadan sonra konservatuarı bırakır ve çalışmaya başlar. Artık hayallerini gerçekleştirme zamanıdır.

Arkadaşlarıyla Noviembre adlı bi grup kurarlar bu grup gösterilerini sokaklarda yapacak, kimseden para almayacak ve para önerilen hiçbir teklifi kabul etmeyecektir. İstedikleri bağımsız tiyatro fırsatı artık gerçekleşmeye başlamıştır.Yaptıkları oyunlarda diyalog pek yoktur, olanlar da doğaçlama gerçekleşir ama sergiledikleri sahneler herkesin sevgisini kazanmalarını sağlar. Olaylar başta güzel  gitse de ,bir süre sonra başları ilk olarak polisle derde girer.

Polisin malzemelerine el koyması grubu daha fazla ateşler ve performansları gittikçe daha yüklü bir sosyal bilinç kazanır.

Gösterilerinde her türlü marjinalliğe başvururlar ve en başından beri istedikleri dünyayı degiştirme hayalleri  devam eder. Bu dünyada varolan kokuşmuş sistemin tiyatrodaki etkilerini ele alıp sürekli eleştirirler, fakat sergiledikleri son gösteri daha büyük makamlarla başlarının belaya girmesine sebep olur, neticesinde sokaklarda gösteri yapmaları yasaklanır.

Bu karar her türlü tehlikeye atılmaktan korkmayan gençler için ölümcül bi durumdur ama karara boyun eğmekten başka çareleri yoktur.Bir müddet birbirlerinden koparlar.Hayat zordur ve para kazanılması ” gerekir “. Grup, birgün para karşılığı bir iş teklifi alır ama hangi yoldan gitmeleri gerektiği konusunda oyuncuların fikirleri birbirlerinden farklıdır. Bu durum grup arasında gerilime sebep olur ve kısa süreli bir dağılma yaşanır. Bir süre sonra, grup yeniden birleşme kararı alır ve bunu sansasyonel bir gösteriyle gerçekleştirirler. İspanyol Kraliyet Tiyatrosu’ na, gizlice girip kendi dünyalarını anlatmayı denerler sonunda ne mi olur? Bunu, izlediginiz zaman görseniz daha iyi olur. ..

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives in Madrid intent on creating “a performance which is freer, straight from the heart, capable of making people feel alive”. His concept of what theater should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city´s most commercial street, Alfredo and his troupe NOVEMBER start the show: demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter.

ispanyolca orjinal , türkçe altyazılı / spanish !!! ( with turkish subtitles )

indir / download:

http://rapidshare.com/files/278587101/Noviembre.part1.rar

http://rapidshare.com/files/278610511/Noviembre.part2.rar

http://rapidshare.com/files/278620622/Noviembre.part3.rar

http://rapidshare.com/files/278623483/Noviembre.part4.rar

lebih Lanjut, Klik Link di bawah ini:

http://majalahmadina.wordpress.com/2009/10/05/segera-tayang-di-bioskop-film-emak-ingin-naik-haji/#more-518

Testimoni Penonton Film Emak Ingin Naik Haji:

http://www.facebook.com/video/video.php?v=1292105022397&ref=nf

http://www.youtube.com/watch?v=P92AWJVNADw&feature=related

Menonton dan Menangisi Indonesia: Film “Emak Ingin Naik Haji” yang Sederhana Namun Sangat Menyentuh

Oleh Hernowo

Sebelum pemutaran film secara khusus dimulai, tiga orang yang punya peran besar dalam melahirkan film Emak Ingin Naik Haji pun angkat bicara. Tiga orang itu adalah Putut Widjanarko, Asma Nadia, dan Aditya Gumay. Adtya adalah sutradara film Emak. Dia bercerita secara menarik tentang munculnya ide pembuatan film ini.

Pada 2007, Aditya membaca sebuah cerita pendek di majalah Noor. Cerpen itu merupakan karya Asma Nadia yang berjudul “Emak Ingin Naik Haji”. Membaca cerpen tersebut, Aditya pun tergerak untuk memfilmkannya. Namun, dia tidak tahu alamat dan nomor kontak Asma Nadia. Akhirnya, Aditya mendapatkannya setelah bertamu ke Mizan Productions yang waktu itu sedang sukses dengan film Laskar Pelangi.

Aditya menggarap film Emak dengan penuh perasaan. Adegan-adegan yang diflmkan begitu sederhana, tidak berlebihan, dan—katakanlah—apa adanya. Saya mendapat kesan, itulah Indonesia—katakanlah Indonesia sehari-hari. Mudah sekali saya menikmati film ini ketika saya mendapatkan kesempatan menonton film ini, secara khusus, pada Kamis, 5 November 2009, di FX Plaza, Senayan, Jakarta.

Saya tidak terbiasa menangis ketika menonton film. Entah kenapa, di dalam menonton film ini, saya tidak dapat membendung tetesan air mata saya berkali-kali. Cengeng? Saya tidak tahu. Film Emak serasa dekat dengan diri saya yang orang Indonesia. Film tersebut seperti menghadirkan keadaan di Indonesia yang sering saya dengar tetapi masih sulit saya visualisasikan. Saya hanya mendengar.

