Blogs about: Hamlet And His Problems

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The “Objective Correlative”: Hamlet & Macbeth, Part 3 of 3

In his seminal essay “Hamlet and His Problems” from The Sacred Wood (1921), T.S. Eliot states the following: 1)  There is no successful ‘objective correlative’ in the play Haml… more →

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T.S. Eliot, "Hamlet & His Problems"

katflei wrote 1 week ago: 1921 Also from The Sacred Wood, this essay investigates the temptation to treat Hamlet more as chara … more →

Tags: Essays & Nonfiction, 20th century British, Eliot, Drama 2, Shakespeare, essays, 1921+, sacred wood, stoppard

The “Objective Correlative”: Hamlet & Macbeth, Part 3 of 3

Ryan Asmussen wrote 10 months ago: In his seminal essay “Hamlet and His Problems” from The Sacred Wood (1921), T.S. Eliot s … more →

Tags: hamlet, macbeth, T. S. Eliot, Kenneth Branagh, Objective Correlative, The Sacred Wood, melancholy Dane, Jane Lapotaire, Clifford Rose

The “Objective Correlative”: Hamlet & Macbeth, Part 2 of 3 — 2 comments

Ryan Asmussen wrote 10 months ago: Eliot’s anti-Hamlet contention begins as follows: If you examine any of Shakespeare’s more suc … more →

Tags: hamlet, macbeth, T. S. Eliot, Objective Correlative, The Sacred Wood, Lady Macbeth, authorial responsibility, Stephen King, Fallacy

The “Objective Correlative”: Hamlet & Macbeth, Part 1 of 3 — 1 comment

Ryan Asmussen wrote 10 months ago: Washington Allston (1779-1843) The American painter and poet Washington Allston, though almost entir … more →

Tags: hamlet, macbeth, Antony and Cleopatra, Coriolanus, Henry Wadsworth Longfellow, Lectures on Art, Mona Lisa, Moonlit Landscape, Objective Correlative

Objective Correlative (Tip #48) — 4 comments

Scott W. Smith wrote 2 years ago: What in the hell is an “objective correlative”? And why do so many movies and plays have … more →

Tags: Screenwriting Tips, rocky, No Country for Old Men, Pittsburgh, Tennessee Williams, Citizen Kane, Northern Exposure, The Cherry Orchard, Chekhov


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