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Sad Monkey?! Oh NOES! Play many mini games to cheer that monkey up, pleases!
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Play Monkey Go Happy games here

No, they had to provide something new, something unique, something quintessentially Wii U.

And so they did: NintendoLand.

Named after a theme park housed within your Wii U that’s connected to Nintendo’s social network MiiVerse, NintendoLand offers a glimpse at the potential of the Wii U and provides a strong introduction into how you can use the unique GamePad controller alone or with friends.

Featuring a strange mix of solo games and multiplayer forays – all tied together with a Party Train (which isn’t as cool as it sounds) NintendoLand is one fun collection to pick up with the Wii U.

To read what I had to say about the intricacies of NintendoLand head on over to TheGamersHub.net to read my review.

The Wii U is out, and with it is as large (if somewhat uninspired) launch lineup. A game you should be checking out though is Nintendo Land, which is basically the Wii Sports of the platform. If you’re lucky enough to score a Wii U Deluxe Set, you’ll have this packed in. If not, expect to pay full price for a retail copy. If you’re looking for some thoughts around this important title, check out my review on Splitkick!

Check out my Nintendo Land Review on Splitkick.com!

Originally published Dec. 1, 2012

The Mario Bros. are displayed on the side of Nintendo’s promo bus. Daniel Wilson | daniel.wilson8504@yahoo.com

Nintendo launched its new Wii U system on Nov. 18, and with it, came the beginning of a new generation in gaming.The Wii U is Nintendo’s first high-definition console. It is fully backward-compatible with the Wii and has improved online functionality, including a social hub called the Miiverse (a fusion of Mii and universe) which allows players to communicate with others using the Mii avatar characters.

Most importantly the system sports a fancy new controller that combines traditional face buttons and joysticks with an innovative built-in touch screen.

Available in two models—a base 8GB model and a deluxe 32GB model—the system is flying off store shelves and is sold out in most locations. Like the launch of the Wii in 2006, Nintendo is once again having trouble keeping up with demand.

Gamers everywhere are itching to get their hands on this new system. On Nov. 26, I had the opportunity to sit down with the system when Nintendo’s Airstream Tour made a stop at the Sheraton Hotel in Downtown Sacramento for a private press event.

The Hardware

Upon entering the Airstream trailer, Nintendo representative David Young handed me the Wii U console to look at as he got everything set up. I noticed the system is a lot longer from front to back than the Wii, but it’s also just as light and well-built.

Young then handed me the new Wii U game pad, which I had previously held at both E3 2011 and in local Target stores, but hadn’t had a chance to really look at.

In pictures, the controller appears to be large and awkward. It’s really not. It’s actually very comfortable and Nintendo did a great job keeping it ergonomic. I have fairly large hands, however, and I’m not sure how well it would fit a small child’s hands.

I also got to hold the new Pro Controller, which is Nintendo’s answer for those players who want to play their games in a more traditional fashion. Though I didn’t have time to play test it, the controller is sturdy, ergonomic, light, and all the buttons feel like they should. I was quite impressed and would recommend it for any Wii U gamer.

Nintendo’s Airstream Tour made a stop at the Sheraton Hotel in Downtown Sacramento for a private press event. Daniel Wilson | daniel.wilson8504@yahoo.com

New Super Mario Bros. U

First, I got to play “New Super Mario Bros. U”. I won’t say too much about it because, well, it’s Mario and it’s a formula that just works. The game looks stunning in HD and the controls work well on the game pad. I only played two levels but it was enough to tell that this is a must-have title for the new system.

I did get to try the functionality that allows players to continue a game on the touch screen when someone else wants to use the TV. It works as expected and it was nice not having to grab the TV remote to use this function. There is a button on the Wii pad that allows players to pull up a virtual TV remote and change the volume, channel, or turn off the TV altogether.