Berkat film Emak, saya bisa merasakan betapa masih banyak orang miskin yang tidak mampu makan daging ayam. (Dalam film Emak, gambaran ini ditampilkan dalam adegan seorang anak yang makan daging bangkai burung.) Saya juga bisa merasakan betapa tak sedikit pegawai PNS yang terbelit dengan utang sehingga tidak mampu membiayai anggota keluarganya yang tiba-tiba sakit parah. (Dalam film Emak, gambaran ini diwakili oleh seorang ibu yang harus pontang-panting pinjam sana dan pinjam sini dengan berurai air mata—kadang air matanya berupa “air mata buaya”.)

Saya juga bisa merasakan sekali betapa ada orang-orang baik yang akhirnya mengambil jalan pintas menjadi maling gara-gara kepepet dan tertekan. (Dalam film Emak, adegan ini digambarkan sedikit menegangkan dan cukup menggugah karena mengaitkan dengan Kitab Suci Al-Quran.) Dan, tentu, masih banyak yang saya rasakan, misalnya jurang kaya-miskin yang luar biasa lebarnya, serta bagaimana lotere atau judi senantiasa menyengsarakan rakyat kecil.

Yang sangat mengagetkan saya, ending dari film ini sungguh memberikan kejutan. Ternyata tak semua orang kaya itu tidak punya nurani. Film Emak bagaikan sebuah cermin yang dapat kita gunakan untuk mengaca dan memperbaiki diri….[]

We just saw Yojiro Takita’s film at the weekend. It’s an unexpectedly heart-warming story revolving around a cellist down on his luck who becomes an undertaker to make ends meet. It’s a beautifully told voyage of self discovery and reconciliation that reaffirms how terrible it is to hold a grudge, but that it’s never too late to let it go. Like all great drama the tragic and the humour balance each other nicely. I recommend it.

israil ve filistin arasındaki duvarın israil tarafına, israil savunma bakanı için bir villa inşa ettirilir. bu inşaatın sınırında yaşayan ve dul bir kadın olan selman’nın limon bahçesi, ulusal güvenliği tehdit edici unsur olarak tanımlanıp bahçenin ortadan kaldırılmasına karar verilir.

tüm gelişmeler esnasındaisrail savunma bakanı’nın eşi ile selma arasında kurulan empati gelişmeleri iki kadının gözünden bir dram olarak izlemeyi kolaylaştırır.

selma hakkını aramak için bir avukat tutar ve bahçe önce ülke , ardından uluslararası kamuoyu gündemine düşer.

Salma, a Palestinian widow – living there for decades – , has to stand up against her new neighbor, the Israeli Defense Minister, when he moves into his new house opposite her lemon grove, on the green line border between Israel and the West Bank. The Israeli security forces are quick to declare that Salma’s trees pose a threat to the Ministers safety and issue orders to uproot them. Together with Ziad Daud, a young Palestinian lawyer, Salma goes all the way to the Israeli Supreme Court to try and save her trees. Her struggle raises the interest of Mira Navon, the Defense ministers wife, trapped in her new home and in an unhappy life. Despite their differences and the borders between them the two women develop an invisible bond, while forbidden ties grow stronger between Salma and Ziad. Salmas legal and personal journey lead her deep into the complex, dark and sometimes funny chaos of the ongoing struggle in the Middle East, in which all players find themselves alone in their struggle to survive.

türkçe altyazılı / with turkish subtitles

indir / download:

http://rapidshare.com/files/264250219/Limon_Agaci_Dvdrip_Tr_Altyazi.part1.rar

http://rapidshare.com/files/264250156/Limon_Agaci_Dvdrip_Tr_Altyazi.part2.rar

http://rapidshare.com/files/264284733/Limon_Agaci_Dvdrip_Tr_Altyazi.part3.rar

http://rapidshare.com/files/264325145/Limon_Agaci_Dvdrip_Tr_Altyazi.part4.rar

http://rapidshare.com/files/264349773/Limon_Agaci_Dvdrip_Tr_Altyazi.part5.rar

http://rapidshare.com/files/264391704/Limon_Agaci_Dvdrip_Tr_Altyazi.part6.rar

http://rapidshare.com/files/264406408/Limon_Agaci_Dvdrip_Tr_Altyazi.part7.rar

“the betrayal” vietnam savaşından kaçan, babasını kaybeden ve annesiyle göçmen hayatının zorluklarıyla başa çıkmaya çalışan thavi’ nin 23 yıllık çalışmaları sonucu ortaya çıkan ve kendi yaşam öyküsüne dayanan hikayesi..

The Betrayal (AKA Nerakhoon) is a documentary that was shot over the course of 23 years, Thavi narrates his own story as a child surviving the Vietnam war and loss of his father, and then, as a young man struggling to overcome the hardships of immigrant life, an experience shared with his mother in war.

ingilizce / english !!!

indir / download:

http://rapidshare.com/files/278630627/Betrayal.part1.rar
http://rapidshare.com/files/278007570/Betrayal.part2.rar
http://rapidshare.com/files/278630639/Betrayal.part3.rar
http://rapidshare.com/files/278630638/Betrayal.part4.rar
http://rapidshare.com/files/278049195/Betrayal.part5.rar
http://rapidshare.com/files/278050117/Betrayal.part6.rar
http://rapidshare.com/files/278688352/Betrayal.part7.rar
http://rapidshare.com/files/278078779/Betrayal.part8.rar

yıl 1980, 12 eylül’ü takip eden günler. şükran, yakında evlenecek yeğeni için bir yorgan siparişi verir. düğün hediyesi olacak yorganın üzerine gelin ve damadın isimlerinin baş harfleri işlenecektir. dönemin gergin ortamında yorgan, bazı trajik olayların başlangıcı olur…

a short movie about the social changes at the daily lives of the people living in turkey, after the coup d’ etat ( at 1980′ s )

türkçe orjinal , ingilizce altyazılı / original in turkish with english subtitles !!!

indir / download:

http://rapidshare.de/files/48338410/yorgan_-_the_quilt.rar.html

Bencana Terbesar 2012 : Kiamat Kecil Planet Bumi ?

