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	<title>lucky-dube &amp;laquo; WordPress.com Tag Feed</title>
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<title><![CDATA[World of Reggae Music Collection--Roots and Culture: Political Reggae ]]></title>
<link>http://jamtex.wordpress.com/2009/12/05/world-of-reggae-music-roots-and-culture-political-reggae/</link>
<pubDate>Sat, 05 Dec 2009 23:49:21 +0000</pubDate>
<dc:creator>jahue</dc:creator>
<guid>http://jamtex.wordpress.com/2009/12/05/world-of-reggae-music-roots-and-culture-political-reggae/</guid>
<description><![CDATA[The World of Reggae Music Collection: Roots and Cultrue Political Reggae Often reggae carries a stro]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><strong>The <a href="http://jamtex.wordpress.com/2009/10/31/world-of-reggae-music-collection-table-of-contents/">World of Reggae Music</a> Collection</strong><strong>: Roots and Cultrue</strong></p>
<p><strong>Political Reggae</strong></p>
<p>Often reggae carries a strong political message wrapped inside its intoxicating vibes. Reggae superstars <strong><a href="http://www.amazon.com/gp/product/B000QJJMCC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJMCC">Jimmy Cliff</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJMCC" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000QJNQ3I?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJNQ3I">Peter Tosh</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJNQ3I" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000QJO1L4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJO1L4">Yellowman</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJO1L4" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000QJHMHY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJHMHY">Eek-A-Mouse</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJHMHY" border="0" alt="" width="1" height="1" /></strong>, and <strong><a href="http://www.amazon.com/gp/product/B000QJJU1K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJU1K">Bob Marley</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJU1K" border="0" alt="" width="1" height="1" /> and <a href="http://www.amazon.com/gp/product/B000QKAYVY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKAYVY">The Wailers</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKAYVY" border="0" alt="" width="1" height="1" /></strong> have a broad knowledge of the plight of the poor people around the world. In turn these reggae artists have fashioned brilliant protest songs that bring attention to international social injustice. From <strong>Jimmy Cliff&#8217;s</strong> &#8220;<a href="http://www.amazon.com/gp/product/B001O3UBKG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3UBKG">Vietnam</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3UBKG" border="0" alt="" width="1" height="1" />&#8221; to <strong><a href="http://www.amazon.com/gp/product/B000SZLD1M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SZLD1M">Ziggy Marley And The Melody Makers</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SZLD1M" border="0" alt="" width="1" height="1" /></strong>performing &#8220;<a href="http://www.amazon.com/gp/product/B000SNW8R2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SNW8R2">Namibia</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SNW8R2" border="0" alt="" width="1" height="1" />&#8221; decades of reggae artists have expressed their political viewpoints through music.</p>
<p>One of my favorite American musicians that often drenches his original music in reggae sounds, <strong><a href="http://www.amazon.com/gp/product/B000QJJZDS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJZDS">Michael Franti</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJZDS" border="0" alt="" width="1" height="1" /></strong>, leads the California-based band <strong><a href="http://www.amazon.com/gp/product/B000Q3EPU2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000Q3EPU2">Spearhead</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000Q3EPU2" border="0" alt="" width="1" height="1" /></strong> with hard-hitting lyrics. His message of love trumps the political message, but his songs are filled with deep knowledge of social, economic, and political issues. <strong><a href="http://www.amazon.com/gp/product/B000XTF3E6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000XTF3E6">Micheal Franti &#38; Spearhead</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000XTF3E6" border="0" alt="" width="1" height="1" /></strong> are a must in this edition of Roots and Culture.</p>
<p>From modern dancehall artists like <strong><a href="http://www.amazon.com/gp/product/B000QJR8ZK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJR8ZK">Busy Signal</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJR8ZK" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000S2JLVE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S2JLVE">Mavado</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S2JLVE" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000S2J4Q6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S2J4Q6">I-Wayne</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S2J4Q6" border="0" alt="" width="1" height="1" /></strong>, <strong>Perfect</strong>, <strong><a href="http://www.amazon.com/gp/product/B000QJPKZU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJPKZU">Sizzla</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJPKZU" border="0" alt="" width="1" height="1" /></strong>, and <strong><a href="http://www.amazon.com/gp/product/B0011X7GPM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0011X7GPM">Alborosie</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0011X7GPM" border="0" alt="" width="1" height="1" /></strong> to the classic reggae bands like the <strong><a href="http://www.amazon.com/gp/product/B000QKBZL2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKBZL2">The Mighty Diamonds</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKBZL2" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000QJP8RA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJP8RA">Steel Pulse</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJP8RA" border="0" alt="" width="1" height="1" /></strong>, and <strong><a href="http://www.amazon.com/gp/product/B000QJJW9A?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJW9A">Black Uhuru</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJW9A" border="0" alt="" width="1" height="1" /></strong>the mainstream political worldview often comes into question in these great reggae tracks. And there were strong positive-minded individuals from Jamaica like <strong><a href="http://www.amazon.com/gp/product/B000QK85YC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QK85YC">Hugh Mundell</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QK85YC" border="0" alt="" width="1" height="1" /> </strong>and <strong><a href="http://www.amazon.com/gp/product/B000QKA0HC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKA0HC">Jacob Miller</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKA0HC" border="0" alt="" width="1" height="1" /> </strong>that pointed out the of the hypocrisies of these bad-minded politicians. Some reggae artists even called for social revolution in their music. <strong><a href="http://www.amazon.com/gp/product/B000QJNQ3I?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJNQ3I">Peter Tosh</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJNQ3I" border="0" alt="" width="1" height="1" /></strong> said it best in his song &#8220;<a href="http://www.amazon.com/gp/product/B00137UUSQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00137UUSQ">Equal Rights</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00137UUSQ" border="0" alt="" width="1" height="1" />&#8221; &#8220;I don&#8217;t want no peace. I want equal rights and justice. Gotta to get it. Equal rights and justice.&#8221;</p>
<ol>
<li><strong>Jimmy Cliff </strong>– <a href="http://www.amazon.com/gp/product/B001O3UBKG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3UBKG">Vietnam</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3UBKG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Yellowman</strong> – <a href="http://www.amazon.com/gp/product/B001GO12BK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001GO12BK">Leave Iraq Alone</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001GO12BK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Marley and the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B0011U36AY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0011U36AY">Zimbabwe</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0011U36AY" border="0" alt="" width="1" height="1" /></li>
<li><strong>Peter Tosh </strong>– <a href="http://www.amazon.com/gp/product/B00137RHDC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00137RHDC">Equal Rights</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00137RHDC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Michael Franti and Spearhead </strong>– <a href="http://www.amazon.com/gp/product/B000ULCSMC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000ULCSMC">Crime To Be Broke In America [Explicit]</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000ULCSMC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse</strong> – <a href="http://www.amazon.com/gp/product/B000W1RGLI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000W1RGLI">Taxi Driver</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000W1RGLI" border="0" alt="" width="1" height="1" /></li>
<li><strong>Gregory Isaacs &#38; the      Upsetters</strong> – <a href="http://www.amazon.com/gp/product/B002PZERSO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002PZERSO">Mr. Cop</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002PZERSO" border="0" alt="" width="1" height="1" /></li>
<li><strong>Dennis Brown</strong> – <a href="http://www.amazon.com/gp/product/B001L9D9WA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9D9WA">Revolution</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9D9WA" border="0" alt="" width="1" height="1" /></li>
<li><strong>Eek-A-Mouse</strong> &#8211; <a href="http://www.amazon.com/gp/product/B000S3BDG4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S3BDG4">Politics</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S3BDG4" border="0" alt="" width="1" height="1" /></li>
<li><strong>Michael Franti &#38;      Spearhead</strong> – <a href="http://www.amazon.com/gp/product/B000YQWHEW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000YQWHEW">Time To Go Home</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000YQWHEW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller</strong> – <a href="http://www.amazon.com/gp/product/B0019K83DQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019K83DQ">Roman Soldiers Of Babylon</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019K83DQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Horace Andy</strong> – <a href="http://www.amazon.com/gp/product/B001L9BSXW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9BSXW">Materialist</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9BSXW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Horace Andy</strong> – <a href="http://www.amazon.com/gp/product/B001L9DEZC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9DEZC">Poor Man Style</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9DEZC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lucky Dube</strong> – <a href="http://www.amazon.com/gp/product/B0012F91KW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0012F91KW">Political Games</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0012F91KW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse </strong>– <a href="http://www.amazon.com/gp/product/B00150UB7G?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00150UB7G">Global Warning</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00150UB7G" border="0" alt="" width="1" height="1" /></li>
<li><strong>Alpha Blondy</strong> – <a href="http://www.amazon.com/gp/product/B000S4ODKQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S4ODKQ">Apartheid Is Nazism</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S4ODKQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Yellowman</strong> – <a href="http://www.amazon.com/gp/product/B001GNZ2BM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001GNZ2BM">CNN News</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001GNZ2BM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Marley &#38; the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B000VHN0HC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VHN0HC">I Shot The Sheriff</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VHN0HC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy</strong> – <a href="http://www.amazon.com/gp/product/B0018QXE4E?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0018QXE4E">Soldier</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0018QXE4E" border="0" alt="" width="1" height="1" /></li>
<li><strong>Ziggy Marley &#38; the      Melody Makers</strong> – <a href="http://www.amazon.com/gp/product/B001BEE4BK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BEE4BK">We Propose</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BEE4BK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Culture</strong> – <a href="http://www.amazon.com/gp/product/B0010T9PQ0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0010T9PQ0">World Peace</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0010T9PQ0" border="0" alt="" width="1" height="1" /></li>
<li><strong>Alborosie</strong> – Police</li>
<li><strong>Papa Levi</strong> – <a href="http://www.amazon.com/gp/product/B000QOCR4M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QOCR4M">Bush &#38; Blair</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QOCR4M" border="0" alt="" width="1" height="1" /></li>
<li><strong>I-Wayne</strong> – <a href="http://www.amazon.com/gp/product/B00147A6W0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00147A6W0">Politics And Religion</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00147A6W0" border="0" alt="" width="1" height="1" /></li>
<li><strong>Yellowman</strong> – <a href="http://www.amazon.com/gp/product/B000QQ7UC4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQ7UC4">Aids</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQ7UC4" border="0" alt="" width="1" height="1" /></li>
<li><strong>Mavado</strong> – We Need Barack</li>
<li><strong>Cocoa Tea </strong>– <a href="http://www.amazon.com/gp/product/B0027D2M5Y?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0027D2M5Y">Barack Obama</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0027D2M5Y" border="0" alt="" width="1" height="1" /></li>
<li><strong>Hugh Mundell </strong>– <a href="http://www.amazon.com/gp/product/B0016CKHPO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0016CKHPO">Africa Must Be Free By 1983</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0016CKHPO" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse</strong> – <a href="http://www.amazon.com/gp/product/B001O3YEJU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3YEJU">No Justice No Peace</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3YEJU" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru </strong>– <a href="http://www.amazon.com/gp/product/B001O3UBGK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3UBGK">Youth Of Eglington</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3UBGK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Big Youth</strong> – <a href="http://www.amazon.com/gp/product/B002T8MEPA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002T8MEPA">Political Confusion</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002T8MEPA" border="0" alt="" width="1" height="1" /></li>
<li><strong>Busy Signal </strong>– <a href="http://www.amazon.com/gp/product/B002YTW008?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002YTW008">Politics</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002YTW008" border="0" alt="" width="1" height="1" /></li>
<li><strong>Gregory Isaacs, Soul      Syndicate, &#38; the Heptones</strong> – <a href="http://www.amazon.com/gp/product/B002PZERRU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002PZERRU">Black a Kill Black</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002PZERRU" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy</strong> – <a href="http://www.amazon.com/gp/product/B000RKH0AG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000RKH0AG">Mandela You&#8217;re Free</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000RKH0AG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru</strong> – <a href="http://www.amazon.com/gp/product/B000WQPRR8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WQPRR8">Solidarity</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WQPRR8" border="0" alt="" width="1" height="1" /></li>
<li><strong>Ranking Trevor &#38; Wailing      Souls</strong> – War</li>
<li><strong>Perfect</strong> – Hanging Day</li>
<li><strong>The Abyssinians</strong> – Forward      Unto Zion</li>
<li><strong>Ziggy Marley &#38; the      Melody Makers</strong> – Namibia</li>
<li><strong>Horace Andy</strong> – Leave Rasta</li>
<li><strong>Bushman</strong> – World State</li>
<li><strong>Michael Rose</strong> – <a href="http://www.amazon.com/gp/product/B000SAA890?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SAA890">General Penitentiary</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SAA890" border="0" alt="" width="1" height="1" /></li>
<li><strong>Admiral Bailey </strong>– <a href="http://www.amazon.com/gp/product/B0019C21TG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019C21TG">Politician</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019C21TG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Hugh Mundell</strong> – <a href="http://www.amazon.com/gp/product/B0016CGTQK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0016CGTQK">Run Revolution A Come</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0016CGTQK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Junior Delgado</strong> – <a href="http://www.amazon.com/gp/product/B000QQDWRQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQDWRQ">Hypo</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQDWRQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Buju Banton</strong> – Immigration      Law</li>
<li><strong>No 1 Station</strong> – Bush War</li>
<li><strong>Sugar Minott </strong>– <a href="http://www.amazon.com/gp/product/B001GNW1A2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001GNW1A2">Nah Go To South Africa</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001GNW1A2" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bushman</strong>– <a href="http://www.amazon.com/gp/product/B002ZUD3OI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002ZUD3OI">World Crisis</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002ZUD3OI" border="0" alt="" width="1" height="1" /></li>
<li><strong>Israel Vibration </strong>– <a href="http://www.amazon.com/gp/product/B000QQG15G?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQG15G">Racial Discrimination</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQG15G" border="0" alt="" width="1" height="1" /></li>
<li><strong>Sizzla</strong> – <a href="http://www.amazon.com/gp/product/B001VGA2OG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001VGA2OG">Black Man In The White House</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001VGA2OG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Israel Vibration</strong> – <a href="http://www.amazon.com/gp/product/B000YAC4HI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000YAC4HI">Natty Dread</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000YAC4HI" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller</strong> – <a href="http://www.amazon.com/gp/product/B0019KB0AE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019KB0AE">Jolly Joseph</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019KB0AE" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Mighty Diamonds, Suga      Roy, &#38; Conrad Crystal</strong> – <a href="http://www.amazon.com/gp/product/B002T8O2NW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002T8O2NW">Police And Bad Boy Strap</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002T8O2NW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Joe Higgs</strong> – <a href="http://www.amazon.com/gp/product/B0016UD6EA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0016UD6EA">Wave Of War</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0016UD6EA" border="0" alt="" width="1" height="1" /></li>
</ol>
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<title><![CDATA[Reggae classics and local sounds - 2009]]></title>
<link>http://struggleonline.wordpress.com/2009/10/30/local-sounds-in-2009/</link>
<pubDate>Fri, 30 Oct 2009 08:25:06 +0000</pubDate>
<dc:creator>struggleonline</dc:creator>
<guid>http://struggleonline.wordpress.com/2009/10/30/local-sounds-in-2009/</guid>
<description><![CDATA[Selekta Jah Crucial mix 2009 South African reggae artist did not go to an endless slumber this year,]]></description>
<content:encoded><![CDATA[Selekta Jah Crucial mix 2009 South African reggae artist did not go to an endless slumber this year,]]></content:encoded>
</item>
<item>
<title><![CDATA[Friday at Austin City Limits Music Festival 2009!!!]]></title>
<link>http://jamtex.wordpress.com/2009/10/09/friday-at-austin-city-limits-music-festival-2009/</link>
<pubDate>Sat, 10 Oct 2009 01:16:19 +0000</pubDate>
<dc:creator>jahue</dc:creator>
<guid>http://jamtex.wordpress.com/2009/10/09/friday-at-austin-city-limits-music-festival-2009/</guid>
<description><![CDATA[The rain fell as the music filled the park. Mud seethed underfoot and gushed between toes. Among the]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img src="http://ecx.images-amazon.com/images/I/51G39KL73BL._SL500_AA280_.jpg" border="0" alt="Wavin' Flag" width="280" height="280" /></p>
<p>The rain fell as the music filled the park. Mud seethed underfoot and gushed between toes. Among the strong aromas and beautiful sounds, the 2009 <strong>Austin City Limits Music Festival </strong>came alive and offered another memorable year of music. Although environmental factors change from year to year, from stifling heat and dust to drenching rain and mud, the show never stopped. The music continued. And Austin proved itself again as the live music capitol of the world.</p>
<p>I caught <strong><a href="http://www.amazon.com/gp/product/B000QJVJ28?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJVJ28">Dr. Dog</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJVJ28" border="0" alt="" width="1" height="1" /></strong> at the Dell Stage for my first show. I found these boys from Philadelphia to be quite harmonic, reminiscent of the psychadelia rock of the <strong>Beatles</strong> and<strong> <a href="http://www.amazon.com/gp/product/B000RW0ZX8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000RW0ZX8">The Byrds</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000RW0ZX8" border="0" alt="" width="1" height="1" /></strong>. Songs like &#8220;<a href="http://www.amazon.com/gp/product/B001BGIV8A?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BGIV8A">The Breeze</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BGIV8A" border="0" alt="" width="1" height="1" />&#8221; and &#8220;<a href="http://www.amazon.com/gp/product/B001BGFYT4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BGFYT4">The Old Days</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BGFYT4" border="0" alt="" width="1" height="1" />&#8221; displayed that smooth 1960s sound. But my favorite song on the set list was &#8220;<a href="http://www.amazon.com/gp/product/B001BGIVFS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BGIVFS">The Rabbit, The Bat &#38; The Reindeer</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BGIVFS" border="0" alt="" width="1" height="1" />.&#8221;</p>
