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Maryada Ramanna, which started shooting in mid-September has begun it’s second shooting schedule in Hyderabad. The film, starring Sunil and Solani Aswani, is directed by S S Rajamouli and produced by Sobha Yarlagadda and Prasad Devineni under the Arka Media Works banner.

After the big-budget fantasy epic Magadheera, Rajamouli wanted to tackle a lighter project and settled on this historical comedy.

The basic storyline was provided by Mullapudi Vara and it was developed into a complete script by Kanchi. According to my sources, the title character Maryada Ramanna is the heroine’s father. As far as the supporting cast goes, Brahmanandam has been roped in to play a pivotal role. Heroine Saloni Aswani, who was previously seen in Maa Voori Lo and Chukkallo Chandrudu, is making her Telugu comeback with this film. Incidentally, Saloni did an item song in Magadheera.

SS Rajamouli said: “The film Maryada Ramanna is a comedy thriller and is set in the backdrop of Rayalaseema. Sunil is apt for this film and he playing a serious role for the first time in this movie. There is also a plenty of scope for comedy in this film. We are mainly focusing on Rayalaseema hospitality in this flick.”

Producer Shobu Yarlagadda said: “This is our first movie on our Arka Media Works banner. We made several serials TV serials in the past. There are 5 songs in the film. Nagineedu (of Prasad Labs) and Brahmanandam are playing key roles in the film.” Arka Media Works is the same banner that’s producing Allu Arjun’s Vedam.

Sunil said “After Andala Ramudu, I listened to many stories but was not impressed. But I was very excited after listening to this script. It is a fabulous story and mine is a challenging role. I was supposed to do a film with Rajamouli under this banner long ago but the time has come now for us to work together.”

As for the rest of the crew: M M Keeravani is composing the music, Shyam K Naidu is handling the camera, Kanchi wrote the script based on Mullapudi Vara’s story, Ravinder is overseeing the Art and Rama Rajamouli is in charge of the costumes. Originally, Chota K Naidu was hired for the cinematography, but due to scheduling conflicts with NTR Jr’s upcoming Adurs, he was replaced with Shyam K Naidu.

Currently, the audio release for Maryada Ramanna is scheduled for December, and the film release is slated for Sankranthi 2010.

Yamadonga mp3 download

Movie Name	Yamadonga
Banner	Viswamitra Creations
Producer	Urmila Gangaraju, P. Chiranjeevi
Director	S.S.Rajamouli
Music Director	Keeravani
Cast & Crew	Jr. NTR, Mohan Babu, Mamta Mohandas, Priyamani

 

Track List :

Bambham Chumbanala

Chalachallagali

Naachore

Noonoogameesalodu

Nuvu Mutukunte

Olammi Tikkareginda

Rabbaru Gajulu

Srikarakarunda

Young Yama

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( Click here if download not available )

Now that the audio is released and (I am sure) everyone is enjoying the music, let me share a few interesting titbits’ associated with the making of the music for Kalavaramaye Madilo.

My first choice of Music director for this film was Iliya Rajaa garu, second choice was Keeravani garu… both did not fit into the budget of the film. The other name for consideration was Mr. Radhkrishna.

While we were discussing about the names, Mr. Mohan the producer of the film proposed the name of Mr. Sharreth. I asked him, is he the same person we see on Asia net channel as a judge. He said yes.

Without batting an eyelid I said he is our music director (why? refer to my earlier article). Mr. Mohan immediately called him and I spoke to him… Mr. Sharreth was our music director.

In a couple of days Mr. Sharreth came to Hyderabad. I told him the story, He liked it very much. I wanted 8 songs in the film. He was excited, but there was a catch, it was, he has to compose the second song in the film with mistakes. I also told him, sir I need a song people can connect to, a song which sounds good to a normal audience. A song which can become very popular, yet it should have mistakes… He said, with mistakes, but why? I explained the need of it. He laughed at me but agreed, because he understood the need, for the story.

Next was who will write our lyrics..

Good music requires good lyrics, period! They go hand in hand. While I understand that we live in a world of flashy visuals and electronically generated music, a time where lyrics are increasingly becomingly redundant. My story needed lyrics that could compliment and contribute to the spirit and soul of the movie. It was as important to me as everything else. I did not want to compromise an inch even. Many names cropped up. There were suggestions to distribute the songs amongst the lyricists we had filtered. I was against the idea. I wanted only one lyricist for this film, a person who understands the story and who can dedicate unstinted commitment for this movie, with his pen and his thoughts, a person who will own the script and give me all that he has including time.

My Co-director Mr. Srivastav suggested Mr. Vanamali’s name. Without any further discussion he was in our team.

The first tune Mr. Sharreth gave us was the title song.

