Every day, our top 666 songs of alltime countdown gets one step closer to #1. Saturday’s song is #368:

Public Image Ltd. – The Order of Death

Brooding Italian movie theme from 1983 with layers of synth over a drum loop, John Lydon intoning the mantra “This is what you want, this is what you get,’ which ended up serving as the album title after guitarist Keith Levene either quit the band or was fired depending who you believe. Some fans prefer the more poignant but less ominous acoustic guitar version from the Commercial Zone lp released by Levene as retaliation in 1985.

Every week, we have two groups create an escort table for class using a theme that Chara (teacher) gives us. Using that theme, each group had to incorporate ideas that they would use at an escort table for a wedding. Our theme for these week was “Movie Buffs”. My teammates and I decided to use the Hollywood colors black, gold and red. We wanted something vintage, simple and modern at the same time. Since we only had a week worth of planning, we were limited in time and resources.

Movie – Timeless Love Story
Starting – Lucy and Ricky
Color Scheme – black, red and gold
Favor/Sitting arrangement – Popcorn with Movie ticket stub entry

Here are some pictures that I took of the table. I didn’t have my camera, so I had to use my cell phone to take the pictures

Movie - Timeless Love Story

Favor - Popcorn with Movie Ticket Entry

Popcorn Tree for decoration

Lights, Camera, Action

Coca cola and Popcorn. Yummy!

It was actually fun working with my teammates and pitch ideas for our theme.

Several of you have suggested the themed movie center pieces for each table at our reception and thank you! (Erin, Katie and others….) I love your ideas and the fact that you are getting into this theme. (Validates my insanity, no?)

The movie theme tables was exactly what we had in mind for center pieces.  Last week when I took the Fiance’s mom to visit our reception venue , we started talking about how to execute said idea. I think our best bet is to buy cheap plastic frames and print off pictures from each movie to insert into the frames.

Then, we could “fancy it up” with voltive candles and some old movie reel to decorate around the items. I don’t want to spend too much money, but if you have any other DIY movie-themed center piece ideas, please share in comments.

Now for the list of movies – since we aren’t doing a formal sit-down meal, there won’t be a “seat” for every person. I want to do a mix of 10-person rounds and high boys to maximize space and keep people up and mingling (dancing!). The high boys will probably not have a movie theme, and we’re looking at 16 (ish) 10-person rounds.

Here’s where you come in – let me know which romantic movies you’d like to see at a movie theatre wedding reception.

Just so you know, Meet the Fockers is taken. The Fiance’s mom wants that table for his fam.

original

movie themeSin City

Esta canción pertenece a una película nipona llamada “My Girlfriend, a cyborg” o simplemente “Cyborg She” como lo abreviaron en Japón (aún no entiendo la manía de los japoneses de abreviar todo XD)… no sabía de la existencia de MISIA hasta hace dos días (GRACIAS JPVX,  ella canta fenomenal) y como me gusto mucho la cancion, sacrifique el tiempo qeu uso para traducir un fic en traducir la canción, ya saben, si la usan, no olviden ponerme en los creditos y no quiero encontrarle en otros blogs bajo otra autoría… seamos honestos ONEGAI!!

約束の翼 (Yakusoku no tsubasa)

Intérprete: MISIA

Compositor: Jun Sasaki

Translate: Maryeli

最初の約束　君の笑顔を　忘れない

Saisho no yakusoku kimi no egao o wasurenai

Aún recuerdo la sonrisa en tu rostro y nuestra promesa

選んだ旅路の中で　きっと思い出すから

eranda tabiji no naka de kitto omoidasu kara

Y te recuerdo, mientras recorro mi largo camino

.

振りほどいた腕も　求め伸ばした手も　全ては同じ想いからで

Furihodoita ude mo motome nobashita te mo subete wa onaji omoi kara de

Dices que no es necesario extender los brazos y las manos, pues ya no compartimos los mismos sentimientos

迷いながらも夢　今なら分かるかも　切なさを超えて　あの空へ

mayoi nagara mo yume ima nara wakaru kamo setsunasa o koete ano sora e

Pero ahora te demostraré bajo este cielo, que nada fue en vano, que lo nuestro está más allá de ser solo un sueño

.

風が吹いていく　この翼広げて　飛び立っていく

Kaze ga fuite iku kono tsubasa hirogete tobitatte iku

El viento soplará, es el momento de desplegar nuestras alas y volar muy lejos

守りたいものがあるなら　人は強くなれるから

mamoritai mono ga aru nara hito wa tsuyoku nareru kara

Si existen personas capaces de mantener su fuerza de voluntad

この愛という果てしない空を行くのさ

kono ai to iu hateshinai sora o iku no sa

El interminable cielo mi amor cruzará.

.

最後の約束　選んだ道を　悔やまない

Saigo no yakusoku eranda michi o kuyamanai

Una promesa no puede ser el final que has elegido.

