There are several ways to keep tract of our daily actions and learn from these actions to be a better individual. Few of us keep a personal diary and log all the action of the day. Few of us reflect by the end of the day to evaluate all activities and some of us have a secretary and calendars. Unfortunately, I do not belong to any of these categories. But then my big question is why do I need to keep tract of my activities and what do I gain from such soul searching. I am positive that all of you agree and do think what I can do to be a better individual and be HAPPY and satisfied. However, there is no absolute answer to this question as we interpret happiness and satisfaction in different ways because of our culture, religion, society and our personal opinions. Whatever be our interpretations, we do think of actions like helping others, not hurting someone and not causing harm to others. These actions give us happiness and satisfaction. Once we know that one of our actions has hurt someone we feel bad and try not to do that again. But as human we tend to forget or may be the efforts to remember such actions are not on our priority.

Today, I will tell you one of my practices that have helped me keep track of the important actions of my life and how do I learn from them. I had thought on this issue and had decided that I would design a model which may not be unique by practice but would have a fresh perspective and would be more focus with better results. Sole purpose of this design is to ensure that we keep tract of our actions, follow them, understand their rationale, analyze them and then conclude what could be done to have desired results rather than being swayed by emotions to make the mistakes which was never a desired outcome.

Simply, try to have a log of your actions. If you use computers on a daily basis then you can have a spreadsheet with date, one positive action of the day and one negative action of the day and try to update them by the end of the day. If you are comfortable with pen and paper then that should be helpful too. There are several advantages of this model.

1. As we try to relive yesterday and can recall most of the action it will help us figure out some of the valuable moments, thoughts, action or commitments which we can be easily forgotten.
2. Second, regularly observing our previous day and once it becomes a practice in few weeks we will realize that there is a pattern how we do things, how we react, what motives us, etc. Once we understand that we will be in better position to understand ourselves and be able to condition to situation with desired outcomes.
3. Third and most important, this log will help us understand our negative actions or the actions which we think are not right. It will make us cognizant to these actions and we will be more conscious of such situations and the unfavorable actions to follow. On the brighter side, every good action in the log book will motivate us to do more of such actions and will make our social environment and company more pleasant.

I try to advocate practices which I do myself and find it helpful. I am positive if you practice to have a log of actions in terms of good deeds and wrong deeds, you will find it surprising that the repetitions of the same mistakes has reduced considerably and you will be more conscious of the actions and you will be more focused to perform action that is favorable to you and to others.

So i’ve finally finished my HSC including the all horrifying Extension English One topic “Navigating the Global”. So there we go… 13 years of my life gone and summarised in one number >.< So i’ve decided to take all this useless knowledge i have now acquired and help all those other poor innocents who now get to battle with its seemingly uselessness…

So if you are one of those who thought English Extension was a good idea…turn back now…nah just joking it’s actually a great topic but only if you’re willingly to spend hours perfecting essays which you wont really understand until two weeks before your final exam. You have been warned.

So when i first heard the topic name “Navigating the Global” i was pretty much lost so let me just summarise quickly what it is the all-powerful board of studies is actually telling you to learn:

• Read the syllabus – I know it makes absolutely no sense but just highlight what you believe are key points and refer back to them later, “Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.” (Michael Ondaatje) It can be found at the board of studies website and please make sure you only read the actually topic you’re studying, which is in this instance “Module B: Texts and Ways of Thinking Elective 3: Navigating the Global”
• Let me introduce you to GOLD -  I didn’t discover this website until my final exams were approaching fast and after reading it somehow the whole topic ‘clicked’ and my essay marks jumped from a C to an A so I advise you to study it carefully even if it’s the only thing you read to prepare yourself for this topic besides the texts just do it! HSC online: Understanding the Syllabus
• Know your texts – Even though reading through Annie Proulx truncated sentences made me feel like banging my head on a wall I found that reading the novel multiple times greatly improved my ability to write spontaneous essays on it. So don’t neglect the reading of your texts and highlight useful quotes that remind you of the topic e.g. “The world was all knots and lashings once – flex and give, that’s the way it went before the brute force of nails and screws.” (Annie Proulx’s “The Shipping News”)
• Practice – I know I know I hated it to…unfortunately for you even if you avoid it like the plague your teacher will eventually give you an essay writing task for an assignment and you will be required to write it, edit it and scream in frustration when you get a 8/20 for those 17 hours of work so just start practicing early so you don’t have to worry about it the night before you final HSC exam. Trust me, it feels amazing when its weeks before your exam and you can already drop a quote whenever you feel like it.

So these are the main points you need to put into practice if you want to be able to claim you had any sort of idea what the heck “Navigating the Global” actually means.

3012624    ปฏิบัติการทางวิสัญญีวิทยา    Anesthesia Practice

การเลือกวิธีให้ยาระงับความรู้สึก การเตรียมผู้ป่วยเพื่อรับการผ่าตัด เภสัชวิทยาของยาระงับความรู้สึกและการเลือกใช้ยาที่เหมาะสม การให้ยาสลบผู้ป่วย การฉีดยาชาครึ่งตัว การเฝ้าระวังระหว่างการผ่าตัด การระงับปวดหลังผ่าตัด และการดูแลผู้ป่วยในระยะหลังผ่าตัด

(Choice of anesthesia; preperative evaluation; pharmacology of anesthetics and its appropriate use; gneral anesthesia procedures; spinal blockade; intra-operative monitoning; management for postoperative pain relief; and postoperative care.)

(3012624 จุฬาลงกรณ์มหาวิทยาลัย)

3012859    การปฏิบัติการให้ยาระงับความรู้สึกทางคลินิก    Clinical Practice In Anesthesia

ศึกษาเกี่ยวกับความรู้และการปฏิบัติในการดูแลและให้ยาระงับความรู้สึกแก่ผู้ป่วยทุกรายที่มารับการผ่าตัดตามปกติ ซึ่งไม่ใช่การผ่าตัดฉุกเฉิน ตั้งแต่การเตรียมผู้ป่วยก่อนการผ่าตัด ระหว่างผ่าตัด การดูแลต่อเนื่องและให้การระงับปวดในระยะหลังผ่าตัด

(Study and practice of clinical anesthesia for elective patients, including preoperative assessment, the conduct of general anesthesia and regional anesthesia, postoperative care and pain control.)

(3012859 จุฬาลงกรณ์มหาวิทยาลัย)

3013338    ปฏิบัติการเวชศาสตร์ชันสูตร    Practice in Laboratory Medicine

การเจาะเลือดจากหลอดเลือดดำ ทักษะการตรวจทางห้องปฏิบัติการ (กระบวนการก่อนการวิเคราะห์ ระหว่างวิเคราะห์ และหลังวิเคราะห์) และระบบคุณภาพ

(Venipuncture, skills in laboratory process (pre-analytical, analytical and post-analytical process) and quality system.)

(3013338 จุฬาลงกรณ์มหาวิทยาลัย)

Question Mark, Minneapolis Sculpture Garden, Minneapolis, Minnesota, January 2008, all photos © 2008-2009 by QuoinMonkey. All rights reserved.

A few weeks ago, I watched an interview on Bill Moyers Journal and was mesmerized by the work of Anna Deavere Smith. It is tough work. She takes on controversial subjects most would not touch in our sanitized, politically correct language of the day. Her 1992 one-woman performance Fires in the Mirror explored the violence between Jews and Blacks after an August 1991 civic disturbance in the New York neighborhood of Crown Heights in Brooklyn. Her solo performance in Twilight: Los Angeles dramatized the 1992 riots that broke out in L.A. following the first Rodney King trial.

For her current one-woman play Let Me Down Easy, Anna Deavere Smith interviewed Americans from all walks of life about healthcare, medical, and end of life issues. After 9 years and 300 plus interviews, she chose 20 people; through their words, body language and speech, she transforms on stage into each one. I’ve only seen snippets of her 90 minute performance on TV. In that short time, I could hear the voice of all America inserted into the healthcare debate, leaving little room for doubt — something has to change.

We are trying to bring disparate worlds together, not so that we can all get along, but so we can see out of the ‘me’ into ‘us.’

– Anna Deavere Smith

__________________________________________

Highlights

 
Below are few notes I jotted down while listening to her conversation with Bill Moyers. A few may seem cryptic, but will make more sense when you watch the interview:

• Though Walt Whitman and Abraham Lincoln lived in the same town and Whitman saw Lincoln 22 or 23 times, they never met. Maybe it was a good thing; Whitman was doing another kind of work for the country. [Related article: Abraham Lincoln and Walt Whitman: War’s Kindred Spirits]

• The title Let Me Down Easy came to her almost out of a dream. There are two songs with the name. Of the title, James H. Cone of the Union Theological Seminary said they are the words of a broken heart and can be interpreted as broken love. “Don’t do it harshly. Not too mean. Let it be easy.”

• Let Me Down Easy is a call about grace and kindness in a world that lacks that often –  in a winner take all world.

• Death is the ultimate form of loss, the ultimate form of abandonment

• It broke her heart to know that we, with all of our money and technology, believe that we can afford to leave people so alone

• Are we afraid of being poor, afraid of losing, afraid of being sick? Is that why we distance ourselves from that reality all around us?

• She chose these 20 particular people because they are very connected to the life cycle – death and life

• The most important thing you can do is be with someone when they die

• Art comes in when the official language falls apart. When things fall apart, you can see more and you can even be part of indicating new ways that things can be put together.

 
What seems to be important to Anna Deavere Smith is the art of listening. And letting what she hears soak into each cell of her body. Words matter. People matter. She believes something she learned from her grandfather (who was also the inspiration for her method of theater) — if you say a word often enough, it becomes you. In a New York Times article Through 1 Woman, 20 Views of Life’s End she says, “I try to embody America by embodying its words.”

Near the end of the interview, Bill Moyers asked, “When did you begin to listen to people so acutely?” Anna said when she was young, she lived next to a woman who weighed 400 pounds. The neighbor would ask her to go to the store to buy her fatback and she’d love to sit on her porch and listen to her stories –  that’s when she started really listening.

__________________________________________

Writing Topic — 3 Questions

 
How do we teach ourselves to listen? How do we get people to talk about what has meaning for them, moving beyond repetition or sound bites? In Anna’s words, “I say their words over and over. I listen and I wear the words.”

She said she also taught herself to listen by breaking up certain rhythmic speech patterns. She met a linguist at a cocktail party in 1979 who said she would give her 3 questions that were guaranteed to break the patterns and change the way people are expressing themselves:

Have you ever come close to death?

Have you ever been accused of something you didn’t do?

Do you know the circumstances of your birth?

And that’s the inspiration for this Writing Topic — 3 Questions.

Choose one of the 3 questions above. Write it down at the top of your paper. Take out a fast writing pen and do a timed 15 minute Writing Practice.

Maybe 3 questions, combined with the wild mind of Writing Practice, will break patterns in our writing and lead us to listen more closely to our own voices.

__________________________________________

Epilogue

Anna Deavere Smith is on fire. In pursuit of her mission to translate art into social commentary about race, poverty, and injustice, she’s won two Obie Awards, been nominated for the Pulitzer Prize and two Tonys, and is a recipient of the prized MacArthur fellowship. (Not to mention her role in NBC’s The West Wing, as National Security Advisor Nancy McNally.) You can read more about Anna Deavere Smith at Bill Moyers Journal. Or watch the full interview with Anna Deavere Smith and Bill Moyers at this link.

In November, the Moth Storytelling Awards in New York honored her as their 2009 recipient at the Annual Moth Ball. The Wall Street Journal blog Speakeasy covered the event. The blog also mentions a compelling account of Garrison Keillor’s stroke in September 2009. He had the stroke while on a massage table, eventually drove himself to the ER, and waited 15 minutes in line before he was able to tell anyone he was having a stroke. Read the full story at Speakeasy: Jonathan Ames, Garrison Keillor and Anna Deavere Smith Headline Annual Moth Ball.

In some ways the most effective politicians are the ones who have the best verbal clothes that they manipulate the best way. And there is a gap between that type of clothing and where people walk and where people live.

Whitman was doing another kind of work for the country at that time. Speaking a different song. And I think the politicians can sing to us but I respect, in a way, the limitation of their language. I mean I guess it’s a part of our culture that goes back as far as Jefferson, that they have to be so careful about what they say. My only desire would then be that we would find other places in our culture to work out our differences.

– Anna Deavere Smith from Bill Moyers Journal, November 2009

-posted on red Ravine, Sunday, November 29th, 2009

3014722    เวชศาสตร์ชุมชนเชิงปฏิบัติ    Community Medicine Practice

พฤติกรรมทางสังคม และปัจจัยที่เกี่ยวข้องกับสุขภาพอนามัย ประสบการณ์ด้านอนามัยสิ่งแวดล้อม โครงการ/แผนงานในการปฏิบัติการเกี่ยวกับสุขภาพอนามัยของชุมชน

(Social behavior and factors related to health; environmental health experience; project Concerning community health practice.)

(3014722 จุฬาลงกรณ์มหาวิทยาลัย)

3014765    อาชีวอนามัยเชิงปฏิบัติ    Occupational Health Practice

งานอาชีวอนามัยของประเทศไทย การจัดบริการอาชีวอนามัยเบ็ดเสร็จ การจัดบริการอาชีวอนามัยในโรงพยาบาลและสถานประกอบการ การจัดการเกี่ยวกับระบบข้อมูลด้านอาชีวอนามัย การจัดการเมื่อมีเหตุฉุกเฉิน การฝึกปฏิบัติงานบริการอาชีวอนามัย รวมทั้งการวางแผนและประเมินผล

(Occupational health practice in Thailand; comprehensive occupational health services; Management of occupational health services in hospitals and industries; occupational health data system management; emergency response management; practice of occupational health services including planning and evaluating services.)

(3014765 จุฬาลงกรณ์มหาวิทยาลัย)

3014858    การจัดการข้อมูล : ทฤษฎีและปฏิบัติ    Data Management : Theory and Practice

ทฤษฎีและการฝึกปฏิบัติในการบริหารข้อมูลและฐานข้อมูลที่ได้จากการศึกษาวิจัย เพื่อการวิเคราะห์เชิงสถิติ ทั้งสถิติพื้นฐาน และการวิเคราะห์โดยแบบจำลองทางสถิติ และการใช้โปรแกรมสำเร็จรูปทางสถิติ

(Theories and practice in managing data databases from research studies for statistical analysis, including both basic statistics and statistical modeling, and the use of statistical softwares.)

(3014858 จุฬาลงกรณ์มหาวิทยาลัย)

Encouraged by a friend’s mention of it, I dug through my collection of books to find a yellow-paged copy of The Practice of the Presence of God, by Brother Lawrence.  I’m sure I have read this book before, but it seemed brand new this time around.  I am definitely in a different place spiritually, so the words of this book are like a breath of fresh air, encouraging me to pursue the Lord so I might know Him more – yet without the old feelings of guilt because I’m not there already, followed closely by condemnation saying I never will be.

Brother Lawrence lived and wrote in the 1600’s, but Whitaker House Publishers has done an excellent job of updating and clarifying the language for people like us not only to read, but comprehend, the riches contained within the pages of this book.  It is primarily an autobiography, yet Brother Lawrence wanted so much to keep the focus on the Lord that he wrote as did Paul in 2 Corinthians 12:2,  “I knew a man . . .”   This does not at all detract from the message, but accomplishes the desire of Bother Lawrence’s heart – to glorify the Father.

From the very first chapter, a desire was ignited to begin practicing the presence of God as I haven’t to this point in my life, simply because of the Truth so obvious in Brother Lawrence.  In addition, my thinking was challenged by such statements as:

“. . . we must give ourselves totally to God, in both temporal and spiritual affairs.  Our only happiness should come from doing God’s will, whether it brings us some pain or great pleasure.  After all, if we’re truly devoted to doing God’s will, pain and pleasure won’t make any difference to us.”¹

“. . .God has infinite treasures to give us, he says.  Why should we be satisfied with a brief moment of worship?  With such meager devotion, we restrain the flow of God’s abundant grace. . .”²

Despite the challenges, I wasn’t condemned as I considered my life against his.  Instead, the Lord reminded me that He hasn’t called me to live the same life, in the same circumstances.  Rather, He has called me to live the same consecrated life in total pursuit of His Presence, in my circumstances, so that, “acting with childlike simplicity in God’s sight, he did everything for the love of God, thanking Him for His guidance.  And everything He did passed calmly, in a way that held him close to the loving presence of God.”³

It’s the simplicity of the Truth that has stirred such a yearning in me for life in the continuous awareness of the Presence of God.  It’s not a set of rules or steps by which I can attain this position.  It simply begins with the understanding that it is possible.  It’s not a pipedream.  It has been done before, as a human being yielded his life to God.  Brother Lawrence spoke of practicing the Presence of God.  It does take practice, but the more it is done, the greater the hunger, which leads to even greater practice.  Yet it isn’t practice for the sake of practice, but practice with the goal of developing an ever-increasing intimacy with our heavenly Father.  That, my friends, is worth every bit of effort.  But don’t take my word for it.  Find a copy of The Practice of the Presence of God and let the Lord draw your spirit to His as you meditate on its words.

______________

¹Brother Lawrence, The Practice of the Presence of God (Springdale, PA:  Whitaker House, 1982), 8.

²Ibid., p. 26-27

³Ibid., p. 16

_____

_____

The poems in this collection are on wrestling—the collegiate and amateur styles—but also how we wrestle with life, where we find wrestling in our lives, plus our gods, prophets and heroes past, those who have wrestled the classic bouts. It is modern and boundary-busting, and at the same time about tradition, a duality significant to both the poetry and wrestling communities. It is not about professional wrestling. Although that would make a wonderful project on its own, there is not enough poetry about amateur wrestling, the collegiate, Olympic, and folk styles.

The rest of this intro will be of interest to you if you would like to use any of the artwork or poetry yourself, and if you are interested in why such a collection came together—maybe for the first time. If not, then scan down to below Catherine Edmunds‘ 2009 drawing called “Greek wrestlers,” and begin reading. If you are looking for a particular poet’s work, or to see if it is included, simply click “Ctrl-F” on your keyboard. Here is a list of the living contributing poets you will find:

        Rane Arroyo
        John D. Berry
        Rus Bowden
        Kimberly Dark
        Susie DeFord
        Lori Desrosiers
        Susan Kelly-Dewitt
        David Hernandez
        Drax Ireland
        Jayson Iwen
        John Jeffire
        Andy Jones
        Jeff Kass
        Steve Meador
        Muhammad Afzal Mirza
        Steve Parker
        Gilbert Pye
        Don Schaeffer
        Muhammad Amir Sheikh
        Michael D. Snediker
        G.C. Smith
        Judy Swann
        Terreson
        John Timpane
        Pamela Uschuk

In lieu of bios, links to the contributors web sites are provided from their names. If you would like to reach them, most of the time you will find contact information there. If not, e-mail me (lowelldude@aol.com), and I will try to connect you.

The works in this collection fall under Creative Commons—Attribution-Noncommercial-Share Alike 3.0 Unported. This way, as you share these poems, the poets’ names remains attached, so that they continue to get credit for their work as it is passed around. In the spirit of this, each piece of artwork used below has just beneath it, as part of the image, an attribution that includes what the work is, who made it, and when. This Creative Commons agreement also protects the artists and poets from someone else making money from their works, but cutting them out. You’ll need permission for such a commercial venture. It allows, however, for you to feel free to share the works, to keep the poems handy and pass them around, and speak them at events. If you have sought these poems out for noncommercial use, wonderful!, please write the poet a thank you, but the answer is already yes.

A few years back, when I was blogging daily at Bud Bloom, November arrived, and the poetry posting necessarily slowed down, as wrestling season was about to begin. My son Dan was wrestling in college at the time, and I was a moderating contributor at MassWrestling.com, working on a comprehensive directory of all collegiate wrestlers from Massachusetts, in order that wrestlers, their family, and friends, could see how their high school wrestlers were faring in college, even if they were still active. Part of this, was to create a comprehensive list of wrestling colleges around the country, which was shared with other wrestling forums in other states. I made a brief post on the poetry blog called Wrestling With Poetry in November. I wanted to include wrestling poetry in that blog, and found some in a translation of Homer’s Iliad, but had difficulty finding it elsewhere. Since creating that blog post, I then noticed that many others who go online in search for “wrestling poetry”, come up with my post. And I always felt that that post was not allowing the searchers to find the jackpot they were looking for. Thus, there is demand, but short supply. This blog post is a wrestling poetry jackpot.

Back in July, I made a call for submissions of new and recent wrestling poems, by posting at over 20 wrestling forums, over 20 poetry forums, and to over 2500 members of Facebook. The response has been remarkable, as you can read for yourself below. And a high percentage of these gifted poets, have been or still are wrestlers or members of the wrestling community themselves. With these poems by living poets, I have merged classics. Included also are fresh translations of classic poems, and renditions of scriptural texts.

My thanks go to all the contributors listed above. Each have been a pleasure to work with. My thanks also to those who have guided this project with ideas, such as Joyce Nower, who turned me onto Emily Dickinson’s many wrestling poems, and Dennis Greene, who reminded me of the classic wrestling scene in Longfellow’s “Song of Hiawatha.” Thanks also to you for finding these poems, for shaking hands with them, and taking the time to read them, even to grapple with them when you hear the metaphoric whistle. It’s your match now, your time to enter the ring.

C.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
All wrestlers practice failing

   
        We need to know what to do
        when we’re getting cranked.

        Inevitably, we will be on our backs.

        Somebody will be tougher, somebody will be quicker, somebody
        will be strong enough to knock us flat.  It’s called looking at the lights
        as if when we’re horizontal and helpless, we’re also gazing at paradise.

        All I know is it’s hot down there.  It stinks.  The friction of your head rubbing
        against the mat could start a bonfire.  The guy who’s decking you is breathing
        in your ear, a rush of panting grunts.  His sweat drips in your hair and your
        girlfriend is watching from the bleachers as his muscles glisten and you are
        buried.  Your teammates are groaning and urging you to keep fighting
        but secretly they doubt you won’t surrender and the referee is cutting
        the air at smaller and flatter angles to signal the shrinking breadth
        between the mat and your shoulders and he poises to slap, he poises
        to slap and that is why every day in practice we must drill and rehearse
        for failure.

        It’s called bridging.  Make your neck a great spoon stirring the soup
        of your head.  Stir it left.  Stir it right.  Hold it.  Hold it.  He will be a ten-
        ton slab trying to break you flat—you must resist, your neck must insist
        no, with your neck no, with your neck no, you must train your neck
        to insist NO.

   
Previously published in Anderbo

_____

   
by Terreson

   
Antaeus’s Son to His Father’s Killer

   
        Here we are, my mercenary Greek,
        back at the same crossroads
        where you bested my father.
        The ground when you pinned him down
        is what defeated you in
        hold after hold or until
        you found the way to filet his strength,
        the way a fisherman’s instinct
        cleans flesh from the bone of earth.

        That’s when you bettered him, pressing him, his feet loose,
        to your chest, enjoying his death.

        But I am not like him whose daughters
        are my mother (earth, air, fire, and water).
        I am the inbred, an avatar
        thread through elements, and whose
        original sin is my source of strength.

        Come to me please, Herakles.
        I wish to press you to my chest
        and see your eyes bulge out when you meet
        my father’s face in each hero’s moment
        defining his one hero’s defeat.

        Revenge is such a useless emotion.
        I don’t want your death; just your lost look
        in the echo of my father’s eyes on the mat.

