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	<title>mahadev &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/mahadev/</link>
	<description>Feed of posts on WordPress.com tagged "mahadev"</description>
	<pubDate>Sun, 27 Dec 2009 16:08:25 +0000</pubDate>

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	<language>en</language>

<item>
<title><![CDATA[Lord SHIVA]]></title>
<link>http://rameshvar.wordpress.com/2009/12/05/lord-shiva/</link>
<pubDate>Sat, 05 Dec 2009 14:56:55 +0000</pubDate>
<dc:creator>rameshvar</dc:creator>
<guid>http://rameshvar.wordpress.com/2009/12/05/lord-shiva/</guid>
<description><![CDATA[Lord Shiva represents the aspect of the Supreme Being (Brahman of the Upanishads) that continuously ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="void(0);/*1113880139042*/"><img src="http://img.fropper.com/z/blog-images/60x60/S/SAMBHU2008-FES-blog-23872.jpeg" border="0" alt="" align="left" /></a><span style="font-family:Comic Sans MS;color:#ff0000;font-size:medium;"> </span></p>
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<strong></strong><br />
<strong><span style="font-family:Courier New;color:#0000ff;font-size:medium;">Lord Shiva represents the aspect of the Supreme Being (Brahman of the Upanishads) that continuously dissolves to recreate in the cyclic process of creation, preservation, dissolution and recreation of the universe. As stated earlier, Lord Shiva is the third member of the Hindu Trinity, the other two being Lord Brahma and Lord Vishnu.</span></strong></p>
<p><span style="color:#0000ff;"><strong>Owing to His cosmic activity of dissolution and recreation, the words destroyer and destruction have been erroneously associated with Lord Shiva. This difficulty arises when people fail to grasp the true significance of His cosmic role. The creation sustains itself by a delicate balance between the opposing forces of good and evil. When this balance is disturbed and sustenance of life becomes impossible, Lord Shiva dissolves the universe for creation of the next cycle so that the unliberated souls will have another opportunity to liberate themselves from bondage with the physical world. Thus, Lord Shiva protects the souls from pain and suffering that would be caused by a dysfunctional universe. In analogous cyclic processes, winter is essential for spring to appear and the night is necessary for the morning to follow. To further illustrate, a goldsmith does not destroy gold when he melts old irreparable golden jewelry to create beautiful new ornaments.</strong></span></p>
<p><span style="color:#0000ff;"><strong>Lord Shiva is the Lord of mercy and compassion. He protects devotees from evil forces such as lust, greed, and anger. He grants boons, bestows grace and awakens wisdom in His devotees. The symbolism discussed below includes major symbols that are common to all pictures and images of Shiva venerated by Hindus. Since the tasks of Lord Shiva are numerous, He cannot be symbolized in one form. For this reason the images of Shiva vary significantly in their symbolism.</strong></span></p>
<p><span style="color:#0000ff;"><strong>* The unclad body covered with ashes: the unclad body symbolizes the transcendental aspect of the Lord. Since most things reduce to ashes when burned, ashes symbolize the physical universe. The ashes on the unclad body of the Lord signify that Shiva is the source of the entire universe which emanates from Him, but He transcends the physical phenomena and is not affected by it.<br />
* Matted locks: Lord Shiva is the Master of yoga. The three matted locks on the head of the Lord convey the idea that integration of the physical, mental and spiritual energies is the ideal of yoga.<br />
* Ganga: Ganga (river Ganges) is associated with Hindu mythology and is the most sacred river of Hindus. According to tradition, one who bathes in Ganga (revered as Mother Ganga) in accordance with traditional rites and ceremonies on religious occasions in combination with certain astrological events, is freed from sin and attains knowledge, purity and peace. Ganga, symbolically represented on the head of the Lord by a female (Mother Ganga) with a jet of water emanating from her mouth and falling on the ground, signifies that the Lord destroys sin, removes ignorance, and bestows knowledge, purity and peace on the devotees.<br />
* The crescent moon: is shown on the side of the Lord&#8217;s head as an ornament, and not as an integral part of His countenance. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end. Since the Lord is the Eternal Reality, He is beyond time. Thus, the crescent moon is only one of His ornaments, and not an integral part of Him.<br />
* Three eyes: Lord Shiva, also called Tryambaka Deva (literally, &#8220;three-eyed Lord&#8221;), is depicted as having three eyes: the sun is His right eye, the moon the left eye and fire the third eye. The two eyes on the right and left indicate His activity in the physical world. The third eye in the center of the forehead symbolizes spiritual knowledge and power, and is thus called the eye of wisdom or knowledge. Like fire, the powerful gaze of Shiva&#8217;s third eye annihilates evil, and thus the evil-doers fear His third eye.<br />
* Half-open eyes: when the Lord opens His eyes, a new cycle of creation emerges and when He closes them, the universe dissolves for creation of the next cycle. The half-open eyes convey the idea that creation is going through cyclic process, with no beginning and no end. Lord Shiva is the Master of Yoga, as He uses His yogic power to project the universe from Himself. The half-open eyes also symbolize His yogic posture.<br />
* Kundalas (two ear rings): two Kundalas, Alakshya (meaning &#8220;which cannot be shown by any sign&#8221;) and Niranjan (meaning &#8220;which cannot be seen by mortal eyes&#8221;) in the ears of the Lord signify that He is beyond ordinary perception. Since the kundala in the left ear of the Lord is of the type used by women and the one in His right ear is of the type used by men, these Kundalas also symbolize the Shiva and Shakti (male and female) principle of creation.<br />
* Snake around the neck: sages have used snakes to symbolize the yogic power of Lord Shiva with which He dissolves and recreates the universe. Like a yogi, a snake hoards nothing, carries nothing, builds nothing, lives on air alone for a long time, and lives in mountains and forests. The venom of a snake, therefore, symbolizes the yogic power.<br />
* A snake (Vasuki Naga): is shown curled three times around the neck of the Lord and is looking towards His right side. The three coils of the snake symbolize the past, present and future &#8211; time in cycles. The Lord wearing the curled snake like an ornament signifies that creation proceeds in cycles and is time dependent, but the Lord Himself transcends time. The right side of the body symbolizes the human activities based upon knowledge, reason and logic. The snake looking towards the right side of the Lord signifies that the Lord&#8217;s eternal laws of reason and justice preserve natural order in the universe.<br />
* Rudraksha necklace: Rudra is another name of Shiva. Rudra also means &#8220;strict or uncompromising&#8221; and aksha means &#8220;eye.&#8221; Rudraksha necklace worn by the Lord illustrates that He uses His cosmic laws firmly &#8211; without compromise &#8211; to maintain law and order in the universe. The necklace has 108 beads which symbolize the elements used in the creation of the world.<br />
* Varda Mudra: the Lord&#8217;s right hand is shown in a boon- bestowing and blessing pose. As stated earlier, Lord Shiva annihilates evil, grants boons, bestows grace, destroys ignorance, and awakens wisdom in His devotees.<br />
* Trident (Trisula): a three-pronged trident shown adjacent to the Lord symbolizes His three fundamental powers (shakti) of will (iccha), action (kriya) and knowledge (jnana). The trident also symbolizes the Lord&#8217;s power to destroy evil and ignorance.<br />
* Damaru (drum): a small drum with two sides separated from each other by a thin neck-like structure symbolizes the two utterly dissimilar states of existence, unmanifest and manifest. When a damaru is vibrated, it produces dissimilar sounds which are fused together by resonance to create one sound. The sound thus produced symbolizes Nada, the cosmic sound of AUM, which can be heard during deep meditation. According to Hindu scriptures, Nada is the source of creation.<br />
* Kamandalu: a water pot (Kamandalu) made from a dry pumpkin contains nectar and is shown on the ground next to Shiva. The process of making Kamandalu has deep spiritual significance. A ripe pumpkin is plucked from a plant, its fruit is removed and the shell is cleaned for containing the nectar. In the same way, an individual must break away from attachment to the physical world and clean his inner self of egoistic desires in order to experience the bliss of the Self, symbolized by the nectar in the Kamandalu.<br />
* Nandi: the bull is associated with Shiva and is said to be His vehicle. The bull symbolizes both power and ignorance. Lord Shiva&#8217;s use of the bull as a vehicle conveys the idea that He removes ignorance and bestows power of wisdom on His devotees. The bull is called Vrisha in Sanskrit. Vrisha also means dharma (righteousness). Thus a bull shown next to Shiva also indicates that He is the etemal companion of righteousness.<br />
* Tiger skin: a tiger skin symbolizes potential energy. Lord Shiva, sitting on or wearing a tiger skin, illustrates the idea that He is the source of the creative energy that remains in potential form during the dissolution state of the universe. Of His own Divine Will, the Lord activates the potential form of the creative energy to project the universe in endless cycles.<br />
* Cremation ground: Shiva sitting in the cremation ground signifies that He is the controller of death in the physical world. Since birth and death are cyclic, controlling one implies controlling the other. Thus, Lord Shiva is revered as the ultimate controller of birth and death in the phenomenal world.</strong></span></p>
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<title><![CDATA[108 Names of Lord Shiva]]></title>
<link>http://shivhari.wordpress.com/2009/10/11/108-names-of-shiva/</link>
<pubDate>Sun, 11 Oct 2009 13:45:52 +0000</pubDate>
<dc:creator>shivam</dc:creator>
<guid>http://shivhari.wordpress.com/2009/10/11/108-names-of-shiva/</guid>
<description><![CDATA[~Name Meaning 1 Aashutosh One Who Fulfills Wishes Instantly 2 Aja Unborn 3 Akshayaguna God With Limi]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style="color:#333399;">~Name</span> Meaning</p>
<p>1 <span style="color:#333399;">Aashutosh</span> One Who Fulfills Wishes  Instantly<br />
2 <span style="color:#333399;">Aja</span> Unborn<img class="alignright size-medium wp-image-9" title="Shiva" src="http://shivhari.wordpress.com/files/2009/10/hindu-god-shiva-photo-0033.jpg?w=242" alt="Shiva" width="242" height="300" /><br />