眩しい光の中で　きっとまた会えるから

mabushii hikari no naka de kitto mata aeru kara

Porque estoy segura de que tu y yo nos reuniremos una vez más, bajo una resplandeciente luz

.

仰ぎ見るこの空　君がいる場所へと　どこかで辿り着けるだろう

Aogi miru kono sora kimi ga iru basho e to dokoka de tadori tsukeru darou

Buscando probablemente pueda hallar el lugar donde te encuentras para que veas mi soledad

迷いながらも愛　今なら分かるから　切なさを愛しさに変えて

mayoi nagara mo ai ima nara wakaru kara setsunasa o itoshisa ni kaete

Pero ahora daré vuelta a la página para saber si nuestro amor es un amor perdido

.

風が吹いていく　この翼広げて　飛び立っていく

Kaze ga fuite iku kono tsubasa hirogete tobitatte iku

El viento soplará, es el momento de desplegar nuestras alas y volar muy lejos

叶えたいものがあるなら　人は辿り着けるから

kanaetai mono ga aru nara hito wa tadori tsukeru kara

Aún si existen personas entristecidas, podremos llegar hacia ellas

この愛という果てしない空を行く

kono ai to iu hateshinai sora o iku

Por tu amor cruzaré el interminable cielo.

.

錆付くドア　押し開けてる

Sabitsuku doa oshi aketeru

Yo abriré la puerta

旅立つこと　ためらうたび

tabidatsu koto tamerau tabi

Cada una de tus dudas, déjalas marchar

人は忘れていくよ

hito wa wasurete iku yo

Estoy segura de que nunca olvidarás

かけがえのない愛と夢を

kakegae no nai ai to yume o

Que el amor y los sueños son irremplazables

.

風が吹いていく　この翼広げて　飛び立っていく

Kaze ga fuite iku kono tsubasa hirogete tobitatte iku

El viento soplará, es el momento de desplegar nuestras alas y volar muy lejos

守りたいものがあるなら　人は強くなれるから

mamoritai mono ga aru nara hito wa tsuyoku nareru kara

Si existen personas capaces de mantener su fuerza de voluntad

この愛という果てしない空を行くのさ

kono ai to iu hateshinai sora o iku no sa

El interminable cielo mi amor cruzará.

.

We can reach it and go. If we dream it,

Nosotros podemos ir y alcanzarlo. Si, soñemos que…

We can fly to the destination.

Podremos volar hacia nuestro destino.

Yakusoku no tsubasa: Las alas de una promesa…

Ci siamo trasferiti a questo indirizzo:

www.magazinet.it

Continua la rubrica dedicata alle colonne sonore dei film e, dopo esserci dedicati alle musiche che accompagnano la saga di Harry Potter, oggi ci occuperemo della famosissima trilogia “Pirata dei Caraibi“, cui fanno da sfondo le musiche di Klaus Badelt nel primo film e Hans Zimmer nel secondo e terzo film della saga.

Ogni film è caratterizzato da una propria tracklist definita, dal ritmo interessante ed incalzante che si adatta perfettamente alle esigenze narrative e che riesce a dar sapore e colore a tutte le scene, da quelle comiche-leggere a quelle di azione e cariche di patos emozionale.

Anche in questo caso mettere tutte le musiche sarebbe stato praticamente impossibile, ma dopo il salto potrete godervi una selezione delle migliori tracklist film per film.

• Pirati dei Caraibi – La maledizione della prima luna
  

A comporre le musiche del primo film della saga il compositore e autore di colonne sonore Klaus Badelt. Collaboratore attivo di Hans Zimmer, Badelt possiede un incredibile stile armonico e una capacità di creare temi musicali profondi ed originali, caratterische che lo rendono un autore di straordinario talento.

Le sue musiche creano la giusta atmosfera eroica e solenne che si adatta perfettamente alle immagini del film, creando anche quell’intensità e quelle emozioni nei momenti più avventurosi che regalano qualche brivido.

Klaus Badelt

He’s A Pirate

Will And Elizabeth

The Medallion Calls

The Black Pearl

Skull and Crossbones

One Last Shot

• Pirata dei Caraibi – La maledizione del forziere fantasma

Nel secondo film della saga le musiche passano al compositore  Hans Zimmer,  compositore tedesco e capo del dipartimento musicale della DreamWorks.

Zimmer, famosissimo per aver composto tra le altre la colonna sonora de “Il Gladiatore“, è ritenuto un genio delle colonne sonore, per le straordinarie capacità compositive che possiede e che riescono sempre a suscitare emozioni.

Perfette, anche in questo caso, le musiche che fanno da sfondo nel film e che non si distaccano dallo stile adottato nel precedente capitolo da Badelt, nonostante siano più curate e originali e ritraggono con più minuziosità i caratteri dei protagonisti e delle loro storie.