_____

   
by Emily Dickinson (1830-86)

   
        Artists wrestled here!
        Lo, a tint Cashmere!
        Lo, a Rose!
        Student of the Year!
        For the easel here
        Say Repose!

                110

_____

   
by Gilbert Pye

   
The Ballad of Rukhana

   
        Many people challenged Muhammad at wrestling
        (they didn’t realise he was divine;
        they thought he was an ordinary bloke).

        He pummelled skull, scapula and spine,
        ripped ligament from bone, loved pestling
        puny wrong-believing bodies until they broke.

        One day Rukhana, hideous, colossal, hairy,
        strongest of the Arabs, challenges Muhammad to a bout.
        Muhammad accepts.  Bets are placed.

        The outcome is never in doubt
        (insh’allah); at first both men are wary,
        looking each other over, tense, the taste

        of raw testosterone on their lips;
        then, exponent of the sacred art,
        Muhammad makes his move, nostrils aglow

        with the smell of Rukhana’s skin and heart:
        charge, grapple, throw,
        and the infidel describes a glorious ellipse

        through the air and falls to earth like a kite
        when the wind ceases suddenly as if by decree.
        Muhammad prostrates himself before Allah, Allah

        nods at Muhammad evasively;
        Rukhana and his corner exhibit that pallor
        you see on the face of the better man having lost a fight.

        The crowd go wild, beating their chests, cheering,
        ululating, howling, miming the winning move, bearing
        the victor aloft, cavorting through the souk

        in a tumult of piety and teeth, secretly tearing
        up their betting slips.  Look!
        Allah winks and fades.  He’s disappearing!

_____

   
by Emily Dickinson (1830-86)

   
        Because I could not stop for Death—
        He kindly stopped for me—
        The Carriage held but just Ourselves—
        And Immortality.

        We slowly drove—He knew no haste
        And I had put away
        My labor and my leisure too,
        For His Civility—

        We passed the School, where Children strove
        At Recess—in the Ring—
        We passed the Fields of Gazing Grain—
        We passed the Setting Sun—

        Or rather—He passed Us—
        The Dews drew quivering and chill—
        For only Gossamer, my Gown—
        My Tippet—only Tulle—

        We paused before a House that seemed
        A Swelling of the Ground—
        The Roof was scarcely visible—
        The Cornice—in the Ground—

        Since then—’tis Centuries—and yet
        Feels shorter than the Day
        I first surmised the Horses’ Heads
        Were toward Eternity—

                712

_____

_____

   
by John Timpane

   
Beholder

a translation of Rainer Maria Rilke’s “Der Schauende”

   
        I tell the storm is coming on:
        My anxious windows bear the beat
        Of branches after tedious days.
        I hear the distant things say truths
        That without friend I do not bear
        And without sister cannot love.

        There goes the all-reshaper storm,
        Through the forest, through all time
        And everything is ageless now:
        The landscape, like a verse from Psalms
        Is purpose, heft, eternity.

        Since what we wrestle with is small
        And what contends against us great,
        Let the great storm subdue us, more
        As all things in the world do; then
        We would be distant, never named.

        Our victory is in the small,
        And when we win, the smaller we.
        The Endless, the Superlative
        Does not consent to bend to us.

        The Angel of the Testament
        Came to the wrestlers.  Metal match:
        When their contending tendons stretched
        It felt beneath his fingers like
        The strings of deepening melody.

        The man this Angel overcame
        (He often won without a fight)
        Retired upright and energized,
        Made great by that hard hand, which shaped
        Him new, as if to recreate.
        The vanquished finds a victory
        Not tempting. How he grows is to
        Be pinned by ever-greater gods.

   
by Rainer Maria Rilke’s (1875-1926)

   
Der Schauende

   
        Ich sehe den Bäumen die Stürme an,
        die aus laugewordenen Tagen
        an meine ängstlichen Fenster schlagen,
        und höre die Fernen Dinge sagen,
        die ich nicht ohne Freund ertragen,
        nicht ohne Schwester lieben kann.

        Da geht der Sturm, ein Umgestalter,
        geht durch den Wald und durch die Zeit,
        und alles ist wie ohne Alter:
        die Landschaft, wie ein Vers im Psalter,
        ist Ernst und Wucht und Ewigkeit.

        Wie ist das klein, womit wir ringen,
        was mit uns ringt, wie ist das groß;
        ließen wir, ähnlicher den Dingen,
        uns so vom großen Sturm bezwingen,—
        wir würden weit und namenlos.

        Was wir besiegen, ist das Kleine,
        und der Erfolg selbst macht uns klein.
        Das Ewige und Ungemeine
        will nicht von uns gebogen sein.
        Das ist der Engel, der den Ringern
        des Alten Testaments erschien:
        wenn seiner Widersacher Sehnen
        im Kampfe sich metallen dehnen,
        fühlt er sie unter seinen Fingern
        wie Saiten tiefer Melodien.

        Wen dieser Engel überwand,
        welcher so oft auf Kampf verzichtet,
        der geht gerecht und aufgerichtet
        und groß aus jener harten Hand,
        die sich, wie formend, an ihn schmiegte.
        Die Siege laden ihn nicht ein.
        Sein Wachstum ist:  der Tiefbesiegte
        von immer Größerem zu sein.

_____

   
for the people of Whitefish, Montana

   
by Pamela Uschuk

   
Black Ice

   
        I

        How easy it is to slip.
        Slowing for a switchback’s glazed curve, I
        catch the radio’s news:
                                                    a school bus carrying wrestlers
        from Browning to Whitefish
        over this same unrelenting glare
        has slammed into a tanker
        jacknifed across both lanes.  Then flames
        killing nine in the quick cold.

        Along the polished carbon dip
        and swell of the Blackfoot River, I drive
        over ice so darkly transparent
        the pavement is a well
        whose varnished shaft pulls me sliding,
        an awkward creature
        away from home.

        What needs our sorrow?
        Or passed between the stunned drivers
        when the bus brakes locked
        in that short skid?
        During the first thoughtless seconds, boys
                                                                  becoming men
        dragged friends from the sudden fire, then
        watched, helpless as rocks dislodged by current,
        those they couldn’t reach, their screams lost to
        wind biting across the dreaming world.

        II

        To drive far in this weather—
        the afternoon half-blasted by wind gray as old wood—
        invites hypnotic dreams.
                                                      I recall checking
        the rearview mirror to see
        your farewell shiver, then shrink in silver light.  Love,
        how often we’re forced apart.
        Nothing is so visible as this ice,
        black-humored, a stoic beyond desire.

        III

        There is nothing I can offer
        those boys as healing as their daring, their hearts.
        Tomorrow, I teach poetry in a high school
        not far away.  I slow
        cursing these roads hunched spinal
        with no shoulders for escape.
        Listening to the tick of studden tires on ice,
        I know how fragile the traction
        holding us, what suffering
        edges induce.

        In the furrowed rush of black water
        Frost-grained waves
        grind back into themselves,
        intent on motion to avoid the final freeze across.
        Smoothing rocks, crisp hulls of caddis,
        stone flies, last summer’s storm-rendered windfall,
        the river carves its deeper trough
        widening its embrace.

        IV

        Like a snow bank bursting, snow buntings startle
        from my tires, threading
        the river’s rough hem.
        I envy the birds’ close escape
        as they ascend—
                                         moth fluttery, sudden confetti
        folding black on white
        above the snow-flocked highway—
                                                                 safe to the wild shore.

        Below the indifferent grade
        the current endures.  In dim light
        its dark arms turn from themselves, deceptive
        as the familiar lover.
        I can almost hear water’s porcelain stampede
        against an iced log above rocks
        that bump gratefully inside the swirl
        or hold their own.

        Only the small ceremonies
        of comfort and soaring can cure.
        Unable to build roads for safety, I will
        each speeding log truck, each
        oil tanker back-skidding
        to stay in its narrow lane,
                                                     to grip what can’t be held.
        I wonder what job is worth
        these long winter drives, clinging to slick surfaces
        unpredictable as the metereology of the heart.

        Even though my eyes burn
        tired of the constant play of gray light
        across black ice, there is no time to rest.
                                                       I drive through
        this wilderness against the curve of pavement
        following the river and its restless strain.

   
Previously published in Poetry Magazine and by Wings Press in her book Scattered Risks

_____

_____

   
by John Jeffire

    1995 NAIA national collegiate coach of the year

   
Coach Talks to the Wrestling Team the Day
Before the Eastside Match
   
   
Wrestling room air thick
as an amazonian afternoon
stinkheavy with years
of sweat that not even buckets of
uncut bleach can defeat.
I was still three pounds over
my weight class before practice
and I’m grateful
for more sprints back and forth
from padded wall to padded wall
wading through 90 degree fog
in two t-shirts and three sweatshirts
and two pairs of longjohns
under my sweatpants
sweating, sweating, ounce by ounce
closer to weight, but coach
calls us in and orders us
to take a knee.
His right ear a piece
of popcorn flesh glued
to the side of his head
his eyebrows rubbed off from
years of skullgrinding
his nose crooked as
a broken arm of lightning
his knees crisscrossed
by crazed scartissue worms
he walks like
a wheelchair is days away
but somehow he wrestles us like
a landmine eating handgrenades
exploding our bodies
across the mildewed mats.
We love him
like a father
especially those of us
who have no fathers.
He speaks.
We listen.
The coach from State, he begins,
is gonna be at the match tomorrow.
He’s recruiting Hendry from Eastside,
none a you dumbasses, but he’s
an old pal a mine.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
we hate Hendry
defending state champ who stole
Kraznicki’s girlfriend last summer
at our town’s Dairy Queen
none of us could ever beat him
but we can take Eastside as a team.
Now, any a you jokers
ever think about college?
Sweat drips down my nose
onto the rubber mat.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
none of us has thought of college.
LaDuke, who has failed Freshman English
twice and lives in the metal shop, though,
says, Yeah, I thought about it,
and even coach knows he’s lying.
Yeah?  Coach says. So what exactly
you want to study, LaDuke?
Sweat drips down his nose.
He thinks.
He answers,
I dunno, maybe buildin’ stuff.
Something like a smile
creases Coach’s scarred mouth.
We smile, waiting for the verdict.
Building stuff, huh? asks Coach
then he shows us that ragged row
of chipped crocodile teeth.
We laugh on cue
not really sure what is so funny.
Cut the crap, says Coach
and the mice and roaches in this decayed
corner of the school take cover.
What about you, Camel Jockey?
I am Camel Jockey.
I was still three pounds over
before practice and somewhere
in the frozen air above our town
21 pounds of me has been stolen
since season began in November.
I am sick of cutting weight
but I’m so close now
and tomorrow we can take Eastside.
You got some A’s, didn’t you? Coach asks.
True, I got some A’s but
my parents own a bar where
I cook Italian sausage sandwiches
and butter garlic bread in front
of a 700 degree oven after practice
still dressed in sweat clothes
trying to drain off those last few ounces
wishing I could just lick the grease
off the prep counter or sneak a few
slices of Genoa salami and not be overweight
but I’m ranked in the district
at 112 pounds and the team
needs the points
if we’re gonna take leagues in two weeks.
You’re smart enough, Camel, and you could be
tough enough with a few more ass whuppins,
says Coach, so whattaya think?
I can talk to the coach at State,
see what he thinks a you tomorrow.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
sweat drips down my nose
and my mouth is coated in cotton
and if I’m lucky, really lucky
I only have another pound to lose
and maybe if we stop all this talk
about college and start running again
I can eat half an orange
and drink a cup of milk after work tonight
before drifting off to sleep.

_____

   
by Kimberly Dark

   
Contact

   
        In pairs, they fall together again and again,
        shoulder to shoulder, neck to neck,
        heads close, they take on each others weight
        with pleasure.

        It looks like pleasure, an intimate pleasure,
        an embrace—until the feet dig in and
        the choreographed tussle begins.
        It looks like pleasure
        and so it must be
        for what would hold them,
        hour after hour,
        in these forms of embrace,
        bodily pressure, contact—
        if not pleasure.

        The environment is daunting, after all.
        The grunts and shuffling feet,
        yells of coaches create a noise
        that even in its power
        cannot rise above the hot stench
        of bodies, struggling.
        A steamy-loud-funk escapes the room
        and they are all writhing in the midst of it—
        creating a steamy hot punk funk
        109-summer-degrees outside
        and inside, the steam rises from their bodies.

        This is how young men must touch each other—
        hug, hold one another’s bodies—
        without provoking disdain
        without fear of abuse
        without loss, loss, loss,
        loss of everything

        Summer wrestling camp,
        the south gym at Fresno State University
        is a giant room with hardwood floors
        big blue mats hauled in two days ago
        to cushion prancing feet and falls,
        to guard the flesh and bones of boy’s tumbles,
        shield knees from harm.

        The door between the sunny day
        and the stench of wrestlers
        seems an easily passable
        portal between worlds.
        The gym is dark and slightly cooler
        than the noon-time brightness
        and yet within each wrestler,
        a sun glows
        drenching his clothes and skin
        with sweat.

        At the call of the coaches they
        “BREAK! Give me 5 sit-ups!”
        Then they’re back at it again
        falling together, shoulder to shoulder,
        enacting the forms of contact
        common to the sport—
        the rituals of contact within
        the tightly controlled container
        of combat and propriety.
        Intimate propriety; their suns shine
        making the paint want to peel
        in the stench.
        They fall together again and again
        constrained by the form as they
        make vital, human contact.

_____

   
by John D. Berry

    martial artist, Oakland CA

   
Contest
   
   
Stillness,
Before beginning,
Focus narrows,
To target,
Sounds diminish,
Without silence.
   
The movie runs,
In your head,
Which moves,
Counter moves,
How victory,
Will come.
   
Move,
No thought,
No mind,
Breathe,
The referee’s signal,
It begins.

_____

   
by Emily Dickinson (1830-86)

   
        The Drop, that wrestles in the Sea—
        Forgets her own locality—
        As I—toward Thee—

        She knows herself an incense small—
        Yet small—she sighs—if All—is All—
        How larger—be?

        The Ocean—smiles—at her Conceit—
        But she, forgetting Amphitrite—
        Pleads—”Me”?

                284

_____

_____

   
by Alfred Noyes (1880-1958)

   
Enceladus

   
        In the Black Country, from a little window,
        Before I slept, across the haggard wastes
        Of dust and ashes, I saw Titanic shafts
        Like shadowy columns of wan-hope arise
        To waste, on the blear sky, their slow sad wreaths
        Of smoke, their infinitely sad slow prayers.
        Then, as night deepened, the blast-furnaces,
        Red smears upon the sulphurous blackness, turned
        All that sad region to a City of Dis,
        Where naked, sweating giants all night long
        Bowed their strong necks, melted flesh, blood and bone,
        To brim the dry ducts of the gods of gloom
        With terrible rivers, branches of living gold.

        O, like some tragic gesture of great souls
        In agony, those awful columns towered
        Against the clouds, that city of ash and slag
        Assumed the grandeur of some direr Thebes
        Arising to the death-chant of those gods,
        A dreadful Order climbing from the dark
        Of Chaos and Corruption, threatening to take
        Heaven with its vast slow storm.
                                                              I slept, and dreamed.
        And like the slow beats of some Titan heart
        Buried beneath immeasurable woes,
        The forging-hammers thudded through the dream:

        Huge on a fallen tree,
        Lost in the darkness of primeval woods,
        Enceladus, earth-born Enceladus,
        The naked giant, brooded all alone.
        Born of the lower earth, he knew not how,
        Born of the mire and clay, he knew not when,
        Brought forth in darkness, and he knew not why!

        Thus, like a wind, went by a thousand years.

        Anhungered, yet no comrade of the wolf,
        And cold, but with no power upon the sun,
        A master of this world that mastered him!

        Thus, like a cloud, went by a thousand years.

        Who chained this other giant in his heart
        That heaved and burned like Etna?  Heavily
        He bent his brows and wondered and was dumb.

        And, like one wave, a thousand years went by.

        He raised his matted head and scanned the stars.
        He stood erect!  He lifted his uncouth arms!
        With inarticulate sounds his uncouth lips
        Wrestled and strove—I am full-fed, and yet
        I hunger!
        Who set this fiercer famine in my maw?

        Can I eat moons, gorge on the Milky Way,
        Swill sunsets down, or sup the wash of the dawn
        Out of the rolling swine-troughs of the sea?
        Can I drink oceans, lie beneath the mountains,
        And nuzzle their heavy boulders like a cub
        Sucking the dark teats of the tigress?  Who,
        Who set this deeper hunger in my heart?
        And the dark forest echoed—Who?  Ah, who?

        “I hunger!”
        And the night-wind answered him,
        “Hunt, then, for food.”

        “I hunger!”
        And the sleek gorged lioness
        Drew nigh him, dripping freshly from the kill,
        Redder her lolling tongue, whiter her fangs,
        And gazed with ignorant eyes of golden flame.

        “I hunger!”
        Like a breaking sea his cry
        Swept through the night.  Against his swarthy knees
        She rubbed the red wet velvet of her ears
        With mellow thunders of unweeting bliss,
        Purring—Ah, seek, and you shall find.
        Ah, seek, and you shall slaughter, gorge, ah seek,
        Seek, seek, you shall feed full, ah seek, ah seek.

        Enceladus, earth-born Enceladus,
        Bewildered like a desert-pilgrim, saw
        A rosy City, opening in the clouds,
        The hunger-born mirage of his own heart,
        Far, far above the world, a home of gods,
        Where One, a goddess, veiled in the sleek waves
        Of her deep hair, yet glimmering golden through,
        Lifted, with radiant arms, ambrosial food
        For hunger such as this!  Up the dark hills,
        He rushed, a thunder-cloud,
        Urged by the famine of his heart.  He stood
        High on the topmost crags, he hailed the gods
        In thunder, and the clouds re-echoed it!

        He hailed the gods!
        And like a sea of thunder round their thrones
        Washing, a midnight sea, his earth-born voice
        Besieged the halls of heaven!  He hailed the gods!
        They laughed, he heard them laugh!
        With echo and re-echo, far and wide,
        A golden sea of mockery, they laughed!

        Enceladus, earth-born Enceladus,
        Laid hold upon the rosy Gates of Heaven,
        And shook them with gigantic sooty hands,
        Asking he knew not what, but not for alms;
        And the Gates, opened as in jest;
        And, like a sooty jest, he stumbled in.

        Round him the gods, the young and scornful gods,
        Clustered and laughed to mark the ravaged face,
        The brutal brows, the deep and dog-like eyes,
        The blunt black nails, and back with burdens bowed.
        And, when they laughed, he snarled with uncouth lips
        And made them laugh again.
                                                           “Whence comest thou?”
        He could not speak!
        How should he speak whose heart within him heaved
        And burned like Etna?  Through his mouth there came
        A sound of ice-bergs in a frozen sea
        Of tears, a sullen region of black ice
        Rending and breaking, very far away.
        They laughed!
        He stared at them, bewildered, and they laughed
        Again, “Whence comest thou?”

        He could not speak!
        But through his mouth a moan of midnight woods,
        Where wild beasts lay in wait to slaughter and gorge,
        A moan of forest-caverns where the wolf
        Brought forth her litter, a moan of the wild earth
        In travail with strange shapes of mire and clay,
        Creatures of clay, clay images of the gods,
        That hungered like the gods, the most high gods,
        But found no food, and perished like the beasts.

        And the gods laughed,—
        Art thou, then, such a god?  And, like a leaf
        Unfolding in dark woods, in his deep brain
        A sudden memory woke; and like an ape
        He nodded, and all heaven with laughter rocked,
        While Artemis cried out with scornful lips,—
        Perchance He is the Maker of you all!

        Then, piteously outstretching calloused hands,
        He sank upon his knees, his huge gnarled knees,
        And echoed, falteringly, with slow harsh tongue,—
        Perchance, perchance, the Maker of you all.

        They wept with laughter!  And Aphrodite, she,
        With keener mockery than white Artemis
        Who smiled aloof, drew nigh him unabashed
        In all her blinding beauty.  Carelessly,
        As o’er the brute brows of a stallèd ox
        Across that sooty muzzle and brawny breast,
        Contemptuously, she swept her golden hair
        In one deep wave, a many-millioned scourge
        Intolerable and beautiful as fire;
        Then turned and left him, reeling, gasping, dumb,
        While heaven re-echoed and re-echoed, See,
        Perchance, perchance, the Maker of us all!

        Enceladus, earth-born Enceladus,
        Rose to his feet, and with one terrible cry
        “I hunger,” rushed upon the scornful gods
        And strove to seize and hold them with his hands,
        And still the laughter deepened as they rolled
        Their clouds around them, baffling him.  But once,
        Once with a shout, in his gigantic arms
        He crushed a slippery splendour on his breast
        And felt on his harsh skin the cool smooth peaks
        Of Aphrodite’s bosom.  One black hand
        Slid down the naked snow of her long side
        And bruised it where he held her.  Then, like snow
        Vanishing in a furnace, out of his arms
        The splendour suddenly melted, and a roll
        Of thunder split the dream, and headlong down
        He fell, from heaven to earth; while, overhead
        The young and scornful gods—he heard them laugh!—
        Toppled the crags down after him.  He lay
        Supine.  They plucked up Etna by the roots
        And buried him beneath it.  His broad breast
        Heaved, like that other giant in his heart,
        And through the crater burst his fiery breath,
        But could not burst his bonds.  And so he lay
        Breathing in agony thrice a thousand years.

        Then came a Voice, he knew not whence, “Arise,
        Enceladus!”  And from his heart a crag
        Fell, and one arm was free, and one thought free,
        And suddenly he awoke, and stood upright,
        Shaking the mountains from him like a dream;
        And the tremendous light and awful truth
        Smote, like the dawn, upon his blinded eyes,
        That out of his first wonder at the world,
        Out of his own heart’s deep humility,
        And simple worship, he had fashioned gods
        Of cloud, and heaven out of a hollow shell.
        And groping now no more in the empty space
        Outward, but inward in his own deep heart,
        He suddenly felt the secret gates of heaven
        Open, and from the infinite heavens of hope
        Inward, a voice, from the innermost courts of Love,
        Rang—Thou shall have none other gods but Me.

        Enceladus, the foul Enceladus,
        When the clear light out of that inward heaven
        Whose gates are only inward in the soul,
        Showed him that one true Kingdom, said,
                                                                     “I will stretch
        My hands out once again.  And, as the God
        That made me is the Heart within my heart,
        So shall my heart be to this dust and earth
        A god and a creator.  I will strive
        With mountains, fires and seas, wrestle and strive,
        Fashion and make, and that which I have made
        In anguish I shall love as God loves me.”

        In the Black Country, from a little window,
        Waking at dawn, I saw those giant Shafts
        —O great dark word out of our elder speech,
        Long since the poor man’s kingly heritage—
        The Shapings, the dim Sceptres of Creation,
        The Shafts like columns of wan-hope arise
        To waste, on the blear sky, their slow sad wreaths
        Of smoke, their infinitely sad slow prayers.
        Then, as the dawn crimsoned, the sordid clouds,
        The puddling furnaces, the mounds of slag,
        The cinders, and the sand-beds and the rows
        Of wretched roofs, assumed a majesty
        Beyond all majesties of earth or air;
        Beauty beyond all beauty, as of a child
        In rags, upraised thro’ the still gold of heaven,
        With wasted arms and hungering eyes, to bring
        The armoured seraphim down upon their knees
        And teach eternal God humility;
        The solemn beauty of the unfulfilled
        Moving towards fulfilment on a height
        Beyond all heights; the dreadful beauty of hope;
        The naked wrestler struggling from the rock
        Under the sculptor’s chisel; the rough mass
        Of clay more glorious for the poor blind face
        And bosom that half emerge into the light,
        More glorious and august, even in defeat,
        Than that too cold dominion God foreswore
        To bear this passionate universal load,
        This Calvary of Creation, with mankind.