3  <span style="color:#333399;">Akshayaguna</span> God With Limitless  Attributes<br />
4 <span style="color:#333399;">Anagha</span> Without Any  Fault<br />
5 <span style="color:#333399;">Anantadrishti</span> Of Infinite  Vision<br />
6 <span style="color:#333399;">Augadh</span> One Who Revels All The  Time<br />
7 <span style="color:#333399;">Avyayaprabhu</span> Imperishable  Lord<br />
8 <span style="color:#333399;">Bhairav</span> Lord Of Terror<br />
9 <span style="color:#333399;">Bhalanetra</span> One Who Has An Eye In The  Forehead<br />
10 <span style="color:#333399;">Bholenath</span> Kind Hearted  Lord<br />
11 <span style="color:#333399;">Bhooteshwara</span> Lord Of Ghosts And  Evil Beings<br />
12 <span style="color:#333399;">Bhudeva</span> Lord Of The  Earth<br />
13 <span style="color:#333399;">Bhutapala</span> Protector Of The  Ghosts<br />
14 <span style="color:#333399;">Chandrapal</span> Master Of The  Moon<br />
15 <span style="color:#333399;">Chandraprakash</span> One Who Has Moon  As A Crest<br />
16 <span style="color:#333399;">Dayalu</span> Compassionate<br />
17  <span style="color:#333399;">Devadeva</span> Lord Of The Lords<br />
18 <span style="color:#333399;">Dhanadeepa</span> Lord Of Wealth<br />
19 <span style="color:#333399;">Dhyanadeep</span> Icon Of Meditation And  Concentration<br />
20 <span style="color:#333399;">Dhyutidhara</span> Lord Of  Brilliance<br />
21 <span style="color:#333399;">Digambara</span> Ascetic Without  Any Clothes<br />
22 <span style="color:#333399;">Durjaneeya</span> Difficult To Be  Known<br />
23 <span style="color:#333399;">Durjaya</span> Unvanquished<br />
24 <span style="color:#333399;">Gangadhara</span> Lord Of River Ganga<br />
25 <span style="color:#333399;">Girijapati</span> Consort Of Girija<br />
26 <span style="color:#333399;">Gunagrahin</span> Acceptor Of Gunas<br />
27 <span style="color:#333399;">Gurudeva</span> Master Of All<br />
28 <span style="color:#333399;">Hara</span> Remover Of Sins<br />
29 <span style="color:#333399;">Jagadisha</span> Master Of The Universe<br />
30 <span style="color:#333399;">Jaradhishamana</span> Redeemer From Afflictions<br />
31  <span style="color:#333399;">Jatin</span> One Who Has Matted Hair<br />
32 <span style="color:#333399;">Kailas</span> One Who Bestows Peace<br />
33 <span style="color:#333399;">Kailashadhipati</span> Lord Of Mount Kailash<br />
34 <span style="color:#333399;">Kailashnath</span> Master Of Mount Kailash<br />
35 <span style="color:#333399;">Kamalakshana</span> Lotus-Eyed Lord<br />
36 <span style="color:#333399;">Kantha</span> Ever-Radiant<br />
37 <span style="color:#333399;">Kapalin</span> One Wears A Necklace Of Skulls<br />
38 <span style="color:#333399;">Khatvangin</span> One Who Has The Missile Khatvangin In  His Hand<br />
39 <span style="color:#333399;">Kundalin</span> One Who Wears  Earrings<br />
40 <span style="color:#333399;">Lalataksha</span> One Who Has An Eye  In The Forehead<br />
41 <span style="color:#333399;">Lingadhyaksha</span> Lord Of  The Lingas<br />
42 <span style="color:#333399;">Lingaraja</span> Lord Of The  Lingas<br />
43 <span style="color:#333399;">Lokankara</span> Creator Of The Three  Worlds<br />
44 <span style="color:#333399;">Lokapal</span> One Who Takes Care Of  The World<br />
45 <span style="color:#333399;">Mahabuddhi</span> Extremely  Intelligent<br />
46 <span style="color:#333399;">Mahadeva</span> Greatest  God<br />
47 <span style="color:#333399;">Mahakala</span> Lord Of All Times<br />
48  <span style="color:#333399;">Mahamaya</span> Of Great Illusions<br />
49 <span style="color:#333399;">Mahamrityunjaya</span> Great Victor Of Death<br />
50 <span style="color:#333399;">Mahanidhi</span> Great Storehouse<br />
51 <span style="color:#333399;">Mahashaktimaya</span> One Who Has Boundless  Energies<br />
52 <span style="color:#333399;">Mahayogi</span> Greatest Of All  Gods<br />
53 <span style="color:#333399;">Mahesha</span> Supreme Lord<br />
54 <span style="color:#333399;">Maheshwara</span> Lord Of Gods<br />
55 <span style="color:#333399;">Nagabhushana</span> One Who Has Serpents As  Ornaments<br />
56 <span style="color:#333399;">Nataraja</span> King Of The Art Of  Dancing<br />
57 <span style="color:#333399;">Nilakantha</span> Blue Necked  Lord<br />
58 <span style="color:#333399;">Nityasundara</span> Ever Beautiful<br />
59  <span style="color:#333399;">Nrityapriya</span> Lover Of Dance<br />
60 <span style="color:#333399;">Omkara</span> Creator Of OM<br />
61 <span style="color:#333399;">Palanhaar</span> One Who Protects Everyone<br />
62 <span style="color:#333399;">Parameshwara</span> First Among All Gods<br />
63 <span style="color:#333399;">Paramjyoti</span> Greatest Splendour<br />
64 <span style="color:#333399;">Pashupati</span> Lord Of All Living Beings<br />
65 <span style="color:#333399;">Pinakin</span> One Who Has A Bow In His Hand<br />
66 <span style="color:#333399;">Pranava</span> Originator Of The Syllable Of OM<br />
67  <span style="color:#333399;">Priyabhakta</span> Favourite Of The Devotees<br />
68  <span style="color:#333399;">Priyadarshana</span> Of Loving Vision<br />
69 <span style="color:#333399;">Pushkara</span> One Who Gives Nourishment<br />
70 <span style="color:#333399;">Pushpalochana</span> One Who Has Eyes Like Flowers<br />
71  <span style="color:#333399;">Ravilochana</span> Having Sun As The Eye<br />
72  <span style="color:#333399;">Rudra</span> The Terrible<br />
73 <span style="color:#333399;">Rudraksha</span> One Who Has Eyes Like Rudra<br />
74 <span style="color:#333399;">Sadashiva</span> Eternal God<br />
75 <span style="color:#333399;">Sanatana</span> Eternal Lord<br />
76 <span style="color:#333399;">Sarvacharya</span> Preceptor Of All<br />
77 <span style="color:#333399;">Sarvashiva</span> Always Pure<br />
78 <span style="color:#333399;">Sarvatapana</span> Scorcher Of All<br />
79 <span style="color:#333399;">Sarvayoni</span> Source Of Everything<br />
80 <span style="color:#333399;">Sarveshwara</span> Lord Of All Gods<br />
81 <span style="color:#333399;">Shambhu</span> One Who Bestows Prosperity<br />
82 <span style="color:#333399;">Shankara</span> One Who Gives Happiness<br />
83 <span style="color:#333399;">Shiva</span> Always Pure<br />
84 <span style="color:#333399;">Shoolin</span> One Who Has A Trident<br />
85 <span style="color:#333399;">Shrikantha</span> Of Glorious Neck<br />
86 <span style="color:#333399;">Shrutiprakasha</span> Illuminator Of The Vedas<br />
87  <span style="color:#333399;">Shuddhavigraha</span> One Who Has A Pure Body<br />
88  <span style="color:#333399;">Skandaguru</span> Preceptor Of Skanda<br />
89 <span style="color:#333399;">Someshwara</span> Lord Of All Gods<br />
90 <span style="color:#333399;">Sukhada</span> Bestower Of Happiness<br />
91 <span style="color:#333399;">Suprita</span> Well Pleased<br />
92 <span style="color:#333399;">Suragana</span> Having Gods As Attendants<br />
93 <span style="color:#333399;">Sureshwara</span> Lord Of All Gods<br />
94 <span style="color:#333399;">Swayambhu</span> Self-Manifested<br />
95 <span style="color:#333399;">Tejaswani</span> One Who Spreads Illumination<br />
96 <span style="color:#333399;">Trilochana</span> Three-Eyed Lord<br />
97 <span style="color:#333399;">Trilokpati</span> Master Of All The Three Worlds<br />
98  <span style="color:#333399;">Tripurari</span> Enemy Of Tripura<br />
99 <span style="color:#333399;">Trishoolin</span> One Who Has A Trident In His  Hands<br />
100 <span style="color:#333399;">Umapati</span> Consort Of Uma<br />
101  <span style="color:#333399;">Vachaspati</span> Lord Of Speech<br />
102 <span style="color:#333399;">Vajrahasta</span> One Who Has A Thunderbolt In His  Hands<br />
103 <span style="color:#333399;">Varada</span> Granter Of Boons<br />
104  <span style="color:#333399;">Vedakarta</span> Originator Of The Vedas<br />
105  <span style="color:#333399;">Veerabhadra</span> Supreme Lord Of The Nether  World<br />
106 <span style="color:#333399;">Vishalaksha</span> Wide-Eyed  Lord<br />
107 <span style="color:#333399;">Vishveshwara</span> Lord Of The  Universe<br />
108 <span style="color:#333399;">Vrishavahana</span> One Who Has  Bull As His Vehicle</p>
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<title><![CDATA[RADIO SLBC (CEYLON) AUGUST 11, 2009]]></title>
<link>http://eraks.wordpress.com/2009/08/12/radio-slbc-ceylon-august-11-2009/</link>
<pubDate>Wed, 12 Aug 2009 13:25:14 +0000</pubDate>
<dc:creator>eraks</dc:creator>
<guid>http://eraks.wordpress.com/2009/08/12/radio-slbc-ceylon-august-11-2009/</guid>
<description><![CDATA[I could listen to the following bhajans only and the radio signal became untraceable after 6.30AM. B]]></description>
<content:encoded><![CDATA[I could listen to the following bhajans only and the radio signal became untraceable after 6.30AM. B]]></content:encoded>
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<title><![CDATA[Monsoon Mondays - Jai Mahadev!]]></title>
<link>http://uddharan.wordpress.com/2009/07/21/monsoon-mondays-jai-mahadev/</link>
<pubDate>Tue, 21 Jul 2009 05:06:47 +0000</pubDate>
<dc:creator>vishakhadasi</dc:creator>
<guid>http://uddharan.wordpress.com/2009/07/21/monsoon-mondays-jai-mahadev/</guid>
<description><![CDATA[The four Mondays of the month of Shravan are special days for worshiping Mahadev or Shivji.  Young B]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>The four Mondays of the month of Shravan are special days for worshiping Mahadev or Shivji.  Young Brijwasi girls are fasting to get good husbands, while others pray for Mahadev´s blessings to attain prema for Sri Gaura-Govinda.</p>
<p>In Vrindavan last night, Mahadev´s temples were decorated with lights and phool bangla (flower bungalow).  In the late afternoon, under auspiciously cloudy skies I set out to see Bankhandeswar Mahadev.</p>
<p style="text-align:center;">
<div id="attachment_175" class="wp-caption aligncenter" style="width: 235px"><a href="http://uddharan.wordpress.com/files/2009/07/bankhandeswar-mahadev-mandir.jpg"><img class="size-medium wp-image-175" title="Bankhandeswar Mahadev Mandir" src="http://uddharan.wordpress.com/files/2009/07/bankhandeswar-mahadev-mandir.jpg?w=225" alt="Bankhandeswar Mahadev Mandir" width="225" height="300" /></a><p class="wp-caption-text">Bankhandeswar Mahadev Mandir</p></div>
<p>Sanatana Gosvami used to go for regular parikrama of Goverdhan and take darshan of Chakleswar Mahadev.  As he aged he became too thin and weak to walk the long distance to Goverdhan and back.  Then Mahadev appeared to Sanatan Gosvami in a vision telling him not to visit him at Goverdhan, but instead to come to Bankhandi in Vrindavan where Mahadev would manifest himself especially for him.</p>
<p style="text-align:center;">
<div id="attachment_176" class="wp-caption aligncenter" style="width: 310px"><a href="http://uddharan.wordpress.com/files/2009/07/bankhandi-mahadev.jpg"><img class="size-medium wp-image-176" title="Bankhandi Mahadev" src="http://uddharan.wordpress.com/files/2009/07/bankhandi-mahadev.jpg?w=300" alt="Bankhandi Mahadev" width="300" height="225" /></a><p class="wp-caption-text">Bankhandi Mahadev</p></div>
