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	<title>mirage &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/mirage/</link>
	<description>Feed of posts on WordPress.com tagged "mirage"</description>
	<pubDate>Mon, 30 Nov 2009 20:14:06 +0000</pubDate>

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<title><![CDATA[Mirage fades as storm hits emirate city]]></title>
<link>http://newsaboutcities.wordpress.com/2009/11/29/mirage-fades-as-storm-hits-emirate-city/</link>
<pubDate>Sun, 29 Nov 2009 13:54:17 +0000</pubDate>
<dc:creator>tellmenews</dc:creator>
<guid>http://newsaboutcities.wordpress.com/2009/11/29/mirage-fades-as-storm-hits-emirate-city/</guid>
<description><![CDATA[DUBAI is paying the price for embarking on the world&#8217;s biggest spending spree &#8211; with oth]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>DUBAI is paying the price for embarking on the world&#8217;s biggest spending spree &#8211; with other people&#8217;s money. Can it ever recover?&#8230; From The Australian. <a href="http://theaustralian.news.com.au/story/0,,26416941-2703,00.html?from=public_rss">Full story</a></p>
<p>This site may contain information about:  world cities.  The blog is also related to: city names.</p>
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<title><![CDATA[The Rest of the Stack: Two Weeks of Other Books I've Read]]></title>
<link>http://comicreviewsbywalt.wordpress.com/2009/11/29/the-rest-of-the-stack-two-weeks-of-other-books-ive-read/</link>
<pubDate>Sun, 29 Nov 2009 13:00:36 +0000</pubDate>
<dc:creator>Walt</dc:creator>
<guid>http://comicreviewsbywalt.wordpress.com/2009/11/29/the-rest-of-the-stack-two-weeks-of-other-books-ive-read/</guid>
<description><![CDATA[Due to hitting the busy season at work, I basically took a week off from reviewing. With the Thanksg]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><em>Due to hitting the busy season at work, I basically took a week off from reviewing.  With the Thanksgiving holiday, I&#8217;ve had a chance to catch up a bit.  As usual, these are mini/&#8221;capsule&#8221; reviews of books I picked up but am not writing out a full review for. This post is double-sized due to covering TWO weeks&#8217; worth of books.</em></p>
<p><img src="http://www.waltkneeland.com/covers/tmnt001color.jpg" alt="" align="left" /><strong><em>Teenage Mutant Ninja Turtles Color Special #1</em></strong><em></em><br />
This issue&#8217;s a real treat.  For the same price as a black-and-white issue of Tales of the TMNT, the issue is full-color.  Best of all, it&#8217;s the classic #1 issue, now in color for the first time as a comic.  (It&#8217;s been colorized at least once before, in the First graphic novel Teenage Mutant Ninja Turtles Book I). The coloring looks quite natural, and it would have been awesome to see the original series re-issued in color&#8230;or at least, the first ten issues, the one-shots for each turtle, and Return to New York.  For that matter, City at War as well. As-is, at the very least, this is a nice version of #1 to add to one&#8217;s collection without breaking the bank. Highly recommended for any TMNT fan, or anyone curious as to how the turtles&#8217; story got started.</p>
<p><img src="http://www.waltkneeland.com/covers/deadpoolmercwithamouth005.jpg" alt="" align="right" /><strong><em>Deadpool: Merc With a Mouth #5</em></strong><em></em><br />
This issue continues the story of Deadpool, Zombie-head Deadpool and Dr. Betty facing Hydra agents trying to kill them to get the head themselves. A bit of cheesecake art to the issue, but that can be overlooked for an excellent scene in which Deadpool and Bill (not Bob&#8211;he insists he&#8217;s Bill, though Deadpool can&#8217;t seem to really tell the difference from his old buddy) have an exchange over the Star Wars series of movies. Suffice to say that reading this, one knows exactly where Deadpool stands regarding the trilogies. Overall another fun issue. I&#8217;m pretty sure the story wraps with issue 6, so at this point if you aren&#8217;t already following the book or able to get the first few issues, you&#8217;re probably just as well to wait for a collected edition.  The story so far definitely seems well worthwhile for Deadpool fans, whichever way the story&#8217;s read.</p>
<p><img src="http://www.waltkneeland.com/covers/supergirl047.jpg" alt="" align="left" /><strong><em>Supergirl #47</em></strong><em></em><br />
This issue provides a good deal of backstory to Alura, and her courtship by Zor-El. We also see the character FINALLY acting out of real motivation that can be understood, instead of just coming off as a near-villainous witch of a character. Reactron is put on trial, and Alura is determined that he will be tried justly and not simply killed out of vengeance-seeking. Unfortunately, her fellow New Kryptonians don&#8217;t all share the sentiment, leading to some interesting character development. Though Supergirl is present in these pages, this is very much Alura&#8217;s story, with her daughter playing a minor role. The end of the issue has an interesting (in a way) revelation that does seem par for the course. Not a bad issue, but not wonderful. If you&#8217;re already following the title and/or the over-arching story in the Super-books, this&#8217;ll be just fine. It&#8217;s not really an issue to entice new readers, I don&#8217;t think. Not sure if it&#8217;s significant or just an oversight on someone&#8217;s part, but the cover lacks the &#8220;World Against Superman&#8221; banner the titles have been carrying lately, though this retains the red-shield numbering begun with August&#8217;s Codename: Patriot arc.</p>
<p><img src="http://www.waltkneeland.com/covers/flashrebirth005.jpg" alt="" align="right" /><strong><em>Flash: Rebirth #5</em></strong><em></em><br />
I&#8217;m pretty sure this started out as a 5-issue mini-series&#8230;I recall it seeming slightly &#8220;off&#8221; as I recalled Green Lantern: Rebirth being 6, and thinking the two ought to be pretty much the same length. This issue sees all the various speedsters team up, as well as a development that presumably &#8220;solves&#8221; whatever issue it was Wally&#8217;s kids were having with their powers&#8230;and we seem to have a new Impulse (given Bart gave up the identity to become Kid Flash back in 2003). This continues the &#8220;legacy&#8221; aspect of the Flash line. There&#8217;s a revelation that affects Barry&#8217;s past&#8230;as well as a very specific threat to his past. This is a sorta interesting issue, but on the whole, continues to be more &#8220;miss&#8221; than &#8220;hit&#8221; for me. GL: Rebirth dispelled my unease toward returning a long-dead character to an old status quo and really set up a great new status quo that worked everyone into the mix. This Flash: Rebirth has not at all sold me on any &#8220;WHY&#8221; Barry needs to be back, and simply puts things logically into place to ALLOW for the character being back, and incorporating pretty much everything else involving the Flash family of characters. Recommended if you&#8217;ve already invested in the first 4 issues of the series.</p>
<p><img src="http://www.waltkneeland.com/covers/unclescrooge385.jpg" alt="" align="left" /><strong><em>Uncle Scrooge #385</em></strong><em></em><br />
It&#8217;s great to be able to pick up this series now. I&#8217;d bought maybe 3 issues several years ago while it was being put out by Gemstone, but simply could not justify the $8 per issue, even if it was squarebound and double-ish-sized. This issue is fairly low-key, picking up from the previous issue. Scrooge, Donald, and the nephews continue to deal with Magica as she tries for Scrooge&#8217;s Number One Dime. Once things are wrapped up at the mine, Scrooge &#38; Co. wind up looking for sunken treasure, and dealing with Magica AND the Beagle Boys. While not the greatest of comics, this is still a good, fun issue, and well worth getting if you&#8217;ve any interest in these characters.</p>
<p><img src="http://www.waltkneeland.com/covers/archie603.jpg" alt="" align="right" /><strong><em>Archie #603</em></strong><em></em><br />
The &#8220;Wedding Story&#8221; has taken a twist I didn&#8217;t expect: rather than being a 6-part exploration of Archie marrying Veronica, after 3 issues of that the story has switched to give us the story of what would happen if Archie married Betty instead. I&#8217;m really enjoying this &#8220;longform&#8221; story that not only takes more than a page to tell, but multiple issues.  I&#8217;ve picked up the occasional Archie book through the years&#8230;but with stories like this, I might just stick around on a monthly basis.</p>
<p><img src="http://www.waltkneeland.com/covers/superman694.jpg" alt="" align="left" /><strong><em>Superman #694</em></strong><em></em><br />
This issue sees Mon-El&#8217;s &#8220;official&#8221; return to action as he re-reveals himself to the people who&#8217;ve thought him dead for awhile.  This also debuts the &#8220;new&#8221; costume&#8230;which honestly seems a non-issue to me, despite the big deal being made of it. On the whole, it looks to me like the only difference is that Mon-El is now sporting a small &#8220;S-shield,&#8221; as he&#8217;s holding Superman&#8217;s place&#8230;and Blue shorts to contrast with the red costume (sort of a reverse-Superman color scheme). Probably the best part of the issue is the interaction with Connor and Ma, showing that Mon has a place within the Superman family of characters.</p>
<p><img src="http://www.waltkneeland.com/covers/imageunited001.jpg" alt="" align="right" /><strong><em>Image United #1</em></strong><em></em><br />
I have mixed feelings on this book.  For one thing, something of this scale ought to have a huge multi-panel fold-out cover, such that all the primary characters are spotlighted&#8230;instead of one having to choose one of six segments of the picture as the cover to purchase. I chose the Savage Dragon segment, that character long being one of my favorite characters that I rarely read, though the Spawn cover was cool, too. The &#8220;jam session&#8221; of having each character&#8217;s creator doing that character&#8217;s visuals is a very cool thing, and a different take on doing a crossover project. The story itself seems to be a slow build and full of little but action (presumably to show off the blending of the different art styles). Being familiar with these characters for the past 16-17 years, the blended style worked well, and nothing really seemed all that jarring. Since this will surely be collected into a single volume eventually and my proclivity toward this type of variant/alternate covers&#8230;I&#8217;ll probably pass on the subsequent issues and snag the collected volume when that comes out, if I still have enough interest.</p>
<p><img src="http://www.waltkneeland.com/covers/sonofmarvelreadingchronology.jpg" alt="" align="left" /><strong><em>Son of Marvel Reading Chronology</em></strong><em></em><br />
This is one of those freebies that Marvel puts out on occasion, to try to hook one on buying more product.  While I prefer the &#8220;Saga&#8221; issues (they&#8217;re free, and take far, far longer to read than any other single comics, and fill me in on stuff so I know what&#8217;s up overall without having to keep up on Marvel&#8217;s output in general), this guide is rather informative, showing what volumes are out there, in-print&#8230;and what they collect. As well as, of course, the order to read them for a chronological reading experience in-continuity. If nothing else, this has informed me that there are currently 10 hardcovers collecting Ultimate Spider-Man, so I know there are only 5 left that I want to try to track down. This is definitely a worthwhile guide if you can find it and not have to pay for it&#8230;or at least, please don&#8217;t pay much for it, as It is SUPPOSED to be FREE.</p>
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<title><![CDATA[Tales of the TMNT #64 [Review]]]></title>
<link>http://comicreviewsbywalt.wordpress.com/2009/11/28/tales-of-the-tmnt-64-review/</link>
<pubDate>Sun, 29 Nov 2009 02:05:02 +0000</pubDate>
<dc:creator>Walt</dc:creator>
<guid>http://comicreviewsbywalt.wordpress.com/2009/11/28/tales-of-the-tmnt-64-review/</guid>
<description><![CDATA[Full review posted to comixtreme.com. Story: 4/5 Art: 3.5/5 Overall: 3.5/5]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img src="http://www.waltkneeland.com/covers/talesofthetmnt064.jpg" align="left"><a href="http://www.comixtreme.com/forums/showthread.php?p=775697">Full review posted to comixtreme.com</a>.</p>
<p><b>Story:</b> 4/5<br />
<b>Art:</b> 3.5/5<br />
<b>Overall:</b> 3.5/5</p>
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<title><![CDATA[MGM Mirage, HSBC, Satyam, ING are big movers (AP)]]></title>
<link>http://marketsnewss.wordpress.com/2009/11/29/mgm-mirage-hsbc-satyam-ing-are-big-movers-ap/</link>
<pubDate>Sun, 29 Nov 2009 01:08:22 +0000</pubDate>
<dc:creator>marketsnewss</dc:creator>
<guid>http://marketsnewss.wordpress.com/2009/11/29/mgm-mirage-hsbc-satyam-ing-are-big-movers-ap/</guid>
<description><![CDATA[NEW YORK (AP) &#8212; The following stocks were among those that moved substantially or traded heavi]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>NEW YORK (AP) &#8212; The following stocks were among those that moved substantially or traded heavily Friday on the New York Stock Exchange and the Nasdaq Stock Market:</p>
<p>NYSE:<!--more--> </p>
<p> <a href="http://marketsnewss.wordpress.com/2009/11/20/coventry-bjs-wholesale-vivus-are-big-movers-ap/" rel="bookmark" title="Coventry, BJ&#8217;s Wholesale, Vivus are big movers (AP)">Coventry, BJ&#8217;s Wholesale, Vivus are big movers (AP)</a><a href="http://wbusinessnews.blogspot.com/2009/11/dollar-general-shares-up-in-first-day.html" rel="bookmark" title="Dollar General shares up in the first day of trading">Dollar General shares up in the first day of trading</a></p>
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<title><![CDATA["The Blue Pyramid Illusion": geometric expressionism diamond pattern painting, geometric symbolism, abstract Pyramids, architectural symbolism, Egyptian symbolism, abstract cubism painting, #9006, 2009 | Kazuya Akimoto Art Museum]]></title>
<link>http://bobotaro.wordpress.com/2009/11/28/the-blue-pyramid-illusion-geometric-expressionism-diamond-pattern-painting-geometric-symbolism-abstract-pyramids-architectural-symbolism-egyptian-symbolism-abstract-cubism-painting-9006-2/</link>
<pubDate>Sat, 28 Nov 2009 10:09:11 +0000</pubDate>
<dc:creator>bobotaro</dc:creator>
<guid>http://bobotaro.wordpress.com/2009/11/28/the-blue-pyramid-illusion-geometric-expressionism-diamond-pattern-painting-geometric-symbolism-abstract-pyramids-architectural-symbolism-egyptian-symbolism-abstract-cubism-painting-9006-2/</guid>
<description><![CDATA[Kazuya Akimoto Art Museum &nbsp; &#8220;The Blue Pyramid Illusion&#8221;: geometric expressionism di]]></description>
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<h5><a href="http://www.kazuya-akimoto.com"><strong><span style="font-size:medium;">Kazuya Akimoto Art Museum</span></strong></a><a href="http://www.kazuya-akimoto.com/rss.xml"><img src="http://www.kazuya-akimoto.com/feed-icon.gif" border="0" alt="" /></a></h5>
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<h2><a href="http://www.kazuya-akimoto.com/2009/2009contents/9006gallery16.html">&#8220;The Blue Pyramid Illusion&#8221;: geometric expressionism diamond pattern painting, geometric symbolism, abstract Pyramids, architectural symbolism, Egyptian symbolism, abstract cubism painting, #9006, 2009 &#124; Kazuya Akimoto Art Museum</a></h2>
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<p>named and added to<a href="http://www.kazuya-akimoto.com/2009/2009contents/gallery16.html"> gallery #16</a>,2009  at <a href="http://www.kazuya-akimoto.com">Kazuya Akimoto Art Museum</a></p>
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<h1><a href="http://www.kazuya-akimoto.com/2009/2009contents/9006gallery16.html"><span style="font-size:large;"><strong>&#8220;The Blue Pyramid Illusion&#8221;</strong></span></a></h1>
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<p>acrylics 21&#8243;x18&#8243;</p>
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<a href="http://www.kazuya-akimoto.com/2009/2009_top.htm">New Paintings 2009</a></p>
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<h4><strong>within Museum paintings</strong></h4>
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<p><span style="font-size:x-small;">Nov 28, 2009 </span></p>
<h1><span style="color:#333333;font-size:x-large;">&#8220;allover pattern &#8221; </span></h1>
<p><a href="http://kazuya-akimoto.com/keywords/allover_keys.htm">latest contents: &#8220;allover pattern &#8221; </a></p>
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<p class="keytable">#9006 &#8220;The Blue Pyramid Illusion&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/9006gallery16.html"><img src="http://www.kazuya-akimoto.com/2009/2009images/IMG_9006_The_Blue_Pyramid_Illusion_geometric_expressionism_280.jpg" border="0" alt="The Blue Pyramid Illusion : geometric expressionism diamond pattern painting, geometric symbolism, abstract Pyramids, architectural symbolism, Egyptian symbolism, abstract cubism painting" width="280" height="196" /></a></td>
