Tags » Monte Hellman

Criterion: Ride in the Whirlwind, Monte Hellman, 1966

While Ride in the Whirlwind sbould be compared with the film that preceded it, The Shooting, it is not a carbon copy. It shares many elements in common with the companion film. 1,786 more words

Criterions

The Shooting & Ride in the Whirlwind

Films naturally reflect the times in which they are made, there’s no getting away from that. As an art form they of course focus on certain themes, frequently timeless ones at that, but there’s no divorcing the artistic ambition from the current circumstances. 1,518 more words

Westerns

Criterion: The Shooting, Monte Hellman, 1966

The Shooting and Ride In the Whirlwind were companion, low budget westerns pieces, shot together over a 7-week schedule (3 weeks for each with a week off in between). 998 more words

Film

The Shooting (1966): Don’t even get me Sartred on Monte Hellman’s [adj. removed –ed.] Western

Existential.

There. I typed it. And henceforth that word, long since rendered impotent, will not be used in this discussion of Monte Hellman’s lean, crafty and neglected Western… 829 more words

Mercy Shilling

THE SHOOTING (1966)

Director of Photography: Gregory Sandor

Director: Monte Hellman

Perfect Shots

Tommy Lee Jones' 'The Homesman' and the Pleasures of the Eccentric Western

The label “revisionist Western” has been thrown around for so long that it’s all but meaningless now. From Peckinpah’s Wild Bunch and Altman’s McCabe and Mrs. 965 more words

Film