<p>I had heard of <strong><a href="http://www.amazon.com/gp/product/B000QJPPZ0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJPPZ0">Phoenix</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJPPZ0" border="0" alt="" width="1" height="1" /></strong>, but I had never listened to their music. A friend convinced me to see this alternative rock band from Versaille, France. The comparisons to their French peers <strong><a href="http://www.amazon.com/gp/product/B000S9ULT8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S9ULT8">Daft Punk</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S9ULT8" border="0" alt="" width="1" height="1" /></strong> and <strong><a href="http://www.amazon.com/gp/product/B000SA14KM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SA14KM">Air</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SA14KM" border="0" alt="" width="1" height="1" /> </strong>interested me. Ultimately I understood the comparisons, finding the sound close to a <strong><a href="http://www.amazon.com/gp/product/B000QJNM3M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJNM3M">New Order</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJNM3M" border="0" alt="" width="1" height="1" /></strong>-like electronica pop. <strong>Phoenix</strong> pleasantly surprised me with tunes like &#8220;<a href="http://www.amazon.com/gp/product/B00299AOZ6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299AOZ6">Lisztomania</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299AOZ6" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B00299HSVE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299HSVE">Lasso</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299HSVE" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B000TEEQW0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000TEEQW0">If I Ever Feel Better</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000TEEQW0" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B00299AP00?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299AP00">Fences</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299AP00" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B00299CFOY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299CFOY">Girlfriend</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299CFOY" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B000TGTG6E?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000TGTG6E">Run Run Run</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000TGTG6E" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B000TEC3GQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000TEC3GQ">Too Young</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000TEC3GQ" border="0" alt="" width="1" height="1" />,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B00299HSVO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299HSVO">Rome</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299HSVO" border="0" alt="" width="1" height="1" />,&#8221; and &#8220;<a href="http://www.amazon.com/gp/product/B00299JKBU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299JKBU">1901</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299JKBU" border="0" alt="" width="1" height="1" />.&#8221; Many of the songs appear on the new album <em><a href="http://www.amazon.com/gp/product/B00299HSTG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00299HSTG">Wolfgang Amadeus Phoenix</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00299HSTG" border="0" alt="" width="1" height="1" /></em>.</p>
<p>The best show of the day came from the Somalian born/Canadian based rapper <strong><a href="http://www.amazon.com/gp/product/B0010WN9VO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0010WN9VO">k&#8217;naan</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0010WN9VO" border="0" alt="" width="1" height="1" /></strong>. Under the Wildflower Tent the slender Somalian rocked the crowd with political prose, heart-felt lyrics, and blistering beats. Appropriate adjectives include humble, inspirational, and talented.  <strong><a href="http://www.amazon.com/gp/product/B0010WN9VO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0010WN9VO">k&#8217;naan</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0010WN9VO" border="0" alt="" width="1" height="1" /></strong> had a broad appeal, drawing young children and old people, and all those between the young and old. An intimate performance captivated the crowd.</p>
<p>The track &#8220;<a href="http://www.amazon.com/gp/product/B001TJGDIY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJGDIY">T.I.A. [Explicit]</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJGDIY" border="0" alt="" width="1" height="1" />&#8221; thundered bass as <strong>K&#8217;naan</strong><strong><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJOOFI" border="0" alt="" width="1" height="1" /></strong> introduced the crowd to his unique brand of hip-hop. &#8220;T.I.A.&#8221; samples <strong>Bob Marley&#8217;s</strong> classic ska tune &#8220;<a href="http://www.amazon.com/gp/product/B001386N72?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001386N72">Simmer Down</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001386N72" border="0" alt="" width="1" height="1" />,&#8221; layers it over heavy beats, and atop raps the brilliant young wordsmith. In Africa, <strong><a href="http://www.amazon.com/gp/product/B000QJJU1K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJU1K">Bob Marley</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJU1K" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B0010SPPCO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0010SPPCO">Lucky Dube</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0010SPPCO" border="0" alt="" width="1" height="1" /></strong>, <strong><a href="http://www.amazon.com/gp/product/B000QKJMGW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKJMGW">2pac</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKJMGW" border="0" alt="" width="1" height="1" /></strong>, and <strong><a href="http://www.amazon.com/gp/product/B000QKN2BI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKN2BI">The Notorious B.I.G.</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKN2BI" border="0" alt="" width="1" height="1" /></strong> reign supreme. <strong><a href="http://www.amazon.com/gp/product/B0010WN9VO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0010WN9VO">k&#8217;naan</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0010WN9VO" border="0" alt="" width="1" height="1" /></strong> studied these great performers and his sound reflects those influences. Yet the sound is original. The music is gangsta but peaceful, hard but soft, and always chalk full of the contradictions and realities of life.</p>
<p>From Africa the Somalian took us on a trip to &#8220;<a href="http://www.amazon.com/gp/product/B001TJRKM2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJRKM2">America</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJRKM2" border="0" alt="" width="1" height="1" />.&#8221; On the album, <strong><a href="http://www.amazon.com/gp/product/B000QKMLG0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKMLG0">Mos Def</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKMLG0" border="0" alt="" width="1" height="1" /> </strong>and <strong><a href="http://www.amazon.com/gp/product/B000QJI9US?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJI9US">Chali 2Na</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJI9US" border="0" alt="" width="1" height="1" /></strong> join the track with their rhymes on the studio version of &#8220;<a href="http://www.amazon.com/gp/product/B001TJRKM2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJRKM2">America</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJRKM2" border="0" alt="" width="1" height="1" />,&#8221;  but solo and live <strong>K&#8217;naan </strong>brought this song to its full potential without the help of these great lyricists. The song &#8220;<a href="http://www.amazon.com/gp/product/B001TJTGI8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJTGI8">Take A Minute</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJTGI8" border="0" alt="" width="1" height="1" />&#8221; brought emotion to the tent. The following love ballad &#8220;<a href="http://www.amazon.com/gp/product/B001TJOOGC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJOOGC">Fatima</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJOOGC" border="0" alt="" width="1" height="1" />&#8221; lightened the mood. And then the hardcore rap song &#8220;<a href="http://www.amazon.com/gp/product/B001TJOODU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJOODU">ABC&#8217;s</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJOODU" border="0" alt="" width="1" height="1" />&#8221; (with a <strong><a href="http://www.amazon.com/gp/product/B000YVY55Q?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000YVY55Q">Chubb Rock</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000YVY55Q" border="0" alt="" width="1" height="1" /></strong> sample) rocked the and rolled with pure energy.</p>
<p><strong>K&#8217;naan</strong> then sang a song about &#8220;<a href="http://www.amazon.com/gp/product/B001TJTGH4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJTGH4">Somalia</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJTGH4" border="0" alt="" width="1" height="1" />,&#8221; which brought tears to the crowd&#8217;s eyes. The lyricist played two different versions beginning with an acapella and moving into a full band version. As <strong>K&#8217;naan</strong> says &#8220;his real will makes your real look like a rental.&#8221; This track talks about the perils of childhood in Somalia and the suffering of the people. <strong>K&#8217;naan</strong> harnesses the pain and realities of the world and turns them into amazing poetry. The rapper followed the tear jerker with &#8220;<a href="http://www.amazon.com/gp/product/B001TJRKKE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJRKKE">Bang Bang</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJRKKE" border="0" alt="" width="1" height="1" />,&#8221; a nice jamming pop tune. And he ended his set with the a sing-a-long to &#8220;<a href="http://www.amazon.com/gp/product/B001TJOOFI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001TJOOFI">Wavin&#8217; Flag</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001TJOOFI" border="0" alt="" width="1" height="1" />.&#8221;</p>
<p><strong>K&#8217;naan</strong> was the highlight of the evening. But the jams continued with <strong><a href="http://www.amazon.com/gp/product/B000QJJPHO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJJPHO">Thievery Corporation</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJJPHO" border="0" alt="" width="1" height="1" /></strong>. The dub electronica duo and band<strong> </strong>played on the main stage this year kicking out funky electronica with &#8220;.&#8221; The crew from Washington, D.C. also played the sitar heavy &#8220;<a href="http://www.amazon.com/gp/product/B002JJ4VKA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002JJ4VKA">Mandala</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002JJ4VKA" border="0" alt="" width="1" height="1" />,&#8221; displaying their unique acumen at world music.</p>
<p>In a testimony to the diversity of the music at ACL I caught parts of sets from the Texas country group <strong><a href="http://www.amazon.com/gp/product/B000QJRZ9E?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJRZ9E">Reckless Kelly</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJRZ9E" border="0" alt="" width="1" height="1" /></strong> and the hard-rocking new super trio <strong>Them Crooked Vultures. Them Crooked Vultures</strong> features bassist <strong><a href="http://www.amazon.com/gp/product/B000QJHU6M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJHU6M">John Paul Jones</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJHU6M" border="0" alt="" width="1" height="1" /> </strong>of <strong><a href="http://www.amazon.com/gp/product/B000QKO05A?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKO05A">Led Zeppelin</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKO05A" border="0" alt="" width="1" height="1" /></strong>, drummer <strong>David Grohl</strong> of <strong><a href="http://www.amazon.com/gp/product/B000QKLV4I?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKLV4I">Nirvana</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKLV4I" border="0" alt="" width="1" height="1" /></strong> and <strong><a href="http://www.amazon.com/gp/product/B000QKAGGM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QKAGGM">Foo Fighters</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QKAGGM" border="0" alt="" width="1" height="1" /></strong>, and <strong>Josh Homme</strong> the guitarist and lead singer from <strong><a href="http://www.amazon.com/gp/product/B000TE0AUM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000TE0AUM">Queens Of The Stone Age</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000TE0AUM" border="0" alt="" width="1" height="1" /></strong>. <strong><a href="http://www.amazon.com/gp/product/B000UOEVRE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000UOEVRE">Kings Of Leon</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000UOEVRE" border="0" alt="" width="1" height="1" /></strong> headlined Friday night playing their hits &#8220;<a href="http://www.amazon.com/gp/product/B001FX9QS8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001FX9QS8">Sex On Fire</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001FX9QS8" border="0" alt="" width="1" height="1" />,&#8221; &#8221;<a href="http://www.amazon.com/gp/product/B00137MS7W?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00137MS7W">On Call</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00137MS7W" border="0" alt="" width="1" height="1" />,&#8221; and &#8221;<a href="http://www.amazon.com/gp/product/B001FX5V8M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001FX5V8M">Use Somebody</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001FX5V8M" border="0" alt="" width="1" height="1" />.&#8221;</p>
<p>The  music continued after the festival at the ACL after shows. I went to a <strong><a href="http://www.townshiprecords.net/">Township Records</a></strong> showcase at the Ghost Room downtown on 4th Street in the Warehouse District. I caught the end of <strong><a href="http://www.amazon.com/gp/product/B000RHQ1RM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000RHQ1RM">Danny Malone</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000RHQ1RM" border="0" alt="" width="1" height="1" />&#8217;s </strong>set. This kid has a beautifully haunting voice. My wife described him as a creepy <strong><a href="http://www.amazon.com/gp/product/B000QJI52U?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QJI52U">James Taylor</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QJI52U" border="0" alt="" width="1" height="1" /></strong>. His new album <em><a href="http://www.amazon.com/gp/product/B002O5V4HC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002O5V4HC">Cuddlebug</a> </em>features the eerie track &#8220;<a href="http://www.amazon.com/gp/product/B002O5O8CK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002O5O8CK">Basement</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002O5O8CK" border="0" alt="" width="1" height="1" />.&#8221; <strong><a href="http://www.amazon.com/gp/product/B001MYC18W?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001MYC18W">Graham Wilkinson &#38; the Underground Township</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001MYC18W" border="0" alt="" width="1" height="1" /></strong> played some of my favorite tracks from the new album <a href="http://www.amazon.com/gp/product/B002P3388G?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002P3388G"><em>Yearbook</em></a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002P3388G" border="0" alt="" width="1" height="1" />, including &#8220;<a href="http://www.amazon.com/gp/product/B002P2Y386?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002P2Y386">Ragamuffin</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002P2Y386" border="0" alt="" width="1" height="1" />&#8221; and &#8220;<a href="http://www.amazon.com/gp/product/B002P2Y36I?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002P2Y36I">Let It Go</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002P2Y36I" border="0" alt="" width="1" height="1" />.&#8221;</p>
<p><img src="http://ecx.images-amazon.com/images/I/51Uipr54%2B7L._SL500_AA280_.jpg" border="0" alt="Let It Go" width="280" height="280" /></p>
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<title><![CDATA[Köln: Lesung - When Echoes Return: Roots, Diaspora &amp; Possible Africa. Louis Chude-Sokei 10.9.]]></title>
<link>http://blacknrw.wordpress.com/2009/09/10/koln-lesung-when-echoes-return-roots-diaspora-possible-africa-louis-chude-sokei-10-9/</link>
<pubDate>Thu, 10 Sep 2009 09:59:12 +0000</pubDate>
<dc:creator>editor</dc:creator>
<guid>http://blacknrw.wordpress.com/2009/09/10/koln-lesung-when-echoes-return-roots-diaspora-possible-africa-louis-chude-sokei-10-9/</guid>
<description><![CDATA[Event: Louis Chude-Sokei ist, zumindest in den USA, ein bekannter Autor und Literaturwissenschaftler]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="text-decoration:underline;"></span><span class="myevent">Event: </span> Louis Chude-Sokei ist, zumindest in den USA, ein bekannter Autor und Literaturwissenschaftler, der sich mit dem Sound des &#8220;Black Atlantic&#8221; und dem Austausch der Einflüsse zwischen Afrika und der afrikanischen Diaspora beschäftigt. Am Donnerstag abend liest er in Köln.</p>
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<p><img title="206" src="http://blacknrw.wordpress.com/files/2009/09/206.jpg" alt="206" width="350" height="495" /><br />
<span style="text-decoration:underline;">Engl. Version below.</span></p>
<p>Louis Chude-Sokei nimmt den tragischen Tod des südafrikanischen Reggaemusikers Lucky Dube als Ausgangspunkt seines Vortrags &#8220;When Echoes Return: Roots, Diaspora and Possible Africas (A Eulogy)&#8221;, um den Einfluss von jamaikanischem Reggae auf die Kultur und die Politik auf dem afrikanischen Kontinent zu reflektieren.</p>
<div style="margin-top:15px;"><!-- Placement: other_300x250 (1644563) -->Nicht nur hat man in Jamaika Afrika viele kulturelle Einflüsse zu verdanken, umgekehrt gelangen neue Impulse aus der Diaspora zurück zum Kontinent, nicht zuletzt eine Vision von &#8220;Afrika&#8221;, die in Afrika selbst so nicht hätte entstehen können.</div>
<p>Louis Chude-Sokei, der nicht nur als hervorragender Theoretiker, sondern auch als imposanter Performer bekannt ist, erkundet die verschiedenen Formen von &#8220;Afrika&#8221;, die in der &#8220;black imagination&#8221; existieren.</p>
<p><a href="http://funkhauseuropa.de/sendungen/suepermercado/index.phtml" target="_blank">Audio: Louis Chude-Sokei im Gespräch mit Uh-Young Kim bei Funkhaus Europa</a></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>Using the still recent and tragic death of South African reggae musician Lucky Dube as a starting point, Chude-Sokei considers the impact and influence of Jamaican reggae on the culture, music and politics of the African continent. Of course reggae has long acknowledged its cultural and political debt to the continent, and we generally accept the flow of influence from Africa to its Diaspora. But it is that other direction that is of concern here, one that we rarely think about or dare to criticize. Because reggae has not only brought to Africa the politics, styles and sounds of its children in the Caribbean, America and Europe; it has also brought to Africa a vision and conception of „Africa“ and certain understandings of race that are not themselves „African;“ it has asserted also a notion of belonging and solidarity and Zion that are themselves complicated for people on the continent to understand and accept. This unique scenario is what Chude-Sokei explores in his analysis of the multiple forms of Africa alive in the black imagination.</p>
<p>Louis Chude-Sokei is a well-published writer and scholar whose work explores the literatures, arts and cultures of the African Diaspora. He is currently an associate professor of Literature at the University of California at Santa Cruz.</p>
<p><strong>Louis Chude-Sokei</strong></p>
<p><strong>Vortrag: &#8220;When Echoes Return: Roots, Diaspora and Possible Africas (A Eulogy)&#8221;</strong></p>
<p><strong>Und danach: DJ Olaf Karnik &#38; Bettina Latak.10.09.2009, Köln,</strong></p>
<p>King Georg<br />
Sudermanstraße 2<br />
50670 Köln<br />
Einlass 20.30 Uhr<br />
Eintritt 6 EUR</p>
<p>Im Anschluss: DJ Olaf Karnik &#38; Bettina Latak<br />
Quelle:<br />
<a href="http://www.kinggeorg.de/programm/louis-chude-sokei-santa-cruz-ca-usa">http://www.kinggeorg.de/programm/louis-chude-sokei-santa-cruz-ca-usa</a></p>
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<title><![CDATA[Lucky Dube | Prisoner]]></title>
<link>http://thenewliberator.wordpress.com/2009/09/08/lucky-dube-prisoner/</link>
<pubDate>Tue, 08 Sep 2009 23:05:33 +0000</pubDate>
<dc:creator>Kevin Alexander Gray</dc:creator>
<guid>http://thenewliberator.wordpress.com/2009/09/08/lucky-dube-prisoner/</guid>
<description><![CDATA[]]></description>
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<title><![CDATA[The World of Reggae Music Collection: Reggae's Superstars - The Lions of Jah (100 Singles from Reggae's Finest)]]></title>
<link>http://jamtex.wordpress.com/2009/08/07/world-a-reggae-music-the-lions-of-jah/</link>
<pubDate>Fri, 07 Aug 2009 21:44:52 +0000</pubDate>
<dc:creator>jahue</dc:creator>
<guid>http://jamtex.wordpress.com/2009/08/07/world-a-reggae-music-the-lions-of-jah/</guid>
<description><![CDATA[The Jam-Tex selector will post a study and organization of the essential tracks of reggae music. The]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Flag_of_Ethiopia_(1897).svg/175px-Flag_of_Ethiopia_(1897).svg.png" alt="" /></p>
<p>The Jam-Tex selector will post a study and organization of the essential tracks of reggae music. The selector invites others to join in on the organization of these tracks.  Thus Jam-Tex presents <strong>&#8220;The World of Reggae Music Collection.&#8221; </strong>This collection of singles begins with the greatest roots reggae hits in a category  entitled <strong>&#8220;Reggae&#8217;s Superstars &#8211; The Lions of Jah.&#8221;</strong></p>
<p>The <strong>Reggae Superstars </strong>category includes the section: <strong>&#8220;The Lions of Jah.&#8221; </strong>The Lions of Jah section includes the pillars of reggae music, such as <strong>Bob Marley &#38; the Wailers</strong>, <strong>Burning Spear</strong>, <strong>Dennis Brown</strong>, <strong>Jimmy Cliff</strong>, <strong>Toots &#38; the Maytals</strong>, <strong>Jacob Miller</strong>, <strong>Peter Tosh</strong>, <strong>Max Romeo</strong>, <strong>Lee &#8220;Scratch&#8221; Perry</strong>, <strong>Bunny Wailer</strong>, <strong>Desmond Dekker</strong>, <strong>Freddie </strong><strong>McGregor</strong>, <strong>Horace Andy</strong>, <strong>Barrington Levy</strong>, <strong>Beres Hammond</strong>, and features supergroups like  <strong>Third World</strong>, <strong>Black Uhuru</strong>, <strong>Steel Pulse</strong>, and <strong>Culture</strong>. The grouping of songs includes classic vocal groups like the <strong>Mighty Diamonds</strong>, <strong>Wailing Souls</strong>, and the <strong>Itals</strong>, and early deejay and singjay sensations like <strong>Big Youth</strong>, <strong>Tenor Saw</strong>, and <strong>Half Pint</strong>.  Yet overall this category relies on the heavy hitters of reggae music like  <strong>John Holt</strong>, <strong>Gregory Isaacs</strong>, <strong>Lucky Dube</strong>, <strong>Johnny Osbourne</strong>, and <strong>Cornell Campbell</strong><strong>.</strong></p>