When Mr. Vanamali wrote the lyrics and the song was ready …. It was a dream comes true for me. The first song of my career… what a song it turned out to be. Everyone’s favourite without any doubt..

The climax song took the maximum time to write and to compose. I wanted the song in a particular way. I had to tell a lot of story, there was a lot of drama happening in that song. Though Sharreth sir gave me a lot of beautiful tunes, but none suited my imagination. We were running out of time and we were going nowhere. So I told Vanamali garu to first write the lyric and then we will work on the tune. It was not an easy task for him.

After writing the first five lines the pen was not moving any further. There was a block….

He went back to the script read it once again, again and again, after 20 days he came up with the climax song…what a song it is, everyone who has heard it and can decide how good the song is. When you see it in the theatres you will understand how well he was in sync with me and my story… fantastic… looking forward to work with you Vanamali garu in many more projects to come.

The choice of singers for this film was only two, Sunitha garu to sing the first few songs and the climax song to be sung by Chitra garu. I felt their voice cultures were close. Because I believed if the character in the film is a singer then we should have one kind of voice for all the songs. One day we said why not only chitra garu for all the songs.. Sharreth sir said ok.. Mr. Mohan the producer said ok. So the legendary, the one and only, Isai Kuyil , Chitra garu (Tamil word, Isai means music and Kuyil means Koel ) sang all the songs for the film, except the ‘o nene’ piece, because Sharat sir and I decided to introduce a new singer called Kalpana. Though Chitra garu was supposed to sing this song also, but we liked Kalpana’s voice so much what we dint feel like changing her voice. We went with our instinct. It’s another story that it turned out to be true. Listen to that mellifluous number and you will understand what I just said.

There is this one incident that I must share with you. We had recorded all the songs. There was only one remaining (Tholi Tholi..song), the song that had to be rendered with mistakes. Chitra garu was waiting in the recording room; Vanamali garu and I were waiting for Sharreth sir to record that song. Sharreth sir seemed to be doing everything else but record that number. I began to feel a little restless. I looked at Vanamali garu and realised that he was feeling the same uneasiness. I asked him to speak to Sharreth Sir and find out, if there was any issue. Vanamali garu asked Sharreth sir, about his predicament. Hesitantly Sharreth sir said, ‘I don’t know how I should ask such a great singer to sing a song with so many mistakes. Let’s get some other singer to sing this piece, please’.

I completely understood and empathised with Sharreth sir’s dilemma, but i knew why i wanted Chitra Garu and why I wanted only her to render the song. I told him that I will speak to Chitra garu and convince her to sing that song. He was a little relieved. He said ok. Vanamali garu and I went into the recording studio, and told her the story line of the film. She liked it very much; she said it is very interesting. Then I told her that the second song has been purposely composed with subtle mistakes in it and that she will have to sing the song with those mistakes. She was taken aback and in her usual cherubic smile said ‘aiyo, Do I have to sing a song with mistakes’. I said yes and explained to her, the importance of that song in the film, the purpose that song in the film.

Hats off to her! After listening to what I had to say, she said ‘If that’s the requirement of the subject, I will sing it sir… let’s do it’ and she got up. Sharreth sir was a relieved man.

It’s very difficult for geniuses to commit mistakes, and more importantly on purpose. It’s a herculean task for people of such talent. They don’t understand the ‘m’ of mistake, and I was asking her to do it consciously. In hindsight I realise and appreciate what Chitra garu had done. Let me take this opportunity to thank her. Thank you Chitra Garu! You did something that’s against your personality and talent, for a story that I believed in. Thank you once again.

By the way, the maximum time she took to sing any song in this film was for this song…

At the end of the day, I take a bow to this genius called Mr. Sharreth … thank you for the wonderful music you gave for the film Kalavaramaye Madilo.

All the songs in the film are situational…. They either tell a story or take the story forward. Listen to them and have fun. Give me your feedback. Both bouquets and brickbats are welcome.

So bye for now… enjoy the music… by the way there is a surprise waiting for you while you are watching the film… what ?,, can’t wait till then .. Want a clue…God you people are impossible… ok what the heck.. Please look out for the background score…

Satish Kasetty

Hold on… because this is going to be an extensive/intensive list… by the end (or middle) of which I hope we can create a Wikipedia listing for not only ragas in Rahman’s music, but also a broad range of raga identification for contemporary tamil (and hindi, even telugu) music that uses the palatable sounds that hold universal appeal. I’m going to begin with songs that have truly rattled/inspired me at some point or another, and build from there. Most of these tracks have very little in the sense of the carnatic classical touch, but an enormous scope of indian romanticism. Despite the strong western sounds of certain songs, I still feel distinguishing the raga would be valuable. I discussed my motivations for this venture in detail here.

