First off, if you haven’t heard it, you can buy it here - Josh Rosenthal’s Overture release on iTunes

Leading up to the final release of the Villages Suite, For a Day, I want to remind you of where we’ve been.  Each day this week, I’ll highlight on of the albums in Suite and on Friday, the new album releases.

I’ve poured hours and hours of my heart into these four albums and it all started with Overture.

An overture is an introduction to something more substantial.  I wanted to release an album that would introduce the project but only in small glimpses.  ”Amy, Please (single version)” gave you a glimpse of the forthcoming “Lonely Together” album.  ”Amy, Please (acoustic version)” alluded to “Even the Strongest Hero” – the second album in the suite.  Each song carefully took its place to lay a foundation of sound and meaning.

“You Won’t Last” offers the best explanation from this album with the bridge lyrics -

You won’t last when you’re not at your best / if you don’t learn to love when you’re well / People in pain fight people away / Then don’t understand when they’re gone

When we are needy, we tend to suck the life out of our friends.  They only remain patient with us because we have built up currency with them.  Ideally, our neddiness is temporary and soon we’ll be back to the person they know and love. But if we don’t know how to love when we’re well and save up the currency, then we’ll never be able to spend it in our time of great need.  Without it, we enter into a downward spiral of guilt, shame and depression.  We can defend this if we have meaningful friendships.

Overture is a glimpse into both our need for and hope in friendships.

I intended for this album to set the tone for the remaining three albums of the Villages Suite.

Buy it here – Josh Rosenthal’s Overture release on iTunes

That song’s been stuck in my head for a whole fucking week, on and off. Mostly on. It’s my theme song, at the moment.

This is to the boy who got into my head with all the pretty things he did.

I regenderised that quote, but gosh, the whole song is just almost exactly me.

I haven’t started NaNoWriMo yet. I knew I wasn’t going to be able to write every night, with coursework and all, but I didn’t anticipate the oddness of it. Last year, I wrote all the time. Now I’ll proberly be writing a bit tonight (insomnia) and the other 15k words on Saturday when my parents are gone. I’m really excited about this story because it’s different than my other novelideas. It deals with more dirty, realistic sorts of things. And at the same time it’s so surreal.

My Paper Person, real to me or not, it becoming more and more a part of me every day. Me and Twin were getting frustrated with Ray over the weekend because we ended up planning everything around Tim. We get it, she has a boyfriend, but she has friends, too. I didn’t complain to her, but me and Twin were ecky. At the same time, I know why she wants to be around him every possible moment she can. If she feels any bit as strongly as I do about him, then I pretty much don’t mind. It’s just hard to watch it. It makes me want to cry and at the same time be happy and frolic in fields of daisies because Ray’s found someone. I don’t know.

I’m feeling more depressed more often right now. I might start running again, just to see if the whole endorphins thing works. I used to run a lot. But… not really anymore. Doesn’t help that my mother just yells at me all the time about. And the rest of my family, for fuck’s sake.

I really want to see DeKaff and Izzo.

I need to do Chemistry.

This shocked me into silence.

Goodnight.

Cheers,

Wanda

here is an awesome commercial for the phone company known as Vodaphone. they get 1000 cell phones to be texted in a specific order that creates a a piece of the William Tell Overture. as we can see from the second video, this was actually real! so awesome.

and see how it was made here:

truly amazing guys.

Today I’ll be looking at the Natsumatsuri Hibiyayaon concert.  It’s a favorite of mine, so I don’t have all that many bad things to say about it.

Click the pictures for the review, or you can read it all below!

MC

Today’s concert is actually done outside!  This is AKB’s first major outdoor concert, and the idea of a summer festival is present with the lanterns decorated by AKB48 members.  Also, this is AKB’s first actual concert using all three Teams.  Shibuya AX doesn’t count in my opinion.

To start off the show, Nacchinon comes on stage to talk about… whatever they’re talking about, and then they count down for the (live) overture!

Overture

This is the second time the vocalist of ‘Overture’ comes on stage for us.  The first being in AX08.  That time, I don’t think he had ever listened to the overture since he recorded it.  Luckily this time he was better: probably because he heard the overture only eight months ago.  Very little progress was made, despite his wearing of a rainbow purse and a towel over his head.  He even ended his own lyrics with “Are.”  I mean, at least finish the sentence if you decide to start it.  Oh well… On to the short skirts!

Dear My Teacher

Team A does their instructor-pleasing shuffle on stage non-nonchalantly and the concert begins!

My favorite parts of the song are the opening lines with Mai and Rina and then we they come back closer to the start of the chorus.

As you can see, it’s already raining!  I wonder if that’s the reason why there hasn’t been another large-scale concert outside…

What!?  Why are they moving?  Oh wait, does this mean what I think it means: they’re going to sing the second verse!?  Yes.  Yes, it does!

If you listen super closely, during and after the above three’s trio line, you can hear the Team K fans chant “1 + 2 = N-Nacchi.”  I love it.  Best chant ever.

Since so many girls have graduated and/or been added, the second verse has a few new additions like Mariko, Amina, and Fujie.

I definitely forgot that Acchan had lines in this song.  I need to watch A1 again, I think.

As you can see, it’s already raining!  I wonder if that’s the reason why there hasn’t been another large-scale concert outside…

Saishuu Beru ga Naru

Next up is Team K’s fourth Stage’s title song, which happens to be a new favorite in the time period of the concert.  Team K fist pumps out on stage, but with the now damp floor, it seems to be slippery as evidence of Sayaka tripping during the transition.

Natsuki’s back with an awesome hair-do!  Yay!

Please note the water on the camera lens.

I love when they get to perform all the verses of a song.  It gives the whole Team their original parts, and usually is the half of the song that my favorite member sings in.

I love how they had that whole ‘Amai Kokansetsu’ single and one of the reasons for it was the part of the stage that Ohori would often be in during songs due to her popularity.  They said that she was often in the back corner, all the while showing video of ‘Saishuu Beru ga Naru.’  What the viewer doesn’t see is that she mirrors Natsuki during the majority of the song and Natsuki is in the other corner, and that the duo get to be front and center in the first chorus and part of the bridge.

Shounichi

Team B’s most popular song gets presented for the first time here.  I used to dislike how they didn’t get to do their prayer, but in reality, that’s really not part of the song, but it’s more like it’s the intro to B3 and is just associated with the song because it’s similar in concept and immediately before the song when it was performed in the theater.

Just a little earlier that month Sasshi had been promoted, and only a little over a week before this concert, Ayarin was fired.  This kind of shows how Sasshi was given Team B front girl status immediately after she was given a full position.

Look!  A camera!

Aitakatta

Now the entire AKB gets to be on stage at the same time!  Who would have ever thought?

Natsuki gets the first real close-up.  That makes me happy inside.

Team K took off the removable raggedy parts of their costumes like in K4… if you care.

Moeno also was promoted a little while before the concert.  Since they probably only have sixteen ‘Shounichi’ costumes, she’s stuck with the ‘Boku no Sakura’ uniform that the RS wear here.  Also interesting to note: Inoue Naru has yet to graduate.

The current RS join in during the last chorus.  I find it funny that the first time I saw this concert, I had no clue who any of them were, yet now all I can think is about how I love a ton of them!

Nagisa no CHERRY

One of the perfect summer songs actually got a spot here.  I love when they perform seasonal songs in the right season.  Here, Mayuyu takes Acchan’s spot as she’s performed it the most recently.

Harugon, Haachan, and Rabutan get stuck with the back-dancing.  Nakagawa actually seems to out-dance her fellow Haruka despite her side position.

Namida no Shounen

Another fitting A2 song.  We even get a multi-Team cast!

CinDy takes Orii Ayumi’s lines as she does in B2.  It’s nice to see her with her old Team’s members.  She looks less old compared to them than she does with Team B!

Each time I watch this performance I always wonder about how Mai’s hair stays so styled dispite the humidity and rain that’s currently pouring.  I know that I should wonder this about all of the girls, but it’s only Mai’s hair that makes me wonder this.

Nage KISSU de Uchi Otose

Acchan’s unit for the night is her cowboy-costumed one from A3.  It seems like this is the wota fall-back favorite next to ‘Nagisa no CHERRY’ when it comes to Acchan.

Fujie has taken over Masuyama Kayano’s position… this is a very fitting selection.  It just sucks that I like both of them, so I never know which I’d prefer to see in this song at AX.

I love these costumes.  They’re so colorful.  And sparkly.

Gomen ne Jewel

I’ve always felt that these costumes looked a lot like ‘Nage KISSU de Uchi Otose’ and so having them right next to each other in a concert’s set list helps me confirm that they really do look similar and it may very well be on purpose.

The RS’s outfits look even more ‘Nage KISSU’-like…

I’ve heard many people complain about how they don’t like how Asuka and Yuka don’t get solos during the dance break.  While yes, that isn’t very great for them, we must remember that the other half of the unit at the time was the two most popular members of Team K and that Mocchi and Masuda got the same amount of solo lines (albeit in worse positions), so they had to loose something, which ended up being contrasting colors on their costumes and they share a dance part.  Good for them, regardless.

The stage seems to be getting even slicker.  Suzuki definitely took a tumble here.  Speaking of which, Nakanishi Yuka, Hatayama Arisa, Suzuki Nae, Oya Shizuka, Nakatsuka Tomomi, and Arima Yuka (I think) back dance here.  I might be wrong on the last two.

Glass no I LOVE YOU

I like how this song’s opening positions always tend to be sort of interesting.  Going back to the A2 roots, two girls appear on stage and the other two appear on speakers on the outside of the stage.  Very original and cute.