_____

   
by Andy Jones

   
First Dance

   
        Your new wife and her relatives,
        now your in-laws,
        had never seen you dance before the big day,
        and wondered how,
        with all this bulky, residual muscle,
        you knew how to move so well, so expressively.
        As your coach and mentor,
        I had been invited to help welcome you to adulthood,
        And I knew.

        First you and your partner start in a neutral position,
        facing each other,
        sizing each other up,
        neither one yet in control.
        Soon, if it’s a slow song,
        you may take a head and shoulder lead,
        so that you start ear to ear,
        and her head may drop to your chest,
        but ironically she has the advantage here,
        for this is her arena,
        so she is in command.

        When the music changes,
        when the pace quickens,
        and adrenaline can be called upon,
        there is a reversal.
        You feel uplifted, and centered, and calm.
        Now the hips come into play,
        and your hips are well-trained.
        you start hips down so as to create an angle,
        and then spin her so as to drive strong across her hips,
        and before she knows it,
        you have impressed her with a hip lock,
        followed by a hip heist and hip pop.
        Such dexterity and vigor!

        When the time is right,
        you pull her near,
        inside to your arms like a lock
        so that all of her is adjacent to all of you,
        and your staggered stance realigns her rhythm to yours.
        Now you dictate the action,
        and she circles to your trail leg.
        You are feeling it now, sensing satisfaction and victory.
        You step and slide,
        and then one step back, and then circle.
        Your every move had been practiced, horizontally,
        as I stood over you with a whistle.

        Your new bride, she loves it!
        She is walking her fingers forward!
        You are a flanker!
        You are a double top stretcher!
        Inspired, she kicks up her heel to her butt
        and eliminates all the daylight between the two of you.
        She hopes to keep up with your energy,
        sees you as so graceful and authoritative here,
        just as you always hoped to be on the mat.
        And you realize, as you try to keep your hip on top,
        that this moment here,
        a moment when you are so strong, flexible, and smooth,
        without a referee ever to stop you,
        this might be your absolute last moment of control.

_____

_____

   
a traditional ballad

   
A Gest of Robyn Hode

The Second Fytte (verses 134-143)

   
        He bare a launsgay in his honde,
            And a man ledde his male,
        And reden with a lyght songe
            Unto Bernysdale.

        But as he went at a brydge ther was a wrastelyng,
            And there taryed was he,
        And there was all the best yemen
            Of all the west countree.

        A full fayre game there was up set,
            A whyte bulle up i-pyght,
        A grete courser, with sadle and brydil,
            With golde burnyssht full bryght.

        A payre of gloves, a rede golde rynge,
            A pype of wyne, in fay;
        What man that bereth hym best i-wys
            The pryce shall bere away.

        There was a yoman in that place,
            And best worthy was he,
        And for he was ferre and frembde bested,
            Slayne he shulde have be.

        The knight had ruthe of this yoman,
            In placë where that he stode;
        He sayde that yoman shulde have no harme,
            For love of Robyn Hode.

        The knyght presed in to the place,
            An hundreth folowed hym free,
        With bowes bent and arowes sharpe,
            For to shende that companye.

        They shulderd all and made hym rome,
            To wete what he wolde say;
        He took the yeman bi the hande,
            And gave hym al the play.

        He gave hym five marke for his wyne,
            There it lay on the molde,
        And bad it shulde be set a broche,
            Drynkë who so wolde.

        Thus longe taried this gentyll knyght,
            Tyll that play was done;
        So long abode Robyn fastinge
            Thre hourës after the none.

_____

   
by Emily Dickinson (1830-86)

   
        How dare the robins sing,
             When men and women hear
        Who since they went to their account
              Have settled with the year!—
        Paid all that life had earned
              In one consummate bill,
        And now, what life or death can do
              Is immaterial.
        Insulting is the sun
              To him whose mortal light
        Beguiled of immortality
              Bequeaths him to the night.
        Extinct be every hum
              In deference to him
        Whose garden wrestles with the dew,
              At daybreak overcome!

                1724

_____

   
by Emily Dickinson (1830-86)

   
        I think the Hemlock likes to stand
        Upon a Marge of Snow—
        It suits his own Austerity—
        And satisfies an awe

        That men, must slake in Wilderness—
        And in the Desert—cloy—
        An instinct for the Hoar, the Bald—
        Lapland’s—necessity—

        The Hemlock’s nature thrives—on cold—
        The Gnash of Northern winds
        Is sweetest nutriment—to him—
        His best Norwegian Wines—

        To satin Races—he is nought—
        But Children on the Don,
        Beneath his Tabernacles, play,
        And Dnieper Wrestlers, run.

                525

_____

   
by Rus Bowden

        a Dracut High School and Bridgewater State College wrestling dad

   
Jacob the Leg Puller

   
        It was late.  With the tribute to his brother
        being herded on its way,
        Jacob, exhausted, decided to stay at camp.

        Unable to sleep, a bit later he rose, took his
        two wives, two maids, eleven children
        and all that he owned, and escorted them

        across the shallow of the rivulet that rises
        and flows:  the Jaboc River.
        With family and belongings well on ahead,

        Jacob returned to camp to be by himself.
        This man appeared and they
        wrestled all night until the twilight of morning.

        When the man realized that he could not win,
        he wrenched Jacob’s hip
        at the socket, popping it out of joint.

        The match continued.
        The man said:  “Let go, morning is here.”
        Jacob replied:  “I won’t let you go unless

        “you give me the award.”
        His opponent said:  “What is your name?”
        “Jacob,” came the reply.  The man spoke:

        “Your name is no longer Jacob the leg puller,
        but Israel the god wrestler.
        You have wrestled divinity as well as humanity

        “and you are the winner.”
        Jacob asked him, “What is your name?”
        He said, “Never mind my name,” and bowed and left.

        Jacob christened that place “Peni-el” saying,
        “Face the divine and live.”
        He limped out of Penuel.  The sun was rising.

_____

by John S. Taylor in 1841

   
Jacob Wrestling with the Angel

   
        Now, by that touch, Mysterious man! I know
        Thy nature’s more than human!—Let thee go!
        Not till thou bless me.  If, through all the night,
        My daring, struggling limbs increas’d in might;
        If thou thy strength attempered e’en to mine,
        If thus resisting I o’ermastered thine;
        Then wilt thou too, my daring speech approve,
        For all thy wrestling was but tender love!
        My name is Jacob—thou hast made me bold,
        Thine arms that have repell’d me, must enfold!
        Thou shalt, Oh Wondrous Stranger! e’er we part—
        Stamp thine eternal blessing on my heart!

        Thy name no more is Jacob!  Thou hast seen
        By faith’s keen vision, what thy trials mean!
        Thy name is Israel!  Knighted Prince of God!
        For thou with him the wrestling ring hast trod!
        Nay–cease!  Ask not for my peculiar name,
        Enough to know ’twill put thy foes to shame:
        Take this white stone—’tis deeply graven there,
        With thine, a token of prevailing prayer!
        Forth to thy work—thy darkest dangers brave,
        My name goes with thee, and ’tis strong to save!

   
Previously published in Jacob wrestling with the angel [sermons]

_____

_____

by Sir Walter Scott (1771-1832)

   
The Lady of the Lake

Canto Fifth (The Combat)

   
        XXIII.

        Now, clear the ring! for, hand to hand,
        The manly wrestlers take their stand.
        Two o’er the rest superior rose,
        And proud demanded mightier foes,—
        Nor called in vain, for Douglas came.—
        For life is Hugh of Larbert lame;
        Scarce better John of Alloa’s fare,
        Whom senseless home his comrades bare.
        Prize of the wrestling match, the King
        To Douglas gave a golden ring,
        While coldly glanced his eye of blue,
        As frozen drop of wintry dew.
        Douglas would speak, but in his breast
        His struggling soul his words suppressed;
        Indignant then he turned him where
        Their arms the brawny yeomen bare,
        To hurl the massive bar in air.
        When each his utmost strength had shown,
        The Douglas rent an earth-fast stone
        From its deep bed, then heaved it high,
        And sent the fragment through the sky
        A rood beyond the farthest mark;
        And still in Stirling’s royal park,
        The gray-haired sires, who know the past,
        To strangers point the Douglas cast,
        And moralize on the decay
        Of Scottish strength in modern day.

_____

   
by Steve Parker

    martial artist and sometime wrestler

   
Lights fall from the Old Man of the Sea

   
        we hold until I am exhausted

        he is a trickling thing of sand
        a scintilla that drains back into the beach

        a shock of trees
        released by strong winds
        he is a fish, a slither
        an eel that flits away
        then has me pinned

        he is all around me
        he clenches, shoves my face
        towards his
        buried down there
        beneath our grinding feet
        iron-eyed our faces

        stare it out underground
        through lock and tremor
        we are two seismic prayers
        to a god divided

        he is a lion he is my mother he is the flicker of songbirds falling
        as black snow in early evening my fingers are wings are poems
        within his smoke we fold back to embrace
        count five sudden things of magic
        stamp and hold tight

        lion mother phantom
        my lost brother
        whistles hard in the waves

        old father in the fallen leaves offshore

        we walk into the sea
        each carrying the other
        light as children who cannot return
        rise only as the tide
        sends up her drowned lanterns

        each with his heart of red sand
        catching, holding

        our breath beyond reach

_____

   
by G.C. Smith

   
Lightweight

   
        At two hundred and twenty today
        this unHogan Hulk knew another time
        way back in the way back when
        he wrestled at a paltry ninety-eight

        Tough monkey that he was at fourteen
        he practiced hard each and every day
        and once a week eliminated all comers
        except that damn hardened skinny senior

        He never made it to interschool competition
        the skinny bastard senior saw to that
        but, still, he got a lot from trying
        before he switched off to other things

        Looking back some fifty seven years
        it’s nigh impossible to recollect
        that wiry freckled fourteen year old
        taking on all comers at a lightweight ninety-eight

_____

   
by Emily Dickinson (1830-86)

   
        A little East of Jordan,
        Evangelists record,
        A Gymnast and an Angel
        Did wrestle long and hard—

        Till morning touching mountain—
        And Jacob, waxing strong,
        The Angel begged permission
        To Breakfast—to return—

        Not so, said cunning Jacob!
        “I will not let thee go
        Except thou bless me”—Stranger!
        The which acceded to—

        Light swung the silver fleeces
        “Peniel” Hills beyond,
        And the bewildered Gymnast
        Found he had worsted God!

                59

_____

   
by Emily Dickinson (1830-86)

   
        Longing is like the Seed
        That wrestles in the Ground,
        Believing if it intercede
        It shall at length be found.

        The Hour, and the Clime—
        Each Circumstance unknown,
        What Constancy must be achieved
        Before it see the Sun!

                1255

_____

   
by Emily Dickinson (1830-86)

   
        Musicians wrestle everywhere—
        All day—among the crowded air
              I hear the silver strife—
        And—walking—long before the morn—
        Such transport breaks upon the town
              I think it that “New Life”!

        If is not Bird—it has no nest—
        Nor “Band”—in brass and scarlet—drest—
              Nor Tamborin—nor Man—
        It is not Hymn from pulpit read—
        The “Morning Stars” the Treble led
              On Time’s first Afternoon!

        Some—say—it is “the Spheres”—at play!
        Some say that bright Majority
              Of vanished Dames—and Men!
        Some—think it service in the place
        Where we—with late—celestial face—
              Please God—shall Ascertain!

                157

_____

_____

   
by Steve Meador

    Defiance OH High School and Defiance College wrestler, 1969-1974

   
Muster

   
        The prairie meets the mountains at a place
        where the journey ends for the meek or weak.
        Here, cougar cunning versus buffalo strength
        versus diamondback lightning, and survival
        is measured in the ability to circle and strike,
        grip and twist, lunge and sprawl, stand or fall.
        It’s a lonely place where a man crawls inward,
        communes with a creature that will lead or carry
        him to the peak.  The only sounds are a chinook
        gathering strength as it blows from the fringes,
        sink it Sink it Sink It Sink IT SINK IT!
        On your toes.  Drive Drive DRIVEDRIVEDRIVE!
        and a clap of thunder that slaps against the hardpan.

_____

   
by Rane Arroyo

   
My Wrestler

   
        My ex-lover was a wrestler,
        liked the strain of power against
        the rumors:  two men.  There was
        a gain in him showing me the basic
        positions and me only pinning him
        once.  Maybe he let me.  The girls
        wanted him, wanted to haunt him,
        but he’d kiss me in the gym and
        no one dared to mess with him,
        the message clear:  in America,
        we have free will.  I think of
        Whitman’s brief reference to
        shirtless wrestlers, but closer
        to home, my lover would go
        to his opponent and there was
        an art to his rage.  And I felt like
        the lover in The Great White Hope:
        all sidelines, unsure how this became
        my life, that I was courageous too,
        in my own way, as I screamed,
        flip him now!  Nothing like having
        to fail in front of your boyfriend when
        the world hated us.  The future will
        not understand how important that
        he and I wrestled angels with moral
        messages because we made each
        other pure.  He’d kissed me to piss off
        people and I kissed him back because
        he was sweaty, tired, and proud of
        me for being proud of him.  He had
        never lost a match, but then he lost me.

_____

   
by Don Schaeffer

   
Passion Fruits

   
        While others
        built with wood
        I was making toys of cardboard tubes
        and paper clips,

        blonde shickza
        taking me to her bedroom
        and making me late
        for fourth period math class,

        and teacher thinking I went
        to the devil,
        wrestling match adventure,
        the best experiences

        were in the games.
        When the others were
        risking everything,
        close to death

        in the throws of passion,
        I didn’t dare
        go after
        the sweetest fruits.

   
Previously seen at Don Schaeffer’s Poems

_____

   
by Judy Swann

    an Ithaca High School wrestling mom

   
Pin

   
        I am fourteen years old
        muscles held together with skin and grit
        goaty, an ephebe, tufty hair above my lip
        for one eighth of one inch the red slow twitch
        of blood pricks my lats in a thousand points
        and I my body, its dozen senses, am my body
        upright levator scapulae
        sucking the muscles of my tongue
        and measuring you
        brachioradialis
        plectrum—
        I am hundreds of muscles.

        My eyes are muscles that see
        you shoot before your breath burns
        across my lynx ears.
        I am on you, nociceptor, know me.

        Lacrimae, lacrimae I press you back.
        I am all muscle and you
        are finished.

        Ref slaps the mat.

_____

   
by Judy Swann

    an Ithaca High School wrestling mom

   
Pinned

   
        Its medal is the oldest trophy
        awarded in Western athletics.
        Its communion attracts few females.
        Still it’s not like joining the Marines,
        not like the feuds of pushtunwali
        where a man seals clan triumph
        by drinking the guy’s blood.
        But it does man you up
        and despite its claim to being a team
        sport, it is not.
        The ferrety mass of your opponent
        the slug of his sweat on your throat
        that last inch
        is you losing, not your yelling coach or
        the guy next weight up, it’s all you
        when you lose.

_____

_____

   
for Eva

   
by Susie DeFord

   
Powerboat Pit Bull

   
        Cartoon paws spread web-wide, wiggle
        a little two-step upon arrival.  A brindle-
        brown wild tigress, snakeskin sheen,
        slithering along the walls of Brooklyn

                  buildings.  Nosing my knees, knocking
                  legs out beneath or hammerhead sharking
                  shins shiny amethyst wine.  Street thugs
                  saunter and say, “Hey, nice Pit.”  Tail

        between legs, Cowardly Lion, eyes wide,
        ears perked, city construction sounds
        and strangers scary.  You powerboat-pull
        me, pavement water-skier, into Lucy’s lair.

                  She’s your best girl, block buddy, partner
        in grime.  You rocket launch upstairs amidst
                  laughing doorman Rudolpho’s stares, drag
        me tripping upwards along.  Release the beast,
                  Lucy’s out, it’s on!  Attempts to extinguish

        exuberance, but you’re gone.  You pounce,
                  pitching paws, and prancing like a boxer.
        I’m the gong, match marker, stopper, clocker.

        Lucy flings into the ring with a facebuster,

                            your muscles bulge a moonsault.  Pause

                  downward  dog, then in again Banana Split

                            and Peekout scouting your next move.  Gong

        song, Luchadoras leap into the elevator,

        endorphins emanating, meek from misbehaving,
        both sit solemnly, silly silent grins, bout breathless.

_____

   
by Emily Dickinson (1830-86)

   
        The pretty Rain from those sweet Eaves
        Her unintending Eyes—
        Took her own Heart, including ours,
        By innocent Surprise—

        The wrestle in her simple Throat
        To hold the feeling down
        That vanquished her—defeated Feat—
        Was Fervor’s sudden Crown—

                1426

_____

   
by Drax Ireland

   
from the Funeral Games in Honour of Patroclus, after Homer, The Iliad, Book XXIII

   
The Prizegiving

   
        ‘Noëmon friend of Antilochos
        lead the mare away’
        as Menelaus himself took the glittering cauldron.
        Fourth, as driven, Meriones carried off the two talents’ weight of gold.
        Only the two handed jar was left.
        Achilles carried it through the Argives to Nestor,

        standing there he spoke;—

        ‘Elder, in memory of Patrokulus, a treasure for you to lay away,
        He is gone from the Argives for evermore
        this prize mine to give for the giving
        for you will not fight with fists or wrestle with limbs
        nor stand with the spear throwers
        nor race fleet footed
        as age claims her due’

        Speaking thus he placed it in Nestor’s hands
        who answered with joy

        ‘Yes youth you speak truth
        my limbs betray me as do my feet
        my friend
        my arms swing ponderous
        I wish for youth and strength within me
        as it was with Amaryngkeus and the Epeians at Bouprasion,
        the sons kings’ funeral games
        I was alone among the Epeians
        and the Pylians and the brave Aitolians
        Klytomedes, the son of Enops fell to my fists
        Angkaios of Pleuron I wrestled to the floor
        I outran the fast Iphiklos
        Polydoros and Phyleus watched my spear fly away
        only the chariot of the sons of Aktor defeated me
        crowd crossing champions chasing the prize
        the twins of Aktor, as one held the reins loose the other lashed the horses

        But this all in the past . . .

        An Elder must make way for youth
        I embrace my aging, an old hero among the young
        Enough of me, more to the contest in honour of your friend
        I take this prize with joy and a happy heart
        to be remembered, a kindness,
        I am not forgotten the honour due to me among the Achaians
        for this may the gods grant you great happiness.’

_____

   
for Adam

   
by David Hernandez

   
Proof

   
        Once he wrestled a bear, he said,
        in a bar off-campus with eyes
        glossy from lager, he wrestled
        a bear.  Claws and all, black fur
        and the salmon of its muscles
        leaping under the black fur.
        Wrestled and won, he said,
        the bear pinned and snorting,
        pinned and one hundred pounds
        heavier, with claws, with claws
        and teeth, the electric blue current
        of animal instinct.  I was gullible
        once, under kindergarten lights
        with glitter and paste, building
        a galaxy.  A boy stole my stars
        once, a bigger boy I wrestled
        under the night of blackboard.
        Wrestled and lost, pinned
        and weeping with my back
        to the carpet, with the fireflies
        of glitter dazzling on my skin.
        To the man who said he wrestled
        a bear, wrestled and won, I said,
        You’re full of bear shit.  But
        a scar is proof and so began
        the slow striptease of a pant leg
        rolled to his knee.  There, he said.
        And his story sparkled on his flesh.

   
Previously published in Gulf Coast, Summer/Fall 2006

_____

   
by Muhammad Afzal Mirza and Muhammad Amir Sheikh

   
from the biographies of Prophet Muhammad, peace be upon him

   
Rakana vs. Prophet Muhammad

   
        While preaching in Mecca,
        Prophet Muhammad encountered
        Rakana, a famous wrestler there.
        A discussion started

        and the wrestler challenged him saying,
        “If you defeat me in a wrestling match,
        I will accept Islam.”
        They wrestled and the Prophet defeated him.

        Being a good wrestler, Rakana could not
        accept this defeat and challenged
        for another match, losing a second time.
        Rakana requested a third match.

        After this defeat, he honored
        his word and accepted Islam.

_____

   
by Lori Desrosiers

   
Real Wrestling

   
        Weighed in, lots drawn,
        smelling of puke and sweat,
        chewing on black mouth guards,
        the one in the yellow shorts
        vs. the one in the blue shorts.
        Referee in black socks
        and black plimsolls
        blows his whistle.
        Men fall together, splat!
        Tangle of legs, arms,
        swish of dripping sweat,
        meat against mat,
        a mass of bone and tendons,
        faces contorted in pain.
        The mat chairman amasses points
        judge verifies the fall, the touche.
        The referee calls it:
        Yellow shorts, black and blue,
        the victor by nine points.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
Reversal

   
        You can’t execute a successful Granby Roll
        if you can’t believe you can be a wrecking ball
        and bounce

        Pop your hips toward the sky
        make your body an A-frame
        post your weight on your left hand

        Ready yourself for your quake
        hop your left foot in front
        of your right, now blow
        your house from its moorings,
        duck your head and make your
        break violent

        The Granby Roll will not work
        if you don’t have faith in your
        own momentum, you cannot quit
        halfway, your naked shoulders
        exposed to the mat’s cold mercy

        You must believe you can ravage
        your own symmetry and survive

        Now try it from standing up
        you are human, tall on two legs
        and you can dive and spin
        from upright too

        It’s hop, hop, go

        Don’t let your fear of falling
        failure, falling, failure, don’t
        let fear of falling fail you,
        failure fall you, dive,
        dive—trust your dive,
        and roll.

   
Previously published in The Ann Arbor Chronicle

_____

   
by Emily Dickinson (1830-86)

   
        Some we see no more, Tenements of Wonder
        Occupy to us though perhaps to them
        Simpler are the Days than the Supposition
        Leave us to presume

        That oblique Belief which we call Conjecture
        Grapples with a Theme stubborn as Sublime
        Able as the Dust to equip its feature
        Adequate as Drums
        To enlist the Tomb.

                1221

_____

   
by Henry Wadsworth Longfellow (1807-1882)

   
The Song of Hiawatha

Chapter 5, Hiawatha’s Fasting

   
        You shall hear how Hiawatha
        Prayed and fasted in the forest,
        Not for greater skill in hunting,
        Not for greater craft in fishing,
        Not for triumphs in the battle,
        And renown among the warriors,
        But for profit of the people,
        For advantage of the nations.

        First he built a lodge for fasting,
        Built a wigwam in the forest,
        By the shining Big-Sea-Water,
        In the blithe and pleasant Spring-time,
        In the Moon of Leaves he built it,
        And, with dreams and visions many,
        Seven whole days and nights he fasted.

