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Suniye to zara kahaan roothh ke chaley

Atul — Mon, 17 Dec 2012 10:47:31 +0000

“Aankh Michauli” (1962) was a Varma Production movie. It was directed by Ravindra Dave. The movie had Shekhar, Mala Sinha, Naazi, S. Nazir, Jagdish Raaj, Mahendra, Leela Misra etc in it.

Two songs from this movie have been discussed in the past. Here is the third song from this movie.

This song is sung by Mukesh and it is picturised on Shekhar who is seen wooing/ appeasing a sulking Mala Sinha with two servants helping his case by utteing “haan memsaab” and “ji memsaab” periodically.

Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.

I am unable to identify the two actors playing the servants. Likewise I am unable to identify these voices too. I request our knowledgeable readers to throw more light on these matters.

Lyrics of this song were sent to me by Nitin Shah.

Song-Suniye to zara kahaan rooth ke chale (Aankh Michauli)(1962) Singer-Mukesh, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Unknown male voice
Unknown female voice

Lyrics(Provided by Nitin Shah)

suniye to zara kahaan rooth ke chale
yoon baat badhaaya nahin karte
suniye to zara
haan memsaab
ji memsaab
suniye to zara kahaan rooth ke chale
yoon baat badhaaya nahin karte
jis dil mein sanam tasveer ho teri
uss ko thukraaya nahin karte
suniye to zara
haan memsaab
ji memsaab

chhodo gussa
sambhaalo zara aanchal
dekho dekho ulajh gayi paayal
chhodo gussaa
sambhaalo zara aanchal
dekho dekho ulajh gayi paayal
aji ho ke khafa yoon ekdamm
uthh ke jaaya nahi karte
suniye to zara kahaan rooth ke chale
yoon baat badhaaya nahin karte
suniye to zara
haan memsaab
ji memsaab

jo ye toote to koi mushqil hai
wo to kaho ki dil mera dil hai
jo ye toote to koi mushqil hai
wo to kaho ki dil mera dil hai
aji darpan ko yoon hardam
thhes lagaaya nahin karte
suniye to zara kahaan rooth ke chale
yoon baat badhaaya nahin karte
suniye to zara
haan memsaab
ji memsaab

kaha aao to tum lage jaane
iss adaa ke hami hain deewaane
kaha aao to tum lage jaane
iss adaa ke hami hain deewaane
aji aur ko ham apni qasam
yoon bulaaya nahin karte
suniye to zara
kahaan rooth ke chale
yoon baat badhaaya nahin karte
jis dil mein sanam tasveer ho teri
uss ko thukraaya nahin karte
suniye to zara
haan memsaab
ji memsaab

Mere roothhe huye balma

Atul — Fri, 31 Aug 2012 02:11:16 +0000

“Baawre Nain” (1950) was an Ambitious pictures production. It was produced and directed by Kidar Sharma. The movie had Raj Kapoor, Geeta Bali, Cuckoo, Vijayalaxmi, Jaswant, Majnu, Nazira, Himmat Rai, Pesi Patel etc in it.

As many as seven songs from this movie have already been discussed in the past. That leaves two more songs from this movie to be discussed.

Here is one of these two songs. This song is sung by Rajkumari. It is picturised as a “roothhna -manaana” song on Geeta Bali and Raj Kapoor. Most songs of this genre show the lady sulking and the gentleman making reconciliatory noises. Here the roles are reversed. My observation on the usual Roothna -manaana songs is that the sulking lady begins to respond by the penultimate line of the last stanza of the song. My observations seemingly gets validated in this song too.

Kidar Sharma is the lyricist. Music is composed by Roshan.

Lyrics of this song were sent to me by Khyati Bhatt.

Song-Mere roothhe huye balma (Baawre Nain)(1950) Singer-Rajkumari, Lyrics-Kidar Sharma, MD-Roshan