<p>I also took darshan at a few other temples, and even made it out to see Sri Gopeswar Mahadev.</p>
<p style="text-align:center;">
<div id="attachment_177" class="wp-caption aligncenter" style="width: 235px"><a href="http://uddharan.wordpress.com/files/2009/07/1-mahakaleswar-mahadev.jpg"><img class="size-medium wp-image-177" title="1 MahaKaleswar Mahadev" src="http://uddharan.wordpress.com/files/2009/07/1-mahakaleswar-mahadev.jpg?w=225" alt="Mahakaleswar Mahadev in Sakhi Vesh" width="225" height="300" /></a><p class="wp-caption-text">Mahakaleswar Mahadev in Sakhi Vesh</p></div>
<div id="attachment_178" class="wp-caption aligncenter" style="width: 235px"><a href="http://uddharan.wordpress.com/files/2009/07/2-reteswar-mahadev-retiya-bazar-with-young-devotee.jpg"><img class="size-medium wp-image-178" title="Reteswar Mahadev " src="http://uddharan.wordpress.com/files/2009/07/2-reteswar-mahadev-retiya-bazar-with-young-devotee.jpg?w=225" alt="Reteswar Mahadev with young devotee (Retiya Bazaar)" width="225" height="300" /></a><p class="wp-caption-text">Reteswar Mahadev with young devotee (Retiya Bazaar)</p></div>
<div id="attachment_179" class="wp-caption aligncenter" style="width: 310px"><a href="http://uddharan.wordpress.com/files/2009/07/gopeswar-mahadev.jpg"><img class="size-medium wp-image-179" title="Gopeswar Mahadev" src="http://uddharan.wordpress.com/files/2009/07/gopeswar-mahadev.jpg?w=300" alt="Gopeswar Mahadev " width="300" height="224" /></a><p class="wp-caption-text">Gopeswar Mahadev </p></div>
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<title><![CDATA[Shiv Katha]]></title>
<link>http://rameshvar.wordpress.com/2009/07/09/3/</link>
<pubDate>Thu, 09 Jul 2009 12:14:10 +0000</pubDate>
<dc:creator>rameshvar</dc:creator>
<guid>http://rameshvar.wordpress.com/2009/07/09/3/</guid>
<description><![CDATA[Shiv Katha It is said that Brahma sat in deep meditation holding all his vital energies and from the]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img class="aligncenter size-full wp-image-6" title="Shiv " src="http://rameshvar.wordpress.com/files/2009/07/shiv-6.jpg" alt="Shiv " width="186" height="240" /></p>
<h1><span style="color:#ff00ff;">Shiv Katha</span></h1>
<p><strong><span style="color:#ff0000;">It is said that Brahma sat in deep meditation holding all his vital energies and from the sound of <em>Om</em> that he held close to his heart, emerged Shiv. He came out of Brahma’s forehead.</span></strong></p>
<p><span style="color:#ff0000;"><strong>Shiv married twice, once the granddaughter of Brahma, named Sati and also married Sati again when she was reborn as Parvati, the daughter of the King of the </strong><strong>Himalayas</strong><strong>, Daksha. He had two sons, Ganesh and Kartikeya.</strong></span></p>
<p><span style="color:#ff0000;"><tt><strong>Shiv is destroyer of evil and the most feared of the gods. He is commonly depicted seated in profound thought, with a third eye in the middle of his forehead. His hair is matted and the crescent moon sits on his head. The river </strong></tt><tt><strong>Ganges</strong></tt><tt><strong> flows from his head. One popular myth has it that the Divine river Ganges condescended to come down to earth after being assured that Shiv the great god of the Himalayan mountains, had been pleased with a devotees penance, and had agreed to bear the impact of the falling torrents of the river by controlling it in the matted locks of  his head. </strong></tt></span><strong><br />
<tt><span style="color:#ff0000;"> </span></tt></strong></p>
<h1><span style="color:#ff00ff;">JYOTIRLINGA</span></h1>
<h2><span style="color:#ff0000;">Centuries ago, Shiv is said to have revealed himself to his true devotees in the form of a Jyoti or light. On their request to reside by them for an eternity, he installed himself near them, as Linga. Thus amongst the several lingas in the world, we have 12 which are called the Jyotirlinga. Many have described these Jyotirlinga as the divine light that emerged from the earth at the onset of creation of Mankind, while others see it as a golden egg, as bright as a thousand suns. The places where these are located are today considered to be pilgrim centers, a reference of which can be found in Shiv Purana.</p>
<p></span><span style="color:#ff0000;">1. SOMNATH<img class="alignleft size-full wp-image-10" title="Shiv - 12 J Ling" src="http://rameshvar.wordpress.com/files/2009/07/shiv-12-j-ling.jpg" alt="Shiv - 12 J Ling" width="450" height="640" /></span></h2>
<h3><span style="color:#ff00ff;">An interesting story is associated with the emergence of this Jyotirlinga situated in the Veraval (Prabhas Kshetra) in Kathaiwad district. According to the Shiv Purana it was on the request of the Chandrama and other Gods that Bhagwan Shankar assumed the name Somchandra (Jyotirlinga) and resided there eternally. He became famous by the name of Somnath in the three worlds. It was the Prabhas Kshetra where Bhagwan Shri Krishna performed all his Lilas.</span></h3>
<h2><span style="color:#ff00ff;">2.  BHIMASHANKAR </span><span style="color:#ff00ff;">JYOTIRLINGA </span></h2>
<h2><span style="color:#ff0000;">Bhimashankar Jyotirlinga is situated in the north of Pune, on the Sahayadri, by the banks of the river Bhima. Pleased by the devotion of a king named Bhimak of the Sun dynasty, Shiv called the Jyotirlinga in his name. However, the Shiv Purana states that Bhimashankar Jyotirlinga is situated on the Mountain Brahmapur, district Kamrup of Assam, where  Shiv had incarnated so that he could destroy the demons and protect his devotees. On the sincere request of the Gods and sages he agreed to reside there eternally by the name of Bhimashankar.<br />
</span><br />
<span style="color:#ff00ff;">3. GHRUSHMESHWAR </span></h2>
<p><strong><span style="color:#ff0000;">The Jyotirlinga named Ghrushmeshwar, Ghurmeshwar or Ghushmeshwar is situated in a village called Verul, approximately 100 kms from Manmad station. The Shivpuran speaks of the emergence of the linga through the following story.<br />
In the southern direction, on a mountain named Devagiri there lived a Brahmin named Brahmavetta Sudharm, along with his wife Sudeha. They did not have a child of their own because of which Sudeha got her sister Ghushma married to her husband. By the blessing of Shiv Ghushma was blessed with a beautiful fortunate baby boy. This made Sudeha jealous towards her sister and so one night she took Ghushma&#8217;s son and killed him and threw him in a lake. The next morning so absorbed was Ghushma in worshipping Shiv, that she did not deter even when she was told about her son&#8217;s death. She said, he who has given me this child shall protect him, and started reciting &#8216;Shiv-Shiv&#8217; continuously. Pleased, Lord Shiv appeared before her and told her that her sister had killed her son. Ghushma however, told Shiv to forgive Sudeha and asked him to reside there in the form of a Jyotirling eternally for the benefit of the multitudes and be known by her name. </span></strong></p>
<h2><span style="color:#ff00ff;">4. KEDARESHWAR </span></h2>
<h3><span style="color:#ff0000;">Shri Kedareshwar is situated on the Himalayas, on a mountain named Kedar. NarNarayan, an incarnation of Lord Vishnu performed severe penance in Badrikashraya of Bharat Khand. He regularly prayed to the Shivalinga. Pleased with his undeterred faith and devotion, lord Ashutosh asked him to wish for something. Nar Narayan, requested him to reside there eternally so that all people who worshipped him would be freed from their miseries. Granting the boon, Shiv assumed the form of a linga that was installed on the Kedar Mountain.</p>
<p>This is amongst the seven holy places that can liberate a human.</p>
<p></span></p>
<p><span style="color:#ff00ff;">5. MAHAKALESHWAR LINGA</span></h3>
<p><strong><br />
<span style="color:#ff00ff;">According to a story, a five-year-old boy named Shrikar was enthralled seeing the devotion of king Chandrasena of </span></strong><span style="color:#ff00ff;"><strong>Ujjain</strong><strong> towards Shiv. He took a stone and by considering it a linga started worshipping it regularly. Pleased by the boy&#8217;s devotion Shiv assumed the Jyotirlinga form and resided in it. This Jyotirlinga is situated below the ground in a Garbha Griha. The linga is quite big in size and is encircled by a snake of silver. On one side of the linga there is the idol of Lord Ganesha, on another side is the idol of Parvati and Kartikeya.</strong></span></p>
<h2><span style="color:#ff0000;">6. MALLIKARJUNA</span></h2>
<h3><span style="color:#ff00ff;">This is situated on mountain named Shri Shaila by the banks of the Krishna river in the state of Tamil Nadu of Southern India. It is also known as Kailash of the south. It is believed that by merely seeing the tip of this mountain one is free from all his sins and worries. The person becomes free from the vicious cycle of life and death. According to the Shiv Purana, when Shri Ganesh was married before Kartikeya it made Kartikeya angry, and despite being consoled by his parents Shiv-Parvati, he went away to the Kraunch Mountain</span><span style="color:#ff00ff;"><span style="color:#ff00ff;">. Shiv-Parvati were very sad and both decided that they would go to Kraunch mountain themselves. When Kartikeya came to know that his mother-father have arrived he went away. Eventually Lord Shiva assumed the form of a Jyotirlinga and resided on that mountain by the name of Mallikarjuna. Mallika means Parvati, while Arjuna is another name of Shiva. In this way both Shiva and Parvati reside in this linga.</span><br />
</span></h3>
<h2><span style="color:#ff0000;">7. NAGESHWARAM</span></h2>
<p><strong><br />
<span style="color:#ff00ff;">I Shri Nageshwarnath Jyotirlinga is situated on the way from Gomati Dwarka to Bait Dwarka.According to the Shiv Purana there was once a demon called Daruk who had collected a huge army of demons and had started harassing all the innocent people residing in the sea. Amongst his prisoners there was a prisoner by the name Supriya. He was a great devotee of Shiv. He advised all prisoners to recite the mantra &#8216;AUM NAMAHA SHIVAYA.&#8217;</span></strong></p>
<p><strong>When Daruk came to know about this he ran to kill Supriya. Shiv then appeared through a small hole and a beautiful temple with walls was formed. In the middle of the temple a lustrous JyotirIinga was installed. In this way Shiv resides there eternally by the name of Nageshwar and Goddess Parvati by the name Nagesbwari. According to the Shiv Purana who ever reads with devotion the story of the birth and greatness of this Jyotirlinga will get all material happiness and will attain divine status in the end.</strong></p>
<h2><span style="color:#ff0000;">8. OMKARESHWAR </span></h2>
<p><strong><br />
