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	<title>reason-401 &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/reason-401/</link>
	<description>Feed of posts on WordPress.com tagged "reason-401"</description>
	<pubDate>Thu, 24 Dec 2009 14:57:28 +0000</pubDate>

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<title><![CDATA[two improvisations for synthesizer]]></title>
<link>http://dtoub.wordpress.com/2009/04/08/two-improvisations-for-synthesizer/</link>
<pubDate>Wed, 08 Apr 2009 07:38:55 +0000</pubDate>
<dc:creator>dtoub</dc:creator>
<guid>http://dtoub.wordpress.com/2009/04/08/two-improvisations-for-synthesizer/</guid>
<description><![CDATA[virtual music 1 virtual music 2 As indicated, these are improvisations, not finished pieces, althoug]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><ul>
<li><a href="http://homepage.mac.com/dtoub/virtual_music_1.mp3" target="_blank">virtual music 1</a></li>
<li><a href="http://homepage.mac.com/dtoub/virtual_music_2.mp3" target="_blank">virtual music 2</a></li>
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<p>As indicated, these are improvisations, not finished pieces, although I did do some tweaking of the Reason 4.0.1 files on my laptop. The set, <strong>two improvisations for synthesizer</strong> are dedicated to composer James Combs, who does a great job encouraging a bunch of us new music types to contribute improvisations/pieces for his <a href="http://jccombs.com/2009/03/17/improvfriday-part-vier/" target="_blank">improvfriday twitter feed</a> at the end of every week. There are several of us who have day jobs, write music when we can because we have a strange compulsion to do so, and for the most part are autodidacts or else have very little formal training as composers. We&#8217;re the antithesis of the typical academic composer. If Reich/Young/Eastman/Monk/Palestine typify the “downtown” music scene, folks like JC Combs, Dave Seidel, Steve Layton, Paul Bailey, me and a few others represent the “outside.” Most of us are “downtown” in orientation, but unlike the “downtowners,” we don&#8217;t form our own ensembles and instead tend to write for virtual instruments since no one is exactly knocking at our doors to perform our music. So I think the term “outside” rather than “downtown” is apt. I do write music intended for “real” musicians, and will continue to do so. But the reality is that most of my works have been heard only because I can use various instrument samples and patches to simulate the real thing. And before I had software and hardware to do this, none of my music had been heard by anyone else for almost 25 years.</p>
<p>So I&#8217;m not going to keep writing for samplers and synthesizers to the exclusion of “analog” acoustic instruments. But these two short improvs I think stand on the own fairly well, and might form the basis of a future work for acoustic instruments (just as <strong>virtual music 1 </strong>was used to a large extent in one part of <a href="http://homepage.mac.com/dtoub/zichron_c.pdf">zichron</a>)</p>
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