<p>Please feel free to comment. The selector is open to suggestions and changes. Feel free to comment on the selections, categories, genre headings, and section headings. The selector will consider track additions and removals and even the renaming of categories, sections, and genres. Without further ado&#8230;</p>
<p>The Jam-Tex Selector presents&#8230;<strong>The World of Reggae Music Collection</strong></p>
<p><strong>Reggae&#8217;s Superstars: The Lions of Jah</strong></p>
<ol>
<li><strong>Bob Marley &#38; the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B000WLLZH4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WLLZH4">Get Up, Stand Up</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WLLZH4" border="0" alt="" width="1" height="1" /></li>
<li><strong>Toots &#38; the Maytals</strong> –      <a href="http://www.amazon.com/gp/product/B000WOT3QG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WOT3QG">54-46 That&#8217;s My Number</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WOT3QG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Peter Tosh</strong> – <a href="http://www.amazon.com/gp/product/B001O2E5VS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O2E5VS">Steppin&#8217; Razor</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O2E5VS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jimmy Cliff</strong> – <a href="http://www.amazon.com/gp/product/B001O3WDYI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3WDYI">The Harder They Come</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3WDYI" border="0" alt="" width="1" height="1" /></li>
<li><strong>Burning Spear </strong>- <a href="http://www.amazon.com/gp/product/B002HTT1N4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002HTT1N4">Old Marcus Garvey</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002HTT1N4" border="0" alt="" width="1" height="1" /></li>
<li><strong>Third World </strong>– <a href="http://www.amazon.com/gp/product/B000WT5GWQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WT5GWQ">Reggae Ambassador</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WT5GWQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru &#38; the      Revolutionaries</strong> – <a href="http://www.amazon.com/gp/product/B00283D05Y?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00283D05Y">Guess Who&#8217;s Coming to Dinner</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00283D05Y" border="0" alt="" width="1" height="1" /></li>
<li><strong>Culture</strong> – <a href="http://www.amazon.com/gp/product/B0015H9X3W?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0015H9X3W">Two Sevens Clash</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0015H9X3W" border="0" alt="" width="1" height="1" /></li>
<li><strong>Desmond Dekker</strong> – <a href="http://www.amazon.com/gp/product/B000QQGEUS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQGEUS">007 (Shanty Town)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQGEUS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy </strong>– <a href="http://www.amazon.com/gp/product/B001479752?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001479752">Too Experienced</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001479752" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lee &#8220;Scratch&#8221; Perry </strong>– <a href="http://www.amazon.com/gp/product/B001YT00BU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001YT00BU">Chase The Devil</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001YT00BU" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lee &#8220;Scratch&#8221; Perry</strong> &#8211; Disco Devil</li>
<li><strong>Steel Pulse</strong> – <a href="http://www.amazon.com/gp/product/B000W1UWH8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000W1UWH8">Handsworth Revolution</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000W1UWH8" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse </strong>- Revolution Dub</li>
<li><strong>Gregory Isaacs &#38; Roots      Radics</strong> – <a href="http://www.amazon.com/gp/product/B000VWJ8AU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VWJ8AU">Night Nurse</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VWJ8AU" border="0" alt="" width="1" height="1" /></li>
<li><strong>Gregory Isaacs</strong> &#8211; Night Nurse Dub</li>
<li><strong>Ini Kamoze</strong> – <a href="http://www.amazon.com/gp/product/B001BG0RRS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BG0RRS">World-A-Music</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BG0RRS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Dennis Brown</strong> – <a href="http://www.amazon.com/gp/product/B001L9F76Q?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9F76Q">Here I Come Again (aka Have No Fear)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9F76Q" border="0" alt="" width="1" height="1" /></li>
<li><strong>Wailing Souls </strong>– <a href="http://www.amazon.com/gp/product/B00138KCAG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00138KCAG">Shark Attack</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00138KCAG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Mighty Diamonds</strong> – <a href="http://www.amazon.com/gp/product/B000THBN6E?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000THBN6E">Right Time</a></li>
<li><strong>Jacob Miller &#38; Inner Circle</strong> – <a href="http://www.amazon.com/gp/product/B000S4X488?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000S4X488">Westbound Train</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000S4X488" border="0" alt="" width="1" height="1" /></li>
<li><strong>Horace Andy</strong> – <a href="http://www.amazon.com/gp/product/B0012A5RQO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0012A5RQO">Skylarking</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0012A5RQO" border="0" alt="" width="1" height="1" /></li>
<li><strong>Freddie McGregor </strong>– <a href="http://www.amazon.com/gp/product/B001GXS5PW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001GXS5PW">Big Ship</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001GXS5PW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Max Romeo &#38; the Upsetters</strong> – <a href="http://www.amazon.com/gp/product/B002BPNUU4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BPNUU4">War Ina Babylon</a></li>
<li><strong>Israel Vibration </strong>- Get Up and Go</li>
<li><strong>Toots &#38; the Maytals</strong> –      <a href="http://www.amazon.com/gp/product/B000W03W62?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000W03W62">Funky Kingston</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000W03W62" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller &#38; Inner      Circle </strong>– <a href="http://www.amazon.com/gp/product/B0019KB0F4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019KB0F4">We A Rockers</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019KB0F4" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Marley &#38; the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B000V6RAA6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000V6RAA6">Rebel Music (Three O&#8217;Clock Roadblock)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000V6RAA6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Burning Spear </strong>– <a href="http://www.amazon.com/gp/product/B001BY31O6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001BY31O6">Columbus</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001BY31O6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lucky Dube</strong> – We Love It</li>
<li><strong>Jimmy Cliff</strong> – <a href="http://www.amazon.com/gp/product/B001AKK97I?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001AKK97I">You Can Get It If You Really Want</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001AKK97I" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy </strong>– <a href="http://www.amazon.com/gp/product/B000VZHPZM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VZHPZM">Saw Red</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VZHPZM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Peter Tosh</strong> – <a href="http://www.amazon.com/gp/product/B00137WSUY?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00137WSUY">Whatcha Gonna Do</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00137WSUY" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse </strong>– <a href="http://www.amazon.com/gp/product/B001O3YEDQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3YEDQ">Uncle George</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3YEDQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Dennis Brown </strong>– <a href="http://www.amazon.com/gp/product/B001L9D9QQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9D9QQ">Wolves And Leopards</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9D9QQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Heptones </strong>– <a href="http://www.amazon.com/gp/product/B000QQBY3U?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQBY3U">Book of Rules</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQBY3U" border="0" alt="" width="1" height="1" /></li>
<li><strong>Cornell Campbell </strong>– <a href="http://www.amazon.com/gp/product/B001UQM40M?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001UQM40M">The Gorgon</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001UQM40M" border="0" alt="" width="1" height="1" /></li>
<li><strong>Mighty Diamonds</strong> – <a href="http://www.amazon.com/gp/product/B001CHRXCI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001CHRXCI">Identity</a></li>
<li><strong>Beres Hammond &#38; Zap Pow</strong> – <a href="http://www.amazon.com/gp/product/B00147G10G?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00147G10G">Last War</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00147G10G" border="0" alt="" width="1" height="1" /></li>
<li><strong>Toots &#38; the Maytals </strong>- <a href="http://www.amazon.com/gp/product/B000WOR62Y?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WOR62Y">Time Tough</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WOR62Y" border="0" alt="" width="1" height="1" /></li>
<li><strong>Culture</strong> &#8211; <a href="http://www.amazon.com/gp/product/B000T061C2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000T061C2">Iron Sharpening Iron </a></li>
<li><strong>Dennis Brown </strong>– <a href="http://www.amazon.com/gp/product/B002BM2K76?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BM2K76">Stop the Fussing &#38; Fighting</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002BM2K76" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse </strong>– <a href="http://www.amazon.com/gp/product/B00122ADZW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00122ADZW">Ravers</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00122ADZW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Half Pint </strong>– <a href="http://www.amazon.com/gp/product/B001EDK68S?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001EDK68S">Level The Vibes</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001EDK68S" border="0" alt="" width="1" height="1" /></li>
<li><strong>Beres Hammond </strong>– <a href="http://www.amazon.com/gp/product/B0019KB68U?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019KB68U">They Gonna Talk</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019KB68U" border="0" alt="" width="1" height="1" /></li>
<li><strong>John Holt &#38; the      Aggravators </strong>– <a href="http://www.amazon.com/gp/product/B001NTKXGS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001NTKXGS">You&#8217;ll Never Find Another Love Like Mine/Version</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001NTKXGS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller &#38; U-Brown</strong> – <a href="http://www.amazon.com/gp/product/B0012LYA2K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0012LYA2K">Keep On Knocking</a></li>
<li><a href="http://www.amazon.com/gp/product/B0012LYA2K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0012LYA2K"></a><strong>Bunny Wailer </strong>– <a href="http://www.amazon.com/gp/product/B002C1QIIS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002C1QIIS">Blackheart Man</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002C1QIIS" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Heptones</strong> – <a href="http://www.amazon.com/gp/product/B000QQHT6Q?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQHT6Q">Party Time</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQHT6Q" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Andy</strong> – I’ve Got To Go      Back Home</li>
<li><strong>Burning Spear </strong>- <a href="http://www.amazon.com/gp/product/B001O05UQO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O05UQO">The Invasion (Aka Black Wa Da Da)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O05UQO" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Itals</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001JYG5DW?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001JYG5DW">In A Dis Ya Time/ Harbour View Rock</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001JYG5DW" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Marley &#38; the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B000VHN07W?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VHN07W">Is This Love</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VHN07W" border="0" alt="" width="1" height="1" /></li>
<li><strong>Johnny Osbourne &#38; the      Sensations</strong> – <a href="http://www.amazon.com/gp/product/B00147A602?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00147A602">Come Back Darling</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00147A602" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Pioneers </strong>– <a href="http://www.amazon.com/gp/product/B000QQGOEE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQGOEE">Long Shot</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQGOEE" border="0" alt="" width="1" height="1" /></li>
<li><strong>Toots &#38; the Maytals </strong>–      <a href="http://www.amazon.com/gp/product/B000WOT3Q6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WOT3Q6">Pressure Drop</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WOT3Q6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru </strong>– <a href="http://www.amazon.com/gp/product/B000WQVF1K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000WQVF1K">Party Next Door</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000WQVF1K" border="0" alt="" width="1" height="1" /></li>
<li><strong>Gregory Isaacs</strong> – <a href="http://www.amazon.com/gp/product/B000VWOE9K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VWOE9K">Sad To Know (You&#8217;re Leaving)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VWOE9K" border="0" alt="" width="1" height="1" /></li>
<li><strong>Peter Tosh</strong> – <a href="http://www.amazon.com/gp/product/B000TE36W6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000TE36W6">Wanted Dread And Alive (2002 Digital Remaster)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000TE36W6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Cornell Campbell </strong>– <a href="http://www.amazon.com/gp/product/B001AKKBF8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001AKKBF8">Queen Of The Minstrel</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001AKKBF8" border="0" alt="" width="1" height="1" /></li>
<li><strong>Big Youth</strong> – Livin’</li>
<li><strong>Burning Spear</strong> – <a href="http://www.amazon.com/gp/product/B002BN7YJE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BN7YJE">Rise Up</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002BN7YJE" border="0" alt="" width="1" height="1" /></li>
<li><strong>Tenor Saw</strong> – <a href="http://www.amazon.com/gp/product/B000YAC2GQ?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000YAC2GQ">Lots of Sign</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000YAC2GQ" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001NYPTZ8?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001NYPTZ8">Black Uhuru Anthem</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001NYPTZ8" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller </strong>– <a href="http://www.amazon.com/gp/product/B0019K9HZE?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019K9HZE">Mixed Up Moods</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019K9HZE" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse</strong> – <a href="http://www.amazon.com/gp/product/B00122CE4A?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00122CE4A">Blues Dance Raid (LP Version)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00122CE4A" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy, Kojak &#38;      Liza</strong> – <a href="http://www.amazon.com/gp/product/B0016UBCRS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0016UBCRS">My Woman/ Ten Thousand Woman</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0016UBCRS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Bob Marley &#38; the Wailers</strong> – <a href="http://www.amazon.com/gp/product/B000V6RBNC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000V6RBNC">Rat Race</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000V6RBNC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jimmy Cliff </strong>– <a href="http://www.amazon.com/gp/product/B000W1A3HC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000W1A3HC">Struggling Man</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000W1A3HC" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Heptones</strong> – <a href="http://www.amazon.com/gp/product/B000VQQ9IA?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000VQQ9IA">Fattie Fattie</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000VQQ9IA" border="0" alt="" width="1" height="1" /></li>
<li><strong>Horace Andy </strong>– <a href="http://www.amazon.com/gp/product/B001L9DEOI?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9DEOI">Nice And Easy</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9DEOI" border="0" alt="" width="1" height="1" /></li>
<li><strong>Mighty Diamonds </strong>– <a href="http://www.amazon.com/gp/product/B000QNOKWK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QNOKWK">Have Mercy</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QNOKWK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Black Uhuru </strong>– <a href="http://www.amazon.com/gp/product/B001O3UPV6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3UPV6">Rent Man</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3UPV6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Sammy Dread </strong>– <a href="http://www.amazon.com/gp/product/B002831682?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002831682">My Princess</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002831682" border="0" alt="" width="1" height="1" /></li>
<li><strong>Chalice</strong> – <a href="http://www.amazon.com/gp/product/B002838NQK?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002838NQK">Good to Be There</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002838NQK" border="0" alt="" width="1" height="1" /></li>
<li><strong>Culture &#38; Shorty the      President </strong>– <a href="http://www.amazon.com/gp/product/B001C46OXU?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001C46OXU">See Them A Come/ Natty Pass Him G.C.E.</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001C46OXU" border="0" alt="" width="1" height="1" /></li>
<li><strong>Cornell Campbell</strong> – <a href="http://www.amazon.com/gp/product/B002834XBO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002834XBO">Boxing Around</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002834XBO" border="0" alt="" width="1" height="1" /></li>
<li><strong>Glen Washington</strong> – <a href="http://www.amazon.com/gp/product/B000SH59TM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SH59TM">Rockers (Nuh Crackers)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SH59TM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Johnny Ousborne </strong>– <a href="http://www.amazon.com/gp/product/B001CKE7MO?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001CKE7MO">Truths and Rights</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001CKE7MO" border="0" alt="" width="1" height="1" /></li>
<li><strong>John Holt</strong> – <a href="http://www.amazon.com/gp/product/B000SH8LUG?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000SH8LUG">Strange Things</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000SH8LUG" border="0" alt="" width="1" height="1" /></li>
<li><strong>Dennis Brown</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001L9HB10?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001L9HB10">What About The Half</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001L9HB10" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jimmy Riley </strong>– <a href="http://www.amazon.com/gp/product/B000QLA4HC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QLA4HC">Love And Devotion</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QLA4HC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Burning Spear</strong> – <a href="http://www.amazon.com/gp/product/B002609YHC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002609YHC">Jordan River</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002609YHC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Third World</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001O4Q2AS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O4Q2AS">Roots With Quality</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O4Q2AS" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Itals</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001JYEEI0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001JYEEI0">Brutal Out Deh</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001JYEEI0" border="0" alt="" width="1" height="1" /></li>
<li><strong>Peter Tosh </strong>- <a href="http://www.amazon.com/gp/product/B00137USV0?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00137USV0">Why Must I Cry</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00137USV0" border="0" alt="" width="1" height="1" /></li>
<li><strong>Culture</strong> &#8211; <a href="http://www.amazon.com/gp/product/B001075EZS?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001075EZS">Lion Rock</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001075EZS" border="0" alt="" width="1" height="1" /></li>
<li><strong>Barrington Levy</strong> &#8211; <a href="http://www.amazon.com/gp/product/B000QQDVHM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QQDVHM">My Time</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QQDVHM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Steel Pulse </strong>- <a href="http://www.amazon.com/gp/product/B001O3WPO6?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001O3WPO6">Back To My Roots / Dub To My Roots</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001O3WPO6" border="0" alt="" width="1" height="1" /></li>
<li><strong>Gregory Isaacs</strong> – <a href="http://www.amazon.com/gp/product/B002BM377S?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BM377S">Stranger In Town</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002BM377S" border="0" alt="" width="1" height="1" /></li>
<li><strong>Dennis Brown</strong> &#8211; <a href="http://www.amazon.com/gp/product/B002BM40J2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BM40J2">Ghetto Girl</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002BM40J2" border="0" alt="" width="1" height="1" /></li>
<li><strong>The Wailing Souls</strong> – <a href="http://www.amazon.com/gp/product/B000QZDZYC?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000QZDZYC">War Deh Round A John Shop</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000QZDZYC" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jacob Miller</strong> &#8211; <a href="http://www.amazon.com/gp/product/B0019K839K?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019K839K">Chapter A Day</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019K839K" border="0" alt="" width="1" height="1" /></li>