Unfortunately, Young informed me that not all games will have the ability to do this, but those that do will surely keep siblings from fighting over the TV or my wife and I arguing when she wants to watch her shows about cats.

Nintendo Land

Next up was “Nintendo Land”, which is a mini-game collection that essentially serves the same purpose as “Wii Sports” did when the Wii launched: to show off all the functionality of the new system.

The first game I tried was a single-player experience called “Takamaru’s Ninja Castle”, which has the player flinging ninja stars at different colored ninjas who pop up on the screen in random locations. To flick the ninja stars, players slide their hand along the Wii pad while holding it sideways and aiming at the screen.

The blue ninjas just sort of stand there but red and black ones will throw projectiles back at the player. It’s a simple game but it showed off just how well the Wii pad can work in conjunction with the television.

I was impressed with how quickly the ninja stars showed up on screen after swiping the touch screen. There were no latency or lag issues and everything worked the way it should. In fact, the game is quite difficult because you actually have to aim at the enemy you are trying to hit and account for things like the distance the star has to travel.

The next mini-game we played was “Donkey Kong’s Crash Course”, which has players using the Wii pad’s tilt functionality to move a small cart left, right, up and down along a path on the screen, ala the original “Donkey Kong”.

This game seemed simple, but was actually quite challenging because once again the controller’s functionality worked seamlessly. This means that a slight tilt left will move the cart left, so players must be very accurate. If you move the cart too fast, it’ll smash into an obstacle and the player must start again.

The only issue I had with this particular mini-game was a part when the player has to blow into the microphone on the Wii pad to spin a fan that raises the cart to a higher level of the course. I naturally wanted to put the mic right up to my mouth, but it needed to be further back. I got the hang of it after a while, but I thought the game’s developers could have done a better job explaining how to properly use this functionality.

The final game I played in “Nintendo Land” was “Mario Chase”, which is a multiplayer game that I played against Young. The player holding the Wii pad must run through a multi-colored maze and try to survive for two minutes without being caught by the other player. Using only the screen of the Wii pad, this player has a top down view of the entire map.

The player or players (the mini-game supports up to five players, one on the Wii pad and one to four on the Wii Remotes) use a Wii Remote while looking at the TV screen to navigate the maze from a third-person perspective and try to track down the runner.

It seems like the player with the Wii pad would have the advantage, but it’s actually quite challenging because the chaser is told which colored section of the map the player on the pad is hiding in. The first time we played, Young and his two AI bots beat me pretty quickly but the second time I almost made it, with Young capturing me with just 16 seconds left on the timer.

ZombiU

The last game I played was “ZombiU”. I was glad I got to try this one out, despite not being that interested in it when it was announced because I got a glimpse into how well the Wii U can handle hardcore games.

One of the issues with the Wii was that it couldn’t compete very well with Xbox 360 or PlayStation 3 when it came to games like “Batman”, “Mass Effect” or “Call of Duty”, but “ZombiU” convinced me that the Wii U will not have that problem.

I really wasn’t into this game much at first because the player only has a flash light and it was difficult to see where to go.

No sooner than I had mentioned this to Airstream’s truck driver Don Davis, when I received a map and was tasked with turning the lights in the underground subway on. The map being on the Wii pad was an excellent addition; no more having to pause the game to look at the map.

Young explained to me that this game plays in real time, so if the player dies, the character doesn’t come back. Instead, the player begins playing as a different survivor of the zombie outbreak and to recollect anything the previous character had collected, the player must find the dead body of the previous character and collect his backpack.

Also, when digging through your backpack, which is done by using the touch screen on the Wii pad and dragging and dropping items in or out of your backpack to or from your active inventory, the character is not paused in the game world like in most games. So players must be careful where and when they stop to find something in their backpack because they can still be attacked or killed.

The best part of “ZombiU” was probably the shooting, which is done by holding up the Wii pad and moving it around the room to aim while shooting at the zombies. This makes the player feel like the world around them is part of the game world and the level of immersion is intensified 10-fold. I could imagine how creepy this could be sitting on the couch at night with all the lights off.

