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An estimated 19.2 million people watched Donny Osmond last night win “Dancing With The Stars” — the smallest audience for the show’s finale since the first season – and take home the show’s traditional mirrored ball trophy in the season finale of the ABC TV contest reality program. 

Helping push Osmond over the top was the tango he performed Tuesday with his professional dancing partner, Kym Johnson. Judge Carrie Ann Inaba hailed his performance as “artistry in motion.” It earned the top score of the final performances. 

Osmond, the former teen pop star of the iconic singing Osmond family, said the show has been a highlight in a career of ups and downs.  

The 52-year-old showbiz veteran, who headlines at the Flamingo in Las Vegas with his sister, Marie, has been performing almost all of his life, but said that there’s a difference between cutting albums and selling records and dancing competitively. 

Donny Osmond now holds the distinction of being the first Las Vegas headliner to win “Dancing’ while having a show on the Las Vegas Strip. 

He competed during the show’s finale Tuesday against singer Mya and Kelly Osbourne, daughter of rock star Ozzy Osbourne. 

Mistakes on the dance floor during the season weren’t the only missteps of ABC’s live broadcast. At the top of Tuesday’s show, as highlights from Monday’s show ran, the video froze on shot of Miss Piggy, prompting host Tom Bergeron to remind viewers that the broadcast was live and send the show to an early commercial break. 

This was the ninth edition of the contest, one of television’s most popular shows. The Nielsen Co. says ratings have been down all season for the show, an indication that viewers weren’t as attached to the contestants as they had in the past.

I’m not allowed to watch Dancing With The Starts this season, Brennan won’t let me.  Okay, that’s not entirely true.  Yes, he made fun of me, but many others did the same, and the show honestly just didn’t hold the same excitement for me that it once did. 

My (our) first season was the 5th, the season of Helio Castroneves, Mel B and Marie Osmond.  Yaw and Brennan,  being the amazing friends that they are, would come over every Monday and Tuesday to enjoy whatever vegetarian delight I could come up with and sit through two hours of dancing festivities.  Since beginning my following of the show in season 5, I have seen every single minute of every single episode through season 8 and the triumph of Shawn Johnson.  Every sequin, every bangle, every dip, slip and trip for four seasons straight I witnessed. 

Then this season was announced.  Outside of Donny Osmond – who, by the way, has my full support for tonight – I really wasn’t interested in most of the cast, and as my obsessive behavior for the show had reached an all-time high, I realized it was time for a break.  While I haven’t watched an episode of Season 9, I have seen bits and bobs about the progression as the weeks went on, including comments on last night’s freestyle routines.  There really are no words for how devoted (obsessive, crazed) I have been to this show, and as such, I am fully confident in making the following assessment: The decision of who takes home the mirror ball trophy, and the sparkly glory that goes with it, all comes down to the freestyle dance.

Let us certainly not overlook the fact that there are nine weeks preceeding the finals and that one must knock off 7, 10, (or this season) 12 other competitors to even have the chance to uninhibitedly shake what yo momma gave ya, and I will absolutely give credit to all those performances that got the final three into, well, the final three.  But let’s look at the tape as to what the competition really boils down to.

Gilles Marini, Season 8 Runner-Up Previously known only as the naked dude on Sex and the City, Marini came out of nowhere to be the front-runner in season 8.  Pelvic thrusts, undeniable chemistry with partner Cheryl Burke, that French accent and oh so obvious good looks made this ’star’ a fan favorite early on.  The very partner that turned him into the Don Juan of the Ballroom completely screwed him over though by choreographing a lack-luster freestyle, focusing more on her and less on him; you know, the star.  Judge Carrie Ann Inaba didn’t let that go unnoticed, and the judges’ scoring accurately reflected the audience’s take as well.

Melissa Rycroft, Season 8 Second Runner-Up Jilted on national television by her super-tool fiance, Jason Something-or-the-other, Rycroft jumped into the competition only two days before the start of the season, replacing an injured Nancy O’Dell.  America’s new sweetheart already had ballet training and a few years as a Dallas Cowboys Cheerleader under her belt, and she made good use of those skills to dazzle the audience at every turn.  I was a Melissa fan, and I’ve always been a huge Tony Dovolani supporter, but what was supposed to be a freestyle turned out to be ’see how many lifts we can do in a minute and thirty seconds.’  Poor judges remarks and scores were earned immediately followed by being announced as first out in the finals.

Lance Bass, Season 6 Second Runner-Up Oh, Lance and Lacey.  Rebels of the ballroom they certainly were, and after a roller coaster of early performances, they finally hit their stride.  After all that hard work to make it into the finals, they went for a full-on hip hop freestyle and in their minds, that meant no lifts.  No lifts in DWTS Finals world means no points and no votes.  They also threw in some random Cha Cha steps, which instead of showing that they tried to incorporate some things Lance learned throughout the previous 9 weeks made the dance entirely disjointed, and the judges certainly did not enjoy.

Mel B, Season 5 Runner-Up With a partner like bad boy of the ballroom Maksim Chmerkovskiy, in addition to her feisty personality and undeniable flash, no one saw two-time Indy 500 champ Helio Casotroneves pulling ahead in the final lap for a victory over Ms. Brown.  On the first few beats of her freestyle, I was prepared for a mind-blowing exhibition to Timabaland’s ’The Way I Are’.  I was bored from the beginning, and Mel B seemed to stumble almost as though she had no idea where she was or why she was in a tight red corset with all those lights shining on her throughout the dance, and I wasn’t alone; judges remarks reflected my thoughts and Mel went home empty-handed.

Marie Osmond, Season 5 Second Runner-Up Okay I’ll admit it, Marie was not really one of the top three dancers from this season, though I loved her from the start.  Her fans, and not her footwork, kept her going week after week, but nothing could save her from the Bride of Chucky-like baby doll freestyle to the Rolling Stones’ tune, ‘Start Me Up’.  I love Marie, I love Jonathan (seriously, if I’m ever on DWTS, I want him as my partner), and I love the Stones, but this collaboration was an absolute nightmare.  The doll thing was cute for a couple of seconds, paying homage to fans who buy her line of dolls, but it was way too much, way too creepy, and way not enough dancing for anyone’s taste.  Her freestyle is still talked about to this day as one of the worst in series history.

Now let’s look at who beat them. 

Shawn Johnson, Season 8 Champion In a final three lovingly made fun of for being the ‘who’s that’ of the ballroom instead of ‘who’s who’, Shawn Johnson took home the mirror ball in spectacular fashion with a freestyle that left even the hearts of the audience racing.  The girl’s an Olympic Gold Medalist in gymnastics for crying out loud, and Mark Ballas squeezed out every last drop of energy within her for the 1:30 minute show.  It is possible for one to argue that, as I mentioned before, none of the last three standing had much of a fan base and that, being fresh off an Olympic victory, Shawn had a bit more of a following.  I’m telling you seriously though, it all came down to her freestyle, and a lack of freestyle finesse from her competition.