(As a side note, I realise that the lyrics to some of these tracks may be lacking, however these songs have been selected for their melody… the kind of melodies that more than once provoked my utter attention… and at other times, slowly revealed its brilliance. I find that most often I am not paying attention to lyrics at all. I have grown accustomed to enjoying the composition itself… then of course there are the rare songs such as “Ithuthan Kaathal” from Pudhiya Mugam for which Vairamuthu’s lyrics are divine nectar.)

These first 108 songs below are ones to which I yet do not know the raga, and have been unable to find it through my research. As the discussion evolves and you identify their names, I will note the raga in red ink beside the track so that several people can consider/collaborate and decide if it is correct. As ragas are identified, I will collect them into a seperate blog topic where they will still be available for verification.

I invite with full earnestness for you to take a listen to these songs and identify their ragas, and discuss, if there are discrepancies (which can be very interesting, if not enlightening). To make this easy and enjoyable, I have made efforts to include the audio tracks to the songs in question.

We have set up a gmail spreadsheet document where we are discussing the plausible ragas for these songs, so pls contact me on my gmail: thilakshan at gmail dot com, and we’ll link you to an online  spreadsheet so you can join in.

To begin, which are the dominating Raga/s for these tracks (please verify Ragas marked in red):

1 Venmegam from film “Guru”. Music: A.R.Rahman. Raga: Senchurutti

To all the avid music lovers! Thank you!

Cast : Nagarjuna, Ramya Krishna, Kasthuri
Direction : K.Ragavendra Rao
Music : Keeravani
Year : 1997

.::SONGS LIST::.

All Songs In Single File : Download

Even one of the best music directors in Telugu movies had to copy part of the super hit song ‘Telusa Manasa’ from Criminal starring Nagarjuna, Manisha Koirala and Ramya Krishna. Take a look at the videos of Telusa Manasa from Criminal and also the original ‘Enigma – Age of Loneliness’ (Also sound track for English movie Sliver).

Only the background music is a direct lift but the tune is still original and belongs to Keeravani.

Telusa Manasa was sung by S.P.Balasubramnyam and Chitra. Sirivennela Sitarama Sastry wrote lyrics.

The original Enigma is a German musical project Michael Cretu the producer. Sandra Cretu gave vocals to most to most of Enigma albums

Click for Videos

Cast: Vallabha ,Jaya Sheel, Priyamani (debut)
Direction : Vallabha
Music : MM Keeravani
Year :2003

.::SONGS LIST::.

Nathicharami : Download

Prema Yenthha Goppadi : Download

All Songs In Single File : Download

Cast : ANR, Vanisri, Suresh, Meena
Director: Kranthi Kumar
Music : MM Keeravani

.::SONGS LIST::.

Trivia:
The song ” Odanu Nadipe ” is penned by Veturi.It is sung by SP Balu & Chitra ..
and the Music is composed by Keeravani…
This song is considered as one of the best melody compositions of Keeravani garu.

Special Thanks to :

Ilayan ..One of our website friend .
He contributed this album to us. …..

Sharing is Caring so thanks for ur care Ilayan.

Cast: Madhan, Moni, Thanuja, Vishva
Direction : K. Raghavendra Rao
Music : Keeravani M M
Year: 1998

.::SONGS LIST::.

All Songs in One File : Download

Cast : Mohanbabu,Meena,Ramya Krishna
Director : K. Raghavendra Rao
Music : MMKeeravani

.:: SONGS LIST ::.

All Songs in Single File : Download

Cast : Rajasekhar, Ramya Krishna, Madhu Bala
Director : K Raghavendra Rao
Music : Keeravani

.:: SONGS LIST ::.

All Songs in One File : Download

Cast : ANR, Vanisri, Suresh, Meena
Director: Kranthi Kumar
Music : MM Keeravani

.::SONGS LIST::.

Trivia:
The song ” Odanu Nadipe ” is penned by Veturi.
It is sung by SP Balu & Chitra ..
and the Music is composed by Keeravani…

This song is considered as one of the best melody compositions of Keeravani garu.

The Devotional-Combo of K.Raghavendra Rao (KRR) B.A and M.M.Keeravani, who gave us a classic in Annamayya and a not-so-convincing Ramdas, are back again with Pandurangadu….check out the music review!

Cast: Mohan Babu,Srikanth,gracy singh
Music : MM Keeravani
Director : A Kodandarami Reddy

.::SONGS LIST::.