Ingin Lebih cepat nontonnya? Klik link di bawah ini

http://www.flixster.com/movie/2012

Penjelasan terkait? Baca di :

Identify the actual Polar Shift

http://info.2012pro.com/articles/art_005_polarshiftidentify.htm

http://blog.2012pro.com/

Kiamat 2012: Investigasi Akhir Zaman

Tesis buku ini adalah tahun 2012 akan menjadi sangat penting, mungkin menghancurkan, mungkin mengungkapkan, sampai tingkat yang tak tertandingi dalam sejarah manusia. Beberapa bahasan dalam buku ini:

- Ramalan bangsa Maya kuno, didasari observasi astronomi yang amat teliti selama dua milenia, mengindikasikan 21/12/12 akan menjadi kelahiran sebuah zaman baru. Dan seperti layaknya kelahiran, akan diiringi darah dan penderitaan serta harapan dan janji.

- Sejak 1940-an, dan terutama sejak 2003, tingkah laku Matahari lebih bergejolak dibanding kapan pun sejak pemanasan global meningkat pesat mengiringi mencairnya Zaman Es terakhir 11.000 tahun lalu. Fisikawan Matahari menyimpulkan aktivitas Matahari akan memuncak lagi—dan memecahkan rekor—pada 2012.

- Para ahli geofisika Rusia berpendapat Tata Surya telah memasuki awan energi antarbintang. Awan itu mengaktifkan dan merusak keseimbangan Matahari serta atmosfer planet-planet. Mereka memprediksi bencana ini—yang terjadi ketika Bumi berjumpa awan energi itu—akan terjadi antara 2010 hingga 2020.

- Filosofi Timur, seperti I Ching, The Chinese Book of Changes, dan teologi Hindu, berisi penafsiran masuk akal yang ikut mendukung 2012 sebagai saat kiamat, seperti halnya dengan sederet sistem kepercayaan primitif.

- Setidaknya satu penafsiran ilmiah terhadap Kitab Suci memprediksi Bumi akan musnah pada 2012. Berbagai gerakan Harmagedon kaum Muslim, Kristen, dan Yahudi dengan aktif berupaya mempercepat pertempuran akhir zaman.

————–

The Mystery of 2012

Prediksi, Ramalan dan Kemungkinan

Penulis Gregg Braden, Peter Russell, Daniel Pinchbeck, Geoff Stray, Jhon Major Jenkins

Kategori: Isu Baru

ISBN: 978-979-1238-93-9

Ukuran: 15 x 23 cm

Halaman: 592 halaman

Terbit: Juni 2009

Harga: Rp. 89900

SINOPSIS :

Buku ini menampilkan ulasan yang jelas dan logis dari selusin ahli terkenal tentang pertanyaan seputar 2012. Menawarkan seluruh informasi yang diperlukan untuk menguji misteri dari berbagai sudut pandang spiritual, ekonomi, ekologi, dan ilmu pengetahuan. Anda akan menemukan ramalan yang mengejutkan dan penyingkapan para pemikir hebat:

•    Perjalanan John Major Jenkins ke sumber jawaban—kalender Maya asli dan kearifan abadi yang dikandungnya
•    Pengujian Gregg Braden tentang bukti ilmiah berkaitan dengan perubahan dalam medan magnet bumi, dan bagaimana hal itu akan memengaruhi seluruh kehidupan
•    Eksplorasi Barbara Marx Hubbard dan Peter Russell tentang laju percepatan evolusi—mengapa kita mungkin akan bertransformasi menjadi spesies baru
•    Visi ahli lingkungan Joanna R. Macy dalam Pembalikan Besar, dan bagaimana kita dapat ikut serta dalam perubahan menuju kultur yang meyokong kehidupan ini
•    Penyelidikan Daniel Pinchbeck tentang perubahan kesadaran yang akan diperlukan untuk umat manusia untuk menyelamatkan 2012
•    Prediksi Jean Houston tentang kedatangan “Pelompatan Waktu (Jump Time)” dan nasihat praktisnya untuk menangani dampak yang ada pada kehidupan Anda
•    dan masih banyak yang lain…

Apakah Anda ragu, percaya penuh, atau sekadar “penasaran dengan 2012”, The Mystery of 2012 menawarkan Anda eksplorasi yang menggoda pikiran dan pemahaman tentang berbagai kemungkinan dari pertanda besar yang sedang mendekat ini dalam sejarah manusia.

FAKTA
•    Akhir dari Siklus Besar Maya menandai konfigurasi langka planet kita, sistem tata surya kita, dan pusat galaksi kita—sesuatu yang tidak akan terjadi lagi dalam 26.000 tahun berikutnya.
•    Pada 10 Maret 2006, siklus badai matahari berakhir dan siklus baru dimulai. Diperkirakan akan mencapai puncak pada 2012, dengan intensitas 30–50 persen lebih besar daripada siklus sebelumnya.
•    Ilmuwan sepakat bahwa medan magnetik bumi melemah dengan cepat dan sebagian menduga bahwa kita kini tengah berada di tahap awal pembalikan kutub.