Why does Akimoto do this to me?  Rie, Moeno, and Sasshi are grouped so often.  I seem to always find them together.  It’s almost lucky that they will all be in different Teams soon.  But then I wonder if during a shuffle performance they’ll just take each other’s units.  Oh, and Myao’s here, too.  She gets to lead.

Junai no CRESCENDO

This is especially fitting in this concert.  I’m pretty sure the lyrics might mention rain.  And it’s raining.  Awesome.

I love how the setting matches their costumes so much.  I’m serious, this all works so well that I think it’s perfectly epic.  The blue, the pink, the rhinestones.  Sexy.

No3b looks like an actual music group here.

And again, suburb lighting.  Lovely.

Ame
no Doubutsuen

Ruining the mood like it always does comes the original song about rain.  And a zoo.

I love how dispite how unpopular Kana might be now, she still gets her part whenever Team K performs this song.  Oh, and that’s the lineless camel by Naruse in the background there.

Such coincidence.  Wonderful.

Ah!  The French revolutionaries are coming!  Quick, animals, go back to your cages!

Kagami no Naka no Jean de Arc

The choice to show this unit song so close to the time that its leader left AKB is a curious one.  They most likely had time to choose a different one or just cut it out since Ayarin had stopped regularly performing about three weeks previous to the concert, yet they decided to keep it in the set list.  Was it a diss at the original performer, or was it simply a push of it’s new one?  Maybe one day we’ll get to see Ayarin on stage with her flag.

I love Rumi’s spot in this song.  Everything about it.  She gets the same amount of lines as the center in the first verse (Ayarin/Sasshi get one solo in the second) and has the best outfit.  And she’s a perfect fit here, too.

CinDy gets to rev the audience up.

Despite the flag only really being used at the start and end of the performance, it’s so intense whenever the lead grabs it.

Blue Rose

‘Blue Rose’ half-shuffled version.  Here, Kashiwagi takes Yuka’s spot since she performed in ‘Gomen ne Jewel’ and Mika takes Ohori’s position because she’s about to have a unit song.  I love how they pushed Mikachi all of the time.

I think they chose the ‘Temodemo no Namida’ duo to substitute in just because they wanted to add in their unit, but they already filled the set list.  ‘Temodemo’ would look so amazing here, though.  I’m going to take a moment to imagine it… and yeah, it would be great.

Fog much?  I’m pretty sure that even Memolist mentioned there being a ton.  I guess that they don’t have very much practice with using it outside, let alone with rain there to contain it on stage.

Oshibe to Meshibe to Yoru no Chouchou

One of the more famous versions of this song is here.

It used to be that there were often costume changes for ‘Oshibe to Meshibe,’ but they kind of slowed down after this time.  Off-hand I remember that there were variations like teacher/student, office ladies, gangsters, Middle Eastern-wear, and a lingerie version.  On the second to last night of K4, they performed a version wearing the ‘Kinjirareta Futari’ costumes and an ‘Original Mix’ of the instrumental featuring a melody that sounded similar to a music box and like ‘Kinjirareta.’

I wonder how it feels for them to perform with bare feet.  I’ve heard that since everyone was slippery, Nacchan came up with a great idea to save them: pouring some sort of cola soft drink on the ground, placing a towel over it, and then stepping on it.  This made their shoes a bit stickier so they could hold on to the ground a bit better.  With these two rolling around on the wet, now sticky surface, I wonder if it was a bit uncomfortable.

Romance, Irane!

After an MC (shown on the second disc), comes
AKB’s most recent original single that was distributed traditionally.

Have I ever mentioned how much I love this song.  The costumes, the lyrics, the choreography, the epic-ness…

They get to do two verses again, and so we get to see Natsuki singing in the very middle of the stage.  Aren’t we lucky?

So gosh-darned cool.

RUN RUN RUN

Usually, ‘RUN RUN RUN’’s opening consists of the girls taking off their vests and running to put them on the sides of the stage before proceeding to sing.  Here, the girls who just performed get to dance about for a moment before going back.

The Team performing this song and ‘Romance’ are modified Himawari-gumi Teams.  ‘Romance, Irane!’ had H2 Team 1, minus Sae and Yuka and adding Fujie and Chikano, and ‘RUN RUN RUN’ has H1 Team 2, minus Kayano, Yukarin, and Deguchi and adding Rina, Sae, and Yuka.

It’s always interesting how they use new costumes.  Since K4 was the newest Stage at the time.  They were pimping-out the ‘Shamu Neko’ uniforms.  These girls get to wear them here, and in an important performance of Baby! Baby! Baby!, the participating girls (Team A, I think) got to wear them.  It’s a shame that I’m not really all to fond of them.

By the way, for consistency, both verses were sung here.  It seems like every Team (A, K, B, 1, and 2)gets to perform one song by themselves with two verses.

Wasshoi B!

Ah!  ‘Wasshoi B!’ and some of my favorite costumes!  Yay.

This is one of the only nearly-full-member ‘Wasshoi B!’’s I’ve seen.  I think that the 3D show that featured some B3 Team songs may have had the full Team, but I’m not sure.  At least Naru is here, though!

I found Natsuki’s lantern!  I had never seen it before, but I just caught a glimpse of something that looked like an ‘N,’ and sure enough: it was!  I had always figured that that’s what Natsuki would have done with hers, but I never had proof.  Now I do.  Of course, I technically have no clue if it’s actually hers or someone else’s, but ‘N’ is kind of her thing, so it would have to be Natsuki’s or Mikipomu’s, as she’s a Natsuki fan.

I remember the first ‘Wasshoi B!’ I saw in that 3D show.  I couldn’t figure out why a couple of the girls didn’t have microphones for a moment and then were given some a little while later.  I think I kind of studied this for half an hour before seeing that they had given them up to lift another girl.  I was so impressed by myself for noticing it!

I love Team B.  The original, the new recruits, and the New Team B.

Gokimen Naname na Mermaid

I love this song.  Why on earth did it not get into AX09?  What is wrong with the world?  The rest of B3 got in!

In B3, the first verse and chorus is done by only half of Team B, as they left during ‘Hissatsu Teleport.’  Here, they give the other half of the girls choreography and present it as though everyone is usually on stage.  Also, they’ve added a few RS for no apparent reason.

Except, they do have at least three very good performers up there: Chiichan, Sara, and Chunchun!

Korogaru ishi ni Nare

Team K pops out for their anthem wearing the red Kouhaku fringe costumes.

Yay for Natsuki!

As you can see, some how my favorite lost her amazing costume from the last time she performed in it.  She used to have the best out of the three: the shorts.  Now, she’s stuck with the conservative one.  I’m guessing Sae is wearing hers, as Sae’s was white, and they put all of Team K in red for this.

Melos no Michi

Okay, the video of the very start of the song, the battle of Sae versus Nonti, is terrible.  You can’t see a thing.  I don’t know if they thought it’d be cool or what, but it just looks bad.

See, if Natsuki had her costume, she could look as awesome (even better, probably) than Sae.

The only reason I really like this song is because of N’s placement.  Her group has very, very similar voices, and you can hear hers pretty well.   It’s also nice that it’s one of the first two groups, which have the longer lines in the first verse.

At some point, some Kenkyuusei come in the back with the blue Stage-version ‘Skirt, Hirari’ costumes on.  I’ve never understood why there are so many versions of these costumes.  I’ve only seen the blue variations here in one (small) video and one picture.  They’re just not very attractive.

And they definitely don’t match.  They could have put the RS in the white Kouhaku outfits or something instead.  Those would match Team K and the Research Students’ costumes from the Team B Research Students’ costumes.

Only Today

This is another one of my favorite songs.  It’s so catchy and cute with a nice poppy instrumental.  And the girls get to wear the ‘Ato 1cm’ outfits!  I love these so much.  Almost as much as the ‘Romance, Irane!’ costumes.  The large amount of girls in Team A makes me wonder how many costumes they have per set for Himawari-gumi.  Since there are so many girls that have weird sizes, they must have more than sixteen and closer to twenty.

I found the lantern again!  I didn’t even have to try this time!

Normal-sized hair accessories on normal-sized girls…

And Takamina-sized hair accessories on Takamina-sized girls.

Skirt, Hirari

When I first read about this performance, I was super-excited because it was Team A-only, and I heard that it put the “SukaHira Seven” in their rightful places.

Too bad this is actually an encore version of the audio, as it has the single version with added Team A voices so you hear a lot of whoever is singing, but also everyone else simultaneously.

Who is that behind Amina?  Creepy.

Only a portion of the girls are actually wearing skirts.  And those skirts can’t flutter.  The irony.

Team A sang two songs without RS in the back?  It’s almost like they’re favored.  I guess they’re shuffling Teams for a good reason.

Sakura no Hanabiratachi 2008

For the last song of the night, they sing their first single.  Team A is in front for the first half.

Then Team K pops up to form a line dancing with a forward-backward motion.

And then they go into ‘Nounai Paradise’-mode and add in some of that choreography.

Team B’s turn means they bring in the thumbs up and jumping motions of ‘B! B! B! Wasshoi!’ from ‘Wasshoi B!’

Team A has no characteristics, so they just act as though they are all good buddies and rock side-to-side and then pose and wave ‘Aitakatta’-like.

Pretty…

And this is the cover of the DVD and the PB to go along with it for this concert.

(Kenkyuusei Dance)

Yay!  I love this one.  It’s short, meaningless, but a transition, and I count it as a song.  I want a studio version!

The RS get to wear Team A, K, and B t-shirts.  I wonder how many got onto the Team that their t-shirt said.  And oh look, Chiichan!

Takajo Aki gets to introduce the encore.  One would think that it would be Oya’s job since she was the un-official Kenkyuusei leader, but I guess not.

Virgin Love (Research Students ver.)