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<p class="keytable">#8466 &#8220;The Abstract War&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8466gallery5.html"><img title="The Abstract War ;New black and white abstract motion pattern, abstract warfare acrylic painting, allover abstract expressionism,line movement pattern painting, abstract surrealism, War in heaven theme, abstract brush stroke patterns, black and white abstract surrealism, abstract symbolism, acrylic painting #8466, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8466_Black_and_White_Abstract_War_abstract_expressionism_280.jpg" border="0" alt="The Abstract War ;New black and white abstract motion pattern, abstract warfare acrylic painting, allover abstract expressionism,line movement pattern painting, abstract surrealism, War in heaven theme, abstract brush stroke patterns, black and white abstract surrealism, abstract symbolism, acrylic painting #8466, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></td>
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<p class="keytable">#8437 &#8220;War in Heaven (The Green Fall of the Rebel Angels)&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8437gallery5.html"><img title="War in Heaven (The Green Fall of the Rebel Angels)  : New, classical Christian mythological motif abstract holy warfare painting, abstract war,  the battle between God and Satan theme, abstract expressionism, abstract celestial battle scene, biblical, contemporary Christianity theme, abstract acrylic painting #8437, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8437_War_in_Heaven_The_Green_Fall_of_the_Rebel_Angels_280.jpg" border="0" alt="War in Heaven (The Green Fall of the Rebel Angels)  : New, classical Christian mythological motif abstract holy warfare painting, abstract war,  the battle between God and Satan theme, abstract expressionism, abstract celestial battle scene, biblical, contemporary Christianity theme, abstract acrylic painting #8437, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="195" /></a></td>
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<div class="keytable">
<p>2009</p>
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<p>&#160;</p>
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<p class="keytable">#8377 &#8220;Botanical Wars&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8377gallery4.html"><img title="Botanical Wars : new, abstract dynamic plant pattern painting, abstract natural scene, abstract natural pattern, pattern symbolism, abstract texture, tree texture, abstract movement, abstract allover pattern,  botanical line pattern, organic line pattern, abstract soft line pattern acrylic painting #8377, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8377_Botanical_Wars_abstract_organic_expressionism_painting_280.jpg" border="0" alt="Botanical Wars : new, abstract dynamic plant pattern painting, abstract natural scene, abstract natural pattern, pattern symbolism, abstract texture, tree texture, abstract movement, abstract allover pattern,  botanical line pattern, organic line pattern, abstract soft line pattern acrylic painting #8377, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></td>
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<div class="keytable">
<p>2009</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#7362 &#8220;Abstract White Pandemonium&#8221;( Milton, &#8216;Paradise Lost&#8217;)</p>
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<p><a href="http://www.kazuya-akimoto.com/2008/2008contents/7362gallery7.html"><img title="Abstract White Pandemonium  (Milton, 'Paradise Lost'): new, Christian fiction, literature  theme, abstract white color symbolism, white abstract expressionism, abstract surrealism, acrylic painting# 7362, 2008 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2008/2008images/IMG_7362_abstract_white_pandemonium_200.jpg" border="0" alt="Abstract White Pandemonium  (Milton, 'Paradise Lost'): new, Christian fiction, literature  theme, abstract white color symbolism, white abstract expressionism, abstract surrealism, acrylic painting# 7362, 2008 &#124; Kazuya Akimoto Art Museum" width="200" height="287" /></a></p>
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<div class="keytable">
<p>2008</p>
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<p>&#160;</p>
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<p class="keytable">#5802   &#8220;Eyeballs &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5802gallery24.html"><img src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5802_eyeballs_tn.jpg" border="0" alt="eyeballs" width="200" height="296" /></a></p>
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<p class="keytable">2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5700   &#8220;Abstract Red Meshes &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5700gallery22.htm"><img title="Abstract Red Meshes  : abstract red, abstract vertical and horizontal red line pattern painting, abstract red net, grid, meshes pattern, abstract red grid pattern, black and red pattern, red color symbolism, rough, uneven thick line pattern,  red pattern symbolism, acrylic painting #5700, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5700_abstract_red_meshes_280.jpg" border="0" alt="Abstract Red Meshes  : abstract red, abstract vertical and horizontal red line pattern painting, abstract red net, grid, meshes pattern, abstract red grid pattern, black and red pattern, red color symbolism, rough, uneven thick line pattern,  red pattern symbolism, acrylic painting #5700, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="192" /></a></p>
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<div>
<p>2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5685   &#8220;Bleeding Garden Flowers &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5685gallery21.htm"><img title="Bleeding Garden Flowers : abstract flower garden, abstract flower mosaic  pattern, complementary colors, colorful red, green and yellow abstract flower pattern, allover pattern, abstract exterior garden scene, abstract expressionism, acrylic painting # 5685, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5685_bleeding_garden_flowers_280.jpg" border="0" alt="Bleeding Garden Flowers : abstract flower garden, abstract flower mosaic  pattern, complementary colors, colorful red, green and yellow abstract flower pattern, allover pattern, abstract exterior garden scene, abstract expressionism, acrylic painting # 5685, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="193" /></a></p>
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<p>2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5559   &#8220;Abstract Japanese Calligraphy &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5559gallery19.htm"><img title="Abstract Japanese Calligraphy : abstract Japanese calligraphy, new, contemporary Japonism, Japanese tragitional culture,abstract  shodo theme, abstract expressionism, allover, black and white, soft line pattern, multilayered linear abstraction, acrylic painting #5559, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5559_japanese_calligraphy_280.jpg" border="0" alt="Abstract Japanese Calligraphy : abstract Japanese calligraphy, new, contemporary Japonism, Japanese tragitional culture,abstract  shodo theme, abstract expressionism, allover, black and white, soft line pattern, multilayered linear abstraction, acrylic painting #5559, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="190" /></a></p>
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<p>2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5492   &#8220;Red Propagation &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5492gallery18.htm"><img title="Red Propagation :lyrical abstraction, tachisme, red, stain, blot, abstract decorative, ornamental pattern, patterns, abstract expressionism, red cross stitches, repetition, allover, acrylic painting#5492, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5492_red_propagation_280.jpg" border="0" alt="Red Propagation :lyrical abstraction, tachisme, red, stain, blot, abstract decorative, ornamental pattern, patterns, abstract expressionism, red cross stitches, repetition, allover, acrylic painting#5492, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="190" /></a></p>
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<p class="keytable">2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5091   &#8220;Blue Cells &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5091gallery11.htm"><img title="Blue Cells" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5091_blue_cells_tn.jpg" border="0" alt="Blue Cells" width="207" height="234" /></a></p>
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<p>2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#5030   &#8220;Colorful Faults &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5030gallery10.htm"><img src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5030_colorful_faults_tn.jpg" border="0" alt="Colorful Faults" width="202" height="297" /></a></p>
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<div>
<p>2006</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#4506   &#8220;Abstract Icy Cubism Blizzard White on White&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4506gallery17.htm"><img title="Abstract Icy Cubism Blizzard White on White  : abstract white cubism pattern, line cubism, winter icy cold theme, abstract season, abstract icy stormy field, abstract icy air condition, abstract storm pattern, abstract white on white pattern, subtle expressionism, acrylic painting #4506, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4506_Abstract_Icy_Cubism_Blizzard_White_on_White_280.jpg" border="0" alt="Abstract Icy Cubism Blizzard White on White  : abstract white cubism pattern, line cubism, winter icy cold theme, abstract season, abstract icy stormy field, abstract icy air condition, abstract storm pattern, abstract white on white pattern, subtle expressionism, acrylic painting #4506, 2005 &#124; Kazuya Akimoto Art Museum" width="280" height="235" /></a></p>
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<div class="keytable">
<p>2005</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#4491   &#8220;Abstract White Square Subtle Cubism Pattern&#8221;</p>
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<td align="center">
<div>
<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4491gallery16.htm"><img title="Abstract White Square Subtle Cubism Pattern  :Abstract cubism white subtle square pattern minimalist painting, white color symbolism, white on white cubism, square symbolism, abstract square minimalism pattern, acrylic painting #4491, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4491_Abstract_White_Square_Subtle_Cubism_Pattern_200.jpg" border="0" alt="Abstract White Square Subtle Cubism Pattern  :Abstract cubism white subtle square pattern minimalist painting, white color symbolism, white on white cubism, square symbolism, abstract square minimalism pattern, acrylic painting #4491, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="242" /></a></p>
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<p>2005</p>
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<p>&#160;</p>
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<p class="keytable">#4400 &#8220;Pelleas and Melisande <span class="key_level_0">( Homage to Schoenberg&#8217;s music, &#8216;Pelleas und Melisande &#8216;)</span> &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4400gallery13.htm"><img title="Pelleas and Melisande ( Homage to Schoenberg's music,'Pelleas und Melisande') : abstract line pattern poem, line expressionism, linear minimalism, abstract symbolism, line pattern symbolism painting, abstract music scene, abstract narrative, linear narrative, straight line pattern, narrative lines, acrylic painting #4400, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4400_Pelleas_and_Melisande_200.jpg" border="0" alt="Pelleas and Melisande ( Homage to Schoenberg's music,'Pelleas und Melisande') : abstract line pattern poem, line expressionism, linear minimalism, abstract symbolism, line pattern symbolism painting, abstract music scene, abstract narrative, linear narrative, straight line pattern, narrative lines, acrylic painting #4400, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">2005</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#4375   &#8220;Rectangular Green Heart &#8220;</p>
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<div>
<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4375gallery12.htm"><img title="Rectangular Green Heart : geometric rectangle pattern, abstract light symbolism painting, green color symbolism, repetition, repeated and overlapped, rectangles with color value graduation pattern, subtle brush strokes, geometric expressionism painting #4375, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4375_rectangular_green_heart_280.jpg" border="0" alt="Rectangular Green Heart : geometric rectangle pattern, abstract light symbolism painting, green color symbolism, repetition, repeated and overlapped, rectangles with color value graduation pattern, subtle brush strokes, geometric expressionism painting #4375, 2005 &#124; Kazuya Akimoto Art Museum" width="280" height="245" /></a></p>
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<div class="keytable">
<p>2005</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#4369   &#8220;Abstract White Snow Flakes &#8220;</p>
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<td align="center">
<div>
<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4369gallery12.htm"><img title="Abstract White Snow Flakes :allover abstract line cubism pattern, white color natural symbolism, abstract cubism, abstract line pattern, abstract white expressionism, acrylic painting # 4369, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4369_abstract_white_snow_flakes_200.jpg" border="0" alt="Abstract White Snow Flakes :allover abstract line cubism pattern, white color natural symbolism, abstract cubism, abstract line pattern, abstract white expressionism, acrylic painting # 4369, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<div class="keytable">
<p>2005</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#4283   &#8220;Purple Flakes &#8220;</p>
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<div>
<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4283gallery8.htm"><img title="Purple Flakes : fragmentary coloful abstraction, abstract expressionism, lyrical abstract,  allover, purple acrylic painting #4283, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4283_purple_flakes_200.jpg" border="0" alt="Purple Flakes : fragmentary coloful abstraction, abstract expressionism, lyrical abstract,  allover, purple acrylic painting #4283, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="273" /></a></p>
</div>
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</tr>
<tr>
<td>
<div class="keytable">
<p class="keytable">2005</p>
</div>
</td>
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</tbody>
</table>
<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#2600 &#8220;Abstract Japanese Plum Blossoms&#8221;</p>
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</td>
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<tr>
<td><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2600gallery14.htm"><img title="Abstract Japanese Plum Blossoms : contemporary Japan theme abstract botanical painting, New Japonism, abstract natural scene abstract natural pattern, Japanese, Asian botanical theme, impressive sky blue, famous spring symbol of Japan, abstract tree, natural complementary pattern, acrylic painting #2600, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2600_Abstract_Japanese_Plum_Blossoms_New_Japonism_200.jpg" border="0" alt="Abstract Japanese Plum Blossoms : contemporary Japan theme abstract botanical painting, New Japonism, abstract natural scene abstract natural pattern, Japanese, Asian botanical theme, impressive sky blue, famous spring symbol of Japan, abstract tree, natural complementary pattern, acrylic painting #2600, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></td>
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<div>
<p>2004</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#2555 &#8220;Abstract Yellow Wood Grain Texture&#8221;</p>
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<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2555gallery14htm.htm"><img title="Abstract Yellow Wood Grain Texture : abstract wood grain texture pattern, abstract natural texture, natural pattern symbolism, abstract yellow symbolism, abstract texture, abstract expressionism, subtle line pattern, pattern symbolism, natural tree symbolism, botanical symbolism, abstract nature, complementary color pattern, acrylic painting #2555, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2555_Abstract_Yellow_Wood_Grain_Texture_200.jpg" border="0" alt="Abstract Yellow Wood Grain Texture : abstract wood grain texture pattern, abstract natural texture, natural pattern symbolism, abstract yellow symbolism, abstract texture, abstract expressionism, subtle line pattern, pattern symbolism, natural tree symbolism, botanical symbolism, abstract nature, complementary color pattern, acrylic painting #2555, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="233" /></a></p>