AKIBATNYA
•    Sistem ketahanan tubuh makhluk hidup di bumi, termasuk manusia, akan melemah.
•    Lapisan luar bumi akan mengalami pergerakan tektonik, pertambahan gunung berapi, gempa bumi, dan tanah longsor.
•    Bahaya radiasi seperti kanker dan sebagainya tidak dapat dihindari.
•    Benda-benda angkasa akan tertarik masuk ke bumi.

http://www.flixster.com/conversations/1163668?sent=6

30 Ocak 1972 tarihinde Britanya askerleri, Kuzey İrlanda’nın Derry şehrinde, insan hakları üzerine düzenlenen yürüyüşe katılan 13 silahsız sivil vatandaşı vurarak öldürmüştür…

“Kanlı Pazar” olarak bilinen bu olay modern İrlanda  tarihinde önemli bir dönüm noktası olmuş,  bir uzlaşmazlığı iç savaşa dönüştürerek, birçok  genç insanı  IRA’ ya katılmaya yöneltmiş ve 25 yıllık bir mücadele devrinin başlamasına neden olmuştur…

Bu film, Kanlı Pazar olayında, şafak vaktinden alacakaranlığa kadar sadece bir gün içinde, binlerce askerin, kuşatılmış şehrin sokaklarına gelmesinden, Paraşütçü Alayının askerleri ve sivil vatandaşlardan oluşan gösteri kalabalığı arasında meydana gelen kanlı çatışmaya kadar meydana gelen hadiseleri yansıtır.

Filmde, yürüyüşü organize edenler, polisler, Britanya askerlerinin yanında mezhep ayrılığının her iki tarafında yer alan sivillerin başına gelenleri izliyoruz. Özellikle iki genç adamın öyküsü üzerine odaklanılır. Bunlardan biri olan Ivan Cooper, İnsan Hakları savunucusu grubun idealist lideri olup, Katolik karargahında bulunan bir Protestan olarak, Martin Luther King’in barışçıl değişim rüyasını taşır. Diğeri ise Protestan mezhebi mensubu olan kız arkadaşı ile evlenmeyi ve sakin bir hayat yaşamayı arzularken, askerlerle kanlı bir çatışmaya girmek durumunda kalan 17 yaşındaki Katolik isyancı, Gerry Donaghy’ dir. Kanlı Pazar barış için verilen bir mücadeleyi anlatan bir savaş filmi, Kuzey İrlanda’nın “Cezayir Muharebesi” versiyonu olan durdurulamayan kuvvet ile değişmeyen hedef arasındaki çatışmanın yani İrlanda ile Britanya arasındaki 700 yıllık mücadelenin portresidir.

On Sunday, 30 January 1972, the Northern Ireland Civil Rights Association (NICRA) organized a march through the Bogside (1) area of Derry City against internment–an initiative adopted in August 1971 on the part of the Northern Ireland government, with the full support of the British government, to imprison without trial individuals suspected of paramilitary-related activities. The British army strongly opposed the march and prevented marchers from entering the city center. When young men began throwing objects at soldiers in William Street, members of the Parachute Regiment (Paras)–an elite regiment of the British army–moved into the Bogside in an arrest operation. During the next thirty minutes, British soldiers shot dead thirteen men, chiefly by single gunshots to the head and chest.

The movie focuses on that day.

ingilizce orjinal ,türkçe altyazılı / ENGLISH !!!

indir / download:

http://rapidshare.com/files/21772181/B7896l3254S1452u.Def.part1.rar

http://rapidshare.com/files/21772398/B7896l3254S1452u.Def.part2.rar

http://rapidshare.com/files/21772607/B7896l3254S1452u.Def.part3.rar

http://rapidshare.com/files/21772859/B7896l3254S1452u.Def.part4.rar

http://rapidshare.com/files/21773088/B7896l3254S1452u.Def.part5.rar

http://rapidshare.com/files/21773296/B7896l3254S1452u.Def.part6.rar

http://rapidshare.com/files/21773553/B7896l3254S1452u.Def.part7.rar

http://rapidshare.com/files/21773606/B7896l3254S1452u.Def.part8.rar

türkçe altyazı / turkish subtitle:

http://www.divxplanet.com/sub/m/705/Bloody-Sunday.html

“city of god” / “tanrıkent” [2002], filmi ile Oscar kazanan ve daha sonra “the constant gardener” / “bahçivan” (2005) yapıtı ile tanınan brezilyalı yönetmen fernando meirelles’in filmi “körlük”,yazar Jose Saramago’nun Türkçe’ye aynı adla aktarılan romanından uyarlanan, Albert Camus’nün ‘Veba’ ve William Golding’in ‘Sineklerin Tanrısı’ romanlarında hissedilen karanlık alegori ögelerini barındıran film,sıradan bir gişe filmi olmanın ötesinde, metaforfik bir yapıyla izleyenlere kapitalizmin vahşi yüzünü ve günlük hayatlarımızda sanki insandan ayrık bir şeymiş gibi “faşizm” diye neredeyse soyutladığımız durumun gündelik hayatta ve üzerine düşününce tarihteki ortaya çıktığı anlara ilişkin bir somutlama.

nazi kampları, sarajevo, maraş, israil’in filistin soykırımları, istanbul poligomu gibi yaşanan tüyler ürpertici durumlarda komşunun komşuya, mazlum konumlarındakilerin nasıl birbirlerine kurt olduklarına ve sağlam temellerde “yükselen” “uygarlık” adını verdiğimiz hastalıklı halin nasıl pamuk ipliğine bağlı olduğuna dair vurucu bir yapım.