        On the first day of his fasting
        Through the leafy woods he wandered;
        Saw the deer start from the thicket,
        Saw the rabbit in his burrow,
        Heard the pheasant, Bena, drumming,
        Heard the squirrel, Adjidaumo,
        Rattling in his hoard of acorns,
        Saw the pigeon, the Omeme,
        Building nests among the pinetrees,
        And in flocks the wild-goose, Wawa,
        Flying to the fen-lands northward,
        Whirring, wailing far above him.
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the next day of his fasting
        By the river’s brink he wandered,
        Through the Muskoday, the meadow,
        Saw the wild rice, Mahnomonee,
        Saw the blueberry, Meenahga,
        And the strawberry, Odahmin,
        And the gooseberry, Shahbomin,
        And the grape-vine, the Bemahgut,
        Trailing o’er the alder-branches,
        Filling all the air with fragrance!
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the third day of his fasting
        By the lake he sat and pondered,
        By the still, transparent water;
        Saw the sturgeon, Nahma, leaping,
        Scattering drops like beads of wampum,
        Saw the yellow perch, the Sahwa,
        Like a sunbeam in the water,
        Saw the pike, the Maskenozha,
        And the herring, Okahahwis,
        And the Shawgashee, the crawfish!
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the fourth day of his fasting
        In his lodge he lay exhausted;
        From his couch of leaves and branches
        Gazing with half-open eyelids,
        Full of shadowy dreams and visions,
        On the dizzy, swimming landscape,
        On the gleaming of the water,
        On the splendor of the sunset.

        And he saw a youth approaching,
        Dressed in garments green and yellow,
        Coming through the purple twilight,
        Through the splendor of the sunset;
        Plumes of green bent o’er his forehead,
        And his hair was soft and golden.

        Standing at the open doorway,
        Long he looked at Hiawatha,
        Looked with pity and compassion
        On his wasted form and features,
        And, in accents like the sighing
        Of the South-Wind in the tree-tops,
        Said he, “O my Hiawatha!
        All your prayers are heard in heaven,
        For you pray not like the others;
        Not for greater skill in hunting,
        Not for greater craft in fishing,
        Not for triumph in the battle,
        Nor renown among the warriors,
        But for profit of the people,
        For advantage of the nations.

        “From the Master of Life descending,
        I, the friend of man, Mondamin,
        Come to warn you and instruct you,
        How by struggle and by labor
        You shall gain what you have prayed for.
        Rise up from your bed of branches,
        Rise, O youth, and wrestle with me!”

        Faint with famine, Hiawatha
        Started from his bed of branches,
        From the twilight of his wigwam
        Forth into the flush of sunset
        Came, and wrestled with Mondamin;
        At his touch he felt new courage
        Throbbing in his brain and bosom,
        Felt new life and hope and vigor
        Run through every nerve and fibre.

        So they wrestled there together
        In the glory of the sunset,
        And the more they strove and struggled,
        Stronger still grew Hiawatha;
        Till the darkness fell around them,
        And the heron, the Shuh-shuh-gah,
        From her nest among the pine-trees,
        Gave a cry of lamentation,
        Gave a scream of pain and famine.

        “‘T is enough!” then said Mondamin,
        Smiling upon Hiawatha,
        “But tomorrow, when the sun sets,
        I will come again to try you.”
        And he vanished, and was seen not;
        Whether sinking as the rain sinks,
        Whether rising as the mists rise,
        Hiawatha saw not, knew not,
        Only saw that he had vanished,
        Leaving him alone and fainting,
        With the misty lake below him,
        And the reeling stars above him.

        On the morrow and the next day,
        When the sun through heaven descending,
        Like a red and burning cinder
        From the hearth of the Great Spirit,
        Fell into the western waters,
        Came Mondamin for the trial,
        For the strife with Hiawatha;
        Came as silent as the dew comes,
        From the empty air appearing,
        Into empty air returning,
        Taking shape when earth it touches,
        But invisible to all men
        In its coming and its going.

        Thrice they wrestled there together
        In the glory of the sunset,
        Till the darkness fell around them,
        Till the heron, the Shuh-shuh-gah,
        From her nest among the pine-trees,
        Uttered her loud cry of famine,
        And Mondamin paused to listen.

        Tall and beautiful he stood there,
        In his garments green and yellow;
        To and fro his plumes above him,
        Waved and nodded with his breathing,
        And the sweat of the encounter
        Stood like drops of dew upon him.

        And he cried, “O Hiawatha!
        Bravely have you wrestled with me,
        Thrice have wrestled stoutly with me,
        And the Master of Life, who sees us,
        He will give to you the triumph!”

        Then he smiled, and said:  “To-morrow
        Is the last day of your conflict,
        Is the last day of your fasting.
        You will conquer and o’ercome me;
        Make a bed for me to lie in,
        Where the rain may fall upon me,
        Where the sun may come and warm me;
        Strip these garments, green and yellow,
        Strip this nodding plumage from me,
        Lay me in the earth, and make it
        Soft and loose and light above me.

        “Let no hand disturb my slumber,
        Let no weed nor worm molest me,
        Let not Kahgahgee, the raven,
        Come to haunt me and molest me,
        Only come yourself to watch me,
        Till I wake, and start, and quicken,
        Till I leap into the sunshine”

        And thus saying, he departed;
        Peacefully slept Hiawatha,
        But he heard the Wawonaissa,
        Heard the whippoorwill complaining,
        Perched upon his lonely wigwam;
        Heard the rushing Sebowisha,
        Heard the rivulet rippling near him,
        Talking to the darksome forest;
        Heard the sighing of the branches,
        As they lifted and subsided
        At the passing of the night-wind,
        Heard them, as one hears in slumber
        Far-off murmurs, dreamy whispers:
        Peacefully slept Hiawatha.

        On the morrow came Nokomis,
        On the seventh day of his fasting,
        Came with food for Hiawatha,
        Came imploring and bewailing,
        Lest his hunger should o’ercome him,
        Lest his fasting should be fatal.

        But he tasted not, and touched not,
        Only said to her, “Nokomis,
        Wait until the sun is setting,
        Till the darkness falls around us,
        Till the heron, the Shuh-shuh-gah,
        Crying from the desolate marshes,
        Tells us that the day is ended.”

        Homeward weeping went Nokomis,
        Sorrowing for her Hiawatha,
        Fearing lest his strength should fail him,
        Lest his fasting should be fatal.
        He meanwhile sat weary waiting
        For the coming of Mondamin,
        Till the shadows, pointing eastward,
        Lengthened over field and forest,
        Till the sun dropped from the heaven,
        Floating on the waters westward,
        As a red leaf in the Autumn
        Falls and floats upon the water,
        Falls and sinks into its bosom.

        And behold! the young Mondamin,
        With his soft and shining tresses,
        With his garments green and yellow,
        With his long and glossy plumage,
        Stood and beckoned at the doorway.
        And as one in slumber walking,
        Pale and haggard, but undaunted,
        From the wigwam Hiawatha
        Came and wrestled with Mondamin.

        Round about him spun the landscape,
        Sky and forest reeled together,
        And his strong heart leaped within him,
        As the sturgeon leaps and struggles
        In a net to break its meshes.
        Like a ring of fire around him
        Blazed and flared the red horizon,
        And a hundred suns seemed looking
        At the combat of the wrestlers.

        Suddenly upon the greensward
        All alone stood Hiawatha,
        Panting with his wild exertion,
        Palpitating with the struggle;
        And before him breathless, lifeless,
        Lay the youth, with hair dishevelled,
        Plumage torn, and garments tattered,
        Dead he lay there in the sunset.

        And victorious Hiawatha
        Made the grave as he commanded,
        Stripped the garments from Mondamin,
        Stripped his tattered plumage from him,
        Laid him in the earth, and made it
        Soft and loose and light above him;
        And the heron, the Shuh-shuh-gah,
        From the melancholy moorlands,
        Gave a cry of lamentation,
        Gave a cry of pain and anguish!

        Homeward then went Hiawatha
        To the lodge of old Nokomis,
        And the seven days of his fasting
        Were accomplished and completed.
        But the place was not forgotten
        Where he wrestled with Mondamin;
        Nor forgotten nor neglected
        Was the grave where lay Mondamin,
        Sleeping in the rain and sunshine,
        Where his scattered plumes and garments
        Faded in the rain and sunshine.

        Day by day did Hiawatha
        Go to wait and watch beside it;
        Kept the dark mould soft above it,
        Kept it clean from weeds and insects,
        Drove away, with scoffs and shoutings,
        Kahgahgee, the king of ravens.

        Till at length a small green feather
        From the earth shot slowly upward,
        Then another and another,
        And before the Summer ended
        Stood the maize in all its beauty,
        With its shining robes about it,
        And its long, soft, yellow tresses;
        And in rapture Hiawatha
        Cried aloud, “It is Mondamin!
        Yes, the friend of man, Mondamin!”

        Then he called to old Nokomis
        And Iagoo, the great boaster,
        Showed them where the maize was growing,
        Told them of his wondrous vision,
        Of his wrestling and his triumph,
        Of this new gift to the nations,
        Which should be their food forever.

        And still later, when the Autumn
        Changed the long, green leaves to yellow,
        And the soft and juicy kernels
        Grew like wampum hard and yellow,
        Then the ripened ears he gathered,
        Stripped the withered husks from off them,
        As he once had stripped the wrestler,
        Gave the first Feast of Mondamin,
        And made known unto the people
        This new gift of the Great Spirit.

_____

   
by Emily Dickinson (1830-86)

   
        Still own thee—still thou art
        What surgeons call alive—
        Though slipping—slipping I perceive
        To thy reportless Grave—

        Which question shall I clutch—
        What answer wrest from thee
        Before thou dost exude away
        In the recallless sea?

                1633

_____

   
by Susan Kelly-Dewitt

   
Sumo

   
        Five crabs apiece, dinner after,
        then the obligatory zzzzzzzzz’s.
        Fat chance blubber

        can work itself off with this
        routine.  They squat on the dohyo
        inside “the snake’s eye”

        the Shinto priest has blessed:
        550 pounds of meat.  Tough
        disciplined blimps

        with hearts like venous seeds.
        The gods themselves may touch
        down among them tonight.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
Takedown

   
        When you step to the mat
        you will face an opponent
        the same weight

        You will hurt him
        or he will hurt you

        At the referee’s whistle
        you will fight from neutral

        Shuffle step, shuffle step, circle, circle, feint

        Let your legs be lampposts with panther feet

        You are a surfer on soil
        solid and liquid and solid
        again and in between teetering a clean
        green line on a carpenter’s level

        Circle, shuffle, circle, shuffle

        Knees bent, get low, lower, head up
        you are rolling shoulder grunt
        and crackling bolt from skull
        to toe, you cannot be thrown,
        but you will throw

        This is how you take a wrestler down
        you circle and feint, shuffle and feint
        grip and twist, the rhythm of your body
        a sacred hiss and you must dizzy his

        You must live for the split-second
        bulwark crack—you are one
        juggernaut knife and you will
        not be denied, you will penetrate
        low and drive

        you are a merciless thief
        and you will steal
        his ground

_____

   
by Emily Dickinson (1830-86)

   
        ‘Tis so appalling—it exhilarates—
        So over Horror, it half Captivates—
        The Soul stares after it, secure—
        A Sepulchre, fears frost, no more—

        To scan a Ghost, is faint—
        But grappling, conquers it—
        How easy, Torment, now—
        Suspense kept sawing so—

        The Truth, is Bald, and Cold—
        But that will hold—
        If any are not sure—
        We show them—prayer—
        But we, who know,
        Stop hoping, now—

        Looking at Death, is Dying—
        Just let go the Breath—
        And not the pillow at your Cheek
        So Slumbereth—

        Others, Can wrestle—
        Yours, is done—
        And so of Woe, bleak dreaded—come,
        It sets the Fright at liberty—
        And Terror’s free—
        Gay, Ghastly, Holiday!

                281

_____

   
by Edmund Waller (1606-87)

   
To Zelinda

   
        Fairest piece of well-form’d earth!
        Urge not thus your haughty birth;
        The power which you have o’er us lies
        Not in your race, but in your eyes.
        ‘None but a prince!’—Alas! that voice
        Confines you to a narrow choice.
        Should you no honey vow to taste,
        But what the master-bees have placed
        In compass of their cells, how small
        A portion to your share would fall!
        Nor all appear, among those few,
        Worthy the stock from whence they grew.
        The sap which at the root is bred
        In trees, through all the boughs is spread;
        But virtues which in parents shine,
        Make not like progress through the line.
        ‘Tis not from whom, but where, we live;
        The place does oft those graces give.
        Great Julius, on the mountains bred,
        A flock perhaps, or herd, had led.
        He that the world subdued, had been
        But the best wrestler on the green.
        ‘Tis art and knowledge which draw forth
        The hidden seeds of native worth;
        They blow those sparks, and make them rise
        Into such flames as touch the skies.
        To the old heroes hence was given
        A pedigree which reached to heaven;
        Of mortal seed they were not held,
        Which other mortals so excell’d.
        And beauty, too, in such excess
        As yours, Zelinda! claims no less.
        Smile but on me, and you shall scorn,
        Henceforth, to be of princes born.
        I can describe, the shady grove
        Where your loved mother slept with Jove;
        And yet excuse the faultless dame,
        Caught with her spouse’s shape and name.
        Thy matchless form will credit bring
        To all the wonders I shall sing.

_____

   
by Emily Dickinson (1830-86)

   
        ‘Twas Crisis—All the length had passed—
        That dull—benumbing time
        There is in Fever or Event—
        And now the Chance had come—

        The instant holding in its claw
        The privilege to live
        Or warrant to report the Soul
        The other side the Grave.

        The Muscles grappled as with leads
        That would not let the Will—
        The Spirit shook the Adamant—
        But could not make it feel.

        The Second poised—debated—shot—
        Another had begun—
        And simultaneously, a Soul
        Escaped the House unseen—

                948

_____

   
by Emily Dickinson (1830-86)

   
        Two swimmers wrestled on the spar—
        Until the morning sun—
        When One—turned smiling to the land—
        Oh God! the Other One!

        The stray ships—passing—
        Spied a face—
        Upon the waters borne—
        With eyes in death—still begging raised—
        And hands—beseeching—thrown!

                201

_____

   
by Michael D. Snediker

   
Wrestling Song

   
        Our spandex clung like denouement
        to limbs as fast as lariats,
        lassoed and whipped Kabuki acts
        from bodies cool and pale as Noh.

        You wooed me into a dragon-screw,
        then suplexed hard against the mat;
        pescadoed putti bullied and booed,
        your belly locked into my back.

        The putti flocked, and tried to track
        which body clung to this or that,
        which unitarded shoulders shrugged
        trapezii from singlet-straps,

        which hamstring sprung, and elbow blocked
        and ankle pressed a signet’s wax—
        velocity spun our flanks so fast
        we blurred before we’d yet begun.

        A fan in the corner turned its head,
        and in its croon, remembered air;
        while we, in swandives flung, forgot,
        and firebirds of bruises bloomed.

_____

_____

   
by Jayson Iwen

   
Wrestling with Gods

from Six Trips in Two Directions

   
        I’m in a walled garden full of ornamental trees

        A man steps into the blue moonlight from a bluer shadow

        I’ve been waiting for you a long time

        It begins to snow

        Who are you running from

        I listen for my pursuer

        It’s silent but for my own breathing

        What’s in the briefcase

        I don’t know what to say

        Shall we take a look

        I hand him the briefcase, and he opens it

        Ah, my manuscript

        Thank you

        I beg your pardon, I blurt

        I’m sitting at a desk, in a motel right now, copying this dialogue word for word from the manuscript you just gave me

        And this is what I say next

        You see, I made you come here alone

        I made you hand it over

        I even made it snow

        And you

        He points at me

        Made it all possible

        Without even knowing it

        Though, of course, you had your suspicions

        And that’s why you got the job

        I even know what you’re thinking now

        He crouches down and plucks a pebble from the grass, then steps forward and holds it before my eyes

        Here’s your stone, a stone so heavy it breaks my heart at the thought of it, a stone so heavy the whole of creation rises from the depression it has made in time, a stone so heavy with sickness I cannot lift it one moment more or I shall perish

        He tosses it over the garden wall

        ‘Abdu Manaf was the strongest man among the Quraysh, and one day he met the apostle in one of the passes of Mecca alone: “Rukana,” said he, “why won’t you fear God and accept my preaching?”‘

        That simple

        But here’s the real kicker

        There’s an infinite chain of sets of god

        Each self-conscious set containing the previous set within it

        And each emergently conscious one becoming aware of the next larger set

        Becoming it

        For example, one is thinking both of us right now as our story rolls through its mind

        And as long as it holds us, whether we are conscious of it or not, we are part of its infinity

        As the heart of all layers is the utmost layer

        ‘”If I knew that what you say is true I would follow you,” he said’

        You see, common consciousness now is realizing you’re a character in other people’s dreams

        But you’re going a step further

        Listen carefully to who it is you talk to when you’re alone

        The schizophrenic may be the human to the limit

        Will we find who we are talking to one day and see that there is no longer a future, perhaps when we are all together, at the beginning and end of time

        Will we decide to begin again

        ‘The apostle then asked him if he would recognize that he spoke the truth if he threw him, and when he said Yes they began to wrestle, and when the apostle got a firm grip of him he threw him to the ground, he being unable to offer any effective resistance’

        When the whole speaks to the individual

        When I speak to You

        And now you ask

        You want me to worship you

        No, I couldn’t love someone who didn’t consider me their equal

        Besides, I contain only one more than you

        Now that I’m aware of you, what am I supposed to do

        ‘”Do it again, Muhammad,” he said, and he did it again’

        Wrestle me

        Wrestle you

        Yes

        That’s ridiculous

        Every threshold is

        ‘”This is extraordinary,” he said, “can you really throw me”‘

        What are you doing

        He kneels down, turtling himself before me, and I hear his whisper in my ear

        You must make me submit

        But you’ve just submitted

        I’m different than preceding gods that charged like mad bulls

        ‘With their elbows against their elbows, dealt they, knees against knees, head against head, and chest against chest, one another their blows’

        I’m a bit more subtle than that

        As long as I breathe you will breathe my air

        ‘That same night he sent his two wives, his two maids, and his eleven children, across the ford of the Jabbok’

        I’ll just walk away

        You can’t

        I turn to the wall, but it’s risen to the stars

        It glorifies the next greater god to grapple with you

        By contrasting itself with you, it reminds itself what it is

        The cold and night make a silver bouquet of my sigh

        Alright

        ‘Jacob was left alone, and a man wrestled with him until daybreak’

        The voices of my teachers return to me

        You must close the distance between yourself and your opponent so he cannot strike you

        Don’t leave gaps so he can slip an arm or leg in

        If one is flexible enough to do so, one can break holds that strength alone cannot

        Hold him closer than a lover

        ‘When the man saw that he did not prevail against Jacob, he struck him on the hip socket, and Jacob’s hip was put out of joint as he wrestled with him’

        With your right hand grab his collar and with your left hand his belt

        And lift

        Creating just enough space to slide your right foot between his armpit and his thigh

        We’re enlightened through such struggle with the other

        For example, ‘jihad’ is properly defined as an all-encompassing engagement of one’s self with one’s world

        Between one and one’s limitations

        ‘Then the man said, “Let me go, for the day is breaking”‘

        What you call yourself is this conversation between ‘You’ and ‘I’

        Just between you and I

        Move so you are standing on his thighs with both feet

        Through the narrative generated by such struggle is vision most viscerally achieved

        And through the physicality of figuration most effectively transmitted

        ‘But Jacob said, “I will not let you go, unless you bless me”‘

        Now use both hands to hoist up on his collar, while thrusting your feet between his legs to the ground, assuming the ‘back mount’ position

        When I enter a classroom, I don’t see Protestants, Catholics, Sunnis, Shias, Hindus, Buddhists, Maronites, Druze, Agnostics, or Atheists

        I see gods sitting in the desks, filling the room with anxious radiance

        Lay your right arm over his right shoulder and under his chin, with the inside of your arm touching the tender of his neck

        ‘So he said to him, “What is your name?” and he said, “Jacob”‘

        What can I say to keep this uneasy host from tearing the world apart

        I am mortal, and have but this short day of mine with which to grapple

        Grab your left bicep with your right hand and place the back of your left hand behind his head with the palm facing you

        ‘Then the man said, “You shall no longer be called Jacob, but Israel, for you have striven with God and with humans, and have prevailed”‘

        And make a fist

        Each grapples with me in turn and only through flexibility do I survive their superhuman embrace

        Once the fist is made, do the following things to create pressure on the arteries at the sides of his neck

        Bend your left palm away from you

        Flex your biceps

        Squeeze your right forearm toward your right shoulder

        And hold it

        Though the Earth may tremble

        Take these snowflakes, each as similar and as different as the memory of your first kiss recalled at different moments in your life

        I catch one on my tongue and it melts from staggering diversity of design into the unity of water, and diffuses into my bloodstream across the membrane of my parched throat

        It is no longer the blood of a single man

        It is the blood of the universe

        When reading, you think you are merely having a conversation with a writer from elsewhere in spacetime, unpresent and undead

        We drink it endlessly

        As we drink in the sight of our lovers with our eyes

        But you and the text have become part of a greater consciousness, speaking to itself, working something out in its mind

        The sky dripping with what has ever evaporated

        With what has ever condensed from confusion to exhaustion

        What has ever left a stain behind

        As the unconscious ancients were right to assume the voice of conscience they heard was the voice of a god

        What we in the privileged present call consciousness

        You drink the blood of all life

        Of the exhalation we inhabit

        Of earth and stars and endless space

        As knowable as time alone allows

        Wrestling with a god was wrestling with a new form of consciousness that was overcoming you—a new level emerging—and if you lost, you remained in that god’s service—and if you won, you looked down at your feared, beloved, defeated god, lying, panting, on the ground, and for the first time you spoke to yourself—in shock you asked

        What now

        And the voice that answered from then on was your own

        He lies on the torn grass breathing laboriously

        So I’ve defeated you, I say

        Yes

        I was once in your place

        Now we must both move on

        Now you must do what I did then

        First close your eyes

        Now listen carefully to my voice

        Sol sinks below the Earth

        I’m in perfect darkness

        I realize everything I’ve seen has been summoned by voices

        And a new one is articulating a darkness about me

        I touch my eyes

        They’re closed

        I open them

        I’m standing alone on an empty plain, beneath a single burning star

        I raise my hand to my lips

        They’re moving

   
Previously published by Emergency Press

_____

   
by Lori Desrosiers

   
Wrestling with the Poem

   
        We pose opposite one another
        like Hercules and the Cretan Bull,
        but the mad beast gets away from me again,
        terrorizing the lands beyond my desk,
        here in Massachusetts, not in Greece.
        Some days I try to sneak up on him, guerilla style,
        but he dances away,
        snorting at my inadequacies.
        Despite my study of poetics,
        my piece of paper on the wall,
        the innocuous M.F.A.,
        a two year’s journey into conversation,
        followed by workshops with the best of poets,
        a foray into teaching is inspiring,
        a few good sparks, perhaps a flame,
        the match continues.
        We fall together.
        When I find a hold,
        the poem slithers out, that oily boy.
        So, I look for a new move,
        try a poem a day, a practice,
        in thirty days a few good possibilities.
        Now there are thirty new bulls
        wrestling me to the ground.

_____

_____

_____

_____

The poems in this collection are on wrestling—the collegiate and amateur styles—but also how we wrestle with life, where we find wrestling in our lives, plus our gods, prophets and heroes past, those who have wrestled the classic bouts. It is modern and boundary-busting, and at the same time about tradition, a duality significant to both the poetry and wrestling communities. It is not about professional wrestling. Although that would make a wonderful project on its own, there is not enough poetry about amateur wrestling, the collegiate, Olympic, and folk styles.