<span style="color:#ff00ff;">God of all the Gods Shiv&#8217;s Omkareshwar linga is situated on the mountain Mandhata. Mammaleshwar is another name which comes in the context of OMKARESHWAR, however the existence of these two is actually different. It is said that once upon a time Vidhya Parvat practiced severe penances and worshipped Parthivarchana along with Lord Omkareshwar for nearly six months. As a result Shiv was pleased and blessed him with the desired boon. On the sincere request of all the Gods and the sages Shiv made two parts of the ling. In one he resided as the Pranav or Omkar and assumed the form of Omkareshwar and Bhagwan Sadashiva, while parameshwar, Amareshwar or Amaleshwar assumed form from the Partivlinga.</span></strong></p>
<h2><span style="color:#ff0000;">9. RAMESHWARNATH</span></h2>
<p><strong><br />
<span style="color:#ff00ff;"> It is said that  Ram installed this Linga here, when he was on his way to attack Ravana. Ram made a linga of sand and worshipped it and asked to be blessed so that he could vanquish Ravana. He also requested  Shiv to reside eternally here so that entire mankind could benefit from it. Shiv then manifested himself and the Linga got installed there for eternity. Those who go to Rameshwar and seek Shiv&#8217;s blessings, shall always reside in Shivloka. There is a Shrine named Dhanushkodi twenty miles away from Rameshwaram. It is known for rites performed for the deceased ancestors. In the vicinity of this there are a number of temples.</span></strong></p>
<h2><span style="color:#ff0000;">10. TRIMBAKESHWAR</span></h2>
<h3><span style="color:#ff00ff;">Shri Trimbakeshwar is situated in the district Nashik of Maharashtra state. Near this is the Brahmagiri mountain from which the Godavari flows. Once upon a time there lived a sage name Gautam with his wife named Ahilya. The ultimate aim of their life was penance and good of others. However the wives of other sages staying in the vicinity, jealous of them, conspired with their husbands, to drive Gautam Rishi and his wife out of the area. All the sages came together and started worshipping  Ganesh who tried to dissuade the sages but when the sages did not listen he gave them what they wanted. The sages set up a trap for Gautam Rishi who humbly agreed to take the punishment for the crime that was pinned on him. The sages suggested a penace that only Gautam Rishi&#8217;s determination could make him complete. Seeing his dedication, Shiv told him the truth. However Sage Gautama defended those sages and pleased with him, Shiv gave him a boon. Gautam Rishi asked for the Ganga to stay there eternally for the good of all the people. On the request of all the Gods, Shiv resided by the river Gautami by the name Trimbakeshwar (one of the JyotirIingas.). This Jyotirlinga named Trimbak, is the one which fulfills everyone&#8217;s desires. It emancipates all from their sins and miseries.<br />
</span></h3>
<h2><span style="color:#ff0000;">11. VAIJNATH</span></h2>
<p><strong><br />
<span style="color:#ff00ff;">This Jyotirlinga is situated, in the south west of Keeul Station situated on the Patna-Calcutta railway route. It is said that once Ravana started worshipping Shiv with mind and soul. He would partake Panchagni in the hot summer months, while staying in the cold water throughout winters. During the rains he would stay in the open fields and practice serve penance. He made a Parthivlinga and instal1ed it. He dug a pit near it and lighted fire just beside it. The Vedic scriptures state that he worshipped Shiv in front of the fire. One by one he would cut his heads and offer it to the Lord. When he was about to offer his tenth head to the God,  Shiv appeared and blessed him with a boon. Ravana asked for invincibility and tremendous might and power and requested Shiv to accompany him to Lanka. Shiv gave him a linga telling Ravana that the Ling would fix itself to the ground and shall remain there for eternity. He thanked Shiv and holding the linga carefully started of for Lanka. On the way however, Ravana handed over the linga to a small boy who could not withstand the weight of the linga and dropped it on the ground. Despite all his efforts Ravana could not lift it. This Shiv linga is the Jyotirlinga named Vaijnath. By worshipping Vaijnath Jyotirlinga one can eliminate all worries and miseries, and attain Moksha.</span></strong></p>
<p><strong><span style="color:#ff00ff;"> </span></strong></p>
<h2><span style="color:#ff00ff;">I2. VISHWESHWARNATH</span></h2>
<p><strong><br />
<span style="color:#ff00ff;">This Jyotirlinga is situated in Kashi and is famous by the name of Shiv Vishwanath Kashi. According to the scriptures this place was forever destroyed when the earth was submerged under water (Pralaya). It is believed that those who die here attain liberation and it is here that  Shiv gives the Tarak Mantra. The one who prays and worships Vishweshwar with devotion attains all his desires and one who incessantly recites his name attains all siddhis and finally gets liberated.<br />
</span></strong></p>
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<title><![CDATA[RADIO SLBC (CEYLON) JUNE 22, 2009]]></title>
<link>http://eraks.wordpress.com/2009/06/22/radio-slbc-ceylon-june-22-2009/</link>
<pubDate>Mon, 22 Jun 2009 07:27:47 +0000</pubDate>
<dc:creator>eraks</dc:creator>
<guid>http://eraks.wordpress.com/2009/06/22/radio-slbc-ceylon-june-22-2009/</guid>
<description><![CDATA[Announcer: Ms. Jyoti Parmar Time: 6.20AM to 6.45AM Program: Bhakti Sangeet Ae Ri Main To Prem Diwani]]></description>
<content:encoded><![CDATA[Announcer: Ms. Jyoti Parmar Time: 6.20AM to 6.45AM Program: Bhakti Sangeet Ae Ri Main To Prem Diwani]]></content:encoded>
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<title><![CDATA[Hindu God Shiv Prayer]]></title>
<link>http://blog.shalinworld.com/2009/06/12/hindu-god-shiv-prayer/</link>
<pubDate>Fri, 12 Jun 2009 08:34:11 +0000</pubDate>
<dc:creator>Shalini Verma</dc:creator>
<guid>http://blog.shalinworld.com/2009/06/12/hindu-god-shiv-prayer/</guid>
<description><![CDATA[In this worship of this Deity the devotee request grandeur and wealth. The horn of the deer is blown]]></description>
<content:encoded><![CDATA[In this worship of this Deity the devotee request grandeur and wealth. The horn of the deer is blown]]></content:encoded>
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<title><![CDATA[Music Review:Mithrudu(Mani Sharma)]]></title>
<link>http://hotgas.wordpress.com/2009/04/04/music-reviewmithrudumani-sharma/</link>
<pubDate>Sat, 04 Apr 2009 17:19:37 +0000</pubDate>
<dc:creator>msrikantt</dc:creator>
<guid>http://hotgas.wordpress.com/2009/04/04/music-reviewmithrudumani-sharma/</guid>
<description><![CDATA[So Mani Sharma is back after his adrenaline pumping effort in Billa with Mithrudu.I review telugu so]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>So Mani Sharma is back after his adrenaline pumping effort in Billa with Mithrudu.I review telugu songs with trepidation as these days one can&#8217;t tell which one&#8217;s going to hit the nadir plumbing new depths on the way.Such has been the erosion of quality in telugu music.Of course  once in a blue moon a stray album manages to engage and surprise as well but they are very few and far.</p>
<p>Mani Sharma starts off predictably in the form of <em><strong>Aakasam</strong></em> using an age old tune but the pleasant vocals and backgrounds more than make up for it. Vijay Yesudas&#8217;s voice oh so remniscent to his father&#8217;s voice is another factor that works in favour of this song.The lively <em><strong>By Birthe</strong></em> uses a rock template and who better to croon it than Shreya Ghoshal who seems to have the Midas touch.The tune though deserved some better lyrics than the tacky stuff written by Ananth Sriram.<em><strong>Don&#8217;t Touch Me</strong></em> starts of with some middle-eastern interludes but pans out to be the typical Mani Sharma number-the kind we have been bored to death of.It somehow reminded of the latino Touch Me (Dhoom 2) number though they bear no resemblences.The mass masala number finally arrives as <em><strong>Jhummandi</strong></em>.Can&#8217;t comment much about it because its tune and singing is as stereotyped as it gets.<em><strong>Priyamani</strong></em> ironically the heroine&#8217;s name as well redeems the music director(MD) considerably.The racy tune and the effortless singing makes it all the more attractive.Thellavarithey puts the MD back where he was a song ago-in the woods.A listless number.</p>
<p>That makes it 3 average songs and 3 duds for Mani.Also the lyricists need a rap on the back for conjuring hackneyed lyrics that only add to the tedium.Balakrishna&#8217;s efforts to revive his sagging career are seeming futile with every passing film coming a cropper at the BO.Make Or Break for him sadly Mani Sharma seems disinterested in the proceedings!!!</p>
<p><em><strong>My Picks-Priyamani</strong></em></p>
<p><em><strong>My Rating-One Cheer! </strong></em></p>
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<title><![CDATA[Mahakaleswar Temple]]></title>
<link>http://madhyapradeshtourism.wordpress.com/2009/03/16/mahakaleswar-temple/</link>
<pubDate>Mon, 16 Mar 2009 07:51:19 +0000</pubDate>
<dc:creator>Shalini</dc:creator>
<guid>http://madhyapradeshtourism.wordpress.com/2009/03/16/mahakaleswar-temple/</guid>
<description><![CDATA[In Ujjain, Mahakaleswar is a famous temple. There are several impressive ceremonies that are held he]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>In <a href="http://www.holidayiq.com/destinations/Ujjain-Know.html" target="_blank">Ujjain,</a> Mahakaleswar is a <a href="http://wiki.answers.com/Q/Special:Search&#38;search=famous%2Btemples&#38;limitn=old">famous temple</a>. There are several impressive ceremonies that are held here during the day time. Here the shivalingam is &#8216;bathed&#8217; every morning, If no cremation has taken place at Ujjain, then the ash must be obtained at all costs from the nearest cremation ground.  It contains one of the twelve important Siva <a href="http://encyclopedia.thefreedictionary.com/Jyotirlinga">Jyotirlingas</a>. The topmost floor of the <a href="http://en.wikipedia.org/wiki/Mahakaleshwar_Temple">Mahakaleswar Temple</a> remains closed to the public all through the year. However, once a year &#8211; on Nag Panchami Day-the top floor with its two snake images are kept open to the public.</p>
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<title><![CDATA[Maha Shivaratri]]></title>
<link>http://apenguinsdiary.wordpress.com/2009/02/24/maha-shivaratri/</link>
<pubDate>Mon, 23 Feb 2009 21:26:20 +0000</pubDate>
<dc:creator>The Penguin</dc:creator>
<guid>http://apenguinsdiary.wordpress.com/2009/02/24/maha-shivaratri/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://i176.photobucket.com/albums/w184/b_phyzics/apenguinsdiary3/APenguinsDiary-Fedora10DesktopScree.jpg"><img class="alignnone" title="A Penguins Diary - Fedora 10 Desktop Screenshot 24 Feb 09 - Maha Shivaratri" src="http://i176.photobucket.com/albums/w184/b_phyzics/apenguinsdiary3/APenguinsDiary-Fedora10DesktopScree.jpg" alt="" width="410" height="307" /></a></p>