<li><strong>Beres Hammond</strong> &#8211; <a href="http://www.amazon.com/gp/product/B0019K82DM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0019K82DM">What One Dance Can Do</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0019K82DM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Max Romeo </strong>- <a href="http://www.amazon.com/gp/product/B002BPNUR2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B002BPNUR2">One Step Forward (Album Version)</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B002BPNUR2" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lucky Dube </strong>- <a href="http://www.amazon.com/gp/product/B0012FAPU2?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B0012FAPU2">Prisoner</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B0012FAPU2" border="0" alt="" width="1" height="1" /></li>
<li><strong>Israel Vibration </strong>- <a href="http://www.amazon.com/gp/product/B000YAH93W?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B000YAH93W">Back Staba</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B000YAH93W" border="0" alt="" width="1" height="1" /></li>
<li><strong>Lee “Scratch” Perry &#38; the Heptones</strong> – Why Must I (Version)</li>
<li><strong>Ed Robinso</strong>n &#8211; <a href="http://www.amazon.com/gp/product/B001GO0MZM?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B001GO0MZM">Rude Awakening</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B001GO0MZM" border="0" alt="" width="1" height="1" /></li>
<li><strong>Jimmy Cliff </strong>- <a href="http://www.amazon.com/gp/product/B00138IWO4?ie=UTF8&#38;tag=jate-20&#38;linkCode=as2&#38;camp=1789&#38;creative=390957&#38;creativeASIN=B00138IWO4">Treat The Youths Right</a><img style="border:none!important;margin:0!important;" src="http://www.assoc-amazon.com/e/ir?t=jate-20&#38;l=as2&#38;o=1&#38;a=B00138IWO4" border="0" alt="" width="1" height="1" /></li>
</ol>
</div>]]></content:encoded>
</item>
<item>
<title><![CDATA[legends are made in africa]]></title>
<link>http://ebenvantonder.wordpress.com/2009/08/01/legends-are-made-in-africa/</link>
<pubDate>Sat, 01 Aug 2009 12:01:24 +0000</pubDate>
<dc:creator>Eben van Tonder</dc:creator>
<guid>http://ebenvantonder.wordpress.com/2009/08/01/legends-are-made-in-africa/</guid>
<description><![CDATA[. . to every man, woman and child affected by crime in a land, still finding itself - so much is des]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div>.</div>
<div>.</div>
<div>to every man, woman and child</div>
<div><span style="font-family:'Times New Roman';"></p>
<p>affected by crime</p>
<p style="text-align:center;">in a land, still finding itself -</p>
<p>so much is destroyed with each senseless act</p>
<p></span></div>
<div><span style="font-family:'Times New Roman';font-size:small;"><span><br />
<a href="http://viewmorepics.myspace.com/index.cfm?fuseaction=viewImage&#38;friendID=63429053&#38;albumID=0&#38;imageID=53750617"><img title="lucky dube" src="http://c4.ac-images.myspacecdn.com/images02/59/l_740f1e1dce37455d9f57222238a5c593.jpg" border="0" alt="" width="325" /></a><br />
</span></span></div>
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<div><span>The <span class="mark">myspace</span> profile site of <a href="http://www.myspace.com/luckydube">Lucky <span class="mark">Dube</span></a><span class="mark"> </span> starts as follows:</span></div>
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<div><span style="font-family:'Times New Roman';">&#8220;<em>The <span style="font-style:normal;"><span><em>South African reggae musician, Lucky <span> </span></em><span class="mark"><em>Dube</em></span></span><em>, has been shot dead in front of his children in Johannesburg  during an attempted car hijacking. He had been dropping his teenage son and <span style="font-style:normal;"><em>daughter off in the suburb of <span> </span></em><span class="mark"><em>Rosettenville</em></span><em> on Thursday evening. Police say they were already out of the car when three shots were fired through a car window killing their father. Alongside Bob Marley, he was thought of as one of the great reggae artists &#8211; singing about social <span style="font-style:normal;"><em>problems. He was also one of the apartheid regime&#8217;s most outspoken critics</em>.&#8221;</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">Last year, on my way to work I heard the following remarkable story:</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">A South African lady Maria <span class="mark"><span>Kint</span></span> was attending a UN conference in a remote part of <span class="mark"><span>Bakino</span></span> <span class="mark"><span>Faso</span></span> earlier that year.  In the mornings she would get up and watch the sun rise over the desert.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">One particular morning she walked to the entrance of the area where they were housed. Very far in the distance she could see dust over the desert.  It did not take her long to notice that the dust was someone approaching her.  An old man.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">He walked up to her without any hesitation.  Bluntly he told her that he was looking for <span class="mark"><span>Kint</span></span>, Maria <span class="mark"><span>Kint</span></span>.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">She was startled!</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">&#8220;Well, the universe must be looking favorably upon you.  You found her!&#8221; she replied equally bluntly.  Completely startled.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">He proceeded to pull out of his pocket the sleeve of a CD cover.  It was a CD cover of Lucky <span class="mark"><span>Dube</span></span>.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;">He handed it to her.</span></em></span></em></span></em></span></div>
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span>&#8220;Here</span><span><span style="font-family:Verdana;font-size:small;"><span>&#8220;</span></span></span></span></em></span></em></span></em></span></div>
<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><br />
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;">&#8220;I live in a community some distance into the desert&#8221;</span></span></span></span></span></em></span></em></span></em></span></div>
<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><br />
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;">&#8220;We heard that someone from South Africa would be here for a conference by the name of Maria <span class="mark"><span>Kint&#8221;.</span></span></span></span></span></span></span></em></span></em></span></em></span></div>
<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><span class="mark"><span><br />
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><span class="mark"><span>&#8220;My village asked me to come speak with you.  We heard that Lucky passed away.  When you return, will you meet with Lucky&#8217;s family and convey our sincerest condolences?&#8221;</span></span></span></span></span></span></span></em></span></em></span></em></span></div>
<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><span class="mark"><span><br />
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<div><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><span class="mark"><span>&#8220;We don&#8217;t have electricity in our village, but we have a CD payer and a battery which we connect up.  That&#8217;s how we listen to his music and at night. . . . . </span></span></span></span></span></span></span></em></span></em></span></em></span></div>
<div style="text-align:center;"><span style="font-family:'Times New Roman';"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><em><span style="font-style:normal;"><span><span style="font-family:Verdana;font-size:small;"><span><span style="font-family:'Times New Roman';font-size:13px;"><span class="mark"><span>. . . . . . </span><em><strong>we sing his songs when we dance around the fires</strong></em><span>&#8220;</span></span></span></span></span></span></span></em></span></em></span></em></span></div>
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<div><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/H8iZ8jIqrQo&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/H8iZ8jIqrQo&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
<div style="text-align:center;"><span style="font-size:9px;"><a class="aligncenter" href="http://www.youtube.com/watch?v=H8iZ8jIqrQo" target="_blank">http://www.youtube.com/watch?v=H8iZ8jIqrQo</a></span></div>
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<p>Such beauty and humanity in such a brutal land.</p>
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<div style="text-align:center;"><span style="font-size:large;">Nkosi skelel iAfrica (GOD BLESS AFRICA)</span></div>
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<title><![CDATA[CD Review: Jahmings Maccow - Man Redemption]]></title>
<link>http://lucidculture.wordpress.com/2009/07/28/cd-review-jahmings-maccow-man-redemption/</link>
<pubDate>Tue, 28 Jul 2009 20:02:15 +0000</pubDate>
<dc:creator>delarue</dc:creator>
<guid>http://lucidculture.wordpress.com/2009/07/28/cd-review-jahmings-maccow-man-redemption/</guid>
<description><![CDATA[Anguila expat Jahmings Maccow, formerly of New York roots legends Catch-A-Fire and the Enforcers, wr]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Anguila expat <a href="http://www.lafamos.com/music/jahmingsmaccow">Jahmings Maccow</a>, formerly of New York roots legends <a href="http://www.rebelsproduction.com/artists/catchbio.htm">Catch-A-Fire</a> and the <a href="http://www.rebelsproduction.com/artists/enforcebio.htm">Enforcers</a>, writes catchy, Bob Marley-influenced roots reggae songs that would have been right at home on Jamaican radio back in the late 70s. Fans of golden-era reggae singers like <a href="http://www.myspace.com/gregoryisaacsmon">Gregory Isaacs</a>, <a href="http://www.last.fm/music/Johnny+Clarke">Johnny Clarke</a>, <a href="http://www.sugarminott.com">Sugar Minott</a> or <a href="http://www.myspace.com/rastajacobmiller">Jacob Miller</a> will love this album: if <a href="http://www.myspace.com/rockerstvmedia">Rockers TV</a> was still in syndication, you would no doubt see &#8220;The Rootsman&#8221;  interviewing Maccow with much enthusiasm. The production here is far more oldschool than most anything coming out of Jamaica right now, a fat riddim with real keyboards and layers of guitar. Maccow is not only a good songwriter, he&#8217;s also a good guitarist, spicing his songs with an incisive yet tersely soulful, pensive edge. The Marley inspiration extends especially to the vocals, Maccow reaching up to the high registers with the same kind of inspired half-yelp. The tunes mix slow anthems in with the upbeat, hitworthy stuff. In keeping with the classic roots vibe, the lyrics address both spiritual and contemporary issues, hence the album title, Man Redemption &#8211; a bunch of uplifting tunes that frequently address some pretty heavy issues.</p>
<p>The big, slow, soulful title track &#8211; a prayer of sorts &#8211; contrasts with the upbeat, obviously Marley-inspired Let Them Grow, like something off the Kaya album with tasteful acoustic guitar accents and a clever, distorted electric guitar solo low in the mix. Set Me Free is more upbeat, late period Marley-style songwriting with a nice, long, thoughtfully doubletracked guitar passage.</p>
<p>How Ya Gwaan Crucify is predictably a lot darker, with a Rastaman Vibration edge. The album&#8217;s fifth track, Free the Pain has a playful phased guitar solo &#8211; the tune reminds a bit of the late great Lucky Dube. After that, Put You Down/I Didn&#8217;t Come has more of a vintage 70s Manhattans/Stylistics style smooth R&#38;B feel. The rest of the album includes the rather apprehensive Dread; Didn&#8217;t You Hear, which manages to be both pro-peace and a cautionary tale; the Israel Vibration-inflected See Them Fighting/Ghetto Walls; the gloriously bouncy Jah Jah Say, and the vivid yet understated Cry for Tomorrow. If you&#8217;re a fan of classic roots reggae, this is a welcome throwback to a time when artists basically had to at least pay lip service to spirituality and be conscious of the world around them even if they didn&#8217;t embrace it. It&#8217;s obvious that Maccow is sincere about what he has to say.</p>
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<title><![CDATA[Songs of the Day 7/17-18/09]]></title>
<link>http://lucidculture.wordpress.com/2009/07/17/songs-of-the-day-717-1809/</link>
<pubDate>Sat, 18 Jul 2009 04:59:53 +0000</pubDate>
<dc:creator>delarue</dc:creator>
<guid>http://lucidculture.wordpress.com/2009/07/17/songs-of-the-day-717-1809/</guid>
<description><![CDATA[Computer crisis at Lucid Culture HQ has curtailed all but the most basic functions. We have not been]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Computer crisis at Lucid Culture HQ has curtailed all but the most basic functions. We have not been idle and will continue with news, reviews and a brand-new NYC live music calendar no later than August 1. Right now we can&#8217;t do much more than adding our daily song-of-the-day.  Sorry for the inconvenience &#8211; we should be back running on all cylinders by 7/20 or so.</p>
<p>Song of the Day 7/17/09:</p>
<p>376. <a href="http://www.youtube.com/watch?v=wFQyLYzbV-o">Lucky Dube</a> – Victims</p>
<p>The great roots reggae songwriter and keyboardist triumphantly lived through the dismantling of apartheid in his native South Africa, only to be murdered in 2007 in an attempted carjacking. Little would he know how eerily prophetic this heartbreaking tale of the aftereffects of violence &#8211; a mother grieving for her dead son and all the others like him &#8211; would be. Title track from the 1989 album.</p>
<p>and for 7/18/09</p>
<p>375. <a href="http://www.youtube.com/watch?v=_FmUU-y7Nk0">Bruce Springsteen</a> – Independence Day</p>
<p>In this brilliantly elliptical, organ-fueled anthem, a son leaves home defiant but bitter, brutalized and only a step away from the violence he grew up with. Anyone who might confuse Springsteen&#8217;s art with the yahoos who make up so much of his fan base needs to hear this. From the River, 1980; mp3s abound, and the studio version is the best. Although the link above, an early live take from 1978, isn&#8217;t bad.</p>
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<title><![CDATA[Où nous mènent les mot-clés]]></title>
<link>http://willykean.com/2009/05/08/ou-nous-menent-les-mot-cles/</link>
<pubDate>Fri, 08 May 2009 07:12:32 +0000</pubDate>
<dc:creator>willykean</dc:creator>
<guid>http://willykean.com/2009/05/08/ou-nous-menent-les-mot-cles/</guid>
<description><![CDATA[Toujours comme Fanette , je fais plus attention aux mots clé qui mènent les internautes à mon blog. ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Toujours comme <a href="http://fanette.wordpress.com/" target="_self">Fanette </a>, je fais plus attention aux mots clé qui mènent les internautes à mon blog. D&#8217;ailleurs, dès aujourd&#8217;hui, je crée définitivement une nouvelle rubrique: <strong>Secrets des mots-clés.</strong></p>
<p>Alors ce matin encore, je me suis amusée à pister les mots clés qui ont mené quelques lecteurs à mon blog. Et je ne suis pas déçue.</p>
<p>A commencer par<strong>  </strong><a href="http://www.roots-station.com/boutique-rasta-paris-k-743.html" target="_self"><strong>Boutique Rasta</strong></a> qui m&#8217;a fait découvrir ce site riche d&#8217;informations: dates de concerts, articles concernant des chanteurs raggae&#8230;</p>
<p>D&#8217;ailleurs j&#8217;ai découvert grâce à ce lien que Lucky Dube, le raggae man dont je vous parlais<strong> </strong><a href="http://willykean.com/2008/11/15/lucky-dube-il-faut-du-respect-parce-que-cest-ce-dont-le-monde-a-besoin/" target="_self"><strong>ici</strong></a><strong>,</strong> ce chanteur talentueux et engagé<strong>,</strong> assassiné en pleine rue en Afrique du Sud, peut aujourd&#8217;hui reposer en paix. Ses assassins ont été retrouvés, ils viennent<strong> d&#8217;être </strong><a href="http://news.reggaefrance.com/1434/200904/mort-de-lucky-dube---le-verdict.html" target="_self"><strong>condamnés</strong></a><strong>.</strong></p>
<p>Toujours grâce à Boutique roots, je me suis délectée de la musique de Alpha Blondy. Le grand et l&#8217;unique. Je vous en parlerai plus amplement dans un article spécial.</p>
<p>Alpha blondy, c&#8217;est le premier vrai reggae man ivoirien, qui a suivi les traces du grand Bob Marley. Il s&#8217;est même rendu en Jamaique, a travaillé un de ses albums avec les Wailers. Je ne vous en dis pas plus. Un petit prélude tout de même au prochain Alpha Blondy news.</p>
<p>Ecoutez <strong>I wish You were Here</strong> de l&#8217;enfant terrible d&#8217;Abidjan</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/bsoiupLME-w&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/bsoiupLME-w&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span> </p>
<p>Et puis, il n&#8217;y a pas que Alpha, je me suis aussi souvenue de Ziggy, l&#8217;un des fils de Bob Marley.</p>
<p>Comme la plupart de ses frères, Ziggy a fait exactement, non presque comme papa Marley. Ziggy chante et j&#8217;aime sa musique. Un jour je parlerai aussi de Ziggy.</p>
<p>Ecoutez  True to myself</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/ikzQmC3S-mE&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/ikzQmC3S-mE&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
<p>En dehors de la boutique Roots, les mots clés m&#8217;ont aussi conduit à Belstaff, la fameuse veste Belstaff. Willykean en parle <a href="http://willykean.com/2008/07/16/belstaffla-veste-legendaire/" target="_self">là</a>, l&#8217;<a href="http://www.lexpress.fr/styles/mode-beaute/mode/belstaff-l-etoffe-des-heros_689405.html" target="_self">Express</a> aussi. Et toujours en parlant de Belstaff, les recherches de mes lecteurs m&#8217;ont conduit à <a href="http://www.zimbio.com/pictures/N7_SikL2zcD/Cannes+Indiana+Jones+Kingdom+Crystal+Skull/cH56nTv6KRd/Manuele+Malenotti" target="_self">Manuele Malonetti</a>.</p>
<p>Quant au boubou sénégalais, il m&#8217;a fait tourner en boucle. Mes recherches me ramènent au boubou de Ségolène. Pour ceux et celles qui ne l&#8217;ont pas lu. J&#8217;ai écrit: <strong>VIse mon boubou, je suis une femme de ménage</strong>.</p>
<p>Bonne lecture donc. Je file à la foire de Paris.</p>
<p><a href="http://copyrightspot.com"><img title="Plagiarism Detected by CopyrightSpot &#124; Do Not Copy" src="http://copyrightspot.com/images/badges/cspot_orange_230x30.gif" alt="Protected by CopyrightSpot" width="230" height="30" /></a></p>
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<title><![CDATA[ To Resist All Degradations &amp; Divisions: An interview with S'bu Zikode]]></title>
<link>http://antieviction.org.za/2009/04/28/to-resist-all-degradations-divisions-an-interview-with-sbu-zikode/</link>
<pubDate>Tue, 28 Apr 2009 16:21:05 +0000</pubDate>
<dc:creator>antieviction</dc:creator>
<guid>http://antieviction.org.za/2009/04/28/to-resist-all-degradations-divisions-an-interview-with-sbu-zikode/</guid>
<description><![CDATA[Click here to read an annotated version of this interview in pdf. To Resist All Degradations &amp; D]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><em>Click <a rel="nofollow" href="http://abahlali.org/files/A%20Living%20Communism.final_full.pdf">here</a> to read an annotated version of this interview in pdf.</em></p>
<p><strong>To Resist All Degradations &#38; Divisions</strong><br />
<em>An interview with S&#8217;bu Zikode</em></p>
<p><strong>Tell me something about where you were born and who your family were.</strong></p>
<p>I was born in a village called Loskop which is near the town called Estcourt. It is in the Natal Midlands. I was born in 1975. I have a twin sister, her name is Thoko. We are now the last born. I have two other sisters. I also had a brother who passed away so I am the only son.<!--more--></p>
<p>And when we grew up, very early, at the age of 7 years, when Thoko and I started school, our parents separated. We grew up with mother who used to work as a domestic worker. She would mostly be at work and we would remain with her sister most of the days. We did not have mother close to us. She would come once a month. And then we grew from different hands. When we were doing primary school we went to more than four schools. My mother would be away and it would be hard for her to support us so we grew up with different families. They were all good to us.</p>
<p>When I look back I can see that that helped me a lot; learning at different schools, living with different relatives.</p>
<p><strong>Where was your mother working?</strong></p>
<p>In Estcourt, in town.  From town to Loskop, today you are paying R9. The distance is 32 kilometres. She would come once a month.</p>
<p><strong>That must have been very difficult for the children.</strong></p>
<p>Ja, very difficult. Very difficult.</p>
<p><strong>How was she treated by the people she worked for?</strong></p>
<p>No, they were quite good people. Sometime we would visit her and I remember that they bought me a bike. They were good people. The problem is this system where so many women have no choice but to leave their homes and wash and clean for other families.</p>
<p>When I was older they also found me a job. When I was at school they found me a job too. I was working with their boys as well, in one of the bottle stores, pushing trolleys. They&#8217;d call me over the weekends and I&#8217;d do some temporary jobs.<br />
But you were well looked after by the wider family.</p>
<p>Yes, and when I was doing Standard Three I joined Boy Scouts. I had the opportunity to go on camps and other trainings and I learned a lot about manhood. Scouting was about training future men, future citizens. I was lucky to be appointed as a leader and to have the opportunity to attend even more trainings. I remember one of the trainings that I attended in Pietermaritzburg, Lexden .</p>
<p><strong>I went to Lexden as well!</strong></p>
<p>Ey, you know! The Patrol Leaders&#8217; Training Unit! There was a lot of growth and learning. It was winter time. I can remember very vividly, it was difficult. And you had to decide whether to continue with this or to resign from being a Boy Scout. I remember when I returned back to the school and reported to the principal, because I would report directly to the principal who knew more about Scouts, he laughed a lot and I knew that he knew exactly what was going to happen. He asked me if I would still continue and I said &#8216;Ja&#8217;. A lot of lessons I learnt from there, from the hardship. It was preparing me for the worst to come and I have seen it in recent years. I am sure that I was shaped and made to be able to face the challenges that we are now facing.</p>
<p>But it wasn&#8217;t just the hardship at Lexden. It was also the focus on responsibility and involvement in the community. I remember the Scout Motto: &#8216;Be Prepared&#8217;.</p>
<p>And there was also a Scout Promise; that you promise to do your duty to God and to your country, to help other people at all times and to obey the Scout&#8217;s Law. I was still young and fresh at that time. I learnt the Scout&#8217;s Law. A Scout&#8217;s honour is to be trusted, a Scout is loyal, a Scout&#8217;s duty is to be useful and to help others, a Scout is a friend to all and a brother to every other Scout, a Scout tries his best to do at least one good turn to somebody every day.</p>
<p>The things that I do today, for me are something that grew up in myself; my understanding of society, the social context, what the expectations are and what kind of society we are looking for.</p>