I always think that ‘Virgin Love’ is just an okay song, but since I love just about every single performance I see of it, I think I actually really do enjoy it.

Who is this?  I have no clue.  Please fill me in.

Takajo is all over in this performance.  They were pushing her before she even joined Team A.

Yuka gets to perform with SKE48 tonight, too!  She’s busy.

By the end of the song, Team A starts coming out and the ‘Virgin Love’’s start sounding better.

Baby! Baby! Baby! (Team A ver.)

For whatever reason, Team A gets to sing an extra single.  Again, they’re just that special.

All three Teams performed ‘Baby! Baby! Baby!’ as part of their Stages (A4R, K4, and B3) for a little while when it was first released, so I guess they didn’t have to stage a new version or anything.  I just wish they would have just used the selected members or something.  Maybe without Ayarin.I usually really like short over-alls, but the ones that Hiichan and Acchan are wearing aren’t very attractive.  I feel sorry for them.

And I totally love seeing Fujie and Rina on the same stage.  Yes, I’m aware that Fujie is not in this screen capture.

Also, more talk of the costumes: I usually don’t like encore costumes like these from AKB, but I really like them here.  I think that it’s because the tops are light and seem more effortless and since it’s outside, it seems more fun-friendly instead of how I always expect to be awed by concert hall performances.

The lighting during the bridge alternates side-to-side.  I’m not sure if I like it.

Kojiharu definitely just shot someone.

PARTY ga Hajimaru yo (SKE48 ver.)

SKE48 performs ‘PARTY.’  It’s of course super-interesting since I’m not that big of a fan of the song, and I can’t tell the difference between a bunch of them at this point.  They hadn’t gotten their makeovers yet.

But there’s my Rikako!

Boku no Taiyou

For the third all-AKB song of the night, we have a single that hadn’t been performed in a real concert yet, and one of their better selling due to a one-of-a-kind photo included with each CD.  Here, a double-Team Himawari-gumi performance is given with Team B in the back.

Yay!  My girls are together!

Seriously, I’m loving this hair.  If only she dyed it back…

Team A and Team B get to wear denim shorts/skirts/pants/overalls, while Team K gets to wear white bottoms, similar to the RS.

Natsuki!  You are my sun!

Ohori’s recently-published memoir mentions that her grandmother passed away shortly before this performance.  Meetan had never had much support from her parents but her grandmother was a big part of her life.  In the book, Megumi says that this is one of the songs that she really sang her heart out in remembrance of her.

AKB48

AKB48’s fight song!

Team K starts in the front row, so that means it’s an instant N attack!

And it’s still raining…

The RS jump on stage at some point.  Now, where is SKE?

BINGO!

Takamina announces this one as usual.  I don’t know if anyone other than her and Ohe have ever done so.

It’s another modified Himawari-gumi performance with the less popular girls and RS in the back.  Natsuki’s in front and she gets her usual lines.  It’s wonderful.

The audience get their little strands of metallic tape.  Soon they’ll be flashier than the AKB members!

Natsuki!

Guess who’s pretty much dead center for bows?  Yup, that’s right.  No need to ask where she for this one.

And that’s Natsumatsuri Hibiyayaon in just under five hours.  I made sure to be really quick with this one for whatever reason.  Next stop: Budokan!

Check out this amazing ad for Vodafone New Zealand. This ad called ‘Symphonia’ features 1000 cellphones using 53 different ringtone alerts from 2000 sent messages to reconstruct Tchaikovsky’s 1812 overture. Wow…

In preparation for the next set of DVDs, I’ve decided to go through a few older concerts, this time it’s JCB Hall from December 21st, 2008.

Full-length text-only review below…

Overture

The concert begins with a completely blank stage that looks to be the same one used in the NHK Hall concert that same fall.  One interesting difference in the set here is that instead of having a screen in the middle of the backdrop, they have decided to leave that area blank and just put monitors on either side of the Stage.  I’m guessing that JCB Hall has slightly different proportions compared to a standard theater that allowed them to do this.

While I do like the idea of keeping monitors off the stage (and since I’m not watching the concert live, I really don’t ever need the monitors thanks to close-up shots on DVDs), I don’t like them here.  I feel like the lack of an on-stage screen gives the stage a really bland, warehouse-like, cheaper-than-Shibuya-AX-concerts look.

The good thing about having no monitors on stage is that it is (for me at the very least) a more visually-appealing and natural set.  Now, I really start to get irked when the girls come out.  I would prefer that they would just stand there…. but no.

The have to walk around casually and kill the possibility of epic-ness that couple possibly start the concert.  And there’s a fish-eye camera.  Who decided on that one?  Bad.

Oogoe Diamond

The first song performed is ‘Oogoe Diamond.’  I had previously not liked this placement (and you know, the fact that they still haven’t performed this school-themed single in school uniforms in a concert yet), but upon this viewing of the concert, I concur with it’s concept.

The most recent time AKB48 had all been together was at the NHK Hall 2009 concert in which they performed ‘Oogoe’ and wore these same encore party dresses.  This time, I feel like they’re echoing that last performance, but without the recent Team A graduates, SKE48, and the AKB48 Kenkyuusei.  Maybe it’s kind of a way to show solidarity and how the current AKB can totally stand on it’s own two feet?  I just wish that could be said of the King Records singles’ senbatsu…

Anyway, it’s a pretty similar performance to the NHK Hall one, just subtract the aforementioned parties.  In this one, I think Mika might actually get a solo line, or at least her voice is featured a little bit more since Jurina is gone.  I think it’s kind of nice how there are so many different versions of that can be performed of this song: Team A, Team K, Team B, RS, Team S, senbatsu members, and the AKB48 version.

Essentially, with the AKB48 version they take a bunch of girls that aren’t featured in the single like Saeki, Nonti, and Asuka, and throw them into the mix.  It adds much more of a concert-only feeling.  On the topic of Nonti, please notice how she’s not holding a microphone.  She had hurt her left hand during what I believe to be rehearsals for this concert.  I remember watching LODs near this time period and we were perplexed as to why she was wearing a headset.  I was thinking that maybe they wanted to try to have the girls do a few K4 songs without hand microphones and they were using Kayo to see which song(s) could be done with head sets, but alas, she had just hurt her hand.

Romance, Irane!

Okay, first off, besides one of my high school art teachers, I don’t think I’ve ever met someone who liked pictures using a fish-eye lens.  This being said, why would anyone want a video that uses it?  And on idols at that!  It’s just weird.

While I love these costumes being used to perform this song, I really dislike how they added all of the straps for all of the strapless dresses.  They looked better as tube tops.

They look to be using a modified Himawari-gumi set-up with Team B and the non-Team 1 girls in the back.  I’m pleased that while yes, they are not really included in the performance, they’re still at least near the action and not ostracized like they are so often when Himawari-gumi songs are performed..

Tonight’s ‘Romance, Irane!’ seems to be rather bland compared to others.  Nothing really caught my eye at all.  Except for Natsuki and the aforementioned proximity of the girls, of course.

They did a great job capturing this part of the bridge for the DVD.  It’s one of the spots where the view has to be pretty much dead-on.

For a while I was lost because I couldn’t figure out why Naruse was in the front so much.  Then I remembered that even though she shares a birthday with Sae and has a hair style, and body type similar to Sae’s, she’s Sayaka’s sub, not Sae’s.

AKB Sanjou!

Next up is the new AKB48 fight song!  It looks pretty flashy (get it, they’re sporting flashlights?) here in their fluorescent dresses, but it still gets the point across: AKB is powered up to the “max.”

I love how throughout the song they alternate the lighting between the usual stage lights and the girls’ flashlights.  They match with the audience’s glowsticks well.

Kana somehow secured Yuko’s position next to Acchan for the night since she’s gone, but she was fidgeting with her hat most of the time.  Poor Kana…

I love it when Natsuki gets lines (or just gets to be near) Chiichan.  I like when I can hear/see my favorites in the same line.

They end the performance by spelling out their Team names.  In this performance at least, it looks like Team B has the most girls present and Team A has the least.  As usual.

In the following MC which wasn’t included on the DVD, it was announced that Natsuki had gotten into Waseda University!  That is a huge accomplishment and worthy of this kind of recognition, as it is one of Japan’s top six colleges.

Skirt, Hirari

So, this performance is apparently the seven-girl version.  Now, I’ve never seen the seven-girl Stage version from the A1 days, as the DVD shows the five-girl version (A1 was shuffled mid-way through), but I’ve heard the seven-girl Stage version from the A1 CD, which features the shuffled units.  Now, interesting to point out: it’s the same line distribution as the single.  Also interesting to point out: whenever a seven-girl version of Skirt, Hirari appears on stage in concerts these days, they use the five-girl version’s line distribution, leaving two girls without solo lines.  Boo.

Takamina looses her lines and takes Mai’s.  I’m not sure if that’s a promotion here or a demotion, but it’s nice to hear her do something different.  Jurina takes Takamina’s old lines and pretends that she’s in AKB… again.

Oh, you Team K girls… Little do you know you’ll be lineless in this performance…  (For completion, Haruna keeps her lines (and takes Rina’s) in the choruses and Mayu takes Risa’s (and Itano’s).  Acchan keeps her own.  Except, now she sounds and looks much different than a puberty-stricken teenage boy.

Goodness!  How close can a camera get to Acchan’s head before she flinches?  At least she’s having a good hair day.

Nage KISSU de Uchi Otose

With Rie, Moeno, and Miho leading (and Koaru, Gussan, and Harugon) dancing, you can tell this is a unit thrown in to push the first three.

This unit just looks really weird to me since I’ve never been accustomed to seeing Rie as the center.  Here, I almost feel as if there isn’t a single front girl.