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</td>
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<div>
<p>2004</p>
</div>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#2533 &#8220;Fewer Stars and Stripes&#8221;</p>
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<td>
<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2533gallery13.htm"><img title="Fewer Stars and Stripes : abstract stripe pattern distortion painting, abstract expressionism flag stripe pattern, light symbolism, astronomical symbolism, thick line pattern, distorted flag, abstract national flag symbolism, acrylic painting #2533, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2533_Fewer_Stars_and_Stripes_abstract_expressionism_art_200.jpg" border="0" alt="Fewer Stars and Stripes : abstract stripe pattern distortion painting, abstract expressionism flag stripe pattern, light symbolism, astronomical symbolism, thick line pattern, distorted flag, abstract national flag symbolism, acrylic painting #2533, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="233" /></a></p>
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<tr>
<td>
<div>
<p>2004</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#2477 &#8220;Blue Iris Bouquet Pattern&#8221;</p>
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<td>
<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2477gallery13.htm"><img title="Blue Iris Bouquet Pattern : abstract blue flower pattern painting, abstract blue floral repetition, repeated pattern, expressionism flowers, flower symbolism, pattern symbolism, allover pattern, blue color symbolism, botanical pattern, acrylic painting #2477, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2477_Blue_Iris_Bouquet_Pattern_200.jpg" border="0" alt="Blue Iris Bouquet Pattern : abstract blue flower pattern painting, abstract blue floral repetition, repeated pattern, expressionism flowers, flower symbolism, pattern symbolism, allover pattern, blue color symbolism, botanical pattern, acrylic painting #2477, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="236" /></a></p>
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<div>
<p>2004</p>
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<p>&#160;</p>
<p>&#160;</p>
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<p class="keytable">#2459 &#8220;Dark Blue Cave Bat Pattern&#8221;</p>
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<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2459gallery12.htm"><img title="Dark Blue Cave Bat Pattern :abstract, dark, blue, animal symbolism, repetition, natural pattern symbolism, cave bat theme, acrylic painting #2459, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2459_Dark_Blue_Cave_Bat_Pattern_200.jpg" border="0" alt="Dark Blue Cave Bat Pattern :abstract, dark, blue, animal symbolism, repetition, natural pattern symbolism, cave bat theme, acrylic painting #2459, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="232" /></a></p>
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<p>2004</p>
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<p class="keytable">#2450 &#8220;Colorful Partial Eclipses&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2450gallery12.htm"><img title="Colorful Partial Eclipses : abstract colorful circular pattern painting, abstract circular cubism, complementary color pattern, geometric pattern symbolism, astronomical symbolism, repetition, pile pattern, abstract symbolism, acrylic painting #2450, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2450_Abstract_Colorful_Partial_Eclipses_200.jpg" border="0" alt="Colorful Partial Eclipses : abstract colorful circular pattern painting, abstract circular cubism, complementary color pattern, geometric pattern symbolism, astronomical symbolism, repetition, pile pattern, abstract symbolism, acrylic painting #2450, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p>2004</p>
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<p class="keytable">#2393 &#8220;Gradual Green Fogs &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2393gallery11.htm"><img title="Gradual Green Fogs : abstract meteorological weather symbolism painting, abstract cell allover pattern painting, green color symbolism, gradual color value coordination painting, abstract green, abstract weather, abstract cellular pattern symbolism, acrylic painting #2393, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2393_Gradual_Green_Fogs_200.jpg" border="0" alt="Gradual Green Fogs : abstract meteorological weather symbolism painting, abstract cell allover pattern painting, green color symbolism, gradual color value coordination painting, abstract green, abstract weather, abstract cellular pattern symbolism, acrylic painting #2393, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<p>2004</p>
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<p class="keytable">#2379 &#8220;Machu Picchu, the Ancient Lost City of the Inca Empire &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2379gallery11.htm"><img title="Machu Picchu, the Ancient Lost City of the Inca Empire : black and red, aerial abstract ancient cityscape painting, rectangular allover geometric pattern, dark red ancient architectural pattern, abstract architecture, stone building symbolism, abstract map, abstract red, historical sanctuary theme, acrylic painting #2379, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2379_Machu_Picchu_Lost_City_of_Inca_200.jpg" border="0" alt="Machu Picchu, the Ancient Lost City of the Inca Empire : black and red, aerial abstract ancient cityscape painting, rectangular allover geometric pattern, dark red ancient architectural pattern, abstract architecture, stone building symbolism, abstract map, abstract red, historical sanctuary theme, acrylic painting #2379, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="233" /></a></p>
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<p>2004</p>
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<p class="keytable">#2327 &#8220;Abstract Blue Leaf Veins  &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2327gallery11.htm"><img title="Abstract Blue Leaf Veins  : Abstract botanical leaf pattern, abstract natural pattern, allover pattern symbolism painting, blue monochrome, abstract blue art, blue color symbolism painting, abstract blue leaf texture, leaf vein pattern, abstract expressionism, abstract leaf, lyrical blue abstraction, acrylic paining #2327, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2327_abstract_blue_leaf_veins_200.jpg" border="0" alt="Abstract Blue Leaf Veins  : Abstract botanical leaf pattern, abstract natural pattern, allover pattern symbolism painting, blue monochrome, abstract blue art, blue color symbolism painting, abstract blue leaf texture, leaf vein pattern, abstract expressionism, abstract leaf, lyrical blue abstraction, acrylic paining #2327, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">#2215 &#8220;The Night of Protozoans    &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2215gallery10.htm"><img title="The Night of Protozoans : abstract, biological, organismic pattern, monochrome,monotone, repetition, repeated pattern, allover, acrylic painting #2215, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2215_night_of_protozoans_200.jpg" border="0" alt="The Night of Protozoans : abstract, biological, organismic pattern, monochrome,monotone, repetition, repeated pattern, allover, acrylic painting #2215, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<p>2004</p>
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<p class="keytable">#2207 &#8220;The Abstract Flooding of Letter L   &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2207gallery9.htm"><img title="The Abstract Flooding of Letter L : abstract colorful element pattern ,geometric pattern, line pattern,  conceptual pattern, pattern of abstract elements, allover, acrylic painting #2207, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2207_flooding_letter_l_200.jpg" border="0" alt="The Abstract Flooding of Letter L : abstract colorful element pattern ,geometric pattern, line pattern,  conceptual pattern, pattern of abstract elements, allover, acrylic painting #2207, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<p>2004</p>
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<p class="keytable">#2196 &#8220;Three Color Ridges &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2196gallery9.htm"><img title="Three Color Ridges: colorful abstract landscape pattern, trichromatic, three primary color pattern, repetition, cell pattern, geographical, abstract, paysage abstrait, acrylic painting#2196, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2196_three_color_ridges_200.jpg" border="0" alt="Three Color Ridges: colorful abstract landscape pattern, trichromatic, three primary color pattern, repetition, geographical, abstract, paysage abstrait, acrylic painting#2196, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<p>2004</p>
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<p class="keytable">#2174 &#8220;Abstract Stone Wall &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2174gallery9.htm"><img title="Abstract Stone Wall  : cell pattern, colorful, pale pastel color lyrical abstraction, abstract nature scene, acrylic painting #2174, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2174s_abstract_stone_wall_200.jpg" border="0" alt="Abstract Stone Wall  : cell pattern, colorful, pale pastel color lyrical abstraction, abstract nature scene, acrylic painting #2174, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="231" /></a></p>
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<p class="keytable">#2004 &#8220;Restricted Areas  &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2004gallery8.htm"><img title="Restricted Areas :abstract, texture, matiere, surface pattern, red tone, ambiguous subtle symbolic sign pattern, abstract symbolism acrylic painting #2004, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2004_reastricted_areas_280.jpg" border="0" alt="Restricted Areas :abstract, texture pattern, surface pattern, red tone, ambiguous subtle symbolic sign pattern, abstract symbolism acrylic painting #2004, 2004 &#124; Kazuya Akimoto Art Museum" width="240" /></a></p>
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<p>2004</p>
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<p class="keytable">#1981 &#8220;Blue Net &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1981gallery7.htm"><img title="Blue Net : geometric, line pattern, minimalism, minimalist, repeated geometric diamond pattern, abstract blue acrylic painting #1981, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1981_blue_net_200.jpg" border="0" alt="Blue Net : geometric, line pattern, minimalism, minimalist, repeated geometric diamond pattern, abstract blue acrylic painting #1981, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="231" /></a></p>
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<p class="keytable">#1816 &#8220;Saucers&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1816gallery4.htm"><img src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1816_saucers_200_tn.jpg" border="0" alt="Saucers" width="200" height="236" /></a></p>
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<p class="keytable">#1652  &#8220;Cells &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1652gallery1.htm"><img src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1652_cells_th.jpg" border="0" alt="Cells" width="150" height="179" /></a></p>
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<p class="keytable">2004</p>
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<p class="keytable">pas156 &#8220;The Pastel Fragments of the Blue Mirror&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/acquisitionlite/contents/pas156.html"><img title="The Pastel Fragments of the Blue Mirror : fragmentary abstract geometric pattern pastel painting, allover pattern, hard thick line pattern, blue and yellow complementary color painting, geometric naive pattern painting, pas156, 2003 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/acquisitionlite/images/2003pas156_The_Pastel_Fragments_of_the_Blue_Mirror_200.jpg" border="0" alt="The Pastel Fragments of the Blue Mirror : fragmentary abstract geometric pattern pastel painting, allover pattern, hard thick line pattern, blue and yellow complementary color painting, geometric naive pattern painting, pas156, 2003 &#124; Kazuya Akimoto Art Museum" width="200" height="294" /></a></td>
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<p><a class="keytable" href="http://acquisitionlite.kazuya-akimoto.com/contents/pas079.html">2003</a></p>
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<p class="keytable">pas152 &#8220;Pastel Black Checkered Pattern&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/acquisitionlite/contents/pas152.html"><img title="Pastel Black Checkered Pattern : abstract colorful black checkered pattern pastel painting, geometric pattern, geometric symbolism, colorful, allover, pattern symbolism, pastel painting, pas152, 2003 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/acquisitionlite/images/2003pas152_Pastel_Black_Checkered_Pattern_200.jpg" border="0" alt="Pastel Black Checkered Pattern : abstract colorful black checkered pattern pastel painting, geometric pattern, geometric symbolism, colorful, allover, pattern symbolism, pastel painting, pas152, 2003 &#124; Kazuya Akimoto Art Museum" width="200" height="298" /></a></p>
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<p><a class="keytable" href="http://acquisitionlite.kazuya-akimoto.com/contents/pas079.html">2003</a></p>
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<p class="keytable">pas097 &#8220;Abstract Greenish Honeycomb &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/acquisitionlite/contents/pas097.html"><img title="Abstract Greenish Honeycomb : abstract, abstraction, allover, geometric cell pattern, contemporary soft pastel painting pas097,2003 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/acquisitionlite/images/2003pas097_green_honeycomb_200.jpg" border="0" alt="Abstract Greenish Honeycomb : abstract, abstraction, allover, geometric cell pattern, contemporary soft pastel painting pas097,2003 &#124; Kazuya Akimoto Art Museum" width="200" height="295" /></a></p>
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<p><a class="keytable" href="http://acquisitionlite.kazuya-akimoto.com/contents/pas079.html">2003</a></p>
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<p class="key_level_4"><span class="h5_pale"><a href="http://www.kazuya-akimoto.com/index.htm">Kazuya Akimoto Art Museum</a></span></p>
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<td class="key_level_2" width="600" height="1179" valign="top"><span style="font-size:x-small;"><strong><a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#a"><span style="font-size:small;">&#60;A&#62;</span></a></strong> abstract allegory abstract animals abstract architecture abstract blue abstract cityscape abstract cubism abstract dance abstract expressionism abstract expressionism 2  abstract flowers abstract green abstract human figures abstract impressionism abstract abstract landscape abstract love abstract map abstract mask abstract narrative abstract natural pattern abstract natural scene abstract plant abstract purple abstract raw art abstract realism abstract red abstract sky abstract solid abstract still life abstract surrealism abstract symbolism abstract texture abstract weather abstract white abstract yellow aerial perspective agricultural allegorical allover ambiguous symbols American amphibian anatomical ancient angel animal body form 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classical cold color fields color perspective color symbolism colorful comparison complementary colors composition concentric conceptual contemporary Japonism contemporary symbolism conversation copies after masters country life crack criminal crying cubism curves <a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#d"><strong><span style="font-size:small;">&#60;D&#62;</span></strong></a> daily life dance dark and light dark dark symbolism day debris deformation deforme detailed diamonds digital dim distortion, distorted dog dusk dynamic <a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#e"><strong><span style="font-size:small;">&#60;E&#62;</span></strong></a> early works earth colors earth ecological eerie Egyptian elaborate elements emotions entrance epic European evenly painted area evil evocative exotic experimental expressionism expressionism 2 exterior extreme eyes eye symbolism <a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#f"><strong><span style="font-size:small;">&#60;F&#62;</span></strong></a> fabric faces facial expressionism facial expressions facial symbolism faint fairy tale family fauvism female body symbolism famel symbolism fierce figurative figurative 2 fire, flame fish floating, flying flow, flowing flowers forest, woods forms found object four-footed fractal fractions fragmentary frames French full-length future <a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#g"><strong><span style="font-size:small;">&#60;G&#62;</span></strong></a>garden geographical geometric geometric 2 geometric expressionism geometric patterns geometric raw art geometric symbolism ghost glossy god gold gorgeous gospel gothic graceful gradation graffiti Greek green and red green grisaille grotesque ground <a class="key_level_3" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm#h"><strong><span 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<title><![CDATA[Mirage F1 - French Avaiation ]]></title>