<p>So there was no politics but leadership was in my veins. Even at the high school level I was invited to start a Scout&#8217;s movement at my school, which I did because I was growing with other boys, and then there was also a demand from the girls to start their movement. I only met the Girl Guides at the jamboree. The jamboree is a big event that brings all the Scouts and Guides together. It is one the happiest days of your life as a young person to get to meet all different people from different spaces. It&#8217;s like the WSF &#8230;.(laughing).</p>
<p>The Jamboree took place in Howick, at the Midmar dam. It was mostly outdoor activities and this is how I became interested in the outdoor environment. There was a lot about how the environment is a heritage to the cherished and protected &#8211; to be enriched by our future generation &#8211; and I became very interested in plants and animals.</p>
<p>After the jamboree we sought the assistance from other schools to form the Girl Guides. We had seen all these boys working together, learning skills that were unknown in the community and the girls demanded the same. They had seen their brothers growing and wanted the same pride. It really shaped me a lot.<br />
At the high school level I became more interested in ideas. I found that I could grasp things quickly and easily, especially in English and History. The teachers would often ask me to read ahead to prepare the lesson. I remember vividly how I was asked to learn about the Voortrekkers &#8211; how I learnt that to the dictionary. I had to analyse the meaning of each word all by myself ahead of others. I remember how I had to start by cutting this word Voortrekkers and to understand the word &#8216;voor&#8217; and then &#8216;trekkers&#8217;. Doing all these analysis it slowly became clear that we were learning about the Boers who travelled or came first in Natal. But, still, I was lucky to be given this opportunity because I learnt how to analyse things on my own and then to share the ideas. History was really about remembering dates and I found that I had a good memory.</p>
<p>Things were positive. I was still too young to understand the outside politics, even the family related stuff, what problems were at home. And I was fortunate in being able to finish high school, from Standard Six right through to Matric, in one high school. But in the primary school it was really difficult being circled in one family.</p>
<p><strong>When you were growing up in Estcourt it was the time of the transition with Mandela being released and the ANC being unbanned. Did you think about politics much or was there much politics happening around you?</strong></p>
<p>There was a lot of fighting, heavy fights. I remember my friend was shot just in front of me when we were together in a rural farm &#8211; you know these plantations where crops such as mealies get planted and grow very high with grass in times like autumn. In summer, as the grass began to grow very high, there was this fighting and shooting. Sometimes the army would boost the other side. In politics and fighting I was not involved but in the area where I stayed there was a strong presence of Inkatha. And in the Zulu tradition we believe that you do not run away in times of war. This was also the culture of Inkatha. So when there is a gunshot they would quickly mobilise and everyone goes &#8211; every man and every boy. It&#8217;s compulsory. You were not asked whether you joined the party or not but you had to defend your vicinity, your surroundings. So we were involved in that way knowing that the fight was between Inkatha and the ANC. Mostly from the ANC side there would be soldiers hiding, and also shooting. You would think that you&#8217;d be fighting the other side only to find that you are fighting the army because the army would also be taking sides. They made it clear that they were not there to make peace. So, I mean, I was involved in that battle in the real fighting, in the life and blood of that time. The only way to free oneself was that one would hide when one gets shot. When someone needed an ambulance you could quickly assume that responsibility of facilitating first aid and calling or waiting for the ambulance to come. That could be a way out of the battle.</p>
<p>At school there wasn&#8217;t much politics but I used to take part in the debates. Formal debates were mostly on politics but the idea was to learn to speak English &#8211; that was the whole point. But obviously the speeches that we wrote &#8211; I remember that we often learnt more from Lucky Dube, from Mzwakhe Mbuli, and so a lot of our quotes were generated from their music and poetry. It had a lot of politic. Although we were still young to understand the outside world a clear message would come. There was also the study of Ubuntu . It was learnt at school at that time. But when we fought, when were involved in the fight, our lives were completely independent from politics.<br />
Scouting was also a completely non-political movement, although there were a lot of accusations from outside. People were calling us Gatsha&#8217;s sons because you wear this khaki uniform which was nearly the same as the IFP uniform at that time. But we did not balk because we had nothing to do with that.</p>
<p>A year later when I finished school the fight was also involved at my school. I remember that some of my friends had to pull out of school because of the fighting. But in my day it didn&#8217;t reach the schools. We also felt that politics was outside the school, it was something that was difficult to understand. I remember the content of the debates; the concepts and arguments were shaped by that. But we were more judged by the fluency of the language.</p>
<p>But we would fight the battles that we didn&#8217;t understand. The mobilization tactics that were used, by the nature of being Zulu you were forced to join Inkatha. I do not remember any membership cards or even how they looked like but you would never be asked. You would be forced to come out and fight. We didn&#8217;t know what we were fighting. Many people were killed at that stage. At that stage we attended a lot of funerals. In our culture we were not supposed to be attending funerals as children but it became a normal thing to attend funerals. If you didn&#8217;t attend those funerals you would be accused of siding with the other party &#8211; with the ANC. It was just a difficult and confusing situation. I mean we were still very young to understand. I strongly feel that a lot of people died for no course, they did not know what they were fighting for, except that they were forced to go to war bare handed &#8211; no strategy, no politic, no ideas, no education. I strongly feel a lot of innocent died for nothing.</p>
<p>I remember that you once said to me that that some of our politicians, people on both sides of the ANC and IFP divide, can only understand politics in terms of killing. The history of all this killing is usually told in a very simple way with all the good people in the ANC and all the bad people in the IFP &#8211; but there were warlords on both sides.</p>
<p>I remember even the terminology of Scouting, how it was used in the fighting. There would be a group of volunteers, amongst a group of men, who would volunteer to launch an aggressive attack and the terminology that was used was that they were scouts. And then we&#8217;d know for sure that the next day there would be mourning and blood, there would be dead bodies. My understanding was that to be well known, to be well respected as a person who is fighting, who is struggling for the country, you had got to kill. It was not only that you had to defend your community &#8211; you also had to be aggressive, to launch some attacks on the other side. You become known like that, you become respected.</p>
<p>The other dirty thing that used to happen, that used to influence the whole thing, was that if you are a school boy you would be perceived as an ANC member. So to be well recognised and well respected you must not got to school, you must not have a bath, you must not be involved with water, and you must not be smart. You must become a nasty and clumsy person. I don&#8217;t know where this idea came from but a lot of smart people with tranquillity were killed not because they were members of the ANC but because they looked good, because they looked different from the others, the ones doing the fighting. From that time it was when I began to think that this was just about killing. The only reality is that people were dying. People did not know what they were dying for, what they were fighting for or what they were killing for. Even elderly people in the struggle did not understand politics. If such people were to be interviewed now I&#8217;m not sure if they could say clearly what they were dying for, being killed for.<br />
As Zulus we were encouraged not to hide, not to run away. Instead we must face the war. What became clear was that the IFP did not have guns. Most people who had guns were ANC members. With shields and sticks it was quite difficult to fight people with guns.</p>
<p>I&#8217;ve talked so much about the IFP because I was in Loskop, a stronghold of the IFP. I remember also going to Wembezi, a township in Estcourt, and a lot of people were shot in our presence.</p>
<p>I know that a similar strategy was used on the other side. A group of people would be trained to attack. You know those massacres that are often referred to &#8211; they were part of a well planned fight. But this fight also killed innocent people and those that were killed did not know what they were killed for. Once a son was suspected to have been involved he was killed &#8211; being suspected was what you died for. That was the horrible situation. I cannot imagine how some of the people who are now in government, with blood in their hands, have never regretted.</p>
<p>As Zulu people you were mostly respected for being a good fighter. It was the whole initial tradition &#8211; that being a good fighter gives you respect. As a good fighter you would be given a position as a commander of an aggressive group &#8211; that was the whole idea. When there were these mass attacks it was always organised. When there were funerals, where there were services, prayers, or any other traditional gatherings &#8211; a lot of people together &#8211; they were just seen as an opportunity to kill people. What counts is how many people were killed. That was the whole idea. When people praised themselves they talked about how many people they had killed, not about why they were killing, not about any politics.</p>
<p>Because of the South African history you still ask yourself if people in power are now matured to really understand politics. They assume that if we don&#8217;t have similar ideas to them that automatically make us enemies. I doubt if people are yet in the position of understanding politics. If you do not agree with my ideas then you must die. I am sure that it is going to take time for people to understand that politics is about ideas, about discussion, should be about love and passion for one&#8217;s country, so any tactic should be about how to serve the world better, how to win minds and heart of the majority. It is going to take even longer for people to understand that those debates should be open to everyone, that a real politics is not about how many people you are willing to arrest, threaten or kill; that a real politics is not a fight to be able to abuse state power but that a real politics is in fact about how many people you are willing to listen to and to serve &#8211; and to listen to them and to serve them as it pleases them, not yourself.</p>
<p><strong>When did you first come to Durban?</strong></p>
<p>I began matric in 1996 and that was also the year that I first came to Durban. During the weekends and when the schools were closed I stayed with my brother-in-law in Moore Road, in Glenwood. There&#8217;s a flat behind Berea Centre, 264, it&#8217;s called Cardigan Mansions. He was paid well. He was working as a mechanic. I worked temporary in Victoria Street in one of the stores that sells clothing, its called Smileson&#8217;s. And I worked for City Girl&#8217;s stores in Greyville, in Game City Centre. I spent a lot of years working for City Girl stores.</p>
<p><strong>How was it to be in Durban compared to Loskop?</strong></p>
<p>Ja, it was peaceful. I was living in this rich area, Glenwood. It was different. From work I&#8217;d go directly to the flat. I had no friends in Durban. As such life isolated me away from ordinary people a lot of thinking began. I began to realise how poor I was.</p>
<p><strong>And university?</strong></p>
<p>Well I finished my matric that year and I did well, but not as well as had been expected. There had been a lot of hope for me at the school but, you know, as you grow you begin to reflect back on things, you come to be aware of a lot of things. When you begin to reflect on the environment a lot of things begin to disturb you, to disturb your intelligence. It was also the time when I realised how I had survived the very trying circumstances over the past few years.</p>
<p>And obviously there was never any guidance at school so it was very difficult to proceed with tertiary education. But the following year I was fortunate to be admitted at the former UDW, the University of Durban-Westville as it used to be called. I enrolled for law. All I wanted was to become a lawyer.</p>
<p><strong>Why Law?</strong></p>
<p>In school a lot was said about teaching and being a policeman for the boys and a nurse for the girls. Those were the only chances and that is why we have a lot of teaches nurses, and policemen. I was encouraged at school to be a teacher but I decided to differ.</p>
<p><strong>What was it like to be student?</strong></p>
<p>I was not under any parental care so it was difficult. When I arrived here I had no friends. It was hard to imagine how life could be so difficult. My brother-in-law gave me a place to stay but obviously I was not his burden so I could just appreciate his accommodation. My studies were a separate deal that was beyond his burden.</p>
<p>I was very lonely. It was not interesting at all because I was still new in the institution without knowing anybody. It was difficult to get used to the institution and I was a very shy person; in fact when I grew up I never used to talk. Through the Scouting thing then I began to slowly become more confident. Even people who sometimes see me on the TV often don&#8217;t believe it, that that man used to be so quiet in the class and now he can talk everywhere.</p>
<p>When I saw the challenges of being grown up that&#8217;s when I began to realise that in fact school days were the happiest days of my life. I didn&#8217;t want to stress people. I had to find ways of surviving. With school it was completely different. Now I had to study and I had to think of all of this, financing my studies, accommodation, and food. And so I had to withdraw from the university and continue working as a security guard.</p>
<p>In 1997 a teacher went on maternity leave at my school and they wanted me to stand in. They wanted me because the well respected Circuit Inspector had promised me after coming back from Lexden that should I fail to proceed with tertiary education he would find me a school to teach. This was public commitment and promise in a gathering full of teachers, parents and scholars. I was highly congratulated for this personal commitment of a Circuit Inspector. They looked all over for me but by the time they found me it was too late &#8211; and so I carried on working as a security guard. I was all by myself.</p>
<p><strong>Being a security guard, how was that?</strong></p>
<p>No, that was terrible. I was still young. The people that I was working for were robbing me, sometimes they wouldn&#8217;t pay me. I was like earning R500 a month, sometimes this guy would give me R300. I was just well grown up, having dropped from school and then being treated like that. It was difficult but of course when I found this job at the petrol station it was much better. So even today I listen when Mashumi shares his stories of being a security guard.</p>
<p><strong>Was the work dangerous?</strong></p>
<p>It was. It was, ja. There were organised groups, like shoplifters, in town. They would go into the store together. One of them would keep you busy and the others would start stealing. Some of those shops, like City Girl, would have this alarm, so I would just stand by the door and watch people passing because each garment would have this alarm. That was much better. After the security job I was employed at the petrol station.</p>
<p><strong>And working at the petrol station?</strong></p>
<p>Well in 1997 I met Sindy. We were working together at the petrol station. She had good parents. Her mother is still working here at Tollgate, in Manor Gardens. She is working for nice people. In Sindy&#8217;s family there are ten of them, eights girls with two brothers. She was staying with her mother there in Tollgate and came to work in Springfield Park. She had also finished her matric and then had to find a job. With us, in our growth, the most important thing was to finish matric then the other stuff, well, that would be an additional luck.</p>
<p><strong>When did you come to the Kennedy Road settlement?</strong></p>
<p>Before I came to the settlement I lived in Umlazi. It was difficult to travel with trains. And, also, I had no friends there. It was difficult, it was difficult. The in 1999 I started living here in Elf Place. Because I was working at the Springfield Park Service Station station, it is just here, opposite Makro. But I couldn&#8217;t pay my rent. I would just work for the rent. You don&#8217;t get paid much at the petrol station. As a patrol attendant you earn like R200 a week.</p>
<p>Then I was promoted to cashier and then they started teaching me computer at the back office. That&#8217;s how things moved. After five years we moved to the PetroPort, in Queen Nandi Drive which is on the N2 Freeway, just before the Gateway Shopping Mall.</p>
<p><strong>What was it like when you first came to the settlement?</strong></p>
<p>Well when I was still attending at the UDW and passing the shacks I hadn&#8217;t known what the shacks were looking like so I couldn&#8217;t believe it. Later when I was working at the petrol station and living here in Elf Place it was easy to use the spaza shop here in the settlement and life was quite good. Obviously I could feel shame that people were living this life because I did not believe that one day I would be living here. It was tough. But coming here to use the shops I began to meet people and then as the rent was going high we started talking to people and I found a place to rent here.</p>
<p>I remember that we started renting here at R80, it was R80! (Laughs) In Elf place the rent was R600 a month and we had to share the rent with other people living there. We ended up having to pay R200 a month. So this was much better. We had our own place and we could even save some money. When we came here we were much relieved. Life was much better because we could live close to work and schools at an affordable cost.<br />
But I told myself that this was not yet an acceptable life. Although I didn&#8217;t know politics that much I felt that the community did not do enough to struggle for housing, for toilets, enough water. It was not acceptable for human beings to live like that and so I committed myself to change things.<br />
What kind of organisation was there in Kennedy Road at that time?</p>
<p>Well the chairperson at that time was Jarphas Ndlovu. He had been chairperson for like 6 years. There were no elections.</p>
<p>Meetings would be called and one or two people would be known to be the committee but one man would do everything &#8211; that&#8217;s how it used to work. Only one man was respected in the community. Everything had to be reported to him. There was no committee meeting. Community meetings would sometimes be called but not committee meetings. I involved myself and attended these meetings but only to find that only one man was talking and that people were failing to cope with the politics and development issues that were being spoken about. They were not given the information that you need to participate. Even the committee, if they would go meet with City they would just stand outside, while he was inside. He would also meet with the ratepayer&#8217;s association on his own. He had some shops, and he rented out some shacks. People feared him. You know that old tradition of the Indunas. There is a kind of respect but it is not a democratic respect.</p>
<p>I realised that if the community was going to be able to participate in their own development then we would have to create a democracy in the settlement, to elect a committee. It made no sense that we were voting for politicians to sit in parliament but in our own communities we still had to listen to Indunas.</p>
<p><strong>What was the political affiliation of the Induna?</strong></p>
<p>He was an IFP. But the settlement was always made by different groups of people.</p>
<p>It was difficult to get rid of the old leadership. We mobilised the young people. We started with youth activities, like clean up campaigns, and then when the people were mobilised we struggled to force that there must be elections, that there must be democracy.</p>
<p><strong>How did people respond?</strong></p>
<p>They were well relieved. After that first democratic election, it was in 2000, we restructured everything in terms of democracy. We had a lot of discussions about democracy.</p>
<p><strong>Was that when you were first elected as chairperson?</strong></p>
<p>Yes.</p>
<p><strong>How old where you?</strong></p>
<p>I was still young. 25.</p>
<p><strong>And what was your political affiliation?</strong></p>
<p>When I came here I was not interested in party politics. I had begun to hate party politics from what I had learnt from the IFP while I was still at home. For me politics was a dirty game. And there wasn&#8217;t really much interest in politics in the settlement. Most people just saw it as this dirty game.<br />
But these guys from outside, led by Mabeneza, started to come to the settlement, to organise meetings, campaigning for the ANC. That&#8217;s when I became interested because of the way that they were engaging and approaching the young people. They were saying that we could mobilise ourselves for a better life. We had all seen the transition to democracy at the national level. The ANC was the party of Mandela. But at the local level what I liked was what I hadn&#8217;t had since my school days &#8211; an opportunity to meet other young people and to engage. And it was also a platform to engage on political matters which was an opportunity to work for the changes that I was looking for.</p>
<p>And seeing that the ANC was in government I thought that it could be an easy tool to transform this community. I thought that the ANC would be a platform for the shack dwellers and that it would be able to deliver.</p>
<p>As residents of the informal settlements, we were considered as temporal communities. There was an inference that we were not entitled to full citizenship in this area. We thought that all we had to do to secure our place here, here in the city, was to take the initiative to support the ANC.</p>
<p>So in 2002 I joined the ANC and was elected to the Branch Executive Committee (BEC). The following year I became the Deputy Chairperson of the ANC branch in Ward 25.</p>
<p>For some years I was in the BEC. The reality is that we did not understand politics. Baig was brought in from the outside, imposed from the top. He was not known to the community. But because he was an ANC we did not question that. We did not question the wisdom of the party and so we did not worry about it that much although it was clear that there wasn&#8217;t any fairness, any democracy.</p>