Warren Sapp, Season 6 Runner-Up I wanted Warren to win so badly I could taste it.  For some reason, I couldn’t stand Brooke Burke and I absolutely loved the idea of a former defensive tackle channeling Fred Astaire.  He was amazing throughout Season 6, particularly in the smooth dances, and his freestyle was what pushed him ahead of Lance into the final two.  Warren Sapp in a silver sequined vest?  Priceless.  Of course, his freestyle wasn’t fawned over by the judges like Season 6 champion Brooke Burke’s performance, which leads us to…

Brooke Burke, Season 6 Champion I wasn’t the biggest fan of this freestyle, probably because I wasn’t the biggest fan of Burke, but the judges absolutely ate it up.  Carrie Ann said it was one of the best ever, and the fans agreed by crowning Burke Season 6 champ.

Helio Castroneves, Season 5 Champion Yes, Helio had Julianne Hough, fresh off her Season 4 victory with Apollo-Anton Ohno as a partner.  Believe me, it wasn’t her fan base that got them first place, it was the ridiculous choreography in the freestyle.  Every second was jam-packed with passion, excitement, lifts that tiny little Castroneves should never have been able to pull off, and oh Helio, that smile.  True, they didn’t get a perfect 30 with fussy pants lift policewoman Carrie Ann’s 9, but the dance was beyond spectacular.

Obviously I don’t know the results of tonight’s Finale, and it’s quite possible all my theories and conjectures could be thrown right back in my face, but I’ll be durned if Donnie Osmond doesn’t take home the trophy based on Kelly Osbourne’s stumble and Mya’s iffy performance.  Of course, Donnie’s 8 million-strong Mormon fan base doesn’t hurt either…

*Notable exception: Joey Fatone and Apollo-Anton Ohno, Season 4.  Either could (should) have won that season.  Interesting though, Laila and Maks took home third after receiving only 26 points to the fellas’ perfect 30’s.  Coincidence?  I think not.

The dynamic brother-sister duo Donny & Marie Osmond have taken over the Flamingo Hotel in Las Vegas.  And after seeing the show and speaking with fans, it’s easy to see why!  These two are incredible entertainers, whether you’re a little bit country, a little bit rock-n-roll, or a little bit Vegas!

Rodney Hall (left) with Wilson Pickett (right)

Reaching its half-century mark, the FAME Music Group with offices in Nashville and Muscle Shoals, Alabama remains a family-owned company whose survival as a studio and as an independent publisher–rests heavily on the shoulders of Rodney Hall, president/co-owner of FAME Publishing, House of FAME, and Muscle Shoals Records.Hall, who is also the studio’s manager/engineer, has spent years at the complex supervising demos to masters of such artists as Alabama, Marie Osmond, Clarence Carter, Jason Isbell, Drive-By-Truckers, Bettye Lavette, Russell Smith and others.He also oversees the catalogs of FAME Publishing (BMI), and House of FAME (ASCAP).

FAME—its name derived from the acronym for Florence Alabama Music Enterprises—was founded in 1959 by Rodney’s father Rick, along with Billy Sherrill, and Tom Stafford. Its in-house writers, Hall, Sherrill, and Dan Penn soon wrote songs that were covered by such artists as Roy Orbison, Brenda Lee, and Tommy Roe before Hall assumed sole ownership of the firm.A native of Freedom Hills in Franklin County, Alabama, Rick Hall rose from a humble background to come to the Shoals’ region in the late 1950s. By 1960, he had moved FAME across the Tennessee River to Muscle Shoals.In 1961, Hall produced Arthur Alexander’s breathtaking “You Better Move On” at an old abandoned tobacco and candy warehouse. Issued by Dot Records, the single reached #24 on Billboard’s pop chart. “You Better Move On” was later covered by the Rolling Stones, the Hollies, George Jones & Johnny Paycheck, and Mink DeVille. Alexander’s follow-up hit “Anna” was later covered by the Beatles.

The first song recorded at FAME’s Avalon Avenue studio location, and the first release on the FAME label (after sitting on the shelf for three years), was Jimmy Hughes’ signature hit, “Steal Away.” It reached #17 on Billboard’s R&B and pop charts in 1964.The FAME label roster would grow to include Clarence Carter, Dan Penn, Arthur Conley, Mac Davis, Paul Anka, and Candi Staton.World renowned for creating “The Muscle Shoals Sound”–along with such powerhouse studio players as Norbert Putnam, Spooner Oldham, Jerry Carrigan, Earl “Peanut” Montgomery, Terry Thompson, David Briggs, Barry Beckett, Roger Hawkins, Eddie Hinton, David Hood, Jimmy Johnson and others–Hall has attracted and worked with an astonishing number of great acts to his FAME studio.

Lynard Skynard’s “Sweet Alabama” famously paid tribute to the region’s musicians“Now Muscle Shoals has got the Swampers And they’ve been known to pick a song or two,Lord they get me off so much,they pick me up when I’m feeling blue, now how about you”?Among those who have made the trek to the FAME studio are Aretha Franklin (her sole session there yielded her breakthrough“I Never Loved A Man”that the band Aersosmith released 4 years ago on their album”Honkin on Bobo”,an unfinished version of “Do Right Woman Do Right Man”,Wilson Pickett,Etta James,Otis Redding,Joe Tex,the Staple Singers,the Tams,the Osmonds,Tom Jones,as well as such country acts as the Gatlin Brothers,Jerry Reed,T.G. Sheppard,Shenandoah and many others.It was Hall who,after catching guitarist Duane Allman playing a session with his band Hour Glass,hired him to play on Pickett’s 1969 album,“Hey Jude” (1969). Allman was then quickly hired on as a full-time session player.While at FAME only less than a year,Allman was featured on releases by Clarence Carter,King Curtis,Otis Rush,Ronnie Hawkins,Percy Sledge,Johnny Jenkins,Boz Scaggs,and jazz flautist Herbie Mann.