Closing comments

Overall, though I had a short time with the new system, I was very impressed and will be adding this console to my entertainment center in the future. I think there is a plethora of potential with all of the ways the Wii pad can be used and I feel the best is still to come. I think Nintendo has once again hit the ball out of the park and gamers will be playing Wii U for a long time.

Dunia mimpi buruk yang misterius dan menakjubkan, hal itu menakutkan dan mempesona pada saat yang sama. Hukum dunia nyata tidak berlaku di sini. Di sini Anda benar-benar sendirian dan tampaknya ada terlalu banyak rahasia untuk mengungkapkan. Dan perasaan mengerikan seperti jika seseorang terus-menerus mengawasi Anda. 

I am Weapon – adalah permainan, yang terdiri dari semua game yang terbaik dari Action dan genre menara pertahanan – menghancurkan monster, meningkatkan keterampilan, membeli senjata baru dan membangun konstruksi pertahanan, yang akan membantu Anda untuk keluar dari dunia mimpi dan memahami alasan apa yang telah terjadi. Anda terbiasa untuk melihat mereka di sirkus dan menertawakan mereka. Jadi sekarang semua itu berubah sebaliknya. Jangan biarkan mereka tertawa pada Anda! Menjadi senjata untuk memenangkan pertarungan dengan mimpi buruk Anda dalam mimpi benar-benar tidak masuk akal!

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Download link Bad Piggies untuk Android (34MB, Gratis)

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Download link Bad Piggies HD untuk iPad (41MB, $2,99)

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Download link Bad Piggies HD untuk Windows (32MB, $4.95)

Download link Bad Piggies HD Demo untuk Windows (32MB, Gratis)

SYSTEM REQUIREMENTS:
·OS*: Windows XP/Vista/7
·Processor: 1.2+GHz
·Memory (RAM): 512+MB
· Free Hard Drive Space: 65+MB
·DirectX Version: 8 or later
·Sound: DirectX-compatible
·Video: DirectX-compatible; 128+MB
·Color Quality: 16-bit or 32-bit color mode (256 colors may not work)
·Controls: Keyboard and mouse

In 1975 a pair of American magicians delivered a show in Minnesota that would quickly become the first of many. With another co-host, the duo built their reputation with a regular show that lasted until 1981, before moving to New York to start their own off Broadway shows. By 1985 these were garnering them some top reviews, so as the 90s approached they turned their act to Broadway proper. During the 1990s they were appearing regularly on chat shows, doing US national tours and making TV cameos, firmly establishing themselves as possibly the most famous magicians on earth at that time (and possibly the present day too). Their names were (and are) Penn & Teller.

By 1995 their career was reaching a zenith; famous both nationally and around the world, they were the closest the magical world had to global superstars. And with stardom came all the trappings of fame, including incessant requests from various publishers and agents asking to be allowed to use their name to plug something, and presumably in late 1994 one such offer from Absolute Entertainment was accepted; to allow Penn & Teller to be the subject material for a videogame.

The game in question was to be called Penn & Teller’s Smoke And Mirrors; the console, the Sega-CD (an add-on for the Sega Mega Drive that was at the time fighting a furious console war with Nintendo’s Super NES). The game itself consisted of a series of mini-games, in a similar way to how a magic show is comprised of individual tricks- or at least, that was the idea. Each game was a trick you had to master, a little bit of slight-of-hand/controller that you had to learn before inviting your friends over and thrashing them since you knew how the trick worked, as a form of payback against those friends “who come over to your house, eat your food, drink your soda, play your games and always beat you” (Penn’s words, not mine). Many have since voiced the opinion that videogaming was a rather odd choice of platform for this idea, but whether this would have impacted sales was never discovered, as Absolute Entertainment went bust after (conveniently) they had completed the game’s development, but before they got a chance to ship it and pay Penn & Teller back the licensing money they were owed. Under the terms of the contract, this rendered all deals regarding use of Penn & Teller’s likenesses and intellectual property null and void, meaning Absolute Entertainment’s owners (Skyworks Interactive Inc.) couldn’t sell the game, and all the copies they produced presumably sat in a corner gathering dust somewhere. However, before the studio went under another player entered our story, by the name of Janet Reno.

