Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in which, before he presents his idea of the baroque, he articulates his conception of philosophy, the act… more →
(mass)think!Ryan/Aless wrote 1 month ago: Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in whi … more →
Johann Ohneland wrote 11 months ago: Das Thema: Mein kritischer Verstand belehrt mich, daß es etwelchen Sinn in der Welt nicht gibt: daß … more →
Peter Gold wrote 1 year ago: Ob sich Licht wie ein Strom diskreter Teilchen ausbreite, oder ob es sich beim Licht um eine kontinu … more →
Ryan/Aless wrote 2 years ago: [Image from Alternative Fuel Sources] [Follows "What is Dasein Like?"] [Based on Martin Heidegger’s … more →
Ryan/Aless wrote 2 years ago: [Rembrandt's Lucretia] [Follows "Dasein, Not (T)Ego"] [Based on Martin Heidegger’s “On the Essence o … more →
Ryan/Aless wrote 2 years ago: [Rembrandt's Artist in His Studio] [Follows "Husserl's Phenomenological Reductions"] [Based on Marti … more →
Ryan/Aless wrote 2 years ago: [Husserl's figure of time; Cited in Francisco Varela's webpage] [Follows "Indubitability"] [Based on … more →
Ryan/Aless wrote 2 years ago: [Descartes' model of perception; Image from the University of Bern Magazine] [Based on the lectures … more →
Ryan/Aless wrote 2 years ago: [Salvador Dali's Birth of a New World] [Follows "The Work of Art"] [Abysmally grounded on Martin Hei … more →