<p><a href="http://i176.photobucket.com/albums/w184/b_phyzics/apenguinsdiary3/APenguinsDiary-Fedora10DesktopSc-1.jpg"><img class="alignnone" title="A Penguins Diary - Fedora 10 Desktop Screenshot 24 Feb 09 - Maha Shivaratri" src="http://i176.photobucket.com/albums/w184/b_phyzics/apenguinsdiary3/APenguinsDiary-Fedora10DesktopSc-1.jpg" alt="" width="403" height="302" /></a></p>
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<title><![CDATA[Siva Ratri]]></title>
<link>http://sriradhakund.wordpress.com/2009/02/23/siva-ratri/</link>
<pubDate>Mon, 23 Feb 2009 14:58:02 +0000</pubDate>
<dc:creator>Sakhicharan Das</dc:creator>
<guid>http://sriradhakund.wordpress.com/2009/02/23/siva-ratri/</guid>
<description><![CDATA[Kundesvar Mahadev&#8211;Radhakund Nitai Gaura Radhey Shyam Gauri Shankar Sita Ram From Sankalpa Kalp]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><h4 style="text-align:center;"><span style="font-weight:normal;"><a href="http://sriradhakund.wordpress.com/files/2009/02/kundesvar-mahadev1.jpg"><img class="size-full wp-image-213" title="Kundesvar Mahadev--Radhakund" src="http://sriradhakund.wordpress.com/files/2009/02/kundesvar-mahadev1.jpg" alt="Kundesvar Mahadev--Radhakund" width="510" height="416" /></a></span></h4>
<div class="mceTemp mceIEcenter">
<dl class="wp-caption aligncenter">
<dd class="wp-caption-dd">Kundesvar Mahadev&#8211;Radhakund</dd>
</dl>
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<p><strong>Nitai Gaura Radhey Shyam<br />
Gauri Shankar Sita Ram</strong></p>
<p><span style="font-weight:normal;">From </span><span style="font-weight:normal;"><em>Sankalpa Kalpadruma</em></span><span style="font-weight:normal;"> by Visvanath Cakravartipad: </span></p>
<p><span style="color:#333399;"><em><span style="color:#000080;">vRndAvanAvani-pate jaya soma soma-<br />
maule sanandana-sanAtana-nAradeDya &#124;<br />
gopIzvara vraja-vilAsi yugAGghri-padme<br />
prItiM prayaccha nirupAdhi namo namas te &#124;&#124;103&#124;&#124;</span></em></span></p>
<p> O hey husband of Uma, O hey Candrasekhara (one whose head is the residence of the moon)! O hey worshipable by Sananda, Sanatana and Narada Muni, O hey Gopisvara Siva! You are situated within the forest of Vrindavan. I offer my pranam to you. You please award me with causeless unconditional prema for the yugala Vraja-bihari, Sri Sri Radhe Shyam.</p>
<p>From <em>Vraja Vilasa Stava</em> by Raghunath Das Goswami:</p>
<p style="text-align:left;"><span style="color:#000080;"><em><span style="color:#003366;">mudA gopendrasyAtmaja bhuja pariSraGga nidhaye<br />
sphurad gopIvRndair yam iha bhagavantaM praNayibhiH &#124;<br />
bhajadbhis tair bhaktyA svam abhilaSitaM prAptam<br />
acirAd yamI-tIre gopIzvaram anudinaM taM kila bhaje &#124;&#124; 87&#124;&#124;</span></em></span></p>
<p><em> </em></p>
<p>I daily worship Gopisvara Sadasiva, who was devotedly worshipped on the bank of the Yamuna by the loving gopis who desired the jewel-like embrace of the arms of Sri Krishna, the prince of Braja, and who thus swiftly attained their desired object.</p>
<p>And at the very end of the <em>Srimad Bhagavatam</em> this verse is found:</p>
<p><span style="color:#003366;"><em>nimna-gAnAM yathA gaGgA<br />
devAnAm acyuto yathA &#124;<br />
vaiSnavAnAM yathA zambhuH<br />
purAnAnAm idam tathA &#124;&#124;12.13.16&#124;&#124;</em></span></p>
<p>Just as the Ganga is the greatest of all rivers, Acyuta is the supreme among Divinities, and Sambu is the greatest Vaisnava, so is the Bhagavata  the greatest of all Puranas.</p>
<p style="text-align:center;"><strong>Jai Kundesvara Mahadev!</strong></p>
<p style="text-align:center;"><strong>Jai Gopisvara Mahadev!</strong></p>
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<title><![CDATA[Shyam Benegal's Welcome to Sajjanpur ]]></title>
<link>http://rahulsonar.wordpress.com/2008/08/30/shyam-benegals-welcome-to-sajjanpur/</link>
<pubDate>Sat, 30 Aug 2008 15:28:45 +0000</pubDate>
<dc:creator>Rahul Sonar</dc:creator>
<guid>http://rahulsonar.wordpress.com/2008/08/30/shyam-benegals-welcome-to-sajjanpur/</guid>
<description><![CDATA[              They say, laughter is the best medicine; they also say good films help producers laugh]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><blockquote><p> </p>
<p> </p>
<p align="justify"><span><a href="http://rahulsonar.wordpress.com/files/2008/08/1234.jpg"><img class="size-full wp-image-476 alignleft" src="http://rahulsonar.wordpress.com/files/2008/08/1234.jpg" alt="" width="320" height="240" /></a></span>          They say, laughter is the best medicine; they also say good films help producers laugh all the way to the bank. But here&#8217;s one filmmaker you would have least expected to see to make comic capers.</p>
<p>Yes, it is Shyam Benegal who now seems raring to attempt a genre he&#8217;s hardly ever ventured into during his illustrious career. &#8220;This is the time when people seem to appreciate comic satires and all that. It appears to be the right kind of time to make a comedy,&#8221; said Shyam Benegal.</p>
<p>And his directorial first in comedy will be &#8220;Welcome to Sajjanpur&#8221;&#8211;a movie thats rather high on some heavy duty rustic humour.</p>
<p align="justify">&#8220;I think you better see the film. It&#8217;s going to take another 2 and a half weeks to get it released. That&#8217;s not long to go&#8221;, Shyam Benegal.</p>
<p>For Benegal who is better known for his films like Manthan, Sardari Begum and ZUbeida, films that are a tad removed from commercial sensibilities and compromises. Welcome to Sajjanpur is indeed a huge deviation.</p>
<p>Clearly the lines that divide parallel and mainstream cinema is blurring and considerably at that!</p>
<p>Read more on: http://www.timesnow.tv/NewsDtls.aspx?NewsID=14760</p></blockquote>
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<title><![CDATA[Shiva Arati]]></title>
<link>http://kathavarta.com/2008/07/08/shiva-arati/</link>
<pubDate>Tue, 08 Jul 2008 11:16:22 +0000</pubDate>
<dc:creator>kathavarta</dc:creator>
<guid>http://kathavarta.com/2008/07/08/shiva-arati/</guid>
<description><![CDATA[In Hinduism Arati is essential for every Katha. Arati is a lyric version of praise for God (or Godde]]></description>
<content:encoded><![CDATA[In Hinduism Arati is essential for every Katha. Arati is a lyric version of praise for God (or Godde]]></content:encoded>
</item>
<item>
<title><![CDATA[Saptarshikund- Remembrances of a Pilgrimage ]]></title>
<link>http://trekwords.wordpress.com/2008/06/11/saptarshikund-remembrances-of-a-pilgrimage/</link>
<pubDate>Wed, 11 Jun 2008 08:42:06 +0000</pubDate>
<dc:creator>trekwords</dc:creator>
<guid>http://trekwords.wordpress.com/2008/06/11/saptarshikund-remembrances-of-a-pilgrimage/</guid>
<description><![CDATA[Since when did Hanuman and Yamuna ever get related? &#8230;. A faint question mark remained in the b]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div class="post-body entry-content">
<p style="text-align:justify;"><span style="font-family:trebuchet ms;"><span style="font-size:180%;"><span style="font-size:large;">S</span></span>ince when did <em>Hanuman</em> and <em>Yamuna</em> ever get related? </span></p>
<p style="text-align:justify;">
<span style="font-family:trebuchet ms;">&#8230;. A faint question mark remained in the back of the mind even as I was doing my research for the maiden trip to <em>Yamunotri</em>.<br />
</span><br />
<span style="font-family:trebuchet ms;">I do claim of a better than average understanding of Hindu mythology but nowhere have I ever come across anything linking <em>Hanuman</em> and <em>Yamuna</em>!! Why is the first point of trek called <em>Hanumanchatti</em>? Why is the river flowing by there, a tributary to <em>Yamuna</em>, called <em>Hanuman Ganga</em>? Why is the temple there is that of <em>Hanumaneshwar Mahadev</em>?</span></p>
<p><span style="font-family:trebuchet ms;">Usually one finds a story around everything in the <em>Himalayas </em>and I was eager to discover the one here.<br />
</span><a href="http://bp1.blogger.com/_XavVSPoYXaQ/SC22bMdGAQI/AAAAAAAAD84/uIppQOSz11s/s1600-h/champasarSaptarishi.jpg"><img style="float:right;cursor:hand;margin:0 0 10px 10px;" src="http://bp1.blogger.com/_XavVSPoYXaQ/SC22bMdGAQI/AAAAAAAAD84/uIppQOSz11s/s320/champasarSaptarishi.jpg" border="0" alt="" /></a><br />
<span style="font-family:trebuchet ms;">I had my maiden voyage to the source of <em>Ganga</em> that year and was getting ever fascinated with the Headwaters of our revered River Goddesses, purely from a trekker’s standpoint. I believe now, there are strong physical and geographical reasons as to why certain places in the mountains are worshipped and raised to that divine status and others are not!<br />
</span></p>
<div><span style="font-family:trebuchet ms;"><span style="color:#000066;">In the midst of <em>Himadris</em> at <em>Gangotri</em> one would find the most amazing gorges and at <em>Gaumukh</em>, that amazing amphitheatre of peaks. At <em>Badrinath</em>..you have that most comforting and convenient hot spring – <em>Taptakund</em>- right under the temple, ensconced beautifully at the feet of the mighty <em>Nilkanth</em>. <em>Kedarnath</em>- that massive wall of <em>Mt Kedarnath</em> overlooking the temple that houses the huge <em>Swayamvu Lingam</em>, <em>Roopkund</em> with its morbid story of skeletons of people and horses, The <em>Panchakedars</em> and <em>Panch Badris</em> all nestled in places geographically significant adds to the aura of the intriguing mystery of “<em>Devbhoomi</em>”. </span></span></div>
<div></div>
<p><span style="font-family:trebuchet ms;"></p>
<div><span style="font-family:trebuchet ms;">Its later that I discovered, how important a role this tempestuous River Mother – <em>Yamuna</em> played in shaping a great civilisation&#8230; if I may add, a refreshing and reflective personal discovery.</span></div>
<div><span style="font-family:trebuchet ms;"><span style="font-family:trebuchet ms;">In the monsoons of 2001, we planned that trip as the worthy sequel to our <em>Gaumukh Darshan</em>, a pilgrimage to the source of the second most important river that emerges from the <em>Garhwal</em> Mountains. We planned to trek all the way to <em>Saptarishi Kund</em> which is said to be the real source of <em>Yamuna</em>.<br />
</span><br />
<span style="font-family:trebuchet ms;">Actually <em>Yamuna</em> is a raging torrent at <em>Yamunotri</em> Temple coming from somewhere up there from the mountains up north from its source at the sacred Kund at the feet of the <em>Champasar Glacier</em>. Not much information was available on the Internet. We just knew that its 8 Kms from the temple and thus the route was planned. </span><br />
<span style="font-family:trebuchet ms;"><em></em></span><br />
<span style="font-family:trebuchet ms;"><em><span style="color:#000066;">Day 1- 9th Aug 2001- Delhi- Mussorie- Barkot- Hanumanchatti<br />
Day 2- 10th Aug 2001- Hanumanchatti- Yamunotri- Saptarishikund- Yamunotri<br />
Day 3- 11th Aug 2001- Yamunotri- Hanumanchatti- Mussorie<br />
