Kevin Jackson and Lana Jones, “Dyad 1929.”, Australian Ballet
Photographer Lisa Tomasetti
The first act of “Cherokee,” Lisa D’Amour’s comedy in its world premiere at Philadelphia’s Wilma Theater, involves a mystery.
The bigger and lasting mystery is why D’Amour wrote a first act at all since she kept “Cherokee” essentially a one-act play, and a naïve and foolish one at that. 3,421 more words