<link>http://ebanjo.wordpress.com/2009/11/25/mirage-f1-french-avaiation/</link>
<pubDate>Wed, 25 Nov 2009 21:42:31 +0000</pubDate>
<dc:creator>ebanjo</dc:creator>
<guid>http://ebanjo.wordpress.com/2009/11/25/mirage-f1-french-avaiation/</guid>
<description><![CDATA[a mirage f1 American fighters are well-known. America is always showing off theirs and shoving it do]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><a href="http://ebanjo.wordpress.com/files/2009/11/mirage-f13.jpg"><img class="aligncenter size-medium wp-image-92" title="Mirage F1" src="http://ebanjo.wordpress.com/files/2009/11/mirage-f13.jpg?w=300" alt="" width="409" height="227" /></a></p>
<p style="text-align:center;"><em>a mirage f1</em></p>
<p>American fighters are well-known. America is always showing off theirs and shoving it down are throats, saying they are the best, whenever we watch a program about air military. Most aviation experts have studied MiGs and Sukhoi jets &#8211; the Russian ones get not as much publicity as the American ones. Certainly, the Russian ones look a lot better than the American ones, but my favorite is the  ones that don&#8217;t get a lot of publicity, like the Chinese ones (I&#8217;m not talking about their Copies of the Russian MiGs and Sukhoi jets), I am talking about the ones THEY designed on their own as a country, like the J-10. The French Mirages are my favorite,  in particular,  the Mirage F1/Mirage 2000 only.  They are streamlined and look a lot better the French air force new Rafales. All you have to do is type in &#8220;<a href="http://www.youtube.com/results?search_query=mirage+f1&#38;search_type=&#38;aq=f">Mirage F1&#8243;/&#8221;Mirage F1 Tchad</a>&#8221; on YouTube to realise they&#8217;re beauty.</p>
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<title><![CDATA[Thanksgiving + BLKFri]]></title>
<link>http://sugarcube.us/2009/11/25/thanksgiving-blkfri/</link>
<pubDate>Wed, 25 Nov 2009 20:50:54 +0000</pubDate>
<dc:creator>Sugarcube</dc:creator>
<guid>http://sugarcube.us/2009/11/25/thanksgiving-blkfri/</guid>
<description><![CDATA[Open Thanksgiving 10am -4pm Open Friday | 10am-8pm | spend $150 get 25% off | excluding accessories,]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><strong>Open Thanksgiving 10am -4pm</strong></p>
<p><strong></p>
<div id="attachment_534" class="wp-caption alignnone" style="width: 510px"><img class="size-full wp-image-534" title="WP_SC_BlkONBlk09" src="http://shopsugarcube.wordpress.com/files/2009/11/wp_sc_blkonblk09.jpg" alt="" width="500" height="500" /><p class="wp-caption-text">Open Friday &#124; 10am-8pm &#124; spend $150 get 25% off &#124; excluding accessories, denim + current sale items</p></div>
<p>&#160;</p>
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<title><![CDATA[Turtles Forever Review and a Look Back at TMNT 2K3]]></title>
<link>http://cartoonelectro.wordpress.com/2009/11/24/turtles-forever-review-and-a-look-back-at-tmnt-2k3/</link>
<pubDate>Tue, 24 Nov 2009 23:43:29 +0000</pubDate>
<dc:creator>novid</dc:creator>
<guid>http://cartoonelectro.wordpress.com/2009/11/24/turtles-forever-review-and-a-look-back-at-tmnt-2k3/</guid>
<description><![CDATA[Sorry for the lateness but better late than never. Lets make this really clear. Most animated movies]]></description>
<content:encoded><![CDATA[Sorry for the lateness but better late than never. Lets make this really clear. Most animated movies]]></content:encoded>
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<title><![CDATA[Teenage Mutant Ninja Turtles: Forever.]]></title>
<link>http://tazsimpson.wordpress.com/2009/11/23/teenage-mutant-ninja-turtles-forever/</link>
<pubDate>Mon, 23 Nov 2009 18:39:50 +0000</pubDate>
<dc:creator>tazsimpson</dc:creator>
<guid>http://tazsimpson.wordpress.com/2009/11/23/teenage-mutant-ninja-turtles-forever/</guid>
<description><![CDATA[So its been over a decade and the turtles are still kicking. As part of their 25th anniversary, Mira]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://tazsimpson.wordpress.com/files/2009/11/tmntforever11.jpg"><img class="alignnone size-full wp-image-28" title="tmntforever1" src="http://tazsimpson.wordpress.com/files/2009/11/tmntforever11.jpg" alt="" width="406" height="608" /></a></p>
<p style="text-align:justify;">So its been over a decade and the turtles are still kicking. As part of their 25th anniversary, Mirage and 4Kids Entertainment, the people behind the 2k3 series have joined forces to bring you &#8220;Turtles Forever&#8221;. In this direct to DVD movie, the Ninja Turtles from the popular 80&#8217;s toon team up with the Ninja Turtles from the 2k3 series in order to stop 2k3&#8217;s villain, Krang aka Shedder from destroying the Turtles universe &#8211; literally. We get a special treat at the end when the appearance of the original Mirage comic book Turtles make their debut in animation form. Turtles Forever is witty, amusing, and well animated. Its hard to believe after so many years the Turtles are still mean, green, ninja butt kicking machines. All in all, Turtles Forever is &#8211; Cowabunga.</p>
<p style="text-align:justify;"><a href="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg"><img title="250px-Autobot_Logo" src="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg?w=150" alt="" width="13" height="13" /></a><a href="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg"><img title="250px-Autobot_Logo" src="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg?w=150" alt="" width="13" height="13" /></a><a href="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg"><img title="250px-Autobot_Logo" src="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg?w=150" alt="" width="13" height="13" /></a><a href="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg"><img title="250px-Autobot_Logo" src="http://tazsimpson.wordpress.com/files/2009/11/250px-autobot_logo.jpg?w=150" alt="" width="13" height="13" /></a></p>
<p style="text-align:justify;">Production Art Work.</p>
<p style="text-align:justify;"><a href="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_23-011.png"><img class="alignnone size-thumbnail wp-image-51" title="Leo" src="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_23-011.png?w=120" alt="" width="96" height="120" /></a> <a href="http://tazsimpson.wordpress.com/files/2009/11/tmnt25_wk04_02.png"><img class="alignnone size-thumbnail wp-image-52" title="Rocksteady" src="http://tazsimpson.wordpress.com/files/2009/11/tmnt25_wk04_02.png?w=120" alt="" width="96" height="120" /></a> <a href="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_12-01.png"><img class="alignnone size-thumbnail wp-image-53" title="April" src="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_12-01.png?w=120" alt="" width="96" height="120" /></a> <a href="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_07-01.png"><img class="alignnone size-thumbnail wp-image-54" title="Foot" src="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_07-01.png?w=120" alt="" width="96" height="120" /></a></p>
<p style="text-align:justify;"><a href="http://tazsimpson.wordpress.com/files/2009/11/tmnt_forever_23-011.png"></a></p>
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<title><![CDATA[The Beatles Love by Cirque du Soleil]]></title>
<link>http://bomotempo.wordpress.com/2009/11/23/the-beatles-love-by-cirque-du-soleil/</link>
<pubDate>Mon, 23 Nov 2009 08:58:45 +0000</pubDate>
<dc:creator>かぼす</dc:creator>
<guid>http://bomotempo.wordpress.com/2009/11/23/the-beatles-love-by-cirque-du-soleil/</guid>
<description><![CDATA[週末はちょっくらラスベガスへ行ってきまして、Mirageホテルでやってるシルクドソレイユの「The Beatles Love」を観てきました。 私、ビートルズって特に好きとか嫌いとかなくて、「音楽」く]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://www.mirage.com/entertainment/love.aspx"><img style="display:block;float:none;margin-left:auto;margin-right:auto;border:0;" title="image" src="http://bomotempo.files.wordpress.com/2009/11/image12.png?w=437&#038;h=226" border="0" alt="image" width="437" height="226" /></a></p>
<p>週末はちょっくらラスベガスへ行ってきまして、<a href="http://www.mirage.com/">Mirageホテル</a>でやってる<a href="http://www.mirage.com/entertainment/love.aspx">シルクドソレイユの「The Beatles Love」</a>を観てきました。</p>
<p>私、ビートルズって特に好きとか嫌いとかなくて、「音楽」くらいの認識しかないんですね。というのも、サビとか前奏とかがポンキッキで使われてたじゃないですか？ あと、色んなコマーシャルやテレビ番組で頻繁に使われるので、わざわざ買って聞くというよりは、勝手に耳に入ってくるものって感じに思ってたんです。</p>
<p>私のiTunesには約12,000曲登録されているので、一曲ぐらいはビートルズの曲があるかしら？と思って探したら、一曲だけサーチでヒットしました。</p>
<div id="scid:5737277B-5D6D-4f48-ABFC-DD9C333F4C5D:5473e589-3745-4289-91d7-782b6392f131" class="wlWriterEditableSmartContent" style="display:inline;float:none;margin:0;padding:0;">
<div><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/ovEASuIqVbY&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/ovEASuIqVbY&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></div>
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<p>Wingさんによる「I want to hold your hand」</p>
<p>このWingさん、<a href="http://wingtunes.com/">クレジットカードで$7払うと、電話で「ハッピーバースデー」を歌ってくれるらしいです</a>。</p>
<p>と、話がずれましたが、それぐらいビートルズに疎い私が果たしてこのショーを楽しめるのか？と疑問でございましたが・・・</p>
<div id="scid:5737277B-5D6D-4f48-ABFC-DD9C333F4C5D:6b59e711-3d7e-4171-b25f-cc4c6871c166" class="wlWriterEditableSmartContent" style="display:inline;float:none;margin:0;padding:0;">
<div><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/a50NE4pYjGU&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/a50NE4pYjGU&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></div>
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<p>曲が生まれた当時の時代背景、歌詞の意味などをシルクドソレイユの演出で見せる内容で、ビートルズに無知な私でも充分楽しめるショーでした。</p>
<p>最近出たばかりのビートルズのリマスターボックスセットを買ってもいいと思ったくらい。</p>
<p><a href="http://www.amazon.com/gp/product/B002BSHWUU/ref=s9_simz_gw_s0_p15_i1?pf_rd_m=ATVPDKIKX0DER&#38;pf_rd_s=center-2&#38;pf_rd_r=011C7MJ8Y6CJXD536TT0&#38;pf_rd_t=101&#38;pf_rd_p=470938631&#38;pf_rd_i=507846"><img src="http://ecx.images-amazon.com/images/I/51VIwKeqjEL._SL500_AA240_.jpg" border="0" alt="The Beatles Stereo Box Set" width="240" height="240" /></a></p>
<p><a href="http://www.amazon.com/gp/product/B002BSHWUU/ref=s9_simz_gw_s0_p15_i1?pf_rd_m=ATVPDKIKX0DER&#38;pf_rd_s=center-2&#38;pf_rd_r=011C7MJ8Y6CJXD536TT0&#38;pf_rd_t=101&#38;pf_rd_p=470938631&#38;pf_rd_i=507846">The Beatles Stereo Box Set</a></p>
<p>12/16にオープン予定の<a href="http://www.citycenter.com/">City Center</a>内の<a href="http://www.arialasvegas.com/">Ariaホテル</a>では、今度は<a href="http://www.arialasvegas.com/entertainment/">エルビス・プレスリーがテーマのシルクドソレイユのショー</a>が上演されるらしいですね。</p>
<p>ビートルズだけならまだしも、エルビス・・・。シルクドソレイユもネタ切れなんですかね？</p>
<p>私としては、Janet Jacksonにラスベガスでショーを持ってもらいたいです。そうすれば、<a href="http://www.amazon.com/Showgirls-Fully-Exposed-Elizabeth-Berkley/dp/B000PMFS2I/ref=sr_1_1?ie=UTF8&#38;s=dvd&#38;qid=1258966609&#38;sr=8-1">Showgirls</a>で浮いてたセリフも現実になりますし。</p>
<p><a href="http://bomotempo.files.wordpress.com/2009/11/image13.png"><img style="display:inline;border:0;" title="image" src="http://bomotempo.files.wordpress.com/2009/11/image_thumb12.png?w=244&#038;h=160" border="0" alt="image" width="244" height="160" /></a></p>
<p>セリーヌ・ディオンやエルトン・ジョンなど、トップアーティストも最近ではショーをやっているので、Janetのラスベガス公演もあながち現実味がないわけでもないですね。もしかしてShowgirlsは将来を予言してたのかしら？？？</p>
<p>&#160;</p>
<p>なわけないけど。</p>
<p>&#160;</p>
<p>LoveショーとMirageホテル２泊がセットで$318というお得パッケージがあります。1/31/2009まで。</p>
<p><a href="http://www.mirage.com/offers/2009/01_love_rm_show/index_v2.html">http://www.mirage.com/offers/2009/01_love_rm_show/index_v2.html</a></p>
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<title><![CDATA[TMNT Forever? [Movie Review: Turtles Forever]]]></title>
<link>http://comicreviewsbywalt.wordpress.com/2009/11/21/tmnt-forever/</link>
<pubDate>Sun, 22 Nov 2009 01:44:39 +0000</pubDate>
<dc:creator>Walt</dc:creator>
<guid>http://comicreviewsbywalt.wordpress.com/2009/11/21/tmnt-forever/</guid>
<description><![CDATA[Though I largely lost track of the TMNT animated series the last several years, I&#8217;ve tuned in ]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/01.jpg" alt="" align="left" />Though I largely lost track of the TMNT animated series the last several years, I&#8217;ve tuned in here or there to see where things are. I&#8217;d thought the series was nothing but re-runs at this point, and with the sale of the TMNT to Nickelodeon, hadn&#8217;t expected anything new to be aired.  Thankfully, I was wrong, as this &#8216;Turtles Forever&#8217; tv movie aired this morning.</p>
<p>The purple dragons find themselves under attack as they seek to rip off some high-tech equipment. Splinter finds his soap opera interrupted by news of four green individuals caught on camera&#8211;apparently turtles.  However, his sons are all home and haven&#8217;t been out.  Cue Hun, responding to the Dragons&#8217; having captured the Turtles.  Sure enough, four Ninja Turtles have been captured&#8230;but they&#8217;re not any Hun has ever seen before.  Determining they&#8217;re of no worth, he orders them killed&#8230;but that&#8217;s when the &#8220;real&#8221; (2003) turtles burst in.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/06.jpg" alt="" align="right" />After a fight, the two teams of teenage turtles size each other up.  One group&#8211;pudgey and goofy, the other taller, leaner, and more serious.  Before long, the time-tossed turtles from 1987 are introduced to Splinter&#8211;who, notably, looks much different. The Technodrome is brought in, as is the bumbling Shredder, Krang, and even the robotic foot soldiers.  Bebop and Rocksteady make their requisite appearance.</p>
<p>Realizing that there are other-dimensional versions of the turtles he knows, Bumbling Shredder (1987) uses the Technodrome tech to locate this dimension&#8217;s Shredder&#8211;not in the USA, Not on Earth, but significantly further away&#8211;and beams him into the Technodrome.  This dimension&#8217;s Shredder, however, is not the human Oroku Saki, but an evil Utrom Ch&#8217;rell. The Ch&#8217;rell Shredder wakes, makes short work of Bumbling Shredder, Krang, &#38; Co., and implements a new plan&#8211;retrofitting the Technodrome with Utrom upgrades, transforming it into a far deadlier, more effective &#8220;ultimate weapon&#8221; than any previously seen.</p>
<p>The two groups of turtles survive an attack by a mutated Hun (remember the pink mutagen that changed someone into whatever creature they were last in contact with?), and with a dimensional-portal-stick find themselves back in the 1987 world&#8211;reversing the groups&#8217; disorientation. The 2003 turtles meet the Hamato Yoshi Splinter, who offers a calm, serious, yet compassionate air to the time-tossed teens.</p>
<p>When the turtles check back in with their home (2003) dimension, they see Ch&#8217;rell&#8217;s upgraded Technodrome causing loads of destruction, withstanding the best the Military can throw at it&#8230;and they realize the box of anti-Technodrome gadgest they have isn&#8217;t gonna cut it.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/02.jpg" alt="" align="left" />Upon returning to rescue Splinter (2003), the turtles are all captured, held to particular points in a massive chamber, their essense to play a role in locating &#8220;Turtle-Prime,&#8221; the SOURCE of Ninja Turtles in the Multiverse.  (And reminding me a great deal of Alexander Luthor&#8217;s tower from DC&#8217;s Infinite Crisis).</p>
<p>The Ch&#8217;rell Shredder shares what he&#8217;s learned, displaying images of virtually every other incarnation of the turtles out there&#8211;The 1990s movies, various incarnations from Mirage, and Archie, the newspaper strip, the 2007 movie, and so on. All are branches coming from the source being sought&#8211;destroy the source, and all the others will cease to exist. (Destroy a branch and others will continue to flourish).</p>
<p>Before the turtles can be completely dismantled by the device, Karai beams them away, saving their lives, as the Technodrome fades away to this Prime dimension.  Another encounter with Hun as the world turns to black and white and then whites out of existence leads the turtles to modify their dimensional stick and they, too, fade out to the Prime dimension.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/07.jpg" alt="" align="right" />Arrival there introduces black and white turtles&#8211;the ORIGINAL Mirage TMNT. Accurately, the &#8220;source&#8221; of every other incarnation of the turtles.</p>
<p>The three groups team up to face the threat Ch&#8217;rell now poses to the multiverse.</p>
<p>As the story draws to a close, the other turtles return &#8220;home,&#8221; and the Prime-turtles are left to reflect on what they&#8217;ve just been a part of. Finally, they leave with Leonardo&#8217;s narration seeing them out.  &#8220;We are the Teenage Mutant Ninja TUrtles. We strike hard, and fade away&#8230;into the night.&#8221;</p>