Along the way,Hall’s publishing companies FAME Publishing and Rick Hall Music signed writers like Walt Aldridge and Tommy Brasfield who scored country hits with Ronnie Milsap,Earl Thomas Conley,Alabama,and Ricky Van Shelton.After selling the publishing rights to songs in the FAME Publishing and Rick Hall Music catalogs to EMI Music Publishing in 1989,Hall began to rebuild his publishing interests with his three sons,Rodney,Mark,and Rick Jr.FAME Publishing and Rick Hall Music continued to have hits throughout the ’90s.Writers,including Walt Aldridge,Gary Baker,Mark Narmore,Brad Crisler,Bruce Miller,Tony Colton,and Mark Hall had songs recorded by John Michael Montgomery,Pam Tillis,Blackhawk,Tim McGraw,Reba McEntire,All 4 One and Shenandoah.In 1996,Mark Hall co wrote “I Like It I Love It” which reached #1 on the Billboard country charts.In 1999,Rick Hall sold chunks of FAME Publishing,and Rick Hall Music to Los Angeles-based publisher Music and Media.Rodney and Mark Hall then bought the unrecorded songs,and assets of the two publishing companies from their father Rick,and renamed Rick Hall Music as House of FAME.Afterwards,FAME began to replenish its writing staff with a batch of new young writers.Today,it’s roster includes James LeBlanc and his son Dylan,Jason Isbell,Gary Nichols,former“Nashville Star”winner Angela Hacker,and members of the Mobile,Alabama band,Ugly Stick.In the past decade,FAME has had songs recorded by the Dixie Chicks,Tim McGraw,Leann Rimes,Reba McEntire,Rascal Flatts,George Strait,Jason Aldean,Joe Diffie,Martina McBride,Travis Tritt,Sara Evans,Aaron Tippin,Billy Ray Cyrus,Alabama,John Michael Montgomery,Chris Ledoux, Rebecca Lynn Howard,Kenny Chesney,Gary Allan,and Bo Bice.In 2001,Rodney Hall established the subsidiary label, Muscle Shoals Records which has released albums by Russell Smith,James LeBlanc,and the Muscle Shoals band the Decoys.

There are currently many up and coming rising stars & inspiring songwriters based out of Muscle Shoals,Alabama & surrounding areas that are paving their way into the Music Industry.Some which are making not only local headlines but National headlines and I would’nt be surprised at all if a few of them becomes the next history hit makers from Muscle Shoals Alabama.While reading this article,Soundbitenew’s conducted a quick search on the area and let’s just say we’ve been more than inspired. We’ve been knocked off of our feet with information that’s not in this article. So we will be bringing you more stories and hopefully a few of our own candid interviews from other Muscle Shoals artist very soon.One duo group specifically called ”State Line Mob” has already agreed for an article,so they can tell their side of the legacy and talk about their music that seems to keep growing called “The Muscle shoals Sound”!

 This concludes part 1 of this article. Part 2 below this article will include an candid one on one up to date interview with Rodney Hall of Fame Recording Studio and Fame Music Group.You don’t want to miss reading it!

Credits: The ENCORE Digital Weekly Magazine  , revised by Soundbitenews                                                                             taken from the original article posted by Larry LeBlanc

We hope you enjoyed part 1 of the Fame Music Group article as much as we did.So now we begin with part 2 of the artcicle,Rodney Hall of Fame Music group speaks out,in this very recent candid interview.

As a company, you have a strong brand name.

Absolutely. We really have two brand names, FAME and we have Muscle Shoals. We’ve come to the conclusion that the Muscle Shoals brand is probably bigger than the FAME brand. Just because it is a bit more famous. Lynyrd Skynard didn’t say “FAME’s got the Swampers.” (in “Sweet Home Alabama.”) They said “Muscle Shoals has got the Swampers”.

How did you come to work at the studio?

When I was younger, I would come in and do odd jobs. After I graduated, I got a masters from (University of) Alabama in business, and I went to work in Huntsville (Alabama) selling computers for a corporate computer company. We sold to NASA, and The Boeing Company. The 486 computer had just come out, and it was screaming (selling well). It’s a funny story today, but I sold a 486 computer to NASA for $20,000. It had a gigabyte of hard drive, 4 Megs of RAM on the video card and, maybe, 12 or 16 Megs on the RAM. Now, you couldn’t even give that away.

I’m surprised with your business degree that your dad didn’t seek you out to work in the family business. At that point, he was busy producing country acts like Shenandoah and T.G. Sheppard.

When I got out of college, the last thing I wanted to do was go to work for my family.

Well, it’s often hard for someone to work for their father.

Especially, if he’s mine.

Those stories of your dad being pugnacious are true?

He’s definitely one of a kind. He’s got his own way of doing things. That’s the way he wants it done. Of course, a lot of that (attitude) has changed over the years.

How did you jump from selling computers back to Muscle Shoals in 1990?

I was doing well selling computers, but I wasn’t very happy doing it. I was sitting an hour away (in Huntsville) thinking, “My family has a world famous business, and that is what I want to do, if I can just put up with the whole family business thing.” One day, I just said, “I’m going to try it.” (The music business) is what my passion is. Even though I was making good money selling computers, it was not what I wanted to do the rest of my life.

Did you then have to establish ground rules of conduct with you dad?

I’m doing that now (laughing). At the time, my brother Mark was in Nashville, and he was pitching songs for us. We needed someone to come back here and take the reins. Mark didn’t want to move back to Muscle Shoals. So, I went ahead and made the plunge.

You didn’t sit down with your dad and say, “I will come if…..”?

Well, we had some of those conversations. At that time, he wasn’t in every day. He was kind of doing his own thing. He had just sold the publishing catalog to EMI, and we were rebuilding the catalog. So, it was a good time to get into it. He produced Alabama in 2000, and he did some things that never came out. He did some things with Marie Osmond on Curb that never came out. He did Vern Gosdin, Billy Joe Royal and other things. The real big act that he was working with was Shenandoah.

Muscle Shoals had once seriously challenged Memphis’ claim to be the capital of southern soul. But the glory days had gone by the time you returned.

Oh, the glory days were definitely gone. And I knew that. I knew that it was going to be up to me to rebuild (the business), and keep it going. I looked around, and everybody in Muscle Shoals was 10 or 15 years older than me, at best. Some were even older than that. There weren’t many up-and-coming talents around at that point. I think a lot of that was the fact that (our company) had gotten so big. It was a little different back in those days. It was a closed door situation. It wasn’t like you could walk over here and play someone a song.

Nashville, two hours away, had become the draw for young songwriters and musicians throughout the south.

Absolutely.

Muscle Shoals isn’t Nashville.

Leaving (Nashville), I can’t wait to see the city limits sign in my rear-view mirror. They’ll chase their tail there (trying to come up with hits). It’s “Oh, we have to write a song for Taylor Swift.” By the time, the writers get the song written, demoed, and get it to her, she’s gone onto something else.I think the thing about Muscle Shoals is that we don’t put boundaries on people like Nashville does. A song has to have this or has to have that there. We just do what we like, and what we feel. We don’t worry about whether it’s country or rock and roll or whatever. We just make music that we like.

