Three early gems by Harrison Birtwistle brought the 2014 Proms Saturday Matinee series to an end. Thanks to some thoughtful curation by Oliver Knussen, the programme featured works which are often overlooked; although the 1995 Last Night of the Proms catapulted Birtwistle into the public eye (thanks to the uproar which greeted Panic), the pieces which most frequently occupy concert halls nowadays date from the mid-1980s onwards. 38 more words