Blindness is the story of an unexplained mass epidemic of blindness – known only as the “White Sickness” – afflicting nearly everyone in an unnamed city, and the social breakdown that swiftly follows, and the rise of fascism in daily life. The film follows the misfortunes of a handful of characters who are among the first to be stricken and centers on an ophthalmologist (Mark Ruffalo) and his wife (Julianne Moore), several of the doctor’s patients, and assorted others, thrown together by chance. This group bands together in a family-like unit to survive by their wits and by the unexplained good fortune that the doctor’s wife has escaped the blindness. The sudden onset and unexplained origin and nature of the blindness cause widespread panic, and the social order rapidly unravels as the government attempts to contain the apparent contagion and keep order via increasingly repressive and inept measures.

The first part of the film follows the experiences of the central characters in the filthy, overcrowded asylum where they and other blind people have been quarantined. Hygiene, living conditions, and morale degrade horrifically in a very short period, mirroring the society outside.

Anxiety over the availability of food, caused by delivery irregularities, act to undermine solidarity; and lack of organization prevents the internees from fairly distributing food or chores. Soldiers assigned to guard the asylum and look after the well-being of the internees become increasingly antipathetic as one soldier after another becomes infected. The military refuse to allow in basic medicines, so that a simple infection becomes deadly. Fearing a break out, soldiers shoot down a crowd of internees waiting upon food delivery.

Conditions degenerate further, as an armed clique gains control over food deliveries, subjugating their fellow internees and exposing them to rape and deprivation. Faced with starvation, internees do battle and burn down the asylum, only to find that the army has abandoned the asylum, after which the protagonists join the throngs of nearly helpless blind people outside who wander the devastated city and fight one another to survive.

The story then follows the doctor and his wife and their impromptu “family” as they attempt to survive outside, cared for largely by the doctor’s wife, who still sees (though she hides this fact at first). The breakdown of society is near total. Law and order, social services, government, schools, etc., no longer function. Families have been separated and cannot find each other. People squat in abandoned buildings and scrounge for food; violence, disease, and despair threaten to overwhelm human coping. The doctor and his wife and their new “family” eventually make a permanent home and are establishing a new order to their lives when one of the men in their group, the first to be infected, suddenly recovers from his blindness, giving the others hope that the blindness may suddenly lift as quickly and inexplicably as it came.

ingilizce, türkçe altyazılı / english !!! – but has turkish subs-

http://rapidshare.com/files/177178061/Blindness_2008_Turkce_Altyazili.part01.rar

http://rapidshare.com/files/177178020/Blindness_2008_Turkce_Altyazili.part02.rar

http://rapidshare.com/files/177178027/Blindness_2008_Turkce_Altyazili.part03.rar

http://rapidshare.com/files/177178051/Blindness_2008_Turkce_Altyazili.part04.rar

http://rapidshare.com/files/177178040/Blindness_2008_Turkce_Altyazili.part05.rar

http://rapidshare.com/files/177178011/Blindness_2008_Turkce_Altyazili.part06.rar

http://rapidshare.com/files/177178007/Blindness_2008_Turkce_Altyazili.part07.rar

http://rapidshare.com/files/177178028/Blindness_2008_Turkce_Altyazili.part08.rar

http://rapidshare.com/files/177178037/Blindness_2008_Turkce_Altyazili.part09.rar

http://rapidshare.com/files/177178071/Blindness_2008_Turkce_Altyazili.part10.rar

http://rapidshare.com/files/177178025/Blindness_2008_Turkce_Altyazili.part11.rar

http://rapidshare.com/files/177178049/Blindness_2008_Turkce_Altyazili.part12.rar

http://rapidshare.com/files/177178070/Blindness_2008_Turkce_Altyazili.part13.rar

http://rapidshare.com/files/177178068/Blindness_2008_Turkce_Altyazili.part14.rar

http://rapidshare.com/files/177177686/Blindness_2008_Turkce_Altyazili.part15.rar

ananas’ a teşekkürler..

Annida-Online–Antusiasme (tepatnya kesadaran) keberagamaan pemeluk Islam di Indonesia memaknai dan menjadikan agama riil sampai pada posisi puncak perintah dan larangan Allah swt bisa saja mendapat tanggapan lain.

FilmTiga Doa Tiga Cinta mencoba memandang Islam, tradisi berikut penafsirannya dari posisi diri sendiri, kalangan internal umat Islam. Dan pesantren termasuk mewakili wajah Islam Indonesia yang harus “bicara” ketika citra kekerasan yang berujung pandangan Islam agama teroris disematkan.

Itulah yang terselip dalam perbincangan pecinta film dengan Nurman Hakim, sutradara film tersebut bersama Ekky Imanjaya dan Eric Sasono dari www.rumahfilm.org dalam bedah film (Sabtu, 1/08) di MP Book Point, Jalan Puri Mutiara, Jakarta Selatan.