<p>I wasn&#8217;t sure what to expect of this when I first discovered it. A friend posted a link to the wikipedia page on my facebook, and I researched a bit from there, ultimately recording the movie and watching it this evening. A blending of the old and new/current cartoons was interesting as a concept, but I figured it would be some goofy, hokey thing that wouldn&#8217;t really be much more than &#8220;fanservice&#8221; or such.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/03.jpg" alt="" align="left" />However, goofy as it was at points, I really greatly enjoyed this.  The movie REALLY accentuates the differences in the turtles&#8217; incarnations. The &#8220;classic&#8221; 1987 turtles are goofy, hokey, and not very serious on the whole.  The 2003 turtles are far more serious (though Mikey remains a bit of a goofball&#8211;but not nearly on the level of all the &#8216;87 turtles).  And of course, both incarnations are significantly &#8220;lighter&#8221; than the original 1984 Mirage turtles.</p>
<p>As far as I could tell, the voices of the 2003 turtles are the same as the long-running series.  None of the voices for the classic turtles seemed at all familiar&#8211;which was disappointing, though I&#8217;d've been shocked if they could reassemble those regulars 20ish years later. Still, the attitudes of the characters showed through.</p>
<p>I did feel that the Splinters, as well as April and Casey (2003) got shortchanged&#8230;though I could&#8217;ve done with a little less than the brief bit we got with the 1987 April. I must admit it was sorta cool seeing Bebop and Rocksteady again, though they, too, were really shown to be the goofy caricatures they were.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/06.jpg" alt="" align="right" />Though brief overall, the Prime-turtles were rather cool to see&#8211;and it may just be my own prior comparisons of the incarnations that made it stand out for me&#8211;but they seemed all the more dangerous and deadly appearing alongside the colorized counterparts.</p>
<p>The movie ending with these turtles first striking the pose on a building that should be familiar to anyone who&#8217;s seen the covers to the original TMNT #1, TMNT #50, and so on. Then the thing closed out with Leo&#8217;s narration from the ending of that original TMNT #1&#8230;</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/04.jpg" alt="" align="left" />Which truly brought things full-circle.  Even though mere glimpses were provided of the numerous versions of the turtles through the years, that technically means they were included here. And so this capped off&#8211;&#8221;series finale&#8221;-style&#8211;the animated series that&#8217;s been running since 2003, as well as referencing/capping off the 1980s-1990s series, and everything that&#8217;s come before in the extended multiverse of TMNT.</p>
<p>I loved the references to past elements of the series.  The classic lines were all there.  Familiar nuances to voices were present despite different voiceactors&#8211;from Bumbling Shredder&#8217;s frustration to Krang&#8217;s gurgling/burping. The visual styles were consistent at least with what I remember of both series.  The Prime turtles seemed a bit off, but the visual cues were absolutely unmistakeable.</p>
<p>This whole thing reminded me a bit of that Batman: The Animated Series episode with the kids relaying their different versions of the Batman, that included the various visual styles of the silver-age Batman, Miller&#8217;s Dark Knight, and so on.</p>
<p><img src="http://www.waltkneeland.com/covers/misc/tmntforever/08.jpg" alt="" align="right" />All in all, it&#8217;s hard to capture every last detail or every last thought and such from the movie. Suffice to say that there are a number of other specific touches that pushed all the right geek-buttons for me.</p>
<p>I sincerely hope this gets released on DVD, whoever puts it out (provided it&#8217;s not vastly over-priced for being only about 75 minutes of content).</p>
<p>One of the commercials indicates it&#8217;ll be airing again over the next 3 weeks, so if you have not had a chance to see it, and you&#8217;re a fan of (particularly) either of the animated series, this is incredibly worthwhile.</p>
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<title><![CDATA[Down Goes Frasier... pt. 2...]]></title>
<link>http://sarcasmasaweapon.com/2009/11/19/down-goes-frasier-pt-2/</link>
<pubDate>Fri, 20 Nov 2009 02:18:09 +0000</pubDate>
<dc:creator>DoubleDown</dc:creator>
<guid>http://sarcasmasaweapon.com/2009/11/19/down-goes-frasier-pt-2/</guid>
<description><![CDATA[P.S. For those of you who read the first part of this blog, and believed Mr. Thompson to indeed be a]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>P.S. For those of you who read the first part of this blog, and believed Mr. Thompson to indeed be a homosexual, I can verify factually that he is not. In fact, he is a young, very successful man who lives in LA, works in TV and is, by all accounts, handsome. He is also single. And yes, I am pimping him out a bit. Please forward all email inquiries to</p>
<p>SarcasmAsAWeapon@gmail.com</p>
<p>Thank you.</p>
<p>Now, back to the story. We continue the story after the three weary travelers awake from a drunken stupor. I pains me to think back and realize how much I drank the night before, how early I got up, and how I wasn&#8217;t hung over at all. In fact, I got up, turned on the TV (volume down) and proceeded to function like every other Saturday. By watching College Football. While I sat in the dark room contemplating my life, I thought to myself, maybe I should cut back on my drinking. I mean how much longer can I continue to drink as heavily as I do with no side effects (other than blacking out. More on that.) and no reason to slow down. (P.S., all of these thoughts/and reasons to slow down were evident at the end of the trip.)</p>
<p>Jdub seemed to be fairing a bit better.</p>
<p>Mr. Thompson was hit the hardest. As we all got up and got on our way to a buffet, Mr. Thompson was still hurting pretty bad. We all attempted to eat some food after declaring &#8220;actually getting out of the room made me feel better.&#8221; This was indeed a lie. The food did help a bit, but the buffet at Harrah&#8217;s was indeed not what it was nearly 9 years ago. (When this small little fact was brought to both JDub and Mr. Thompson’s attention, they replied in shock&#8230; &#8220;We were 16 then.&#8221;) Not going to lie. That one hurt.</p>
<p>After brunch, JDub and I decided to catch the end of the Oregon Ducks football game at an awesome sports bar in Planet Hollywood called Blondie&#8217;s. Blondie&#8217;s is probably one of my favorite places to go in Las Vegas. Is it one of the best&#8230; hell no. However, the waitresses dress in cheerleader outfits, they have 8-12 beer pong tables, and a tournament every Saturday night. I highly recommend this little known gem. Anyway, we got to Blondie&#8217;s and grabbed a table and waited from Mr. Thomspon to return from visiting the room for a bit. It was a good hour or so, when Mr. Thompson returned victoriously. Albeit he looked extremely pale and was moving very, very slowly down the walkway. When he sat before us, he exclaimed&#8230; I&#8217;m still hurting. And he looked it. Mr. Thompson decided (best decision when hung over btw) to order the &#8220;bucket of beers.&#8221; 5 beers for the low price of 20 bucks, served in a plastic bucket. Half way through the bucket, Mr. Thompson mentioned he may be using the bucket for extra curricular activities. To which I replied&#8230;. &#8220;Oh hell, no.&#8221; Mr. Thompson asked at least 2 waitresses if they had Aleve on them in which both of them failed him. He walked down to the store in the mall, picked up a small bottle, and proceeded to wash down two with a couple swigs from the Bucket o&#8217; Beers. Needless to say, we almost lost the big guy.</p>
<p>After some bitching we convinced Mr. Thompson to grab some more food with us and see what the night brought us. We all got some dinner at 9 Fine Irishmen in New York, New York and mapped out the rest of our night. We ventured back to the Mirage and settled in for some resting up. Which ultimately means we all took naps. Except me. I&#8217;m not sure what my deal is, but sleep was just something I was taking for granted.</p>
<p>The time came for us to begin getting ready and I, for some reason, hit a wall. I was not excited to go out. I almost considered not going out at all. This brings me to a very important point about my friend Mr. Thompson. Mr. Thompson seeing and knowing full well that I may not make it the rest of the night, did what any good friend would do. Feed me booze. Mr. Thompson took it upon himself to fire up the iPod fresh with Jay-Z&#8217;s current Blueprint 3 songs, and pour me a Jack and Coke. Mr. Thompson, being the good friend that he is, also poured a mighty hefty drink. One thing lead to another and there was more bathrobe wearing, outfit comparing, drink having, dancing, and general merriment.</p>
<p>We left the room in plenty of time to make the designated cut off time to get into JET and waited a short amount of time to get in. Once inside, we followed our animal instincts to the watering hole and procured more booze. Obviously to get the party rolling shots were ordered from a busty brunette babe working the counter. I for one thought we would be perfect together, however there were others in the group that quickly nixed that decision. Good-bye sweet busty brunette bartender (good lord I love alliteration.)</p>
<p>We made our way to another dance floor where once again we made our way to get more booze. (After reading this, there is probably a good indication of what my true problems are.) We gathered some more drinks and began judging/dancing about. Just then, a very attractive girl came up to Mr. Thompson and greeted him with a handshake that wouldn&#8217;t end. No seriously. She wouldn&#8217;t let go. It&#8217;s probably because he&#8217;s good looking and all the chicks like him, and he is by no means gay. (Zing.) (No seriously… pretty sure if the chick didn&#8217;t have a boyfriend she&#8217;d be all over Mr. Thompson, and he would oblige. P.S. I think things sound a little classier when one obliges.) However, the chick did have a boyfriend, which she indeed introduced to Mr. Thompson after she held his hand for an awkward 2 minutes.</p>
<p>At about this point I couldn&#8217;t help but notice little Ms. Handshake and I decided to strike up a conversation with her. We talked about all sorts of things. Her tattoos, where she is from (can&#8217;t remember), what she does for a living (can&#8217;t remember) that she has a boyfriend (can&#8217;t remember) what she was doing later (can&#8217;t remember) that her boyfriend was walking over (can&#8217;t remember) and basically just having a really good chat. Had I been a bit more sober, I would have noticed Mr. Thompson AND JDub both making the throat slash motion, like stop. Quit it. Her Boyfriend is bigger than you. At any rate, the boyfriend bought Mr. Thompson and I some shots (didn&#8217;t notice if JDub got down on one) and I considered all was well. Well, I was a tad wrong, after a couple more minutes of chatting it up, Ms. Handshake leaned in and said, &#8220;I&#8217;m getting in trouble.&#8221; To which I have no idea what I said, but she was gone a minute later with her hipster trendy boyfriend.</p>
<p>Now usually I would have been a bit bummed, but I had 3 of my best friends with me. Mr. Thomspon, JDub, and Jack. They helped me get through it. It was decided that we would all move on to another dance floor. And this is honestly where things get insanely hazy. I remember at one point, JDub up on ANOTHER stage. I was wielding a camera like I was Annie Leibovitz, and Mr. Thompson was doing who knows what&#8230;. I seriously don&#8217;t remember. We danced our ass off and then, to my best recollection we headed back to the room to wake up and catch an 8 am flight.</p>
<p>Sarcasm is pleased to Announce for the first time ever a guest writer. Please welcome&#8230; JDub.  JDub felt she could add some more to this blog so I agreed&#8230;. and with that&#8230;. </p>
<p><em>1. Let me first just say for readers of part 1 I in no way shape or form wanted to get Mindfreaked by Cris Angel. Or even hang out with Cris Angel. I feel as though I have been misrepresented here and if Mr. Thompson can be publically vindicated then I deserve the same. </p>
<p>Also, I have no idea why Mr. Thompson wasn’t referred to as Big Cat in this recap of shenanigans in Sin City – I for one referred to him pretty much exclusively as Big Cat. </p>
<p>As the sole responsible person when the coalition gets together I feel it only right to let Sarcasm readers know the truth – the three of us were having a great time at Jet, you see Jet is set up as one main bar and then two smaller bars with alternate music selections. Our time in the back bar was where mysterious shots were purchased by a dude for other dudes (note: I did not participate in this dude on dude shot taking) was brought to an end by the need to see what other music was playing besides late 90’s mainstream Rap/R&#38;B hits. </p>
<p>What a wise move it was for when we ventured back into the main club area I made the executive decision to push our way through the crowd do where a center stage complete with girls dancing on poles was so we could essentially lean against something while judging people instead of getting bumped into at all angles. All club goers should be so lucky to have a smart thinker like me there. At this point my camera was taken away and as a result there are all sorts of shots of random legs, women, drinks and half portraits of what I think are Big Cat and I. </p>
<p>At this point I made some new friends with a pair of other brunettes who were dancing on the stages and I think trying to get at Big Cat. Hard to say since mostly we were all singing “Empire State of Mind” at the top of our lungs. At some point I realized it was getting to be about 1:30am and considering we stayed out partying until 3:30am the night before it wasn’t “technically” late but I knew I had to get up at 5:30am and would have to wrangle someone (ie Mr. Sarcasm as a Weapon) to the airport – which we previously have done when I went to Italy and he went to San Diego (I don’t want to get into it now but let’s just say I have a new appreciation for mom’s who deal with getting unruly children from place to place).  I told the boys we were done and thankfully they were intoxicated enough they knew better than to put up a fight. Great success. We were leaving! As we head out the door Big Cat yells “We are going to McDonalds!!!” I was out. I had awesome heels on and after all that dancing and trekking around the last thing I wanted was to tromp across the street for fries. So I double checked that Big Cat had his room key and was aware enough to recite back to me the room number (Mr. Sarcasm was never trusted to be in charge of a key – I mean really, we knew that I was going to have to make sure he made it home safe). After a successful recalling of the room number I headed through the casino to the elevator and the boys headed out the door.</p>
<p>Just when I was starting to worry about the boys I hear giggling (yes, giggling) outside the door. Low and behold there they were. Key in hand – yet not in door. The giggling duo come barreling in with matching chicken nugget combo meals. Big Cat sits down and opens a packet of ranch – you would of thought Big Cat open palm slapped Mr. Sarcasm in the face. Mr. Sarcasm proceeds to flip out about Big Cat eating 1 of 2 ranch sauce packets when Big Cat requested BBQ Sauce and was awarded a half dozen. To calm down the rampage I did what any rational girl would – I tried to calm Mr. Sarcasm down by having him eat his feelings. But he was too distraught or maybe just too enraged – so he demanded I feed him. So here I am a grown adult feeding another adult French fries and chicken nuggets dipped in ranch and receiving the following feedback: “I can’t eat the whole thing at once! Just hold it there while I bite a piece off.” “Put more ranch on the next bite.” “I want more fries.” You get the idea. </p>
<p>Big Cat took down food like a champ and this time managed to climb into bed instead of passing out on top of it. Although he did try to push some good night Robin Thicke music on us yet again. I waited until he fell asleep and turned off his iPod. Mr. Sarcasm at one point got out of bed, waking me up along the way and 5 minutes later I had to basically promise the boy a pony with a red bow to get him up off sleeping on “the nice cold” bathroom floor. </em></p>
<p>I remember none of this.</p>
<p>I awoke for an 8 am flight bright eyed and bushy tailed! JDub did her best and got me up and out the door. We nudged Mr. Thompson who would be driving back to LA that day. We got to the airport, checked in and said our goodbyes for JDub was off to Charlotte and I would be returning home to Portland. Before we left, JDub noticed my drunken state, and offered to get me some water, or powerade, or SOMETHING. To which I vetoed and would inevitably it would be my greatest downfall.</p>
<p>I would board the plane, put up my hoodie and fall asleep dreaming of my nice warm bed and a safe flight home. However what I got was probably the single most embarrassing moment of my life. About 30 minutes into the flight I felt the sudden urge that I was going to throw up. Instead of just doing the obvious of throwing up in a bag, I decided to get up and head back to the bathroom. I was only three rows from the back so I figured what could go wrong. Apparently a lot.</p>