Why did they slide the scrunchies up past their elbows?  It looks fine, but is there a specific reason?  Is it the popular thing to do?  Are they trying to make fun of the original performers and non-verbally communicate that those girls’ wrists are too fat and they stretched them out or something.  I don’t know why, but this instance of a small change in the costume confused me greatly.

It’s the RS-to-Team side… who get solo lines…

And it’s the unpopular original member side… who don’t get solo lines.

See, this is what I don’t like about the background.  It’s so drab.  I would almost say that if they got rid of the lighting and metal poles back there, it would make it seem like they wanted a simple backdrop, but then it would look even more plain and cheaper.  At this point it looks like a warehouse…. and no one wants to see that.

Junai no CRESCENDO

The fan-favorite No3b unit has been shuffled for the the first time in this concert.  I used to be really confused as to who lead the unit, as Takamina’s part actually gets less lines than the other two.  But hey, she does get the dress that dips down the back instead of on either side, so Takamina had to be the center.

Kasai’s work here actually fits in well, even though I would have thought they’d have put her in Miichan’s place.  She sounds consistently… Kasai-like… the whole song and it gives a little extra dimension to the piece.  Sae seems like a really random replacement for Haruna, but they both have a similarly nasal voice and her great dancing really complement the unit.

What is up with the boots here?  Does no one have Takamina-sized feet or something?  I don’t like that they decided to still use the original ‘Junai’ shoes, and wish they would just use the ‘Renai Kinshi Jourei’/'Oogoe Diamond’ pairs.  It looks messy like this.

Kashiyuki’s last solo line was the best I’ve heard in that position.  It was truly magnificent.  Her other solo lines here were fine, I mean, it’s her, she’s always been a pretty good vocalist, but this one was spot on.

Fans must have really liked Kasai shuffled into this song because she took the same spot in the NHK09 concert series.  Well, either that or whoever was supposed to take that spot ended up being sick or hurt, as that tends to happen.

Seneka Kara Dakishimete

Seeing this on the set list was just pure joy for me.  It’s one of my favorite AKB songs, and putting some new girls in it is great.  I hope they shuffle this up again.  Maybe a Team K-only version, since that’s never been done before?

I love Mariko as the lead because she has such a deep voice.  It’s not necessarily a really good voice, but it gets the job done and has character.

Asuka fits Maeda’s part well, too.  She adds talent and performance energy, which the original lacks a bit of.

Yuka is pretty much amazing here.  She took what seems to be a cutesy part and suddenly amped up the epic-ness.  In the build-up of vocals repeating the first chorus, she is crazy strong and ten times better than I would imagine.  I’m impressed to say the least.

The second verse would have contained Nozofisu, Yukarin, Haachan, and Kobayashi if it were to be performed.

About the costumes: I’m not sure what I think of them.  They used the Team A ‘Seifuku ga Jama wo Suru’ senbatsu costumes for Team A and B and the Team K non-senbatsu costumes for Team K from the First Concert Aitakatta series and added the B2 accessories and then wings, feathers, bows, and pom-poms.  Maybe with-out the pom-poms?  They’re just odd here.

And it looks like Nozofisu grabbed Itano’s addition in the build-up.  Interesting… I would have thought it’d be Haachan.  Anyway, lovely shuffle.

7ji 12fun no Hatsukoi

And Acchan’s A4 unit is shuffled to the Acchan of Team B, Mayuyu.  One thing I love about this unit is that while it’s not a particularly wonderful nor memorable song, it has the prettiest, most addictive chorus.  Now, ever since I became an AKB fan, I’ve never been a big fan of Mayu, but once I saw B1, I understood her so much better.  She’s not an amazing singer, but she can dance pretty darn well.  The thing that really works for her is how genuine she is: you know this this what she wants to do.  One of my favorite AKB theories is my “Acchan Series,” which goes Acchan, Erena, Mayu, Fujie, Jurina, and I guess that KII girl that I’ve probably never watched perform.  These are the five/six girls that were the first to perform the first near-solo song, ‘Nagisa no CHERRY’ and have been pushed by AKS.  I’m not sure about the sixth girl, but I’ve been impressed with the generations starting at the third.

Now, if this were a true shuffle, I think a less popular girl would get Ohe’s spot… but I guess they had to put Sasshi somewhere!  I love her to pieces, and it is kind of fun to see her in a cute song instead of her usual kick-butt unit.  Maybe this side of her will be used on the new Team A?  That way she’d fit my assumed image of the new Team.  (At this point, I want Moeno and Sasshi to switch…)

See, Mayu knows what she’d doing!  I’m glad Nacchan got picked as one of the back-up dancers.  It’s kind of fitting since I bet that’s probably what position she would have gotten if she stayed in Team A past the third Stage.  And you can tell how much she is enjoying this almost-cheesy song about first love on a train.

Aika is in the back, too.  Quite frankly, this weirds me out as she is perfect for the song and in my mind might take Sasshi’s current spot.  Maybe Sasshi was a little more popular than Aika at this point or something?  Maybe they wanted to push Sasshi a bit more since she’d be getting her own unit three-or-so months later and Aika wouldn’t?  Lastly, Oku is an interesting choice in this unit.  She’s rather out of place as the rest of the girls are Team B.  For some reason I was thinking that she was wearing Kayano’s costume, but I think it must be Risa’s considering how it fits!

Nagisa no CHERRY

Oops, I guess I spoke to soon: This is where Jurina is an Acchan.  I guess this is what happens when you decide to review the concert so long after seeing it!  One thing that’s great about ‘Nagisa’ is that one doesn’t need good vocals to sing this one… at all.  Jurina isn’t really impaired there, but her dancing is top-notch, which is one thing that might help in this situation.

In blue are Gussan, Nakayan, and Kaorin.  Nakayan, another great dancer, gets the center for the bridge, naturally.  Please note, Gussan and Kaorin already performed a unit in this concert as back-dancers, but they’re here, too.  I don’t know whether that’s a good thing for them or a bad thing… but at least we get to see more of them.  There are a few girls who didn’t get units at JCB, that probably could have grabbed these spots, though….

It would suck when the pretty bubbles get more screen time than you do, wouldn’t it?

I wonder if she thinks it’s a little weird that she’s singing about being seventeen in past tense, yet at the time of this concert, she was definitely eleven.  I know that Acchan started singing this when she was turning fifteen, so it’s still odd, but it’s definitely not a six-year age gap.

MARIA

I think the majority of AKB’s fans were hoping for this: Takamina in ‘MARIA.’  And we all got it.  With any luck, we’ll see two more girls perform the song if it’s included in the new Musical Infinity script and it’s shown on DVD (let us pray…)

Takamina of course takes over the song.  With ‘Higurashi no Koi’ we learned that Team A’s low register leader’s voice is quite a bit higher than Team K’s, but now we see that they’re just different.  While Yuka has a huge range, as can be heard in any fun or cute song she’s in, Takamina has a pretty set selection of notes she can hit… but she can hit them darn well.

First off, I love the sparkly microphone holders.  They’re so blinged-out.  Now, Miichan also did a superb job here.  I love when she is put in more hardcore units because those work with her personality a bit more.  Here she even gets a better part than Itano which is pretty exciting.  Somehow she’s also able to put on a bit lower and gravely tone in her voice which echos Ohori’s version of her part well.  The one thing I don’t like is that she’s paired with Takamina again.  This is done too much.  I am glad that she’s with Itano, though.  I love that pair together.

Itano sings her usual way, which is so similar to Kasai’s voice but so different at the same time.  It’s lower and looses the innocence of Kasai’s vocals but retains the girlishness.

Fog… I love it.  It covers the stage nicely.  And I just thought of something: it must not be fun for the audience when the girls sing units from the back of the stage because they end up being pretty far back there.  At least on DVD it looks nice.

See!  Look at that ugly set!  It’s so plain!

Okay, so sometimes it can look nice… but most ugly things look better in the dark…

Faint

A performance of the Hana song so quickly after she left?  Wow.  Remembering back to when this concert just happened, I really liked the selection of girls for the song.  An unpopular one (Umeda/Nozofisu), a fairly popular one to lead (Miho/Itano), and one that is getting more popular quickly (Aki/Hana).  Here, Umeda puts out an incredible performance with her usual great dancing and singing and Miho uses her youth to put this unit in a different league than that of Itano’s.  I’m a little unsure of Aki in the song.  Yes, her voice is somewhat similar to the original’s, but it lacks the same drive that Hana’s did here.  I guess I’ll credit it to her new-ness to the AKB world, since she was new to Team A (I think she had just gotten in recently) and she wasn’t a research student all that long.  And you know, they’re pushing her a lot lately.

It looks like Miho must not have fit in Tomo-chin’s shorts, so she got a ruffly skirt made.  And she has that pretty garter.  That might be old, though.

I swear, that fish-eye lense needs to be smashed.

Glass no I LOVE YOU

‘Glass no I LOVE YOU’ seems to be in almost every concert.  I think the only DVD-friendly ones it hasn’t been in are NHK07 and the Budokan series.  Anyway, here it’s presented by my aforementioned Acchan 2, Acchan 3, Acchan 4, and Rabutan.  An excellent line-up, if I do say so myself.  Everyone sounds just like they usually do, so I can’t really say much about their vocal prowess.

Fujie is lovely.  I want you all to know that.

Are the pink frilly trunks new?  I seem to remember them wearing their usual black shorts under these costumes… maybe I’m thinking of the ‘Nageki no Figure’ ones, though.  They’re similarly pretty.

I’m not really sure who likes this more: the wota or the girls.  For the wota, it’s a quartet of cute girls in cute costumes singing a cute song cutely.  For the girls, it’s about pink, shiny, sparkly, ruffle-y, glorious costumes.  The girls win.