<p>This wasn&#8217;t like Inkatha when I was growing. I wasn&#8217;t made to do it. I was very active. I did it because I had my own ideas, because I thought that we should mobilise the people for a better life. But I was mobilising for the party and we made compromises for the party. Of course we discovered that mobilising for the people and mobilising for the party is not the same thing.</p>
<p><strong>How did the break with the ANC come about?</strong></p>
<p>Well a lot was happening. Former housing minister Dumisani Makhaye introduced the Slums Clearance programme with a budget of R200 million. A Slums Clearance committee was set up in partnership with the eThekwini Municipality, it included a number of wards. I was also elected to that committee. Kennedy Road was one of the communities that was meant to benefit from this programme. There was a settlement down there by the bridge, it was called eVukani. Those people were moved to Welbedacht. Some of the people from the Quarry Road settlement were moved to Parkgate. I remember taking a tour to Parkgate with the Slums Clearance committee. It was before the houses were built there, it was still sugarcane.</p>
<p>That is when I became conscious, that is when I became a conscious activist. I remember when we were getting into this microbus from the metro with nice air conditioning. I remember how we were told to get into those kombis but not told where we were going. I remember as we went past all those bridges that you pass as you leave the city. The further away we moved the more worried I was. We had been very excited but the comrades all became quite as we went further and further away from the city. We became very shocked. Then we arrived at a farm and we were told that this would be where our houses would be built.</p>
<p>Even today I do not understand the link between the BEC of the ANC and the development that took place. These projects had never been discussed with the BEC. Even when the minister announced the Slum Clearance programme it had never been discussed at the branch level. It was a top down system, a completely top down system. For this reason I continue to question the relevance of the BEC. I continue to see it as nothing but a way for the party leaders to control the people. The only job of the BECs is to keep branches vibrant for elections. They are not there to bring about development, they are not there for any political education or political discussion. They are not there to take the views of the people up. Rather they are there for people to be enslaved and to remain slaves for the benefit of those that have been ruthless enough to rise up.</p>
<p>All of us in that committee had hope. We had a good heart to see change in our communities. But we did not know how politics worked. The first problem was that we had been promised that Kennedy Road would benefit but when it didn&#8217;t it was hard to question that within the ANC structures.<br />
When the promises became lies we felt that we had been used &#8211; just used to keep the people loyal while they were being betrayed. We had been used so that the people in power could fulfil their own ambitions, their own project. We were used as ladders so that they could climb up over the people to their positions. They way the system works makes it impossible for people to call their leaders into account. The resources are there but the system allows leaders to only think for themselves. There is no mechanism for accountability. There is always budget for elite projects but each and every year nothing is spoken about how to achieve real change for ordinary people.</p>
<p><strong>When did you become a police reservist?</strong></p>
<p>When I was working at the petrol station. I was ordered to work at least eight hours a month and to attend some police courses at the Edgewood College. I did a lot of volunteer work in the charge office there. I worked for, like five years, as a reservist. This was part of the decision I had made to fulfil my duty to my country.</p>
<p>I was forced to this. It was not that I liked to be a policeman. I was still new at the settlement and I arrived at the charge office and saw a women crying. She had a baby on her back. I asked her why she was weeping outside and she said that she had been chased out because she couldn&#8217;t speak English. I asked her to come inside with me and I translated. I was touched and angry &#8211; worried about how many poor people like her would not be assisted because they could not speak English. That&#8217;s when I took the decision to become a reservist. I thought that with my English I could ensure that people would have their dignity respected.</p>
<p>It wasn&#8217;t easy. There were interviews and tests. But when I finished it all I was never given a chance to learn at the charge office. I was just made to cook for the prisoners and to dish out for them. I was annoyed. I became to be suspicious and conscious about what was happening at the police station. The Superintendent wasn&#8217;t Nayager at that time &#8211; it was Senior Superintendent Marais.</p>
<p>I remember our first march on the police station &#8211; it was in 2005, that march where we were saying &#8216;release them all or arrest us all&#8217;. Superintendent Marais met with Baba Duma, Chazumzi &#8211; I still have minutes of that meeting. Shortly after that march Marais left and Nayager came.</p>
<p><strong>Was the racism the same?</strong></p>
<p>Oh yes. It wasn&#8217;t just the senior officers. The racism was just a normal thing. It was an Indian police station &#8211; not a police station for everyone. As an African you were treated like a servant, like dirt. I could not stand it. I made a small contribution where I could. Because, you know, people are victimised and go to that police station and are just further victimised by this racism at the hands of the law. When I could I helped people but I could not transform the station. I was a victim there myself. It was quite difficult. I resigned from the police force in 2004 because of the racism. It blocked every possibility for bringing about some little progress. The only time that I ever got to do anything there beyond being a servant was during weekends where there was family violence or students having parties, any kind of noise or fight. I would be deployed to deal with drunkard Africans. It was believed that they would understand me better than any Indian police men.</p>
<p>But, you know, those experiences did help me.</p>
<p><strong>So, given that you&#8217;d been a police reservist, and that you were on the BEC of the local ANC did the road blockade in 2005 come as a surprise?</strong></p>
<p>No, it wasn&#8217;t a surprise. The Kennedy Road Development Committee (KRDC) shaped this. In 2004 the KRDC declared that 2005 would be the year of action. We said that we were tired of this, tired of all of the lies and deeply disappointed with the previous engagement with the City. We would not compromise our future because of our loyalty to the ANC. So the road blockade was not a surprise but what did become a surprise was to see a protest becoming a movement, to see other settlements joining us.</p>
<p><strong>In 2004 there were road blockades and protests all over the country and these protests became even more common in 2005. Were people in Kennedy Road inspired by what they saw in the media?</strong></p>
<p>In my personal experience no. It really came from a very personal experience of betrayal. But I always asked myself how it was that 2005 became a national year of action. I am not too sure with others but for me it was not that one read about other road blockades and became motivated. The anger here in Kennedy Road was growing and growing &#8211; it could have gone in many directions but people decided to block the road.</p>
<p><strong>How was the day of the road blockade?</strong></p>
<p>It was good. We were all so full of anger that there was no regret. It was difficult to turn against our comrades in the ANC but we weren&#8217;t attacking them personally. We wanted to make them aware that all these meetings of the ANC &#8211; the BEC meetings, the Branch General Meetings, they were all a waste of time. In fact they were further oppressing us in a number of ways. They were just there to keep the ball rolling up until the next election. Our job as local leaders was just to mobilise people for the ANC.</p>
<p>It had become clear that the only space for the poor in the ANC was as voters &#8211; there was no politics of the poor in the ANC. The road blockade was the beginning of a politics of the poor.</p>
<p><strong>As you know I first came to Kennedy Road the day after the road blockade. People had just tried to march on the police station and had been beaten back. The settlement was occupied by the police and there was a very strong sense of people being on their own. That must have been a heavy weight to carry.</strong></p>
<p>Ja, definitely. That was not easy. But we had to stand firm. That was the reality.</p>
<p>I had no idea that a movement would be formed, no idea. And I didn&#8217;t know what form would be taken by the politics of the poor that became possible after the road blockade. I didn&#8217;t know what impact it would have. That is why it is quite difficult when I get interviewed. Most people think that this was planned &#8211; that a group of people sat down and decided to establish a movement. You know, how the NGOs work.</p>
<p>There has been a lot of analysis and interpretation of the movement &#8211; sometimes we read it in papers. But all we knew was that we had decided to make the break. To accept that we were on our own and to insist that the people could not be ladders any more; that the new politics had to be led by poor people and to be for poor people; that nothing could be decided for us without us. The road blockade was the start. We didn&#8217;t know what would come next. After the blockade we discussed things and then we decided on a second step. That&#8217;s how it went, that&#8217;s how it grew. We learnt as we went. It is still like that now. We discuss things until we have decided on the next step and then we take it. Personally I have learnt a lot.</p>
<p><strong>There was a tremendous collective excitement and pride in the beginning. Did you share that? Or were you, as a leader, under too much pressure?</strong></p>
<p>Ja, although I was very angry with everything from a political point of view, very angry with the way the ANC was treating the people, very angry with their policies, I felt very confident when we began to rebel. I found my inner peace. The real danger when things go wrong like this is being silence. When you voice out, cough it out then you can heal. You can find this faith in yourself. There is all this frustration and humiliation. Humiliation from the way you are forced to live and humiliation from the way you are treated. When it is expressed it is like taking out a poison. You become free to act and you become angry and that anger is the source of an incredible energy.</p>
<p>So even though we didn&#8217;t have the houses we had found our voice. We didn&#8217;t have all the answers. But the fact that we had built this platform, that on its own was a very remarkable progress.</p>
<p><strong>Was it difficult to move from being one settlement in rebellion to linking up with other settlements and building a movement?</strong></p>
<p>No, it wasn&#8217;t difficult to link up with other settlements. From my experience in the ANC, and on the BEC, I knew people in the other settlements, and we were all having similar problems so it was actually easy to build up this movement.<br />
You had worked with the ANC, the BEC and their councillors.</p>
<p><strong>Now you were leading marches at which the councillors were being symbolically buried. Was that difficult? Were you under a lot of pressure?</strong></p>
<p>Not really. Of course things were said and threats were made but I was very confident because I knew that I was now fighting for what I strongly believed was right. And of course we were not alone. When you are thousands you are not intimidated. So, iregardless of politics, of who said what, we just carried on. And for me personally I had nothing to lose. My involvement with the ANC, my position on the BEC, had done nothing for the people. In the party you make compromises for some bigger picture but in the end all what is real is the suffering of the people right in front of you. In fact it had become a shame. To say that &#8216;enough is enough&#8217; is to walk away from that shame. Instead of the party telling the community what to do the community was now deciding what to do on its own.</p>
<p>The only pressure came when people were arrested. And in the first arrest there were two teenagers amongst the 14 that were taken to Westville Prison so there was also pressure from the parents.</p>
<p><strong>Today you have over ten thousand paid up members and many more supporters. When the decision was taken to form the movement, that was on the 6th of October 2005, just after the Quarry Road march, did you have any sense of what they movement would become?</strong></p>
<p>No, not that much. But what I knew, what I was aware of, was that the coming together of these settlements would turn us into a collective force. That it would strengthen the rebellion that was started in Kennedy Road. I didn&#8217;t have a picture of how the movement is now. But I understood what democracy should be about and that our voice would become more louder the more we are. I knew that it would become a heavy political force.</p>
<p><strong>There has been a lot of academic speculation, much of not researched at all, about where the politics of Abahlalism comes from. Some people have said it comes from the popular struggles of the 1980s with their stress on bottom up democratic practice, others have said that it comes from the churches with their stress on the dignity of each person, others have said that it is something completely new. Where do you think that it comes from?</strong></p>
<p>When things go wrong silence speaks volumes. Silence is the voice of the defeated, people whose spirits have been vandalized. It is a big danger to be silence in times of trying circumstances. Condemning injustice, calling it by its real names, and doing this together; that on its own does a lot. That on its own is a kind of change, a lot of change.</p>
<p>The movement comes from recognition of this danger in conjunction with our cultural beliefs. It is a common sense that everyone is equal, that everyone matters, that the world must be shared.</p>
<p>My understanding is that this common sense comes from the very new spirit of ubuntu, from the spirit of humanity, from the understanding of what is required for a proper respect of each person&#8217;s dignity, of what they are required to do.</p>
<p>Our movement is formed by different people, all poor people but some with different beliefs, different religious backgrounds. But the reality is that most people start with the belief that we are all created in the image of God, and that was the earliest understanding of the spirit of humanity in the movement. Here in the settlements we come from many places, we speak many languages. Therefore we are forced to ensure that the spirit of humanity is for everyone. We are forced to ensure that it is universal. There are all kinds of unfamiliar words that some of us are now using to explain this but it is actually very simple.</p>
<p>From this it follows that we can not allow division, degradation &#8211; any form that keeps us apart. On this point we have to be completely inflexible. On this point we do not negotiate. If we give up this point we will have given up on our movement.</p>
<p>It is not always clear what that should be done. We are not always strong enough to achieve all of our demands. This is one reason why we are sometimes quite flexible in our tactics. Sometimes we are blockading roads, sometimes we are connecting people to water and electricity, sometimes we are forcing the government to negotiate directly with us instead of the councillors, sometimes we are at court having to ask a judge to recognise our humanity.</p>
<p>The collective culture that we have built within the movement, that pride of belonging to this collective force that was not spoken about before, becomes a new concept, a new belief &#8211; especially as Abahlali in its own nature, on its own, is different to other politics. It requires a different style of membership and leadership. It requires a lot of thinking, not only on what is read, but on what is common to all the areas. Therefore learning Abahlalism demands, in its nature, the form that it takes. It doesn&#8217;t require one to adopt some ideas and approach from outside. When you pull all the different people together and make sure that everyone fits in, that it is everyone&#8217;s home, that&#8217;s when it requires a different approach from normal kinds of politics and leadership. By the nature of its demand it requires a direct flexibility of thinking, able to deal with its uniqueness. It gives us the strength to support each other, to keep thinking together, to keep fighting together.</p>
<p>From what I have seen Abahlali is original but it is also natural &#8211; it gets generated from different people, with different ideas, who have grown up in different places, in different levels of space. Putting all this together requires its own genius. It&#8217;s not the same like other movements that take their mandate and understanding from ordinary politics.<br />
It requires learning the demands that come from all the areas &#8211; its nature demands the form that the movement takes. It doesn&#8217;t require one adopting some other ideas and approach from outside. Then when you pull all the demands together and try and make sure that the movement is everyone&#8217;s home it requires a different approach from normal kinds of politics. By the nature of its demand it requires a direct flexibility to be able to deal with its uniqueness. The movement is not like an NGO or a political party where some few people, some experts in politics, sit down and decide how other people should be organised, what they should demand and how.<br />
Other movements take their mandate, or their understanding, from what has been read. We did not start with a plan &#8211; the movement has always been shaped by the daily activities of the people that make it, by their daily thinking, by their daily influence. This togetherness is what has shaped the movement.</p>
<p>I am not too sure where our ideas would come from if there was no daily lives of people, a living movement can only be shaped by the daily lives of its members. I strongly believe that. This is where we formulate our debates and then our demands. We are going to court on Tuesday &#8211; winning or losing will affect how we go forward. It is the environment that we breathe in that shapes how we carry our politics forward. But it is who we are, human beings oppressed by other human beings, that directs our politics.</p>
<p><strong>My next question was going to be: &#8220;What is your understanding of a living politics?&#8221; but I think that perhaps you&#8217;ve just answered that.</strong></p>
<p>No, that is a simple one because we are all human beings and so our needs are all, one way or the other, similar. A living politics is not a politics that requires a formal education &#8211; a living politics is a politics that is easily understood because it arises from our daily lives and the daily challenges we face. It is a politics that every ordinary person can understand. It is a politics that knows that we have no water but that in fact we all deserve water. It is a politics that everyone must have electricity because it is required by our lives. That understanding &#8211; that there are no toilets but that in fact there should be toilets &#8211; is a living politics. It is not complicated; it does not require big books to find the information. It doesn&#8217;t have a hidden agenda &#8211; it is a politics of living that is just founded only on the nature of living. Every person can understand these kinds of demands and every person has to recognise that these demands are legitimate.</p>
<p>Of course sometimes we need formal expertise &#8211; we might need a lawyer if we have an eviction case, or a policy expert if we are negotiating with government. But then we only work with these people when they freely understand that their role is to become part of our living politics. They might bring a skill but the way forward, how we use that skill, if we use that skill, well, that comes out of a meeting, a meeting of the movement. By insisting on this we have found the right people to work with.</p>
<p><strong>You&#8217;ve also spoken about a living communism before.  Can you tell me what you meant by that?</strong></p>
<p>For me understanding communism starts with understanding community. You have to start with the situation of the community, the culture of the community. Once you understand the complete needs of the community you can develop demands that are fair to anyone; to everyone. Everyone must have equal treatment. And obviously all what needs to be shaped in the society must be shaped equally and fairly. And of course if everyone is able to shape the world, and if we should shape it fairly, that means that the world must be shared. That is my understanding. It means one community, one demand.</p>
<p>To be more simple a living communism is a living idea and a living practice of ordinary people. The idea is the full and real equality of everyone without exception. The practice, well, a community must collectively own or forcefully take collective ownership of natural resources &#8211; especially the water supply, land and food. Every community is rightfully entitled to these resources. After that we can think about the next steps. We are already taking electricity, building and running crèches, insisting that our children can access the schools. We just need to keep going.</p>
<p>Again I do not think we should be thinking away from ordinary people, having to learn complicated new ideas and ways of speaking. Instead we should approach the very ordinary people that are so often accused of lacking ideas, those who must always be taught or given a political direction. We need to ask these people a simple question: &#8216;What is needed for your life, for your safety, for your dignity?&#8217;. That simple question asked to ordinary people, well, it is a kind of social explosion. From that explosion your programme just develops on its own.</p>
<p>Of course a struggle always starts in one place, amongst people dealing with one part of the human reality. Maybe they are, like us, living like pigs in the mud, strange pigs that are also supposed to survive constant fires. Or maybe they are being taken to Lindela or maybe they are being attacked from the sky, being bombed. You have to start with what is being done to you, with what is being denied to you.</p>
<p>But for me communism means a complete community. It does not mean a community that is complete because everyone in it thinks the same or because one kind of division has been overcome. It means a complete community that is complete because no one is excluded &#8211; a community that is open to all. It means a very active and proactive community &#8211; a community that thinks and debates and demands. It is the universal spirit of humanity. Obviously this starts with one human life. We know that if we do not value every human life then we would be deceiving ourselves if we say that there is a community at all.</p>
<p>We are communists here in the mud and fire but we are not communists because of the mud and fire. We are communists because we are human beings in the mud and fire. We are communists because we have decided to take our humanity seriously and to resist all degradations and divisions.</p>
<p><strong>You have suffered in this struggle. You have lost your job, you&#8217;ve been arrested, slandered, beaten. Why do you think that the state reacted so badly to the emergence of Abahlali baseMjondolo?</strong></p>