Memphis is the blues center; Nashville is a country center; but Muscle Shoals is part of the triangle with both soul and country.

We say that it’s “The crossroads of country rock and soul.” There’s a little bit of all of that mixed in whatever we do. No matter what we are doing, whether we are doing country or whatever, we feel that there is a thread of soul there.

George Jones recently said that new country stars have stolen country’s music’s identity. He said they should find their own genre name.

I know what George was talking about, but I think that it is also just evolution. You go look at who was considered pop in the ‘50s and ‘60s, artists like the Lettermen and Dion. All that was pop then, but what they call pop now doesn’t resemble that.I think there’s a market for a music that is not country, but has some country feel to it. Everybody throws (such acts) into the Americana (format) which is never going to work until they go to a singles’ driven market because you can’t get any kind of grip at radio or anywhere else. There’s nobody playing the same songs.

It’s a shame that Delbert McClinton, Lucinda Williams or Roseanne Cash aren’t heard more on mainstream radio when their music is so popular with a segment of the population.

It’s the same thing with soul music. People love Wilson Pickett. They love that kind of music but nobody’s making it because there’s no way to make money on it anymore.

Have you heard Rod Stewart’s “Soulbook” album? It’s quite good.

I bet it is. He’s a singing fool. Always has been. I was a huge Rod Stewart fan with “Maggie May” and all of that. I hated his “American Songbook” series. But, he sold a bunch of them.

What’s happening with the FAME label?

We will probably be doing more records, but they will likely be on Muscle Shoals Records, and not on FAME. Digital is the way to go now. If you press up any CDs, a thousand is the most you need to press, most likely, unless you are going to get into Wal-Mart, which you are not.

The radio promotion game is too expensive to play.

We tried that on the James LeBlanc record. You spend $75,000 promoting one single. You can’t do it.

Your dad sold off the catalogs of FAME Publishing and Rick Hall Music to EMI in 1989, but he didn’t sell the studio.

No. The publishing side he sold to EMI in ’89, and then we rebuilt the catalog and sold it to Billy Meshel (CEO & owner, Music & Media International) in 1999. Dad never sold the studio. I don’t know of another studio that has been owned by the same owner for 50 years and is still in business.

Look at the recording studios that closed their doors during that period, like The Record Plant.

I know. Over the past 10 years, studio owners have been gnashing their teeth, and going under. We’ve had that (tight economic) situation for 25 years. We are used to it. We branched out long ago. We still do a lot of studio work. We just hired Tom Swift, who used to work at The Record Plant, as chief engineer. We long ago realized that we had to use the studio as a tool to build our publishing and production companies up rather than trying to make a living on the studio. That’s just not a possibility anymore.

[Tom “Swifty” Swift has won two Grammy Awards and worked with Eric Clapton, Don Henley, AC/DC, Miles Davis, Pat Metheny, B.B. King, and Tania Maria. He has also worked on several soundtracks including "The Color Of Money,” "Postcards from the Edge,” and "Let's Spend the Night Together-Rolling Stones."]

Today, it’s tough to own a studio when so many producers have home studios with Pro Tools, and labels are hardly signing anymore.I know. It’s a scary time. However, we are in the process of revamping everything here, including upgrading our Pro Tools to HD. We have to hire some new people. We think that when the business is down that is the time to take advantage of opportunities. There’s a lot of talented people out there who are looking for gigs.

Over the years, have you collected much obsolete studio equipment?

I’ve got a roomful of stuff–ADATs, and DATs (recorders). We probably have every piece of studio equipment that has come along over the past 30 years. Even something like a Rhodes (electric) piano, every keyboard in the world today has a Rhodes’ sound on it, usually as good as the Rhodes. The only two things I have found that a synthesizer can’t emulate is a (Hammond) B-3 organ, and a Wurlitzer.

How many people work for the company?

On the studio side, we have three. On the publishing side, there’s five, including Steve Williams in Nashville. He was A&R head at Arista Records (Nashville) for years. We have 10 writers.

Do you have any access to the former FAME catalogs held by EMI Music?

No. I once went to them, and pitched the idea of letting us work the catalog and give us a piece of anything we got cut. They told me that they don’t do that kind of stuff. So (the publishing) sits there. It makes me sick to my stomach.

What was sold to Music & Media International in 1999?

That was the catalog that was built afterwards (1989-1999). We didn’t sell the entire catalog. We just sold what (songs that) had been recorded.

You then rebuilt the roster?

Exactly. With all new people that we signed. We basically gave them an opportunity.Very little in the way of advances. None of them had ever had a cut before or even a hold before they came here. Now, they are all doing well.

How many copyrights does the company have?

It’s a good size catalog with about 3,000 songs. The thing is that what we did in 1999 was that we sold only the songs that had generated income. So, we kept the catalogs on a lot of big writers that we had over the past 20 years.

How active are you in the day-to-day of the company’s publishing?

I am very active daily.I work with the writers.I work with the guys in Nashville.I pitch songs.I sign writers.So I am very,very active in it.I also produce and engineer (in the studio) some. But everything has changed so much that it is hard to keep up (with the technology).It is insane trying to keep up with Pro Tools, and all of the updates (on equipment).

Who are your writers?

We have James LeBlanc and his son Dylan. He’s 19-years-old, and he’s going to be a superstar. We’ve got Jason Isbell who was one of the Drive-By-Truckers for several years (2001-2007). Now, he’ a solo act (with accompanying band, The 400 Unit] who was up for Americana Music Album of the year (for “Jason Isbell and The 400 Unit”) this year. We’ve got Gary Nichols, who is a writer/artist with a James Otto cut out now (“Your Good Thing Has Gone Bad”), another cut on Bo Bice (“Ain’t Gonna Die”) and a few others. We have Angela Hacker, who won (USA Network talent show) “Nashville Star” two years ago.We’ve got Ugly Stick, which is a funk hip hop kind of a band. We also have two or three up and comers that are on their way.

You’ve recently have had some good covers.

Yeah, we had two hits this past year with James LeBlanc and Matt Warren scoring two cuts (“Learning How to Bend” and Yesterday’s Rain”) on Gary Allan’s “Living Hard” CD; and James LeBlanc and John Paul White wrote the title cut of Jason Aldean’s CD (“Relentless”). We’ve got three cuts on the Rascal Flatts’ CD (“Feels Like Today”).

Most of the songwriters you’ve worked with in the past decade, other than Canadians Victoria Banks and Bruce Miller, seem to be local writers.