This walking section gets me everytime in any song it’s done in (examples include ‘Idol no Yobanaide’ and ‘Nage Kissu de Uchi Otose’.)

I love how Mayu gets to bask in her awesomeness.

Kimi wa Pegasus

Wow, Akimoto.  Do you work at a meat counter?  Because you just butchered this song.  I’m not impressed at all.  I don’t care that it’s a great song: putting front girls in a song that they’re not ready for won’t turn out well.  This Team A version didn’t go over very well with me.

Acchan subs for Sayaka.  Yup.  That happened.  Not saying anything else.

Rie (who for the longest time I thought was Sasshi), doesn’t fit well here.  She has a perfectly okay voice, but it’s just way too high for this kind of song… or something.  It just doesn’t fit.

Haruna was the only one who improved the vocals in this song.  Sae lacks a bit in her voice, but as mentioned earlier, makes up for it in her dancing.  Haruna’s dancing isn’t quite as good, but it does get the job done.  I’d recommend her for Natsuki’s position, as they often shared lines in Himawari-gumi.  It’s kind of cute how Haruna and Sae switched parts in this shuffle concert, though.

Noro Kayo’s spot was taken by Miichan and rightfully so.  Miichan is getting better and better lately and what better way to show it off than in Nonti’s lines in this unit?  This was a successful casting.

And then we hear the choruses again and it goes down hill.  Acchan doesn’t have a very loud or powrful voice from what I’ve heard, yet you can hear it a ton in the group lines, which suggests they turned up her vocals from the recording.  Anyway, as a unit, this doesn’t work.  If Haruna switched to blue and Rie and Acchan left, this might turn out well.  From Team A, I’d suggest… Mai for Sayaka… and… Chiichan for Sae?  I think that might work better.

Junjou Shugi

Awesome shuffle right here.  Just awesome.  Maybe I just love the song, though.  Regardless, I’m happy.

Tomo-chin is Team A’s sexy member.  With ‘FAINT,’ ‘Itoshisa no defense,’ ‘Confession,’ and her everyday assortment of clothing to be scantily-clad, Tomochin ranks up there with Ohori in the sex appeal department.  Haachan is Team B’s closest thing, and she’s also kind of an amazing singer, too.  In this performance, we have the strong vocals replaced by Itano’s sultry ones, and it gives it a nice flavor overall.  Somewhat off-topic, but whoever designed that dress needs a raise… and needs to make more AKB costumes.

Amina and Sae work well here, too.  Amina’s usually bouncy voice sounds so amazing with the vocoder atop it.  I would love a techno-inspired song with that sound from her.  Sae matches a bit too much with Amina, but that’s fine.  I think I’m just too used to the difference between Matsuyuki and Inoue/Nakayan/Moeno.  Oh, and the RS back there are dancing their butts off, so great job to them, too.  Yay.  I love good shuffles… especially if they use the NHK07-like Mr Kissman glitter-y strands in the background.

Namida no Shounen

Finally.  A shuffle song with Natsuki solo lines.  I’ve been waiting and I’m very glad it’s finally happening.  The line-up is pretty good, too.

Yuko, who has recently became my new favorite front girl, takes Ayumi’s lines and of course does a great job with them.  What I love about her is that even though she’s an experienced idol, she’s really trained her voice and she’s ready for anything, be it a youthful song, or a more mature unit like this one.  And I love how short she is in comparision to the other girls, especially being right next to Natsuki.

And then my oshimen executes Mariko’s lines perfectly.  When it was first posted that Natsuki was in this unit, I only knew that Saeki got to lead, and the list of performers, so I went through every show I could find with this song in it (A2, B2, AX08, and Natsumatsuri Hibiyayaon) trying to figure out which spot she’d get.  I knew Yuko would get the other lead, so I ranked the order of the other spots, and Mariko’s was the lowest in my rank.  Oh well.  I’m just glad she got something in this concert!

Natsumi’s next and I am impressed by her work here.  I expected a higher voice like we heard in the previous concert’s ‘Kagami no Jean de Arc,’ but she went quite a bit lower and it sounded much, much better.

Mikachi grabs Mai’s part, the unit’s center.  I’ve always wondered if Akimoto wanted Mika to become a popular girl in Team B, as he always seemed to push her.  She has that certain quality about her that is really likable and she’s superb at singing.  There’s reason she was put in a duet with Kashiyuki.  Just watching her here makes me smile.

Another yay, Chiichan is in this unit!  My top two are right here!  I love it.  And she’s perfect.  We all know that, though.  I can’t wait to see the Budokan Team A concert DVD in Nagoya.  She’s leading two units and partially leading a third.  It’s going to be epic.

One great thing about the positions my girls got is that they get duet lines in the chorus against the other three.  They sound impeccable together.  I could gush, but I’m not going to.  In conclusion: I’m happy again.  (Oh, and notice the decorated mic stands?)

Blue Rose

When I began working on this review, I noticed something interesting: the three true unit songs in K2/B1 are included in the same order as they would be in the original Stages.  I’m assuming they did it on purpose, but I think it’s rather interesting.  This means that next up is ‘Blue Rose.’

The two most popular girls outside of the AKB fandom Mariko and Mai lead the song’s vocals.  Mariko is a natural choice here and I think she performed it in the shuffle version of the Aitakatta concert, but that might have been Mai.  One of them at least.

Next to Mariko’s deeper voice, Mai seems even more feminine and, with the help of her charm with a mic stand, sensual.  Any performance that includes Mai and a stick-like object in front of her tend to be great, and this one is no exception.

On the sides we have Kasai and Kohara, both rather unlikely choices for this type of song.  We’re used to seeing them in high-pitched songs thanks to their own characteristics, but I guess they really wanted to mix it up.  Considering they share a duet line, we can’t really hear them all that accurately, so I’m not going to really note their work here.

In the bridge is a very famous kicking-of-the-mic-stand.  This is done by the girl grabbing the cord attached to it and kicking it so it looks like it’ll fall into the audience, but then pulling the cord back so the girl gets it back.  Usually this works out fine, but it looks like Tomomi-chan kicked too low and the bottom nearly fell into the audience, which really wasn’t supposed to happen at all.  With a little bit of pulling and the help of a backstage guy, she ends up getting it’s legs back on stage and she’s back to her usual self.  That was a cute blooper, though.

Kinjirareta Futari

I think it’s safe to assume that Yuko’s spot in this song was supposed to go to Sayaka.  Sayaka’s the only front girl who didn’t get a unit, and Kashiyuki already performed this song for all of B1.  I think I’d prefer it if that would have happened as it’d be a compete Team K shuffle.  And it would possibly have a completely different dynamic.

Erena does a great job in Kasai’s place.  Not much to say there.  She must say something funny during the MC portion, but I’m clueless as to what it was.

I guess that they shortened the skirt for her, and in AX09, they forgot to lengthen it back to Kasai’s size, so she wore a super mini-dress for the Top 100.

Ame no Doubutsuen

The famous animal song pops up next with Jurina and Rena leading and Rumi, Nakayan, Miku, Kumi, Nakatsuka, and Naruse being the rest of the zoo.  It’s weird to have an SKE48-led unit in an AKB48 concert, but I guess we’ll have to get used to it.  I’m glad that in this show they used all eight animals, as I hate it when they use less and some girls don’t get a single part in the concert.  Now, I know there are a few who didn’t get spots in this one, but at least they’re using up all availible costumes for the units they do end up doing.

Tonari no Banana

Great shuffle.  Awesome choice of girls.  Simply wonderful.  In the last concert, this unit was done by Mayu and Aika, so this is a welcome change.  And considering their experience in AKB, this is a great boost in for their popularity.

Ohori gets the first lines and sings just like a little girl, which could be argued is the complete opposite of herself.  I love it.  Now, Megumi’s gotten funnier as time has progressed, especially with Nonti in the area.

I’m not sure what the flower-ing branch is doing, but I saw it poke up for a moment in Blue Rose, so they must be singing about it or something and it’s not a random fan’s.

On the topic of Kayo, she goes another route.  She begins her lines with her apparently booming deep voice and finishes it with the squeaky grace of the original unit.  This versitality is wonderful.  Long live the Nonti!

Oshibe to Meshibe to Yoru no Chouchou

The crown jewel of the JCB concert is the front-girl version of ‘Oshibe Meshibe’ with two leads of Team A.  I’m not a fan of this personally, as it’s another unit of them just grabbing popular girls and putting them into positions that don’t fit well.  Neither have the natural sexiness or innocence of the original duo.

One thing about the costumes: they do not fit.  Kojiharu is a bit too large for Ohori’s outfit and Acchan is too small for Kasai’s.  I would usually say to just switch them, but then I think this performance might get worse as that’d be even farther from their personalities.

Okay, that just looks like an awkward hug.

Anata to Christmas Eve
‘
Considering the proximity of this concert’s date to Christmas, this was a very nice, unexpected touch.  I like how they saved two of the front girls who can actually sing this song to perform it.  It makes me feel like AKS does have some standards.

And there’s snow!  I love getting excited about little things like this.

And pretty lights.  Yay.

Overture (SKE48 ver.)

And SKE48 infiltrates the stage!  I just wish they would keep to themselves a bit more.  I mean, they have their own concerts and a single, so what’s the need to take over AKB set lists, too?  At least I love this ‘Overture.’  The music is almost the same as the AKB48 ‘Overture,’ but the “lyrics” are about SKE’s location in Nagoya.  The cool part of this one is that they have an actual dance to go along with it.  I think SKE might focus a bit more on dancing, as they’re audition to become a member vs. an RS concentrates on dancing.  And I like how they make the letters that go into making their name.