Lyrics(Provided by Khyati Bhatt)

mere roothe huye balma
aji roothe huye chanda
chalo ab maan bhi jaao
hamaare paas to aao

meri gustaakh nazren jhuk gayin
ab to taras khaao
chalo ab maan bhi jaao
hamaare paas to aao

mere roothe huye balma
aji roothe huye chanda
aji roothe huye chanda
chalo ab maan bhi jaao
hamare paas to aao

jawaani mein jawaan nazaron se
nazren lad hi jaati hain
jawaani mein jawaan nazaron se
nazare lad hi jaati hain
main samjaa loongi nazron ko
main samjaa loongi nazron ko
tum apne dil ko samajaawo
chalo ab maan bhi jaao
hamaare paas to aao

mere ruthe huye balma
aji roothe huye chanda
aji roothe huye chanda
chalo ab maan bhi jaao
hamaare paas to aao

tumhaare reshmi hothon se
jo nikla hai wo sach hai
tumhaare reshmi hothon se
jo nikla hai wo sach hai
jo main neechi nazar se keh gayi
wo bhi samajh jaao
chalo ab maan bhi jaao
hamaare paas to aao

mere ruthe huye balma
aji roothe huye chanda
aji roothe huye chanda
chalo ab maan bhi jaao
hamare paas to aao

jo aise munh banaawo aur
bhi lagte ho tum pyaare
jo aise munh banaawo aur
bhi lagate ho tum pyaare
nayi dulhan saje ho tum
chalo ghoonghat me sharmaao
chalo ab maan bhi jaao
hamare paas to aao
mere ruthe huye balma
aji roothe huye chanda
aji roothe huye chanda
chalo ab maan bhi jaao
hamaare paas to aao

Ye pyaar ka jhagdaa hai

Atul — Sun, 29 Apr 2012 07:31:20 +0000

“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.

I have discussed one song from this movie in the past. Here is another song from the movie. This song is sung by Rafi. This song is picturised as a lovers tiff cum reconciliation song. The picturisation shows Joy Mukherji and Komal walking on foot carrying their luggages. apparently they could not get a public conveyance. This song in fact reminds me of the famous song Itni naazuk na bano(Vaasna) where Vishwajeet was seen lecturing Kumud Chhugani about being strong enough to be able to carry her luggage while he himself was carrying an empty suitcase ! In this song the duo are carrying even lighter luggage, namely handbags that apparently have nothing inside them . And unlike Kumud Chhugaani, Komal (now Mrs Shatrughan Sinha and the mother of Sonakshi sinha) is quite well built, so Joy Mukherji cannot even comment on her being “naazuk”, so he decided to take the line of least resistance and makes reconciliaroty noises in this song. well that is a figure of speech, and the song is quite melodious in fact.

The song is sung by Rafi. Noor Devasi is the lyricist. Music is composed by N Datta.

Lyrics of this song were sent to me by Atif M.

Song-Ye pyaar ka jhagda hai (Aag aur Daag)(1970) Singer-Rafi, Lyrics-Noor Devasi, Md-N Datta

Lyrics(Provided by Atif M)

yeh pyaar ka jhagda hai
to pyaar se tay keeje
beemaar-e-muhabbat ko
aisi na saza deeje
yeh pyaar ka jhagda hai
to pyaar se tay keeje
beemaar-e-muhabbat ko
aisi na saza deeje ae
yeh pyaar ka jhagda hai

tanha na kat sakega
yeh raasta safar ka
koyi to ho sahaara
sarkaar umr bhar ka
tanha na kat sakega
yeh raasta safar ka
koyi to ho sahaara
sarkaar umr bhar ka
mera nahin to apna
mera nahin to apna
kuchh to khayaal keeje
yeh pyar ka jhagda hai
to pyaar se tay keeje
beemaar-e-muhabbat ko
aisi na saza deeje ae
yeh pyar ka jhagda hai
haan

tewar bhi juda dekhe
andaaz naya paaya
palkon ke taley maine
har raaz naya paaya
tewar bhi juda dekhe
andaaz naya paaya
palkon ke taley maine
har raaz naya paaya
yeh raaz bhala kya hai
yeh raaz bhala kya hai
yeh raaz bata deeje
yeh pyaar ka jhagda hai
to pyaar se tay keeje
beemaar-e-muhabbat ko
aisi na saza deeje ae ae
yeh pyaar ka jhagda hai ae ae ae

Sab shiqwe mitey di ke

Atul — Mon, 26 Dec 2011 09:23:34 +0000

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khaiber (1954) is a film that is produced by Kamal Kapoor, who is also the hero in this film. Produced under the banner of Kapil Pictures, Bombay, the film is directed by Kedar Kapoor. The leading lady is Nigar Sultana, and the rest of the star cast includes Naaz, Tiwari, Niranjan Sharma, BM Vyas, Chaman Puri, Nand Kishore, Dev Raj, Rajan Kapoor, Dichhoo Kumar (Jr.), Roop Kumar, Baby Ratan, Chiman Lal, Charanjit Kumar and Indu Pal etc.

