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	<title>repetition &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://en.wordpress.com/tag/repetition/</link>
	<description>Feed of posts on WordPress.com tagged "repetition"</description>
	<pubDate>Sat, 26 Dec 2009 21:12:36 +0000</pubDate>

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<title><![CDATA[132.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/26/132/</link>
<pubDate>Sat, 26 Dec 2009 11:03:51 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/26/132/</guid>
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<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/paris7.jpg"><img class="aligncenter size-large wp-image-538" title="Paris7" src="http://booksineverything.wordpress.com/files/2009/12/paris7.jpg?w=768" alt="" width="768" height="1024" /></a></p>
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<title><![CDATA[1755]]></title>
<link>http://thewaterworks.wordpress.com/2009/12/26/1755/</link>
<pubDate>Sat, 26 Dec 2009 10:05:34 +0000</pubDate>
<dc:creator>thewaterworks</dc:creator>
<guid>http://thewaterworks.wordpress.com/2009/12/26/1755/</guid>
<description><![CDATA[Repetition. Each time It resurfaces, every time I remember, I reject It, remaining without reconcili]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><em>Repetition.</em> Each time It resurfaces, every time I remember, I reject It, remaining without reconciliation.</p>
</div>]]></content:encoded>
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<title><![CDATA[130.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/24/130/</link>
<pubDate>Thu, 24 Dec 2009 09:15:40 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/24/130/</guid>
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<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/paris6.jpg"><img class="aligncenter size-large wp-image-532" title="Paris6" src="http://booksineverything.wordpress.com/files/2009/12/paris6.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[129.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/23/129/</link>
<pubDate>Wed, 23 Dec 2009 20:32:59 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/23/129/</guid>
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<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/paris5.jpg"><img class="aligncenter size-large wp-image-529" title="Paris5" src="http://booksineverything.wordpress.com/files/2009/12/paris5.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[127.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/21/127/</link>
<pubDate>Mon, 21 Dec 2009 23:16:21 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
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<title><![CDATA["12 Pig Noses in the Closet":weird, unusual, strange, odd surrealism painting, animal body part, assemblage, bricolage, juxtaposition, repetition, number symbolism, animal symbolism painting #9086, 2009 | Kazuya Akimoto Art Museum]]></title>
<link>http://bobotaro.wordpress.com/2009/12/20/12-pig-noses-in-the-closetweird-unusual-strange-odd-surrealism-painting-animal-body-part-assemblage-bricolage-juxtaposition-repetition-number-symbolism-animal-symbolism-painting-9086/</link>
<pubDate>Sun, 20 Dec 2009 10:25:16 +0000</pubDate>
<dc:creator>bobotaro</dc:creator>
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<description><![CDATA[Kazuya Akimoto Art Museum &#8220;12 Pig Noses in the Closet&#8221;:weird, unusual, strange, odd surr]]></description>
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<h5><a href="http://www.kazuya-akimoto.com"><strong><span style="font-size:medium;">Kazuya Akimoto Art Museum</span></strong></a><a href="http://www.kazuya-akimoto.com/rss.xml"><img src="http://www.kazuya-akimoto.com/feed-icon.gif" border="0" alt="" /></a></h5>
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<h2><a href="http://www.kazuya-akimoto.com/2009/2009contents/9086gallery17.html">&#8220;12 Pig Noses in the Closet&#8221;:weird, unusual, strange, odd surrealism painting, animal body part, assemblage, bricolage, juxtaposition, repetition, number symbolism, animal symbolism painting #9086, 2009 &#124; Kazuya Akimoto Art Museum</a></h2>
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<p>named and added to<a href="http://www.kazuya-akimoto.com/2009/2009contents/gallery17.html"> gallery #17</a>,2009  at <a href="http://www.kazuya-akimoto.com">Kazuya Akimoto Art Museum</a></p>
<h6></h6>
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<h1><a href="http://www.kazuya-akimoto.com/2009/2009contents/9086gallery17.html"><span style="font-size:large;"><strong>&#8220;12 Pig Noses in the Closet&#8221;</strong></span></a></h1>
<p><!--image --></p>
<p><a href="http://www.kazuya-akimoto.com/2009/2009contents/9086gallery17.html"><img src="http://www.kazuya-akimoto.com/2009/2009images/IMG_9086_12_Pig_Noses_in_the_Closet_animal_body_part_repetition_450.jpg" border="0" alt="12 Pig Noses in the Closet :weird, unusual, strange, odd surrealism painting, animal body part, assemblage, bricolage, juxtaposition, repetition, number symbolism, animal symbolism painting #9086, 2009 &#124; Kazuya Akimoto Art Museum" /></a></p>
<p>acrylics 21&#8243;x18&#8243;</p>
<p>lisited  in<br />
<a href="http://www.kazuya-akimoto.com/2009/2009_top.htm">New Paintings 2009</a></p>
<p><!--image keywords --></p>
<div id="indiv_key_block" class="keytable">