Hans Zimmer

Davy Jones

I’ve Got My Eye On You

Dinner is Served

Tia Dalma

• Pirata dei Caraibi – Ai confini del mondo

Anche per il terzo capitolo della trilogia è stato confermato Hans Zimmer. Come per il precedente film, le musiche di Zimmer si incastrano perfettamente con gli intrecci della storia e i suoi protagonisti, accompagnando anche le spettacolari ballaglie e le scene più belle che grazie alla musica creano indubbiamente quell’emozione in più.

Drink Up Me Hearties

Hoist the Colours

Parlay

I Don’t Think Now Is the Best Time

One Day

Find my latest American Idol article here.

The group song tonight was Maniac, and it was obvious that they were lip-synching again.  It even sounded like they had enhanced the sound by adding extra vocal tracks.  With the justification that the Idol producers have used for this so far, I wonder if they will keep doing it when they go on tour.  It’s the same thing.

I try to ignore all of the product placement and cross-promotion on the show, but they waste an incredible amount of my time doing it.

Jennifer Hudson was the first musical guest this evening.  Compared with some of the other tripe they have been rolling out on the Idol stage in recent weeks, she was great.  It was not my favorite style of music, but I would not turn it off if it was playing on the radio.  I cannot say as much for Lady Gaga or Flo Rida.

Miley Cyrus was the next musical guest.  It started better than any of the non-idol related guests that they have had in weeks.  It sounded very country which was good, but she had some big diction issues and sounded pretty nasally on the chorus.  I will take this over most of the other guests that they have foisted on us lately.

I was surprised to see that Allison was not in the bottom three, not because she did badly, but because her song was a little boring, and there were so many other contestants that did well last night.  I was even more surprised to see Anoop in the bottom three.  He was very good last night.  No one was surprised to see Lil in the bottom three.  Finally, I was expecting Matt to be in the bottom three, but at this point it was just a numbers thing.  Anoop got to sit down first, as it should have been.  I was surprised and saddened to see Lil stay and see Matt told that he had the least votes.

However, I did not think that they should have used the save on him.  The save, as I understand it was intended to right a wrong, and save a contestant that had a chance of winning the competition.  Matt was not this.  Simon said so, but the hens (Paula and Kara) were cackling and soon it was clear that they would be using the save.

I told a friend earlier this week that I believed that judges would use their save no matter what happened just because they had one regardless of the viewer’s vote even if the contestants were voted off the show in the order that they should have been.  Nothing good will come of this, mark my words.  Now there is almost a thirty percent chance that one of the really good contestants will go home next week, and next week is disco week.  Pathetic.

Archive.org page

my brother daniel thinks of the past and contemplates the future.

www.myspace.com/mybrotherdaniel

A noise/ambient side project of Radio Scotvoid

Mirror:
Scene 1
Scene 2
Scene 3
Scene 4
Scene 5
Scene 6
Scene 7
Scene 8
Scene 9
Scene 10

The runner theme zip-file
All tracks 320 kbs. Runtime 10:15 min

review this release

Da oggi su Mag-Movie prende il via una nuova rubrica dedicata alle colonne sonore dei film che, come ben sappiamo, ne sono la parte inscindibile, una cornice senza il quale si creerebbe nel film un vuoto incolmabile e che serve a sottolineare o intensificare una scena, un personaggio, un’espressione, o creare una sfera emotiva suscitando emozioni.

E non potevamo che inaugurare questa rubrica con Harry Potter, la famosissima saga tratta dai romanzi della scrittice J.J.Rowling, cui fanno da sfondo le curatissime musiche del premio oscar John Williams nei primi tre film, Patrick Doyle nel quarto capitolo della saga e Nicholas Hooper nel quinto film.

Ognuno di questi è caratterizzato da una propria tracklist definita di cui sicuramente quella più toccante è rappresentata da John Williams, le cui orchestrazioni create si adattano perfettamente alle esigenze narrative e possono essere ascoltate anche senza le immagini del film, mentre quelle di Patrick Doyle e Nicholas Hooper, nonostante rimangono dei capolavori, non raggiungono lo stesso livello della bravura di Williams.

Mettere tutte le musiche sarebbe stato praticamente impossibile, ma dopo il salto potrete godervi una selezione delle migliori tracklist film per film.

• Harry Potter e la Pietra Filosofale

A comporre le musiche del primo film della saga il compositore e direttore d’orchestra John Williams, un veterano del genere, scelto dallo stesso Chris Columbus, regista del film.

John Williams

Prologue

Hedwig’s theme

Harry’s Wondrous World

• Harry Potter e la camera dei segreti

Anche per il secondo capitolo è stato confermato John Williams che, seguendo l’evoluzione della storia del primo film, propone delle musiche meno “infantili” e più cupe, senza tuttavia distaccarsi dallo stile adottato nel primo film.