The lyrics for this film are written by Asad Bhopali. The music is composed by Hansraj Behl. In this film, he was assisted by another composer by the name Inder Goel. Now does this name sound familiar? Let’s see if the readers can identify where else and in which context has this name appeared earlier.

The song is a light duet sung by Mukesh and Madhubala Zaveri. It is a song of reconciliation between lovers, sounding almost similar to the phrase “kiss and make up”. Yes, the lines reflect this thought, as one hears ‘Sab Shikwey Mitey Dil Ke, Aapas Mein Galey Mil Ke’. Enjoy this light hearted duet, composed by Hansraj Behl.

Song-Sab shiqwe mitey dil ke (Khaiber)(1954) Singers-Madhubala Zhaveri, Mukesh, Lyrics-Asad Bhopali, MD-Hansraj Bahl
Madhubala Zhaweri +Mukesh =Fuchsia

Lyrics

sab shiqwey mitey dil ke
aapas mein galey mil ke
sab shiqwey mitey dil ke
sab shiqwey mitey
sab shiqwey mitey dil ke
aapas mein galey mil ke
hum dono musaafir hain
ik pyaar ki manzil ke
hum dono musaafir hain
ik pyaar ki manzil ke
sab shiqwey mitey dil ke
aapas mein galey mil ke
hum dono musaafir hain
ik pyaar ki manzil ke
hum dono musaafir hain
ik pyaar ki manzil ke

ik pal mein hansaa denaa
ik pal mein rulaa denaa
tum khel samajhte ho
deewaanaa banaa denaa
deewaanaa banaa denaa
deewaanaa banaa denaa

sab khel anokhey hain
sab khel anokhey
sab khel anokhey hain
armaan bharey dil ke
hum dono musaafir hain
ik pyaar ki manzil ke
hum dono musaafir hain
ik pyaar ki manzil ke

dil waalon ki duniya mein
ye reet puraani hai
khud roothh ke mann jaanaa
chaahat ki nishaani hai
chaahat ki nishaani hai
chaahat ki nishaani hai

baaten na banaa mujhse
baaten na banaa
baaten na banaa mujhse
ae chaand mere dil ke
hum dono musaafir hain
ik pyaar ki manzil ke
hum dono musaafir hain
ik pyaar ki manzil ke
sab shiqwey mitey dil ke
aapas mein galey mil ke
hum dono musaafir hain
ik pyaar ki manzil ke

Kis baat pe tuley ho

Atul — Fri, 23 Dec 2011 01:49:10 +0000

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hansraj Behl made his composing debut in Hindi films, in the year 1946. As per records, his first film released is ‘Pujaari’ (1946). In the same year, two more films were also released with music composed by him. these are ‘Phulwaari’ and ‘Gvaalan’. Rare films in their own rights, and very little is known about them. This delightful song is from the film ‘Gvaalan’, sung by Zohrabai Ambaalewaali (or Zohrabai Ambaalaa).

About the film, it is produced under the banner of Amar Pictures, and is directed by Baburao Patel. The music is composed by Hansraj Behl and the lyrics are by Pt. Indra. The star cast listing includes Sushila Rani, Trilok Kapoor, Bipin Gupta, Madhuri, Sheikh Hussain, Bikram Kapoor, David, Noorjehaan, Master Ratan, Shanta Kumari, Altaaf Hussain, Karan Singh, Nagendra, Pt. Iqbal, Yusuf etc.

An interesting fact about Zohrabai. As we see the names of lyricists and authors, a lot of them have the name of a place, as part of their pen name – Aarzoo Lucknawi (from Lucknow), Hasrat Jaipuri (from Jaipur), Majrooh Sultanpuri (from Sultanpur) and so on. No other category of artists associated with films have such names that include the name of a place. In the category of singers, two names come to mind, both from the decade of 40s. One is Amirbai Karnataki, and the second is Zohrabai Ambaalewaali. Regarding the latter, there is a specific reason that the name of her home town was added to her name. (She was born in the city of Ambala, formerly in the state of Punjab, now in the state of Haryana). In the 1920s / 30s / 40s, there is another very well known classical singer by the same name Zohrabai. This singer hailed from the city of Agra, belonged to the Agra Gharaana of classical musicians and was famous as Zohrabai Agra (or Zohrabai Agrewaali). She had started her musical career in the 1920s, whereas Zohrabai, the films singer came to be known only in the 1940s. However, to remove any situation of confusion on account of the first name, Zohrabai, the films singer adopted the name Zohrabai Ambaalewaali (or Zohrabai Ambaalaa). The other lady, Zohrabai Agrewaali, never did sing for the films.