All songs in a Single File : Download

Film : பாடும் பறவைகள்
Song : கீரவாணி
Singer : S.P.Balasubramaniyam, S.Janaki
Music : Illayaraja
கீரவாணி இரவிலே கனவிலே பாட வா நீ
இதயமே உருகுதே
அடி ஏனடி சோதனை தினம் வாலிப வேதனை
தனிமயில் என் கதி என்னடி சங்கதி சொல்லடி
வா நீ கீறாவணி
இரவிலே கனவிலே பாட வா நீ
இதயமே உருகுதே

நீ பார்த்ததால் தானடி சூடானது மார்கழி
நீ சொன்னதால் தானடி பூ பூத்தது பூங்கொடி
தவம் புரியாமலே ஒரு வாரம் கேட்கிறாய்
இவள் மடி மீதிலே ஒரு இடம் கேட்கிறாய்
வருவாய் பெறுவாய் மெதுவாய்
தலைவனை நினைந்ததும் தலை ஆணை நனைந்ததே
அதற்கொரு விடை தருவாய்

(கீரவாணி)

புலி வேட்டைக்கு வந்தவன் குயில் வேட்டை தான் ஆடினேன்
புயல் போலவே வந்தவன் பூண் தென்றலாய் மாறினேன்
இந்த கணம் எங்கிலும் ஒரு ஸ்வரம் தேடினேன்
இங்கு உனை பார்த்ததும் அதை தினம் பாடினேன்
மனதில் மலராய் மலர்ந்தேன்
வளருக இவளது உறவுகள் என தினம் கனவுகள் பல வளர்த்தேன்

(கீரவாணி)

Director : S.S.Rajamouli
Producer : Rama Rajamouli and Cherry(of Okkadunnadu fame) and Urmila Gangaraju
Banner : Vishwamitra Creations
Casting : Nandamuri Taraka Ramarao AkA NTR or Tarak or Junior NTR , Sexy Mamatha Mohan Das, Priyamani, Collection King Tammudu Mohan Babu in MAIN Roles…

High Lights : Nandamuri Taraka Ramarao Graphic role in 7th reel, Soundarya in Graphic role in swargam for short span

Special Apperances: Veda, Navneet Kour, Preethi Jingyani, Parvathi Melton as Dancers in Swargam

in side roles Brahmanandam, A.V.S, sunil,venu madhav, M.S.Narayana, Raghu babu and lot of other comedians

Story: Vijayendra Prasad
Art: Anand Sai
Music: Keeravani Aka Kreem
Editing: Kotagiri Venkateswara Rao
Cinematography: Senthil Kumar
Type : Socio Fantasy wid full entertainment

check full moivie review..

YamaDonga Review

for more details.. have fun..enjoy..

appati varaku mana Yamadonga gurinchi exclusive news chusukondi..

OnionDosa Exclusive!

SS Rajamouli’s Magnum Opus Yamadonga censored today(9th August) and awarded U/A Certificate with 2-3 minor cuts.This much awaited third film in the successful NTR-Rajamouli’s combo is going to release on August 15th worldwide with more than 350 prints.

The movie got a very positive report from the Board members.
According to the info..The movie is an out and out entertainer with rocking performances by the lead actors.Let’s wait & see on August 15th !

The ’surprise’ in the 7th reel of ‘Yamadonga’

Courtesy : IndiaGlitz

The socio-fantasy film ‘Yamadonga’ directed by SS Rajamouli, presented by Smt Rama Rajamouli, and produced by Cherry and Urmila Gunnam on the banner of Viswamitra Creations with NTR, Priyamani and Mamata Mohandas in the lead is all set for release on August 15.

Padma Shri, Dr Mohanbabu, is playing Yamadharma Raju and Khushboo is playing his wife, while Preeti Jhangiani, Navneet Kaur, Archana and Rambha are playing key roles in the movie.

MM Keeravani scored music for the movie.

There was a big talk about the seventh reel of the film. Rumours agog that the entire key of the film lied in the seventh reel in which the late NTR is appearing on the screen and there is another key scene which would be like life for the movie.

The entire film is one part and the seventh reel in itself is one part of the highlight. One has to wait and watch till August 15 to break this suspense.

There are lots of expectations on the movie both in the industry and also among the audiences in general and NTR fans in particular.

NTR-Meher Ramesh’s movie shooting in USA
After the completion of Yamadonga, NTR would not waste much time before going onto his next project. In the recent audio function of ‘Hello.. Premistara’ he shocked one and all by shedding more weight – looking at his slimmest best. Also, he chopped his long locks – making him look his real age. His next film is going to be directed by Mehar Ramesh and produced by Ashwini Dutt. Ramesh directed Kannada remakes of telugu hits like Okkadu, Andhrawala and worked with Puri Jagannadh in the past. He also co-wrote the screenplay for Desamuduru recently. The movie is going to floors from the 23rd of this month in the United States. The first schedule would be for 35 days. Hansika Motwani (of Desamuduru, Aap Ka Suroor fame) is the one of the main leads. The other heroine is yet to be finalized.