Diagon Alley

Nimbus 2000

The Chamber of Secrets

• Harry Potter e il prigioniero di Azkaban

Ancora John Williams per il terzo capitolo della saga in delle musiche che, sia dalla critica che dal pubblico, sono state ritenute le migliori tra i cinque film usciti finora.

Buckbeak’s Flight

Double Trouble

A Window To The Past

Aunt Marge’s Waltz

• Harry Potter e il calice di fuoco

Nel quarto capitolo della saga, il testimone passa da John Williams a Patrick Doyle, compositore britannico già collaboratore di Mike Newell, regista del film, in altre occasioni.

Patrick Doyle

Death Of Cedric

Hogwarts’ March

Harry In Winter

Potter Waltz

• Harry Potter e l’Ordine della Fenice

Nel quinto film della saga le musiche passano al compositore Nicholas Hooper, cui ruolo è stato confermato anche per il sesto film della saga “Harry Potter e il Principe Mezzosangue” in uscita il 15 Luglio 2009.

Nonostante lo stile delle musiche non si distacchi da quello adottato nei precedenti film, quest’album rispetto ai precedenti è stato accolto con maggiore freddezza.

Nicholas Hooper

Professor Umbridge

Fawkes the Phoenix

The Room of Requirement

The Flight Of The Order Of the Phoenix

I fucking LOVE this mix of the song! Original vocalist with some VERY nice industrial rock beats and bass lines! MUCH LOVE G TOM!

The rest of the movie theme is here!!

Make your dream movie theater today!!

Also there’s a new vid

During the second half of the twentieth century, popular culture and the mass media gained a huge significance in American culture. Pop art that was a sign of the times: a product, a tribute to art history and critique of the social situation.
In the sixties, the New York art scene was very diverse, with people coming from different places, backgrounds and art disciplines & movements. The young John Clem Clarke was always fascinated art & advertising. He moved to New York, started painting and quickly made a name in the NYC pop art scene. Art about art is a continuous thread through Clarke’s work. His series re-working the Old Masters, such as Velasquez’s “Las Meninas” and Rembrandt’s “Night Watch” are popular icons of the late 60’s.
Clarke’s works, a mix of photo-realism and comic style with a pop art imagery. hang today in major museums as NYC’s Metropolitan Museum of Art, The Museum of Modern Art & Whitney Museum of American Art, Chicago’s Museum of Contemporary Art, LA’s County Museum and Washington’s Hirshhorn Museum.

Clarke works in the pop art tradition of Andy Warhol, Jim Dine, Roy Liechtenstein & Tom Wesselmann, drawn on the graphic vocabularies of commercial modernity: “I play back and forth using unique objects and a mass-produced presentation style. You might say that ideas I express are a lot more complex than the apparently simple style I use to express them”.
Speed is vital to the freshness of John Clem Clarke’s works, and animation is the key to his style. Every line is alive, no edge is ever straight. The large size of his artworks plays an important role in the transformation of Clarke’s illustration-based style into high art.
Working on big size canvasses, his work is quite technical. The last years he uses a computer for the design phase, but before he had to work out all specific details as a sketch, use an overhead projector to project this sketches on a canvas, drew the projected image and finally paint it.” His way of working is very similar to the work of illustrators of comics or how graphic designers work today in Photoshop. Clarke: “My first layer was always the black outline. Then I painted a colored layer underneath using the line drawing as an overlay. This is the same technique Disney cartoonists used years ago. Of course, when I was developing it as my own way of working, I didn’t know that. For the actual painting, I use large stencils. I lay them onto the canvas and sponge the paint on. This way there are no brush strokes. Sometimes, I overlay the stencils so that you get the sort of effect you see when a picture isn’t printed quite right -just a little offset. I like that irregular edge”. Just like the works by Andy Warhol or Jean-Michelle Basquiat, John Clem Clarke’s oeuvre is complete with imperfections: “Instead of painting out my “mistakes”, I let them stay on the canvas as alternative solutions to the painting and to show the thought process in making a painting. It bothers me when things look too good. I like to paint and paint and paint, until I get it wrong.”

On weekends, Clarke still roams around flea and antiques markets, looking for vintage retro objects, advertising material and photographs he can use as a point of departure for his artworks. The great ads from the fifties and early sixties are a big source of inspiration: “I try to make the paintings seem as commercially produced as possible. People grew up looking at commercial illustration and print advertising, so they are comfortable with it as a visual style. I make art in a way that people find it immediately accessible”.
Clarke found his future as an artist in his past through the subject matter, themes and styles of forties, fifties & sixties. But Clarke’s works also speak of the present, the moment he creates them, by his vision & the personal touch of his brushstroke.