The rest of this intro will be of interest to you if you would like to use any of the artwork or poetry yourself, and if you are interested in why such a collection came together—maybe for the first time. If not, then scan down to below Catherine Edmunds‘ 2009 drawing called “Greek wrestlers,” and begin reading. If you are looking for a particular poet’s work, or to see if it is included, simply click “Ctrl-F” on your keyboard. Here is a list of the living contributing poets you will find:

        Rane Arroyo
        John D. Berry
        Rus Bowden
        Kimberly Dark
        Susie DeFord
        Lori Desrosiers
        Susan Kelly-Dewitt
        David Hernandez
        Drax Ireland
        Jayson Iwen
        John Jeffire
        Andy Jones
        Jeff Kass
        Steve Meador
        Muhammad Afzal Mirza
        Steve Parker
        Gilbert Pye
        Don Schaeffer
        Muhammad Amir Sheikh
        Michael D. Snediker
        G.C. Smith
        Judy Swann
        Terreson
        John Timpane
        Pamela Uschuk

In lieu of bios, links to the contributors web sites are provided from their names. If you would like to reach them, most of the time you will find contact information there. If not, e-mail me (lowelldude@aol.com), and I will try to connect you.

The works in this collection fall under Creative Commons—Attribution-Noncommercial-Share Alike 3.0 Unported. This way, as you share these poems, the poets’ names remains attached, so that they continue to get credit for their work as it is passed around. In the spirit of this, each piece of artwork used below has just beneath it, as part of the image, an attribution that includes what the work is, who made it, and when. This Creative Commons agreement also protects the artists and poets from someone else making money from their works, but cutting them out. You’ll need permission for such a commercial venture. It allows, however, for you to feel free to share the works, to keep the poems handy and pass them around, and speak them at events. If you have sought these poems out for noncommercial use, wonderful!, please write the poet a thank you, but the answer is already yes.

A few years back, when I was blogging daily at Bud Bloom, November arrived, and the poetry posting necessarily slowed down, as wrestling season was about to begin. My son Dan was wrestling in college at the time, and I was a moderating contributor at MassWrestling.com, working on a comprehensive directory of all collegiate wrestlers from Massachusetts, in order that wrestlers, their family, and friends, could see how their high school wrestlers were faring in college, even if they were still active. Part of this, was to create a comprehensive list of wrestling colleges around the country, which was shared with other wrestling forums in other states. I made a brief post on the poetry blog called Wrestling With Poetry in November. I wanted to include wrestling poetry in that blog, and found some in a translation of Homer’s Iliad, but had difficulty finding it elsewhere. Since creating that blog post, I then noticed that many others who go online in search for “wrestling poetry”, come up with my post. And I always felt that that post was not allowing the searchers to find the jackpot they were looking for. Thus, there is demand, but short supply. This blog post is a wrestling poetry jackpot.

Back in July, I made a call for submissions of new and recent wrestling poems, by posting at over 20 wrestling forums, over 20 poetry forums, and to over 2500 members of Facebook. The response has been remarkable, as you can read for yourself below. And a high percentage of these gifted poets, have been or still are wrestlers or members of the wrestling community themselves. With these poems by living poets, I have merged classics. Included also are fresh translations of classic poems, and renditions of scriptural texts.

My thanks go to all the contributors listed above. Each have been a pleasure to work with. My thanks also to those who have guided this project with ideas, such as Joyce Nower, who turned me onto Emily Dickinson’s many wrestling poems, and Dennis Greene, who reminded me of the classic wrestling scene in Longfellow’s “Song of Hiawatha.” Thanks also to you for finding these poems, for shaking hands with them, and taking the time to read them, even to grapple with them when you hear the metaphoric whistle. It’s your match now, your time to enter the ring.

C.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
All wrestlers practice failing

   
        We need to know what to do
        when we’re getting cranked.

        Inevitably, we will be on our backs.

        Somebody will be tougher, somebody will be quicker, somebody
        will be strong enough to knock us flat.  It’s called looking at the lights
        as if when we’re horizontal and helpless, we’re also gazing at paradise.

        All I know is it’s hot down there.  It stinks.  The friction of your head rubbing
        against the mat could start a bonfire.  The guy who’s decking you is breathing
        in your ear, a rush of panting grunts.  His sweat drips in your hair and your
        girlfriend is watching from the bleachers as his muscles glisten and you are
        buried.  Your teammates are groaning and urging you to keep fighting
        but secretly they doubt you won’t surrender and the referee is cutting
        the air at smaller and flatter angles to signal the shrinking breadth
        between the mat and your shoulders and he poises to slap, he poises
        to slap and that is why every day in practice we must drill and rehearse
        for failure.

        It’s called bridging.  Make your neck a great spoon stirring the soup
        of your head.  Stir it left.  Stir it right.  Hold it.  Hold it.  He will be a ten-
        ton slab trying to break you flat—you must resist, your neck must insist
        no, with your neck no, with your neck no, you must train your neck
        to insist NO.

   
Previously published in Anderbo

_____

   
by Terreson

   
Antaeus’s Son to His Father’s Killer

   
        Here we are, my mercenary Greek,
        back at the same crossroads
        where you bested my father.
        The ground when you pinned him down
        is what defeated you in
        hold after hold or until
        you found the way to filet his strength,
        the way a fisherman’s instinct
        cleans flesh from the bone of earth.

        That’s when you bettered him, pressing him, his feet loose,
        to your chest, enjoying his death.

        But I am not like him whose daughters
        are my mother (earth, air, fire, and water).
        I am the inbred, an avatar
        thread through elements, and whose
        original sin is my source of strength.

        Come to me please, Herakles.
        I wish to press you to my chest
        and see your eyes bulge out when you meet
        my father’s face in each hero’s moment
        defining his one hero’s defeat.

        Revenge is such a useless emotion.
        I don’t want your death; just your lost look
        in the echo of my father’s eyes on the mat.

_____

   
by Emily Dickinson (1830-86)

   
        Artists wrestled here!
        Lo, a tint Cashmere!
        Lo, a Rose!
        Student of the Year!
        For the easel here
        Say Repose!

                110

_____

   
by Gilbert Pye

   
The Ballad of Rukhana

   
        Many people challenged Muhammad at wrestling
        (they didn’t realise he was divine;
        they thought he was an ordinary bloke).

        He pummelled skull, scapula and spine,
        ripped ligament from bone, loved pestling
        puny wrong-believing bodies until they broke.

        One day Rukhana, hideous, colossal, hairy,
        strongest of the Arabs, challenges Muhammad to a bout.
        Muhammad accepts.  Bets are placed.

        The outcome is never in doubt
        (insh’allah); at first both men are wary,
        looking each other over, tense, the taste

        of raw testosterone on their lips;
        then, exponent of the sacred art,
        Muhammad makes his move, nostrils aglow

        with the smell of Rukhana’s skin and heart:
        charge, grapple, throw,
        and the infidel describes a glorious ellipse

        through the air and falls to earth like a kite
        when the wind ceases suddenly as if by decree.
        Muhammad prostrates himself before Allah, Allah

        nods at Muhammad evasively;
        Rukhana and his corner exhibit that pallor
        you see on the face of the better man having lost a fight.

        The crowd go wild, beating their chests, cheering,
        ululating, howling, miming the winning move, bearing
        the victor aloft, cavorting through the souk

        in a tumult of piety and teeth, secretly tearing
        up their betting slips.  Look!
        Allah winks and fades.  He’s disappearing!

_____

   
by Emily Dickinson (1830-86)

   
        Because I could not stop for Death—
        He kindly stopped for me—
        The Carriage held but just Ourselves—
        And Immortality.

        We slowly drove—He knew no haste
        And I had put away
        My labor and my leisure too,
        For His Civility—

        We passed the School, where Children strove
        At Recess—in the Ring—
        We passed the Fields of Gazing Grain—
        We passed the Setting Sun—

        Or rather—He passed Us—
        The Dews drew quivering and chill—
        For only Gossamer, my Gown—
        My Tippet—only Tulle—

        We paused before a House that seemed
        A Swelling of the Ground—
        The Roof was scarcely visible—
        The Cornice—in the Ground—

        Since then—’tis Centuries—and yet
        Feels shorter than the Day
        I first surmised the Horses’ Heads
        Were toward Eternity—

                712

_____

_____

   
by John Timpane

   
Beholder

a translation of Rainer Maria Rilke’s “Der Schauende”

   
        I tell the storm is coming on:
        My anxious windows bear the beat
        Of branches after tedious days.
        I hear the distant things say truths
        That without friend I do not bear
        And without sister cannot love.

        There goes the all-reshaper storm,
        Through the forest, through all time
        And everything is ageless now:
        The landscape, like a verse from Psalms
        Is purpose, heft, eternity.

        Since what we wrestle with is small
        And what contends against us great,
        Let the great storm subdue us, more
        As all things in the world do; then
        We would be distant, never named.

        Our victory is in the small,
        And when we win, the smaller we.
        The Endless, the Superlative
        Does not consent to bend to us.

        The Angel of the Testament
        Came to the wrestlers.  Metal match:
        When their contending tendons stretched
        It felt beneath his fingers like
        The strings of deepening melody.

        The man this Angel overcame
        (He often won without a fight)
        Retired upright and energized,
        Made great by that hard hand, which shaped
        Him new, as if to recreate.
        The vanquished finds a victory
        Not tempting. How he grows is to
        Be pinned by ever-greater gods.

   
by Rainer Maria Rilke’s (1875-1926)

   
Der Schauende

   
        Ich sehe den Bäumen die Stürme an,
        die aus laugewordenen Tagen
        an meine ängstlichen Fenster schlagen,
        und höre die Fernen Dinge sagen,
        die ich nicht ohne Freund ertragen,
        nicht ohne Schwester lieben kann.

        Da geht der Sturm, ein Umgestalter,
        geht durch den Wald und durch die Zeit,
        und alles ist wie ohne Alter:
        die Landschaft, wie ein Vers im Psalter,
        ist Ernst und Wucht und Ewigkeit.

        Wie ist das klein, womit wir ringen,
        was mit uns ringt, wie ist das groß;
        ließen wir, ähnlicher den Dingen,
        uns so vom großen Sturm bezwingen,—
        wir würden weit und namenlos.

        Was wir besiegen, ist das Kleine,
        und der Erfolg selbst macht uns klein.
        Das Ewige und Ungemeine
        will nicht von uns gebogen sein.
        Das ist der Engel, der den Ringern
        des Alten Testaments erschien:
        wenn seiner Widersacher Sehnen
        im Kampfe sich metallen dehnen,
        fühlt er sie unter seinen Fingern
        wie Saiten tiefer Melodien.

        Wen dieser Engel überwand,
        welcher so oft auf Kampf verzichtet,
        der geht gerecht und aufgerichtet
        und groß aus jener harten Hand,
        die sich, wie formend, an ihn schmiegte.
        Die Siege laden ihn nicht ein.
        Sein Wachstum ist:  der Tiefbesiegte
        von immer Größerem zu sein.

_____

   
for the people of Whitefish, Montana

   
by Pamela Uschuk

   
Black Ice

   
        I

        How easy it is to slip.
        Slowing for a switchback’s glazed curve, I
        catch the radio’s news:
                                                    a school bus carrying wrestlers
        from Browning to Whitefish
        over this same unrelenting glare
        has slammed into a tanker
        jacknifed across both lanes.  Then flames
        killing nine in the quick cold.

        Along the polished carbon dip
        and swell of the Blackfoot River, I drive
        over ice so darkly transparent
        the pavement is a well
        whose varnished shaft pulls me sliding,
        an awkward creature
        away from home.

        What needs our sorrow?
        Or passed between the stunned drivers
        when the bus brakes locked
        in that short skid?
        During the first thoughtless seconds, boys
                                                                  becoming men
        dragged friends from the sudden fire, then
        watched, helpless as rocks dislodged by current,
        those they couldn’t reach, their screams lost to
        wind biting across the dreaming world.

        II

        To drive far in this weather—
        the afternoon half-blasted by wind gray as old wood—
        invites hypnotic dreams.
                                                      I recall checking
        the rearview mirror to see
        your farewell shiver, then shrink in silver light.  Love,
        how often we’re forced apart.
        Nothing is so visible as this ice,
        black-humored, a stoic beyond desire.

        III

        There is nothing I can offer
        those boys as healing as their daring, their hearts.
        Tomorrow, I teach poetry in a high school
        not far away.  I slow
        cursing these roads hunched spinal
        with no shoulders for escape.
        Listening to the tick of studden tires on ice,
        I know how fragile the traction
        holding us, what suffering
        edges induce.

        In the furrowed rush of black water
        Frost-grained waves
        grind back into themselves,
        intent on motion to avoid the final freeze across.
        Smoothing rocks, crisp hulls of caddis,
        stone flies, last summer’s storm-rendered windfall,
        the river carves its deeper trough
        widening its embrace.

        IV

        Like a snow bank bursting, snow buntings startle
        from my tires, threading
        the river’s rough hem.
        I envy the birds’ close escape
        as they ascend—
                                         moth fluttery, sudden confetti
        folding black on white
        above the snow-flocked highway—
                                                                 safe to the wild shore.

        Below the indifferent grade
        the current endures.  In dim light
        its dark arms turn from themselves, deceptive
        as the familiar lover.
        I can almost hear water’s porcelain stampede
        against an iced log above rocks
        that bump gratefully inside the swirl
        or hold their own.

        Only the small ceremonies
        of comfort and soaring can cure.
        Unable to build roads for safety, I will
        each speeding log truck, each
        oil tanker back-skidding
        to stay in its narrow lane,
                                                     to grip what can’t be held.
        I wonder what job is worth
        these long winter drives, clinging to slick surfaces
        unpredictable as the metereology of the heart.

        Even though my eyes burn
        tired of the constant play of gray light
        across black ice, there is no time to rest.
                                                       I drive through
        this wilderness against the curve of pavement
        following the river and its restless strain.

   
Previously published in Poetry Magazine and by Wings Press in her book Scattered Risks

_____

_____

   
by John Jeffire

    1995 NAIA national collegiate coach of the year

   
Coach Talks to the Wrestling Team the Day
Before the Eastside Match
   
   
Wrestling room air thick
as an amazonian afternoon
stinkheavy with years
of sweat that not even buckets of
uncut bleach can defeat.
I was still three pounds over
my weight class before practice
and I’m grateful
for more sprints back and forth
from padded wall to padded wall
wading through 90 degree fog
in two t-shirts and three sweatshirts
and two pairs of longjohns
under my sweatpants
sweating, sweating, ounce by ounce
closer to weight, but coach
calls us in and orders us
to take a knee.
His right ear a piece
of popcorn flesh glued
to the side of his head
his eyebrows rubbed off from
years of skullgrinding
his nose crooked as
a broken arm of lightning
his knees crisscrossed
by crazed scartissue worms
he walks like
a wheelchair is days away
but somehow he wrestles us like
a landmine eating handgrenades
exploding our bodies
across the mildewed mats.
We love him
like a father
especially those of us
who have no fathers.
He speaks.
We listen.
The coach from State, he begins,
is gonna be at the match tomorrow.
He’s recruiting Hendry from Eastside,
none a you dumbasses, but he’s
an old pal a mine.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
we hate Hendry
defending state champ who stole
Kraznicki’s girlfriend last summer
at our town’s Dairy Queen
none of us could ever beat him
but we can take Eastside as a team.
Now, any a you jokers
ever think about college?
Sweat drips down my nose
onto the rubber mat.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
none of us has thought of college.
LaDuke, who has failed Freshman English
twice and lives in the metal shop, though,
says, Yeah, I thought about it,
and even coach knows he’s lying.
Yeah?  Coach says. So what exactly
you want to study, LaDuke?
Sweat drips down his nose.
He thinks.
He answers,
I dunno, maybe buildin’ stuff.
Something like a smile
creases Coach’s scarred mouth.
We smile, waiting for the verdict.
Building stuff, huh? asks Coach
then he shows us that ragged row
of chipped crocodile teeth.
We laugh on cue
not really sure what is so funny.
Cut the crap, says Coach
and the mice and roaches in this decayed
corner of the school take cover.
What about you, Camel Jockey?
I am Camel Jockey.
I was still three pounds over
before practice and somewhere
in the frozen air above our town
21 pounds of me has been stolen
since season began in November.
I am sick of cutting weight
but I’m so close now
and tomorrow we can take Eastside.
You got some A’s, didn’t you? Coach asks.
True, I got some A’s but
my parents own a bar where
I cook Italian sausage sandwiches
and butter garlic bread in front
of a 700 degree oven after practice
still dressed in sweat clothes
trying to drain off those last few ounces
wishing I could just lick the grease
off the prep counter or sneak a few
slices of Genoa salami and not be overweight
but I’m ranked in the district
at 112 pounds and the team
needs the points
if we’re gonna take leagues in two weeks.
You’re smart enough, Camel, and you could be
tough enough with a few more ass whuppins,
says Coach, so whattaya think?
I can talk to the coach at State,
see what he thinks a you tomorrow.
I look over at LaDuke who
looks at Brophy who looks
at Washington the heavyweight . . .
sweat drips down my nose
and my mouth is coated in cotton
and if I’m lucky, really lucky
I only have another pound to lose
and maybe if we stop all this talk
about college and start running again
I can eat half an orange
and drink a cup of milk after work tonight
before drifting off to sleep.

_____

   
by Kimberly Dark

   
Contact

   
        In pairs, they fall together again and again,
        shoulder to shoulder, neck to neck,
        heads close, they take on each others weight
        with pleasure.

        It looks like pleasure, an intimate pleasure,
        an embrace—until the feet dig in and
        the choreographed tussle begins.
        It looks like pleasure
        and so it must be
        for what would hold them,
        hour after hour,
        in these forms of embrace,
        bodily pressure, contact—
        if not pleasure.

        The environment is daunting, after all.
        The grunts and shuffling feet,
        yells of coaches create a noise
        that even in its power
        cannot rise above the hot stench
        of bodies, struggling.
        A steamy-loud-funk escapes the room
        and they are all writhing in the midst of it—
        creating a steamy hot punk funk
        109-summer-degrees outside
        and inside, the steam rises from their bodies.

        This is how young men must touch each other—
        hug, hold one another’s bodies—
        without provoking disdain
        without fear of abuse
        without loss, loss, loss,
        loss of everything

        Summer wrestling camp,
        the south gym at Fresno State University
        is a giant room with hardwood floors
        big blue mats hauled in two days ago
        to cushion prancing feet and falls,
        to guard the flesh and bones of boy’s tumbles,
        shield knees from harm.

        The door between the sunny day
        and the stench of wrestlers
        seems an easily passable
        portal between worlds.
        The gym is dark and slightly cooler
        than the noon-time brightness
        and yet within each wrestler,
        a sun glows
        drenching his clothes and skin
        with sweat.

        At the call of the coaches they
        “BREAK! Give me 5 sit-ups!”
        Then they’re back at it again
        falling together, shoulder to shoulder,
        enacting the forms of contact
        common to the sport—
        the rituals of contact within
        the tightly controlled container
        of combat and propriety.
        Intimate propriety; their suns shine
        making the paint want to peel
        in the stench.
        They fall together again and again
        constrained by the form as they
        make vital, human contact.

_____

   
by John D. Berry

    martial artist, Oakland CA

   
Contest
   
   
Stillness,
Before beginning,
Focus narrows,
To target,
Sounds diminish,
Without silence.
   
The movie runs,
In your head,
Which moves,
Counter moves,
How victory,
Will come.
   
Move,
No thought,
No mind,
Breathe,
The referee’s signal,
It begins.

_____

   
by Emily Dickinson (1830-86)

   
        The Drop, that wrestles in the Sea—
        Forgets her own locality—
        As I—toward Thee—

        She knows herself an incense small—
        Yet small—she sighs—if All—is All—
        How larger—be?

        The Ocean—smiles—at her Conceit—
        But she, forgetting Amphitrite—
        Pleads—”Me”?

                284

_____

_____

   
by Alfred Noyes (1880-1958)

   
Enceladus

   
        In the Black Country, from a little window,
        Before I slept, across the haggard wastes
        Of dust and ashes, I saw Titanic shafts
        Like shadowy columns of wan-hope arise
        To waste, on the blear sky, their slow sad wreaths
        Of smoke, their infinitely sad slow prayers.
        Then, as night deepened, the blast-furnaces,
        Red smears upon the sulphurous blackness, turned
        All that sad region to a City of Dis,
        Where naked, sweating giants all night long
        Bowed their strong necks, melted flesh, blood and bone,
        To brim the dry ducts of the gods of gloom
        With terrible rivers, branches of living gold.

        O, like some tragic gesture of great souls
        In agony, those awful columns towered
        Against the clouds, that city of ash and slag
        Assumed the grandeur of some direr Thebes
        Arising to the death-chant of those gods,
        A dreadful Order climbing from the dark
        Of Chaos and Corruption, threatening to take
        Heaven with its vast slow storm.
                                                              I slept, and dreamed.
        And like the slow beats of some Titan heart
        Buried beneath immeasurable woes,
        The forging-hammers thudded through the dream:

        Huge on a fallen tree,
        Lost in the darkness of primeval woods,
        Enceladus, earth-born Enceladus,
        The naked giant, brooded all alone.
        Born of the lower earth, he knew not how,
        Born of the mire and clay, he knew not when,
        Brought forth in darkness, and he knew not why!

        Thus, like a wind, went by a thousand years.

        Anhungered, yet no comrade of the wolf,
        And cold, but with no power upon the sun,
        A master of this world that mastered him!

        Thus, like a cloud, went by a thousand years.

        Who chained this other giant in his heart
        That heaved and burned like Etna?  Heavily
        He bent his brows and wondered and was dumb.

        And, like one wave, a thousand years went by.

        He raised his matted head and scanned the stars.
        He stood erect!  He lifted his uncouth arms!
        With inarticulate sounds his uncouth lips
        Wrestled and strove—I am full-fed, and yet
        I hunger!
        Who set this fiercer famine in my maw?

        Can I eat moons, gorge on the Milky Way,
        Swill sunsets down, or sup the wash of the dawn
        Out of the rolling swine-troughs of the sea?
        Can I drink oceans, lie beneath the mountains,
        And nuzzle their heavy boulders like a cub
        Sucking the dark teats of the tigress?  Who,
        Who set this deeper hunger in my heart?
        And the dark forest echoed—Who?  Ah, who?

        “I hunger!”
        And the night-wind answered him,
        “Hunt, then, for food.”

        “I hunger!”
        And the sleek gorged lioness
        Drew nigh him, dripping freshly from the kill,
        Redder her lolling tongue, whiter her fangs,
        And gazed with ignorant eyes of golden flame.

        “I hunger!”
        Like a breaking sea his cry
        Swept through the night.  Against his swarthy knees
        She rubbed the red wet velvet of her ears
        With mellow thunders of unweeting bliss,
        Purring—Ah, seek, and you shall find.
        Ah, seek, and you shall slaughter, gorge, ah seek,
        Seek, seek, you shall feed full, ah seek, ah seek.

        Enceladus, earth-born Enceladus,
        Bewildered like a desert-pilgrim, saw
        A rosy City, opening in the clouds,
        The hunger-born mirage of his own heart,
        Far, far above the world, a home of gods,
        Where One, a goddess, veiled in the sleek waves
        Of her deep hair, yet glimmering golden through,
        Lifted, with radiant arms, ambrosial food
        For hunger such as this!  Up the dark hills,
        He rushed, a thunder-cloud,
        Urged by the famine of his heart.  He stood
        High on the topmost crags, he hailed the gods
        In thunder, and the clouds re-echoed it!