<p>I think that it is because the system is such that it makes it impossible for equality. It makes sure that it divides in order to retain the status quo. It has created its own empire for its own people that matter to it, that are accountable to it. The system itself makes other people to be less, to be not important, not to matter.</p>
<p>What I was trying to do was to invade their territory and to show that we all have the power to do it.</p>
<p>It is a capitalist system and it is also a political system in which the few dominate the many. So it has to make certain people better than others, to be privileged over others. If you want to join the winning team then you have to fight. And it&#8217;s not easy. They want us to think that we can never beat them and that the only hope is to join them. But the system makes these different layers and it makes it very difficult, almost completely impossible for a certain layer to penetrate. That&#8217;s where the issue of blood and death first comes in. This is a very strong empire.</p>
<p>If you decide not to join the winning team, if as a poor person you decide to change the whole game, well, then you are invading their territory, territory that is too good for you. They will first ask &#8216;Who the hell are you?&#8217;. That is always the first question &#8211; from the councillors, the police offers, the officials, the politicians, everyone. And if you have an answer, well, sometimes intelligence is not enough. Blood and death come in again. And when you are challenging the system rather than trying to get inside it there are still these layers. Even if you pass the first layer it will ensure that you do not reach the next layer where clever people belong, people who count. If you are born poor it is taken that you are born stupid. But if you invade their territory you don&#8217;t find clever people. You find that it is greedy people and ruthless people who seem to count. You find that they want to control the world. They will defend their greed. I am very clear that if you try to pass into the forbidden territory you will have to pass certain tests, certain difficulties.</p>
<p>I always wonder how the system can divide people. I always say that the strongest thing that the system can do is to be able to divide people which is why we all struggle in our own confined dark corners, separated from one another. At the end of the day we are the majority, not the system. But it is such that it manages to divide us, to divide our struggles. This is why the big question that most people ask is &#8216;how few hands can remote so many people?&#8217;. Those few people in the system are able to remote the world. How do they do this? How can hundreds of people remote millions? The answer is the division of our struggles. That is why I understand why Kennedy was such a big threat. The collectivity that we built, first within Kennedy, and then between the settlements that formed the movement; on its own it is a threat to the system.</p>
<p>When I was growing up it was the Cold War. Although I did not understand it properly then this struggle for global supremacy affected individuals, people&#8217;s neighbours, families. Moscow was struggling for power with Washington and children were fighting and dying in Loskop.</p>
<p>It is interesting that we send comrades to this WSF with a clear message that another world is necessary, necessary as a matter of urgency. We hear that everyone agrees that another world is possible. This is good but that no one has ever asked when this will happen, when we will all take a collective step towards this change.</p>
<p>I am not too sure at what stage our own intellectuals will understand the system and why ordinary people still don&#8217;t have a way of changing the society. I still wonder at what stage a new communism will become necessary. I don&#8217;t know when it will become clear that poor people themselves can and must come up with a new living, an autonomous life, a completely independent stance where a new order would be about alternative ways of living and working instead of trying to compete with each other or limiting our demands to the return of what is already stolen. But it is possible. Already the struggles of the poor have created a situation where everything is done in the name of the poor. The state, the NGOs, academics, the churches, the World Bank all of them are saying that what they are doing they are doing for the poor. Now that the poor themselves are saying &#8216;not in our name&#8217;, now that we are saying that we will do things for ourselves, that we will think and speak for ourselves and that we will keep going until we find our own way out and a new society is born we have opened a real space for discussion. Our first duty is to keep this space wide open. Our second duty is to encourage as many people as possible to take their place in this new space.</p>
<p>But it is interesting that some people are already living according to the values of the new society where one person cannot eat up while other people&#8217;s children have not eaten. Some people, like Mr. Jagarnath in Reservoir Hills, is already doing this as a business man.</p>
<p>Intellectuals are also called upon to serve our little world. It is difficult to analyse and change the world, to change its format, to turn it upside down. I always remember Bishop Rubin Philip&#8217;s speech when he said that the first shall be last and the last shall be first. It is easy to say it, and it&#8217;s acceptable to most people, but it&#8217;s not easy to make it real. But to be realistic we must start from where we are, with what we have, from our families, by teaching our children, and then to our schools, to our little neighbourhoods and communities before we say anything at the world level like the WSF. We must not fool ourselves and produce ideas that are not grounded in any soil.</p>
<p><strong>Its one thing to explain why the state reacted so badly to Abahlali but why do you think that some NGOs reacted so badly? Was that a shock?</strong></p>
<p>It was a shock but for me it was a learning. I have learnt that your enemy will not only be the state. We found a situation where people that we expected to be comrades were turning on us. But I began to understand why. When you talk of capitalism it is really not only the state. It is obviously a system, it&#8217;s a system that creates its own empires. These spaces may say that they are on the side of the poor but they accept the rules of the state. They also accept the basic logic of capitalism because they are spaces that are accountable to their own interests and that protect their own interests.</p>
<p>So in the NGO sector you find the same system. It&#8217;s everywhere. I mean, it&#8217;s in the social movements. People have their own spaces and they protect their own interests. There are all kinds of spaces. Obviously Abahlali has created its own space where it is able to protect its own interests, our dignity, where we can do our activities without fear.<br />
The NGOs are not all the same. But in the NGO sector I see a lot of empires. An individual can create his own empire so that he can be ruler for life.</p>
<p><strong>For many people around the world Abahlali is best known for the position that it took against xenophobia. How did the movement come to take the position that equality must be universal?</strong></p>
<p>This is a bigger question, a question of people who are in this world. But we&#8217;ve already talked about ubuntu, communism and what makes a complete society. It is true that this could be in the sense of belonging. But belonging where? It could be in one country but it could also be in the world &#8211; that it is acceptable for everyone in the world to live freely without any boundaries, without any colour or any other restrictions.<br />
Obviously if you were to talk about a just society then it is the human culture, ubuntu &#8211; that makes a complete human being. The culture, where a person comes from, the colour &#8211; this does not count. Therefore it was clear for Abahlali that we have to take a very strong side in defending human life &#8211; any human life, every human life. It is acceptable and legitimate that one person protects another. It is as simple as that.</p>
<p>There are no boundaries to the human life. Therefore the attack on people born in other countries, the so called foreign nationals &#8211; it was inhuman. It was very easy to take a position on this.</p>
<p>Obviously you have got to look at the perpetrators of this, at their intelligence, their conscience, their consciousness &#8211; their intelligence really. What ever they say about their reasons for the attacks clearly shows how the world was corrupted. People breathe a poisonous air. They get caught up, in their whole life, in a way of living where you turn an eye to one another. It is a terrible situation. This is a very big challenge for South Africans who have lived most of their life during apartheid, whose teaching was about boundaries, segregations &#8211; that not everyone was a human being. At that stage only whites were considered to be human by the system. A proper opposition to that system would reject its segregations completely and insist that everyone is human. But some of the opposition to that system has been about fighting to take a place in that system, not doing away with it. So now black people have turned on other black people, against their brothers and sisters. It is a disgrace. This is one of the damages the past laws have installed in some people&#8217;s minds. A lot needs to be done to change the mindsets of those whose frustration is unsound.</p>
<p><strong>The other thing that has really attracted attention was the decision that Abahlali took in 2006 not to vote. How do you understand this decision?</strong></p>
<p>I think that it was a very practical decision in our politic. For a number of years we have voted but not seen any change. In 2006 Abahlali realised that we have power. We had always been asked to shout &#8216;Amandla! Awethu!&#8217; but refraining from voting was a way of showing that Amandla is ours. Basically we had decided not to give our power away. It has a simple message &#8211; that we had no confidence in politicians and that we believed that we could empower ourselves &#8211; that we really do believe that the people shall govern.</p>
<p>It was also a tactical action; a warning to the government that if they exclude us from shaping the country then we will exclude ourselves from giving them support. And it has been a way for us to start thinking about our own alternative governance.</p>
<p><strong>Has the formation of the Poor People&#8217;s Alliance last year given you hope?</strong></p>
<p>Well I was just explaining that the strength of capitalism is how it has managed to divide our struggles. So if we are able to come together, not just nationally but also internationally, then I think that we are on a good track. This is the only way that it will really become possible to face and to contest the system. None of us will succeed on our own.</p>
<p><strong>What has been the most difficult thing for you about being involved in Abahlali, and what has been the best thing?</strong></p>
<p>The day when I had to choose from no choice. Ok, losing the job was the second aspect of it. The first aspect of it was that I was given a choice, to either align myself with the eThekwini people, with City Hall and, you know, to have a career, opportunities or to remain with the poor. Offers were made to me. They ask you some questions the main one being &#8216;What is it that you want in order to keep quiet?&#8217; They always see it as an individual trouble maker. Remember when Mabuyakhulu said that &#8216;Zikode must educate his people&#8217;. That&#8217;s the belief that they had. They can&#8217;t understand that I am educated by the people. But when you have four children growing here in the mud and the fire&#8230;</p>
<p>But I have no regrets. Working with people is not easy. And it&#8217;s not just dealing with your enemies, even working with your comrades, trying to satisfy everyone is not easy. The time and the energy that is involved create a real pressure. But aside from that I have peace of mind, the inner peace.<br />
I am more informed than I was, I am more vigorous then ever before. I am more vigilant and conscious than ever before. There is a lot of variety of things in life, more than just the politics. I have no regrets.</p>
<p><strong>And the best thing?</strong></p>
<p>All the victories we have won. I don&#8217;t just mean victories in court, or evictions that have been stopped, or water and electricity connected. I am talking about seeing comrades becoming confident, being happy for knowing their power, knowing their rights in this world. Seeing comrades gaining a bit of respect, seeing people who have never counted being able to engage at the level at which they struggle is now fought. Young comrades are debating with government ministers on the radio and TV! Seeing the strength of the women comrades in the movement. Seeing poor people challenging the system, because its not just about challenging Bheki Cele or Mabuyakhulu, it&#8217;s about challenging the whole system, how it functions.</p>
<p><strong>Would you like to say a little more about the strength of the women comrades in the movement?</strong></p>
<p>Well I am very satisfied and proud to see how some of the Abahlali settlements are chaired and led by women. This is evident in Siyanda A, B and C sections in Newlands in Durban. This is also evident in Motala Heights in Pinetown, in Joe Slovo and other settlements. From the very beginning women have been elected to the high positions of leadership in the movement and it is impossible to imagine the movement without the strength of women comrades. The Abahlali office itself is headed by a young woman, Zodwa Nsibande, who has earned herself a high respect from both men and other women for her role in connecting the movement and the outside world. But there are also many projects that don&#8217;t get the same public attention and most of these projects, such as crèches, kitchens, sewing, bead work, gardening and poetry are run purely by women.</p>
<p>The strength of women comes from the fact that women are expected to carry our love, not only for their children and husbands but for the communities too. Women are raised to be sensitive and caring. We are all told that a home that has a woman is often warm with love and care. A person that is given responsibility for this love and care will fight like a lion to protect her home and her family. It is not surprising that women are often in the forefront of struggles against eviction, for toilets, for electricity and against the fires. Sometimes in Abahlali women feel that men are very slow and too compromising.</p>
<p>Over the years many women have faced arrest and police beatings. Women have confronted police officers, landlords, shack lords, BECs, councillors, NGOs, academics &#8211; everyone that has to be confronted in a struggle like this. The fact that Abahlali women have given away fear and decided to confront the reality of life tells us that there is something seriously wrong with our governing systems &#8211; that another world is necessary. Women don&#8217;t risk their safety when they have children to care for unless they have a very good reason for doing so. The fact that women have stood up to and faced the barrel of guns during our protests is an indication that indeed another world is possible because without women nothing is possible and without courage nothing is possible. Our hopes are dependent on the courage of women.</p>
<p>We know that in the past that in times of any war women were never and under no circumstances touched by the physical pain associated with any war. But today poor women are shot by the same police who are meant to protect them by law. I wish to salute the role that our mothers are playing in not only raising us under these trying circumstances but in also having to face this violence from the state while fighting for a better world for us. Their motherly does not count because they are not the wives of the politicians and of the rich.</p>
<p>But we know that their strength changes their subjectivity to vulnerability putting them in the forefront of our struggle. We know by nature that their tears can never be ignored by a natural person for ever and ever.</p>
<p><strong>I know that it&#8217;s a Sunday night and your family are waiting for you. This will be my last question. What does it mean for you when you say that Abahlalism is the politics of those that don&#8217;t count, the politics of those that are not supposed to speak.</strong></p>
<p>I think that I have a clear understanding of this. I know from my own personal experience how I came to have enemies that I did not have because now I am speaking. When you are quiet, when you know your place, you are accepted and you are as safe as a poor person can be. But the moment you start talking you become a threat.</p>
<p>When one talks about the politics of those that do not count one must start from the fact that the system makes it impossible for everyone to count. If ordinary people counted it would collapse immediately. The way to hide the fact that ordinary people do not count, and that the system depends on this, is to ensure that ordinary people are taken as being unable to think and therefore unable to say anything intelligent. We are supposed to be led.</p>
<p>The politics of those that do not count makes no respect for those who are meant to think for everyone else, to lead. This turning the tide, when the life turns one at the front and takes him to the back, it is like you are doing a chaos because you want to do away with the status quo. You want to be innovative, you want to be creative, you want to live your life but it seems that the only way is to undermine those who have led the way. So you do not accept that someone must be a slave and work for someone else. No boss will find this acceptable. You do not accept that someone must be a good boy or a good girl, an obedient follower who does not think and act for themselves. No politician will find this acceptable. They will fight up until those tides are turned back. So we must face the difficulty of this politics.</p>
<p>The understanding is just that simple. In order for those who count to defend their own territory someone should not talk, someone should just be led, someone should not question, someone should just be a beneficiary of those particular services that are meant to be given.</p>
<p>The moment that you begin to question then you are threatening the system. You are not supposed to do that, and your intelligence and capability are not supposed to allow you to voice or to take the space. The system keeps people separate. If you want to unite and to make a culture that people should be equal then you are invading the space that is forbidden to you, you are threatening the system.</p>
<p><strong>That&#8217;s very powerful. Thank you.</strong></p>
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<title><![CDATA[Lucky Dube's killers get life in prison]]></title>
<link>http://speakyourpeace.me/2009/04/02/lucky-dubes-killers-get-life-in-prison/</link>
<pubDate>Thu, 02 Apr 2009 23:59:15 +0000</pubDate>
<dc:creator>Speak Your Peace</dc:creator>
<guid>http://speakyourpeace.me/2009/04/02/lucky-dubes-killers-get-life-in-prison/</guid>
<description><![CDATA[Reggae star Lucky Dube (born: Ermelo Dube) was killed by three gunmen in 2007 who wanted his car. A ]]></description>
<content:encoded><![CDATA[Reggae star Lucky Dube (born: Ermelo Dube) was killed by three gunmen in 2007 who wanted his car. A ]]></content:encoded>
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<title><![CDATA[Justice Prevails For The Family Of The Late Lucky Dube]]></title>
<link>http://dascoop.wordpress.com/2009/04/02/justice-prevails-for-the-family-of-the-late-lucky-dube/</link>
<pubDate>Thu, 02 Apr 2009 20:48:50 +0000</pubDate>
<dc:creator>dascoop</dc:creator>
<guid>http://dascoop.wordpress.com/2009/04/02/justice-prevails-for-the-family-of-the-late-lucky-dube/</guid>
<description><![CDATA[Justice Prevails A judge sentenced three men convicted of murdering an internationally known South A]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><div id="attachment_369" class="wp-caption aligncenter" style="width: 160px"><img src="http://dascoop.wordpress.com/files/2009/04/luckydube_retna_150.jpg" alt="Justice Prevails" title="Lucky Dube" width="150" height="212" class="size-full wp-image-369" /><p class="wp-caption-text">Justice Prevails</p></div><br />
A judge sentenced three men convicted of murdering an internationally known South African reggae star in a botched carjacking to life in prison Thursday.<br />
Lucky Dube&#8217;s 2007 killing drew worldwide attention to crime in South Africa, which has one of the world&#8217;s highest murder rates.<br />
Sifiso Mhlanga, Mbuti Mabe and Julius Gxowa were convicted Tuesday in Dube&#8217;s death. Hours before the verdict was announced, Mabe and Mhlanga assaulted police officers in a foiled bid to escape from the court.<br />
Thokozani Dube, who was in the car when his father was shot, broke into tears as the sentences were announced and was comforted by his mother. Later, family members and their supporters gathered outside the courthouse and sang South Africa&#8217;s national anthem.<br />
Dube, who launched his career in the 1980s with criticism of the apartheid regime, went on to become a huge international star. He recorded more than 20 albums and shared stages with the likes of Michael Jackson, Peter Gabriel, Ziggy Marley and Sting.  </p>
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<item>
<title><![CDATA[Lucky Dube was murdered because he 'was [just] a Nigerian']]></title>
<link>http://theleoafricanus.com/2009/04/01/lucky-dube-was-nigerian/</link>
<pubDate>Wed, 01 Apr 2009 12:46:05 +0000</pubDate>
<dc:creator>Sean</dc:creator>
<guid>http://theleoafricanus.com/2009/04/01/lucky-dube-was-nigerian/</guid>
<description><![CDATA[Reggae singer Lucky Dube&#8217;s killers were found guilty in a Johannesburg court yesterday. This p]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img class="alignnone size-medium wp-image-6490" title="lucky_dube" src="http://leoafricanus.wordpress.com/files/2009/04/lucky_dube.jpg?w=300" alt="lucky_dube" width="300" height="199" /></p>
<p>Reggae singer <a href="http://www.youtube.com/watch?v=1T-Lc9BweRo" target="_blank">Lucky Dube</a>&#8217;s killers were found guilty in a Johannesburg court yesterday.</p>
<p>This paragraph, <a href="http://www.nytimes.com/2009/04/01/world/africa/01safrica.html?ref=africa&#38;pagewanted=print" target="_blank">as reported in The New York Times</a>, says it all:</p>
<p><strong>The three men did not realize that they had killed someone both famous and widely beloved until they read the newspapers the next day. </strong><strong>They had thought their victim “was a Nigerian,” Ms. Maruping said.</strong></p>
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<title><![CDATA[playlist: #65 (3/23/09)-New season, new tunez]]></title>
<link>http://worldofmusichome.wordpress.com/2009/03/23/playlist-65-32309-new-season-new-tunez/</link>
<pubDate>Mon, 23 Mar 2009 23:51:26 +0000</pubDate>
<dc:creator>Cheryl</dc:creator>
<guid>http://worldofmusichome.wordpress.com/2009/03/23/playlist-65-32309-new-season-new-tunez/</guid>
<description><![CDATA[World of Music Pgm #65 &#8211; 3/23/09 &#8211; New releases &amp; new acquisitions for our first sho]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div class="content"><span style="font-weight:bold;"><strong>World of Music</strong></span></div>
<div class="content">Pgm #65 &#8211; 3/23/09 &#8211; New releases &#38; new acquisitions for our first show of Spring</div>
