Kuruluşu
1905 Sonbaharı

Kurucuları
Ali Sami Yen, Asım Tevfik Sonumut, Emin Bülend Serdaroğlu, Celal İbrahim, Bekir Sıtkı Bircan, Reşat Şirvanizade, Refik Cevdet Kalpakçıoğlu, Abidin Daver

Kurulduğu Yer
Galatasaray Lisesi 5. sınıfı

İlk Renkler
Kırmızı-Beyaz (Sonradan Sarı-Siyah ve Sarı -Kırmızı)

İlk Lokal
Galatasaray`da Bulgar Sütçü`nün Dükkanı

İlk Amblem
Tobler Çikolatasındaki Kartal

İlk Başkan
Ali Sami Yen

İlk Maç
Galatasaray- Kadıköy Faure Mektebi (2-0)

İlk Spor Dalı
Futbol

İlk Şampiyonluk
İstanbul Pazar Ligi Şampiyonluğu

Kuruluş Hedefi
“İngilizler gibi toplu halde oynamak, bir renge ve isme sahip olmak. Türk olmayan takımları yenmek.” Ali Sami Yen

KUNYE (Xhosa for “forward together”) is a company established by Alison Coutras in 1995 as a personal contribution to combating unemployment. Kunye trains and provides work to groups and individuals who handcraft products, using recycled material wherever possible. Designs are a fresh take on traditional techniques, with beautiful, contemporary results.

They make in particular some products from recycled paper, below you can see what they could create with our brochures. It could be a perfect gift box for Streetwires products!

Kunye Boxes

phwhoar. been away from the computer doing all sorts of things. spent the morning with a company called Kunye which is a company run by a lady by the name of Allison. it’s her personal mission to create jobs / recycle plastic bags. and by the looks of things Kunye’s doing pretty well.

Funky chicken. Southafricanlanders know these chickens well.

Cool little reindeer dude.

Cool shoe vibes. All this stuff made from recycled plastic.

Close up of Chappies placemat.

then i came across these HUMAN HAMSTER BALLS at the V&A Waterfront. sweet holy mother. if only they’d had these babies when i was little. and you ball around in a pool, no less. actually it’s for the best that we didn’t have these when i was little. i would have spent my whole childhood rolling around in one, and probably a large part of my adolescence too. in fact i’d probably still be in one. hmm. anyone know where you can buy these at cost price?

Hell yeah flipping rad and awesome.

Bye mom! See you never!

then my friend Jono – who DID spend his adolescence in a Human Hamster Ball – had his birthday on Friday night at Banana Jam Cafe. Banana Jam has a lot of good memories for me, mostly of the days when reggae was the original version of chilled indie/emo music and Cool Running was too ‘young’ for us mature 18 year olds. Going to Banana Jam said you were ‘with it’ enough to know Observatory was actually dirty not ‘arty’. Back then, 2nd Avenue Harfield was at its height of being the Lower Main Road of the Southern Suburbs High School Belt. Then Jack Johnson came on the pirate ships and reggae became what you played in your car at trance parties, if you still went to them, and pretended that hippie was a lifestyle choice and not just an easy way to disguise the fact that you never had any money, and Banana Jam became the home of the Observatory refugees who were cultivating their yuppie. today, Banana Jam is a thriving biome of post-trance-head-young-professionals-who-live-in-town-but-like-to-get-in-touch-with-their-roots(ie. get drunk where no one will recognise them)-from-time-to-time.

Exhibit A: My friend Jono. He has outgrown his Hamster Ball as a character prop and has instead embraced the Jason mask. This tells the world that he has a ruthless side yet values the loyalty of his 'true friends', all of whom know what he looks like yet accept him no matter what kind of plastic appendage he chooses to embrace depending on his mood.

Before the Banana Jam madness, the agency went to lunch at The Fat Cactus. The Fat Cactus vibe is somewhere in the middle between Cool Runnings in Obs and Banana Jam in Harfield. By that I mean Fat Cactus is like the awkward teenage years of regular drinking holes, frequented by the company I work for partly because they are close by, but also because if one of us (hypothetically say, Nicole) were to climb up the wall to steal a sign that makes a visual pun out of a pair of chillies and a girl’s bum, and in the process knocks a wrought iron light fitting off the wall, which in turn smashes a large neon bottle sign and causes all the lighting in the restaurant to go out, The Fat Cactus staff will simply ask us if we’re all okay, bring more frozen margaritas and give my boss a free T-shirt. You don’t get that kind of treatment at many establishments.

After frozen margarita jug 4, Anth, Yollie and Jakkie said they were going to flash their boobs.

Of course, only Anth had any kind of follow-through on this. Kids, please learn from this. One thing you must NEVER do if you work at an ad agency is tell your colleagues you will flash your boobs, and then go back on your word. Nothing will get you ostracised sooner. Why at this very moment, Yollie and Jakkie can be heard banging in the broom cupboard. But we’re not going to let them out. They need to be ignored, so they realise they have done something wrong.