At the time, Janet Reno was Attorney General of the United States under Bill Clinton’s leadership, and at the time in question she chose a particularly opportune moment to join the chorus of voices against the violence in videogames. Reno’s argument partially centred on the idea that these games were unrealistic, and should try to depict life as it really was rather than clouding the mind’s of the nation’s children (or something), so as a rather sly joke Penn & Teller slipped one more minigame in, the only one that wasn’t a magic trick. A little minigame going by the name of Desert Bus.

Desert Bus was described as being designed to be an example of ‘stupefyingly realistic gameplay’, and in it you played as a bus driver. Your job was to drive between two US cities, Tucson, Arizona, and Las Vegas, Nevada, at no more than 45 miles per hour (presumably the bus was electronically limited), in real-time, right across the Great American desert. The scenery was fairly unchanging (the odd tree or bus stop goes by), there is no traffic coming the other way, the graphics are about as good as could be expected from that generation console, there are no people to pick up, and the journey takes 8 hours to complete in each direction. After 5 hours, a bug hits the windscreen. This is considered a highlight.

However, there were three things that turned this from a rather interesting statement by the game developers to a simultaneously evil and absolutely hilarious game, depending on whether you were playing or just hearing about it. Firstly, there is no ability to pause; pressing the pause button merely activates the horn, so you’re in for the long haul. Secondly, the bus lists to the right, meaning one cannot simply tape down the accelerator and leave it for eight hours- it requires one’s constant attention (and repeated turning left) to avoid crashing. If you do crash, and stay still for 15 seconds, a tow truck comes to take you back to Tucson- again, in real time, and at 45 miles an hour. Thirdly, if you reach Vegas, you get one point- and 15 seconds to decide if you want to try for another one by heading back to Tucson. The game has a limit of 99 points, never achieved without the use of an emulator. This is the world’s greatest endurance test- Penn & Teller even had plans, had the game been released, to set up a competition for who could get the most points, the prize being a luxury trip in ‘the real Desert Bus’, a few nights in a luxury Vegas hotel and tickets to their show, but of course the game never exactly received widespread coverage.

That is, however, not until 2007, when two more players enter our story- Penny Arcade and LoadingReadyRun. Penny Arcade is probably the most famous webcomic in the world, written by a couple of games nerds for games nerds (I should probably say at this point that I’ve never actually read it, but ho hum), and very much acting as a voice for the gaming community. It’s founders, Jerry Holkins and Mike Krahulik, have become successful enough to start their own gaming convention (PAX), and in 2003 they embarked on another project- Child’s Play. Designed with the view in mind of a gaming charity, a chance for gaming culture to give something back to society and to improve its negative image as being violent and uncouth, it aims to deliver toys and videogames to sick children in hospitals worldwide, in order to make their lives a little more bearable. Some have said that it’s message is perhaps not as righteous as that of, say, Oxfam, but these people are kind of missing the point of charity and it is nonetheless charmingly sweet in concept. Penny Arcade’s prominence among the gaming community is such that many key industry figures have got behind it and the charity has so far raised over $12 million, nearly one million of which has come thanks to the work of a group of Canadians behind an 8-year old internet sketch comedy series called LoadingReadyRun.

