dari kemaren ngepost u-kiss molo~ karank giliran xing ya~ hhho~~

liad deh tampang innocent’n gwangchi .. imut banget ya~~

hue~~ banyak banget .. tadi’n mao gw bikin rar tapi mediafire gw agy upload mp3′n sool j ft white TT__TT
jadi’n gw jabarin d senee deh ..
tangan gw ampe pegel” buakaka


cr : SOBIDA ::

♥♥♥♥♥♥ 2PM WON THEIR FIRST INKIGAYO MUTIZEN!!!!! ♥♥♥♥♥♥

And to celebrate, I give you this:

Credits: bbgroove@LJ

Still alive!? ROFL, I was pretty klajlkfsjlskjfs :Q___ when I saw it too. Taec really knows how to drive the fangirls crazy. I’m so happy for them, they’re getting well deserved love these days ♥♥♥♥♥♥

Other special stages include: After School’s comeback, SHINee performing ‘Ring Ding Dong’ remix without Taemin, Beast performing ‘Bad Girl’ remix and SS501’s last goodbye stage ;_____;

2PM – Heartbeat Everyone’s read about Taec’s gross fan letter right? I read that before watching the performance and all that red paint splatter on the background made me cringe :X

I think everyone would agree that this is probably the best ‘Heartbeat’ ending EVER!!! Taec is such a BEAST, I love it. But now that he’s done this, their normal flips can’t really compare anymore hahaha. So does that mean THEY’RE ALL GOING TO BE RIPPING THEIR SHIRTS NOW!?!?! BECAUSE I WOULDN’T MIND THAT AT ALL. EVEN IF THAT MEANT HAVING NOSEBLEEDS EVERY SINGLE TIME *_______*

2PM – Winning Take 7 had K.Will, Park Bom, Taeyang, SS501, U-Kiss, BEG, and 2PM. So it was pretty tough competition D Chansung jumping on Wooyoung’s back and Wooyoung leaning all over Chansung made me really happy. BECAUSE WOOYOUNG IS SMILING ^___^ And their mention of Jay, of course. ROFL CHANSUNG’S ‘JAYYYYYY ARGHHH” XDDDD They’re so cute pulling Kim Tae Woo and Beast on stage with them <33

SHINee – Ring Ding Dong Remix They need rest, like RIGHT NOW!!! At first I was laughing at how confused Onew looked throughout the whole thing. He was dancing everywhere, haha, that precious boy ♥ :33 But then I rewatched it and they look and sound so tired. No smiles, no attitude, even Key’s fierce was a tad low. They didn’t even look like they were enjoying the performance and I feel so bad for them. DDDD: The remix sounds good though. Just more rest and Taemin back please. I adore Minho but..he’s just not really meant for that part haha XD

SS501 – Love Like This (Goodbye stage) LAST PERFORMANCE ALREADY ;___________; I feel like I haven’t seen them enough this promotion period. They’ve been on what? 2/3 variety shows? Jungmin needs to go on more shows, I love how batshit crazy he gets hahahaha. Their clothes are very nice here though, I APPROVE SO HARD!!! Everyone looks positively drool worthy (minus Baby’s hair lol). They sound fantastic aswell, pretty much spot on. And their smiles and smirks and winks. Gosh, I’ll miss it. <3333

After School – When I fall + Because of You (Comeback) I really like both songs, but “Because of you” a tad more Their white outfits are really hot. So I did a quick research and Raina and Gahee stands out to me most atm. Especially Raina’s voice!! I’m really impressed.

Beast – Bad Girl Remix Beast always makes me smile when I watch their performances. It’s probably because they’re all ^___^ and just wham pack with energy that it makes me smile too. Dance interlude was awesome!  

Taeyang – Wedding Dress I’m really surprised because all my non K-pop friends even like this song. Like I give them alot of K-pop songs and they’re all like “yea yea” but for some reason, they’re all digging this song haha. The fan cheers were great!!