Some are; some aren’t. It is probably about half and half. The LeBlancs are from Shreveport (Louisiana); Jason Isbell, Gary Nichols, and Angela Hacker are locals; and Ugly Stick are from Mobile (Alabama). For the most part, we are drawing from within the region.We had Tony Colton writing for us for awhile. He’s from the U.K. He was in Heads, Hands & Feet.They had that song “Country Boy” (by group members Colton, Albert Lee, and Ray Smith) that was not really a country song when they did it, but Ricky Skaggs covered it. Tony came over here (to the U.S.) to accept the Song of the Year Award, and never left. (Canadian) Bruce Miller had a cut (“Once You’ve Loved Somebody” with Thom McHugh) on the first Dixie Chicks’ album (“Wide Open Spaces”) that sold 15 million copies, and he had a hit single on Reba McEntire with “Fear of Being Alone” (co-written with Walt Aldridge).

At what age did you begin coming into the studio?

I was coming up here when I was a kid all of the time. Just hanging out, and playing in the baffles. We had these great baffles that were about 12 feet high. Some of them had windows, and some had doors. You could put them together and make little club houses. I was hanging out here but, at that point in time, my dad didn’t want us up here too much. There were some strange people hanging around here, like Duane Allman and other long-haired people.Probably,I was about 12 when I really started hanging around up here.I would come up here in the summer, and stuff records in envelopes and help the secretary ship them out.

You never were in the original studio?

No. It was torn down. I don’t remember seeing that building standing. Wilson Dam Highway was still standing when I was kid. Every time we would drive up my dad would say, “There’s my first studio.”

Were you aware by high school of what you dad was doing and how well known he was in the music business?

In high school? Oh, yeah, I knew. It’s a little different here probably than other places. In the ‘70s here, it was still a very small town, and we had very few hotels. A Holiday Inn and a Howard Johnson’s (hotel). So most of the (people) coming to the studio would stay at our house. I was hanging out, and listening to my dad talk to (Atlantic Records co-head) Jerry Wexler and talking to all of these guys who would come from all over the world. I had a pretty good grasp of what was going on by the time I was in my teens, simply because I got to spend a lot of time with him.I was 8 or 9 when the Osmonds came here. So that was big.

[In 1970, Curb Records’ head Mike Curb brought his new young act, the Osmonds to FAME where they recorded a string of hits including “One Bad Apple,” “Yo-Yo,” and “Down By The Lazy River.” Donny Osmond also recorded several solo albums at FAME.]

The Osmonds were regulars on Andy Williams TV show in the ‘60s. By the time they started to record at FAME, they were very popular.That was the only time we had to have a security guard at the studio. They were the Backstreet Boys of the ‘70s. I remember that Donny came over to our house once when they were taking a break. Him and my brother got on bikes and rode around the block. By the time they got back, there were girls chasing Donny. He was only 12 or 13. it was early on (in their careers).

The Osmonds have been here off and on for their entire careers. The brothers came here in the late ‘80s, and did a country record. It was kind of funny because you’d be out in the yard playing football with them, and it was funny to hear them arguing a little bit, “Dang you, Wayne.”

Marie Osmond recorded at FAME as well.

Well, I’ve known Marie pretty much my whole life. She recorded here when she was about 16. She did the album “This Is The Way That I Feel” here (in 1976). It didn’t do very well. It was when she was trying to go pop a little bit more. She’s a sweetheart. All of the Osmonds are. They are exactly what you see.

Working at the studio was a summer job for you and your brothers?

When it was raining, it was. When it wasn’t raining, our summer job was working on the ranch taking care of cattle, bush hogging (cutting pastures with a large mower attached to a tractor), mowing, and hauling hay. The ranch was about 15 minutes south from the studio.

When you are only young, 15 minutes by car anywhere is another world.

We moved out there when I was 12. it was hard. All of the sudden, I went from living right in the middle of town, literally three minutes from the studio, with all of my friends to a really isolated area. We had 1,500 acres, and we were right in the middle of it.

It was a working farm?

Oh yeah. It was a working cattle ranch. We raised our own food. The whole bit. My dad wanted us to be raised the way he was raised. He grew up very poor. His dad was a sharecropper, and a saw miller. He was a vagabond kind of guy who went from place to place, wherever he could figure out a way he could raise his kids and make some money.

You have two brothers?

Mark is in the music industry, and Rick is an attorney. I am the youngest. Mark is co-owner of our company, and he’s also a songwriter. He co-wrote a big Tim McGraw hit “I Like It, I Love It” in the ‘90s.

You being the youngest, everything fell on you?

Pretty much. They all left (home). I was still out there on the farm bush hogging and hauling hay as they went off to college having fun. But, it was a good experience for me. (Working on the farm) is something that I can never replace. I can do a lot of things that my friends can’t do. Like raising my own garden, and changing a tractor tire. We didn’t do a lot with the horses (we had). We ended up getting rid of them because we never rode ‘em. We were too much into sports to do that kind of stuff.

Were you any good in sports?

Yeah, I was a good baseball player.

What music did you listen to growing up? Were you a fan of R&B, rock, or country?

I was a little bit fan of all of it. I liked rock. I liked R&B and I even liked some dance stuff. I listened to a lot of country in my teen years. Mostly Randy Travis, Alabama, Clint Black, Hank Williams Jr. and, more importantly, demos of our great songwriters like Walt Aldridge, Robert Byrne, Dan Penn, Spooner Oldham, Tommy Brasfield, and George Jackson.

You didn’t listen to any music that made your dad crazy?

He wasn’t crazy about my Kiss collection. He figured if you had to put make-up on, you didn’t have talent. He wasn’t crazy about Judas Priest either. I was really into the Eagles, and Toto. The Doobie Brothers were my number one band when I was growing up, from the time of “Black Water” (in 1974). I went back and bought their older albums. I was a fan all of the way through until Michael McDonald left.

Did you listen much to the records your dad recorded?

I listened to a lot of his records because I got ‘em free. But I loved them too. I have my favorites that he did. My favorites are (Wilson) Pickett “Land of a Thousand Dances,” “Mustang Sally,” “Funky Broadway,” and “Hey Jude.” That (Duane Allman) guitar solo on “Hey Jude” still gives me chills. And, I liked “Fancy” by Bobby Gentry.

It was the Wild West in the music business in the ‘60s. Producers and production companies had to beg labels to pay them.

Oh yeah, I’ve got hand-written letters here from my dad begging Vee-Jay to pay him for some Jimmy Hughes releases. It was right as Vee-Jay going under. He couldn’t get them to pay. The good news is that they gave him back the masters instead of paying him.

Your dad worked with various labels. including Chess Records. Etta James recorded “Tell Mama” at FAME in 1967 with your dad as producer.