<h2><a class="key_level_4" title="Keywords, Tags, within Kazuya Akimoto Museum Paintings" href="http://www.kazuya-akimoto.com/keywords/indexes_keys.htm">Keywords</a></h2>
<h6>(within Museum paintings)</h6>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/animal_symbolism_keys.htm">animal symbolism</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/body_parts_keys.htm">body parts</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/interior_keys.htm">interior</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/repetition_keys.htm">repetition</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/odd_keys.htm">weird</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/assemblage_keys.htm">assemblage</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/expressionism_keys.htm"> expressionism</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/number_symbolism_keys.htm">number symbolism</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/animals_keys.htm">animal</a></h2>
<h2 class="key_level_5"><a href="http://www.kazuya-akimoto.com/keywords/juxtaposition_keys.htm">juxtaposition</a></h2>
<h2 class="key_level_5"><a class="key_level_5" href="http://www.kazuya-akimoto.com/keywords/latest_keys.htm">latest 10 paintings </a></h2>
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<p><!--Today's Keyword --></p>
<h2></h2>
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<h2><strong><span style="font-size:large;">Today&#8217;s Keyword</span></strong></h2>
<h4><strong>within Museum paintings</strong></h4>
<h2></h2>
<p><span style="font-size:x-small;">Dec  20, 2009 </span></p>
<h1><span style="color:#333333;font-size:x-large;">&#8220;repetition, repeated&#8221; </span></h1>
<p><a href="http://kazuya-akimoto.com/keywords/repetition_keys.htm">latest contents: &#8220;repetition&#8221; </a></p>
<table border="0" width="290">
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<th width="250" scope="col"><span style="font-size:small;">related keywords : </span><span style="font-size:x-small;"><a href="http://www.kazuya-akimoto.com/keywords/geometric_keys.htm">geometric</a> <a href="http://kazuya-akimoto.com/keywords/patterns_keys.htm">patterns</a></span></th>
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<p class="keytable">#9086 &#8220;12 Pig Noses in the Closet&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/9086gallery17.html"><img src="http://www.kazuya-akimoto.com/2009/2009images/IMG_9086_12_Pig_Noses_in_the_Closet_animal_body_part_repetition_200.jpg" border="0" alt="12 Pig Noses in the Closet :weird, unusual, strange, odd surrealism painting, animal body part, assemblage, bricolage, juxtaposition, repetition, number symbolism, animal symbolism painting #9086, 2009 &#124; Kazuya Akimoto Art Museum" width="200" height="280" /></a></td>
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<p>2009</p>
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<p class="keytable">#8550 &#8220;The School of Athens&#8221; <span class="key_level_0">(original theme by Raphael)</span></p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8550gallery7.html"><img title="The School of Athens ('La Scuola di Atene' : the original title and theme by Raphael) : new, abstract partial variation of  Renaissance artwork by Raphael, abstract geometric expressionism figurative painting, abstract diamond pattern abstract human figures, repetition pattern, abstract portraits of Plato, Aristotle, (Michelangelo, Da Vinch,) Raphael, brush stroke pattern, abstract partial variation of a Renaissance classic by Raffaello Sanzio, acrylic painting # 8550, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8550_The_School_of_Athens_La_Scuola_di_Atene_abstract_geometric_figurative_expressionism_Raphael_280.jpg" border="0" alt="The School of Athens ('La Scuola di Atene' : the original title and theme by Raphael) : new, abstract partial variation of  Renaissance artwork by Raphael, abstract geometric expressionism figurative painting, abstract diamond pattern abstract human figures, repetition pattern, abstract portraits of Plato, Aristotle, (Michelangelo, Da Vinch,) Raphael, brush stroke pattern, abstract partial variation of a Renaissance classic by Raffaello Sanzio, acrylic painting # 8550, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="191" /></a></td>
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<div class="keytable">
<p>2009</p>
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<p class="keytable">#8470 &#8220;Vertical Social Dance Pairs&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8470gallery6.html"><img title="Vertical Social Dance Pairs :New, dance theme abstract human figure vertical pattern painting, repeated pattern, abstract dance scene, ballroom dancing, social dance theme, vertical movement, vertical line pattern, abstract human pair figures, abstract human couples, abstract men and women, social dancing vertical motion, acrylic painting #8470, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8470_Vertical_Social_Dance_Pairs_abstract_dance_painting_280.jpg" border="0" alt="Vertical Social Dance Pairs :New, dance theme abstract human figure vertical pattern painting, repeated pattern, abstract dance scene, ballroom dancing, social dance theme, vertical movement, vertical line pattern, abstract human pair figures, abstract human couples, abstract men and women, social dancing vertical motion, acrylic painting #8470, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></td>
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<div class="keytable">
