T h e S o n g o f L i f e

I saw a lone shadow.
It crept very silently,
tward the serene waters.
The sunset over the gently
rippling sea, casting a fiery
Orange glow into it’s depths.

Gracefully the figure
now stood over the water.
She watched with deep understanding
the breathtaking Beauty
of nature.

She was wise, old
beautiful, strong, contently swaying
with the summer breeze.
Dancing the ancient
dance of summer.

Her leaves whisper the song
of many generations…
The soft, tuneless
Song of Life.

—————

poem by natasha

picture by natasha

3 t-shirt designs coming soon from BLKHRT ART

Lone Wolf / Conquer or Die / Black Dagger

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  It therefore seems strange that tonight, a crossover between Sankeys’ two brand new nights ‘Recentes’ and ‘Fiesta’, both of which have been offering impressive dance line-ups since their inception, the club is only half-full. And the crowd that did make it here certainly do not appear to be the musical connoisseurs that we expected.

  Of the people we spoke to, almost none of them appeared to have any idea who the highly-acclaimed and genuinely talented headline act Lone was. In fact, our questions were invariably answered with jaw spasms, thousand-mile-stares, and territorial snarls from men claiming ownership over the sparse and uniformly pissed young women. All in all, it was not the crowd we were expecting at all. We remained optimistic, but maybe the club should consider promoting its nights with more enthusiasm when they invest in such vibrant acts…

  The R&S Records man is something of a Manchester regular, it seems, having played all the major nights including the high-profile Warehouse Project season in the autumn. It is, however, rarer to catch him doing a genuine live set, so we were very much excited for this opportunity. With a vintage Thrasher Magazine t-shirt and an air of ‘good vibes’ emanating from him, Matt Cutler tore through a set featuring choice cuts from last year’s terrific album ‘Galaxy Garden’ and others from his superb back catalogue. The colourful video-game-soundtrack aspect of his tunes was toned down somewhat, and so it was a pity not to hear favourites like ‘Coreshine Voodoo’ and ‘Ultramarine’, but the club environment dictated that this was always going to be a set dominated by his broken beats rather than rich electronic interplay. The game was up after an hour, but our whistles have been whet and we’ll jump at the chance to catch these kaleidoscopic compositions again in a more enthusiastic environment.

guestofaguest.com

By Ian Goldstein

Think of the greatest television sitcom of the 1990s. Would it be fair to guess that one name comes to mind, personified by a guy who inflects his voice and constantly asks: “what is the deal with this”? and “did you ever notice that”?

iz95.net

When you think of the greatest NBA franchise of the 1990s do you see a red-faced, white-horned, angry adult male of the Bos Taurus species?

Yes.

So we realize that Seinfeld and the Chicago Bulls were the best of their respective fields in the 1990s, possibly of all-time. But why is this relevant?

Because they’re actually identical twins, separated at birth, both growing up to be the unstoppable force and the immovable object.

Here are the Top 10 reasons why Seinfeld and the 1990’s Bulls are uncannily similar:

10. Big Shoes to Fill

tvpedia.org

Television in the 1980s was dominated by Cheers. It averaged 15 million viewers in its 11-year-run, won 28 Emmy Awards and was nominated 117 times.

NBA in the 1980s was under the reign of Magic’s Showtime Lakers and Larry Bird’s Celtics. They won eight out of the ten NBA finals in the decade and cemented the legacy of almost every starter on either team.

Nobody was going to surpass either in television or the NBA—until a certain bass riff and an instrumental by The Alan Parsons Project emerged.

Cheers and The Los Angeles Lakers & Boston Celtics passed the torches, acknowledging that their time had expired. George wanted to be paid like Ted Danson and Michael Jordan was picking up the NBA style of play quickly. Both Seinfeld and the Chicago Bulls eventually found their form, and supremely ruled sports and television in the 1990s.

9. No Hair

playersview.net

This one is individually specific—Michael Jordan and George Costanza had alopecia.

Michael Jordan made being bald cool. After Jordan, NBA stars like Kobe Bryant and Vince Carter embraced the look. Subsequently following Jordan’s lead across the sports world were Andre Agassi, the Hasselbeck brothers, Kevin Youkilis, and Albert Pujols. Lebron will embrace it soon.

Kojak was probably the coolest bald guy on television, but look at the upsurge of leading men after George Costanza that were bald and one of the lead characters on a TV show:

John Locke, Walter White, Tony Soprano, Larry David, Vic Mackey, Frank Barone, Dean Pelton.