In the 1910s, the Coca-Cola Company ran an ad of a gorgeous woman drinking a Coke. The copy read: “Nothing is so suggestive of Coca-Cola’s own pure deliciousness as the picture of a beautiful, sweet, wholesome, womanly woman.”
Associating itself with an ideal American girl, Coca-Cola made its appeal to the public. Clarke takes this advertising concept one step further and combines the “Coca-Cola girl” billboard with the all American theme of a police car chase. His painting “Police Behind Cola Billboard” is so filmesque, that we actually wonder what will happen next…

I performed the james bond theme on keyboard.

enjoy!

Artist: Ikimono gakari
Single: kaeritakunatta yo
Tracks:

1. kaeritakunatta yo
2. nokori kaze

kaeritaku natta yo
Lyrics/Music: Mizuno Yoshiki

kokoro no ana wo umetai kara yasashii FURI shite waratta
deai to wakare ga sewashiku boku no kata wo nukete iku yo

DAME na jibun ga kuyashii hodo wakatte shimau kara son da
tsuyoku wa nari kirenai kara tada me wo tsubutte taeteta

hora mietekuru yo

kaeritakunatta yo kimi ga matsu machi e
ookiku te wo futte kuretara nando demo furi kaesu kara
kaeritakunatta yo kimi ga matsu ie ni
kiite hoshii hanashi ga aru yo waratte kuretara ureshii na

taisetsu na koto wa kazoeru hodo aru wake ja nai n da kitto
kujikete shimau hi mo aru kedo naki dasu koto nante mou nai

hora mietekuru yo

tsutaetakunatta yo boku ga miru asu wo
daijoubu da yo tte sou iu kara nando demo kurikaesu kara
tsutaetakunatta yo kawaranai yume wo
kiite hoshii hanashi ga aru yo unazuite kuretara ureshii na

kaeritakunatta yo kimi ga matsu machi e
kakegae no nai sono te ni ima mou ichido tsutaetai kara
kaeritakunatta yo kimi ga matsu ie ni
kiite hoshii hanashi ga aru yo waratte kuretara ureshii na

~∞~∞~∞~

nokori kaze
Lyrics/Music: Yamashita Hotaka

“mou nido to modorenai” to shiru
namida de nijinda michi wo aruite hontou wa sukoshi dake mieteita ashita wo ki ni shita

arifureru sono kotoba dakedo fui ni nanika wo shinjite mitai no
itsuka mata meguri au no da to hisoka ni chikau

ki ga tsukeba mou mienu omokage wo sagasu
ichido nakushita hibi wa doko? doko?

sakihokore inochi no hana rin to shite kono kokoro kogashite
fukiyamanu wa nokori kaze ano hi wo oshimu you ni nagarete asu e to

tesaguri de tsukande wa kieru mainichi no hakanasa ni mo kidzuite
aimai na atashi wo kowashite shizuka ni me wo tojiru

koukai ga sariyuku kibou de sore wo shitte mo asahi wo mitai no
ima tsuyoku ikite yuku no da to tashika ni negau

hito tokoro ni todomaru kowasa wo mitsukete fumi dashita toki
kimi wa doko? doko?

meguri yuku wa kono kokoro koharuhi no ibuki e to yorisoe do
nagaruru namida kiezu ni hitohira no kaze wo matoi nagarete kimi e to

fuwari fukabu kaze ima wa mienai kedo tashika ni mieta no hitoe no kazaato
kimi ga nanika tsutaeta no? atashi ga ima tsutaeru no?
hoshigatta kotae wa ima ima…

toki michite mieta kokoro ima iku yo kawaranai atashi de
hibiki au koe koto no ha hikari wo hanatsu you ni todoke kanata e

sakihokore inochi no hana rin to shite kono kokoro wo kogashite
fukiyamanu wa nokori kaze ano hi wo oshimu you ni nagarete asu e to

This is one of my favorite pictures of me. My friend took this picture in a Target store. Later on, at my request, she edited it in Photoshop and Google’s Picasa. She did very minimal to it, but it turned out perfectly. At least in my eyes!

John Williams – Somewere in my Memory (Home Alone theme)

Esta é uma daquelas musicas que me traz bastantes recordações, embora esta não seja a altura do ano em que esta musica se encaixa, mas não sei porquê deu-me vontade de a voltar a ouvir…
Como neste ultimo ano não passaram nenhum filme do sozinho em casa na altura do Natal, o pessoal estranhou um pouco, e até parecia que a época natalicia tinha qualquer coisa de diferente, e ninguém sabia dizer o quê…

Oiçam este tema pois vale bem a pena recordar…

Artist: Aragaki Yui
Album: sora
Lyrics Available:

1. heavenly days
2. ORENJI
3. hi no kageru oka
4. MEMORIES
5. hikari
6. Sign of the moon ~interlude~
7. STARLIGHT
8. PAIRING
9. ai wo shiritakute
10. sora

1. heavenly days
mezamashi ga naru mae ni okite toki wo tomeru
omoi daseru no wa mou nantonaku dakedo kimi no koto
ichi oku bun no kimi ni aeta kiseki nanka mo
itsu no ma ni ka wasurechau kana
wasureta koto sae mo kitto wasurete shimau no?