Doku Ringo wo Tabesasete

This is an odd song to be performed in concert like this.  It’s not very popular and it’s very old, but I guess this i a way to sort of prove that they are in fact performing A1/K1/S1 in their theater.  It certainly doesn’t stand out here, but the girls do a good job in its performance.  And I like the red and green colors used for lighting, as they match the image of an apple like in the song.

SKE48

I like how Jurina gets to lead the MC immediately before this.  It’s almost as though she’s being thrust at us.

They get to sing both verses of this song, too… why is it that SKE gets to sing the entirety of some of their (old) songs, while the Teams can’t in these sorts of concerts?  We miss out on hearing/seeing so many girls’ lines in this format.  Bleh.

And what’s with these uniforms?  Are they from something?  Are they the S2 ballad costumes?  They just seem out of place.

Tanjoubi no Yoru

I don’t see why this song is so popular… it’s about birthdays and it’s not really all that interesting.  Oh well.

This version is with Team A including it’s new members and a Kenkyuusei or two to fill up the remaining positions.  They get to wear the amazing ‘109′ (‘Marukyu’) costumes.  I love those.  We need more similar to them.

I’ve always thought that the concept within AKB that the RS-to-Team girls get to take graduated members’ spots is weird.  I mean, shouldn’t the remaining Team memembers pick those up if they’re more popular.  It ends up being that whenever a Stage is made, the girls keep their spots for all eternity, regardless of their shift in popularity.  RS-to-Team members featured in these songs always get a boost.  Lucky them.  I understand that it’s easier for the girls to learn if they already know their position in the song from past performances, but it’s all kind of off to me.  At least Chiichan and Fujie are near the front quite a bit.

Mirai no Kajitsu

Team A seems to have gotten possession of all of the Himawari-gumi songs.  Here they get what was an image song for a water campaign or something when it first came out.  (Let me add that Natsuki was one of the selected members for this.)  I honestly think the song is kind of bland, and so I think it’s a poor choice for the show.  I guess it fits with the previous song, so I’ll let it slide a little.  Just this once, though.  Team A has so many great songs in its repertory, so why choose a boring one?  Especially in those costumes, why don’t they ‘Switch’ it up a bit?

Two Years Later

For some reason, I’ve never really cared for ‘Two Years Later.’  It’s kind of monotonous and seems as though its concept was a darker-toned filler song.  I love how there are so many great solo parts in the verses, but the chorus seems to just go on and on.  Maybe it’s too slow for me or something?  Also, the costumes don’t really help the performance here.  I love those A5 opener dresses, but they just don’t belong.

Shounichi

I really dislike how everytime Team B gets to perform a song, it’s always ‘Shounichi.’  I mean, it’s a great song and it matches Team B in general so well, but it’s just over-done now.  Why not just save it for Shibuya AX?

For a moment I was all confused when I saw Chikano as I didn’t know who was missing, then I realized that I hadn’t seen CinDy in a while and (since I’m too lazy to look it up) I’ve decided that she must have not been at this concert.  I love how I’ve started to refuse to research (and spell-check) my concert reviews…

Yay for Tanamin.  She looks particularly gorgeous in green.

Again, bad costume choice.  It works better here, but still.  They should have just gone with the JK school uniforms that go overtop of these.  They’d have matched both songs much better.

I was definitely anticipating ‘Hissatsu Teleport’ to be next.  That’s how used to the B3 order I am!

Shamu Neko

I remember this performance.  I was super excited when I saw the girls pounce on stage in the white fringe outfits from their ‘Nante Tatte Idol’ performance with Nakagawa Shoko and Leah Dizon.  I happen to love them, and the fact that they’re all wearing white instead of the red from Natsumatsuri Hibiyayaon is even better.

As this is a bigger concert, they only perform the first verse, which means no Natsuki solo lines.  We do however get Nonti and a special appearance by Umeda!  I seem to always treat Umechan in these concerts as a guest because she’s missed so many over the years for various reasons.

The first time I watched the chorus from this DVD I let out the biggest wide-eyed gasp ever.  Suddenly I saw Natsuki.  And not just any Natsuki: instead of putting her in one of the empire-waisted dresses like she’s been put in ever since Kouhaku ended, she got one of the slinkiest out of the two-piece variations.  And she looks phenomenal.  She just blew my mind.

See, she’s just phenomenal.

Where’s my PB?

I’m running out of things to say…

But I just have to post these caps.

Korogaru Ishi ni Nare

And we’re back to Team anthems.  Similar to ‘Shounichi,’ I’m done with this one.  I’m hoping that since the Teams are being shuffled, I’ll only have to hear this one at Shibuya AX.

Natsuki slid up to the front line during the chorus…. I believe that’s different from usual, but I may be wrong.

See, look at that boring background.  Yes, I’m still angry about it.

Natsuki!  Be a rolling rock!

Nonti totally wins with best ending pose.

Baby! Baby! Baby!

All of a sudden the entirety of AKB comes on stage to perform their digital single.  To me, this looks ridiculous to have all of the girls crammed on such a small area.  They could have used the steps in the back at the very least!

Mayu looks a bit out of place with her colors.  You’d think they could have put Team B in the ‘JESUS’ costumes or something equally gold to match the other two Teams, but of course they needed to be randomly colorful.  Right behind Mayu and Mai is Natsuki!

She even gets to sing her usual set of lines.  I wonder if this is because of the Team K absences?  That’d make the most sense to me.  The set-up of the girls seems to be the most popular girls in the center doing the singing, while the less popular girls surround them on the sides dancing.

Dear My Teacher

Yay!  I’ve been waiting for an all-Team version of this for a while now!  The girls move into their Teams and basically do three performances at the same time.  It’s neat to see the different line-ups of girls.  Here I made the realization that anyone in AKB who has originally gotten Nakanishi Rina’s lines has had a break during their AKB career.  Rina was out for something like six months during H1 and H2, Kikuchi had her boyfriend scandal for B3 and B4, and Umeda was injured for K3, H1, and H2.  I wonder who got those lines in S1.  I have yet to see the DVD.  And does Team KII perform the song in KII1?

Nonti fidgets with her microphone.  Those headsets seem to be a lot of trouble.  Everyone seems to have to mess with them whenever they (rarely) wear them.

Have I ever mentioned that this is Natsuki’s favorite song?

BINGO!

The last song of the non-encore section of the concert is ‘BINGO!’  This one seems to be a heavily-modified Himawari-gumi format with mostly Team 1 and the more popular members of Team B taking part in the actual singing.  The rest are on the sides or risers, with the RS in the back.

Natsuki gets her usual lines with Sae, as I’ll bet that Sayaka’s absence gave her a spot.  Good for her!  She tends to fill in often.

The steps moved during the bridge.  It was quite cool.  I wish that there was a better camera angle for it, though.

(Kenkyuusei Dance)

The new RS make a special appearance in the ‘PARTY ga Hajimaru yo’ uniforms.  Takamina talks over the music and sort of introduces them.  Notably, Kikuchi is in there, but I couldn’t really spot her.

Hikouki Gumo

And a newer concert song (and now part of the ‘RIVER’ single) starts off the encore!  Team B keeps getting shoved to the back…

Midway through this performance I noticed that there was a lot of screen time for Yuko… and then I realized that she wasn’t in the rest of it, and understood what was going on.  Glad to have her back on stage.

The start of the chorus brings in the more experienced Kenkyuusei.  I hate how I actually had to work to figure out if they were either SKE48 members, old RS, or new RS.

Aitakatta

Gasp!  I would have never thought they would perform this song!  Just kidding.  It’s over-done, too, but I’m fine with it.  As long it’s all of AKB performing.  And the stage is moving again.  It’s these little things that make me excited.

This angle makes the stage look like it was made in a video game for some reason…

Natsuki!  Yay.  She got to sing in the second verse… as usual.

I love these three in the same shot.  They’re all very similar in my book.

Yuuhi wo Miteiru ka?

Finally, the seemingly long lost single makes its way into a concert!  ‘Yuuhi’ has been released for over a year, but it’s just now getting it’s large-scale debut.  I feel like this performance wasn’t as heart-warming as I would have liked.  I think they needed to make a big line across the front of the stage like they do in the H1 version.

It ends with SKE48 and all of the RS getting on stage in positions for ‘Oogoe Diamond’ with pretty lighting that evokes the image of the title’s setting sun.

Oogoe Diamond

And the gimmick of the night: a 89(-ish)-girl version of ‘Oogoe Diamond.’  I know what you’re thinking: They already performed this in this concert!  You’re wrong.  They just almost doubled the girls.  That means it’s a totally different song.  Duh.

The dynamic triangular formation is lost when so many girls are on stage…

Oh, and look!  Natsuki… stuck on the side again.  Oh well.

Yup, Ayarin’s back in town.

Go get her, Mikachi!  I believe in you!  Don’t let a child steal your spot light!

And more Natsuki!

See, just look at how many girls are on stage.  It’s getting to be a bit much, right?

And it’s over.  Yay.  Okay concert.  I’m still not a huge fan of it, but now after finally reviewing it, I feel like it was at least a little bit better put together than I originally did.

{!firstname},

In what is perhaps the most shocking announcement made in some time regarding the vast world of the Internet, a New York doctor has just released a very private “secret” he’s been using since the earliest days of targeted paid advertising at search engines.

He admitted without hesitation that he’s gotten over $87 million in pay-per-click advertising over the last nearly 8 years at such search engines as Google, Overture, MSN, Yahoo and others, and resulting in his having amassed a $300 million fortune!

In the past 2 years alone he’s netted over $166 million as a result of what he calls a very simple “oversight” promoters online have altogether missed.