George Costanza never embraced his baldness like Jordan, but being bald had its perks. Good for you…JACK!

8. Innovation

coachesclipboard.net

Television and the NBA are constantly building upon themselves, grabbing from the past  and creating for the future. Some initiatives last and others fade away. They’re both in a state of perpetual evolution.

The triangle offense wasn’t fully utilized in the NBA until Phil Jackson and assistant coach Tex Winter brought it to the ‘90s Bulls. Jackson became head coach, replacing Doug Collins and, using this brand of play, Winter and Jackson won six titles. It was a system that worked to the advantage of the individual, but also served the notion of the team. The triangle offense is a perplexing concept that I doubt I would do any justice by explaining here, but when it works, it wins championships.

Seinfeld brought to television what the triangle offense brought to the NBA: something that viewers and participants couldn’t understand. It was a bizarre concept—that audiences could watch people standing around video stores discussing non-sense and  be entertained. But it worked. This was the Seinfeld offense, people conversing about where to find the best public restrooms in the city. It was an offense that highlighted the individual character’s humor, but also assisted the rest of the cast. The show about nothing was fresh; these characters weren’t likable, redeemable, or morally cognizant. There was no lesson at the end of each episode and the show didn’t ask for emotional investment.

The triangle offense requires players without the ball to be on the move just as much as the player with the ball, there’s constant motion and preferably any player can pass or shoot at any time. This leads into the next reason:

7. Great Role Players

The stars of Seinfeld and The Chicago Bulls shined, but the memorable episodes and the championship seasons were clinched with the aid of a great supporting cast.

Craig Hodges is not a basketball legend, but he was a three point specialist who currently has more rings than Karl Malone, Reggie Miller, Patrick Ewing and Charles Barkley combined. He is a two-time NBA champion, playing for the ’91 and ’92 Bulls. The same goes for Steve Kerr, a  five-time NBA champion, winning three titles with the Bulls—one of which (1997) was because of his game-winning shot in game 6 against the Utah Jazz. John Paxson ,Tony Kukoc, Horace Grant, and B.J. Armstrong were all key contributors to the Bulls’ dynasty.

Newman, Banya, Frank & Estelle Costanza, Susan, Morty and Helen Seinfeld, George Steinbrenner. The list continues, but these recurring characters were as good to the show as the best Bulls’ role players. At some points these cast members were as memorable as the stars and without them the show wouldn’t have been nearly as great.

6. Ratings, Awards, and Acclaim.

cbc.ca

The Bulls won six NBA championships. Michael Jordan won five MVP awards and people usually rank the 1996 Chicago Bulls, who finished with a record 72 wins and 10 losses, as one of the best teams that’s ever played. Jordan agrees.

Seinfeld finished first in the ratings twice, won 10 Emmy awards, three golden globes, and is consistently ranked as the greatest sitcom ever. In 2009, TV Guide  listed the 100 greatest episodes of television and “The Contest”  was #1.

5. The Oddball

Cosmo Kramer = Dennis Rodman

These guys were strange from the start, but at first it was subtle. Their oddball tendencies grew as their lives moved on.

Dennis Rodman, to quote Phil Jackson, was “the court jester.” He was the entertainer with various hair styles and publicity stunts that made you ask many questions of 6’7 forward.

Kramer was the cigar-smoking, heavily opinionated neighbor who was eccentric, but someone who forced you to watch him; you didn’t know what he would do next.

When the series began Kramer was normal, with slight eccentricities like taking Jerry’s cold cuts from the fridge. He started barging in, wearing his hair up and became the real Kramer.

Rodman progressed the same way: he started out seemingly normal on the Bad Boy Pistons, got stranger on the Spurs, became more peculiar on the Bulls, and now he wears flowers.

Dynasties and canonical shows need the oddballs, though, for the viewers to question, to love, and to be entertained.

4. Failed Comebacks for the Stars

tvsa.co.za

To make this clear:

Jerry Seinfeld = Michael Jordan

They were both born in Brooklyn. They climbed the ranks in the ‘80s and became household names in the ‘90s.

If you took either of these men away from their team/show it would collapse. Yes, you still would have a playoff contender and an Emmy nominated sitcom, but not a winner—not an ensemble that would take you all the way. Jerry Seinfeld moved the characters forward. He furthered plots by convincing the other characters to make decisions. It was his show.