This song is another exchange between lovers. The gentleman appears to be offended about something, and the lady is singing a song trying to appease him, and to catch his attention, asking him to look towards her; and that this life and this time of youth will not be forever. The music has a swift pace, and an endearing flavor to it. Enjoy.

kis baat pe tuley ho, rootthe ho meharbaan
dekho zaraa idhar bhi, jaltaa hai aashiaan

O my kind dear,
What has upset you?
Why are you so adamant? (in being offended)
Kindly, just glance my way also
My heart is troubled too (on seeing you upset)

tum ho qaraar dil ke, armaan zindagi ke
khwaab-o-bahaar aayee, aa jaaye na khizaan

You are the comfort of my heart
And the hope in this life
(With you) the life is a dream of spring
Pray that the autumn does never come this way
(on seeing you upset)

nazron se dil churaa ke, nazron se na giraa
rehti nahin kisi ki, zaalim jawaaniyaan

You have stolen my heart with your glances
Do not let me down in your eyes
The times of youth, they will not be forever
(o dear do not be upset)

le lo duaa’en dil ki, din hain yehi sanam
ye husn dar pe aa ke, jaaye kahaan kahaan

Take the blessings, the good wishes of my heart
These are the days (of our happiness and love)
Now that I am at your doorstep
Wherefore else can I now go
(please do not be upset)

Song-Kis baat pe tuley ho (Gwaalan)(1946) Singer-Zohrabai Ambalewali, Lyrics-Pt Indra Chandra, MD-Hansraj Bahl

Lyrics

kis baat pe tuley ho
kis baat pe tuley ho
roothhe ho meharbaan
roothhe ho meharbaan
dekho zaraa idhar bhi
dekho zaraa idhar bhi
jaltaa hai aashiaan
haan. . .
jaltaa hai aashiaan
kis baat par tuley ho
roothhe ho meharbaan
roothhe ho meharbaan

tum ho qaraar dil ke
tum ho qaraar dil ke
armaan zindagi ke
armaan zindagi ke
khwaab-o-bahaar aayee
khwaab-o-bahaar aayee
aa jaaye na khizaan
aaaa
aa jaaye na khizaan
kis baat pe tuley ho
roothhe ho meharbaan
roothhe ho meharbaan

nazron se dil churaa ke
nazron se dil churaa ke
nazron se na giraa
aaa
nazron se na giraa
rehti nahin kisi ki
rehti nahin kisi ki
zaalim jawaaniyaan
aaaa
zaalim jawaaniyaan
kis baat pe tuley ho
roothhe ho meharbaan
roothhe ho meharbaan

le lo duaa’en dil ki
le lo duaa’en dil ki
din hain yehi sanam
din hain yehi sanam
ye husn dar pe aa ke
ye husn dar pe aa ke
jaaye kahaan kahaan
aaaa
jaaye kahaan kahaan
kis baat par tuley ho
roothhe ho meharbaan
roothhe ho meharbaan

dekho zaraa idhar bhi
dekho zaraa idhar bhi
jaltaa hai aashiaan
haan
jaltaa hai aashiaan

Tukde hain mere dil ke ae yaar tere aansoo

Atul — Tue, 18 Oct 2011 06:06:07 +0000

In Hindi movies, there are songs for all occasions including songs meant to assuage the hurt feelings of the beloved. Now, how can one go about assuaging the hurt felings of one’s beloved ? The common and gentlemanly method is to say sorry. But then Hindi movie heroes (like Government employees) can never see the errors of their ways and cannot say sorry. Even when they say sorry then do not mean it. In a railway station, one listens to the announcement saying ” The train is running late. We are sorry for the inconvenience”. The announcer hardly sounds sorry while making this announcement.

In this song, the hero does not even say sorry. From the lyrics of the song, it would seem to me that the lady, instead of feeling assuaged, should feel like salt is being rubbed to her wounds. For instance, the lyrics say

Tukde hain mere dil ke
ae yaar tere aansoo
dekhe nahin jaate hain
dildaar tere aansoo
tukde hain mere dil ke
ae yaar tere aansoo

the drops of your tears are pieces of my broken heart
I cannot bear to see them

Now, the drops of her tears should be equivalent to pieces of her broken heart. She is shedding tears because her heart is broken because of some act of the hero, so the hero claiming that drops of her tears = pieces of his broken heart is clearly a falsehood.