        He hailed the gods!
        And like a sea of thunder round their thrones
        Washing, a midnight sea, his earth-born voice
        Besieged the halls of heaven!  He hailed the gods!
        They laughed, he heard them laugh!
        With echo and re-echo, far and wide,
        A golden sea of mockery, they laughed!

        Enceladus, earth-born Enceladus,
        Laid hold upon the rosy Gates of Heaven,
        And shook them with gigantic sooty hands,
        Asking he knew not what, but not for alms;
        And the Gates, opened as in jest;
        And, like a sooty jest, he stumbled in.

        Round him the gods, the young and scornful gods,
        Clustered and laughed to mark the ravaged face,
        The brutal brows, the deep and dog-like eyes,
        The blunt black nails, and back with burdens bowed.
        And, when they laughed, he snarled with uncouth lips
        And made them laugh again.
                                                           “Whence comest thou?”
        He could not speak!
        How should he speak whose heart within him heaved
        And burned like Etna?  Through his mouth there came
        A sound of ice-bergs in a frozen sea
        Of tears, a sullen region of black ice
        Rending and breaking, very far away.
        They laughed!
        He stared at them, bewildered, and they laughed
        Again, “Whence comest thou?”

        He could not speak!
        But through his mouth a moan of midnight woods,
        Where wild beasts lay in wait to slaughter and gorge,
        A moan of forest-caverns where the wolf
        Brought forth her litter, a moan of the wild earth
        In travail with strange shapes of mire and clay,
        Creatures of clay, clay images of the gods,
        That hungered like the gods, the most high gods,
        But found no food, and perished like the beasts.

        And the gods laughed,—
        Art thou, then, such a god?  And, like a leaf
        Unfolding in dark woods, in his deep brain
        A sudden memory woke; and like an ape
        He nodded, and all heaven with laughter rocked,
        While Artemis cried out with scornful lips,—
        Perchance He is the Maker of you all!

        Then, piteously outstretching calloused hands,
        He sank upon his knees, his huge gnarled knees,
        And echoed, falteringly, with slow harsh tongue,—
        Perchance, perchance, the Maker of you all.

        They wept with laughter!  And Aphrodite, she,
        With keener mockery than white Artemis
        Who smiled aloof, drew nigh him unabashed
        In all her blinding beauty.  Carelessly,
        As o’er the brute brows of a stallèd ox
        Across that sooty muzzle and brawny breast,
        Contemptuously, she swept her golden hair
        In one deep wave, a many-millioned scourge
        Intolerable and beautiful as fire;
        Then turned and left him, reeling, gasping, dumb,
        While heaven re-echoed and re-echoed, See,
        Perchance, perchance, the Maker of us all!

        Enceladus, earth-born Enceladus,
        Rose to his feet, and with one terrible cry
        “I hunger,” rushed upon the scornful gods
        And strove to seize and hold them with his hands,
        And still the laughter deepened as they rolled
        Their clouds around them, baffling him.  But once,
        Once with a shout, in his gigantic arms
        He crushed a slippery splendour on his breast
        And felt on his harsh skin the cool smooth peaks
        Of Aphrodite’s bosom.  One black hand
        Slid down the naked snow of her long side
        And bruised it where he held her.  Then, like snow
        Vanishing in a furnace, out of his arms
        The splendour suddenly melted, and a roll
        Of thunder split the dream, and headlong down
        He fell, from heaven to earth; while, overhead
        The young and scornful gods—he heard them laugh!—
        Toppled the crags down after him.  He lay
        Supine.  They plucked up Etna by the roots
        And buried him beneath it.  His broad breast
        Heaved, like that other giant in his heart,
        And through the crater burst his fiery breath,
        But could not burst his bonds.  And so he lay
        Breathing in agony thrice a thousand years.

        Then came a Voice, he knew not whence, “Arise,
        Enceladus!”  And from his heart a crag
        Fell, and one arm was free, and one thought free,
        And suddenly he awoke, and stood upright,
        Shaking the mountains from him like a dream;
        And the tremendous light and awful truth
        Smote, like the dawn, upon his blinded eyes,
        That out of his first wonder at the world,
        Out of his own heart’s deep humility,
        And simple worship, he had fashioned gods
        Of cloud, and heaven out of a hollow shell.
        And groping now no more in the empty space
        Outward, but inward in his own deep heart,
        He suddenly felt the secret gates of heaven
        Open, and from the infinite heavens of hope
        Inward, a voice, from the innermost courts of Love,
        Rang—Thou shall have none other gods but Me.

        Enceladus, the foul Enceladus,
        When the clear light out of that inward heaven
        Whose gates are only inward in the soul,
        Showed him that one true Kingdom, said,
                                                                     “I will stretch
        My hands out once again.  And, as the God
        That made me is the Heart within my heart,
        So shall my heart be to this dust and earth
        A god and a creator.  I will strive
        With mountains, fires and seas, wrestle and strive,
        Fashion and make, and that which I have made
        In anguish I shall love as God loves me.”

        In the Black Country, from a little window,
        Waking at dawn, I saw those giant Shafts
        —O great dark word out of our elder speech,
        Long since the poor man’s kingly heritage—
        The Shapings, the dim Sceptres of Creation,
        The Shafts like columns of wan-hope arise
        To waste, on the blear sky, their slow sad wreaths
        Of smoke, their infinitely sad slow prayers.
        Then, as the dawn crimsoned, the sordid clouds,
        The puddling furnaces, the mounds of slag,
        The cinders, and the sand-beds and the rows
        Of wretched roofs, assumed a majesty
        Beyond all majesties of earth or air;
        Beauty beyond all beauty, as of a child
        In rags, upraised thro’ the still gold of heaven,
        With wasted arms and hungering eyes, to bring
        The armoured seraphim down upon their knees
        And teach eternal God humility;
        The solemn beauty of the unfulfilled
        Moving towards fulfilment on a height
        Beyond all heights; the dreadful beauty of hope;
        The naked wrestler struggling from the rock
        Under the sculptor’s chisel; the rough mass
        Of clay more glorious for the poor blind face
        And bosom that half emerge into the light,
        More glorious and august, even in defeat,
        Than that too cold dominion God foreswore
        To bear this passionate universal load,
        This Calvary of Creation, with mankind.

_____

   
by Andy Jones

   
First Dance

   
        Your new wife and her relatives,
        now your in-laws,
        had never seen you dance before the big day,
        and wondered how,
        with all this bulky, residual muscle,
        you knew how to move so well, so expressively.
        As your coach and mentor,
        I had been invited to help welcome you to adulthood,
        And I knew.

        First you and your partner start in a neutral position,
        facing each other,
        sizing each other up,
        neither one yet in control.
        Soon, if it’s a slow song,
        you may take a head and shoulder lead,
        so that you start ear to ear,
        and her head may drop to your chest,
        but ironically she has the advantage here,
        for this is her arena,
        so she is in command.

        When the music changes,
        when the pace quickens,
        and adrenaline can be called upon,
        there is a reversal.
        You feel uplifted, and centered, and calm.
        Now the hips come into play,
        and your hips are well-trained.
        you start hips down so as to create an angle,
        and then spin her so as to drive strong across her hips,
        and before she knows it,
        you have impressed her with a hip lock,
        followed by a hip heist and hip pop.
        Such dexterity and vigor!

        When the time is right,
        you pull her near,
        inside to your arms like a lock
        so that all of her is adjacent to all of you,
        and your staggered stance realigns her rhythm to yours.
        Now you dictate the action,
        and she circles to your trail leg.
        You are feeling it now, sensing satisfaction and victory.
        You step and slide,
        and then one step back, and then circle.
        Your every move had been practiced, horizontally,
        as I stood over you with a whistle.

        Your new bride, she loves it!
        She is walking her fingers forward!
        You are a flanker!
        You are a double top stretcher!
        Inspired, she kicks up her heel to her butt
        and eliminates all the daylight between the two of you.
        She hopes to keep up with your energy,
        sees you as so graceful and authoritative here,
        just as you always hoped to be on the mat.
        And you realize, as you try to keep your hip on top,
        that this moment here,
        a moment when you are so strong, flexible, and smooth,
        without a referee ever to stop you,
        this might be your absolute last moment of control.

_____

_____

   
a traditional ballad

   
A Gest of Robyn Hode

The Second Fytte (verses 134-143)

   
        He bare a launsgay in his honde,
            And a man ledde his male,
        And reden with a lyght songe
            Unto Bernysdale.

        But as he went at a brydge ther was a wrastelyng,
            And there taryed was he,
        And there was all the best yemen
            Of all the west countree.

        A full fayre game there was up set,
            A whyte bulle up i-pyght,
        A grete courser, with sadle and brydil,
            With golde burnyssht full bryght.

        A payre of gloves, a rede golde rynge,
            A pype of wyne, in fay;
        What man that bereth hym best i-wys
            The pryce shall bere away.

        There was a yoman in that place,
            And best worthy was he,
        And for he was ferre and frembde bested,
            Slayne he shulde have be.

        The knight had ruthe of this yoman,
            In placë where that he stode;
        He sayde that yoman shulde have no harme,
            For love of Robyn Hode.

        The knyght presed in to the place,
            An hundreth folowed hym free,
        With bowes bent and arowes sharpe,
            For to shende that companye.

        They shulderd all and made hym rome,
            To wete what he wolde say;
        He took the yeman bi the hande,
            And gave hym al the play.

        He gave hym five marke for his wyne,
            There it lay on the molde,
        And bad it shulde be set a broche,
            Drynkë who so wolde.

        Thus longe taried this gentyll knyght,
            Tyll that play was done;
        So long abode Robyn fastinge
            Thre hourës after the none.

_____

   
by Emily Dickinson (1830-86)

   
        How dare the robins sing,
             When men and women hear
        Who since they went to their account
              Have settled with the year!—
        Paid all that life had earned
              In one consummate bill,
        And now, what life or death can do
              Is immaterial.
        Insulting is the sun
              To him whose mortal light
        Beguiled of immortality
              Bequeaths him to the night.
        Extinct be every hum
              In deference to him
        Whose garden wrestles with the dew,
              At daybreak overcome!

                1724

_____

   
by Emily Dickinson (1830-86)

   
        I think the Hemlock likes to stand
        Upon a Marge of Snow—
        It suits his own Austerity—
        And satisfies an awe

        That men, must slake in Wilderness—
        And in the Desert—cloy—
        An instinct for the Hoar, the Bald—
        Lapland’s—necessity—

        The Hemlock’s nature thrives—on cold—
        The Gnash of Northern winds
        Is sweetest nutriment—to him—
        His best Norwegian Wines—

        To satin Races—he is nought—
        But Children on the Don,
        Beneath his Tabernacles, play,
        And Dnieper Wrestlers, run.

                525

_____

   
by Rus Bowden

        a Dracut High School and Bridgewater State College wrestling dad

   
Jacob the Leg Puller

   
        It was late.  With the tribute to his brother
        being herded on its way,
        Jacob, exhausted, decided to stay at camp.

        Unable to sleep, a bit later he rose, took his
        two wives, two maids, eleven children
        and all that he owned, and escorted them

        across the shallow of the rivulet that rises
        and flows:  the Jaboc River.
        With family and belongings well on ahead,

        Jacob returned to camp to be by himself.
        This man appeared and they
        wrestled all night until the twilight of morning.

        When the man realized that he could not win,
        he wrenched Jacob’s hip
        at the socket, popping it out of joint.

        The match continued.
        The man said:  “Let go, morning is here.”
        Jacob replied:  “I won’t let you go unless

        “you give me the award.”
        His opponent said:  “What is your name?”
        “Jacob,” came the reply.  The man spoke:

        “Your name is no longer Jacob the leg puller,
        but Israel the god wrestler.
        You have wrestled divinity as well as humanity

        “and you are the winner.”
        Jacob asked him, “What is your name?”
        He said, “Never mind my name,” and bowed and left.

        Jacob christened that place “Peni-el” saying,
        “Face the divine and live.”
        He limped out of Penuel.  The sun was rising.

_____

by John S. Taylor in 1841

   
Jacob Wrestling with the Angel

   
        Now, by that touch, Mysterious man! I know
        Thy nature’s more than human!—Let thee go!
        Not till thou bless me.  If, through all the night,
        My daring, struggling limbs increas’d in might;
        If thou thy strength attempered e’en to mine,
        If thus resisting I o’ermastered thine;
        Then wilt thou too, my daring speech approve,
        For all thy wrestling was but tender love!
        My name is Jacob—thou hast made me bold,
        Thine arms that have repell’d me, must enfold!
        Thou shalt, Oh Wondrous Stranger! e’er we part—
        Stamp thine eternal blessing on my heart!

        Thy name no more is Jacob!  Thou hast seen
        By faith’s keen vision, what thy trials mean!
        Thy name is Israel!  Knighted Prince of God!
        For thou with him the wrestling ring hast trod!
        Nay–cease!  Ask not for my peculiar name,
        Enough to know ’twill put thy foes to shame:
        Take this white stone—’tis deeply graven there,
        With thine, a token of prevailing prayer!
        Forth to thy work—thy darkest dangers brave,
        My name goes with thee, and ’tis strong to save!

   
Previously published in Jacob wrestling with the angel [sermons]

_____

_____

by Sir Walter Scott (1771-1832)

   
The Lady of the Lake

Canto Fifth (The Combat)

   
        XXIII.

        Now, clear the ring! for, hand to hand,
        The manly wrestlers take their stand.
        Two o’er the rest superior rose,
        And proud demanded mightier foes,—
        Nor called in vain, for Douglas came.—
        For life is Hugh of Larbert lame;
        Scarce better John of Alloa’s fare,
        Whom senseless home his comrades bare.
        Prize of the wrestling match, the King
        To Douglas gave a golden ring,
        While coldly glanced his eye of blue,
        As frozen drop of wintry dew.
        Douglas would speak, but in his breast
        His struggling soul his words suppressed;
        Indignant then he turned him where
        Their arms the brawny yeomen bare,
        To hurl the massive bar in air.
        When each his utmost strength had shown,
        The Douglas rent an earth-fast stone
        From its deep bed, then heaved it high,
        And sent the fragment through the sky
        A rood beyond the farthest mark;
        And still in Stirling’s royal park,
        The gray-haired sires, who know the past,
        To strangers point the Douglas cast,
        And moralize on the decay
        Of Scottish strength in modern day.

_____

   
by Steve Parker

    martial artist and sometime wrestler

   
Lights fall from the Old Man of the Sea

   
        we hold until I am exhausted

        he is a trickling thing of sand
        a scintilla that drains back into the beach

        a shock of trees
        released by strong winds
        he is a fish, a slither
        an eel that flits away
        then has me pinned

        he is all around me
        he clenches, shoves my face
        towards his
        buried down there
        beneath our grinding feet
        iron-eyed our faces

        stare it out underground
        through lock and tremor
        we are two seismic prayers
        to a god divided

        he is a lion he is my mother he is the flicker of songbirds falling
        as black snow in early evening my fingers are wings are poems
        within his smoke we fold back to embrace
        count five sudden things of magic
        stamp and hold tight

        lion mother phantom
        my lost brother
        whistles hard in the waves

        old father in the fallen leaves offshore

        we walk into the sea
        each carrying the other
        light as children who cannot return
        rise only as the tide
        sends up her drowned lanterns

        each with his heart of red sand
        catching, holding

        our breath beyond reach

_____

   
by G.C. Smith

   
Lightweight

   
        At two hundred and twenty today
        this unHogan Hulk knew another time
        way back in the way back when
        he wrestled at a paltry ninety-eight

        Tough monkey that he was at fourteen
        he practiced hard each and every day
        and once a week eliminated all comers
        except that damn hardened skinny senior

        He never made it to interschool competition
        the skinny bastard senior saw to that
        but, still, he got a lot from trying
        before he switched off to other things

        Looking back some fifty seven years
        it’s nigh impossible to recollect
        that wiry freckled fourteen year old
        taking on all comers at a lightweight ninety-eight

_____

   
by Emily Dickinson (1830-86)

   
        A little East of Jordan,
        Evangelists record,
        A Gymnast and an Angel
        Did wrestle long and hard—

        Till morning touching mountain—
        And Jacob, waxing strong,
        The Angel begged permission
        To Breakfast—to return—

        Not so, said cunning Jacob!
        “I will not let thee go
        Except thou bless me”—Stranger!
        The which acceded to—

        Light swung the silver fleeces
        “Peniel” Hills beyond,
        And the bewildered Gymnast
        Found he had worsted God!

                59

_____

   
by Emily Dickinson (1830-86)

   
        Longing is like the Seed
        That wrestles in the Ground,
        Believing if it intercede
        It shall at length be found.

        The Hour, and the Clime—
        Each Circumstance unknown,
        What Constancy must be achieved
        Before it see the Sun!

                1255

_____

   
by Emily Dickinson (1830-86)

   
        Musicians wrestle everywhere—
        All day—among the crowded air
              I hear the silver strife—
        And—walking—long before the morn—
        Such transport breaks upon the town
              I think it that “New Life”!

        If is not Bird—it has no nest—
        Nor “Band”—in brass and scarlet—drest—
              Nor Tamborin—nor Man—
        It is not Hymn from pulpit read—
        The “Morning Stars” the Treble led
              On Time’s first Afternoon!

        Some—say—it is “the Spheres”—at play!
        Some say that bright Majority
              Of vanished Dames—and Men!
        Some—think it service in the place
        Where we—with late—celestial face—
              Please God—shall Ascertain!

                157

_____

_____

   
by Steve Meador

    Defiance OH High School and Defiance College wrestler, 1969-1974

   
Muster

   
        The prairie meets the mountains at a place
        where the journey ends for the meek or weak.
        Here, cougar cunning versus buffalo strength
        versus diamondback lightning, and survival
        is measured in the ability to circle and strike,
        grip and twist, lunge and sprawl, stand or fall.
        It’s a lonely place where a man crawls inward,
        communes with a creature that will lead or carry
        him to the peak.  The only sounds are a chinook
        gathering strength as it blows from the fringes,
        sink it Sink it Sink It Sink IT SINK IT!
        On your toes.  Drive Drive DRIVEDRIVEDRIVE!
        and a clap of thunder that slaps against the hardpan.

_____

   
by Rane Arroyo

   
My Wrestler

   
        My ex-lover was a wrestler,
        liked the strain of power against
        the rumors:  two men.  There was
        a gain in him showing me the basic
        positions and me only pinning him
        once.  Maybe he let me.  The girls
        wanted him, wanted to haunt him,
        but he’d kiss me in the gym and
        no one dared to mess with him,
        the message clear:  in America,
        we have free will.  I think of
        Whitman’s brief reference to
        shirtless wrestlers, but closer
        to home, my lover would go
        to his opponent and there was
        an art to his rage.  And I felt like
        the lover in The Great White Hope:
        all sidelines, unsure how this became
        my life, that I was courageous too,
        in my own way, as I screamed,
        flip him now!  Nothing like having
        to fail in front of your boyfriend when
        the world hated us.  The future will
        not understand how important that
        he and I wrestled angels with moral
        messages because we made each
        other pure.  He’d kissed me to piss off
        people and I kissed him back because
        he was sweaty, tired, and proud of
        me for being proud of him.  He had
        never lost a match, but then he lost me.

_____

   
by Don Schaeffer

   
Passion Fruits

   
        While others
        built with wood
        I was making toys of cardboard tubes
        and paper clips,

        blonde shickza
        taking me to her bedroom
        and making me late
        for fourth period math class,

        and teacher thinking I went
        to the devil,
        wrestling match adventure,
        the best experiences

        were in the games.
        When the others were
        risking everything,
        close to death

        in the throws of passion,
        I didn’t dare
        go after
        the sweetest fruits.

   
Previously seen at Don Schaeffer’s Poems

_____

   
by Judy Swann

    an Ithaca High School wrestling mom

   
Pin

   
        I am fourteen years old
        muscles held together with skin and grit
        goaty, an ephebe, tufty hair above my lip
        for one eighth of one inch the red slow twitch
        of blood pricks my lats in a thousand points
        and I my body, its dozen senses, am my body
        upright levator scapulae
        sucking the muscles of my tongue
        and measuring you
        brachioradialis
        plectrum—
        I am hundreds of muscles.

        My eyes are muscles that see
        you shoot before your breath burns
        across my lynx ears.
        I am on you, nociceptor, know me.

        Lacrimae, lacrimae I press you back.
        I am all muscle and you
        are finished.

        Ref slaps the mat.

_____

   
by Judy Swann

    an Ithaca High School wrestling mom

   
Pinned

   
        Its medal is the oldest trophy
        awarded in Western athletics.
        Its communion attracts few females.
        Still it’s not like joining the Marines,
        not like the feuds of pushtunwali
        where a man seals clan triumph
        by drinking the guy’s blood.
        But it does man you up
        and despite its claim to being a team
        sport, it is not.
        The ferrety mass of your opponent
        the slug of his sweat on your throat
        that last inch
        is you losing, not your yelling coach or
        the guy next weight up, it’s all you
        when you lose.

_____

_____

   
for Eva

   
by Susie DeFord

   
Powerboat Pit Bull

   
        Cartoon paws spread web-wide, wiggle
        a little two-step upon arrival.  A brindle-
        brown wild tigress, snakeskin sheen,
        slithering along the walls of Brooklyn

                  buildings.  Nosing my knees, knocking
                  legs out beneath or hammerhead sharking
                  shins shiny amethyst wine.  Street thugs
                  saunter and say, “Hey, nice Pit.”  Tail

        between legs, Cowardly Lion, eyes wide,
        ears perked, city construction sounds
        and strangers scary.  You powerboat-pull
        me, pavement water-skier, into Lucy’s lair.

                  She’s your best girl, block buddy, partner
        in grime.  You rocket launch upstairs amidst
                  laughing doorman Rudolpho’s stares, drag
        me tripping upwards along.  Release the beast,
                  Lucy’s out, it’s on!  Attempts to extinguish

        exuberance, but you’re gone.  You pounce,
                  pitching paws, and prancing like a boxer.
        I’m the gong, match marker, stopper, clocker.

        Lucy flings into the ring with a facebuster,

                            your muscles bulge a moonsault.  Pause

                  downward  dog, then in again Banana Split

                            and Peekout scouting your next move.  Gong

        song, Luchadoras leap into the elevator,

        endorphins emanating, meek from misbehaving,
        both sit solemnly, silly silent grins, bout breathless.

_____

   
by Emily Dickinson (1830-86)

   
        The pretty Rain from those sweet Eaves
        Her unintending Eyes—
        Took her own Heart, including ours,
        By innocent Surprise—

        The wrestle in her simple Throat
        To hold the feeling down
        That vanquished her—defeated Feat—
        Was Fervor’s sudden Crown—

                1426

_____

   
by Drax Ireland

   
from the Funeral Games in Honour of Patroclus, after Homer, The Iliad, Book XXIII

   
The Prizegiving

   
        ‘Noëmon friend of Antilochos
        lead the mare away’
        as Menelaus himself took the glittering cauldron.
        Fourth, as driven, Meriones carried off the two talents’ weight of gold.
        Only the two handed jar was left.
        Achilles carried it through the Argives to Nestor,

        standing there he spoke;—

        ‘Elder, in memory of Patrokulus, a treasure for you to lay away,
        He is gone from the Argives for evermore
        this prize mine to give for the giving
        for you will not fight with fists or wrestle with limbs
        nor stand with the spear throwers
        nor race fleet footed
        as age claims her due’

        Speaking thus he placed it in Nestor’s hands
        who answered with joy

        ‘Yes youth you speak truth
        my limbs betray me as do my feet
        my friend
        my arms swing ponderous
        I wish for youth and strength within me
        as it was with Amaryngkeus and the Epeians at Bouprasion,
        the sons kings’ funeral games
        I was alone among the Epeians
        and the Pylians and the brave Aitolians
        Klytomedes, the son of Enops fell to my fists
        Angkaios of Pleuron I wrestled to the floor
        I outran the fast Iphiklos
        Polydoros and Phyleus watched my spear fly away
        only the chariot of the sons of Aktor defeated me
        crowd crossing champions chasing the prize
        the twins of Aktor, as one held the reins loose the other lashed the horses

        But this all in the past . . .