The same goes for Jordan. He was the variable. The Bulls still made the playoffs without him, but they didn’t win the championship. Jordan’s first retirement opened the floodgates for Ewing, Olajuwon, Malone, Stockton, Barkley and Miller to step forward and see if they could win a title.

Both Seinfeld and Jordan haven’t succeeded in the NBA or on Television after their ‘90s stardom. Yes, they’re working, and no I’m not saying they could or even should try to top what they did in the ‘90s. That would be impossible. But they never came close. Jordan was limited physically as a 40-year-old player; he was never expected to make a real comeback after 1998. He played for the Washington Wizards from 2001-2003; there was hype, but ultimately disappointment. As an owner of the Charlotte Bobcats his record has been dismal and aside from strange Hanes commercials and Air Jordan’s anything involving the sport of basketball is a lose situation for him.

Seinfeld hasn’t tried a new sitcom, but Bee Movie is his Washington Wizards—a good effort, but forgettable and unfortunate. The Marriage Ref is his Charlotte Bobcats.

It was exciting to think: “Hey, Jordan’s playing again!” and  ”Jerry Seinfeld is on TV again!” But both didn’t work, the hype overshadowed the performances. They can bask in the glory that is the rest of their lives, but success post-dominance is unlikely.

3. 1998

The Spring of 1998 was bittersweet for both Seinfeld and the Chicago Bulls. They ended their runs as leaders. Seinfeld ended on May 14, 1998 and finished #1 in the ratings for that year. The Bulls beat the Jazz 4-2 in the finals and in finale fashion—Jordan made the game-winning shot.

The Seinfeld finale is divisive, but the numbers tell us people were watching. By that standard it was a success. And in the finale we got to see the great role players come back, reminding us just how good that show was.

I won’t say it’s better than anything they make in Hollywood; most things are. But Jordan’s last shot was glorious enough to end a film in the perfect way and wrap the career of the greatest that ever played the game.

2. The Behind-The-Scenes Leader

backtimetv.blogspot.com

Larry David = Phil Jackson.

Larry David started his career as a stand-up comic and soon made the big leagues,  writing for SNL and performing on SNL’s strange cousin, Fridays. But his potential wasn’t being utilized. Finally he got the right position—as showrunner and head writer for Seinfeld. He left the show in 1996, after seven years working on the show. He didn’t want to embark on the physical toll of doing another season. David had hoped that everybody else on the show would feel similarly, but the show went on without him.

Larry David’s new venture, Curb Your Enthusiasm, premiered in 1999. It was not only innovative in its use of improvisation, but it had no laugh track. We forget that a single camera show was not normal in 1999. Now with 30 Rock, Arrested Development Community, Louie, Modern Family, The Office, and Parks and Rec regarded as some of the greatest television shows of all time, it’s becoming the standard. Larry David left Seinfeld and came back with a show arguably better.

windyapple.com

Phil Jackson won two championships (’70 and ’73) as a player with the New York Knicks. But he wasn’t great. He was a decent reserve, but he was not Hall of Fame material. His potential, like David, was not being realized. He was destined to be on the sidelines, directing his players. Jackson was hired as an assistant coach for the Bulls in 1987 and ascended to head coach two years later. He won six championships with the Bulls and five with the Lakers. The Lakers is his Curb Your Enthusiasm.

Phil Jackson has a .704 career winning percentage. Larry David has had two critically acclaimed, Emmy winning shows he helped create. Both men found what suited them after mediocrity and now both are considered the greatest in their professions.

1. Complete Domination of 1990′s Culture and Future Impact

GQ

From the beginning of the decade until its end The Chicago Bulls and Seinfeld came from nowhere, and ultimately dominated.

The Chicago Bulls won six NBA championships, had merchandise sold around the world and at one point had an effect on the ‘90s economy. The impact of those Bulls are still relevant. Not only in the NBA , where Derrick Rose attempts to usher in a new era of Bulls dynasty, but in all of pop culture, especially with Dennis Rodman and Kim Jung Un’s friendship growing each day.

Everyone talks about Seinfeld. People remember The Soup Nazi, Moops, Art Vandelay, The Chinese Restaurant bottle episode (Cartwright!) and of course, “The Contest.” The show even invented a holiday, with a pole that still stands. It’s is still being analyzed and dissected.

People will be discussing Seinfeld as long as sitcoms exist.