</span></em></span><span style="font-family:trebuchet ms;"><em><span style="color:#000066;">Day 4- 12th Aug 2001- Mussorie- Delhi</span></em><br />
</span></span></div>
<p></span><span style="font-family:trebuchet ms;"></p>
<div><span style="font-family:trebuchet ms;">The itinerary changed during the trip and our Day 2 camp was 600 Mtrs above <em>Yamunotri</em>. I had the fastest descent of my life the next day, trekked in total darkness on the edges of terrifying gorges and Bunty continued his jinx of stopping short of the summit. I came back; ebullient with the joy of adventure and enriched with a very different perspective and understanding of the King of the Mountains.</span></div>
<div><span style="font-family:trebuchet ms;"><span style="font-family:trebuchet ms;"><span style="font-size:130%;color:#330099;"><strong><em></em></strong></span></span><span style="font-size:medium;"><span style="font-family:trebuchet ms;"><span style="font-size:130%;color:#330099;"><strong><em>Day 1- Delhi- Hanumanchatti</em></strong></span><br />
</span><br />
</span></span></div>
<p></span><span style="font-family:trebuchet ms;"></p>
<div><span style="font-family:trebuchet ms;">The usual early morning dash to the mountains was rendered memorable by pretty sights of <em>Mussorie</em> and “<em>Kempty Falls</em>” afterwards. I had never seen Mussorie till then, but the brief glimpse of it compelled me to come back several times in later years to witness for myself, what Ruskin Bond describes so beautifully in many of his works.</span></div>
<div><span style="font-family:trebuchet ms;"><span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh4.ggpht.com/ashutosh69/SCisFsdF_1I/AAAAAAAAD4g/cngpAO0fTic/SaptarishiD103.jpg?imgmax=576" border="0" alt="" /></span><br />
<span style="font-family:trebuchet ms;">Later, the road to <em>Yamunotri</em> turned left after the <em>Yamuna</em> Bridge. The winding roads passing thru verdant rain-soaked fields soon brought us to Barkot where we stopped for lunch. My Father, Bunty and I were having a great morning drive till then which was about to change quite suddenly. </span><br />
<span style="font-family:trebuchet ms;"><br />
Just when we were having our lunch by the roadside <em>Dhaba</em> we overheard conversations indicating that the route ahead was closed! We enquired and had sketchy descriptions about the fact that the road was closed for traffic about 30 Kms up from <em>Barkot</em>. Nevertheless we decided to take a chance and drove on.<br />
</span></span></div>
<p></span><span style="font-family:trebuchet ms;"></p>
<div><span style="font-family:trebuchet ms;"> </span></div>
<p></span><span style="font-family:trebuchet ms;"> </p>
<p></span></p>
<p style="text-align:justify;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisC8dF_zI/AAAAAAAAD4Q/I_3MUuLm0MI/SaptarishiD101.jpg?imgmax=512" border="0" alt="" /> Exactly after 30 Kms we saw the serpentine queue of vehicles and people milling around a distant bridge. What we saw at the centre of all commotion was something which I had never seen till then. A freak cloudburst has brought a whole mountainside down onto the <em>Yamuna</em> and a natural dam had got created with the water levels almost touching the base of the bridge that spanned the river. Not only that, the gushing torrent of water escaping the natural dam had eaten into 50% of the road stopping all traffic! There was no way anybody could get a 4 wheeler to the other side of that stretch.<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh6.ggpht.com/ashutosh69/SCisEMdF_0I/AAAAAAAAD4Y/VC-YpiPx5Ds/SaptarishiD102.jpg?imgmax=512" border="0" alt="" /> Very gracefully we decided to get the car back to <em>Barkot</em> and take help of local taxis that were plying from the respective ends of the roadblock. My poor father volunteered to ferry all the luggage across the stretch in the meantime. Couple of hours later we were back at the same point having spent some agonising moments in the most rickety Jeep that I have ever ridden in my lifetime!</p>
<p style="text-align:justify;">As we drove up to <em>Hanumanchatti</em> I was reflecting on the stark difference between the two mighty rivers of <em>Northern India</em>. While the gentle, soothing and fair <em>Ganga </em>would flow through a wide and majestic valley, the <em>Yamuna</em> is ever so dark and rapid flowing through awe inspiring depths! She was the sister of <em>Yama</em>, the God of Death, the Lord of the dark netherworlds.</p>
<p style="text-align:justify;">The evening was cold at the huge <em>GMVN </em>guesthouse to the constant accompaniment of the deep sound of the <em>Hanumanganga</em> confluencing with the dancing <em>Yamuna</em> barely a 200 meters to the North.<br />
<span style="font-size:130%;color:#330099;"><em></em></span></p>
<p style="text-align:justify;"><span style="font-size:130%;color:#330099;"><em><span style="font-size:medium;">Day 2- Hanumanchatti- Spur Camp</span></em></span></p>
<p style="text-align:justify;"><span style="font-family:trebuchet ms;"><br />
<span style="font-size:medium;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh4.ggpht.com/ashutosh69/SCisIsdF_3I/AAAAAAAAD40/CBXvMP7Sjk0/SaptarishiD202.jpg?imgmax=576" border="0" alt="" /></span>The next day opened bright and clear. We had collected sufficient intelligence on the route ahead, the previous night. We had to drive on hired Jeep till <em>Naradchatti</em> and start trekking from there on&#8230;mules could be arranged for Baba.<br />
<em></em></span></p>
<p style="text-align:justify;"><span style="font-family:trebuchet ms;"><em>Yamunotri</em> was a good 12 Kms away. The route winded up and down along the banks of <em>Yamuna</em> who refused to come above her meandering depths. Soon we were able to see a hanging glacier, which we assumed to be atop the <em>Yamunotri</em> area&#8230; one which resembled an elephant’s head. </span><br />
<span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisM8dF_6I/AAAAAAAAD5M/8jlDQVY7cws/SaptarishiD205.jpg?imgmax=576" border="0" alt="" /></span><br />
<span style="font-family:trebuchet ms;">After crossing the river over a bridge (above which a new bridge was getting constructed) we reached <em>Janakichatti</em> and sat down for a well deserved rest. <img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh4.ggpht.com/ashutosh69/SCisOsdF_7I/AAAAAAAAD5U/P4rkLGmIwVo/SaptarishiD206.jpg?imgmax=576" border="0" alt="" /></span> <span style="font-family:trebuchet ms;">A lanky lad, in his early twenties presented himself and offered to be our guide for the <em>Saptarishi Kund </em>trail. Swarup Lal, that was his name, claimed to have visited the area several times for his own work. He also managed to procure the services of a cheerful Nepali fella- Dhaniram. </span></p>
<div style="text-align:justify;"><span style="font-family:trebuchet ms;"><br />
The team size enlarged by 2 men and we proceeded on to the sharply switching bends above <em>Janakichatti</em>. The trail looked to be moving heavenwards forever, at least for the next one hour! Just when we were about to reach the top of this sharp ascent we saw a gentleman sitting on the ground, in pain, with a group of his friends and relatives tending to him. Apparently he was riding a pony and fell backwards on his head loosing balance in that sharp gradient.</span></div>
<div><span style="font-family:trebuchet ms;">I remembered why ponywallahs always ask you to lean forward during an ascent and lean backwards during sharp descents.</span></div>
<p><span style="font-family:trebuchet ms;"></p>
<div><span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisR8dF_-I/AAAAAAAAD5s/xQwH798grSo/SaptarishiD211.jpg?imgmax=512" border="0" alt="" /> Right after this sharp climb the route levels out onto the precipitous sides of a deep gorge. Hundreds of feet below, the snaking <em>Yamuna</em> thunders along. The vast vertical sidewalls of the gorge were dotted with several little waterfalls that mist down the depths and join the tempestuous currents of the <em>Yamuna</em>. That hour of the track is harassing, to say the least, for all who would not have a good head for heights. The route however is secured with iron railings on the sides, for the route sees such a heavy traffic of pilgrims every season.<br />
Now and then one would see mangled remains of these railings – signs of the powerful avalanches that would have shown their fury during the winter snows.</span></div>
<p></span><span style="font-family:trebuchet ms;"><span style="font-family:trebuchet ms;">Soon one reaches <em>Deodekhni</em> from where the <em>Yamunotri</em> temple can be seen set against the mighty mountain walls that form the foundations of the <em>Banderpunch Massif</em>. The temple is situated in the middle of two large waterfalls which confluence together nearby. A little ahead was the diversion to the left and up – </span></p>
<div><span style="font-family:trebuchet ms;">“<em>Woh route hai Bali Pass ke liye</em>”..Swarup Lal informed.<br />
It took me 6 more years to come back there and attempt the route to <em>Bali Pass</em>, though my mind was set upon that trek that day onwards.</span></div>
<p><span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh6.ggpht.com/ashutosh69/RzQ7Gxu2TbI/AAAAAAAABDE/S06d-irZBHE/IMG_7785.JPG?imgmax=512" border="0" alt="" />My father had overtaken us on his pony and gone ahead. By the time we reached Yamunotri he was waiting for us at the entrance to the lane that leads to the temple. He had finished his Darshan and offered us some Prasad.</p>
<p>It was already 1200 and we decided to bypass the temple <em>Darshan</em>(Perhaps that’s the mistake I did.. as I would realise later). It was decided that Baba would go back to Hanumanchatti and wait for us while we would do <em>Saptarishi Kund</em> and come back the following day.</p>
<p><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisQ8dF_9I/AAAAAAAAD5k/uVo-CgLSArw/SaptarishiD210.jpg?imgmax=576" border="0" alt="" /><br />
Off we went crossing the bridge at <em>Yamunotri</em> that led us to a route that flanked and went up the hill side to the true left of the main <em>Yamuna </em>Stream (alongside which the temple is located). As the foret cover thickened so did a faint aroma in the air. Just then Swarup Lal stopped dead on the track, looked deep into the shrub cover to the left with absolute focus, grabbed a shrub and yanked it off with its root intact.<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh3.ggpht.com/ashutosh69/RzQ7OBu2TcI/AAAAAAAABDM/c9D7q9A793E/IMG_7786.JPG?imgmax=512" border="0" alt="" />“<em>Iska Jad ko soongh ke dekhiye Saab</em>.” He was making me smell the root and it had this strong smell of some pain balm.<br />
“<em>Bas iska Chai banaiye aur Sardi Khansi khatam</em>”.. He was describing the medicinal characteristic of the root that would beat the sales pitch of any medicine representative.</p>
<p>In the next one hour he showed us some 10 different flowers and roots each having a different medicinal characteristic. One was genuinely surprised with his acute knowledge of Flora in that area.</p>