        An Elder must make way for youth
        I embrace my aging, an old hero among the young
        Enough of me, more to the contest in honour of your friend
        I take this prize with joy and a happy heart
        to be remembered, a kindness,
        I am not forgotten the honour due to me among the Achaians
        for this may the gods grant you great happiness.’

_____

   
for Adam

   
by David Hernandez

   
Proof

   
        Once he wrestled a bear, he said,
        in a bar off-campus with eyes
        glossy from lager, he wrestled
        a bear.  Claws and all, black fur
        and the salmon of its muscles
        leaping under the black fur.
        Wrestled and won, he said,
        the bear pinned and snorting,
        pinned and one hundred pounds
        heavier, with claws, with claws
        and teeth, the electric blue current
        of animal instinct.  I was gullible
        once, under kindergarten lights
        with glitter and paste, building
        a galaxy.  A boy stole my stars
        once, a bigger boy I wrestled
        under the night of blackboard.
        Wrestled and lost, pinned
        and weeping with my back
        to the carpet, with the fireflies
        of glitter dazzling on my skin.
        To the man who said he wrestled
        a bear, wrestled and won, I said,
        You’re full of bear shit.  But
        a scar is proof and so began
        the slow striptease of a pant leg
        rolled to his knee.  There, he said.
        And his story sparkled on his flesh.

   
Previously published in Gulf Coast, Summer/Fall 2006

_____

   
by Muhammad Afzal Mirza and Muhammad Amir Sheikh

   
from the biographies of Prophet Muhammad, peace be upon him

   
Rakana vs. Prophet Muhammad

   
        While preaching in Mecca,
        Prophet Muhammad encountered
        Rakana, a famous wrestler there.
        A discussion started

        and the wrestler challenged him saying,
        “If you defeat me in a wrestling match,
        I will accept Islam.”
        They wrestled and the Prophet defeated him.

        Being a good wrestler, Rakana could not
        accept this defeat and challenged
        for another match, losing a second time.
        Rakana requested a third match.

        After this defeat, he honored
        his word and accepted Islam.

_____

   
by Lori Desrosiers

   
Real Wrestling

   
        Weighed in, lots drawn,
        smelling of puke and sweat,
        chewing on black mouth guards,
        the one in the yellow shorts
        vs. the one in the blue shorts.
        Referee in black socks
        and black plimsolls
        blows his whistle.
        Men fall together, splat!
        Tangle of legs, arms,
        swish of dripping sweat,
        meat against mat,
        a mass of bone and tendons,
        faces contorted in pain.
        The mat chairman amasses points
        judge verifies the fall, the touche.
        The referee calls it:
        Yellow shorts, black and blue,
        the victor by nine points.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
Reversal

   
        You can’t execute a successful Granby Roll
        if you can’t believe you can be a wrecking ball
        and bounce

        Pop your hips toward the sky
        make your body an A-frame
        post your weight on your left hand

        Ready yourself for your quake
        hop your left foot in front
        of your right, now blow
        your house from its moorings,
        duck your head and make your
        break violent

        The Granby Roll will not work
        if you don’t have faith in your
        own momentum, you cannot quit
        halfway, your naked shoulders
        exposed to the mat’s cold mercy

        You must believe you can ravage
        your own symmetry and survive

        Now try it from standing up
        you are human, tall on two legs
        and you can dive and spin
        from upright too

        It’s hop, hop, go

        Don’t let your fear of falling
        failure, falling, failure, don’t
        let fear of falling fail you,
        failure fall you, dive,
        dive—trust your dive,
        and roll.

   
Previously published in The Ann Arbor Chronicle

_____

   
by Emily Dickinson (1830-86)

   
        Some we see no more, Tenements of Wonder
        Occupy to us though perhaps to them
        Simpler are the Days than the Supposition
        Leave us to presume

        That oblique Belief which we call Conjecture
        Grapples with a Theme stubborn as Sublime
        Able as the Dust to equip its feature
        Adequate as Drums
        To enlist the Tomb.

                1221

_____

   
by Henry Wadsworth Longfellow (1807-1882)

   
The Song of Hiawatha

Chapter 5, Hiawatha’s Fasting

   
        You shall hear how Hiawatha
        Prayed and fasted in the forest,
        Not for greater skill in hunting,
        Not for greater craft in fishing,
        Not for triumphs in the battle,
        And renown among the warriors,
        But for profit of the people,
        For advantage of the nations.

        First he built a lodge for fasting,
        Built a wigwam in the forest,
        By the shining Big-Sea-Water,
        In the blithe and pleasant Spring-time,
        In the Moon of Leaves he built it,
        And, with dreams and visions many,
        Seven whole days and nights he fasted.

        On the first day of his fasting
        Through the leafy woods he wandered;
        Saw the deer start from the thicket,
        Saw the rabbit in his burrow,
        Heard the pheasant, Bena, drumming,
        Heard the squirrel, Adjidaumo,
        Rattling in his hoard of acorns,
        Saw the pigeon, the Omeme,
        Building nests among the pinetrees,
        And in flocks the wild-goose, Wawa,
        Flying to the fen-lands northward,
        Whirring, wailing far above him.
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the next day of his fasting
        By the river’s brink he wandered,
        Through the Muskoday, the meadow,
        Saw the wild rice, Mahnomonee,
        Saw the blueberry, Meenahga,
        And the strawberry, Odahmin,
        And the gooseberry, Shahbomin,
        And the grape-vine, the Bemahgut,
        Trailing o’er the alder-branches,
        Filling all the air with fragrance!
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the third day of his fasting
        By the lake he sat and pondered,
        By the still, transparent water;
        Saw the sturgeon, Nahma, leaping,
        Scattering drops like beads of wampum,
        Saw the yellow perch, the Sahwa,
        Like a sunbeam in the water,
        Saw the pike, the Maskenozha,
        And the herring, Okahahwis,
        And the Shawgashee, the crawfish!
        “Master of Life!” he cried, desponding,
        “Must our lives depend on these things?”

        On the fourth day of his fasting
        In his lodge he lay exhausted;
        From his couch of leaves and branches
        Gazing with half-open eyelids,
        Full of shadowy dreams and visions,
        On the dizzy, swimming landscape,
        On the gleaming of the water,
        On the splendor of the sunset.

        And he saw a youth approaching,
        Dressed in garments green and yellow,
        Coming through the purple twilight,
        Through the splendor of the sunset;
        Plumes of green bent o’er his forehead,
        And his hair was soft and golden.

        Standing at the open doorway,
        Long he looked at Hiawatha,
        Looked with pity and compassion
        On his wasted form and features,
        And, in accents like the sighing
        Of the South-Wind in the tree-tops,
        Said he, “O my Hiawatha!
        All your prayers are heard in heaven,
        For you pray not like the others;
        Not for greater skill in hunting,
        Not for greater craft in fishing,
        Not for triumph in the battle,
        Nor renown among the warriors,
        But for profit of the people,
        For advantage of the nations.

        “From the Master of Life descending,
        I, the friend of man, Mondamin,
        Come to warn you and instruct you,
        How by struggle and by labor
        You shall gain what you have prayed for.
        Rise up from your bed of branches,
        Rise, O youth, and wrestle with me!”

        Faint with famine, Hiawatha
        Started from his bed of branches,
        From the twilight of his wigwam
        Forth into the flush of sunset
        Came, and wrestled with Mondamin;
        At his touch he felt new courage
        Throbbing in his brain and bosom,
        Felt new life and hope and vigor
        Run through every nerve and fibre.

        So they wrestled there together
        In the glory of the sunset,
        And the more they strove and struggled,
        Stronger still grew Hiawatha;
        Till the darkness fell around them,
        And the heron, the Shuh-shuh-gah,
        From her nest among the pine-trees,
        Gave a cry of lamentation,
        Gave a scream of pain and famine.

        “‘T is enough!” then said Mondamin,
        Smiling upon Hiawatha,
        “But tomorrow, when the sun sets,
        I will come again to try you.”
        And he vanished, and was seen not;
        Whether sinking as the rain sinks,
        Whether rising as the mists rise,
        Hiawatha saw not, knew not,
        Only saw that he had vanished,
        Leaving him alone and fainting,
        With the misty lake below him,
        And the reeling stars above him.

        On the morrow and the next day,
        When the sun through heaven descending,
        Like a red and burning cinder
        From the hearth of the Great Spirit,
        Fell into the western waters,
        Came Mondamin for the trial,
        For the strife with Hiawatha;
        Came as silent as the dew comes,
        From the empty air appearing,
        Into empty air returning,
        Taking shape when earth it touches,
        But invisible to all men
        In its coming and its going.

        Thrice they wrestled there together
        In the glory of the sunset,
        Till the darkness fell around them,
        Till the heron, the Shuh-shuh-gah,
        From her nest among the pine-trees,
        Uttered her loud cry of famine,
        And Mondamin paused to listen.

        Tall and beautiful he stood there,
        In his garments green and yellow;
        To and fro his plumes above him,
        Waved and nodded with his breathing,
        And the sweat of the encounter
        Stood like drops of dew upon him.

        And he cried, “O Hiawatha!
        Bravely have you wrestled with me,
        Thrice have wrestled stoutly with me,
        And the Master of Life, who sees us,
        He will give to you the triumph!”

        Then he smiled, and said:  “To-morrow
        Is the last day of your conflict,
        Is the last day of your fasting.
        You will conquer and o’ercome me;
        Make a bed for me to lie in,
        Where the rain may fall upon me,
        Where the sun may come and warm me;
        Strip these garments, green and yellow,
        Strip this nodding plumage from me,
        Lay me in the earth, and make it
        Soft and loose and light above me.

        “Let no hand disturb my slumber,
        Let no weed nor worm molest me,
        Let not Kahgahgee, the raven,
        Come to haunt me and molest me,
        Only come yourself to watch me,
        Till I wake, and start, and quicken,
        Till I leap into the sunshine”

        And thus saying, he departed;
        Peacefully slept Hiawatha,
        But he heard the Wawonaissa,
        Heard the whippoorwill complaining,
        Perched upon his lonely wigwam;
        Heard the rushing Sebowisha,
        Heard the rivulet rippling near him,
        Talking to the darksome forest;
        Heard the sighing of the branches,
        As they lifted and subsided
        At the passing of the night-wind,
        Heard them, as one hears in slumber
        Far-off murmurs, dreamy whispers:
        Peacefully slept Hiawatha.

        On the morrow came Nokomis,
        On the seventh day of his fasting,
        Came with food for Hiawatha,
        Came imploring and bewailing,
        Lest his hunger should o’ercome him,
        Lest his fasting should be fatal.

        But he tasted not, and touched not,
        Only said to her, “Nokomis,
        Wait until the sun is setting,
        Till the darkness falls around us,
        Till the heron, the Shuh-shuh-gah,
        Crying from the desolate marshes,
        Tells us that the day is ended.”

        Homeward weeping went Nokomis,
        Sorrowing for her Hiawatha,
        Fearing lest his strength should fail him,
        Lest his fasting should be fatal.
        He meanwhile sat weary waiting
        For the coming of Mondamin,
        Till the shadows, pointing eastward,
        Lengthened over field and forest,
        Till the sun dropped from the heaven,
        Floating on the waters westward,
        As a red leaf in the Autumn
        Falls and floats upon the water,
        Falls and sinks into its bosom.

        And behold! the young Mondamin,
        With his soft and shining tresses,
        With his garments green and yellow,
        With his long and glossy plumage,
        Stood and beckoned at the doorway.
        And as one in slumber walking,
        Pale and haggard, but undaunted,
        From the wigwam Hiawatha
        Came and wrestled with Mondamin.

        Round about him spun the landscape,
        Sky and forest reeled together,
        And his strong heart leaped within him,
        As the sturgeon leaps and struggles
        In a net to break its meshes.
        Like a ring of fire around him
        Blazed and flared the red horizon,
        And a hundred suns seemed looking
        At the combat of the wrestlers.

        Suddenly upon the greensward
        All alone stood Hiawatha,
        Panting with his wild exertion,
        Palpitating with the struggle;
        And before him breathless, lifeless,
        Lay the youth, with hair dishevelled,
        Plumage torn, and garments tattered,
        Dead he lay there in the sunset.

        And victorious Hiawatha
        Made the grave as he commanded,
        Stripped the garments from Mondamin,
        Stripped his tattered plumage from him,
        Laid him in the earth, and made it
        Soft and loose and light above him;
        And the heron, the Shuh-shuh-gah,
        From the melancholy moorlands,
        Gave a cry of lamentation,
        Gave a cry of pain and anguish!

        Homeward then went Hiawatha
        To the lodge of old Nokomis,
        And the seven days of his fasting
        Were accomplished and completed.
        But the place was not forgotten
        Where he wrestled with Mondamin;
        Nor forgotten nor neglected
        Was the grave where lay Mondamin,
        Sleeping in the rain and sunshine,
        Where his scattered plumes and garments
        Faded in the rain and sunshine.

        Day by day did Hiawatha
        Go to wait and watch beside it;
        Kept the dark mould soft above it,
        Kept it clean from weeds and insects,
        Drove away, with scoffs and shoutings,
        Kahgahgee, the king of ravens.

        Till at length a small green feather
        From the earth shot slowly upward,
        Then another and another,
        And before the Summer ended
        Stood the maize in all its beauty,
        With its shining robes about it,
        And its long, soft, yellow tresses;
        And in rapture Hiawatha
        Cried aloud, “It is Mondamin!
        Yes, the friend of man, Mondamin!”

        Then he called to old Nokomis
        And Iagoo, the great boaster,
        Showed them where the maize was growing,
        Told them of his wondrous vision,
        Of his wrestling and his triumph,
        Of this new gift to the nations,
        Which should be their food forever.

        And still later, when the Autumn
        Changed the long, green leaves to yellow,
        And the soft and juicy kernels
        Grew like wampum hard and yellow,
        Then the ripened ears he gathered,
        Stripped the withered husks from off them,
        As he once had stripped the wrestler,
        Gave the first Feast of Mondamin,
        And made known unto the people
        This new gift of the Great Spirit.

_____

   
by Emily Dickinson (1830-86)

   
        Still own thee—still thou art
        What surgeons call alive—
        Though slipping—slipping I perceive
        To thy reportless Grave—

        Which question shall I clutch—
        What answer wrest from thee
        Before thou dost exude away
        In the recallless sea?

                1633

_____

   
by Susan Kelly-Dewitt

   
Sumo

   
        Five crabs apiece, dinner after,
        then the obligatory zzzzzzzzz’s.
        Fat chance blubber

        can work itself off with this
        routine.  They squat on the dohyo
        inside “the snake’s eye”

        the Shinto priest has blessed:
        550 pounds of meat.  Tough
        disciplined blimps

        with hearts like venous seeds.
        The gods themselves may touch
        down among them tonight.

_____

_____

   
by Jeff Kass

    White Plains High and Yale University wrestler, 1980-85
    WPHS coach, 1988-90

   
Takedown

   
        When you step to the mat
        you will face an opponent
        the same weight

        You will hurt him
        or he will hurt you

        At the referee’s whistle
        you will fight from neutral

        Shuffle step, shuffle step, circle, circle, feint

        Let your legs be lampposts with panther feet

        You are a surfer on soil
        solid and liquid and solid
        again and in between teetering a clean
        green line on a carpenter’s level

        Circle, shuffle, circle, shuffle

        Knees bent, get low, lower, head up
        you are rolling shoulder grunt
        and crackling bolt from skull
        to toe, you cannot be thrown,
        but you will throw

        This is how you take a wrestler down
        you circle and feint, shuffle and feint
        grip and twist, the rhythm of your body
        a sacred hiss and you must dizzy his

        You must live for the split-second
        bulwark crack—you are one
        juggernaut knife and you will
        not be denied, you will penetrate
        low and drive

        you are a merciless thief
        and you will steal
        his ground

_____

   
by Emily Dickinson (1830-86)

   
        ‘Tis so appalling—it exhilarates—
        So over Horror, it half Captivates—
        The Soul stares after it, secure—
        A Sepulchre, fears frost, no more—

        To scan a Ghost, is faint—
        But grappling, conquers it—
        How easy, Torment, now—
        Suspense kept sawing so—

        The Truth, is Bald, and Cold—
        But that will hold—
        If any are not sure—
        We show them—prayer—
        But we, who know,
        Stop hoping, now—

        Looking at Death, is Dying—
        Just let go the Breath—
        And not the pillow at your Cheek
        So Slumbereth—

        Others, Can wrestle—
        Yours, is done—
        And so of Woe, bleak dreaded—come,
        It sets the Fright at liberty—
        And Terror’s free—
        Gay, Ghastly, Holiday!

                281

_____

   
by Edmund Waller (1606-87)

   
To Zelinda

   
        Fairest piece of well-form’d earth!
        Urge not thus your haughty birth;
        The power which you have o’er us lies
        Not in your race, but in your eyes.
        ‘None but a prince!’—Alas! that voice
        Confines you to a narrow choice.
        Should you no honey vow to taste,
        But what the master-bees have placed
        In compass of their cells, how small
        A portion to your share would fall!
        Nor all appear, among those few,
        Worthy the stock from whence they grew.
        The sap which at the root is bred
        In trees, through all the boughs is spread;
        But virtues which in parents shine,
        Make not like progress through the line.
        ‘Tis not from whom, but where, we live;
        The place does oft those graces give.
        Great Julius, on the mountains bred,
        A flock perhaps, or herd, had led.
        He that the world subdued, had been
        But the best wrestler on the green.
        ‘Tis art and knowledge which draw forth
        The hidden seeds of native worth;
        They blow those sparks, and make them rise
        Into such flames as touch the skies.
        To the old heroes hence was given
        A pedigree which reached to heaven;
        Of mortal seed they were not held,
        Which other mortals so excell’d.
        And beauty, too, in such excess
        As yours, Zelinda! claims no less.
        Smile but on me, and you shall scorn,
        Henceforth, to be of princes born.
        I can describe, the shady grove
        Where your loved mother slept with Jove;
        And yet excuse the faultless dame,
        Caught with her spouse’s shape and name.
        Thy matchless form will credit bring
        To all the wonders I shall sing.

_____

   
by Emily Dickinson (1830-86)

   
        ‘Twas Crisis—All the length had passed—
        That dull—benumbing time
        There is in Fever or Event—
        And now the Chance had come—

        The instant holding in its claw
        The privilege to live
        Or warrant to report the Soul
        The other side the Grave.

        The Muscles grappled as with leads
        That would not let the Will—
        The Spirit shook the Adamant—
        But could not make it feel.

        The Second poised—debated—shot—
        Another had begun—
        And simultaneously, a Soul
        Escaped the House unseen—

                948

_____

   
by Emily Dickinson (1830-86)

   
        Two swimmers wrestled on the spar—
        Until the morning sun—
        When One—turned smiling to the land—
        Oh God! the Other One!

        The stray ships—passing—
        Spied a face—
        Upon the waters borne—
        With eyes in death—still begging raised—
        And hands—beseeching—thrown!

                201

_____

   
by Michael D. Snediker

   
Wrestling Song

   
        Our spandex clung like denouement
        to limbs as fast as lariats,
        lassoed and whipped Kabuki acts
        from bodies cool and pale as Noh.

        You wooed me into a dragon-screw,
        then suplexed hard against the mat;
        pescadoed putti bullied and booed,
        your belly locked into my back.

        The putti flocked, and tried to track
        which body clung to this or that,
        which unitarded shoulders shrugged
        trapezii from singlet-straps,

        which hamstring sprung, and elbow blocked
        and ankle pressed a signet’s wax—
        velocity spun our flanks so fast
        we blurred before we’d yet begun.

        A fan in the corner turned its head,
        and in its croon, remembered air;
        while we, in swandives flung, forgot,
        and firebirds of bruises bloomed.