You see, in 2007 the guys behind LoadingReadyRun decided that they would try to use their small but devoted hardcore fan base to raise some cash for such a good cause, and so decided to organise a charity gaming marathon in aid of Child’s Play. Casting around for a suitable game to play, they decided that ‘the most boring game in the world’ would form a good backdrop whilst they danced, pissed around and generally humiliated themselves on camera to get donations, and so they plumped for Desert Bus. As they slotted a copy of the game (don’t ask me where they got it from) into a borrowed Sega CD, they hoped to try and raise $5,000 dollars, the plan being that their strategy of ‘the more we get the longer we play’ would last them about a weekend. They made four times their target, and the following year did the same thing again and hit $70,000, forcing them to play for nearly 4 days. By the next year their comedy had reached a wider audience after being picked up and hosted by The Escapist online ‘magazine’, and they broke $100,000 for the first time; last year they made $383,125.10, and hope to bring their sum total to over a million this year. Desert Bus For Hope 6 starts tomorrow, at 5am GMT (or 9pm PST), it’s for a great cause, and it should be entertaining to watch the kind of challenges they get up to- they are professional sketch comedians after all. The website’s here, and the list of people ringing in is here (spoiler- the list includes Notch), and a far more entertaining history of the game is here. If you’ve got the time free, give them a watch. It’s for the children.

UPDATE!:  Game is now also available for Android tablets & phones!

What have you been up to Rakit?

So this week has been heavily focussed on creating some tests of some of the in-game mechanisms. We are using the awesome Ren’Py framework for creating our Visual Novel. It’s written in Python, probably one of the best languages for writing things rapidly in. Python isn’t fussy about a lot of things, at least, it’s not fussy about the things we don’t care about, so it works for us. Ren’Py gives us all the tools we need to develop our game. Though I don’t like to admit it, it handles most of the difficult bits, like working with the sound card and graphics overlay. This leaves us to work on the more….ahem….important things, like story and making things look pretty. The image below is an early test of layout and UI (user interface) the background is a heavily filtered photo at this stage and will eventually be replaced by a nicely drawn element.

An early test of the layout of the Visual Novel

The game isn’t going to do well if it’s just text and nothing else. If it were just text, we may as well just release the story as a book. No! The whole point of the Visual Novel is that it’s something interactive. Most Visual Novels have, at the very least, some choices that the player makes along the way. Remember the old Fighting Fantasy novels where you had to turn to a different page, depending on the choice you made? Well there’s definitely an element of that. However, that alone isn’t going to be enough to keep people going, so we have to include something else in the game.

Mini games / Things to do

Mini games are an obvious extra that we can put into the game. They give the player a relief from the monotony of just reading dialogue and give them something else fun to do. We’ve not 100% decided on what mini games are going to be in Convenience Wars, but we have at least gotten round to thinking about it. Ren’Py has tools to help us here too and so the next few weeks will probably be spent developing and honing the mini game elements of the game. When we release the demo, the intention is that it will be a representation of the entire game, just shortened. So it will have a number of mini games along with voice acting, story plot twists…….the works!

So where are we at the moment?

We have a lot of the core look’n'feel of the game sorted. By that we mean that we know the direction we are going. We have something playable that represents where we want to go. To be honest peeps, that’s half the battle. We’re still stupidly psyched about the whole thing and are really starting to get to grips with the overall task of what has to be done.

Another test of layout in Convenience Wars

We know that it’s going to take a long time to finish, but it’s also a heck of a lot of fun. We would really really appreciate your feedback on how things are looking so far or maybe what kind of mini games you yourself enjoy in games.

Until next time peeps….

cbx33 – Project Coordinator

Came across this game on the web. The graphics may fall into the genre of “lovely” but the gameplay is what makes the game spooky. You need to run around and light up the source of the antidote while the zombies try to catch you. Being chased by more than ten zombies in such a small area is no joke… My best score was 8000 something but it seems really hard to advance. ;-(

Difficulty: **** (5 * means the most difficult)
Playability: **** (5 * means the highest)

Source: Novel Games

Lien : http://store.steampowered.com/app/730/

Prix : 13.99€

Vidéo :