<p>I tapped the shoulder of the gentleman sitting on the aisle and asked politely to pass. That&#8217;s the last thing I remember.</p>
<p>I came too, with a flight attendant kneeling above my head asking if I was ok. I was a bit disoriented and wasn&#8217;t quite sure why I was laying in the middle of the fucking aisle, but assured her I was ok and began to get up. She helped me to my feet and I rushed back to the bathroom where I did a little dry heaving and generally felt a bit better. I came out of the bathroom with both flight attendants (who were cute obviously. The one time I get cute flight attendants I&#8217;m passing out in the aisle) and a nice gentleman who helped me up. Then they began a conversation that went something like this&#8230;</p>
<p>FA 1: &#8220;Are you ok?&#8221;<br />
ME: &#8220;Yeah, I&#8217;m fine.&#8221;<br />
FA 2: &#8220;Are you diabetic?&#8221;<br />
ME: &#8220;Not yet.&#8221;<br />
FA 2: &#8220;Did you drink a lot last night?&#8221;<br />
ME: &#8220;What&#8217;s a lot?&#8221;<br />
FA 1: &#8220;Enough that we can smell it on you now.&#8221;<br />
ME: &#8220;Yeah, that sounds about right.&#8221;<br />
FA 2: &#8220;Here take some water, and eat some cookies.&#8221;<br />
ME: inaudible mumbling.<br />
FA 1: &#8220;You know this is quite common. Happens a bit on flights outta Vegas.&#8221;<br />
ME: (sounding hopeful) &#8220;Oh? Happens a lot?&#8221;<br />
FA 1: &#8220;Well, no, not like you. I mean we don&#8217;t just hear a ton of assistance buttons being pushed and look down the aisle and see someone passed out in the middle of it.&#8221;<br />
ME: &#8220;So, I was passed out in the middle.&#8221;<br />
FA 2: &#8220;Yeah, someone said you went down like a boxer in a fight. Right into the aisle.&#8221;<br />
FA 1: (putting on a headset) &#8220;Hold on, this is no big deal, we just have to communicate with ground and let them know that our little medical &#8220;emergency&#8221; is just fine. (Into headset) &#8220;Yeah, he said he feels much better now. We gave him some water and some cookies. He looks a lot better than he did a minute ago. The color is back in his face. Yup. Uh huh. No. Sure. Ok. Over.<br />
FA 2: &#8220;Don&#8217;t worry we gotta call ground when there is a potential medical problem with our passengers.<br />
ME: &#8220;wow.&#8221;<br />
FA 1: (To FA 2) &#8220;You know, I told you this was going to be a weird flight!&#8221;<br />
FA 2: (To FA 1) &#8220;I know right. We should totally document this!&#8221;<br />
FA 2: (To Me) &#8220;You think you could lay back down in the middle of the aisle while I snap a picture real quick?&#8221;<br />
Me: &#8220;Well, um yeah I suppose I could.&#8221;<br />
FA 2: &#8220;Oh you&#8217;re the best&#8230;&#8230; smile!&#8221;</p>
<p>I spent the rest of the flight sitting in the jump seat with the Flight Attendants who were very nice, and didn&#8217;t mind divulging which pilots were douches, their plans for the upcoming holidays, and even a little bit about themselves. All in all, aside from the passing out, Michelle and Shannon from Southwest Airlines took great care of me. Even saved my life a little. I will be forever in their debt.</p>
<p>In conclusion, I got my answer to all those questions plaguing me. Yes, I should probably slow down. Yes, it&#8217;s a bad sign you don&#8217;t get hung over any more. And sure as hell, the minute you start passing out on airplanes, you probably have a problem.</p>
<p>I just know, everyone on that flight who&#8217;s seen The Hangover, is saying in their heads (or out loud) &#8220;Some people just can&#8217;t handle Vegas.&#8221; And for now, it&#8217;s true. Vegas and I are splitting up. However, the time I had with two of the greatest people in my life&#8230; Mr. Thompson and JDub&#8230; I&#8217;ll never trade in. Even if it means passing out on a plane.</p>
<p>Until Next time&#8230;</p>
<p>Email Me<br />
SarcasmAsAWeapon@gmail.com</p>
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<title><![CDATA[Edna Mode vs. Linda Hunt]]></title>
<link>http://soweird666.wordpress.com/2009/11/16/edna-mode-vs-linda-hunt/</link>
<pubDate>Tue, 17 Nov 2009 08:19:28 +0000</pubDate>
<dc:creator>soweird666</dc:creator>
<guid>http://soweird666.wordpress.com/2009/11/16/edna-mode-vs-linda-hunt/</guid>
<description><![CDATA[I&#8217;m a NCIS fan. Because of that, I watched the NCIS and NCIS: Los Angles premieres. Anyway, wh]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I&#8217;m a NCIS fan.  Because of that, I watched the <em>NCIS</em> and <em>NCIS: Los Angles</em> premieres.  Anyway, when I watched the <em>NCIS: Los Angles</em> premiere, I immediately thought that the actress who plays Hetty Lange looked like Edna Mode, the character that created the uniforms for the Incredibles, in the movie <em>The Incredibles</em>.  Personally, I just found it really freaky that they look so much alike.  I would say that they based Edna Mode on Linda Hunt.  Anyway, I just found it freaky.<br />
<br /><img src="http://img.photobucket.com/albums/v507/Soweird666/wordpress%20pictures/EdnaModeandLindaHunt.jpg" alt="Edna Mode and Linda Hunt" /></p>
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<title><![CDATA[An Interview with...Monica Burns]]></title>
<link>http://emmyellis.wordpress.com/2009/11/15/an-interview-with-monica-burns/</link>
<pubDate>Sun, 15 Nov 2009 10:52:00 +0000</pubDate>
<dc:creator>meellis</dc:creator>
<guid>http://emmyellis.wordpress.com/2009/11/15/an-interview-with-monica-burns/</guid>
<description><![CDATA[Please welcome Monica Burns to Author Toolbox, folks! Wheeeee! Emmy: Welcome, Monica. Thank you so m]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:justify;"><a href="http://emmyellis.wordpress.com/files/2009/11/monica-burns.jpg"><img class="alignleft size-full wp-image-699" title="monica-burns" src="http://emmyellis.wordpress.com/files/2009/11/monica-burns.jpg" alt="monica-burns" width="125" height="125" /></a>Please welcome Monica Burns to Author Toolbox, folks! Wheeeee!</p>
<p style="text-align:justify;"><strong>Emmy</strong>: Welcome, Monica. Thank you so much for taking the time out of your busy schedule to chat with us today. It’s very much appreciated.</p>
<p>To start off, would you mind taking us through your publication journey?</p>
<p><strong>Monica</strong>: Wow! That could take a while since I’ve been writing since I was nine years old. LOL</p>
<p style="text-align:justify;">Seriously though, I started devoting myself full-time to writing with the intent to publish in 2002 after I got pneumonia and was out of work for two months. With over 150 channels there wasn’t a thing to watch. So I entertained myself by writing and surfing the Internet where I found a supportive group of romance lovers. From there I sold to New Concepts Publishing in 2004 with my first story released in January 2005. In 2007, I sold to Samhain Publishing and in 2008, I landed two contracts with Berkley Sensation for a total of five books for publication starting January 2010.</p>
<p><strong>Emmy</strong>: I admire anyone who is dedicated enough to keep plugging on in the publishing world. Was there ever a time when you considered giving up on your dream to become a published author?</p>
<div id="attachment_700" class="wp-caption alignright" style="width: 210px"><a href="http://emmyellis.wordpress.com/files/2009/11/burns20dangerous-200.jpg"><img class="size-full wp-image-700" title="burns%20dangerous-200" src="http://emmyellis.wordpress.com/files/2009/11/burns20dangerous-200.jpg" alt="burns%20dangerous-200" width="200" height="300" /></a><p class="wp-caption-text">What a lovely cover!</p></div>
<p style="text-align:justify;">
<p><strong>Monica</strong>: Absolutely. Two times I can recall specifically. One was just before RWA National in 2004. I’d just been rejected by Red Sage Publishing for their anthology and I was devastated. I debated not going to the conference, and I almost hung up my pen right there and then. But I kept on plugging away. The second time was in 2008. I’d been working on a paranormal series that I loved, and everyone was rejecting with the exception of two publishers. One publisher suggested they’d take a look if I revised. I didn’t want to change the flavor of the books, so after some thought I passed. My agent thought I was crazy, but a few weeks later, Berkley made an offer and I accepted. A week or two after the contract offer, I explained to my agent that my gut tells me things, and I listen. She was understanding, but I know there are others who thought I was crazy. So I’m really glad I didn’t give up. See what I would have missed??? LOL</p>
<p><strong>Emmy</strong>: Instinct&#8230;best to listen to it, I&#8217;d say! <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p style="text-align:justify;">What advice would you give to aspiring authors?</p>
<p><strong>Monica</strong>: Writing is hard, but you have to work at it. The ladder upward is hard to scale, and unfortunately not everyone will make it. BUT, you don’t know whether you might be one of the ones who does scale the ladder if you don’t keep plugging away. Perseverance is critical to that first sale, not talent, not networking or anything else. Just the STORY and perseverance is what will make a first sale, whether in ePub or NY.</p>
<p><strong>Emmy</strong>: How did it feel to see your book on the bookshelves?</p>
<p><strong><a href="http://emmyellis.wordpress.com/files/2009/11/monicamiragecover-200.jpg"><img class="alignleft size-full wp-image-701" title="MonicaMirageCover-200" src="http://emmyellis.wordpress.com/files/2009/11/monicamiragecover-200.jpg" alt="MonicaMirageCover-200" width="200" height="300" /></a>Monica</strong>: Unfortunately, my small press books are seldom in chain stores, so I’ve yet to just stumble into a bookstore and see my book without prompting the store to order. BUT, I’m hoping that will change come January with my first Berkley book.</p>
<p><strong>Emmy</strong>: What is the best part about being an author?</p>
<p><strong>Monica</strong>: I can escape the real world. Just like readers who read to escape the doldrums of life, I get to escape into whatever corner of my imagination I choose. It’s sort of like traveling to a foreign country and do whatever I want.</p>
<p><strong>Emmy</strong>: Would you mind telling us about your latest release?</p>
<p><strong>Monica</strong>: My next release is Kismet, which is a Victorian erotic romance set in Morocco. This book is very special to me. It’s a rewrite of a book that was a cathartic writing experience. I’m delighted that Berkley loved it enough to give the rewrite a chance for me to share it with readers. Here’s the cover copy.</p>
<p style="text-align:justify;">
<em>It was a gamble she was born to make…</em></p>
<p style="text-align:justify;">
<em>Raised in a brothel at a young age, Allegra Synnford quickly learned that survival meant taking charge of her</em></p>
<div id="attachment_702" class="wp-caption alignright" style="width: 210px"><a href="http://emmyellis.wordpress.com/files/2009/11/monicaweb2kismet-200.jpg"><img class="size-full wp-image-702" title="MonicaWeb2kismet-200" src="http://emmyellis.wordpress.com/files/2009/11/monicaweb2kismet-200.jpg" alt="MonicaWeb2kismet-200" width="200" height="300" /></a><p class="wp-caption-text">SQUEE!</p></div>
<p style="text-align:justify;"> destiny. Now, a renowned courtesan skilled in the pleasures of the flesh, she chooses her lovers carefully—vowing never to be vulnerable to any one man. Until a mesmerizing Sheikh strips that control from her…</p>
<p style="text-align:justify;">
<em>With a man who wasn’t used to losing.</em></p>
<p style="text-align:justify;">
<em>Sheikh Shaheen of the Amazigh has been hiding from his past for a long time, but not enough to forget how another courtesan made him abandon his life as the Viscount Newcastle. It’s why the yearnings this dangerous temptress ignites within him are so troubling. Worse, thoughts of Allegra pervade every fantasy, threatening to undermine his cover. With old enemies circling, experience tells him he must resist her charms at all cost. In fact, he’s betting on it. That’s a risky wager when it comes to a woman of pleasure. But Allegra has her own reasons for playing games…with a man who can’t afford to lose. </em></p>
<p style="text-align:justify;">
<em>What happens between them is Kismet…</em></p>
<p><strong>Emmy</strong>: Now for the more laid back questions! What would be your ideal menu at a dinner party—let’s say three courses—and where would you go to eat it? Any destination in the world. Oh, and what would you wear? (I’ve just handed you a credit card with unlimited funds so you can buy your clothes and shoes for the evening…what is your dream store/designer?)</p>
<p><strong><a href="http://emmyellis.wordpress.com/files/2009/11/maxims-2001.jpg"><img class="alignleft size-full wp-image-707" title="MAxims-200" src="http://emmyellis.wordpress.com/files/2009/11/maxims-2001.jpg" alt="MAxims-200" width="200" height="300" /></a>Monica</strong>: Three courses, a lovely salad with cheese, almonds and some type of vingerette, roast pheasant under glass and some sort of French pastry. I would want to eat this meal in Maxims in Paris, France. Maxim’s has been around since the late 1800s and at one time was the ONLY place to be seen in Paris. I’m not a big fashion hound, so I can’t name designers, but I’d love to find a black dress that would show off my ample bosom while playing down my far more ample hips. *grin*</p>
<p><strong>Emmy</strong>: When you have the time to read, which authors’ books are you most likely to pick up? Do you select those in the genre you write or go for something completely different? And, have any of those authors inspired you in your own writing?</p>
<p style="text-align:justify;"><strong>Monica</strong>: When I read, there are some writers I never miss. Loretta Chase and Michelle Moran are two I can’t pass up. Same for Shiloh Walker, Angela Knight and Christine Feehan. Michelle is the only one who doesn’t write romance. She’s historical fiction, but I love, love her books, and they do have some romance in them. I also love Sabrina Jeffries and Lucy Monroe and Nalini Singh. It’s hard to pick any one author who inspired me because I’ve been writing since I was nine-years-old. If I had to say inspiration, I would have to say the classics of Dumas, Dickens, Ocrzy and Victoria Holt. Those were some great stories!</p>
<p><strong>Emmy</strong>: You have a day off to spend as you wish. Anywhere in the world, unlimited funds, and the twenty-four hours are guaranteed to feel like a week. How would you spend it?</p>
<p><strong>Monica</strong>: Rome. It’s where my upcoming paranormal heroes hail from, and I would want to see as many monuments I could in that 24-hours to get a feel for the city and see it through the eyes of my heroes.</p>
<p style="text-align:center;"><a href="http://emmyellis.wordpress.com/files/2009/11/rome-holiday-colosseum-full-sm.jpg"><img class="aligncenter size-full wp-image-704" title="rome-holiday-colosseum-full-sm" src="http://emmyellis.wordpress.com/files/2009/11/rome-holiday-colosseum-full-sm.jpg" alt="rome-holiday-colosseum-full-sm" width="300" height="233" /></a></p>
<p style="text-align:justify;"><strong>Emmy</strong>: Well, Monica, it’s been lovely having you here and learning all about your writing career. Thank you so much for joining us! Long may you continue writing! <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
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<title><![CDATA[Mirage]]></title>
<link>http://pxleyes.wordpress.com/2009/11/14/mirage/</link>
<pubDate>Sat, 14 Nov 2009 23:22:12 +0000</pubDate>
<dc:creator>fatabbot</dc:creator>
<guid>http://pxleyes.wordpress.com/2009/11/14/mirage/</guid>
<description><![CDATA[New image in the aircraft spotting photography contest A Mirage once owned by the Swiss Army just se]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>New image in the <a href='http://www.pxleyes.com/photography-contest/11484/aircraft-spotting.html'>aircraft spotting photography contest</a></p>
<p>A Mirage once owned by the Swiss Army just seconds after take off at the by now closed Air Force Base in Duebendorf, Switzerland.</p>
<p>Scanned from film &#8230; <br /><a href='http://www.pxleyes.com/photography-picture/4aff3b9fc795f/Mirage.html'>Mirage photography picture</a></p>
<p><a href='http://www.pxleyes.com/photography-picture/4aff3b9fc795f/Mirage.html'><img src='http://www.pxleyes.com/images/contests/aircraft spotting/fullsize/aircraft spotting_4aff3b9fc795f.jpg' alt='Mirage' /></a></p>
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<title><![CDATA[Spotting Scope Resolution at 1000 Yards (in Ideal Conditions)]]></title>
<link>http://accurateshooter.wordpress.com/2009/11/14/spotting-scope-resolution-at-1000-yards-in-ideal-conditions/</link>
<pubDate>Sat, 14 Nov 2009 19:11:24 +0000</pubDate>
<dc:creator>Editor</dc:creator>
<guid>http://accurateshooter.wordpress.com/2009/11/14/spotting-scope-resolution-at-1000-yards-in-ideal-conditions/</guid>