The Chicago Bulls and the rise of Michael Jordan had too much of an impact to forget.

Pre-1990′s, playing for the Chicago Bulls was the equivalent of starring in Bosom Buddies. It was new and had a potential star in it, but it wasn’t going far. During the 1990′s playing for them was like starring in Seinfeld; there were a few stars, but more importantly they worked as a collective. The ensemble was led by the best coaches and writers, and eventually became one of the greatest additions to Television and Sports, so far as to redefine the entire business.

Sporadic Sidenote:

• Wayne Knight was in Space Jam. I think this list just imploded.

ugo.com

THE LONELY TWIN

Oil on Panel / 6 x 6 Inches

If you would like to own this painting, just send your bid in an email to: farnsworthgallery@newmex.com, or call Thea at 505 982-4561.

Remember the Chilean Pear Twins from a few days ago? Well, I ate one, and was disappointed. It was so beautiful to see, and to paint, but apparently not ready to be eaten.

The other twin, forgotten in Betsy in the interim, ripened and took on the color almost of a plum. When I finished painting it, I succumbed to its charms and devoured it. Much better. But more like a plum than a pear. Hmmm, I wonder. Chilean plum? Hybrid? Does anyone out there know for sure? Please enlighten us with a comment if you do.

NOTE:

I spent quite a bit of time recently, responding to comments on previous posts. For some unknown reason, most of them never showed up on the blog. I'm working on a solution. In the meantime, I hope all of you who have left comments here and on whenapaintersnaps know how very much your comments are appreciated and how important they are to me, especially when I'm tempted to falter.

It can be especially difficult to keep both blogs going on a daily basis while traveling. I can't always respond, but I always read and appreciate them.

I would love to see more dialog forming between those who follow my blogs and comment on them. Hint, hint.

Click Here to see my Daily Photographs.

Please remember that if you would like to commission a larger version of your favorite subject, if you would like to check on the availability of a given image, or if you would like to schedule a workshop, we are just a phone call away, at 505 982-4561, or you can email us at: john@johnfarnsworth.com

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WU LYF – Go Tell Fire To The Mountain (2011)

Though Rusholme-based four-piece WU LYF (World Unite Lucifer Youth Foundation) was a shortlived project (they disbanded last year), Go Tell Fire To The Mountain is a phenomenal construction. Recorded in an abandoned Mancunian church, because sometimes studio acoustics just don’t cut it, the drums bang, the guitars wail like no other, and the organs give the album an eerily spiritual transcendence from the very first song. Frontman Ellery Roberts’ animal warblings are often indecipherable, but the emotion on ‘Heavy Pop’ and centrepiece ‘We Bros’ need no literal translation. Curiously, there’s an air of summer to the album, a statement of brotherhood and freedom. Though the band is no more, guitarist Tom McClung carries the torch as sometime performer under the name Francis Lung at local Manchester gigs.

Lone – Emerald Fantasy Tracks (2010)

Matt Cutler aka Lone’s second album channels a lot of things at once. While he’s both humble and sincere at all times, Cutler creates the impression of supercharged IDM that moves too fast for its own good; rolling bass and synths flower tracks like ‘Aquamarine’ or ‘Petracane Beach Track’, but they’re kept firmly stable with simple four-on-the-floors that echo early-90s proto-house. At times it’s like a history lesson in electronica, only without labelled diagrams of Derrick Carter and Carl Craig. Emerald Fantasy Tracks standout moments, though, are when Cutler really runs wild. The overarching tropical theme is more than enough reason to come back, but when the album mellows for final cut ‘The Birds Don’t Fly This High’ in a Eastern-tinged hallucinogen trip, you really don’t want it to end.

Blakroc – Blakroc (2009)

While The Black Keys’ dirty blues is very much a sound of its own, their overlooked rap collaboration album took it to new directions before it had chance to carve out a space for itself. Drummer Patrick Carney translates surprisingly well to the realms of hip-hop boom-bap, finding a niche of his own without shying too much away from the live instrumentation styles of The Roots. Guests as varied as Jay-Z, Mos Def and Pharoahe Monch provide some timeless verses, and even RZA shows up to spit bars on the hopelessly cool ‘Telling Me Things’.