HEAVENLY DAYS mune no POKETTO no heya
kimi no kieta nukumori wo sagasu yo
mou nido to kimi wo omou koto wa nakute mo aa
mada sukoshi atatakai ano hibi ni kagi wo kakete

aruki tsukarete suwari konde tohou ni kurete
kanawanai yume unmei to ka futari nara ieta

kaisatsuguchi de ienakatta iitakatta
“arigatou” tte kotoba wa tabun
“sayonara” yori mo kanashii kotoba ni omou no

HEAVENLY DAYS umaku waraeteta kana
saigo no KISU SHIIN furueru kimi no te wo
nigirenakatta namida sae ochinakatta aa
hitoribocchi ni nari imasara afuredasu yo

HEAVENLY DAYS mune no POKETTO no heya
kimi no kieta nukumori wo sagasu yo
mou nido to kimi wo omou koto wa nakute mo aa
te wo nobashite mite mo koko ni wa mou inai yo
atarashii hikari no shita aruki dasu yo

~∞~∞~∞~

2. ORENJI

“zutto koushite hanarenai de ne”
watashi rashiku nai, serifu da nante shirinagara

machiwabiteru AFTERNOON
hizashi ni tsutsumarete
itsushika yume no naka hora ne
sagashiteru watashi ga iru

taiyou ga yoru na no ni
ima ni mo kanchigai wo shite
okidashite tsuredashite
hayaku shite tte iu no (you know)

tsuite hanarete nozoki kondari
hashagu futari wo tomerarenai
nee “zutto koushite hanarenai de ne”
watashi rashiku nai, serifu da nante shirinagara

ato kara tsuite kuru
fuan SAYONARA shite
itsushika me no mae ni hora ne
sagashiteta watashi ga iru

hiza no ue kodomo mitai
SUKAATO takushi agete
jama ni natta koto wo zenbu
nugi sutete toberu yo

oikoshite yuku tokei no hari ga
ima wa onegai kizamanai de ne
nee “kakko tsukenai kimi ga suki da yo”
watashi rashikunai, serifu datte ieru kara

tsuite hanarete futatsu no kage ga
yurete kureteku ORENJI iro ni somaru yo
“zutto koushite hanarenaide ne”
hitotsu no kage ga ORENJI iro ni somatteku

~∞~∞~∞~

3. hi no kageru oka

tsuchi bokori no ato ni mitsuketa yotsuba no CLOVER
mite hora PAPA ni ageyou kana?
miagete hi ni kazasu kedo tenohira kara koboretara
me no mae de kaze ga odotta

naitari shinai to yakusoku shita kara
ano oka wo koete kieru kage
nee itsumademo koko de waratte iru yo
kieiru you na yuuhi wasurenai

kamisama ni atete kaita takusan no tegami yonde
kanawanai negai kazoeta
wasureru hodo warai korobu mainichi no hibi no naka de
mada me no mae de nanika ga kageru

naitari shinai to yakusoku shita hi wa
koraeru koto sae dekinakatta kedo
ima demo koko de hitori waratteiru yo
kieiru you na yuuhi wasurenai

itsumademo sora wo mite waratteite to
ima ni mo kiesou na kioku no koe de…
saigo no futari no yakusoku da yo to
ano oka wo koete kieru kage
wasurenai

~∞~∞~∞~

4. MEMORIES

mou ikanakucha
sou ikanakucha
kono koi ga owattara
watashi wa mata umarekawaru

demo ne wasurenai
sou wasurenai yo
anata to deateta koto
daiji ni suru yo

kanawanai negaigoto
todokanai sono senaka
mabushii kurai akogarete
mune ga itanda

itsu no hi ka itsu no hi ka
mata aeta nara
yasashigena
haru no hizashi no naka yureru
sakura no hana no you ni
dare yori mo dare yori mo
kirei ni natte
mou ichido anata ni
hohoemu wa

aa itoshikute
sou setsunakute
nemurenai yoru wo koe
watashi wa ima aruki dasu yo

demo ne wasurenai
sou wasurenai yo
anata to sugoshita hibi
shiawase datta

kudaranai joudan mo
adokenai to kimeki mo
mabushii kurai kagayaite
hitomi wo tojita

itsu no hi ka itsu no hi ka
mata aeru kana
miagereba
kumo hitotsu nai sora kaze ga
yasashiku utatteru
kokoro kara kokoro kara
daisuki datta
itoshii anata ni
sayounara

itsu no hi ka itsu no hi ka
mata aeta nara
yasashigena
haru no hizashi no naka yureru
sakura no hana no you ni
dare yori mo dare yori mo
kirei ni natte
mou ichido anata ni
hohoemu wa