“Film Tiga Doa Tiga Cinta berangkat dari kegelisahan saya. Kebetulan saya juga pernah nyantri dan tersinggung karena terorisme yang dilekatkan pada Islam. Padahal Islam, khususnya di pesantren di Indonesia tidak mengenal kekerasan,” ungkap Nurman Hakim dalam bincang akrab usai nonton bareng yang diikuti puluhan penikmat film. Kegelisahan akhirnya mengusik dia membuat film panjang pertama yang diperankan Dian Sastro (Dona), Nicholas Saputra (Huda), Yoga Pratama (Rian), dan Yoga Bagus (Sahid). Ringkasnya film ini mengetengahkan tiga santri, Huda, Rian, dan Sahid yang memiliki doa masing-masing untuk orang-orang yang  mereka cintai.  Huda yang mencari ibunya yang seorang pelacur di Jakarta lalu meminta bantuan Dona, Rian yang terobsesi dengan film, dan Sahid yang menekuni pengajian di luar pondok yang cenderung ‘garis keras’.

Perjalanan tiga tokoh ini menjadi benang merah cerita yang membicarakan kehidupan santri. Mengalir lancar dan tenang. Nyaris tanpa pretensi karena sudut pandang intern tadi serius digarap Nurman sampai melakukan perlu riset tiga tahun. Termasuk menelusuri kalau keberadaan kelompok aliran keras yang biasanya eksis di luar pesantren resmi, lalu menampung santri yang ingin mencari “ilmu lebih”. Tokoh Sahid memutuskan menjadi pelaku bom bunuh diri karena paling rajin mengaji di kelompok ini. Sementara Huda dan Rian telah mengundurkan diri karena merasa ajaran itu jauh dari Islam yang selama ini mereka pelajari. Keputusan Sahid juga berlatar kebenciannya karena seorang Amerika yang membeli sawahnya untuk mengobati sang ayah yang sakit.

Eric Sasono dari Rumah Film menilai yang menarik dari film ini adalah konteks yang dinilai dari hal yang kecil untuk mendudukkan persoalan besar semacam anggapan terorisme dan kedekatannya dengan Islam. Kemudian kenakalan-kenakalan kecil santri, prilaku homoseksual di kalangan pesantren, dan pernik lainnya yang membingkai kehidupan pesantren disampaikan dalam visualisasi yang pas, berikut dengan upaya mengcounternya. “Siapa sangka pengalaman seks pertama pemimpin pesantren adalah dengan Dona penyanyi dangdut? Pengalaman orang kan macam-macam, dan film ini berani menampilkannya. Lalu perilaku homoseksual dalam film ini tidak serta merta dilindungi. Pelakunya diusir, ada hukuman dan counter yang menyatakan dalam Islam itu tidak benar,” jelas Eric. Mengambil setting sebelum 11 September 2001, di mana gedung World Trade Center (WTC) diserang teroris, film ini cukup memukau. Terbukti juga, terpilih menjadi film yang ikut serta di Festival Film Pusan. Yoga Pratama juga mendapat Piala Citra untuk pemeran pembantu terbaik.

Bedah film yang difasilitasi Majalah Madina tersebut mampu memancing beragam pertanyaan pula dari para penontonnya. Banyak yang mengomentari menonton Tiga Doa Tiga Cinta seperti melihat realitas pesantren dengan segala kebiasaanya memang seperti itu. Namun ada juga yang menganggap beberapa scene terlalu terburu-buru. Misalnya ketika Sahid diborgol polisi seketika saat menemukan handycam yang berisi rekaman latihan jihad. Meskipun demikian, bagaimana pun, mengapresiasi film memang tak sebatas menonton. Rumah Film dan Majalah Madina mencoba membangun kultur penonton cerdas dengan mengkritisi bersama setiap film yang beredar. [Elzam]annida-online.com/event.php

Secret Window

Bercerita tentang seorang penulis-Mort Rainey yang didatangi oleh seorang tamu-John Shooter dan menuduh telah mencuri dan memplagiat karyanya. Tentu saja Rainey menolak tuduhan itu. Tetapi si tamu ini tetep yakin bahwa Mort Rainey telah memplagiat karyanya. Diduga tidak mengindahkan kata-kata John Shooter, anjing kepunyaan Rainey ditemukan mati ditikam. Teror pun dimulai.

Rainey lantas melapor pada polisi dan menyewa detektif untuk menyelidiki siapa John Shooter dan mengawasi gerak-geriknya, tetapi pada akhirnya si detektif ditemukan mati beserta saksi yang melihat Mort Rainey sedang berbicara dengan John Shooter. Hal ini membuat Mort Rainey dicekam ketakutan. Ternyata, John Shooter tak lain adalah dirinya sendiri yang menjelma sejak ia mengalami trauma akibat istrinya yang berselingkuh.
___

Diangkat dari karya Stephen King: Secret Window, Secret Garden. Stephen King adalah penulis yang dikenal dengan tulisan-tulisannya yang bergenre horor.

jean vigo’ nun filmi , merkezi söyleme, okul-öğretmen diktasına karşı vurulmuş müthiş bir yumruk, bir özgürleşme zaferidir.

Zero de Conduite, Vigo’nun ilk konulu filmidir ve otobiyografik yapıya sahip gerçekçi bir filmdir. Görünüşte sık sık yerleşik törel değerlerin dışına çıkmalarına rağmen, içlerindeki saflıkla ahlakın doruklarına ulaşan bir çocuk dünyasının sinemaya yansımasıdır. Yatılı öğrenciler açısından ahlak ya da hal ve gidiş notu, sadece Pazar günleri dışarıya izinli çıkabilmenin bir aracıdır. Ancak Vigo’nun çocukları, aynı Vigo’nun gerçek yaşamında öğrendiği gibi, ahlakın bir not sorunu olmayacağını algılamışlardır.