Dr Octagon – Dr. Octagonecologyst (1996)

Like a pre-MF Doom wrapped up in so many monikers it’s hard to keep track of the actual rapper behind the names, Keith Michael Thornton aka Kool Keith became Dr. Octagon for two brief albums in the mid-90s. His first, Dr.Octagonecologyst, is a prime and weird example of conceptual rap at its finest. Opening with a snippet of sex-fuelled dialogue between doctor and patient, Keith spends the album spitting nymphomaniac rhymes over finely cut beats by Gorillaz collaborators Dan the Automator and Kid Koala. Keith’s schoolboy approach is often as menacing as it is cheeky, and his attempts at singing on ‘Blue Flowers’ are best left forgotten in the annals of rap, but as proto-concept rap goes, it’s a classic.

Broken Bells – Broken Bells (2010)

As Dangermouse collaborations go, Broken Bells should have been the least endearing. James Mercer’s crooning over would-be Gnarls Barkley or DangerDoom beats sounds like a huge waste of potential, but both artists rose to the occasion for the duo’s self-titled. Combining Burton’s Demon Days­ sensibilities with Mercer’s ambiguously poetic lyrics, these ten tracks form a whole that should be consumed as such; ‘The High Road’ is as fine an opener as there’s ever been, and the mid-album brooding around ‘Citizen’ and ‘October’ showcases the fusion of ideas at their peak.

AP

Track List

1. Dr Who Dat (New York) – Warped 45

In 2003 was the sole representative from New York to participate and perform at Red Bull Music Academy in Cape Town, South Africa. (wikipedia sourced)

2. Bluetooth Carnivores_with Xzodia and Vulkhan (South Africa) –  Skitzaphrenique

Two SA prodicers who have been at it for a minute. Each having an impressive collection as well as legit projees under their belts.. I could help but want to bump this one for you..

Xzodia  - Vulkhan ( No info at time of going to post)

3. Arts The BeatDoctor (Netherlands) – Meditate

“Arts The BeatDoctor is a Dutch producer from Utrecht, The Netherlands. With his debut EP “Fragments” in 2006, the beatdoctor showed his musical diversity with a collection of jazz inflicted hip-hop tracks which were mostly characterized by their nightly atmosphere…” read more here

4. Freddie Joachim (New York)- Circles

“Freddie Joachim (pronounced: JO-AH-KIM), is a hip-hop producer who was born in the Philippines, and raised in San Diego, CA.”…read more here

5. Prefuse 73 (Barcelona)- Dechibe

“Prefuse 73 (Guillermo Scott Herren), is a hip-hop and electronic producer/artist, currently based out of Barcelona and signed to Warp Records.”.. read more here

6. Quetzal (Paris/Spain)- Little brother needs hope

“ In the early nineties, in a tiny cafe on the outskirts of Little Tokyo Los Angeles, Quetzal Flores, a son of two community organizers, formed Quetzal – A new experience in Chicano Music. His goal was to push the boundaries of Chicano Music as we knew it.”… read more here

7. Lone (Nottingham)- Sea Spray

“Lone (Matt Cutler) has something that I think is very healthy for an artist to have in this age of myspace music and the vast array of underground labels,…read more here 

8. Oh No – When Nah

“…. like his brother Madlib (iconic hip-hop maestro), his father Otis Jackson (cult ’70s soul singer) and his uncle Jon Faddis (renowned jazz trumpeter) – Oh No would go on to pursue the family business of music.”…. read more here

Sources: Wikipedia, Last. FM,

DOWNLOAD HERE

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SOMEWHERE 'TWEEN HEAVEN AND HELL

Oil on Panel / 6 x 6 Inches

Remember my trip out to Victorville with my pal Steve Immel to pick up Betsy? Well as we were leaving New Mexico, I snapped a shot through the car window with my iPhone of this isolated farm, somewhere between Abiquiu and Crown Point. I'm not really sure where. We were moving pretty fast just then. Anyway, I've run across it several times while sifting through my research, and been tempted to paint it, but couldn't quite figure out what I wanted to do with it. Then, today, it struck me. Break a rule or two. Stick the horizon right half way down the panel. Thenbalance the tiny but important house equally distant from the larger but less significant barn. Crop the pond, even if it means losing all ability to judge its size, and, all together make it fit the title.

I almost always have a difficult time naming a painting, even after it's finished. this time I had the title first, and painted to it. No traffic, no noise, but no good restaurants, either. Somewhere 'tween heaven and hell.

I'm starting a new series with step by step explanations over on my other blog, so be sure to…

Click Here to see my Daily Photographs.