So valuable this “oversight” has proven that he’s finally decided to share it with the rest of us.

And his timing couldn’t be better!…

- Since going public Google’s ads haven’t become any cheaper!
- Other paid-for search engine advertising at large is rising faster than inflation can keep up!

“Back in the day” even an affiliate could just go to some website, sign up free to sell some product (such as with Amazon stores or the vast ebooks at ClickBank) and then just place a small 4-line pay-per-click ad, fine tune it, and then sit back and make money on autopilot.

But with rising costs this is getting much, much harder, and has literally seen the demise of many, many affiliate businesses go completely under.

But now with the release of this New Englander’s super-secret, webmasters, promoters, both big and small business owners, as well as affiliates with shoestring budgets are back in the game!

When asked why he kept this “oversight” secret, the New Yorker responded “I knew I had a good thing, quite possibly a monopoly over any market I cared to try … I made a success of 16 web businesses in less than a decade … do you honestly blame me? …”

But now he’s decided to share his know-how as he knows that doing so doesn’t take a single dollar away from his $300 million fortune, and it won’t cause widespread usage to the degree that it will even put a dent in search engine activity.

To be sure the good doctor had the sense to consult several Internet experts and “macroeconomists” just to be on the safe side.

Additionally, you should know that nothing about his secret either robs search engines (so you don’t have to fear Google coming after you!) or is anything about it illegal in any other way.

What you may even find strangely surprising about his secret is the fact that it actually “helps” search engines make even more money! (You’ll have to see it for yourself to understand how this is actually possible!)

So if you think you’re smarter than most people, then here’s your chance to prove it to everybody else! Just grab the good doctor’s secret for yourself at:

http://AFF_ID.freegoogle.hop.clickbank.net

But I feel it only fair to warn you that this doctor fellow from New England is a tad eccentric and self-admittedly “moody” and he’s threatened to withdraw this secret at some point soon without so much as a single day’s notice … (Northerners!)

So if I were you I’d not take any chances because although he may keep it available for the next 2 months, he may also take it off the market just 2 days from now (and then you’ll kick yourself saying “Dad-gummit! I knew I should have grabbed that when I had the chance!” … so don’t let this happen).

Also keep this in mind…
———————————–
How many times since the commercial release of the Worldwide-Web have you seen sudden “breakthroughs” of great fortune-making potential come and go where just a few people were in the right place at the right time to be able to take advantage of them? — You’re right … very, very few.

So don’t overlook this email as it may very well prove to be one of the most influential and important ones you’ve ever received…

-YOUR FIRST NAME

Creo que no tengo madera de bloguera. Me gusta contar cosas pero no por rutina. Eso no importaría porque si mi blog tuviese contenidos interesantes sé que tendría al menos un par de fieles seguidores. También me gusta tener un espacio online más allá de facebook, un espacio que me resulta muy atractivo al ser nuevo para mí y ofrecer tantas opciones en las que hurgar y estar entretenida en los pequeños ratos libres. El problema llega cuando quieres saber un poco más. Aparecen miles de términos desconocidos o que sólo te suenan remotamente como SEO, indexado, sitemaps, dmoz, overture, adsense… que se resumen en una sóla frase: enlaza y que te enlacen.

Pero ¡cómo cuesta poner enlaces!. No me refiero a enlaces a otros blogs o fuentes que uso para documentarme (siempre cito la fuente y en los casos en los que es posible enlazo al autor del contenido), me refiero a enlaces a mis propios posts o a enlaces explicativos. Una chorrada que parece tener cierta relevancia a la hora de generar tráfico a un blog. A partir de ahora tendré más cuidado, y sobre todo más paciencia, a la hora de escribir, y revisaré viejos posts y trataré de actualizarlos con más enlaces.

Source: Ben Fino

A friend of mine sent me a text message last night asking me “Band or Orchestra? Which do you prefer?”

This made me think about my years in high school, playing my French horn in both bands and orchestras. There are plus sides to both groups, but I think I prefer playing in orchestras. This is just my opinion as a horn player. Horns tend to get better parts in orchestra pieces. Band pieces tend to favor either the highs or the lows. Horns, being in the middle, tend to have parts that repeat often, that are mundane, and that I wish I never had to play. There are exceptions though. One of my favorite songs I played in high school was done my junior year. Very horn heavy. It’s “An American Elegy” by Frank Ticheli (a good band composer.) Here’s an mp3 link (copy and paste to your browser): http://www.manhattanbeachmusic.com/audio/american-elegy-ms.mp3

However, in orchestra horns get “meatier” parts. Especially if the composer is someone like John Williams. (Composer of Star Wars film scores, etc.) My favorite song I’ve ever played in an orchestra is actually a song I’ve played in both orchestra AND band. Its “Overture to Candide” by Leonard Bernstein. I preferred playing it in orchestra though. Here’s a YouTube link, in which Bernstein himself is conducting the London Symphony Orchestra. (Audio and Video are a bit off. That’s okay, just listen. Copy and paste to your browser.) http://www.youtube.com/watch?v=422-yb8TXj8

Since I don’t really play anymore: I also usually prefer listening to orchestras instead of band. I’m not sure why, I think its probably just an aesthetic preference.

This is my third week at Acme as the marketing intern. I have been given lots of tasks and insightful information on the marketing, event planning, and lighting industry.  I’m learning lots and absorbing everything I can from my boss Carolyn.  She took me to a NACE (the National Association for Catering Executives) meeting last Tuesday that discussed industry trends for 2010.  I was able to work on my networking skills and make some connections with other members of NACE.  It’s great to form contacts with other people in your industry in order to gain more business and expose your company name.  I’m looking forward to using my networking skills more and creating more connections with the people in this industry.

Also, last weekend we traveled to Madison, Wisconsin to the Wedding Show at the Overture.  We set up a display of our light up cubes with a rotating power point video of pictures of events we have done in the past. For those who don’t know what the cubes are, they are plexi glass fold up “cubes” that can be used as bars, food displays, cake displays and basically anything that you would want displayed at your event. They come in three different sizes with an endless amount of color options to match the décor/theme of your event.  Personally, I would use the small cubes and make them a part of a lounge area.  I think it’s really pretty when you set your drink down on the cube and it lights up!  These cubes are amazing because they add a funky element to any event.  This type of lighting is huge in the West/East coast and is finally becoming more popular in the Midwest!

Photo courtesy of Front Room Photography: frphotoblog.com

Acrylic Cube Food Station

Acrylic Cube Lounge

Anyways, the response was great and the people were very impressed with the high quality of work that Acme produces.  We had a lot of interested couples that were thinking about using Acme for their event lighting needs.  We hope to hear from them soon!

-Kristin

Internet marketers facing higher advertising fees on search networks are becoming increasingly concerned about a form of online fraud that was thought to have been contained years ago.

The practice, known as “click fraud,” began in the early days of the Internet’s mainstream popularity with programs that automatically surfed Web sites to increase traffic figures. This led companies to develop policing technologies touted as antidotes to the problem. But some marketing executives estimate that up to 20 percent of fees in certain advertising categories continue to be based on nonexistent consumers in today’s search industry.

In one recent example of the problem, law enforcement officials say a California man created a software program that he claimed could let spammers bilk Google out of millions of dollars in fraudulent clicks. Authorities said he was arrested while trying to blackmail Google for $150,000 to hand over the program. He was indicted by a California jury in June.

Matt Parrella, chief of the San Jose branch of the U.S. Attorney’s Office in Northern California, said that case was “not unique.” The problem “is certainly not shrinking, and we’re ready to prosecute people,” said Parrella, whose office handled the Google case.

Click fraud is perpetrated in both automated and human ways. The most common method is the use of online robots, or “bots,” programmed to click on advertisers’ links that are displayed on Web sites or listed in search queries. A growing alternative employs low-cost workers who are hired in China, India and other countries to click on text links and other ads. A third form of fraud takes place when employees of companies click on rivals’ ads to deplete their marketing budgets and skew search results.

Although the extent of click fraud is impossible to measure with any certainty, its persistence has exposed a fundamental weakness in the promising business of Internet search marketing. Google’s pending initial public offering has been widely anticipated as a barometer of online advertising and the post-apocalyptic dot-com climate in general.

“It’s hard to tell how big the problem is, but people are looking at it closer and closer as the cost of search advertising goes up,” said John Squire, vice president of business development of Coremetrics, a Web analytics firm. “Click fraud is a fin sticking out of the water: You’re not sure if it’s a great white shark or a dolphin.”

Unlike advertising in traditional media such as billboards and print publications, “cost per click” Internet ads displayed with specific keyword searches have been promoted as a definitive way for companies to gauge their exposure to potential customers. As a result, U.S. sales from advertiser-paid search results are expected to grow 25 percent this year to $3.2 billion, up from $2.5 billion in 2003, according to research firm eMarketer. From 2002 to 2003, the market rose by 175 percent.

As more advertisers have competed for desirable keywords in their industries, the cost for clicks has risen too. On average, advertisers are paying 45 cents per click this year, according to financial analysts, up from 40 cents in 2003 and 30 cents in the second quarter of 2002. In certain sectors, such as travel, legal advice and gaming, the cost can reach several dollars per click.

But marketing executives say click fraud is pervasive among affiliates of search leaders Google, Yahoo-owned Overture Services and FindWhat.com. In a typical affiliation, any Web publisher can become a partner of these large networks by displaying their paid links on a Web page or within its own search results and then share in the profits with every click.

“There’s a fatal flaw in the cost-per-click model because a ton of marketing dollars can be depleted in a fraction of a second,” said Jessie Stricchiola, president of Alchemist Media, a search-engine marketing firm based in Los Angeles that specializes in fraud protection. “Technology is continuing to be developed that can exploit this pricing model at incredibly high volumes.”