*****************************So anyway************************************

To top off a fine week, I noticed that I got a personal Thank You in the sleeve of the new New Academics album, The Apple. There is nothing quite like getting love from a band, especially a band that I like, and especially a band whose music has been described in critical reviews as ‘hard fucking’. I’m not making that up. You can read about it on their website. Love you too guys.

I <3 PDAs. Spesh from musicians.

Sahibi
Nokta Elektronik Medya Ltd. Şti.

Adres
Otakçılar Caddesi No: 78 Eyüp / İSTANBUL
Tel: (212) 493 00 93 -612 90 90
Faks: (212) 493 00 94
bilgi@haber7.com

Genel Yayın Yönetmeni
Ünal TANIK

Editörler
Yasar İLİKSİZ
Yahya GÜR
Osman ATEŞLİ
Ferhat ESNEK
Ferat GÜLVER
Ersin ÇELİK

Reklam ve Pazarlama
Güray KABAKULAK

Kurumsal İletişim
İhsan AYDIN

Yazılım
Faik ALMENDİ

Sistem Yönetimi
Cüneyt KAVASOĞLU

Görsel Tasarım
Yalçın GÜLHAN

Kız Tavlama Sanatı – Yeni Kuşak Tiyatro – Nilüfer Sanat Tiyatro
Yazan: Rebecca Gilman
Çeviren: Seçil Honeywill
Yöneten: Mehmet Ergen
Dekor ve kostüm: Pınar Şen
Işık tasarımı: Yakup Çartık
Oynayanlar: Güneş Berberoğlu, Engin Cezzar, Ece Dizdar, Beyti Engin, Cem Kurtoğlu, Sema Mağara, Serhat Tutumluer

Caligula – Eskişehir B.B. Şehir Tiyatroları
Yazan: Albert Camus
Yöneten: Ahmet Mümtaz Taylan
Çeviren: Bertan Onaran
Dramaturji: Şirin Aktemur Toprak, Şafak Özen
Dekor: Tayfun Çebi
Kostüm: Funda Çebi
Işık: Ersen Tunççekiç
Müzik: Tolga Çebi
Oynayanlar:S. Berkay Akın, Basri Albayrak, Murat Danacı, K. Sinan Demirer, İsmail Dündar, Zafer Ergül, Ali Eyidoğan, Mert Kırlak, Hakkı Kuş, Serhat Onbul, Nagihan Orhan, Yalçın Özen, Savran Perk, Sermet Yeşil, Ercüment Yılmaz, Özcan Akgöz, Hıdır Akkaya, Ferit Demirbay, Yunus Derli, Ersin Umut Güler, Çetin Karakul, Şükrü Kaya, Özcan Yürük

Ölüm Hastalığı – Théatre de la Madeleine
Yazan: Marguerite Duras
Yöneten: Bérangére Bonvoisin
Işık: Ricardo Aronovich
Ses: Philippe Cachia
Kostüm: Nathalie Raoul
Oynayan: Fanny Ardant

Geyikler Lanetler – Arca Azzurra Teatro
Yazan: Murathan Mungan
Yöneten: Riccardo Sottili
Uyarlayan: Massimo Salvianti
Kostüm: Lucia Socci
Işık: Marco Messeri, Riccardo Sottili
Ses: Roberto Nigro
Oynayanlar: Giuliana Colzi, Andrea Costagli, Dimitri Frosali, Massimo Salvianti, Lucia Socci

Hikâyeci – Dot
Konsept ve yönetmen: Murat Daltaban
Film metnini çeviren: Nermin Saatçioğlu
Ses tasarımı: Ömer Sarıgedik
Işık tasarımı: Kemal Yiğitcan
Oynayan: Melike Güner

Kaygıların Yürürlükten Kaldırılması – Lulu Menase
Yazan: Fred Vargas
Yöneten: Lulu Menase
Sahne Tasarımı: Jo Vargas
Işık: Jean-Luc Peron
Üstyazı Çevirisi: Yaşar Avunç
Oynayan: Oriane Littardi

Leonce ile Lena – Tiyatro Oyunevi
Yazan: Georg Büchner
Çeviren: Özkan Schultze, Su Olgaç, Mahir Günşiray, Claude Leon
Yöneten: Mahir Günşiray
Sahne Tasarımı: Claude Leon
Işık: Mahir Günşiray
Müzik: Alper Maral
Oynayanlar: Erkan Uyanıksoy, Nalan Kuruçim, Mahir Günşiray, Sanem Öge, Selen Öztürk, Banu Fotocan, Gökhan Ünal, Evren Teoman

Canavar Sofrası – İBB Şehir Tiyatroları – Lefkoşa Belediye Tiyatrosu
Yazan: Vahe Katcha
Çeviren: Mahmut Sait Kılıçcı
Yöneten: Hüseyin Köroğlu
Dramaturg: Dilek Tekintaş
Dekor ve kostüm tasarımı: Zuhal Soy
Koreografi: Özge Midilli
Müzik tasarımı: Murat Bavli
Işık tasarımı: Mahmut Özdemir
Efekt tasarımı: Ersin Aşar
Oynayanlar: Barış Refikoğlu, Hatice Tezcan, Erol Refikoğlu, Bora Seçkin, Murat Bavli, Özgür Oktay, Osman Alkaş, Döndü Özata, Cem Aykut, Melek Gözükeleş, Asu Demircioğlu, Erdoğan Kavaz, Rıza Şen, Mahmut Tatlıcalı, Mehmet Demir, Çağın Eseri