Please remember that if you would like to commission a larger version of your favorite subject, if you would like to check on the availability of a given image, or if you would like to schedule a workshop, we are just a phone call away, at 505 982-4561, or you can email us at: john@johnfarnsworth.com

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]]> http://toicuoi.wordpress.com/2013/03/03/to-ve-am-hieu-viet-lach-nhan-ngay-vui-thu-2/ Sun, 03 Mar 2013 18:04:46 +0000 thexmesonoxian http://toicuoi.wordpress.com/2013/03/03/to-ve-am-hieu-viet-lach-nhan-ngay-vui-thu-2/

thường sau mỗi chuyện buồn, niềm vui như nhân lên gấp vạn lần. nỗi hân hoan, chộn rộn cứ kéo dài âm ỉ, tựa như một liều kích thích, gây hưng phấn cho mọi hành động, cử chỉ của bản thân.

nhưng đồng thời khi hạnh phúc đang ở lúc rạng rỡ nhất thì nỗi buồn nối tiếp sau đó khác gì đâu một khoảng lặng dài không có điểm dứt.
nhất là khi nỗi buồn sinh ra từ chính niềm vui tròn vẹn kia.

]]> http://eyesofodysseus.wordpress.com/2013/03/03/lone-figure-landscapesroad-to-somewhere/ Sun, 03 Mar 2013 07:42:24 +0000 eyes Of Odysseus http://eyesofodysseus.wordpress.com/2013/03/03/lone-figure-landscapesroad-to-somewhere/ http://lejalnyte.com/2013/03/02/lnrs093/ Sat, 02 Mar 2013 09:05:44 +0000 Lejal Genes http://lejalnyte.com/2013/03/02/lnrs093/

Lejal’Nyte radioshow LNRS093 was live on air @ http://www.sub.fm 02.03.2012 @ 9AM UK time @ 11AM EE time. Fresh music from artists like DJ Hash x Sven Grünberg, Jeffy Diamond, Gee, Theo Tzu, Conscious Pilot, Hesk, Dubvine, Goosensei, DGGZ, DJ Raff, Samo Sound Boy & Floyd Campbell, Mojo Goro, Last Japan, EPROM, and others.

Mixcloud: LNRS093
MP3: LNRS093

01. Xanadu – Lut Gholein (Docks) [-]
02. DJ Raff – T.I.M.E. [Ensmble 2012]
03. Alicia Keys – When It’s All Over [RCA 2012]
04. Audioklipz – Innit (Respect da Architect, SvenG!) [-]
05. Jokers Of The Scene – Killing Jokes (Drvg Cvltvre’s Doomsday Edit) [-]
06. Robots Don’t Sleep – So Bad (Synkro Dub Mix) [Four Music 2013]
07. Juke Ellington – BlackIce Trap [Post Religion 2012]
08. Fatboy Slim – Song for Shelter (Distal Rework) [Fact 2012]
09. Bambarra – Thousand Times [DPM 2012]
10. DJ Dizzy – Room To Shine [Elevate 2012]
11. Bombé – Rooms [BYRSLF 2012]
12. Samo Sound Boy & Floyd Campbell – 12 Min [Body High 2012]
13. Dizzee Rascal – I Luv U (Mojo Goro Remix) [-]
14. Last Japan – Girl VIP [-]
15. EPROM – Transparency [Rwina 2012]
16. Fybe:one – Enclosed (Duct Remix) [Shades Of Grey 2012]
17. Jeffy Diamond – Back That [-]
18. Slugabed – Quantum Leap VIP [-]
19. Heny G – Christopher VIP [Hedmuk 2013]
20. Sparxy & Fused Forces – Leviathan (Just1 Remix) [Bacon Dubs 2013]
21. Theo Tzu – Werewolf Dub [Phantohm 2012]
22. Megalodon & Conscious Pilot & Doctor – Like This [Section 8 2012]
23. Plookie – Empress (Gee Remix) [Lejal Globe 2010]
24. Jeffy Diamond – Moon (Gee Remix) [-]
25. Gee – Macho Hetero (Instrumental Dub) [-]
26. T2 & Jodie – Heartbroken (Hesk Remix) [-]
27. Dubvine – The Cheetah Skank [-]
28. Goosensei – Irregular [-]
29. Lone – AM Portal [-]
30. ∆∆ – Skinny Dipping [-]
31. Jaw Jam – U Don’t Know [-]
32. DGGZ & Beyonce – Fly Baby [Thought Render 2013]

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