<p>2009</p>
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<p class="keytable">#8333 &#8220;The Four Pig Brothers&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2009/2009contents/8333gallery3.html"><img title="The Four Pig Brothers : New, black and white, animal symbolism, repetition, contemporary realism, animal family theme, animal expressionism, abstract animal, rough brush strokes, expressionism, abstract realism, acrylic painting #8333, 2009 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2009/2009images/IMG_8333_The_Four_Pig_Brothers_280.jpg" border="0" alt="The Four Pig Brothers : New, black and white, animal symbolism, repetition, contemporary realism, animal family theme, animal expressionism, abstract animal, rough brush strokes, expressionism, abstract realism, acrylic painting #8333, 2009 &#124; Kazuya Akimoto Art Museum" width="280" height="196" /></a></td>
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<p>2009</p>
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<p class="keytable">#8184 &#8220;4 Phases of Days of Wrath ( Dies Irae)&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2008/2008contents/8184gallery20.html"><img title="4 Phases of Days of Wrath ( Dies Irae) : New, black and white, the judgment day theme, abstract surrealism, black and white surrealism, 4 frame manga style, traditional, literature, medieval, traditional Christianity, acrylic painting #8184, 2008 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2008/2008images/IMG_8184_Four_Phases_of_Days_of_Wrath_Dies_Irae_200.jpg" border="0" alt="4 Phases of Days of Wrath ( Dies Irae) : New, black and white, the judgment day theme, abstract surrealism, black and white surrealism, 4 frame manga style, traditional, literature, medieval, traditional Christianity, acrylic painting #8184, 2008 &#124; Kazuya Akimoto Art Museum" width="200" height="299" /></a></td>
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<p>2008</p>
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<p class="keytable">#8174 &#8220;Geometric Three Blue Suns and Sea Waves&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2008/2008contents/8174gallery20.html"><img title="Geometric Three Blue Suns and Sea Waves : New, geometric pattern seascape, abstract seascape, geometric expressionism, geometric landscape, decorative, ornamental abstract wave patterns, abstract decorative geometric raw art, acrylic painting #8174, 2008 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2008/2008images/IMG_8174_Geometric_Three_Blue_Suns_and_Sea_Waves_280.jpg" border="0" alt="Geometric Three Blue Suns and Sea Waves : New, geometric pattern seascape, abstract seascape, geometric expressionism, geometric landscape, decorative, ornamental abstract wave patterns, abstract decorative geometric raw art, acrylic painting #8174, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="194" /></a></td>
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<p>2008</p>
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<p class="keytable">#8104 &#8220;The Appearance of Multiple Buddhas&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2008/2008contents/8104gallery19.html"><img title="The Appearance of Multiple=" border="0" alt="The Appearance of Multiple=" height="285" /></a></td>
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<div class="keytable">
<p>2008</p>
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<p class="keytable">#8077 &#8220;The 8 Great Statesmen&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2008/2008contents/8077gallery18.html"><img title="The 8 Great Statesmen : new, distorted, deforme, portrait expressionism painting, repetition, vertical pattern symbolism, rough brush strokes, facial expressions, abstract repeated human faces acrylic painting #8077, 2008 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2008/2008images/IMG_8077_8_Great_Statesmen_200.jpg" border="0" alt="The 8 Great Statesmen : new, distorted, deforme, portrait expressionism painting, repetition, vertical pattern symbolism, rough brush strokes, facial expressions, abstract repeated human faces acrylic painting #8077, 2008 &#124; Kazuya Akimoto Art Museum" width="200" height="290" /></a></td>
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<div class="keytable">
<p>2008</p>
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<p class="keytable">#8011 &#8220;Too Many Virgin Marys&#8221;</p>
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<td><a href="http://www.kazuya-akimoto.com/2008/2008contents/8011gallery17.html"><img title="Too Many Virgin Marys : New, Christianity theme, surrealism, surreal strange portrait painting, white minimalism, white color symbolism, repetition theme, religious icon, contemporary iconographical Virgin Mary portrait, biblical female symbolism, acrylic painting #8011, 2008 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2008/2008images/IMG_8011_Too_Many_Virgin_Marys_280.jpg" border="0" alt="Too Many Virgin Marys : New, Christianity theme, surrealism, surreal strange portrait painting, white minimalism, white color symbolism, repetition theme, religious icon, contemporary iconographical Virgin Mary portrait, biblical female symbolism, acrylic painting #8011, 2008 &#124; Kazuya Akimoto Art Museum" width="280" height="194" /></a></td>
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<div class="keytable">
<p>2008</p>