~∞~∞~∞~

5. hikari

kagami wo nozoki komeba iro no nai watashi ga iru
hoka no dare datte kimi ni sae mo miseta koto nai

dareka ga soba ni ireba egao no toki sugiru kedo
hitori ni nari kyuu ni afureru tojita kioku

mi ni matotta shiroi BEERU
itsunoma ni ka omoku natta
hikizuri nagara aruite ita koto ni sae mo kidzukanu mama

tsukarehateta ashi ga kuzurete
hiza wa tsuite shimatta kara
watashi no hieta karada ni
chirabaru hahen no KIZU ga mata hitotsu fueteku

nanda ka nemutakutte nano ni naze ga nerenakute
mado wo akete miru shizuka na kaze to kieyuku yami

jikan ga ugoki dashite kyou mo dare ka to deatte
sono tabi ni mata shiranai jibun ni obiete yuku

ikudoto naku kurai nami ga
oshi yosete wa nomi komarete
sore demo mienai asu ni kitai shite wa mata furikaeshite

tsukarehateta ude ga hikari wo
dakuchikara wo ushinatta kara
tsudzuku michi no ashi moto
terasu koto mo naku tada soko ni uzuku matteru

aruitekita michi no subete ga
wasuretai koto dake ja nai
yasashisa ya nukumori ni
deaeta koto mo hontou dakara

jibun rashisa no imi wa mada
sagashiteiru tochuu dakedo
mou mayoitaku wa nai
jibun no hikari de ippo zutsu aruite ikitai

~∞~∞~∞~

6. Sign of the moon ~interlude~

~∞~∞~∞~

7. STARLIGHT

kagayaiteru irotoridori no
omoi ga yoru ni afureteru

yami ni sotto hikaru hoshi no you
mabataki wo shitemo kienai

hirogaru PANORAMA
kono mune wo furuwaseru

ikutsumo no RAITO
hitotsu hitotsu no mirai
kono yozora ga sotto te wo sashi nobeta

kyou no kaze wa sora wo migaku
saegiru kumo mo toozakeru

kirameku PANORAMA
kono kimochi tsuyoku naru

ikutsumo no RAITO
hitotsu hitotsu no mirai
kono sora kara watashi ni furisosogu

sasayaku kurikaesu itoshisa no kakera
ima nara todoku hazu yozora ga mimamotteiru

shizumaru machi no naka de hibiite MERODI
kono mama anata ni tsutaetai

kakegae no nai
hitotsu hitotsu ga mirai
watashi no omoi kodamashite yuku sora

sasayaku kurikaesu itoshisa no kakera
imanara todoku hazu yozora ga mimamotteiru
watashi no mae ni michi wo terasu STARLIGHT tsutsumarete yuku

~∞~∞~∞~

8. PAIRING

anata no koto shika kangaerarenai yoru
mou zuibun tsudzuiteru no
koi shita mitai
suki to tsutaetemo JOOKU ni kikoesou de
kono hitomi wo nozoki konde
Maybe someday ki ga tsuite

KAFERATE no iro wa marude watashi no kimochi mitai de
shirokuro hakkiri dekinai no ni mo riyuu ga aru no
anata no chikaku ni ireba iru hodo ni
chiisaku takusan kidzutsuku mitai
datte anata to kanojo wa osoroi no PAIRING
keshite kowareru koto mo nai kurai

kaze ga tsumetakute nukumori ga hoshii hi wa
sugu ni denwa kaketaku naru
koi shita shouko
demo sono HAATO wo atatamerareru hito wa
kitto watashi ja nakute
Maybe always kanojo dake

KENKA demo shita no bimyou na kyori ga futari ni wa atte
demo CHANSU da nante omoeru hodo tanjun ja nai
waza to watashi ni yasashiku suru hodo ni
yokei mieru kanojo e no ai
yappari watashi ni wa te no todokanai PAIRING
futo me ni suru shunkan kurushii yo

anata no koto shika kangaerarenai yoru
mou zuibun tsudzuiteru no
koi shita mitai
suki to tsutaetemo JOOKU ni kikoesou de
kono hitomi wo nozoki konde
Maybe someday ki ga tsuite

kaze ga tsumetakute nukumori ga hoshii hi wa
sugu ni denwa kaketaku naru
koi shita shouko
demo sono HAATO wo atatamerareru hito wa
kitto watashi ja nakute
Maybe always kanojo dake