Bu filmin çoğu çocuk filminden üstün yanıysa, büyüklerin gözüyle çocuk dünyasını yansıtmaya çalışmak yerine; çocuk gözüyle bozulmamış bir çocuk evreninin ta kendisi olabilmesindedir.

Hal ve Gidiş Sıfır’ı fransız hükümeti  ülke için sakıncalı sayarak 12 sene yasaklamıştır. Yasak 1945′de kaldırılmıştır.

The summer holidays over, a troupe of schoolboys return to their much-loathed boarding school.  Although they find a sympathetic friend in the new athletics teacher, who amuses them with his Chaplin impressions, the children are ill-treated and unhappy.  They are tyrannised by the school’s prim dwarfish principal and forced to live on a diet of green beans.  In the end they have no choice but to rebel…

The film, based on Vigo’s own unhappy school day experiences, was only Vigo’s third film and his first fictional work.  Of his four films, it is probably the one which is perhaps the most honest reflection of the man himself and shows how tragically ahead of his time he was – tragically because the world was no yet ready for his radical approach to cinema and he died decades before he his work was finally recognised.  Vigo’s anarchist background and outspoken views are vividly represented (Vigo’s own father was a notorious anarchist who died in jail when Vigo was aged 12).

There are so many magic moments in this film, too many to enumerate.  The pint-sized principal is deliciously tyrannical, the very essence of authoritarian self-importance.  In fact all of the adults in this film are presented as outrageously exaggerated caricatures, just as the schoolchildren might see them.  This is very much a child’s view of the school system as they see it.  So, it is with the brutalised and rebellious children that we are compelled to sympathise with, just as we are invited to revile and laugh at the grown-ups.

The greatest moment in the film is the unforgettable dormitory fight.  Feathers raining down like confetti, the scene of anarchy melts into a stately dream-like procession.  Vigo seems to be saying that peace and enlightenment can be attained only by brutally tearing down the old order.  In doing so, he is unwittingly giving a cue to the French film directors of the New Wave to do precisely that with French cinema.  It cannot be denied that Vigo had a tremendous influence on the New Wave and French cinema in general.  (Truffaut’s Les quatre cents coups lends so much to Zéro de conduite that it might almost be considered a remake of that film – in style if not in content.)

Although most of the cast were amateur actors (Vigo could only afford to hire four profession actors), the film benefits from some credible acting performances.  Whether it was because of Vigo’s direction, or Boris Kaufman’s photography, or because the actors were genuinely talented, some of the scenes in this film are acutely moving.  Even when they finally resort to anarchy, the schoolboys are always presented in a positive light and they never for one moment lose our affection.  By contrast, the adults running the school appear progressively more hideous as the film progresses.

We should also not forget the contribution made by Maurice Jaubert, who provided one of his most memorable scores for this film.  For the aforementioned procession in the dormitory, he provided music which was played backwards, from a score written in reverse.  The result is a haunting unreal air which has a perfect synthesis with the eerie slowed-down pictures we are watching.

Needless to say, Vigo’s film of rebellion in a boarding school was too much for the authorities at the time.  After its first showing in 1933 there was an immediate outcry and fears that it might result in civil unrest caused the  film to be banned.  The ban remained in force until 1945, after which Zéro de conduite finally received the appraisal and status it merited.  It is now regarded as one of the most significant films in the history of cinema.

fransızca / french !!!

türkçe altyazı / turkish subtitle:

http://www.zshare.net/download/63810847a92f559e/

ingilizce altyazı / english subtitle:

http://www.zshare.net/download/63810962dc3da954/

indir / download:

http://www.zshare.net/download/6374737434c0d7b7/

Hari ini bermain-main lagi dengan kamera. Membuat film pendek dari foto-foto. Tidak ada screenplay, skenario, ataupun model yang disiapkan. Semuanya on the spot. Apa yang ada di sekeliling dicomot sebagai aktor dan aktris dadakan.

Panggungnya adalah laptop Thinkpad, warna hitamnya pas. Objek yang dipakai adalah yang kira-kira cukup kecil untuk masuk ke panggung dan difoto. Mereka adalah satu set BNC adapter, satu konektor SMA, satu buah loffet — semacam parafin untuk mensolder –, satu buah kerangka ponsel jadul, dan satu jam tangan. Idenya adalah pertemuan antara BNC dengan SMA, dengan disaksikan oleh teman-temannya.

BNC, SMA, loffet, kerangka ponsel dan jam tangan bergerak kesana-kemari

It’s just for fun… ^^

Ternyata membuat film ini tidak semudah yang dibayangkan. Diperlukan ketekunan, kesabaran, dan kerja keras. Untuk film pendek diatas yang berdurasi hanya 32 detik dengan frame rate 2.67fps diperlukan 85 gambar. Proses persiapan dan pengambilan foto juga cukup memakan waktu. Selain itu, posisi kamera juga tidak boleh berubah sedikit pun. Perlu tripod, cable release, dan remote software. Kesulitan lain adalah pencahayaan. kalau film diatas diperhatikan, muncul flicker pada beberapa waktu karena cahaya dari jendela yang berubah-ubah.