Taken out with full credits.
Please do not modify/remove logo from videos.
Please do not upload the videos to your own account at any video websites.
Thank You!

U + It’s You.

Don Don.

Rokkugo.

Gee.

Donghae’s Solo.

Sungmin’s Solo.

Credits:Excentrique13@YouTube *more videos can be found at Excentrique13’s homepage(:

U.

Credits:XSDoLPhiN@YouTube
*more videos can be found at XSDoLPhiN’s homepage(:

SJ & SJ-M; back to the hotel after the rehearsal.

Credits:fampar2@YouTube
*more videos can be found at fampar2@YouTube.

~Thailand’s ELF were cheering loud for SJ <3

PICTURES

OFFICIAL

credits:

PINGBOOK

Reup: Twelfs

FAN TAKEN

credits:

elfish.cc + the13thofgyumin.1.forumer.com + sayeunhyuk.com + `อึนอึน;13st

百度金希澈吧&希·盛世 | onlyheechul.com + atsuchan@superjunior.ru + MaPRaNgTNN

nidnungka@13MKH (www.13monkeyshouse.com) + Fl2ay@eunhaelover.com

Source: TwELFs.com (reup + compiled)

Today’s performance is another great one. It was totally upbeat & their outfits is super fabulous. OMO, it was great discussing it on our chatbox. keke, even though it was only Wendy & I, so next time Blackjacks, lets all spazz together, shall we? I can’t wait for the next performance. Starting to learn some moves from the song. keke, Thanks dailykpopnews1@youtube for the fast and awesome video!

This was definitely my favourite performance from the Macy’s Thanksgiving Day Parade. Yes, we’ve seen “America” countless times before and, sure, it would have been great to see a number like “Cool” instead. But putting that point to one side, the performance of this number was super and I may like Natalie Cortez even more than Karen Olivo. The dancing is super and, except for some weird angles from the way they’ve had to use the performance space, this extract was just about perfect – even if one moment of choreography was made a little more family friendly than usual. The “location” performances really do deal with many of the same challenges in the context of this parade, and this one faced them head on and came out tops for me.

Bad Romance

Speechless

Dear Lady Gaga,

Bitch you are FIERCE!

Sincerely,

RuPaul

The Ellen DeGeneres Show: The place for Ellen tickets, celebrity photos, videos, games, giveaways and more..

FIRE!!!!

“The concert was so amazing! The set is absolutely incredible – it looks almost 3D, there are tons of screens, and the graphics almost make these sick optical allusions. She sounded amazing – she sang all live and was sensational – her set at the piano was breathtaking. In the end, I was surprised at how good she sounded live, especially with all of the intense choreography. She had such a great interaction with the audience, she had some great lines – she cried, she laughed, it was the whole package, and she took the crowd along with her. Not only was she adorable, cute, and very emotional about her fans and family, she also had some great words of liberation to offer. It was a very ambitious set list and performance, and overall it was gret – way better than the Fame Ball tour. Great lights, sound, dancing, and a true performer – everything you would want!”
- Tanner Stanley

“I met Gaga during meet&greet. My friends told me she spoke to me longer than anybody! Gaga said I must have been at like 50 shows, but I assured her I am not that crazy, just my 8th show! She laughed. I also mentioned that my friends at GagaDaily told me to say ‘hi’. She said that she loved GagaDaily and the fans very much and that it is the only site she looks at to know what the fans are thinking and doing. When I left, I briefly spoke to Gaga’s dad, and told him that I had been at many shows and so on. He was very nice, a very regular Joe indeed! And on my way out with a few friends, we bumped into Perez and took some pictures with him.”
- GagaFrontRow