_____

_____

   
by Jayson Iwen

   
Wrestling with Gods

from Six Trips in Two Directions

   
        I’m in a walled garden full of ornamental trees

        A man steps into the blue moonlight from a bluer shadow

        I’ve been waiting for you a long time

        It begins to snow

        Who are you running from

        I listen for my pursuer

        It’s silent but for my own breathing

        What’s in the briefcase

        I don’t know what to say

        Shall we take a look

        I hand him the briefcase, and he opens it

        Ah, my manuscript

        Thank you

        I beg your pardon, I blurt

        I’m sitting at a desk, in a motel right now, copying this dialogue word for word from the manuscript you just gave me

        And this is what I say next

        You see, I made you come here alone

        I made you hand it over

        I even made it snow

        And you

        He points at me

        Made it all possible

        Without even knowing it

        Though, of course, you had your suspicions

        And that’s why you got the job

        I even know what you’re thinking now

        He crouches down and plucks a pebble from the grass, then steps forward and holds it before my eyes

        Here’s your stone, a stone so heavy it breaks my heart at the thought of it, a stone so heavy the whole of creation rises from the depression it has made in time, a stone so heavy with sickness I cannot lift it one moment more or I shall perish

        He tosses it over the garden wall

        ‘Abdu Manaf was the strongest man among the Quraysh, and one day he met the apostle in one of the passes of Mecca alone: “Rukana,” said he, “why won’t you fear God and accept my preaching?”‘

        That simple

        But here’s the real kicker

        There’s an infinite chain of sets of god

        Each self-conscious set containing the previous set within it

        And each emergently conscious one becoming aware of the next larger set

        Becoming it

        For example, one is thinking both of us right now as our story rolls through its mind

        And as long as it holds us, whether we are conscious of it or not, we are part of its infinity

        As the heart of all layers is the utmost layer

        ‘”If I knew that what you say is true I would follow you,” he said’

        You see, common consciousness now is realizing you’re a character in other people’s dreams

        But you’re going a step further

        Listen carefully to who it is you talk to when you’re alone

        The schizophrenic may be the human to the limit

        Will we find who we are talking to one day and see that there is no longer a future, perhaps when we are all together, at the beginning and end of time

        Will we decide to begin again

        ‘The apostle then asked him if he would recognize that he spoke the truth if he threw him, and when he said Yes they began to wrestle, and when the apostle got a firm grip of him he threw him to the ground, he being unable to offer any effective resistance’

        When the whole speaks to the individual

        When I speak to You

        And now you ask

        You want me to worship you

        No, I couldn’t love someone who didn’t consider me their equal

        Besides, I contain only one more than you

        Now that I’m aware of you, what am I supposed to do

        ‘”Do it again, Muhammad,” he said, and he did it again’

        Wrestle me

        Wrestle you

        Yes

        That’s ridiculous

        Every threshold is

        ‘”This is extraordinary,” he said, “can you really throw me”‘

        What are you doing

        He kneels down, turtling himself before me, and I hear his whisper in my ear

        You must make me submit

        But you’ve just submitted

        I’m different than preceding gods that charged like mad bulls

        ‘With their elbows against their elbows, dealt they, knees against knees, head against head, and chest against chest, one another their blows’

        I’m a bit more subtle than that

        As long as I breathe you will breathe my air

        ‘That same night he sent his two wives, his two maids, and his eleven children, across the ford of the Jabbok’

        I’ll just walk away

        You can’t

        I turn to the wall, but it’s risen to the stars

        It glorifies the next greater god to grapple with you

        By contrasting itself with you, it reminds itself what it is

        The cold and night make a silver bouquet of my sigh

        Alright

        ‘Jacob was left alone, and a man wrestled with him until daybreak’

        The voices of my teachers return to me

        You must close the distance between yourself and your opponent so he cannot strike you

        Don’t leave gaps so he can slip an arm or leg in

        If one is flexible enough to do so, one can break holds that strength alone cannot

        Hold him closer than a lover

        ‘When the man saw that he did not prevail against Jacob, he struck him on the hip socket, and Jacob’s hip was put out of joint as he wrestled with him’

        With your right hand grab his collar and with your left hand his belt

        And lift

        Creating just enough space to slide your right foot between his armpit and his thigh

        We’re enlightened through such struggle with the other

        For example, ‘jihad’ is properly defined as an all-encompassing engagement of one’s self with one’s world

        Between one and one’s limitations

        ‘Then the man said, “Let me go, for the day is breaking”‘

        What you call yourself is this conversation between ‘You’ and ‘I’

        Just between you and I

        Move so you are standing on his thighs with both feet

        Through the narrative generated by such struggle is vision most viscerally achieved

        And through the physicality of figuration most effectively transmitted

        ‘But Jacob said, “I will not let you go, unless you bless me”‘

        Now use both hands to hoist up on his collar, while thrusting your feet between his legs to the ground, assuming the ‘back mount’ position

        When I enter a classroom, I don’t see Protestants, Catholics, Sunnis, Shias, Hindus, Buddhists, Maronites, Druze, Agnostics, or Atheists

        I see gods sitting in the desks, filling the room with anxious radiance

        Lay your right arm over his right shoulder and under his chin, with the inside of your arm touching the tender of his neck

        ‘So he said to him, “What is your name?” and he said, “Jacob”‘

        What can I say to keep this uneasy host from tearing the world apart

        I am mortal, and have but this short day of mine with which to grapple

        Grab your left bicep with your right hand and place the back of your left hand behind his head with the palm facing you

        ‘Then the man said, “You shall no longer be called Jacob, but Israel, for you have striven with God and with humans, and have prevailed”‘

        And make a fist

        Each grapples with me in turn and only through flexibility do I survive their superhuman embrace

        Once the fist is made, do the following things to create pressure on the arteries at the sides of his neck

        Bend your left palm away from you

        Flex your biceps

        Squeeze your right forearm toward your right shoulder

        And hold it

        Though the Earth may tremble

        Take these snowflakes, each as similar and as different as the memory of your first kiss recalled at different moments in your life

        I catch one on my tongue and it melts from staggering diversity of design into the unity of water, and diffuses into my bloodstream across the membrane of my parched throat

        It is no longer the blood of a single man

        It is the blood of the universe

        When reading, you think you are merely having a conversation with a writer from elsewhere in spacetime, unpresent and undead

        We drink it endlessly

        As we drink in the sight of our lovers with our eyes

        But you and the text have become part of a greater consciousness, speaking to itself, working something out in its mind

        The sky dripping with what has ever evaporated

        With what has ever condensed from confusion to exhaustion

        What has ever left a stain behind

        As the unconscious ancients were right to assume the voice of conscience they heard was the voice of a god

        What we in the privileged present call consciousness

        You drink the blood of all life

        Of the exhalation we inhabit

        Of earth and stars and endless space

        As knowable as time alone allows

        Wrestling with a god was wrestling with a new form of consciousness that was overcoming you—a new level emerging—and if you lost, you remained in that god’s service—and if you won, you looked down at your feared, beloved, defeated god, lying, panting, on the ground, and for the first time you spoke to yourself—in shock you asked

        What now

        And the voice that answered from then on was your own

        He lies on the torn grass breathing laboriously

        So I’ve defeated you, I say

        Yes

        I was once in your place

        Now we must both move on

        Now you must do what I did then

        First close your eyes

        Now listen carefully to my voice

        Sol sinks below the Earth

        I’m in perfect darkness

        I realize everything I’ve seen has been summoned by voices

        And a new one is articulating a darkness about me

        I touch my eyes

        They’re closed

        I open them

        I’m standing alone on an empty plain, beneath a single burning star

        I raise my hand to my lips

        They’re moving

   
Previously published by Emergency Press

_____

   
by Lori Desrosiers

   
Wrestling with the Poem

   
        We pose opposite one another
        like Hercules and the Cretan Bull,
        but the mad beast gets away from me again,
        terrorizing the lands beyond my desk,
        here in Massachusetts, not in Greece.
        Some days I try to sneak up on him, guerilla style,
        but he dances away,
        snorting at my inadequacies.
        Despite my study of poetics,
        my piece of paper on the wall,
        the innocuous M.F.A.,
        a two year’s journey into conversation,
        followed by workshops with the best of poets,
        a foray into teaching is inspiring,
        a few good sparks, perhaps a flame,
        the match continues.
        We fall together.
        When I find a hold,
        the poem slithers out, that oily boy.
        So, I look for a new move,
        try a poem a day, a practice,
        in thirty days a few good possibilities.
        Now there are thirty new bulls
        wrestling me to the ground.

_____

_____

It is good that we take the time to connect with others
with family and foster connection
relationships based on love
it is necessary in healing who we are as a whole
it is necessary in expanding our experience of love individually
it is for the best and highest benefit of both the whole and the individual
where there is separation, resentment limitation and lack of love
there need be forgiveness and expansion
moving out on faith with pure love
knowing that source will heal what needs be healed
if we act as vessels of this love
forgiving and seeing all without fault
yes
this is the love we are sending out throughout the world on a daily basis
this is the love we are focusing your attention on each day
to remind you of how powerful you are
how amazing and beautiful your love can be
how easily you can heal the world by healing yourself
by forgiving yourself
and extending that same love and compassion to others
it may seem easier to forgive others however
true forgiveness starts within and extends beyond
it is hard to see the resentment
the lack of love
for yourself so it is just as hard to see where you hold resentment
or withhold love from others
once you begin to go within and dissolve the blocks the resentment the body holds on to
the pain and frustration
pressure and dis-ease that your body stores that your mental physical and emotional bodies store
you will allow love to flow freely
allow source energy to expand within you and move outside of you
through you within you and heal all around you
for those who are willing
this path exists and it is a rewarding
fulfilling path indeed
know that you may be this vessel whenever you choose

it is a matter of practice, discipline and commitment
focus attention
all the things we have spoken many times before
it is simply a matter of you deciding now to dedicate your focus from moment to moment to being love
to growing and expanding
yes this is the path of fulfilment the path of abundance the path of a truly rewarding life on all levels
rewarding to your mind body spirit
to your soul
know that you are called to be a light not because you must but because you have the opportunity to experience real love
the only truth that lasts
and so it is

- Morning stream of consciousness writing from John Stringer

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We’ve all seen it…the image of Buddha sitting legs crossed meditating. We even jokingly emulate this posture in conversation to suggest peace of mind or the notion of Zen. But what are we really witnessing when we see someone in a crossed legged sitting posture? That sitting position is one of the most traditional meditating poses in all of Buddhism and Taoism as passed down by generations of practitioners starting in India way back when.

The day of enlightenment. December 8, 596 BC Buddha attained enlightenment under the Bodhi tree. Image shows enlightened Gautama Buddha sitting under the Bodhi tree.

The deeper one gets into practicing meditation, more positions are revealed and the practitioner  begins to build a repertoire for meditating. Something to think about while building this list is that, people already have a short list to choose from to meditate. These are things that we do everyday. It could be something as simple as making coffee, mowing the lawn, jogging, listening to music, or riding a bike. There are a number of activities that can put our mind into the initiation process towards meditating. The point of meditating is to think about nothing, clear the mind of all thoughts.

In the world we live in, especially in the Western side of things, its very difficult to eliminate thoughts. So to begin the delete these thoughts, what better way to begin by doing something that requires you to focus on one thing…eventually that one thing becomes so second nature you don’t need to think about doing it.

Through muscle memory we are now just doing. Then the mind is free to erase. 3 thoughts become 2, 2 becomes 1, 1 becomes no thought at all. In time of course.

Here’s a little something from the Buddha himself to help redirect our pre-conceived ideas about meditating…or whatever you can apply it to:

“Do not accept anything on (mere) hearsay — (i.e., thinking that thus have we heard it for a long time). Do not accept anything by mere tradition — (i.e., thinking that it has thus been handed down through many generations). Do not accept anything on account of mere rumors — (i.e., by believing what others say without any investigation). Do not accept anything just because it accords with your scriptures. Do not accept anything by mere suppositions. Do not accept anything by mere inference. Do not accept anything by merely considering the reasons. Do not accept anything merely because it agrees with your pre-conceived notions. Do not accept anything merely because it seems acceptable — (i.e., thinking that as the speaker seems to be a good person his words should be accepted). Do not accept anything thinking that the ascetic is respected by us (therefore it is right to accept his word).

Big Buddha in Hong Kong

For anyone interested in starting a meditation regiment or just the occasional break from our noisy world, I would definitely suggest learning the basics first. Then apply those basics to your world. For the traditional martial artist, I think its important to understand that traditions are good but not absolute, especially in the world we live in today. Rethink old ways, new ideas.

-MR

Thanks for hosting the potluck practice tonight Sarah. Everyone better be on time as every 2 minutes counts! “Oh good! We’ve got 2 minutes! OK!”

If you want others to be happy, practice compassion. If you want to be happy, practice compassion.

-Dalai Lama.

What does compassion mean? it means to be compassionate to all including self.

For those of us striving to be more conscious in our actions, and perhaps, more spiritual, the task requires compassion as well. But compassion does not mean becoming a “door mat” for someone to walk all over you. Yet this is often the case.  Rather, compassion means creating a mental and emotional space in yourself to allow other people to be themselves, even if you don’t understand or agree with them. It’s not an easy task when faced with an ordeal in a relationship, or faced with fairweather friends.
*`•.¸(¯`•.•´¯)¸.•´* ♥

Compassion does not, however, mean that we let others intrude into our emotional space. Nor does compassion mean that the others count  more than you. As we grow in spiritual strength, we may find that we are no longer comfortable with certain persons or lifestyles. They do not seem to fit in with our new lives . What seemed, at one time,  to be nourishing or at least neutral, is now perceived as toxic. We are no longer comfortable with our old ideals. We have moved on.

This sometimes happens with family members, spouses and friends. I am noticing that, for many of us, this phenomenon looks like it is increasing. One reason might be that people are less stable than before. They do not hold to old values as before. Perhaps it is because things are speeding up and more seems to be happening in less time. Perhaps it is simply the price of self-evolution. As we pass over a line in ourselves from unconscious to conscious (I should probably say semi-conscious, to be more exact), we may find ourselves having to set boundaries with past relationships. This can be very challenging to say the least. For those of us caught in this dilemma, I suggest,  the book  ‘The Way of the White Cloud.’  (see below) where we see all things and all situations as essentially devoid of substance. What appears to be very real at the moment becomes only a memory. The apparent solidity of things and the gravity of a situation is actually a mirage, an illusion. Buddhists call this samsara. And we are caught up in it by virtue of having an embodiment. The art of living, from this viewpoint, is to live and take action without getting caught up in the snares of the illusion.
*`•.¸(¯`•.•´¯)¸.•´* ♥

-The Way of The White Cloud by Lama Anagarika Govinda

Yeah sweet times ahaha, well yesterday was my work place Christmas party and it reminded me of this at the start of the year ha. Strangely enough i have had a pretty bad year but most of its wearing off soon.

So yeah abit tired, been pretty down the past few days but thats wearing off soon the christmas party was pretty lol, I swear the party all they did was troll us, HI guyse have this 67 dorrar ticket! if you dont go we charge your store!

Boss: WTF

Brendan: WTF

Me: WTF

Reese: LOL Wut?

Emmah: HUH?!

yeah theres 5 of us working in that store and when we was told it that was pretty much our reactions, ok so we got trolled by the Casurina people pretty bad, sure, awesome, BUT.

For a 67 dolalrs you’d imagine that you know 3 course meal fancy dinner yada yada yada, me and Brendan went to the event we ended up on ze camera and photos >_>. It was all fine and dandy when we saw only 2 tables:

At first we were lyke:

O.o

then we were like:

-_____-

now we know why the boss didnt want to come, theres NO food, there are small tibits, but lyke hell that stuff is gonna fill us up, to add insult to injury, we didnt have lunch :\ so… empty stomach… So we resorted to plan B, GET the award (If we got one) and GTFO! Seemed lyke a perfect plan and worked smoothly we did win something and we gtfoed to the nearest macdonalds for dinner.

Next year its Emmah and Reese’s turn… G.G Guyse :3

So now thats over and done with here is the most recent practice:

After what i did for Ross this practice got a lot more simple, the ability for me to render manga is pretty easy now so i zoomed through the draft easy.

The Penciling stage…

Like i said its much more easier. I am having trouble with perspective… so i might need to readjust my training to add that into my practice scheme.

The inking is much more of a pain i think i am running out of ink which means i will have to buy more on Monday.

its harder to shade on comp so i will need to buy a 0.9 pen to get some of the solid blacks done, i will use Manga Studio EX 3 to modify and add in some of the tones.

Short post today, i think you guys are pretty sick of my essays by now ahaha

John Signing Out lol

Over the past few years the time period just prior to Thanksgiving and carrying on through the New Year has become a time of reflection for me. I find myself processing all sorts of things in my life: professional and personal. I’m sure I’m not alone in this venture.

No matter which lens you use, 2008 was a difficult year for me. A lot of things “happened”. As I glance over my shoulder at 2009 even more things… “happened”.  While some of these things were not within my realm of control, I believe that we always have control over our response. I have noticed that when many of these things “happened” in 2008 my response created more problems, added long-term issues to short-term crisis, and divided instead of unified.

proactivity

The more I reflect on professional situations and events as well as personal failures and transgressions, I see that one (of many) things I have been lacking is proactivity. A friend calls it “intentional attention”. It sounds a little off, but taken at face value it makes perfect sense: There are things in life that we need to intentionally pay attention to. Our character, significant relationships, matters of integrity and honor… We have to DO it. Proactive, not reactive. The main struggles of 2009 were completely of my own making. There were still things that “happened”, but most of the pain was a direct result of behaviours and habits that could have been avoided with a healthy dose of proactivity in some key areas of my life.

So here I sit. I can continue to be reactive and respond to things hoping beyond all hope that I get it right next time – or – I can proactively put some intentionality into my life and pay attention!

Examine your life: work, home, relationships, your personal character, faith (or lack thereof), responsibilities, integrity,  your character…everything. I know I’ve got my work cut out for me. I know what could have been. I can also picture what could be, in every positive and proactive sense of the word. What can you picture?

3015857    ศัลยศาสตร์ทั่วไปด้านปฏิบัติ    Practice Of General Surgery

ศึกษาการแก้ปัญหาทางด้านศัลยกรรมทั่วไปทั้งในภาวะฉุกเฉินและไม่ฉุกเฉิน จากการซักประวัติ ตรวจร่างกายและการวิเคราะห์และดูแลรักษาเพื่อให้สามารถนำมาประยุกต์ใช้ในการวินิจฉัยโรค และเลือกวิธีรักษาอย่างมีประสิทธิภาพ

(Practicing problem solving of common surgical disorders in both emergency and elective settings; choice and timing of operation; early detection and management of postoperative complications.)

(3015857 จุฬาลงกรณ์มหาวิทยาลัย)

Image : http://www.flickr.com

Professional coaching tools and exercises are an all too rare resource in the coaching world.

First, use what Coaching Tools And why are these?

When our customers come to us, it is because they are dissatisfied with their current situation. And what bothers them is – one thing common in all the coaching clients is that they want to change!

So the goal of coaching tools and exercises is easier to change, get theClient is looking inside, learning, thinking and acting. And a coaching tool can literally use anything you to help you, your clients forward.

Examples could be like the wheel of life, SWOT and the urgent / important matrix known, or they could be renewed coaching exercises like "Eat Your Elephant" (counter where guests brainstorm on a large picture of an elephant to overpower and take a "bite" at a time) or "Troll Travels" (where guests reviewtheir properties and use of the 'device' from a troll on the qualities they appreciate most of the decisions.)

In short, coaching tools are a gay element, often difficult to know the coaching process. And we all know that if there are fun people are involved to achieve it more, learn faster and learning is sticky! And of course you can find customers more engaged and stay longer with us …

Coaching Tools Can Be Used Over And OverAgain:

Quality coaching tools can be used in the session, as supercharge client homework, in a welcome package, or your seminar exercises and handouts. You can even help you shine in the potential client or business meetings – shows what is coaching a clearly noticeable. And if the tools are your business and your contact information on it – you want to use it as much as possible to get your name there!

Who Uses CoachingTools in their practice?

Coaching tools can be of any kind of therapist or coach to be used – regardless of specialty or niche. They pick only, or create a coaching practice that works for the client or the situation in hand. They are ideal for:

Coaches only basis – in order to concentrate them and confidence in dealing with customers.
Founded coach – who enjoy adding some momentum and new job opportunities, their practice.
Therapists of allCan enjoy nature – by a little more light hearted and coaching style exercises to their practice.
What type of clients I Can Coaching Tools With?

Well, the easiest way to answer this, so you know, some of the types of clients I've used successfully with coaching tools. They are managers, lawyers, accountants, engineers, programmers, teachers, HR professionals, marketing and sales professionals, writers, entrepreneurs and smallEntrepreneurs, dance teachers, construction workers, filmmakers, and stay-at-home moms.

A large part but not all, of my clients are women. And suddenly I found that people enjoyed the tools as much if not more than the women. Coaching tools potentially "spun" talks and will make them more real and tangible – more practical.

Common themes for Coaching Tools:

While every customer is unique, once youHas been coaching for a while, you will have noticed common themes. The ideas below are all excellent areas add value to your customers with the tools to add:

Time management and prioritizing issues
Not enough self-care, too busy, tired and / or lack of motivation
Inner Critics – limiting beliefs and fears that they block the forward
Focus on their weaknesses or problems and oblivious to their real strengths and opportunities
Dissatisfied withNever in her life or not – and to know what to do next to
Achieve meaningful objectives or goals faster – set mainly in business and executive coaching fields.
Planning and reflection of themselves, their lives, relationships, career and goals
How to improve your coaching Coaching Tools:

At the meeting we ask questions and explore, we are looking for insight, action and commitment, we look at new ways and things to do. We can helpevaluate, challenge and push our clients the best they can be.

With tools and exercises as homework help reach more customers, how they learn and grow between sessions. They help identify your customers, blocks and come up with new ideas – faster – what do they want to bring to delve deeper for you and you are coaching magic.

Coaching tools, a continuity and a bridge between meetings – your customers more in a coachingMood. They keep you fresh and your coaching – with a stream of new ideas and exercises for your customers.

Finally, the prepared tools to help the customers feel that they are not alone – they see that other people have the same problems as them.

Why coaching tools are ideal for business:

If your tool look good, they will help you appear professional, well organized and structured. They offer a polished frame and adds that tangibilityInstant value to your meetings, coaching sessions and workshops. And builds over time, your client folder of "coaching work" shows solid progress.

Also, because coaching tools and exercises to be reused, they save you time and energy to repeat itself – so you concentrate on growing your business.

All this makes it easier for you to attract more customers to increase prospect conversion rates and keep your existing customers operate, they giveThey quality recommendations. If you think it's fun and show consistent, measurable value, the company – your customers just keep coming back for more.

What to Look For in a great coaching tool? You should:

Be professional, well clearly and fully explained.
Be easy and fun to complete – quick, colorful and with immediate effect (color graphics and an appeal will be more) on your customers.
Be short! So they do not overwhelm your already busy customers.
Deal with issuesYour customers regularly face – so that you great value and re-use your tools.
Solidify learning with at least one action or learning "take away"
Create your own coaching tools:

Try your own tools – and take-off! It just takes a little time and thought. If you have a simple step-by-step instructions for creating your own tools, see the free article "Coaching Tools 101: 10 Simple Steps To Create Your Own Fabulous CoachingTools and training! "

I want your customers to coaching you love and rave about! And if you start using coaching tools more regularly and consistently, you save time, impress your customers and increase your practice and help to not give your name. It is common knowledge in sales, it cheaper and easier to maintain, an existing customer than it is to get a new one – why not coaching tools to help you?

My Links : home http://goal-setting-network.blogspot.com/

A man can legally marry a video game character in Japan….and there is actually a real live man, that wants to marry one!!!

The man who calls himself SAL9000 is set to marry his virtual girlfriend from a video game called Love Plus this weekend.

Sal9000 marries video game character...attempt to set world record for masturbation

CNN reports that…SAL9000  fell in love with one of the virtual girls named Nene Anegasaki and decided to marry her and take her on a honeymoon to Guam.

Since the girl doesn’t really exist, that meant he took his Nintendo DS to Guam.

Sal9000 plans on holding a public wedding and reception this weekend in Tokyo in a bid to become the worlds most committed masturbator ever, and by the looks of things, he is well on his way to securing that dubious distinction.

He is set to make a world’s record run at simulated sex with a simulated virtually un-real woman…now his wife.

BoingBoing has the details on the ceremony, which was broadcast live on the Japanese site Nico Nico Douga.

BoingBoing notes that the ceremony included an MC, deejay, and a priest. It kicked off with a sideshow of photos highlighting the bride and groom’s “special moments together.”

The groom, who calls himself “SAL 9000″, reportedly had a string of anime girlfriends before Nene.

I imagine if you can marry a fake wife, then you can only suffer the threat of a fake divorce…and you ensure the fact that you will never get her pregnant, if that is any consolation.

Sal9ooo met his fiance while playing the virtual reality game called Love Plus which is a little different type of dating simulations game;Love Plus requires players to take out the virtual girl on dates, buy her gifts and make their girlfriends happy like they would in real life.

I don’t get it,…if you have to do all of that, why not just go out and get a real live women.You will put in the same amount of work, but you have the added benefit of being able to feel and touch a real woman.

I am confused…maybe I am just old-fashioned.

The player can increase their abilities by studying, working out and solving problems of their virtual girlfriend, but if they fail to make their girlfriend happy, the game will restart after 100 days.

I am pretty sure that falling in love with and marrying your video game girlfriend is a sign of some sort of mental illness, and I do not mean to make light of it.

Hopefully his friends and associates will get him some help,…in the meantime he should unplug, go out to a club, and try to pick up some real women.

…Step Away From the Video Game…I know there are plenty of real women in Tokyo for you to get with,..I seen them!!!

You can even have her dress up like an Anime character if you like,…that might be fun,but at least she would be real…

Source…http://www.myfoxdfw.com/dpp/news/dpgo-Man-to-Marry-2D-Virtual-Girlfriend-mb-200911211258828337252

(standing) pose of the day: tadasana/mountain pose.

daily use:

grocery lines. feet slightly apart, weight distributed to the edges of the feet; press into the ball of the toe and heel/evenly.  lift the inner ankle and knee caps, engage quads, and find a neutral pelvis, engage the belly, tuck your front ribs down, broaden across the collar bone and draw the chin to the chest, slightly—lengthening the back of the neck. breathe here. relax your jaw, open your throat and breathe. inhale and exhale.

next time you’re line, take your time and find your tadasana.