Absolutely. She recorded “Tell Mama,” “I’d Rather Go Blind,” and “Security” here. That “Tell Mama” album was done here. There are some good stories around that. Leonard Chess came down with some friends.. My dad says they all went to the Howard Johnson’s and played cards all day while (the musicians) were cutting the session. From what dad says, he had to pretty much make Etta sing “Tell Mama.” She didn’t want to sing it. It ended up being one of her biggest hits. Later on, she thanked him.

[“Tell Mama” was written by Clarence Carter and published by FAME Publishing.]

FAME wasn’t always credited for the outside production done there. Stax recordings by the Staple Singers, and Otis Redding, for instance.

You go to the Stax Museum today in Memphis, and you’d think everything was recorded over there. A bunch of their big records were cut here with our rhythm section, including (The Staple Singers’) “I’ll Take You There,” and Let’s Do It Again.”Looking back at the quantity of material that came out of Muscle Shoals, not just at this studio, but the Muscle Shoals Sound Studio, Wishbone Studio (where Hank Williams Jr., the Commodores, Roy Orbison, Waylon Jennings, Charlie Daniels, Thelma Houston, the Temptations recorded) and all of them, it is pretty astonishing, especially with the technology at the time. Man, I’m still running across records from here all of the time. I didn’t know until this past year that Laura Lee’s “Dirty Man” (released by Chess Records in 1967) was cut here. It really is phenomenal the amount of material, and hit material that came out of here.

With the former FAME studio guys leaving, and opening up Muscle Shoals Sound Studio, it was pretty competitive for awhile.

Oh yeah. They had a good run for about 10 years. They did some Rod Stewart stuff. The Rolling Stones recorded there.

The Muscle Shoals Sound Studio was in Sheffield, Alabama.

Yeah, that’s always been (an issue) between all of the (studio) guys. At 65 or 70, they are still arguing, “How could the guys from Muscle Shoals be the Muscle Shoals Rhythm section if they were in Sheffield?” And Jerry Carrigan, Norbert Putnam and all of the early guys will argue, “We were the first Muscle Shoals rhythm section.”

Do Muscle Shoals’ city officials appreciate the music legacy there?

No. It’s amazing. They have no clue. They don’t get it at all. There have been some big power players from the state (government) come in and point out to them, “Hey, you’ve got this music thing that you could tie tourism to.” And, the city is starting to look at that. The Alabama Hall of Fame is here, and the W.C. Handy home is in Florence.

Will you be celebrating being in business for a half-century?

This is our 50th year in business, going back to the drug store with the publishing. In 2011, it will be our 50th year since “You Better Move On” which was the first hit. That’s when we are going to celebrate. We want to put together some shows, and have some major artists come in, and sit in with the rhythm section. That’s something, we will be working on for the next couple of years.

Larry LeBlanc who conducted this interview was the Canadian bureau chief of Billboard from 1991-2007 and Canadian editor of Record World from 1970-89. He was also a co-founder of the late Canadian music trade, The Record. He has been quoted on music industry issues in hundreds of publications including Time, Forbes, the London Times and the New York Times.

Soundbitenews looks forward to bringing you our own Exclusive one on one interviews with some of the best new talent from the Muscle Shoals,Alabama. The rich history of this area & the new rising talent has inspired us so much,that we hope to inspire you next. The duo group State Line Mob has agreed for an soundbitenews interview. Hold on to your seats.It’s gonna be a ride,literally.           Yee hawww!

Credits: The ENCORE Digital Weekly Magazine , revised by soundbitenews taken from the original article posted by Larry LeBlanc. 

Monday night means “Dancing with the Stars” in the Curtsinger household.

I’m either watching it — LIVE — or my DVR is smokin’ to record it (and Castle and the CBS comedies) while I am out of town on business.  (Can’t miss my DWTS…girl’s got priorities.)

Last night I was able to sit home and watch it — LIVE — which is always a treat.  And while the dancing is, of course, the main event (along with the ever-present possibility of sickness, injury and emotional breakdown), I have to admit — watching host Tom Bergeron do his thing is in a word — inspiring.

No one in show biz is quicker than Tom Bergeron, and that is a simple fact.

In the five years that “Dancing with the Stars” has been on the air, everything possible has been said to him or happened right in front of him, and Tom always has the perfect comeback.

Dancer loses her top?  Tom covers with a smile and a snappy one-liner.  Marie Osmond faints at his feet?  Tom smoothly cuts to commercial while getting the needed assistance.  Bruno and Donny Osmond lock lips?  Tom makes it the running gag of the show (emphasis on ‘gag’).

I’ve had the chance to attend the show — LIVE — in the studio, and the man makes it look so easy when, in reality, there are literally a hundred moving parts.  But you never see the effort…just his effortless charm.

When I grow up, I want to be Tom Bergeron…or, at least, have his career.  I wonder if he has interns?  Or would like to play mentor to a sticky egg like me?

Anyone out there know Tom Bergeron?  If you do, can you hook me up with him?

LIVE!!!

Marie Osmond is bummed that her new talk show has been canceled before it even had an opportunity to get launched, according to FemaleFirst. Network executives made the decision to save money instead of launching it. Marie said:

“It was my sincere desire to produce an exceptional talk show, produced with the high quality that is associated with the Marie Osmond brand for over four decades.

This project, under proper conditions, still remains a strong passion of mine.”

Poor Marie! I was really looking forward to seeing if Marie was going to have a permanent spot for her brother Donny Osmond like Dr. Phil has for his wife Robin McGraw. However, it sounds like she’s not giving up hope for it – good for her.

In the meantime, Marie and her brother Donny’s gig in Las Vegas will go on for another two years. At least they have that going for them!

Constructive comments are welcome!

We read QVC’s online jewelry forum regularly, and we believe there is racism from some posters regarding jewelry made in China and Korea.

On Monday, one QVC poster immediately complained that singer Marie Osmond’s new Shine! jewelry line is manufactured in China and Korea.

This is not the first time we’ve heard this complaint made. There have been many such posts over the past months. Robert Lee Morris, for example, was criticized on the forum because his QVC jewelry is made in China and Thailand.

Now, QVC sells a lot of gold jewelry made in Italy, and does remote shows from that gorgeous country. The home shopping network makes a big deal about touting the talent of Italian gold factories.

QVC also sells a load of handmade silver jewelry from Taxco, Mexico. Again, there is lots of information offered about the specific Taxco silversmiths and their familes who are creating the jewelry.

QVC also offers artisan-crafted jewelry from Indonesia, where the vendor dresses up in costume and talks about the way the jewelry is handmade in her country.

Is it us, but doesn’t it sound like a double standard — or a touch of racism — for QVC viewers to complain about jewelry being made in China, but not about gold imported from Italy or silver coming from south of the border?

What’s the prejudice against China? We don’t see any rants about some of QVC’s gold not being manufactured in the good old USA.

We’re just saying.