<description><![CDATA[While attending the CA Long Range Championship recently, we had the opportunity to test the performa]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img align="right" hspace="5" src="http://accurateshooter.net/Blog/pentax01.jpg" alt="Pentax smc-xw 10mm">While attending the CA Long Range Championship recently, we had the opportunity to test the performance of a high-magnification (63X) spotting scope in near-ideal conditions (maybe the best I&#8217;ve ever witnessed). On the event&#8217;s last day we arrived at 5:45 am, literally as the sun was cresting the horizon. I quickly deployed our Pentax PF-100ED spotting scope, fitted with a Pentax SMC-XW 10mm fixed-power eyepiece. When used with the 100mm Pentax scope, this 10mm eyepiece yields 63X magnification. Befitting its $359.00 price, this eyepiece is extremely clear and sharp.</p>
<p>At the crack of dawn, viewing conditions were ideal. <strong>No mist, no mirage, no wind</strong>. The first thing this Editor noticed was that I could see nail heads on the target boards &#8212; that was pretty amazing. As soon as the first practice targets went up, to my surprise, <em>I could see 6.5mm, 7mm, and 30-caliber bullet holes in the white at 1000 yards</em>.</p>
<p>That&#8217;s right, I could see bullet holes at 1000. I know many of you folks may not believe that, but there was no mistaking when I saw a 7mm bullet cut the white line separating the Nine Ring and Eight Ring on the target in view. (I was watching that target as the shot was fired and saw the shot-hole form). And when I looked at the 30-cal targets, the bullet holes in the white were quite visible. In these perfect conditions I could also make out 3/8&#8243; bolt heads on the wood target frames.</p>
<p><img src="http://accurateshooter.net/Blog/pentax00.jpg" alt="Pentax PF 100ED"></p>
<p><b>The Human Factor</b><br />
When viewing the bullet holes, I was using my left naked eye (no safety glasses or magnification). I also had a contact lens in my right eye (needed for distance vision). To my surprise, while I could see the bullet holes without much difficulty with my left eye, things were fuzzier and slightly more blurry with the right eye, even when I re-focused the scope.</p>
<p><img align="right" hspace="5" src="http://accurateshooter.net/Blog/pentax02.jpg" alt="Pentax smc-xw 10mm">Then I invited 3 or 4 shooters to look through the scope. One younger guy, with good eyes, said immediately: &#8220;Yeah, I can see the holes &#8212; right there at 4 o&#8217;clock and seven o&#8217;clock. Wow.&#8221; Some older guys, who were wearing glasses, could not see the holes at all, no matter what we did to the scope&#8217;s main focus and diopter adjustment.</p>
<p>The lesson here &#8212; <em>if you have to wear glasses or corrective contact lenses, just that extra bit of optical interference may make a difference in what you can see through the scope</em>. Basically anything that goes between the scope eyepiece and your eyeball can degrade the image somewhat. So&#8230; you may be better off removing your glasses if you can still obtain good focus sharpness using the diopter adjustment and focus ring. I did the left vs. right eye test a half dozen times, and I could definitely see small features at 1000 yards with my naked eye that I could not see with my right eye fitted with a contact lens. (I did have to re-focus the scope for each eye, since one had a corrective lens while the other did not.)</p>
<p><b>Mirage Degrades Image Sharpness and Resolution</b><br />
The &#8220;magic light&#8221; prevailed for only an hour or so, and then we started to get some mirage. As soon as the mirage appeared I was no longer able to see raw bullet holes, though I could still easily see black pasters on the black bulls. When the mirage started, the sharpness of the visible image degraded a <em>huge amount</em>. Where I could see bullet holes at dawn, by mid-morning I could barely read the numbers on the scoring rings. Lesson: If you want to test the ulimate resolution of your optics, you need perfect conditions.</p>
<p><img align="right" hspace="5" src="http://accurateshooter.wordpress.com/files/2009/11/chromaber300.gif" alt="Chromatic Aberration"><b>Chromatic Aberration Revealed</b><br />
As the light got brighter and the mirage increased I started to see blue and red fringing at the edges of the spotting disk and the large numerals. This was quite noticeable. On one side of the bright, white spotting disc you could see a dark red edge, while on the other side there was a blue edge (harder to see but still present).</p>
<p>The photo below was taken through the Pentax spotter lens using a point and shoot camera held up to the eyepiece. The sharpness of the Pentax was actually much better than this photo shows, but the through-the-lens image does clearly reveal the red and blue fringing. This fringing is caused by <a href="http://en.wikipedia.org/wiki/Chromatic_aberration" target="new">chromatic aberration</a> &#8212; the failure of a lens to focus all colors to the same point. Chromatic aberration, most visible at high magnification, causes different wavelengths of light to have differing focal lengths (see diagram). Chromatic aberration manifests itself as &#8220;fringes&#8221; of color along boundaries that separate dark and bright parts of the image, because each color in the optical spectrum cannot be focused at a single common point on the optical axis. Keep in mind that the Pentax does have &#8220;ED&#8221; or low-dispersion glass, so the effect would be even more dramatic with a cheaper spotting scope.</p>
<p><img src="http://accurateshooter.net/Blog/chromaber550.jpg"><br />
<a href="http://accurateshooter.net/Blog/chromaber1200.jpg" target="new"><img border="0" src="http://accurateshooter.net/100pix/zoomiconx100.gif"></a> <a href="http://accurateshooter.net/Blog/chromaber1200.jpg" target="new">CLICK HERE to view LARGE PHOTO that shows aberration more clearly.</a></p>
<p>If you have wondered why the latest top-of-the-line spotting scopes (such as the $3995 <a href="http://www.bhphotovideo.com/c/product/573670-USA/Leica_40134_APO_Televid_82_3_2_82mm_Spotting.html" target="new">Leica APO-Televid 82</a>) cost so much, the answer is that they will deliver even LESS chromatic aberration at long range and high magnification. With their exotic apochromatic (APO), ultra-low-dispersion glass, a few ultra-high-end spotting scopes can deliver an image without the color edging you see in the photo above.</p>
<p>The Pentax PF-100ED is a heck of a spotting scope. Any scope that can resolve bullet holes at 1000 yards is impressive. The body on this unit now runs about $1700.00 by itself, or you can get the PF-100ED with a 26-78X zoom lens for about $1900.00. But if you want the ultimate in optical performance, with minimal chromatic aberration, you may need to step up to something like the 88mm Kowa Prominar TSN-883 with Flourite Crystal lenses ($2310.00 body only), or the 82mm Leica APO ($3995.00 with 25-50X eyepiece). Plus, we&#8217;ve heard reports that Zeiss is working on a new APO &#8220;Über-scope&#8221; for release next year.</p>
<p>EDITOR&#8217;s NOTE: <em>The purpose of this report is to show what is possible&#8230; in IDEAL conditions. With this Pentax 100mm, as well as a Swarovski 80mm, we have often been able to resolve 6mm bullet holes at 600 yards. But again, that performance requires really good viewing conditions. By 10:00 am at my range, even with the 100mm Pentax at 75 power, seeing 6mm bullet holes is &#8220;iffy&#8221; at best. So don&#8217;t go out and mortgage the house to buy a $4000 optic with the hope that you&#8217;ll be able to spot your shots at 1000 yards. If conditions are anything less than perfect, you&#8217;ll be lucky to see bullet holes at 500 yards. The real solution for very long-range spotting is to set up a <a href="http://www.6mmbr.com/targetcam.html" target="new">remote target cam</a> that broadcasts a video picture to a screen at your shooting station.</em></p>
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<title><![CDATA[Mirage (Alain Eludut)]]></title>
<link>http://arbrealettres.wordpress.com/2009/11/14/mirage-alain-eludut/</link>
<pubDate>Sat, 14 Nov 2009 07:07:50 +0000</pubDate>
<dc:creator>arbrealettres</dc:creator>
<guid>http://arbrealettres.wordpress.com/2009/11/14/mirage-alain-eludut/</guid>
<description><![CDATA[&nbsp; L&#8217;avenir sa torche vacillante &#8211; c&#8217;est lui toujours qui marche au loin ses p]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div style="text-align:center;"><span style="font-style:italic;font-weight:bold;font-size:17px;font-family:Comic sans-serif;color:blue;"><a rel="attachment wp-att-8549" href="http://arbrealettres.wordpress.com/2009/11/14/mirage-alain-eludut/mirage/"><img class="aligncenter size-full wp-image-8549" title="mirage" src="http://arbrealettres.wordpress.com/files/2009/11/mirage.jpg" alt="mirage" width="629" height="337" /></a></p>
<p>&#160;</p>
<p>L&#8217;avenir sa torche vacillante &#8211; c&#8217;est lui<br />
toujours qui marche au loin ses pas<br />
on les entend<br />
et quand on le voit ce n&#8217;est pas lui<br />
il est encore &#8211; au bout<br />
lumineux, radieux qui tend les bras</p>
<p>le mirage &#8211; ce n&#8217;est pas lui<br />
c&#8217;est nous &#8211; amen</p>
<p>(Alain Eludut)</p>
<p>&#160;</p>
<p></span></div>
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<title><![CDATA[Olive Yu: Chapter Nine]]></title>
<link>http://bookbloggyblogg.wordpress.com/2009/11/13/olive-yu-chapter-nine/</link>
<pubDate>Fri, 13 Nov 2009 06:08:53 +0000</pubDate>
<dc:creator>bookbloggyblogg</dc:creator>
<guid>http://bookbloggyblogg.wordpress.com/2009/11/13/olive-yu-chapter-nine/</guid>
<description><![CDATA[Sorry about the delay &#8212; this one turned out to be a long chapter. Chapter 9. What happens in C]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Sorry about the delay &#8212; this one turned out to be a long chapter.</p>
<p><a href="http://docs.google.com/View?id=dg97vh8c_15f8xhwrhj">Chapter 9</a>. What happens in Chapter 9 stays in Chapter 9.</p>
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<title><![CDATA[(Mis)communication]]></title>
<link>http://livingintherainbow.com/2009/11/12/miscommunication/</link>
<pubDate>Thu, 12 Nov 2009 11:12:00 +0000</pubDate>
<dc:creator>livingintherainbow</dc:creator>
<guid>http://livingintherainbow.com/2009/11/12/miscommunication/</guid>
<description><![CDATA[I found myself (bizarrely enough) in a lecture yesterday in which it was noted that the latin root f]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I found myself (bizarrely enough) in a lecture yesterday in which it was noted that the latin root for communication is <em>communicare</em> from which we get &#8220;communist&#8221;, &#8220;common&#8221; and other such words.  The key to good communication is having something in <span style="text-decoration:underline;">common</span>.</p>
<p>For my blog to communicate to you we need a <em>common</em> language (my red dot map shows visitors mostly from the English-speaking world).  It is probably a <em>common</em> experience that brought you here in the first place &#8211; the death of a precious baby most likely or perhaps ongoing struggles with infertility.  And it is likely that the blogs and posts we most relate to are ones demonstrating a shared or <em>common</em> worldview &#8211; perhaps more Christians return to this site and perhaps non-Christians are put off by some of the content.</p>
<p>This is one of the reasons why we struggle when engaging in the real world.  Stillbirth and Infertility are massively formative experiences.  <!--more-->They change us on a seismic scale.  In so doing we find we have something in common with others all around the world and the internet opens up the possibility to relate to people who we otherwise would never have encountered.  We now have something in common (the loss of a baby) which opens up a way to bridge the distance gap which would otherwise never have been spanned.</p>
<p>What about the other side of this equation?  We have been changed massively.  We now have something unique from the vast majority of people who <em>before</em> seemed just like us.  There are people who we gravitated towards because we shared common beliefs (went to same church), common interests (supported the same football team), common dna (in the same family) or common employment (worked in same office) but they now seem so very <em>different</em>.  They do not &#8220;get it&#8221;.  They do not &#8220;understand&#8221;.  We interpret their reaction as uncaring when perhaps they just cannot communicate effectively to us as they do not share our formative experience.  Don&#8217;t get me wrong, there is no excuse for a lack of compassion or care when someone loses a baby but&#8230; was I any better before I lost Abigail?  I don&#8217;t think I was.</p>
<p>I too have had allergic reactions to <em>others</em> who don&#8217;t seem to relate meaningfully to me about my daughter.  That is what started me blogging in the first place and inspired my <a href="http://livingintherainbow.com/2009/07/04/awkward-conversations/" target="_blank">first ever post</a>.</p>
<p>I totally get <a href="http://irishdad.wordpress.com/2009/11/12/notes-from-the-underground/">Irishdad&#8217;s recent post</a> and the comments made in response.  We get uptight about how we communicate in forums such as faceb00k because we no longer share commonality and the most basic statements jar with us now.  In response to Irishdad, Sally says &#8220;<em>If one more person says to me “not long now!” or “you must be excited!” I might hit someone.</em>&#8220;  This (mis)communication is built on the mirage of having something in common.  1) Sally is pregnant.  2) Person making small talk has been pregnant too.  3) Person making small talk was excited when she was pregnant as baby&#8217;s arrival approached.  4) Therefore &#8220;not long now, you must be excited&#8221; seems the perfect thing to say&#8230;</p>
<p>&#8230; BUT Sally once lost a precious baby, she isn&#8217;t just excited she is scared too!</p>
<p>At another level Irishdad&#8217;s post (through <span style="text-decoration:underline;">no</span> fault of his I stress) risks <span style="text-decoration:underline;">mis</span>communication with me too.  Whilst we share an experience (the death of a baby) our circumstances since that point are very different.  Irishmum is expecting a baby and it is interesting that the first two people to add a comment to his post are also expecting a baby soon to arrive.  They can relate to his post because they share <em>common</em> hopes and fears based on <em>common </em>circumstances.</p>
<p>I however do not share these circumstances.  No &#8220;rainbow baby&#8221; for Livingintherainbow.  We have been told we cannot have any more children &#8211; see <a href="http://livingintherainbow.com/2009/07/31/fertility-test-results/" target="_blank">here</a> and <a href="http://livingintherainbow.com/2009/08/21/change/" target="_blank">here</a> if you are interested.  Therefore part of me reacts badly to Irishdad&#8217;s post and the comments made in response.  I wish I could be petrified in the later stages of pregnancy.  I wish we could have even the chance of a living baby in our future.</p>
<p>So even in this online community of babyloss parents where we have so much in common there are also many differences that ambush us.  Irishdad, Angie and Sally (should you read this) you do not need to feel bad that you are expecting a baby (that is wonderful and I am genuinely pleased for you and I really hope you all get a keeper!) or that your comments jarred with me (because we are not expecting a baby).  What you said makes perfect sense for the circumstances you find yourself in and you made them very appropriately in a forum focused on babyloss (not infertility).  It is not your fault that we cannot have a baby.  But, I guess this just highlights to me the fact that each of us only &#8220;gets&#8221; the experiences we have been through and we can expect little else.  Perhaps we are not so different to those who fail to &#8220;get&#8221; our experience of baby loss.</p>
<p>The challenge for all of us who have lost a baby, or who are unable to have them, is how we overcome the lack of commonality with those we meet day-to-day.  How we make allowances for their lack of understanding and the frequently jarring comments they make from their position of blissful ignorance.  How can we educate them more so we can bridge the differences between us and find a common point of contact?</p>
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<title><![CDATA[Down Goes Frasier... pt. 1...]]></title>
<link>http://sarcasmasaweapon.com/2009/11/11/down-goes-frasier-pt-1/</link>
<pubDate>Thu, 12 Nov 2009 04:38:01 +0000</pubDate>
<dc:creator>DoubleDown</dc:creator>
<guid>http://sarcasmasaweapon.com/2009/11/11/down-goes-frasier-pt-1/</guid>
<description><![CDATA[I&#8217;ve been trying to write this bad boy for the last couple days. Just a simple blog. Sum up my]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I&#8217;ve been trying to write this bad boy for the last couple days. Just a simple blog. Sum up my feelings of the events of last week. However I haven&#8217;t been able to. You see, for the last 3 days I&#8217;ve been hung over. My mind has been shot. Creative juices. Zero. Motor skills. Non-existent. </p>