Now I know why the heroes of Hindi movies sing songs using heavy duty words like “qatre” and “”ashq” etc, instead of just saying sorry. By using such heavy duty words, that clealy goes over the head of the lady, they avoid saying sorry to her, and at the same time end up sounding apologetic to her, even when they are clearly not so.
.
This song is sung by Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by O P Nayyar.

The song is picturised on Vishwajeet and Asha Parekh. Lyrics of the song were sent to me by nahm.

Song-Tukde hain mere dil ke (Mere Sanam)(1965) Singer-Rafi, Lyrics-Majrooh Sultanpuri,MD-O P Nayyar

Lyrics

Tukde hain mere dil ke
ae yaar tere aansoo
dekhe nahin jaate hain
dildaar tere aansoo
tukde hain mere dil ke
ae yaar tere aansoo

qatre nahin chhalke yeh
aankhon ke piyaalon se
moti hain muhabbat ke
in phool se gaalon pe
in phool se gaalon pe
behne nahin doonga main
bekaar tere aansoo
dekhe nahin jaate hain
dildaar tere aansoo
tukde hain mere dil ke
ae yaar tere aansoo

ashkon se bharaa dekhoon
kaise teri aankhon ko
ae jaan yeh sulagtaa gham
de de meri aankhon ko
de de meri aankhon ko
palkon pe uthha loonga
sau baar tere aansoo
dekhe nahin jaate hain
dildaar tere aansoo
tukde hain mere dil ke
ae yaar tere aansoo

Tere sadqe balam na kar koi gham

Atul — Wed, 13 Jul 2011 19:46:09 +0000

“Amar” (1954) is a movie starring Dilip Kumar and Madhubala. This movie had several songs that became quite popular. I have discussed five songs from this movie in the past.

Here is another song from this movie which I became aware of only after nahm sent its lyrics to me.

This song is what one can describe as a reconciliation song or “sulking-appeasing” song, just that the roles are reversed. Here Dilip Kumar is sulking and Madhubala tries to humour him by songing this song.

My study shows that in the usual songs of “sulking appeasing” genre, the lady remains in the sulking mode till the penultimate line i the last stanza, and then she begins to respond to hero’s advances. But here in this song, Dilip Saab continues to sulk right till the end of the song. May be that is how it is supposed to be in sulking appeasing songs with roles reversed. Obviously more study is required to be undertaken in this field.

This song is sung by Lata. Shakeel Badayuni is the lyricist and music is composed by Naushad.

Song-Tere sadqe balam na kar koi gham (Amar)(1954)Singer-Lata,Lyrics-Shakeel Badayuni,MD-Naushad

Lyrics(Provided by nahm)

Tere sadqe balam
na kar koyi gham
ye samaan yeh jahaan phir kahaan
ho
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan
ye samaan yeh jahaan phir kahaan
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan

din hain suhaane
phir kaun jaane
aaye na aaye bahaar
tu gham ko pi le
dum bhar ko jee le
duniya ka kya aitbaar
ho jee piya
duniya ka kya aitbaar
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan

kaanton mein daaman
uljhe na saajan
phoolon mein hans kar guzaar
thhodi khushi hai
thhodi hansi hai
dukh zindagi mein hazaar
ho jee piyaa
dukh zindagi mein hazaar
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan

naiyya milan ki
maujen pawan ki
kehti hain tujh ko pukaar
gaata chalaa chal
hansta chalaa chal
jeewan ki nadiya ke paar
ho jee piyaa
jeewan ki nadiya ke paar
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan
ye samaan ye jahaan phir kahaan
tere sadqe balam
na kar koyi gham
ye samaan ye jahaan phir kahaan

Roothha huaa chandaa hai roothhi huyi chaandni

Atul — Wed, 04 May 2011 04:14:51 +0000

If one creates one or two masterpiece songs in a movie that I suppose the creators of such songs in that movie could be justified in taking it easy while creating the remaining songs. But that is not how they worked in the (G)olden days. The created one gem after another in the same movie, as if this was the last movie of their careers. And they continued it for their other movies as well for their entire careers that lasted a few decades. and then there were many others who worked in the same way. No wonder we are left with a huge body of quality music that we can keep exploring for decades, without being able to exhaust it.

