Interview: Caitlin Smith tries to balance personal and political in new opera about war in Afghanistan
Musical TorontoThen-Foreign Affairs Minister Peter MacKay, centre, Maj. Erik Liebert and diplomat Richard Colvin, right, in Afghanistan, in 2006 (Jim Farrell/Edmonton Journal photo). Opera lives and dies by the force of conflict — most often on questions of love and fidelity that have nothing overtly to do with current events. Toronto composer Caitlin Smith is merging the two in a timely take on love of truth and fidelity to the ideals of an open society in her first opera, When This War Ends (Or, Some Questions You May Have Regarding Our Recently-Concluded Engagement in the Graveyard of Empires), a journey into the dark heart of the decade-long war in Afghanistan. Two scenes of Smith’s eight-scene opera, representing approximately 30 minutes of music, get their premiere on Thursday, May 31, at the Al Green Theatre, as part of a longer music programme that circles around our ambivalent relationship with murky issues in foreign lands. The evening is being presented by Spectrum, a collectiv