<p>(This brings me to my next point&#8230; I would like to remind my audience that if there are any spelling, or grammatical errors in the next few paragraphs, it is indeed because I am still drunk. As are most of these post here at Sarcasm.)</p>
<p>For those of you who don&#8217;t already know, I was in Las Vegas for the last weekend and apparently tried to commit suicide via drinking as much booze as my poor little liver and kidneys could handle. </p>
<p>It all started when my friend JDub informed me that her work was providing her with a hotel suite at the Mirage hotel in Las Vegas for one week. She was to work a show and be done Friday afternoon and have nothing to do the remainder of the weekend. So the logical choice was to ask me and a number of other friends to join her for some much need <del datetime="2009-11-12T03:05:53+00:00">binge drinking</del>rest and relaxation. I immediately agreed for the thought of some time away from The Gym got me all giddy inside. Although the invite was extended to a many of peoples, the one confirmed attendee would be none other than Mr. Thompson. </p>
<p>Mr. Thompson and I go way back to our radio days. We worked very hard on a radio show being awesome and funny. No seriously. Awesome and funny. We were like John Stockton and Karl Malone(minus the short shorts). Or Rob and Big. Or Sammy Davis Jr. (minus the eye thing) and Frank Sinatra (or any of the other white dudes in the Rat Pack.) Basically what I&#8217;m trying to get at is we were the perfect tag team comedy show and qualified for equal opportunity employment. </p>
<p>It&#8217;s also worth noting, that before my friend Mr. Thompson moved to LA, he, JDub and I had formed a coalition of sorts. This coalition of sorts, was based around the three alcoholic beverages that we so gladly devoured and worshiped. Mine, was, and still is to this day, Mr. Jack Daniels. Mr. Thompson&#8217;s was Crown Royal. (it&#8217;s changed) and JDub&#8217;s was none other than Jose Cuervo. There may actually be a picture of the three of us chugging straight from the bottles of these fine spirits on one of my birthdays. The Coalition was a force to be reckoned with (and a driving force in sales of said liquors. Mr. Thompson and I had been known to get black out drunk Wed-Sundays. Ahhh radio.)</p>
<p>So we were destined to meet in the City of Sin. </p>
<p>I flew all by myself (a point that shall be very important later on) Mr. Thompson drove in from LA, and JDub was already there. As I was the second to arrive I made the executive decision to purchase the first bottle of booze on the trip. It was indeed JD and it was glorious. JDub still needed some to finish up the event, so I took it upon myself to sit and watch Leave it to Lamas in my bathrobe. And get drunk. </p>
<p>Mr. Thompson arrived and the decision we all came up with was to go to Pure at Caesars Palace. We got ourselves dolled up, and there was an actual conversation between Mr. Thompson and I regarding pant length, shoe choice, and which shirt looked best. I believe there were numerous comments from the JDub camp regarding our sexuality, to which we decided to ignore and continue said conversations until we looked smashing! </p>
<p>We made our way to Pure and upon paying a ridiculous amount to get in found our way to an open spot on the dance floor. Were we got our groove on to many of today&#8217;s hottest hits. At one point, some dude was grinding on a honey in front of me when I noticed a giant eagle on his back that reflected off the lights in the club. I quickly took it upon myself to start the Napoleon Dynamite Happy Hands club motion behind him in a mocking maneuver. To which the nice Asian lady to the right of our group saw, and began to giggle. Pretty sure there was a mental high five given, and received. </p>
<p>The night wore on, as did our intense drinking. At one point, Mr. Thompson was getting the eye from a classy girl dressed in a Zebra print dress standing in the VIP. Somehow or another, she got Mr. Thompson into the VIP area, which he in turn got me, which she in turn got JDub. So there we were, all in VIP. Having a good time, not buying bottle service. Not buying drinks from the bar, and in actuality, having drinks spilled all over my pants. Like ALL over. Right in front. Pretty much where my junk was. It was also very awesome of the bouncer to flash his flashlight right on my crotch. Allowing everyone in VIP to see my junk, and that it looked very much like I&#8217;d wet myself. Awesome. </p>
<p>During our time in VIP I learned that Zebra, was just a girl looking to make it big in Sin City. She moved out here from Arizona, and was just hanging with a group of her &#8220;friends&#8221; in the VIP area. Indeed her friends were dressed as &#8220;classy&#8221; as she was, and things began to dawn on JDub and I. Mr Thompson had moved his attentions away from Zebra to some dude I believe he met in the VIP area. I&#8217;m not sure what the exchange was all about, however Mr. Thompson was the only one who left the VIP area with a number. </p>
<p>It must be said, that while Mr. Thompson did leave the club with a number, it was JDub that could have left with much much more. After we all stopped paying attention to Zebra, she moved on to a new group of gentlemen. We decided that VIP was not our &#8220;scene&#8221; so we luckily enough were able to retrieve our previous spot on the dance floor and &#8220;posted up.&#8221; While posting up, we made it out to the dance floor a number of times to dance to a delightful ditty or two. On one said ditty, JDub were out there busting some moves and generally making people jealous of our awesomeness. So jealous that a bouncer came up to JDub grabbed her arm, and escorted away from me. Mid-Maneuver!! In most cases, I probably would have been concerned and been all what the fuck! where are you taking her. However Jack had indeed been invited and was beginning to take over the party. So instead of getting indignant and protective, I merely said&#8230; meh. </p>
<p>Apparently, Mickey, one of PURE&#8217;s finest bouncer, took a liking to our friend JDub. So much so, that he removed her form the dance floor and took her up to a stage area, where low and behold, only females were up there dancing. With one exception. Chris Angel was also up on said stage and there were throngs of women around him. Including our own little JDub. Mr. Thompson and I knew it was only a matter of minutes before America&#8217;s Douchiest Man got wind of our JDub and would be Mindfreaking her all night long. It was at that moment, we decided to act. And act fast we did. Mr. Thompson and I put our minds together, and worked out an ingenious plan. We pushed our way through the crowd, got as close as we could&#8230;.. and ordered another round! </p>
<p>The night wore on, JDub got away from Mickey&#8217;s evil clutches, I was essentially blacked out, and Mr. Thompson had gotten a dudes phone number in the VIP of PURE. We decided to call it a night and began the walk back to our hotel room where some much needed sleep was in order. However, along the way, as we walked past the tall bushes that line the front of Caesars Palace for some reason or another, I fell into the bushes. Which actually prompted Mr. Thompson to start sprinting down Las Vegas Blvd. beacuase he didn&#8217;t want to be caught by the cops. Of course, as JDub described that next afternoon, &#8220;walking home with you guys was like trying to herd wild cats.&#8221; Mr. Thompson and I high fived. Excellent. </p>
<p>The next afternoon, we all awoke de-hydrated and damn near dead. Some of us were worse for wear. I, because of my alcoholism, looked at the half bottle of Jack Daniels left in the room, and realized, &#8220;I&#8217;m not hung over. I can&#8217;t remember many of the events from last night. Half a bottle of Jack is gone&#8230; maybe now would be a good time to address actually having a problem.&#8221; Little did I know that that statement would come much later in the trip. Upon everyone waking up, we had a little chat about the nights previous events. Mr. Thompson and I began a dazzling display of insults and jabs directed at JDub about her time with Chris Angel.</p>
<p>Mr Thompson or I: &#8220;JDub how did it feel getting Mindfreaked?!?&#8221;<br />
JDub: &#8220;I didn&#8217;t get <em>Mindfreaked!</em>&#8220;<br />
Mr. Thompson: &#8220;We saw you inching your way toward him! It was impressive.&#8221;<br />
JDub: &#8220;I don&#8217;t even like Chris Angel. He&#8217;s a douche&#8230;&#8221;<br />
Me: &#8220;No way, I saw you put the head bob, fling the hair, jazz hands move on him.&#8221;<br />
Mr. Thompson: &#8220;mmmmmhmmm.&#8221;<br />
JDub &#8220;You guys, stop. I did not get Mindfreaked.&#8221;<br />
Me: &#8220;Mr. Thompson, guess what the best thing about getting Mindfreaked is&#8230;.&#8221;<br />
Mr. Thompson: &#8220;What?&#8221;<br />
Me: &#8220;You don&#8217;t even know it&#8217;s happening so when you get up the next day, you can tell all your friends you met Chris Angel but didn&#8217;t get Mindfreaked&#8230;&#8221;<br />
JDub: &#8220;I. DID. NOT. GET. MINDFREAKED*!!<br />
Mr. Thompson and I: *laughter*<br />
JDub: FINE! You guys want to do this!?!?! What about you Mr. Thompson getting worked over by a HOOKER!?!<br />
Mr. Thompson: &#8220;WHAAAAA?!?!&#8221;<br />
(*At some point, we stopped saying Mindfreaked, and started saying &#8220;done in the ass.&#8221; We figure a douche like Chris Angel would do something like that. If you re-read this exchange, I&#8217;m pretty sure it&#8217;s funnier with &#8220;done in the ass.&#8221; However here at Sarcasm, I at least attempt to show some tact and class in the beginning.)</p>
<p>The mere mention of the Hooker brought Mr. Thompson on the defensive. &#8220;What hooker?!?&#8221; &#8220;There was no hooker!&#8221;And then JDub and I began replaying the nights events out loud. The more and more we described a hooker, the more and more Mr. Thompson got defensive. </p>
<p>Mr. Thompson: &#8220;She was not a hooker! She was just a small town girl trying to make it big in the city.&#8221;<br />
Me: &#8220;Dude, she was a hooker. Even &#8220;I&#8221; knew that. (This statement was indeed powerful because on one of my trips to Vegas, I got to know a nice young lady, only to find out she was a hooker by some friends the next day. I just thought she was being polite.)<br />
JDub: &#8220;Mr. Thompson, she was totally working you. She got you into VIP hoping you&#8217;d buy shit and the club would get a percentage.&#8221;<br />
Mr. Thompson: &#8220;No way, she just knew the bouncers. She said she goes there all the time.&#8221;<br />
Me: &#8220;Dude.&#8221;<br />
JDub: &#8220;Did you not see her with her friends? They were hookers too!&#8221;<br />
Mr. Thompson: &#8220;It was just girls night.&#8221;<br />
Me: &#8220;Duuude.&#8221;<br />
JDub: &#8220;And PLEASE! You know of ANY classy girls that rock a short ass Zebra dress into the VIP?!?&#8221;<br />
Mr. Thompson: &#8220;Maybe Forever 21 was just having a sale.&#8221;<br />
Me: &#8220;DUDE!&#8221;<br />
JDub: &#8220;She moved on to the next dude, who bought shit, after you stopped paying attention to her!&#8221;<br />
Mr. Thompson: &#8220;She felt dejected after I turned her down.&#8221;<br />
Me: &#8220;Dude. Seriously. Hook. Er.&#8221;<br />
Mr. Thompson: &#8220;She wasn&#8217;t a hooker. She was a nice girl.&#8221;<br />
Me: &#8220;Hooker man.&#8221;<br />
Mr. Thompson: &#8220;I don&#8217;t believe you.&#8221;</p>
<p>The best part of this whole interaction is through out the rest of the day, at random times, Mr. Thompson would just say &#8220;She wasn&#8217;t a hooker.&#8221; Which made both JDub and I laugh a bit, and repeat, Dude, she was a hooker. The battle was finally given up later that evening after Mr. Thompson had a conversation with his sister. To which she replied, that she would have had to have seen the girl, and other details before she could make and informed decision, however&#8230;. it was most likely a hooker. </p>
<p>To Be Continued&#8230;</p>
<p>Until Next Time&#8230;</p>
<p>Email Me&#8230;<br />
SarcasmAsAWeapon@gmail.com</p>
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<title><![CDATA[2009-Gemballa-Mirage-Gt-Carbon-Edition-11 C 1280X853]]></title>
<link>http://allcarwallpapers.wordpress.com/2009/11/12/2009-gemballa-mirage-gt-carbon-edition-11-c-1280x853/</link>
<pubDate>Thu, 12 Nov 2009 01:49:34 +0000</pubDate>
<dc:creator>allcarwallpapers</dc:creator>
<guid>http://allcarwallpapers.wordpress.com/2009/11/12/2009-gemballa-mirage-gt-carbon-edition-11-c-1280x853/</guid>
<description><![CDATA[2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280&#215;853 image wallpaper of 2009-Gemballa-Mirage-GT]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><strong>2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280&#215;853 image</strong><a title=" 2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280x853" href="http://www.carpictures1.com/index.php/2009-Gemballa-Mirage-GT-Carbon-Edition-11_c_1280x853.jpg"><img class="aligncenter" title="2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280x853" src="http://www.carpictures1.com/var/resizes/2009-Gemballa-Mirage-GT-Carbon-Edition-11_c_1280x853.jpg" alt="2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280x853 image" width="640" height="426" /></a><strong> wallpaper of 2009-Gemballa-Mirage-GT-Carbon-Edition-11 c 1280&#215;853</strong><br />to view full size click 2009-Gemballa-Mirage-Gt-Carbon-Edition-11 C 1280X853 image <strong>( 2009-Gemballa-Mirage-Gt-Carbon-Edition-11 C 1280X853 image )</strong></p>
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<title><![CDATA[Pankadão na Mirage!!!]]></title>
<link>http://miragedanceteria.wordpress.com/2009/11/11/pankadao-na-mirage/</link>
<pubDate>Wed, 11 Nov 2009 18:06:03 +0000</pubDate>
<dc:creator>Roboter In</dc:creator>
<guid>http://miragedanceteria.wordpress.com/2009/11/11/pankadao-na-mirage/</guid>
<description><![CDATA[Texto informações custo bebidas pessoas lugares informações custo bebidas pessoas lugares informaçõe]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><img class="size-full wp-image-23 alignleft" title="Pankadão" src="http://miragedanceteria.wordpress.com/files/2009/11/ogaaajmmelbjlzqyi1hf97iwmjcawuafgbkffe6lgyjsgz3ssoygyfjpb2dtalupnrl7yirxwdhoilvtc9liruw_nxoam1t1ujkwtfpthw1q22rfljptbrdzqdfv.jpg" alt="Pankadão" width="450" height="450" /></p>
<p><strong><span style="font-weight:normal;">Texto informações custo bebidas pessoas lugares informações custo bebidas pessoas lugares informações custo bebidas pessoas lugares informações custo bebidas pessoas lugaresinformações custo bebidas pessoas lugaresinformações custo bebidas pessoas lugaresinformações custo bebidas pessoas lugaresinformações custo bebidas pessoas lugaresinformações </span></strong></p>
<p><strong><span style="font-weight:normal;">-custo bebidas </span></strong></p>
<p><strong><span style="font-weight:normal;">- pessoas lugares</span></strong></p>
<p><strong><span style="font-weight:normal;">- XX &#8211; XXXXXXX</span></strong></p>
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<title><![CDATA[Noite do Halloween - 31 de outubro!]]></title>
<link>http://miragedanceteria.wordpress.com/2009/10/31/noite-do-halloween-31-de-outubro/</link>
<pubDate>Sat, 31 Oct 2009 17:56:18 +0000</pubDate>
<dc:creator>Roboter In</dc:creator>
<guid>http://miragedanceteria.wordpress.com/2009/10/31/noite-do-halloween-31-de-outubro/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://miragedanceteria.wordpress.com/files/2009/11/ogaaact7pvndangfh7jwipkneizz-5dkv1nmmzoboldtz1gqnhhdmypsw-ed4whj8ien48bnaceaq_co3hyxewzamm8am1t1ulce5-i9z8r__4gld__qcwvy8iud.jpg"><img class="alignnone size-full wp-image-18" title="Noite do Halloween" src="http://miragedanceteria.wordpress.com/files/2009/11/ogaaact7pvndangfh7jwipkneizz-5dkv1nmmzoboldtz1gqnhhdmypsw-ed4whj8ien48bnaceaq_co3hyxewzamm8am1t1ulce5-i9z8r__4gld__qcwvy8iud.jpg" alt="Noite do Halloween" width="495" height="700" /></a></p>
<p><strong><a title="http://wp.me/pI0CU-j" rel="http://wp.me/pI0CU-j" href="http://wp.me/pI0CU-j" target="_blank"><img class="alignnone size-thumbnail wp-image-135" title="30 sign" src="http://miragedanceteria.wordpress.com/files/2009/10/30-sign2.jpg?w=150" alt="" width="150" height="103" /></a></strong></p>
<p><strong><!--more--><br />
</strong></p>
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<title><![CDATA[Noite do Flash Back!!]]></title>
<link>http://miragedanceteria.wordpress.com/2009/10/24/noite-do-flash-back/</link>
<pubDate>Sat, 24 Oct 2009 17:50:44 +0000</pubDate>
<dc:creator>Roboter In</dc:creator>
<guid>http://miragedanceteria.wordpress.com/2009/10/24/noite-do-flash-back/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://miragedanceteria.wordpress.com/files/2009/11/ogaaanuxllun4aqsovkkkflc4qvdxihosmvqkz10rwxw5_1zcqhjeunhud1t3tpvejss3u97puyzdxzhhsezhi7mobgam1t1uofvcevs_xumrjsd-wgyn9vsnivy.jpg"><img class="alignnone size-full wp-image-3" title="Flash Back" src="http://miragedanceteria.wordpress.com/files/2009/11/ogaaanuxllun4aqsovkkkflc4qvdxihosmvqkz10rwxw5_1zcqhjeunhud1t3tpvejss3u97puyzdxzhhsezhi7mobgam1t1uofvcevs_xumrjsd-wgyn9vsnivy.jpg" alt="Flash Back" width="495" height="700" /></a></p>
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