Take this movie “Aaraam” (1951) for example. I have already discussed 7 songs from it. Certainly 7 great songs from a movie is good enough. But no, that is not all. There are more great songs in it ! Yes, seriously.

Here is this lovely song from Lata. This “roothna -manaana” (sulking-appeasing) song is sung by Lata. It is picturised on Madhubala and Dev Anand. Both are sulking, but here the lady takes the initiative to offer the olive branch. How very cute !

The song is written by Prem Dhawan. Music is created by Anil Biswas. I have heard this song for the first time only just now, and I loved it on the very first “hear” itself. Yes, that is what timeless music is often all about. Listen to it for the first time six decades after it is created, and you still find it fresh as a morning dew. This is a song that will certainly make the day of the listeners.

song-Roothha huaa chandaa hai roothhi huyi chaandni (Aaraam) (1951) Singer-Lata,Lyrics-Prem Dhawan,MD-Anil Biswas

Lyrics

roothaa huaa chandaa hai roothi huyi chaandni
roothaa huaa chandaa hai roothi huyi chaandni
tum hi kaho kaun manaaye jee
roothaa huaa Kaanhaa hai roothi huyi baansuri
roothaa huaa Kaanhaa hai roothi huyi baansuri
kaise koi geet sunaaye jee
roothaa huaa chandaa hai roothi huyi chaandni
roothaa huaa chandaa hai roothi huyi chaandni

preet kaa saudaa preet se keejiye
preet kaa saudaa preet se keejiye
jaisaa dil liyaa hai vaisaa dil deejiye
jee vaisaa dil deejiye
dil to kuchh aur kahe, nainaa kuch aur hi
kaise koi preet nibhaaye jee
kaise koi preet nibhaaye jee
roothaa huaa chandaa hai roothi huyi chaandni
roothaa huaa chandaa hai roothi huyi chaandni

dekho jee hat gayi kaari badariyaa
dekho jee hat gayi kaari badariyaa
chamkaa hai chaand phir baajee baansuriyaa
jee baajee baansuriyaa
dil to hai maan jaaye,
zid hai magar pyaar ki
pahle kise kaun bulaaye jee
pahle kise kaun bulaaye jee
pahle kise kaun bulaaye jee

Mere dil ki nagariyaa mein aanaa

Atul — Wed, 13 Apr 2011 19:01:30 +0000

“Madhosh”(1951) is a movie that had Manhar Desai, Meena Kumari and Usha Kiran in lead roles. Talat Mehmood sung for Manhar Desai, whereas Lata sang for both the leading ladies. Thankfully the two leading ladies did not sing a duet together, else we do not know what the music directors would have done.

I have discussed five songs from this movie till now. Here is another song from this movie. In this song, Manhar comes to meet Meena Kumari after making her wait. When Meena Kumari remonstrates, Manhar sulks and walks away. Then Meena Kumari sings this song in a bid to mollify him.

This song is sung by Lata. Raja Mehdi Ali Khan is the lyricist. Music is composed by Madan Mohan.

Song-Mere dil ki nagariya mein aanaa (Madhosh) (1951) Singer-Lata,Lyrics-Raja Mehdi Ali Khan,MD-Madan Mohan

Lyrics

mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa
mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa

rut milan ki aayi suhaani
aa jaao to badi meharbaani
gup chup gup chup
duniyaa se chhup chhup
main to aa gayi kar ke bahaanaa
mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa

jis din se huyi main tumhaari
meethi methi si mujhe beqaraari
pyaari payaari si hai peer
jiyaa dhare nahin dheer
zaraa aa ke ise samajhaanaa
mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa

dekho dekho jee hamen na sataao
aanaa hai to ab aa jaao
hamen badaa intezaar,
dil badaa beqaraar
tumhen hamri qasam zaraa aanaa
mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa
mere dil ki nagariyaa mein aanaa
na aa ke jaanaa balam pardesiyaa
dil tadpaaye mohe chain na aaye
mohe ek jhalak dikhlaanaa,
dikhlaanaa

Tum jaao kahin tumko ikhtiyaar

Atul — Wed, 08 Dec 2010 03:47:38 +0000

I am told that 8 december is the birthday of not one but two actors. Yes, both Dharmendra (DOB- dec 8, 1935) and Sharmila Tagore (DOB 8 dec 1946) were born on this date.

A few regulars of this blog had reminded me of this fact and suggested a few somhs that could be posted on this occasion.