Singer Marie Osmond is rocking the biggest hair we’ve ever seen and is showing some cleavage on QVC during Monday’s premiere of her new jewelry line, Shine!

Osmond already does dolls for QVC, but the jewelry is new. Our favorite, not that we can afford it, was a pink elephant ring. It was $149, huge but cute, with 375 hand-set crystals. It sold out. Critter jewelry is big now.

There was also an elephant charm bracelet for $70.

“My children are always giving me elephants,” Osmond said.

Elephants show “that God has a sense of humor,” with their wrinkles and big ears, according to the singer. “They’re a woman’s animal,” Osmond said.

There was also a pave dragonfly pin.

Marie Osmond, who famously fainted on “Dancing With The Stars,” Monday debuts her new fashion jewelry line on QVC, Shine!

The Mormon singer has been selling dolls for quite some time now on QVC, and in fact she has a doll show tomorrow right before the 3 p.m. debut of her jewelry. We saw a big chunky fake gem bracelet and a variety of earrings on QVC’s Web site from her line.

By the way, we have the TV on, and QVC host Patti Reilly is selling an edible candy jewelry maker for “girl gourmets.” Is it us, or has she gotten increasingly loud and annoying ever since she lost a ton of weight? Next time she’s on, we’re putting the TV on mute.

Countless hours goods storerehearsing and weeks of sweating it out onstage pays off big-time!the StarsOWN
MARIE GOT A SEXYDigital Radio MAKEOVER In the spotlight all her life, Marie Osmond was never a sex symbol until sheAudio Systems & Components put on her dancing shoes in September! “Every woman my age should get out, exercise and go dancing. Do something fun,” says Marie, who lost 30 pounds from doing the show and a NutriSystem diet. “I’ve lost three inches on my waist in three weeks,” she says.THEN: CUTENOW: CROPPEDTHEN: ELEGANT
In October, Kelly Osbourne’s blunt bob was the perfect cut to flatter the shape of her face at an event in London.
NOW: EDGY
But on November 14, the 23-year-old attended a charity event in London with a new jagged ‘do that’s really a don’t.
The Maroon 5 singer looked years older after buzzing his head for the American Music Awards on November 18.
Adam Levine, 28, was the epitome of a sexy rock star at the MTV Video Music Awards in September.

Marie Osmond, American entertainer

On October 13:

1862 – Mary Kingsley, English writer and explorer, was born.

1884 Greenwich was established as universal time meridian of longitude.

Royal Observatory, Greenwich

1925 – Lenny Bruce, American comedian, was born.

1925 British Prime Minister – Margaret Thatcher was born.

1934 – Nana Mouskouri, Greek singer and politician, was born.

1941 –Paul Simon, American singer and musician, was born.

1959 Marie Osmond, American entertainer, was born.

1968 – Carlos Marin, Spanish baritone and member of Il Divo, was born.

1969 Nancy Kerrigan, US figure skater ws born.

1970 Paul Potts, British Opera singer was born.

1972 Uruguayan Air Force Flight 571 crashed in the Andes mountains, in between the borders of Argentina and Chile. The 16 of the 45 on board who lived to be rescued survived by eating the dead.

1975 Dame Whina Cooper led the land march to parliament.

Sourced from NZ History ONline & Wikipedia.

I posted on Marie Osmond’s inspirational CD some time back. The question for me was along the lines of: Can a Mormon CD be stocked in a Christian store?

Truthfully, I was rather surprised at the comments that ensued. I received some rather terse replies from Mormons – arguing that Mormons are Christians. I was alleged to be hateful. Interestingly, as the comments / dialogue continued, I became more convinced that the answer to my original question was a definite no rather than a probably not.

AND – Not one person answered my questions about Mormonism!

Ah well, keep the hits coming. Keep reading. Keep commenting. Keep talking.

Marty

TOP VEGAS TICKETS
Bette Midler
Cher Tickets
Cirque du Soleil
Blue Man Group
Jay Leno
Donny & Marie Osmond
Phantom The Las Vegas Spectacular

Source: Click2Vegas.com
*based on sales as of 09/30/09

I gained a new respect for this woman named Marie Osmond who capsulized an attitude that should exist in our society.  She speaks out about loving her gay daughter in this interview.

Marie Osmond

“If you’re going to be able to look back on something and laugh about it, you might as well laugh about it now.”   — Marie Osmond

Lately I’ve been going to Classmates.com to get to some pretty good music. The music is one of the benefits that come with a free account. I’m sure there’s an easier way to get to music but what the heck, it’s still easier than trying to get the needle to the beginning of a song on an album.

Classmates can be quite the spammer but I never toss them in the spam bin because they’re a VERY intriguing spammer, aren’t they? I’ll open spam if there’s a possibility that I might find out whether or not my high school nemesis ever did develop the leprosy I wished upon her in 1974. So, this morning I opened it again.

Today the reunion website offered the option of making a short song list. Who doesn’t need one more song list? So, I went for it.

Now, there were 2 things of which I was unaware when I decided to take the time to choose 10 songs from a long list and use them to create my short list. First of all, I didn’t know that my list would become a part of my Classmates profile.

You know, Donny and Marie had a song on that long list. What if I had chosen THAT? The song was Deep Purple so I didn’t have to think twice about passing on it. But…what if they had listed ‘I’m Leaving it All Up to You’? I might have chosen that song and without knowing, I would have made a Classmates.com nerd out of myself. Now that I know how to act cool, I’m really trying hard to avoid reacquiring my nerd status of high school. A Donny and Marie song on my playlist could be as devastating as were the purple hot pants I wore on the first day of high school. I couldn’t live that one down in 4 years. Who knows how long I’d have to spend re-cooling myself after placing a Donny and Marie song on my playlist? Penny Sehr got hit in the head for carrying a Donny Osmond folder to class in 1972. I sure as hell don’t want to see what happens when you publicly support Donny AND Marie.

The other little factoid that eluded me as I was carefully choosing songs like Bohemian Rhapsody (WHEW!), was the fact that, while I could create as many song lists as my little heart desired…for free…I can’t seem to listen to them without paying something. I’m not sure about that, but it wasn’t easy to do and I usually stop trying after simplicity fails.

Anyway, playlists with 10 songs on them get old so I’ll stick with the HUGE list of three thousand five hundred and eighty four songs that I can get easily and for free. There’s one down side…it’s nice to hear a song you had totally forgotten about after 30 years, but when you hear it every 26 hours or so…no matter how good the song is…it starts to get on your nerves. Frankie Valli was fine in the 70’s and he’s nice to hear once every few months, but there’s a reason I don’t have any of his albums. I don’t want to hear ‘Breaking up is Hard to Do’ more than twice a decade.