“She fell like 3 times and slipped like 10 times. She was like ‘the floor is so slippery, I’m falling like a dumbell runway model!’ She was so cute. She cried a lot. Specially during “Speechless”. The vocals were f*cking amazing. The crowd didn’t know the lyrics to The Fame Monster songs! I was like singing alone! And she’d be like ’sing it!’, and the crowd would be like ‘blah blah blah’. I was disappointed about that. Her costumes were amazing. Specially the one for “Fashion”. It was a gold suit with this gold hat. Very cool. The stage was like 3D. It was really cool. She talked to us a lot. And during teeth, she was like monsterishly opening her mouth. Choreo was great. She didnt just do hand motions for “Bad Romance”. She f*cking worked that choreo!”
- HotLikeMexico

Source:GagaDaily.com

Listen to THE BUNGLED and THE BOTCHED at http://www.dakotaslim.bandcamp.com

I have been working on two narrative albums for over 2 years. The writing started amidst the release of my last album, Hitherto The Aminals, and production occurred in many places along the western United States. The common occurrence of bad decision making, rebellion against societal standards, and incessant drive to create have befuddled me since I realized the weight of every action I make. If “Aminals” was a loose narrative on my prediliction to American Folklore, The Bungled and The Botched would take the same lyrical writing to despondant, confused, angered and resolved situations that surround my personal life.

I posted this on myspace to explain the metaphorical narrative of THE BUNGLED and THE BOTCHED back in June of 2008:

“The Bungled and The Botched, 14 tracks, recorded in Oakland, CA and Portland, OR respectively:

This musical process (as with any creative process) can be daunting. not so much the process of the said “write/record” loop, but the problems concerning motivation versus drive. The need for productivity and the set backs caused by means of creating that productivity. These set backs could include necessity for materials outside financial means, below standard health habits, and negative effects due to an inability to change one’s environment.

I own nothing materially worth anything. But am instead a participant in a sect of people who exist to create and become buckled under their own self-critiscm and cross examination pertaining to their creations. Everything else that doesn’t concern passion, love and the pursuit to dig (and to dig deep) remains immaterial in this sect. This can cause one to lag in the hue of general perception. Eating dirt is delicious, but it can be devalued to the point of losing its taste.

I am thoroughly concerned with how much other assholes affect what I think about myself, you know? Are their ideals poisoning ours? Or am I allowing myself to feel as if I am societal miscreant? I respectively choose the latter.

It is still romantic (first word that comes to mind) to not identify with the idea of work. It is romantic to exist, with a smile, amongst dread and the art of scraping by. It is imperative to us, The Bungled and The Botched, to realize that, in a small amount of time we will die and the “what-if’s” that come after, a beautiful blunder, that should be truly exciting to us all. But, who the fuck knows, right?

Dilapedated Beds, Broken Shoes, A Myriad of Different and Mysterious Ailments, The Incessant Need for Duct Tape and Super Glue, The Derelict Neighborhoods, The Long and Harrowing Mornings, The Zest Then Regret, The Hair in the Tub, Boutings with Black Magick, The Circumstantial Hygiene, The Want for Youth while Growing Old, The Romance of Ol’ Scratch, The Adoration of an Absent Family, and The Beginning of Sinning.
This is How We Do.
The Zydeco Funeral is recording THE BUNGLED (co-produced with Jeff Schenk) in Oakland (July 2008)
The seven songs are in the vain of what Nietzche said about us losers:

When Christianity departed from its native soil, that of the lowest orders, the underworld of the ancient world, and began seeking power among barbarian peoples, it no longer had to deal with exhausted men, but with men still inwardly savage and capable of self-torture — in brief, strong men, but bungled men.

ISOLATOR and Dakota Slim [The Hallowed March] will be recording the second half of the album trans-westcoast (Portland and Oakland) entitled THE BOTCHED (co-produced with Dominque Reveneau) (july 2008)
The Seven Songs are about us as societal dregs:

Socialism, Puritanism, Philistinism, Christianity — he saw them all as allotropic forms of democracy, as variations upon the endless struggle of quantity against quality, of the weak and timorous against the strong and enterprising, of the botched against the fit.”