Yes, there are several songs picturised on Dharmendra and Sharmila Tagore. I have discussed a few such songs already in the past, but there are still songs that have not yet been discussed. So I have enough material for today, which will be devoted to songs picturised on Dharmendra and Sharmila Tagore.

Here is a son from ‘Mere Hamdam Mere Dost” (1968) which is the secnd movie where the two came together (“Anupama” being the first).

This is a “roothhna-manaanaa” genre of song where Sharmila Tagore is shown trying to appease a sulking Dharmendra.

The song is sung by Lata.Majrooh Sultanpuri is the lyricist and music is composed by Laxmikant Pyarelal.

On an unrelated note, this song is the 1100th Lata song in this blog.

Song-Tum jaao kahin tumko ikhtiyaar (Mere Hamdam Mere Dost) (1968) Singer-Lata, Lyrics-Majrooh Sultanpuri,MD-Laxmikant Pyarelal

Lyrics

tum jaao kahin
tumko ikhtiyaar
ham jaayen kahaan sajnaa
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar
tum jaao kahin
tumko ikhtiyaar
ham jaayen kahaan sajnaa
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar

wo chaahna
hamen subah o shaam
wo chaahna
hamen subah o shaam
wo har nazar muhabbat ke naam
bhulaa do bhulaa do
wo baaten tamaam
hamen
hamen yaad hai har ikraar
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar

munh dekhte har ilzaam par
munh dekhte har ilzaam par
aise to ham nahin thhe magar
badal di gayi jab tumhaari nazar
jo
jo chaahe kaho ilzaar(?)
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar

maanaa tumhe nahin aitbaar
maanaa tumhe nahin aitbaar
jhoothaa sahi dil e beqaraar
kahaan phenk de dard ki yaadgaar
apna
apna to yahi sansaar
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar
tum jaao kahin
tumko ikhtiyaar
ham jaayen kahaan sajnaa
hamne to kiyaa hai pyaar
hamne to kiyaa hai pyaar

sunday's song and an assessment - song of reconciliation

annette — Sat, 24 Apr 2010 15:56:03 +0000

With lots of time to think lately, I’ve been reorganizing my life in my head and occasionally

Tadpaaoge tadpaa lo

Atul — Sat, 06 Mar 2010 06:12:33 +0000

Great songs are created not just by big names in Bollywood. Many of the memorable songs have been created by lesser known artists as well.

Here is a lovely heartwarming song that I have heard for several decades, and all this while I was totally unaware about the details of this song.

This song is “tadpaaoge tadpaalo”. Now I know that this iconic song is from a movie called “Barkha” (1957). The song is sung by Lata and it is picturised on Shubha Khote and Anant Kumar.

Rajinder Krishan, whom I regard as the person who has perhaps written the maximum number of iconic lyrics, has penned this wonderful song. Chitragupta, the underestimated low profile music director has composed this wonderful song.

Song-Tadpaaoge tadpaalo (Barkhaa) (1957) Singer-Lata,Lyrics-Rajinder Krishan, MD-Chitragupta

Lyrics

tadpaaoge tadpaa lo
ham tadap tadap kar bhi
tumhaare geet gaayenge
thukraaoge thukraa lo
ham thokar khaa kar bhi
tumhaare dar pe aayenge
tadpaaoge tadpaa lo

kab tak jaanegaa naa chandaa
dard chakori kaa
kab tak jaanegaa naa chandaa
dard chakori kaa
ek din to ye phool sunegaa
bulbul kaa shikwaa
bewafaa pyaar mein
kab talaq ye pardaa
tadpaaoge tadpaa lo
ham tadap tadap kar bhi
tumhaare geet gaayenge
tadpaaoge tadpaa lo

jinki khaatir ham phirte hain
deewaane ban ke
jinki khaatir ham phirte hain
deewaane ban ke
wo hamse jab milte hain to begaane ban ke
ishq mein rah gaye ham fasaanaa ban ke
tadpaaoge tadpaa lo
ham tadap tadap kar bhi
tumhaare geet gaayenge
tadpaaoge tadpaa lo

dekh nishaane par rakhaa hai
kab se maine dil
dekh nishaane par rakhaa hai
kab se maine dil
teer chalaa kyaa soch rahaa hai o bhole qaatil
kyaa pataa maut hi
pyaar ki ho manzil
tadpaaoge tadpaa lo
ham tadap tadap kar bhi
tumhaare geet gaayenge
thukraaoge thukraa lo
ham thokar khaa kar bhi
tumhaare dar pe aayenge
tadpaaoge tadpaa lo

Mere roothe balam

Atul — Mon, 22 Jun 2009 04:14:03 +0000

“Raaja” (1975) was a movie starring Rishi Kapoor and Sulakshana Pandit, but the movie turned out to be a flop. Perhaps public only wanted to see Rishi Kapoor with Neetu Singh, and Sulakshana Pandit could not be a suitable replacement.