And who gave Debbie Boone the best song prize in ‘77 for ‘You Light up My Life’? I didn’t get it then and it’s even more vexing today. She couldn’t sing a lick.

Oh well, I was pretty into ‘Spiders and Snakes’ so what do I know?

ABC has released the photos of the 16 contestants that will appear on this season’s Dancing With The Stars along their partners. The show, which premiers Monday, September 21 at 8/7c on ABC, will also have a few twists, including a double elimination on Sept. 23. We will definitely be watching.

Photos of the stars and their partners are below-

There is a bit of a blow-up in Christian retailing regarding the pending release of Marie Osmond’s inspirational CD. Announced at the recent show in Colorado, some stores are open to carrying it while others view it as another sign of the end.

For those of you who did not know, Osmond is a Mormon. Mormonism is not Christianity.

I think some people are a bit confused because Osmond said: ”it doesn’t matter what denomination (you are),” but she wants to bring people to “my Lord and Savior, Jesus Christ.”

That sounds good, but Osmond needs to define what she means by that statement. There are essential differences between the Jesus of Christianity and the “Jesus” of Mormonism. Without going into an elaborate discussion, Mormonism proclaims Jesus as the spirit brother of lucifer. It also states we can all become gods, the Mormon church is the only true church and on and on…

If Osmond is a member of the Mormon church, that would presumably mean she subscribes to the beliefs of that church.

So, the debate goes on: Can Christian stores carry something that is not written, performed, etc… by a Christian?

That is a decision that each individual store must make. Shortly after 9/11, we had a number of pastors and leaders request the Koran. We ordered them so they could have them for study. BUT, LRM’s Resource Center didn’t keep it as a stock item.

I think it all comes down to two things: accountability and discernment.

Accountability: As an owner, manager, clerk, are you able to honestly promote a product that may not be Christian in content to someone who is looking for Christian material? I think that must be a matter of conscience after prayer and searching the Word. (See Romans 2:12-16 for example.)

Discernment: If I walked into a Christian store and saw an “inspirational” CD, I would believe that it is Christian in content. If it was performed by someone who was not a professing Christian, I would wonder why the Christian store is carrying that product (and why the person did it in the first place). I would also wonder if I could trust ALL of the content. (I’ve seen lots of CDs with Amazing Grace, but that doesn’t make the entire CD Christian in content.) 

Any thoughts?

Yours in Christ,

Marty

At the International Christian Retail Show in July 2009, it was announced that Word Distribution is promoting Mormon celebrity Marie Osmond’s new album in Christian bookstores.

Does doctrine matter anymore, or is Christianity all about accepting anyone who claims to be Christian? After all, Marie Osmond is quoted as saying that Mormonism is another “denomination” and she wants to bring people to her “Lord and Savior.”  But is Marie’s Lord and Savior the same as the biblical one?

Some Christian retailers expressed serious concerns—as well they should. There is a profound difference between the Mormon Jesus and the real Jesus.

• Mormonism affirms that “Jesus is the Christ.” But Mormons add that Jesus had to compete with Lucifer to become the savior of the world.
• Mormonism affirms that “Jesus is the Son of God.” But Mormons would say that Jesus is the “Son” not only because he was born in heaven as a spirit baby to God the Father and one of his spirit wives, but because God the Father had sexual relations with Mary to provide Jesus with an earthly body.
• Mormonism affirms that “Jesus died for the sins of mankind.” But Mormons typically claim that his atonement took place mostly in the Garden of Gethsemane, not on the cross.
• Mormonism affirms that “Jesus’ blood covers the sins of mankind.” But the Mormon church adds works—and the personal permission of its founder, Joseph Smith—as requirements for anyone to enter eternal life at the highest level of heaven.

(adapted from Ron Rhodes, Th.D., 10 Keys to Witnessing to the Cults,

Rose Publishing)

The Bible says doctrine matters greatly—

Watch your life and doctrine closely. Persevere in them, because if you do, you will save both yourself and your hearers.

—1 Timothy 4:16

Love and truth have been major themes of Christianity. Love without truth leads to error. Truth without love leads to arrogance.

The Bible has the solution—

Always be prepared to give an answer to everyone who asks you to give the reason for the hope that you have. But do this with gentleness and respect…

I urge Christian retailers to stand firm for Jesus Christ.

For more information about Rose Publishing and its comparison charts of the beliefs of various religions and cults, click here.

The links below are not mine. They are automatically generated by WordPress.

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ABC has announced the 16 newest stars set to appear on Dancing With The Stars’ ninth season which premieres Sept 21. Sixteen celebrities — including Donny Osmond, Melissa Joan Hart and Aaron Carter — have signed on.

DWTS executive producer Conrad Green tells PEOPLE about the cast increase, “It was about trying to make it as big as possible and try to get that sense of fun and excitement and real character come through on the show.”

The new lineup also includes former Dallas Cowboy Michael Irvin, reality star Kelly Osbourne and supermodel-turned-billionaire businesswoman Kathy Ireland. Lesser-known celebrities, such as snowboarder Louie Vito, Iron Chef’s Mark Dacascos and model Joanna Krupa join the cast as well. The most surprising contestant by far is former House of Representatives Majority Leader Tom DeLay.

Below are the 16 stars:

1. Chuck Liddell: The Ultimate Fighting Championship member .
2. Louie Vito: A professional snowboarder who has participated in the Winter X Games.
3. Natalie Coughlin: The swimmer earned six gold medals at the 2008 Olympics.
4. Michael Irvin: A former Dallas Cowboys wide receiver who was inducted into the Professional Football Hall of Fame.
5. Mya: A Grammy-winning R&B singer and former star of Broadway’s Chicago.
6. Kelly Osbourne: The London-born daughter of Ozzy and Sharon Osbourne.
7. Macy Gray: She won one Grammy and was nominated for four more.
8. Debi Mazar: Stars on Entourage and has also appeared in four Madonna videos.
9. Ashley Hamilton: The son of George Hamilton and Alana Stewart (and stepson of Rod Stewart).04.
10. Kathy Ireland: The former model (who appeared in Sports Illustrated for 13 consecutive years) .
11. Joanna Krupa: Maxim named her the sexiest swimsuit model in the world.
12. Aaron Carter: A pop singer (and little brother to the Backstreet Boys’ Nick Carter) .
13. Donny Osmond: The one-time teen idol used to perform with his brothers as a kid in the Osmond Brothers.
14. Melissa Joan Hart: A mother of two boys, she is most known for starring in Sabrina the Teenage Witch from 1996 to 2003.
15. Tom DeLay: A former Republican House Majority Leader who resigned after being indicted on campaign finance violations.
16. Mark Dacascos: The chairman of Kitchen Stadi