<div class="content">Listen online Mondays 3-5pm EDT at <a href="http://www.theradiator.org" target="_blank">The Radiator</a></div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Nas with Youssou N&#8217;Dour &#38; Neneh Cherry</strong>: Wake Up (It&#8217;s Africa Calling) / Open Remix	<a class="postlink" href="http://www.intrahealth.org/open/">http://www.intrahealth.org/open/</a> (download) &#8211; USA / SENEGAL</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Tsuumi Sound System</strong>: Hotas / Hotas / Aito Records 10 &#8211; (FINLAND)</div>
<div class="content"><strong>Galitcha</strong>: J&#8217;entends le Moulin / Célébration Blé d&#8217;Inde / Celebration / <a class="postlink" href="http://www.galitcha.com/">http://www.galitcha.com</a> 2006 &#8211; (CANADA)</div>
<div class="content"><strong>Barbara Eramo</strong>: blackout / In Transparenza / EM 8001 &#8211; (ITALY)</div>
<div class="content"><strong>Mohammed Reza Shajarian &#38; Kayhan Kalhor</strong>: Dotar Instrumental / Night Silence Desert / Traditional Crossroads 80702 &#8211; (IRAN)</div>
<div class="content"><strong>Bebo &#38; Cigala</strong>: Inolvidable / Lágrimas Negras / Calle 54 Records 653086 &#8211; (CUBA)</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Ivo Papasov &#38; His Bulgarian Wedding Band</strong>: Byala Stala &#38; Kopanitsa / Orpheus Ascending / Hannibal 134624 &#8211; (BULGARIA)</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Delbon Johnson</strong>: It&#8217;s Always Springtime in Nassau / Calypso / Putumayo 205 &#8211; (BAHAMAS)</div>
<div class="content"><strong>Kruno</strong>: Spider Man / Gypsy Jazz Guitar / GJD 2006002 &#8211; (CROATIA)</div>
<div class="content"><strong>Paname Dandies</strong>: Les chips / Le Swing de L&#8217;Escargot / Volvox music 703 &#8211; (FRANCE)</div>
<div class="content"><strong>Pink Martini</strong>: Amado Mio (Love Me Forever) / Sympathique / Heinz Records 1 &#8211; (USA) * At the Discover Jazz Festival &#8211; 6/13/09, 8pm -<a class="postlink" href="http://www.discoverjazz.com/">http://www.discoverjazz.com/</a></div>
<div class="content"><a class="postlink" href="http://www.discoverjazz.com/"></a>&#8212;-</div>
<div class="content"><strong>Roswell Rudd &#38; The Mongolian Buryat Band</strong>: Four Mountains	Blue Mongol / Soundscape 1147 &#8211; (USA / MONGOLIA) * Tuvan throat singers &#8220;Alash&#8221; in Bennington this weekend:  <a class="postlink" href="http://www.alashensemble.com/performances.htm">http://www.alashensemble.com/performances.htm</a></div>
<div class="content"><a class="postlink" href="http://www.alashensemble.com/performances.htm"></a><strong>Chiwoniso &#38; Vibe Culture</strong>: Hupenyu Kutenderera (Life Moves in Circles) / Timeless / Metro Studios 3 &#8211; (ZIMBABWE)</div>
<div class="content"><strong>Anura Jayasingha &#38; The Balladeers</strong>: Jay Awardhanapura / Welcome to Sri Lanka / Arion 64087 &#8211; (SRI LANKA)</div>
<div class="content"><strong>Amália Rodrigues</strong>: Marcha Da Mouraria / The Essential Collection / Manteca 59 &#8211; (PORTUGAL)</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>A.R. Rahman &#38; Chinmayee</strong>: Tere Bina / India / Putumayo 288 &#8211; (INDIA) *NEW*</div>
<div class="content"><strong>Les Orientales</strong>: Stenitek (&#8220;Besame Mucho&#8221;) / Music-Hall d&#8217;Algérie / mk2 Music 8345106342 &#8211; (FRANCE / ALGERIA)</div>
<div class="content"><strong>El Arroyo los Cagaos</strong>: Campamento de Santana / Zacapeya / <a class="postlink" href="http://www.arroyoloscagaos.com/">http://www.arroyoloscagaos.com</a> 2007 &#8211; (SPAIN)</div>
<div class="content"><strong>Farid Ali &#8220;Mr. Gambus&#8221;</strong>: Zapin Blues / Turning Point: Gambus Goes Jazz / Lite Ears Productions / <a class="postlink" href="http://www.mrgambus.com/">http://www.mrgambus.com</a> - (THAILAND)</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Manu Chao</strong>: Me Llaman Calle / La Radiolina / Nacional Records 68496 &#8211; (FRANCE / SPAIN)</div>
<div class="content"><strong>Rokia Traoré</strong>: Niènfing / Bowmboï / Nonesuch 79852 &#8211; (MALI)</div>
<div class="content"><strong>Bob Marley &#38; The Wailers</strong>: No Woman No Cry / Legend / Island 1290169 &#8211; (JAMAICA)</div>
<div class="content"><strong>Antonio Carlos Jobim</strong>: Waters of March / The Best of Antonio Carlos Jobim / Hip-O Records 429702 &#8211; (BRAZIL)</div>
<div class="content"><strong>Mariza</strong>: Vozes do Mar / Terra / World Connection 1814 &#8211; (PORTUGAL)</div>
<div class="content">&#8212;-</div>
<div class="content"><strong>Omar Sosa</strong>: Ollú / Afreecanos / Otá Records 2008 &#8211; (CUBA / AFRICA) * Omar Sosa at the Flynn this Friday night, 3/27 (two shows) - <a class="postlink" href="http://www.flynntix.org/">http://www.flynntix.org</a> *</div>
<div class="content"><strong>Lucky Dube</strong>: Peanut Butter / Lucky Dube Captured Live / Shanachie 43090 &#8211; (S. AFRICA)</div>
<div class="content"><strong>Umalali</strong>: Yündüya weyu &#38; Hattie / The Garifuna Women&#8217;s Project / Cumbancha 6 &#8211; (BELIZE)</div>
<div class="content">&#8212;-</div>
</div>]]></content:encoded>
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<title><![CDATA[Watatu wafikishwa mahakamani mauaji ya Lucky Dube]]></title>
<link>http://spotistarehe.wordpress.com/2009/02/02/watatu-wafikishwa-mahakamani-mauaji-ya-lucky-dube/</link>
<pubDate>Mon, 02 Feb 2009 18:07:56 +0000</pubDate>
<dc:creator>piusmickys</dc:creator>
<guid>http://spotistarehe.wordpress.com/2009/02/02/watatu-wafikishwa-mahakamani-mauaji-ya-lucky-dube/</guid>
<description><![CDATA[Marehemu Lucky Dube Watu watatu wamefikishwa mahakamani leo huko Johanesburg Afrika ya Kusini kwa tu]]></description>
<content:encoded><![CDATA[Marehemu Lucky Dube Watu watatu wamefikishwa mahakamani leo huko Johanesburg Afrika ya Kusini kwa tu]]></content:encoded>
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<title><![CDATA[This was not a tribute to Peter Tosh, but one to Lucky Dube]]></title>
<link>http://willykean.com/2008/11/30/this-was-not-a-tribute-to-peter-tosh-but-one-to-lucky-dube/</link>
<pubDate>Sun, 30 Nov 2008 10:10:41 +0000</pubDate>
<dc:creator>willykean</dc:creator>
<guid>http://willykean.com/2008/11/30/this-was-not-a-tribute-to-peter-tosh-but-one-to-lucky-dube/</guid>
<description><![CDATA[As far as i have known, Lucky Dube is not Peter Tosh! I love both singers. But when i wrote a post p]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><strong>As far as i have known, Lucky Dube is not Peter Tosh!</strong></p>
<p style="text-align:justify;">I love both singers. <a href="http://willykean.com/2008/11/15/lucky-dube-il-faut-du-respect-parce-que-cest-ce-dont-le-monde-a-besoin/"><strong>But when i wrote a post paying a tribute to Lucky Dube</strong></a>, i didn&#8217;t mean to be promoting Peter Tosh, not this time. Something is annoying me on Wikio which i tried unsuccessfully to change. So i put another post here.</p>
<p style="text-align:justify;">Désolée, c&#8217;est répétitif mais il le faut. Je ne supporte pas ce genre de situation. Si vous voyez ma note citée en referrence ci dessus à propos de Lucky Dube, affublée d&#8217;une grossière erreur????</p>
<p style="text-align:justify;">Je parle de Lucky Dube, la réferrence est marquée en gros et en gras sur le post et c&#8217;est Peter Tosh qu&#8217;on entend. J&#8217;ai essayé à plusieurs reprises de rectifier sur Wikio, en commentant. Mais je ne peux même pas commenter mon propre post. Le contrôle spam ne marche pas, on me dit qu&#8217;il est faux. Pour moi, trois essais suffisent largement. Alors voilà, je refais un post. S&#8217;il est repris par Wikio, au moins ceux qui me lisent sauront faire la part des choses.</p>
<p><strong>LUCKY DUBE N&#8217;EST PAS PETER TOSH!!!!!!</strong></p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/khGXgvCZfJk&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/khGXgvCZfJk&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
<p>First my apologise to all Lucky Dube&#8217;s fans This is what i tried to put on wikio as a comment but it didn&#8217;t work.</p>
<p><strong>WHENEVER YOU SEE MY POST ON WIKIO,THINK OF MY APOLOGISE HERE AND DON&#8217;T PUT THE BLAME ON ME;</strong></p>
<p style="text-align:justify;">Sorry for all Lucky Dube&#8217;s  fan( i am one of them). If you read my post. I am Talking about Lucky Dube, In spite of my great admiration to Peter Tosh, this post was not dedicated to him. He was only given as refference. I can&#8217;t understand why Wikio is playing his song instead of Lucky Dube. I have just taken the link to Peter Tosh&#8217;s song off. I hope things will go right from now.</p>
<p style="text-align:justify;">Bonjour à tous. Désolées pour tous les fans de Lucky Dube dont je fais partie. Un problème avec la publication sur Wikio. Les liens de Bob Marley et Peter Tosh sont donnés en referrence à l&#8217;inspiration de Lucky Dube. Il ne s&#8217;agit pas de présenter l&#8217;article concernant cet artiste que j&#8217;admire beaucoup pour faire la promotion de Peter Tosh.</p>
<p style="text-align:justify;">Je ne comprends pas ce qui a pu arriver. Le lien de Peter Tosh ayant été supprimé ce matin, j&#8217;espère que désormais vous n&#8217;entendrez chanter que Lucky Dube et non Peter Tosh.</p>
<p>Désolée encore pour cette confusion.</p>
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<title><![CDATA[LUCKY DUBE: il faut du respect, parce que c'est ce dont le monde a besoin]]></title>
<link>http://willykean.com/2008/11/15/lucky-dube-il-faut-du-respect-parce-que-cest-ce-dont-le-monde-a-besoin/</link>
<pubDate>Sat, 15 Nov 2008 22:35:15 +0000</pubDate>
<dc:creator>willykean</dc:creator>
<guid>http://willykean.com/2008/11/15/lucky-dube-il-faut-du-respect-parce-que-cest-ce-dont-le-monde-a-besoin/</guid>
<description><![CDATA[« Nous avons essayé l’amour, l’unité, la camaraderie, mais ça ne semble pas beaucoup marcher pour no]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><blockquote>
<p class="spip"><span class="lettrine"><strong>« Nous avons essayé l’amour, l’unité, la camaraderie, mais ça ne semble pas beaucoup marcher pour nous. Il faut du respect, parce-que c’est ce dont le monde a besoin »</strong></span></p>
</blockquote>
<p class="spip"><span class="lettrine"> Je vous suggère  <strong>I am a prisoner</strong> Parce que <a href="http://www.youtube.com/watch?v=khGXgvCZfJk"><strong>BACK TO MY ROOTS</strong></a> a été supprimé.</span></p>
<p class="spip"><span class="lettrine"><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/G3R81nKUhss&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/G3R81nKUhss&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></span></p>
<p class="spip" style="text-align:justify;"><span class="lettrine">Ecoutez le, vous ne regretterez pas. Et si vous n&#8217;aimez pas ce genre de musique, au moins vous aurez eu connaissance  éphémère de son travail. Personne ne vous en voudra!</span></p>
<p class="spip"><span class="lettrine">Au départ il était question de vous faire écouter Prince Nico Mbarga, puis au cours de mes recherches sur le net. Je suis tombée sur une page annonçant le décès de Lucky Dube en 2007.</span></p>
<p class="spip"><span class="lettrine">Une année a passé et je le réalise que maintenant. Quel gâchis. Lucky Dube faisait parti de ces chanteurs qui ont  animé nos boums d&#8217;adolescentes. Je continuais d&#8217;écouter sa musique sur Youtube tout en ignorant qu&#8217;il n&#8217;était plus de ce monde. </span></p>
<p class="spip" style="text-align:justify;"><span class="lettrine">Le chanteur de reggae aurait été tué par balles par des individus qui voulaient voler son véhicule. </span> la star internationale de reggae, inspiré par <strong>Peter tosh</strong> et Bob Marley (<a href="http://www.youtube.com/watch?v=n6U-TGahwvs"><strong>Stir it up</strong></a>), avait commencé à s&#8217;intéresser au reggae en 1985 afin de délivrer un message anti apartheid. Lors de la sortie de son dernier album, &#8220;Respect&#8221;, Lucky Dube avait déclaré combien il était fier des progrès réalisés en Afrique du Sud depuis la fin de l&#8217;Apartheid en 1994.</p>
<p class="spip" style="text-align:justify;">Ce défenseur de la paix qui s’interrogeait sur les crimes perpétrés en Afrique du Sud, a été victime de cette violence malheureusement ordinaire, dans un pays où l’on compte plus d’une cinquantaine d’homicides par jour.</p>
<p class="spip">Repose en paix Lucky Dube</p>
<p class="spip"><strong class="spip"></strong> </p>
<p class="spip"> </p>
<p><a rel="tag" href="http://technorati.com/tag/musique"><img style="border:0;vertical-align:middle;margin-left:.4em;" src="http://static.technorati.com/static/img/pub/icon-utag-16x13.png?tag=musique" alt=" " />musique</a></p>
<p><a rel="tag" href="http://technorati.com/tag/afrique-du-sud"><img style="border:0;vertical-align:middle;margin-left:.4em;" src="http://static.technorati.com/static/img/pub/icon-utag-16x13.png?tag=afrique-du-sud" alt=" " />afrique-du-sud</a><br />
<a rel="tag" href="http://technorati.com/tag/lucky-dube"><img style="border:0;vertical-align:middle;margin-left:.4em;" src="http://static.technorati.com/static/img/pub/icon-utag-16x13.png?tag=lucky-dube" alt=" " />lucky dube</a></p>
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<title><![CDATA[MIRIAN MAKEBA DIES AT 76]]></title>
<link>http://connectafrica.wordpress.com/2008/11/10/mirian-makeba-dies-at-76/</link>
<pubDate>Mon, 10 Nov 2008 15:29:09 +0000</pubDate>
<dc:creator>connectafrica</dc:creator>
<guid>http://connectafrica.wordpress.com/2008/11/10/mirian-makeba-dies-at-76/</guid>
<description><![CDATA[The music world, Africa and most especially South Africa has lost another legend Miriam Makeba who m]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p class="MsoNormal"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB">The music world, Africa and most especially South Africa has lost another legend Miriam Makeba who made African music universal.Makeba died after a concert in Italy from a heart related illness, she was 76 years. Almost a year ago the legendary Lucky Dube was gunned down in Johannesburg. And many all over the world cried ‘what a great loss for Africa and the world of music’ especially now that the whole world is coming to Africa for the world’s biggest soccer event- the ‘world cup’ in South Africa come 2010.<a href="http://connectafrica.wordpress.com/files/2008/11/10-11-makeba.jpg"><img class="alignnone size-full wp-image-2593" title="10-11-makeba" src="http://connectafrica.wordpress.com/files/2008/11/10-11-makeba.jpg" alt="10-11-makeba" width="226" height="170" /></a> </span></span></p>
<p class="MsoNormal"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB">Miriam Makeba was born in Johannesburg on 4 March 1932 and was a leading symbol in the struggle against the apartheid regime in South Africa. Her singing career started in the 1950s her type of music was a mixture of jazz and traditional South African songs. She came to international attention in 1959 during a tour of the United States with the South African group the Manhattan Brothers. </span></span></p>
<p class="MsoNormal"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB">She was forced into exile soon after  her passport was revoked after starring in an anti-apartheid documentary and did not return to her native country until Nelson Mandela was released from prison. Makeba was the first black African woman to win a Grammy Award, which she shared with Harry Belafonte in 1965. She was African music&#8217;s first world star, blending different styles long before the phrase &#8220;world music&#8221; was coined. </span></span></p>
<p class="MsoNormal"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB">After her divorce from fellow South African musician Hugh Masekela she married American civil rights activist Stokely Carmichael. It was while living in exile in the US that she released her most famous songs, Pata Pata and the Click Song. &#8220;You sing about those things that surround you,&#8221; she said. &#8220;Our surrounding has always been that of suffering from apartheid and the racism that exists in our country. So our music has to be affected by all that.&#8221;</span></span></p>
<p class="MsoNormal"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB">It was because of this dedication to her home continent that Mariam Makeba became known as ‘Mama Africa’ her music deals with real life and real feelings of people, particularly the South African people. The apartheid South African regime is now history, Mariam makeba surely lives on her with Prostitutes on the streets of Johannesburg revealed the kindred heart behind the musician. Makeba was the epitome of the true African woman, a world class artiste such that her last stand on the grand stage in Italy and  Curtains fell the groovy pan Africanist Makeba was still singing pata pata. So together with Mama Africa, Africa sings Alutua continua victoria acerta, unarguably etched in the sands of time Mariam Makeba lives on many African hearts </span></span></p>
<p class="MsoNormal" style="text-align:center;" align="center"><span style="color:#0000ff;"><span style="font-size:12pt;line-height:115%;font-family:&#34;" lang="EN-GB"> </span></span></p>
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<title><![CDATA[... I guess [they] got the Juice now.]]></title>
<link>http://dontgetgassed.com/2008/10/04/i-guess-they-got-the-juice-now/</link>
<pubDate>Sat, 04 Oct 2008 20:10:05 +0000</pubDate>
<dc:creator>farragut foster</dc:creator>
<guid>http://dontgetgassed.com/2008/10/04/i-guess-they-got-the-juice-now/</guid>
<description><![CDATA[Damn OJ. *Note to self: after getting off on charges for double murder&#8230; leave the country. Sin]]></description>
<content:encoded><![CDATA[Damn OJ. *Note to self: after getting off on charges for double murder&#8230; leave the country. Sin]]></content:encoded>
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<title><![CDATA[Liquor before beer...have no fear]]></title>
<link>http://whitewidowmusic.wordpress.com/2008/09/22/43/</link>
<pubDate>Mon, 22 Sep 2008 00:51:27 +0000</pubDate>
<dc:creator>whitewidowmusic</dc:creator>
<guid>http://whitewidowmusic.wordpress.com/2008/09/22/43/</guid>
<description><![CDATA[Hey so&#8230; This past week I&#8217;ve been working on some tv mixes. Mixing isn&#8217;t my fav thi]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Hey so&#8230;<br />
This past week I&#8217;ve been working on some tv mixes.  Mixing isn&#8217;t my fav thing to do&#8230;but it was really cool to learn a few new things about mixing and editing.  It was also cool to hear how my guitar tone has evolved since the IT&#8217;S MY TRAGEDY days.  Same with my vocals, harmonies and, lyrics.  I guess I&#8217;m also striving to not sound like myself 3 years ago!  I still have to pop the new mixes in my car stereo&#8230;the ultimate test&#8230;to see if I like the new mixes.  Hopefully all is good, because I cant wait to get back to work on BLACK HEART.  I&#8217;ll be posting new tracks on this <a href="http://www.myspace.com/carlapatullo" target="_blank">MYSPACE PAGE.</a></p>
<p>On a funny note, I got a gig yesterday playing the snare drum in a parade!  It was all for a good cause.  Money was raised for PKD.  </p>
<p>So&#8230;you wanna hear the first episode of <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=291112627" target="_blank">SECOND SUNDAY&#8230;.</a><br />
Let me know what you think!</p>
<p>ALBUMS I&#8217;VE BEEN OBESSING OVER:</p>
<p>Lindsey Buckingham &#8211; Gift of Screws (This just came out Tuesday!)</p>
<p>Lucky Dube &#8211; Respect</p>
<p>XOXOXO,<br />
White Widow</p>
<p><a href="http://www.whitewidowmusic.com" target="_blank">OFFICIAL WHITE WIDOW SITE</a></p>
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<title><![CDATA[Lucky Dube "Victims"]]></title>
<link>http://ghosttownrecords.wordpress.com/2008/09/18/lucky-dube-victims/</link>
<pubDate>Thu, 18 Sep 2008 14:34:51 +0000</pubDate>
<dc:creator>ghosttownrecords</dc:creator>
<guid>http://ghosttownrecords.wordpress.com/2008/09/18/lucky-dube-victims/</guid>
<description><![CDATA[Celluloid 1993 Prod. Lucky Dube 10 Tracks Zustand: neu Preis: 11,50 Euro (inkl.19%MwSt.)]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://ghosttownrecords.files.wordpress.com/2008/09/c3.jpg"><img class="alignnone size-medium wp-image-1331" title="c3" src="http://ghosttownrecords.wordpress.com/files/2008/09/c3.jpg?w=300" alt="" width="180" height="176" /></a></p>
<p>Celluloid 1993</p>
<p>Prod. Lucky Dube</p>
<p>10 Tracks</p>
<p>Zustand: neu</p>
<p>Preis: 11,50 Euro (inkl.19%MwSt.)</p>
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<title><![CDATA[Long Walk to Freedom - Ladysmith Black Mambazo]]></title>
<link>http://gestclarinetist.wordpress.com/2008/07/14/long-walk-to-freedom-ladysmith-black-mambazo/</link>
<pubDate>Mon, 14 Jul 2008 14:34:49 +0000</pubDate>
<dc:creator>jake Gest</dc:creator>
<guid>http://gestclarinetist.wordpress.com/2008/07/14/long-walk-to-freedom-ladysmith-black-mambazo/</guid>
<description><![CDATA[I listened to Ladysmith a lot when I was very young, I owe this privilege to my mom, and possibly so]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://www.amazon.com/gp/product/B000BVEKSQ?ie=UTF8&#38;tag=gestclari-20&#38;linkCode=as2&#38;camp=1789&#38;creative=9325&#38;creativeASIN=B000BVEKSQ"><img class="alignleft" style="border:0 none;" src="http://ecx.images-amazon.com/images/I/618BYOa%2BTsL._SS500_.jpg" border="0" alt="" width="500" height="500" /></a><img style="border:none !important;margin:0 !important;" src="http://www.assoc-amazon.com/e/ir?t=gestclari-20&#38;l=as2&#38;o=1&#38;a=B000BVEKSQ" border="0" alt="" width="1" height="1" />I listened to Ladysmith a lot when I was very young, I owe this privilege to my mom, and possibly some credit should go to Paul Simon who really brought the group and Isicathamiya music to the U.S. I would however be lying if I implied that I&#8217;ve been keeping up to date with these guys, I actually was quite lucky to stumble across this album at my public library.</p>
<p><a href="http://www.amazon.com/gp/product/B000BVEKSQ?ie=UTF8&#38;tag=gestclari-20&#38;linkCode=as2&#38;camp=1789&#38;creative=9325&#38;creativeASIN=B000BVEKSQ">Long Walk to Freedom</a> is an album to celebrate Ladysmith Black Mambazo&#8217;s 45th anniversary (as well as 20 years since Paul Simon&#8217;s Graceland), it came out in 2006. It features the core group along with a whole bunch of guest artists. These include Zap Mama, Sarah McLachlan, Melissa Etheridge, Joe McBride, Natalie Merchant, Emmylou Harris,Taj Mahal, Lucky Dube, Phuzekhemisi, Bhekumuzi Luthuli, Nokukhanya, Thandiswa, Vusi Mahlasela and Hugh Masekela (nope Paul Simon did not perform on the album, Joe McBride singings the lead in Diamonds on the Soles of Her Shoes on this one)  . The album was nominated for two Grammy awards just last year (I personally think it is deserving of a win).</p>
<p>I don&#8217;t even know where to begin with how great this album is. If you&#8217;ve never listened to  Isicathamiya music before then you probably are unaware of the pure gold that comes ringing in your ears whilst listening to these men sing. Maybe its the gorgeous timber of their voices, or just how natural it sounds, but it&#8217;s really quite something. I can only imagine what it would be like to see these men perform live, breathtaking is a word I can imagine using. I play a lot of music when I work, and this album got the largest amount of people asking &#8220;who are these guy&#8217;s they&#8217;re wonderful?&#8221; The addition of the guest artists also makes this album fun to listen to. I especially liked the song Mbube that featured Taj Mahal and Homeless which Sarah McLachlan sings in. Zap Mama also has a beautiful voice that reminds me vaguely of another artist I can&#8217;t quite place. This album makes me not only want to go out and get their other works, but delve a little deeper into the music of South Africa.</p>
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