The songs of this movie were quite nice though. I have already posted a few songs from this movie. Here is a song sung by Asha Bhonsle which is picturised on Sulakshana Pandit trying to appease a sulking Rishi Kapoor. Anand Bakshi is the lyricist and RT D Burman composed the music.

Song-Mere roothe balam (Raaja) (1975) Singer-Asha Bhonsle,Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

Mere roothe balam se kah do
Mere roothe balam se kah do
ae madmast bahaaron
maaro jaan se maaro
ho lekin taanaa mat maaro re maaro re
Mere roothe balam se kah do
ae madmast bahaaron
maaro jaan se maaro
ho lekin taanaa mat maaro

maaf nahin kar sakte to de do koi sazaa
haay re itni baat me rooth gaye
aisa gusaa bhi kyaa
maaf nahin kar sakte to de do koi sazaa
haay re itni baat me rooth gaye
aisa gusaa bhi kyaa
kuch bhi kar lo kuch bhi kah lo
mera naam pukaaro
maaro jaan se maaro
ho lekin taanaa mat maaro re maaro re
Mere roothe balam se kah do
ae madmast bahaaron
maaro jaan se maaro
ho lekin taanaa mat maaro

pyaar muhabbat karne ki rut hai chhoti badi
haay re
ladne ko to umar padi hai
lad lena kabhi
pyaar muhabbat karne ki rut hai chhoti badi
haay re
ladne ko to umar padi hai
lad lena kabhi
dil na todo saath na chhodo
bigdi baat sanwaaro
maaro jaan se maaro
lekin taanaa mat maaro re maaro re
taanaa mat maaro

Yoon to aapas mein bigadte hain khafa hote hain

Atul — Sat, 02 May 2009 00:53:23 +0000

I have posted as many as ten songs from “Andaaz” already. Unbelievably, not one of these ten songs was a duet song between hero and heroine in this movie. Most songs were solo songs, except one, which was sung by two female singers ( Lata and Shamshad Begum).

There was in fact one duet song in this movie. And it was not picturised on Dilip Kumar and Nargis. Rather it was picturised on Raj Kapoor and Nargis. Lata sang for Nargis whereas Rafi sang for Raj Kapoor. Yes, Rafi too sang in this movie.

This song is a lesser known song from this movie. I listened to this for song the first time only just now. Majrooh Sultanpuri wrote this song and Naushad was the music director.

Song-Yoon to aapas me bigadte hain khafa hote hain(Andaaz) (1949)Singers-Lata, Rafi, Lyrics-Majrooh Sultanpuri, MD- Naushad

Lyrics

yoon to aapas mein bigadte hain khafaa hote hain
milne waale kahin
milne waale kahin
ulfat mein judaa hote hain

hain zamaane mein ajab
cheez mohabbat waale
hain zamaane mein
hain zamaane mein
ajab cheez mohabbat waale
dard khud bante hain
khud apni dawaa hote hain
dard khud bante hain
khud apni dawaa hote hain
milne waale kahin
ulfat mein judaa hote hain

haal-e-dil mujhse na poochho
meri nazren dekho
haal-e-dil mujhse
haal-e-dil mujhse na poochho meri nazren dekho
raaz dil ke to nigaahon se adaa hote hain
raaz dil ke to nigaahon se adaa hote hain
milne waale kahin
ulfat mein judaa hote hain

milne ko yoon to milaa kartin hain sabse aankhen
milne ko yoon to
milne ko yoon to milaa karti hain sabse aankhen
dil ke aa jaane ke andaaz judaa hote hain
dil ke aa jaane ke andaaz judaa hote hain
yoon to aapas mein bigadte hain khafaa hote hain

aise hans-hans ke na dekhaa karo tum sabki taraf
aise hans-hans ke
aise hans-hans ke na dekhaa karo tum sabki taraf
log aisi hi adaaon pe fidaa hote hain
log aisi hi adaaon pe fidaa hote hain
yoon to aapas mein bigadte hain khafaa hote hain