Film yang sebenarnya memiliki frame rate yang jauh lebih tinggi yaitu antara 25-30fps, dan tentu saja durasinya juga lebih panjang. Tak terbayang berapa ribu gambar yang harus diambil, proses editingnya, membuat screenplay, skenario, model yang akan difoto…

BİLGİ / INFO

http://www.imdb.com/title/tt0337585/
http://en.wikipedia.org/wiki/Bomb_the_System
http://www.csfd.cz/film/180673-bomb-the-system/

(tr)19 yaşında ki graffiti artisti Blest’in öyküsünü anlatıyor film. Liseyi yeni bitimiş Blest ve aile ve okul konusunda hiçbir büyük hedefi olmadan graffitileriyle sisteme saldırıyor ta ki sonunda ekibiyle NYPD Vandal Ekipleri’nin en çok arananı olmayı başarana kadar.  Graffitinin sisteme karşı duruşu ve graffiticilerin yaşamdaki duruşları hakkında gerçekten çok iyi bir çalışma.

(en) A tribute to graffiti art and the city where it all began. Blest, a 19-year-old graffiti writer, has just graduated from high school. With no ambition toward mainstream goals of work and family, he spends his time bombing the city with graffiti messages until he and his crew become the most wanted bombers by the corrupt NYPD Vandal Squad. He even attracts major media and gallery attention for his tags. Also part of Blest’s crew are Buk 50 and his younger brother Lune, whose arrest and beating by the NYPD causes the crew to wage a full-on graffiti war against the city. As they fight with their spray cans and their tags, Blest meets a political activist, Alexandra. Soon after, Blest’s relationship with Buk 50 and the crew fragments as Blest ponders his position in life.

İNGİLİZCE / ENGLISH

NETTEN İZLE / WATCH ONLINE

http://video.google.com/videoplay?docid=-6489347010679676998

İNDİR / DOWNLOAD

http://rapidshare.com/files/258549906/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part1.rar
http://rapidshare.com/files/258733860/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part2.rar
http://rapidshare.com/files/258752742/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part3.rar
http://rapidshare.com/files/258771686/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part4.rar
http://rapidshare.com/files/258789823/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part5.rar
http://rapidshare.com/files/258890204/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part6.rar
http://rapidshare.com/files/258902246/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part7.rar
http://rapidshare.com/files/259126510/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part8.rar
—yada / or—
http://www.mediafire.com/file/znrjtzjngtd/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part1.rar
http://www.mediafire.com/file/xym1gdnewz2/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part2.rar
http://www.mediafire.com/file/kkzqcijmzid/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part3.rar
http://www.mediafire.com/file/4mzwm2lmyin/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part4.rar
http://www.mediafire.com/file/eqyhdo0kkmt/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part5.rar
http://www.mediafire.com/file/jmhqyzdm1nm/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part6.rar
http://www.mediafire.com/file/2yweynzbimn/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part7.rar
http://www.mediafire.com/file/jqz3zmmznmj/Bomb.The.System.2002.LiMiTED.DVDRip.XviD-AEROHOLiCS.part8.rar

Linkler birbirinin yerine kullanılabilir. / Links are interchangeable.

Do you wan’t to know how I did it?
…
This is how I did it. I never saved anything for the swim back.

Those words propagates and hitting my eardrum few days ago when I watch a movie, Gattaca. The setting is in the future, where humans are categorized based on their gene potential. There are discrimination againts genes. The ones that has high grade gene, are treated special. They were living in a place called Gattaca. There, best of the best humans are trained and selected for a space exploration program. They have to endure rigorous training for years.

But it’s not about the future or the space setting that makes this movie special. It’s about dream of one particular human. The one that was predicted when he was born, that he will die young, having a bad heart. Unlike his superior younger brother that was born using gene selection. He’s surely won’t be accepted in Gattaca. But he always had a dream to go to space. That’s where the movie unfold it’s true story. He’s breaking in into Gattaca by impersonating someone else. Someone who has high grade gene.

Physical appearance can be faked. Getting the same haircut. Scrubbing your body everyday to remove any dead skin that can be used to detect false DNA. Hiding blood and urine samples under your clothes and skin every day in case of DNA check. Even, extending his own leg — by cutting and adding additional bones — because his height is not match with the donor. But it’s not end there. Physical fitness can’t be faked. He have to endure the same training like every other members in Gattaca. And he have to prove that he has the same physical capabilities like any other members. It’s a torture, every day torture, but he had to endure it, if he wants to go to space.

And he succeeded. Unlike his younger brother who has all of the potential but has no passion. He succeded to become elite members of Gattaca. He will go to space. His younger brother who always superior than him, cannot accept that. Working as a police officer, he found that his older brother is impersonating someone else in Gattaca. So both of them make a bet in a swim. A swim that always won by the younger brother due to his superior body. Swimming from the beach to the open sea. The first one that gave up and go back to the beach is the loser.

But this time, the older brother won. In the middle of the sea, when the younger brother finally gave up, he asked his older brother. How can you do that? — this question is not for the swim, but for all the amazing things his brother had done. And the older brother replied,

Do you wan’t to know how I did it?
…
This is how I did it. I never saved anything for the swim back.

That is a very strong and moving words for me. In life, I always wants to have an option. I rarely pick an option an stick with it till the end. I always saves for the swim back. I, in many times, always want another door open for me. Dan Ariely in his book Predictably Irrational called this as a human tendency to keep doors open. Even if those option is not in line with my goal in life. I just want it there, open, to look at, to peek at, to wish for.

Life is a matter of making decission. We make a decission in every second of our lives. Set your goal in life, open the necessary doors — the one you love and where your passion belong — and close the unworthy ones.