<p><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisJ8dF_4I/AAAAAAAAD48/LknMS7JYjPQ/SaptarishiD203.jpg?imgmax=576" border="0" alt="" /> “<em>Isko Mat chhuna! Bahut zehreela hai yeh. Cyanide jitna. Isko Cyanide flower kehte hain. Agar kha liya to ek raat me kaam tamaam ho jayega</em>” Swarup Lal was chirping along pointing at a flower which was probably the prettiest with the brightest of shades of pastel.</p>
<p>Swarup hailed from <em>Kharsali </em>village which is just opposite <em>Janakichatti </em>across the river. Apparntly a good many number of people from their village earned their livelihood by collecting these exotic herbs and selling them to drug companies that come shopping for these from the mainland plains of Northern India. That explained the amazing repository of botanical information that simple people like Swarup Lal possessed.</p>
<p>The entire mountainside was blooming and each of the flower and shrub had their own special story. Presently we heard the sound of gunfire&#8230;<br />
“<em>Kasturi Mara!! Koi local shikari hai</em>” exclaimed Swarup Lal.</p>
<p>“<em>Kastruri? Muskdeer?</em>” I asked</p>
<p>“<em>Haan muskdeer, Kasturi-mrig kehte hum gaon me. Bahut hain is jungle mein</em>”. Swarup informed quite matter-of-factly.</p>
<p>Apparently the forest had its population of muskdeers which get abundantly poached by local hunters. I was getting more and more enthralled every moment as the true beauty of the flora and fauna in this majestic mountain unfolded. It was as if one was in magic land.. lush green hillside dotted with a zillion flowers, the smell so very exotic, the eagerness of sighting a muskdeer or beer, the silvery drape of snow over the shoulders of distant mountains and the rolling clouds on the horizon!! Wouldn’t one die to have that all freeze-framed?</p>
<p>“<em>Aaj zyda ooper nahin jayenge. Jungle aur Paani ke paas hi camp lagate hain</em>” opined Swarup. He was against camping anywhere high up and promised us a camping ground soon, which I was doubting of course looking at the angle of incline of the valley.<br />
<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisVsdGAAI/AAAAAAAAD58/6eGj5kGIhSk/SaptarishiD213.jpg?imgmax=576" border="0" alt="" /><br />
“<em>Won raha campsite</em>” He was pointing at a little clearing over a spur that jutted out of the valley side between two swiftly flowing waterfalls and dropped sharply down. The said campsite was on top of this spur providing a clearing, barely 150 feet long and 20 feet wide. But to our tired limbs it looked inviting enough and we set up our little Alpine tent there.<br />
A campfire was setup in no time over which the dinner was cooked for the night.</p>
<p>“<em>Yahin to aaye the Hanuman Ramayan ke time me. Sanjeevani booti issi pahad mein hai. Abhi bhi hai&#8221;</em> Swarup was back to his unending stories even as the dinner was getting cooked.</p>
<p>Apparently this was the mythical mountain described in the <em>Ramayana</em>, where grew the magic herbs that restored health and life back to the injured <em>Laxmana</em>. <img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh4.ggpht.com/ashutosh69/SCisTsdF__I/AAAAAAAAD50/-7fmrMI2Xq0/SaptarishiD212.jpg?imgmax=576" border="0" alt="" /> Here was the story! That was the association of <em>Hanuman</em> and <em>Yamuna</em>! It was several years later that I discovered the plaque at <em>Hanumanchatti</em> that lucidly describes the origin of the name of the place(<em>Hanumanchatti</em>) and the adjoining river(<em>Hanumanganga</em>) and temple(<em>Hanumaneswar Mahadev</em>). That was the place where apparently Hanuman had rested after his long flight from <em>Srilanka </em>and had quenched his thirst with water from the river- which was later called Hanumanganga. How I wish, water could be replaced with aviation fuel? I mused <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> .<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisYsdGACI/AAAAAAAAD6M/l9itjjf-dEc/SaptarishiD215.jpg?imgmax=576" border="0" alt="" /> We chatted late into the night, huddled around the camp fire, on that little spur under the vast open sky, listening to beautiful weave of tales from Swarup and Dhaniram.</p>
<p><span style="font-size:medium;"><span style="font-family:trebuchet ms;"><em><strong><span style="font-size:130%;color:#330099;">Day 3- Spur Camp- Saptarishikund- Yamunotri- Hanumanchatti</span></strong></em></span><br />
</span><span style="font-family:trebuchet ms;"><br />
</span><span style="font-family:trebuchet ms;"><span style="font-size:medium;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh3.ggpht.com/ashutosh69/SCisXMdGABI/AAAAAAAAD6E/k1fDJpgbAAY/SaptarishiD214.jpg?imgmax=576" border="0" alt="" /></span></span><span style="font-family:trebuchet ms;">We had agreed on starting early the next day in order to beat the afternoon drizzle. But Bunty refused to budge when I tried waking him up the next morning. Apparently his head was feeling heavy and however much I would try to reason with him he simply refused to get up. I didn’t force much thinking he had been hit by AMS and his physical defences were up.<br />
So I decided to leave Bunty as camp guard and proceeded forth with both Swarup and Dhaniram to help me. If Bunty would have been ready, Dhaniram would have been the camp guard. Hard Luck! </span></p>
<div><span style="font-family:trebuchet ms;"><br />
The track soon winded upwards and brought us to a shepherd hut. Clouds were rolling in and it had begun to drizzle very lightly. The route now formed into sharp switchbacks leading forever upwards. There were probably 15 switchbacks in total and we were up by some 300 mtrs by the time we finished with them.</span></div>
<div><span style="font-family:trebuchet ms;"> </span></div>
<p></span><span style="font-family:trebuchet ms;"><span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisL8dF_5I/AAAAAAAAD5E/i7VpC2JzwSU/SaptarishiD204.jpg?imgmax=576" border="0" alt="" /> All along Swarup had been pointing out the various Aromatic herbs like <em>Google, Punja, Lemon Grass</em> and <em>Brahmkamal</em>.</span><span style="font-family:trebuchet ms;"> While <em>Google, Punja </em>and <em>Lemon Grass </em>had therapeutic usage, <em>Brahmkamals</em> served a more religious purpose. </span><br />
<span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCisG8dF_2I/AAAAAAAAD4o/f6l5BeJ9oow/SaptarishiD201.jpg?imgmax=576" border="0" alt="" /></span> <span style="font-family:trebuchet ms;">It’s basically good omen to find Brahmkamals in full bloom. They are the most precious floral offerings in the temples of Garhwal- for these are flowers one finds only between altitudes of 4000-4500 Mtrs and thus indicate the labours involved in obtaining them.</span></p>
<p><span style="font-family:trebuchet ms;">There were <em>Phen Kamals </em>as well which had coagulating, antiseptic and healing properties. <em>Phen Kamals </em>can be seen at even higher altitudes growing even on scree and morraine slopes. Dhaniram and Swarup picked up clumps of <em>Google herb </em>and <em>Lemon Grass </em>as tokens of gifts for the <em>Babaji</em> who lived at <em>Yamunotri</em>. I admired the absolute devotion in Swarup and Dhaniram as they collected herbs for their <em>Babaji</em>.<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh3.ggpht.com/ashutosh69/SCislMdGAJI/AAAAAAAAD7E/8ZiQxshjFXw/SaptarishiD309.jpg?imgmax=512" border="0" alt="" /> The track then headed <em>East</em> (All along till then we were going west!) and entered a wide high valley indicating the final approach to the <em>Kund</em>. A near vertical wall with fairly brittle rock presented as obstacle settled over a mound of scree. Both Swarup and Dhani guided me above with indulgent care. There were places where we were hanging on to vertical walls with mere finger-holds. <img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh4.ggpht.com/ashutosh69/SCisacdGADI/AAAAAAAAD6U/O5dMEDsS3tU/SaptarishiD302.jpg?imgmax=576" border="0" alt="" /> Luckily this ordeal lasted for about 15 minutes only and we walked up the final ridge to a depression beyond where few Cairns and a fluttering red flag announced the location of <em>Saptarishi Kund</em>. A faint and silent stream of water flowed from the South-East corner&#8230; the source waters of the mighty <em>Yamuna</em>!<img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh3.ggpht.com/ashutosh69/SCisoMdGALI/AAAAAAAAD7U/TwqGs7FtiPw/SaptarishiD312.jpg?imgmax=576" border="0" alt="" /> There are in fact two glacial ponds there, I am not sure if they are interconnected. Towards the <em>North East </em>was a Pass which led to the higher plateau of the <em>Banderpunch</em> glacier. The place had a eerie feel.. we felt as if we had intruded upon the space of sacred and silent meditation ground. There were wisps of clouds hanging all around and we were getting progressively wetter with the frozen mist of a drizzle. The sky was overcast threatening to pour down any minute which prompted us to hasten our retreat after some quick photo-shoot.<br />
I do not remember for sure if it was the excitement of adventure or the fear of impending rains that prompted me to do what I did for which the mountains taught me a lesson that shall never be forgotton in my living memory. <img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh6.ggpht.com/ashutosh69/SCisb8dGAEI/AAAAAAAAD6c/KY2i1_xQdhs/SaptarishiD303.jpg?imgmax=576" border="0" alt="" /> I sped my way down!! In fact I was hopping over boulders, taking shortcuts over the switch backs, jumping over the bushes slipping occasionally but essentially speeding down the track to the spur camp. It must have been barely 30 minutes and some 2 kilometers down that the numbing cramps gripped my thighs and knees ..somewhere in the middle of the switch-backs. Within barely 5 minutes I became a limping wreck of a trekker. In spite of the support of the metal tipped walking stick, each step now became agonisingly painful. It was almost as if I was walking on some short stilt, unable to bend any part of my leg. That’s when I learnt the importance of the extreme care that must be exercised while coming down a steep descent.<br />
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<p><span style="font-family:trebuchet ms;"><span style="color:#000066;"><em>I was learning the cardinal rules of high altitude hike- Be doubly careful while coming down the same steep slope which you climbed earlier with so much ease. Never take the impact of descent on the knee joints; use the thigh muscles, take support of the trekking pole and take the brunt of the impact on the waist!</em></span></span></p>
<p><span style="color:#000066;font-family:Trebuchet MS;"><em>&#8220;Sir Pahari aurat kaise load sar pe le kar slopes se utarte hain ? Waise chalo&#8230; thoda ajeeb lagega lekin cramps nahin hoga&#8221;- Harveer Panwar taught me this a year later when we were hurtling ourselves down the Tapovan banks.</em></span></p>