The Brothers Size – Actors Touring Company – Young Vic
Yazan: Tarell Alvin McCraney
Yöneten: Bijan Sheibani
Dekor: Patrick Burnier
Işık: Mike Gunning
Müzisyen: Manuel Pinheiro
Koreografi: Aline David
Oynayanlar: Daniel Francis, Tunji Kasim, Anthony Welsh
Seyir Notu>> Çağdaş Tiyatroda Mitolojinin Gücü

Bana Bir Picasso Gerek – Duru Tiyatro
Yazar: Jeffrey Hatcher
Çeviren: Şükran Yücel
Yöneten: Arif Akkaya
Yönetmen yardımcısı: Can Ertuğrul
Dekor ve kostüm tasarımı: Zuhal Soy
Barkovizyon tasarımı: Cem Ulu
Işık tasarımı: Arif Akkaya
Oynayanlar: Sezai Altekin, Ayça Bingöl
Bağ:http://www.durutiyatro.com/index.php?option=com_content&task=view&id=36

Salvador Dali Göndermeleri İçimi Isıtıyor – Yeni Kuşak Tiyatro
Yazan: Jose Rivera
Çeviren ve yöneten: Mehmet Ergen
Dekor: Pınar Şen
Kostüm: Funda Çebi
Müzik: Çiğdem Borucu
Koreograf: Maral Cerenoğlu
Ses: Emre Ergen
Işık: Yakup Çartık
Gitarist: Koray Hatipoğlu
Oynayanlar: Deniz Celiloğlu, Burak Sayar, Aybanu Aykut Gürses, Nihat İleri, Evren Kardeş, Mehmet Ali Nuroğlu

Meraklısı İçin Öyle Bir Hikâye – İBB Şehir Tiyatroları
Yazan: Sait Faik Abasıyanık
Uyarlayan: Savaş Dinçel
Yöneten: Ergün Işıldar
Dekor ve Kostüm: Ergün Işıldar
Işık: Özcan Çelik
Efekt: Ersin Aşar
Müzik: Ömer Göktay
Oynayan: Naşit Özcan

El Privilegio de Morir – Provisional Danza
Koreograf: Carmen Werner
Sanat yönetmeni: Daniel Abreu
Işık tasarımı: Pedro Fresneda
Kostüm: Virginia Ruiz Robles
Müzikler: Masahiro Hiramoto, Tony Bennett, Cole Porter, Fennesz, Oren Ambarchi
Dansçılar: Tatiana Chorot, Laura Marrero, Igor Calonge, Josue Espino, Manuel Rodriguez, Carmen Werner
Seyir Notu>> Ölüm Ayrıcalığı

Saatleri Ayarlama Enstitüsü – İstanbul DT
Yazan: Ahmet Hamdi Tanpınar
Uyarlayan ve Yöneten: Özgür Yalım
Dekor: Ethem İzzet Özbora
Kostüm: Mihriban Oran
Işık: Önder Arık
Oynayanlar: Atilla Şendil, İşdar Gökseven, Ali Ersin Yenar, Kubilay Karslıoğlu, Burak Karaman, Adnan Biricik, Selçuk Kıpçak, Hidayet Erdinç, Gökalp Kulan, Gülen Çehreli, Melek Gökçer
Bağ: http://www.istdt.gov.tr/turkce/oyunlar/oyun.asp?lngType=0&lngPlayID=299

Zengin Mutfağı – Değişim Atölyesi Oyuncuları
Yazan: Vasıf Öngören
Yönetmen: Müge Saut
Yönetmen yardımcısı: Selen Şeşen, Hande Halilbeyoğlu
Karikatürler: Kemal Gönen
Görsel tasarım: Bülent Erdoğan
Oynayanlar: Nevzat Süs (Lütfü Usta), Suat Oktan (Ahmet), Halil Ersan (Selim), Müge Saut (Kız), Ulaş Kotan (Seyfi)
Bağ: http://picasaweb.google.com/degisimatolyesi/ZenginMutfa#slideshow/5255638992110103666

Beckett / Hikmet – Compagnie Sur la Place

Ben Değil:
Yazan: Samuel Beckett
Yöneten: Barbara Hutt
Çeviren: Mine Çerçi, Günfet Guisset
Oynayan: Mine Çerçi
Işık: Geneviève Soubirou

Felaket:
Yazan: Samuel Beckett
Yöneten: Barbara Hutt
Çeviren: Mine Çerçi, Şükrü Munoğlu
Oynayanlar: Mine Çerçi, Şükrü Munoğlu, Béatrice Sprunger
Işık: Geneviève Soubirou

Şiirler:
Yazan: Nâzım Hikmet
Yöneten: Barbara Hutt
Oynayanlar: Mine Çerçi, Şükrü Munoğlu, Béatrice Sprunger
Işık: Geneviève Soubirou