The recording and technical process of both albums unavoidably exemplifies these ideas as well.

“THE BUNGLED” started with home demos (one of which, “Cruel Lastima”, is actually used) recorded by my lonesome at a then girlfriend’s apartment in Korea Town, Oakland. Though my collegiate lifespan at Expression College was shortlived, I had managed to find a keen partner and all-around sonic patron in Jeff Schenk. We had performed early versions of these songs sometimes as a duo, and sometimes as a chaotic 6 piece. We moved the demos to the studios of Expression, where I recorded most of the junk percussion and rhythm guitar parts. Later, we would return to the school to finish vocals.

Jeff and I had played these songs with a revolving cast of so many local musicians that the finished product seems to be a perfect semi-colon in the Dakota Slim discography, leaving many members behind, and allowing the hope for many more to join.

This is why the finished document is a prime example of young nefarious musicians dipping their skin into my amorphous pool of songs. Around this time, Jeff and I, along with my great friend and confidant, Ryan Stively (Port O’ Brien) were performing all over San Francisco and Oakland. I was hosting a futon in a friend’s sleephole on Apgar st. in Oakland when I decided to dub the revolving, and inconsistent, backing crew The Zydeco Funeral. The Funeral’s pique consisted of Danni Finneman’s involvement as a back-up singer; Danni drew me to a large crowd of fellow naysayers including another back up vocalist (Rayna Kilroy), junk percussionists (Dave Campbell and Sterling Leva), and whatever ghoul or goblin we knew around Mama Buzz that wanted to shout or bang on beer bottles. You can hear Danni’s hauntingly beautiful voice over the home recorded “Cruel Lastima” and “Now I slumber”, which is the coda to this musical outing. Danni remains the only member of that large community that I encapsulated on record.

After most of the auxillary players dissolved, Jeff and I remained. Not soon after, I seduced a Mr. Ryan Parks to embark on these recordings. Parks would later round out the overtly re-recorded material with his superb bass playing and drumming on songs like “Salvo, Siempre, Salvo” and “Que Locura.” Parks is an amazing songwriter himself, which is exemplified with his work with NO’s and B.Hamilton. Our collaboration on The Bungled would later evolve into the B.Hamilton/Dakota Slim hybrid THE AWFUL LOT with long-time Dakota Slim performance drummer Bill Crowley, of Oakland’s finest instrumental hip-hop crew, Shinythings.  Ro-z (Wordsky, Good Mitten/Bad Mitten) contributed her amazing voice to “Que Locura” and her awesome fiddle skills to “Zydeco Funeral”.  Roberto Miguel played the slickest trombone, I’ve ever had on any recording, on “Que Locura.” And Mr. Blake Ellington Larson (Belly of the Whale, Porchlife) and Ryan James allowed me to throw their choral duties on “Las Resultas”.

Even though I feel the album to bit a bit unfinished, I can’t deny the relevance to the “Bungled” creedo. The somewhat disgruntled production, the janky instrumentation, and nervous vocals do well to place me in the nervous sunlight of the Bay Area in the late 20-oughts.

“THE BOTCHED” was retardedly simple to compose.  I recorded vocals, guitars, and banjos then shot the files to my boy in Portland, Oregon, Dominique Reveneau (who produced and engineered “The Hymns of Dakota Slim) where his band Isolator (Colin and Nate) dumped there amazing talent on top and created the most sonically amazing album I’ve ever been a part of.  The Hallowed March was born, and hopefully we will tour and become more of an integrated band, soon.

My artistic life partner, Ryan W. Brewer did the art for both records.  He spent just as much time through trials and tribulations trying to figure out the perfect art for the concept, and he came up with these epically amazing images:

Ryan and I will be working on our graphic novel, ZOZOBRA, next.  I promise it to be nothing less than amazing.

I have found nothing has changed in regards to the aforementioned sentiments that THE BUNGLED AND THE BOTCHED consists of. The only thing is that my bite for a fully satiated creative mind is engulfing my intention, fully, and am disastrously resilient when it comes to being defunct via societal standards.