Google’s fraud squad
Google declined an interview for this report, citing the mandatory “quiet period” before its initial public offering, which is expected to raise $2.7 billion. But the company said in a statement that it has been “the target of individuals and entities using some of the most advanced spam techniques for years. We have applied what we have learned with search to the click fraud problem and employ a dedicated team and proprietary technology to analyze clicks.”

In recent documents filed with the Securities and Exchange Commission, the company also acknowledged the problem as a threat to its revenue, of which 95 percent is derived from advertising. Google and other search networks provide refunds to advertisers when click fraud has been discovered.

The Anatomy of Online Clicks Scam

“If we are unable to stop this fraudulent activity, these refunds may increase,” Google said in its SEC filing. “If we find new evidence of past fraudulent clicks we may have to issue refunds retroactively of amounts previously paid to our Google Network members.”

Google and Overture employ “fraud squads,” or teams of people dedicated to fighting click schemes. But at least two marketing executives say such countermeasures are missing fraudulent clicks that are responsible for between 5 percent and 20 percent of advertising fees paid to all search networks.

Overture spokeswoman Jennifer Stephens refutes that estimate, saying that the numbers likely represent acts of fraud that are ultimately caught. She added that Overture filters most fraudulent clicks with the best antifraud system in the industry, which combines technology and human analysis.

“We take this very seriously; it’s the foundation of what we do,” Stephens said. “If an advertiser has a question about it, we look into all matters.”

Cost-per-click advertising comes in many forms, but it essentially lets marketers gain exposure on a Web site and pay only when people click on their ads. Google and Overture let advertisers bid for placement of paid links, which appear when certain keyword searches are conducted on the networks’ sites or those of third parties that partner with them. Keyword ads can also be distributed according to the content of partners’ sites and displayed on non-search pages. (CNET Networks, which publishes News.com, partners with Google for shared advertising revenue.)

Most advertisers are aware of the click-fraud issue but have not delved into it because of the technical complexities involved. Others are concerned that they could jeopardize their relationships with the powerful search networks if they complain too loudly.

“It is a bigger problem, but folks just don’t want to take the time to track it down because it’s a complex problem,” Coremetrics’ Squire said. Given that some of the largest marketers manage up to 1 million keywords in a campaign, he added, the data can be difficult to crunch.

Danny Sullivan, who runs a quarterly search-industry conference, said many advertisers do not raise their concerns with the ad networks because “they’re afraid that if they complain, it will hurt their free listings.”

Still, more fraud-detection technologies are emerging to help advertisers analyze their campaigns and traffic. Some advertisers and search-engine marketing companies say they are compiling lists of sites that generate a high number of clicks but not sales.

Coremetrics, Urchin and Whosclickingwho.com are just a few that sell technology to examine click rates and sales that result from paid searches. Alchemist Media, which charges flat fees for its consulting services, has detected fraud while acting as an intermediary between search networks and marketers.

In general, Alchemist’s Stricchiola estimates that 10 percent of all search ad clicks could be fraudulent. But she said the rate can reach 20 percent in particular businesses that have been targeted for click fraud.

Roy de Souza, CEO of advertising technology firm Zedo, said his company’s geotracking systems have traced Internet Protocol addresses to detect click operations in China. In describing one common scheme, he said a legitimate site is duplicated under another name, complete with text ads from a search network. A bot would then be trained to click on the ad links that appear on the bogus site, said de Souza, who estimated that click fraud affects 10 percent to 20 percent of today’s search network ads.

Many policing technologies can counter click fraud by analyzing Web traffic logs or surfing behavior. If a page is turned every 1.8 seconds over a period of time, for example, fraud-detecting systems will flag the traffic as suspiciously uniform.

Covert clicks
Human operations can be more difficult to detect because a wide network of people can click on ads from different computers across many regions, without a steady pattern. According to a report in the India Times, residents are being hired to click paid links from home, with the hopes of making between $100 to $200 per month.

In other instances, the source of bogus clicks can be much closer to home.

Joe, the chief executive of an Internet marketing company, enjoys clicking on his rivals’ text ads on Google and Yahoo because his competitor must pay as much as $15 each time he does it. Eventually, such phantom clicks can add up and drain a rival’s budget.

“It’s an entertainment,” said the executive, who asked to keep his name and company anonymous. “Why do you run into a store without dropping a quarter in the meter? You know it’s wrong, but you do it.”

Kevin Lee, chief executive of search marketing firm Did-It, estimates that fraud from such “drive-by” competitive clicks and affiliate scams makes up about 5 percent of the industry’s total sales. Lee concedes that he can only guess at the number, but he does know one thing for sure:

If it gets much higher, he said, “then we should all be getting worried.”

By Stefanie Olsen
Staff Writer, CNET News

Singer/songwriter Josh Rosenthal has undertaken a gargantuan task by releasing a series of four albums in four months.  The project, simply known as the Villages Suite, speaks of how people live together in community and relate to one another.  The first of the four albums, Overture, introduces listeners to the substance of the next three albums. Overture and Even the Strongest Hero are now available on iTunes. (Read Q&A with Josh about Overture). If you prefer a hard copy of the album, you can purchase Even the Strongest Hero at the Josh Rosenthal online store.

Released September 15, Even the Strongest Hero, the second album in Josh Rosenthal’s Villages Suites is a solo acoustic album that debunks the lone wolf mentality of our culture—people were not meant to be alone.  Using the force of his voice and a guitar, Rosenthal stresses, “Solo acoustic albums always force the imagination to add other instruments and other people to the song.  While acoustic albums are good, the listener would always benefit from more–while living life alone, we benefit from being surrounded by more people.” (Read more about Rosenthal’s motivation at his blog).

Recorded at Jeff Pardo’s studio, The Track Shack, in Nashville, the album is a compilation of four original songs and a cover of Sarah McLachlan’s “I Will Remember You.”  The tone of Even the Strongest Hero is melancholy, yet reflective.  Songs like “Change” and “Alone” are unabashedly naked in their universal truths about humankind’s tendency towards doubt and unbelief.

According to Rosenthal, “Alone.” which was co-written with Sparrow Recording artist Josh Wilson, is the song that best describes the message of the Villages Suite. “Even the strongest hero can’t deny what everybody knows, we weren’t meant to be alone.  Our culture loves the self made man.  But the iconic self made man leads an unsustainable life.  There comes a point where everybody needs somebody for emotional/financial/spiritual stability.  Bottom line – no matter what our culture communicates, we can’t deny that we were made to be dependent,” says Rosenthal.

“Change” tackles the topic of shame and how we are all covered in it, despite our freedom in God through our identity with Christ.  Rosenthal elaborates, “If guilt tells us we’ve done something wrong, shame tells us we ARE something wrong. No matter how successful I become, I will always struggle with an enemy that tells me I am an insufficient failure who should give up.”

Other songs on the album include “Inside Asleep” and “Better Man,” which talk about trusting in the love of Jesus during the storms of life and the love shown to Rosenthal by his wife. “I married a woman who is so patient with me.  She doesn’t condescend me.  She doesn’t treat me like women treat their husbands on TV; you know, like the ‘King of Queens’.  That woman treats her husband like he’s another child, not like he’s her husband.  My wife is extremely forgiving.  This song honors my wife’s love for me while admitting my inability to be right (shame),” shares a thoughtful Rosenthal.

When responding to my hurried e-mail, Josh added this as a personal note to my comments, “I hope the Villages Suite fits into a lot of people’s stories of healing.” It has certainly fit into mine.

And the story continues with Lonely Together, a full band album, releasing October 13, which will be available on iTunes and through Rosenthal’s site.  Stay tuned for coverage of Part 3 of the Villages Suite.

Uprising – Muse – The Resistance

Okay listening to the lyrics of this song, i’d say this is going to be a were wolf song in New Moon?

Just a guess, who do you think it’s talking about!

I’m loving this music by Muse, so far Uprising is my favorite!

MUSE, RESISTANCE – NEW SINGLE

Okay I’m being funny here

The jokes on me too!

Muse – Exogenesis -Symphony Part I(Overture)

This one smells like the blood of  a Volturi song!

What do you think?

Muse – Exogenesis -Symphony Part II(Cross pollination)

This is definitely lover style music.

You know while Bella is lying there in the forest after Edward has left her?

Or…

It could be as The Volturi does it’s different scenes in the court yard.

This music reminds me of the stuff you would see in a silent movie!

Here is our modern day example of a silent movie made with music!

Monsters of The Silent Hill Movie HD Music Video (720p)

I prefer my modern day silent movies!

This one from 1917 is grating on my nerves!

But just to show you how it was done — long ago- here’s one from Febo Mari!

Silent movie CENERE – music by MARCELLO ALLULLI/CECCARELLI 1917 by Febo Mari with Eleonora Duse

Leoš Janáček (1854-1928)
The Makropulos Affair

• Overture

The London Philharmonic
conducted by Andrew Davis
Glyndebourne festival opera

youtube upload by armycasa

A grand, grand overture at last night of the proms … featuring Sir David Attenborough on the floor polisher !

Gioachino Rossini, “La Gazza Ladra”, Overture, Claudio Abbado, Wiener Philharmoniker, Vienna, 1991, New Year’s Concert

La Gazza Ladra (first performance: Milano, Teatro alla Scala, 31 may 1817), Melodramma by Gioachino Rossini (Pesaro, 1792; Paris, 1868), Libretto by Giovanni Gherardini (Milano, 1778; Milano, 1861).

Subject from La Pie voleuse ou La Servante de Palaiseau (1815), Drama by Théodore Badouin d’Aubigny and Louis-Charles Caigniez.

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