<p><span style="font-family:trebuchet ms;"><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh3.ggpht.com/ashutosh69/SCisgMdGAGI/AAAAAAAAD6s/ZQCl3x485hI/SaptarishiD306.jpg?imgmax=576" border="0" alt="" /> The agony continued and we finally reached camp after 2 hours to be welcomed by a thoroughly exasperated Bunty, who was by then regretting his morning laziness and had explored all little peaks, mounds and spurs in that area around the camp. His jinx of stopping short of the summit continued. I do respect the cheerful countenance that he did wear afterwards trying to get over the disappointment by taking on the task of guiding his injured brother back to safety.<br />
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<p><span style="font-family:trebuchet ms;">He took over the load of my rucksack and would lend me a constant helping hand to aid the descent to <em>Yamunotri</em>. We had, by then, decided to take a pony from <em>Yamunotri</em> for I was in no condition to walk that entire distance. By 1800 Hrs we reached <em>Yamunotri</em> and managed to catch one last <em>Ponywallah</em> and a porter to help us reach back to <em>Hanumanchatti</em>. </span></p>
<p><span style="font-family:trebuchet ms;">Soon the sun set and the darkness of the night engulfed the environs. There was no moon in the sky and even the stars had stopped twinkling. We were making extremely slow progress through that difficult terrain, heart pounding with anxiety of facing imminent danger. We had been to <em>Yamunotri </em>and failed to pay obeisance to <em>Mother Yamuna</em>.<br />
</span><span style="font-family:trebuchet ms;">“<em>Its her wrath </em>“ I thought and cursed myself for having not done the Puja in the temple on the way up.<br />
</span></p>
<p><span style="font-family:trebuchet ms;">After a gruelling 3 hours from <em>Yamunotri</em> we finally covered the distance to <em>Naradchatti</em> from where we got a short Jeep ride back to Hanumanchatti. The <em>ponywallah</em> and the porter insisted on taking the torch to guide their way back home instead of a tip in cash. Obviously reaching back home safely was more important to them compared to any cash reward! </span></p>
<div><span style="font-family:trebuchet ms;">Thus ended the second day full of adventure. The pain was gone in surprising promptness once I had taken a pill of <em>Nimusulide</em>. And we slept like logs, resting our limbs for a long drive back to Delhi the next day.<br />
<span style="font-size:130%;color:#330099;"><em><strong></strong></em></span></span></div>
<div><span style="font-family:trebuchet ms;"><span style="font-size:medium;"><span style="font-size:130%;color:#330099;"><em><strong>Day 4- Hanumanchatti- Delhi</strong></em></span><br />
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<p><span style="font-family:trebuchet ms;">Riding back through the mountain roads to Delhi I was still reflecting over the experiences of the past forty eight hours. The <em>Himalayas</em> had shown us a very different aspect of its grandness.</p>
<p><img style="display:block;width:400px;cursor:hand;text-align:center;margin:0 auto 10px;" src="http://lh5.ggpht.com/ashutosh69/SCkfscdGAOI/AAAAAAAAD8I/MGVzOrRkt-s/Project_Page000.jpg?imgmax=512" border="0" alt="" /> Since the time, for as far back as human memory goes, he has provided the much meditative seclusion for the seeker of higher truth, has nourished and nurtured a whole civilisation with its gigantic watershed, has protected whole continent of land from marauding invaders standing the lone sentinel, has held together the most wonderful bouquet of climates that one sees only in this unique land &#8230; and as I now discovered, has even provided for health and wellness with his amazing treasurehouse of medicinal flora!</p>
<p>It’s only during my later readings that I discovered that the branch of physical sciences in the Vedic ages actually developed in these mountains. It’s in the laps of these very mountains that the ancient Seers codified the first principles of <em>Ayrurveda </em>and <em>Tantra </em>under the tutelage of the great sage “<em>Maha Atahrvana Javali</em>”. Under its clear starlit skies the ancient astronomer-sages wrote the first verses of Vedic Astrology. Here people studied the effects and causes of the Paranormal. This school of sciences eventually got classified under the Vedic texts and came to be known as “<em>Atharava&#8221;. </em>This, was later recognised as the <em>The Fourth Veda</em> after much debate and strife with the proponents of the &#8220;<em>Trayi Vidya- Rig, Yajuh, Sama&#8221; </em>schools of knowledge- that developed in the hermitages on the banks of Ganges.</p>
<p style="text-align:justify;">A picture played in the mind- that of a wizened old sage with beards so white and pure, upon whose lap play a bunch of children with utter curiosity and wanton playfullness. Once again my heart filled with gratitude and my head bowed down with reverence and love for this mighty and benevolent “Giver”.</p>
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<p class="MsoNormal" style="text-align:right;margin:0;" align="right"><span style="font-size:small;"><span style="font-family:Trebuchet MS;"><em><span style="font-weight:normal;color:#3366ff;letter-spacing:0;">[ Published under the author’s permission ]</span></em><em><span style="font-weight:normal;letter-spacing:0;" lang="EN">  </span></em><span style="font-weight:normal;letter-spacing:0;" lang="EN">  </span></span></span></p>
<p class="MsoNormal" style="text-align:left;margin:0 0 6pt;" align="left"><em><span style="font-weight:normal;color:#008000;letter-spacing:0;"><span style="font-size:small;font-family:Trebuchet MS;"> </span></span></em></p>
<p class="MsoNormal" style="margin:0 0 6pt;"><span style="font-size:small;"><span style="font-family:Trebuchet MS;"><em><span style="font-weight:normal;color:#008000;letter-spacing:0;">[ Original publication at </span></em><span style="font-weight:normal;letter-spacing:0;" lang="EN"><a href="http://www.snowscapes.blogspot.com/"><em><span style="color:#008000;">www.snowscapes.blogspot.com</span></em></a><em><span style="color:#008000;"> on May 13, 2008–the readers are requested to express their comments on the original Blog as mentioned above ]</span></em></span></span></span></p>
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<title><![CDATA[Your Name]]></title>
<link>http://ravenswingpoetry.com/2008/04/26/your-name/</link>
<pubDate>Sat, 26 Apr 2008 20:13:36 +0000</pubDate>
<dc:creator>ravenswingpoetry</dc:creator>
<guid>http://ravenswingpoetry.com/2008/04/26/your-name/</guid>
<description><![CDATA[Mahadev Means “Great Lord” - A Sanskrit pronunciation Of the man About to stand Before your eyes; Bu]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Mahadev<br />
Means “Great Lord” -<br />
A Sanskrit pronunciation<br />
Of the man<br />
About to stand<br />
Before your eyes;<!--more--><br />
But some anonymous bastard<br />
Decided to bastardize<br />
Your name<br />
And reduce it to some<br />
Common, ordinary junk<br />
Called Maday<br />
Without any color<br />
Or sound.<br />
But I&#8217;ve found<br />
The forgotten beauty<br />
Almost erased by a British stamp<br />
Lingering in three simple<br />
Syllables -<br />
Mahadev.</p>
<p><strong>Written 4/23/08</strong><br />
&#169; 2008 Nicole Nicholson. All Rights Reserved.</p>
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<title><![CDATA[महाशिवरात्रि पर क्‍या करूं ? What to do in MahaShivRatri ?]]></title>
<link>http://mahashivratri.wordpress.com/2008/02/26/%e0%a4%ae%e0%a4%b9%e0%a4%be%e0%a4%b6%e0%a4%bf%e0%a4%b5%e0%a4%b0%e0%a4%be%e0%a4%a4%e0%a5%8d%e0%a4%b0%e0%a4%bf-mahashivratri/</link>
<pubDate>Tue, 26 Feb 2008 12:05:04 +0000</pubDate>
<dc:creator>ashoksharma</dc:creator>
<guid>http://mahashivratri.wordpress.com/2008/02/26/%e0%a4%ae%e0%a4%b9%e0%a4%be%e0%a4%b6%e0%a4%bf%e0%a4%b5%e0%a4%b0%e0%a4%be%e0%a4%a4%e0%a5%8d%e0%a4%b0%e0%a4%bf-mahashivratri/</guid>
<description><![CDATA[Kailash North Face Originally uploaded by sewage महाशिवरात्रि पर कुछ करने की सोचा तो, क्‍यों न महाशि]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div style="float:right;margin-bottom:10px;margin-left:10px;"><a href="http://www.flickr.com/photos/sewage/297494612/" title="photo sharing"><img src="http://farm1.static.flickr.com/107/297494612_337c07dd7e_m.jpg" style="border:#000000 2px solid;" /></a></p>
<p><span style="margin-top:0;font-size:0.9em;"><br />
<a href="http://www.flickr.com/photos/sewage/297494612/">Kailash North Face</a></p>
<p>Originally uploaded by <a href="http://www.flickr.com/people/sewage/">sewage</a><br />
</span></div>
<p>महाशिवरात्रि<font face="Times New Roman"> </font>पर<font face="Times New Roman"> </font>कुछ<font face="Times New Roman"> </font>करने<font face="Times New Roman"> </font>की<font face="Times New Roman"> </font>सोचा<font face="Times New Roman"> </font>तो<font face="Arial">,</font> क्‍यों न<font face="Times New Roman"> </font>महाशिवरात्रि<font face="Times New Roman"> </font>पर<font face="Times New Roman"> </font>शंकर<font face="Times New Roman"> </font>भगवान<font face="Times New Roman"> </font>के<font face="Times New Roman"> </font>महा<font face="Times New Roman"> </font>स्‍वरूप<font face="Times New Roman"> </font>कैलाश<font face="Times New Roman"> पर्वत </font>और मानसरोवर<font face="Times New Roman"> </font>का<font face="Times New Roman"> </font>दर्शन<font face="Times New Roman"> किया </font>जाय <font face="Arial">, </font>मेरी<font face="Times New Roman"> </font>दुनिया<font face="Times New Roman"> </font>इंटरनेट<font face="Times New Roman"> </font>पर<font face="Times New Roman"> </font>आधारित<font face="Times New Roman"> </font>है<font face="Arial">,</font><font face="Times New Roman"> </font><font face="Times New Roman">कोशि</font>श तहती है कि अधिक से अधिक इंटरनेट में ही रहा जाय, सोचना <font face="Arial">, </font>काम करना और जीना इसी इंटरनेट की दुनिया में ।</p>
<p>और मनचाहा मिला भी <font face="Arial">, </font>आप भी दर्शन करें भव्‍य कैलाश<font face="Times New Roman"> </font>पर्वत<font face="Times New Roman"> </font>का<font face="Times New Roman">,</font> <font face="Times New Roman">अद्भुत आल्‍हादकारी ।</font><font face="Times New Roman">धन्‍यवाद है इस परम आनन्‍द देने वाले फोटो को दुनिया के दर्शन हेतु इंटरनेट में प्रकाशित करने वाले का ।</p>
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<title><![CDATA['मोहल्ले' के महादेव इन्हें चीन्हें !]]></title>
<link>http://kashivishvavidyalay.wordpress.com/2008/02/20/malati-choudharynagamamu/</link>
<pubDate>Wed, 20 Feb 2008 08:43:44 +0000</pubDate>
<dc:creator>अफ़लातून</dc:creator>
<guid>http://kashivishvavidyalay.wordpress.com/2008/02/20/malati-choudharynagamamu/</guid>
<description><![CDATA[&#8216;मोहल्ले&#8217; पर किसी ने महादेव देसाई के नाम से टीपा।&#8217;अंग्रेजों भारत छोड़ो-करो या मरो]]></description>
<content:encoded><![CDATA[&#8216;मोहल्ले&#8217; पर किसी ने महादेव देसाई के नाम से टीपा।&#8217;अंग्रेजों भारत छोड़ो-करो या मरो]]></content:encoded>
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