~∞~∞~∞~

9. ai wo shiritakute

daisuki datta taisetsu datta
anata to aruku kono kaerimichi

yukkuri aruku kono tokidoki warau
anata ga iru to shiawase datta

demo kyou wa sayonara suru no
sukoshi otona ni natte

I LOVE YOU
ai wo shiritakute
watashi senobi shiteta
todokanai
anata to onaji sekai wo miru no wa
watashi ja nai

taikutsu datta mainichi datta
anata ga kaeta watashi no kokoro

yatto kidzuita yatto wakatta
kanashimi datte nori koerareru

sou kyou wa sayonara suru no
namida kobore ochitara

I LOVE YOU
ai wo shiru tame ni
watashi uso wo tsuku no
wasurerareru
anata no kao mo koe mo subete wo
keshisatte

I LOVE YOU
ai wo shiritakute
watashi senobi shiteta
todokanai
anata to onaji sekai wo miru no wa
watashi ja nai

I LOVE YOU
ai wo shiritakute
watashi ai wo shiru tame ni
itooshii
anata to chigau michi wo ima sotto
arukidasu

massugu ni

~∞~∞~∞~

10. sora

kao wo agete nagametara
itsumo kanarazu aru mono
kimagure na kaze nagareyuku kumo
hirogaru sora

hako ga tachi narabu machi mo
naite utsumuite ite mo
wasurekaketeta kieru koto nai
sono nukumori

KIMI ga egao no hi wa hikari afurete
tojita tsubomi ga hana hiraku
saa ryoute hirogete dakishimete miyou
motto kirei ni sakeru hi ga kuru made

sora ga miseru hyoujou ni
BOKU no kokoro wo kasaneru
onaji hikari mo iro mo katachi mo
nido to nai

KIMI ga namida no hi wa BOKURA no naka no
iranai mono wo arai nagasu
saa ima no jibun wo dakishimete miyou
motto yasashiku waraeru hi ga kuru made

KIMI ga egao no hi wa hikari afurete
tojita tsubomi ga hana hiraku
saa ryoute hirogete dakishimete miyou
motto kirei ni sakeru hi ga kuru made

Artist: YUI
Single: My Generation / Understand
Tracks:

1. My Generation
2. Understand

My Generation
music/lyrics: YUI

GURANDO ni fuita kaze wo
chiisana mado kara suikonde tameiki

kitai suru koto ni IYAn natte
kodoku ni natta keredo

demo akirameta tsumori ja nakatta

CHAIMU ga nari owareba
genjitsu wa motto hayaku susunde yuku desho?

mado GARASU waru you na
kimochi to wa chotto chigattetan da

hajime kara jiyuu yo

My Dream kotoba ni dekinai dake na no ni
dare demo ii kara to kizutsukete naita yoru
wakatte hoshii nante omowanai kedo
egaita yume wo shinjikirenai yowasa ni tada shihai sareteta
Sixteen My Dream

seifuku nugisuteta 16 no ATASHI ni
maketaku wa nai kara

ushiro yubi sasaretatte
furimuitari shinakatta

atashi nara mada yareru hazu datte

gisei ni dekinai no wa
komiageru kibou nakushitara mata michi ni mayou dake

jama nante saretakunai
wakatteiru no kakugo ga areba

itsudatte jiyuu yo

My Dream kowareru koto nante nai kara
machi kirenai kisetsu no naka aruki hajimeta no
utsumuiteta jikan wo tori modoshite
egaita yume wo tsuyoku shinjikireta toki kara kawaru Generation
Sixteen My Dream

hibi wareta kousha no kabe ni motarete
chikatta no kanaete miseru kara

My Dream kotoba ni dekinai dake na no ni
egaita yume wo shinjikirenai yowasa ni tada shihai sareteta
Sixteen My Dream

Understand
music/lyrics: YUI

tabun naiteta kaerimichi utsumuita mama de
nani mo ienakatta zutto soba ni ita kedo

kouen wo yokogitte chikamichi shite aruita
nantonaku wakatteru yo atashi ni datte

yuugure ni nobiru kage shiawase no katachi ga kawaru
zutto issho da yo sou itteita no ni

kanashimi wa itsudatte aijou no chikaku ni hisonde
ijiwaru suru yotte warai nagara hanashiteta

seigi no mikata nante moshi hontou ni itanara
komarasete shimau kamo ne nante omotta

yuugure ni nobiru kage shiawase no katachi ga kawaru
zutto issho ni wa irarenai kara

semete bakari ite wa ikiteyukenai yo
datte machigaibakari …kurikaesunda …kurikaesunda

yuugure ni nobiru kage shiawase no katachi ga kawaru
aruki hajimeta daijoubu da yo

Love Theme from “The Godfather”
Lyrics & Music by Larry Kusik & Nino Rota
Recorded by Andy Williams (1972)

Speak softly love and hold me warm against your heart
I feel your hands, the tender, trembling moments start
We’re in a world our very own
Sharing a love that only few have ever known

Wine colored days, warmed by the sun
Deep velvet nights, when we are one

Speak softly love, so no one hears us but the sky
The vows of love we make will live until we die
My life is yours, and all because…
You came into my world with love, so softly love