It’s Finished, and I couldn’t be more proud of my friends and the help I received in making the two best records of my career.  Come help me celebrate all our hard work!

and check out the quick video I made after shooting guns in Arizona for DS + THE HALLOWED MARCH’s “RAZA RHUMBA”

Hey there! I hope you guys all caught some AMAZING Black Friday sales yesterday. (:

Here is an update for the recent MAMAs.

Park Bom’s dress is the Ice Cream Strapless Mini Dress from Ryko from TOPSHOP, and her shoes are Pierre Hardy 101 Calf White Sneakers!

CL’s Sweatshirt is from Jeremy Scott and it is called the Phone Dial Sweater. G-Dragon has worn that sweater before. (: Her skirt, which I think is the coolest thing EVER is by Adidas and Jeremy Scott, and it is the TV Mini Skirt. Her earrings, which she has worn before are from Miss Wax, and they are the “Jet Set” Lime Earrings. Her shoes are Jeremy Scott and Adidas, and they are called the Three Tongue Altitude. Minji is wearing the same shoes, in a different color.

Minji’s shirt is by Cassette Playa x Rockers and it is called the “NYC God’s Money T-shirt”, and her pants are the Jeremy Scott x ADIDAS “Sarwell Pants”. Hers are in black, although they do come in other colors.

Just a bunch of random videos that I have just watched recently or haven’t gotten to posting them up from a while ago =P

MIR & THUNDER @ SGB

credit: absolutemblaq2 @ youtube

Ah~ Mir xD! Or should I say “Bang Chul Yong” =P! He’s really just a one-of-a-kind person ! Haha! And DoongDoongie was cute imitating that squid guy(whose name I don’t remember …) from Dooly xD!

<33333333333

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AFTER SCHOOL – BECAUSE OF YOU

credit: AFSCtv2 @ youtube

Yay ! They’re back ! But kinda sad that Soyoung is gone now >.<! I haven’t been really keeping up with the new members so I don’t really know much about them right now ~ xP! And I almost did not recognize Jungah !! Her hair !!~~~

And I know I kinda said this a few times before, but, I still don’t think UEE seems to fit with the group … It’s not like I hate her or anything … she did pretty well as her character in You’re Beautiful … It’s just something that I can’t quite pinpoint …

And I also miss their older song styles like for “Ah” !~ I loved the strong dancing and vocals from then. But this song is still good ! It’s just that I wanna see that style from them again xD!

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C.N BLUE – “WHEREVER YOU WILL GO” COVER (Originally by: The Calling)

credit: cnbluesky @ youtube

AHH!! adlfsjfahgkdshlf;a !!!!~~~~~ I LOVE THIS SONG !!!! And I really LOVE that CNB did a cover of it ^^! The fancam’s only of Kwangjin & Yonghwa, although the other members, minus Jungshin, are there. This was a performance that they had in Korea before heading to Japan.

There’s some kind of snapshot/picture-taking thing going on around the end of the fancam … it’s kinda distracting, but it’s still okay xP!

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K.WILL – “HEARTBREAKER” PRACTICE

credit: chriscorpius1 2 youtube

^^ I love his voice !~~ And his dancing isn’t bad for a guy who only sings ballads xD!

K.WILL @ CHOCOLATE – “HEARTBREAKER”

credit: CodeMonmonSeason5

It’s actually refreshing to hear this song done by a guy with such good & strong vocals ! I have to say that this song was okay, not my favourite or anything, but it really is different hearing it sung by K.Will. Don’t get me wrong! I love BB and G-Dragon, but the two guys have such different vocal abilities and styles, and I have to say that I kinda liked K.Will’s version better! And that blonde wig is just so jks LOL! And he incorporated “Abracadabra” & “Again & Again” into the dance =P!

K-DRAGON ! <33 ^^