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<p class="keytable">#6695   &#8220;The Wheels &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2007/2007contents/6695gallery15.html"><img title="The Wheels : New, abstract geometric pattern, contemporary mandala pattern, geometric symbolism, abstract circle pattern, green, greenish, symbolic circles, the wheels of dharma, life, chakras, yoga, Hindu, Hinduism, Tao, Taoism, Zen, Buddhism, inner, spiritual, religious, asian, solemn, austere, sublime, sacred, holy, serene, acrylic painting #6685, 2007 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2007/2007images/IMG_6695_the_wheels_200.jpg" border="0" alt="The Wheels : New, abstract geometric pattern, contemporary mandala pattern, geometric symbolism, abstract circle pattern, green, greenish, symbolic circles, the wheels of dharma, life, chakras, yoga, Hindu, Hinduism, Tao, Taoism, Zen, Buddhism, inner, spiritual, religious, asian, solemn, austere, sublime, sacred, holy, serene, acrylic painting #6685, 2007 &#124; Kazuya Akimoto Art Museum" width="200" height="286" /></a></p>
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<p>2007</p>
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<p class="keytable">#5692   &#8220;Asian Artificial Mountain Range &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5692gallery21.htm"><img title="Asian Artificial Mountain Range : abstract natural pattern, abstract natural scene, abstract landscape, paysage abstrait, abstract brush stroke pattern, impasto, abstract massive volume motion pattern, abstract waving, wave patterns,  acrylic painting #5692, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5692_artificial_mountain_range_280.jpg" border="0" alt="Asian Artificial Mountain Range : abstract natural pattern, abstract natural scene, abstract landscape, paysage abstrait, abstract brush stroke pattern, impasto, abstract massive volume motion pattern, abstract waving, wave patterns,  acrylic painting #5692, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="193" /></a></p>
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<p>2006</p>
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<p class="keytable">#5593  &#8220;Identical Twins &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5593gallery20.htm"><img title="Identical Twins  : abstract human figures,abstract expressionism, symmetrical, human body form, abstract symbolism,  stain, dot, blot pattern, tachisme style, acrylic painting #5593, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5593_identical_twins_200.jpg" border="0" alt="Identical Twins  : abstract human figures,abstract expressionism, symmetrical, human body form, abstract symbolism,  stain, dot, blot pattern, tachisme style, acrylic painting #5593, 2006 &#124; Kazuya Akimoto Art Museum" width="200" height="290" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#5585  &#8220;The World is originally Geometric. &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5585gallery19.htm"><img title="The World is originally Geometric  : abstract geometric triangle, diamond, pattern, cobalt blue and red complementary color contrast, comparison, juxtaposition, abstract allegory, acrylic painting #5585, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5585_world_originally_geometric_200.jpg" border="0" alt="The World is originally Geometric  : abstract geometric triangle, diamond, pattern, cobalt blue and red complementary color contrast, comparison, juxtaposition, abstract allegory, acrylic painting #5585, 2006 &#124; Kazuya Akimoto Art Museum" width="200" height="298" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#5504   &#8220;Tricolor Arabesques &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5504gallery18.htm"><img title="Tricolor Arabesques : abstract expressionism, decorative, ornamental, tachism, color symbolism, acrylic ornate design painting #5504, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5504_tricolor_arabesques_200.jpg" border="0" alt="Tricolor Arabesques : lyrical abstraction,  abstract expressionism, decorative, ornamental, color symbolism,abstract symbolism, acrylic ornate design painting #5504, 2006 &#124; Kazuya Akimoto Art Museum" width="200" height="294" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#5492   &#8220;Red Propagation &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5492gallery18.htm"><img title="Red Propagation :lyrical abstraction, tachisme, red, stain, blot, abstract decorative, ornamental pattern, patterns, abstract expressionism, red cross stitches, repetition, allover, acrylic painting#5492, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5492_red_propagation_280.jpg" border="0" alt="Red Propagation :lyrical abstraction, tachisme, red, stain, blot, abstract decorative, ornamental pattern, patterns, abstract expressionism, red cross stitches, repetition, allover, acrylic painting#5492, 2006 &#124; Kazuya Akimoto Art Museum" width="280" height="190" /></a></p>
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<p class="keytable">2006</p>
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<table border="0" cellspacing="5" width="283">
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<p class="keytable">#5342   &#8220;Vanilla Broken Hearts &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5342gallery15.htm"><img title="Vanilla Broken Hearts : abstract expressionism, light pastel, vanilla color, contemporary, brush stroke pattern, ambiguous, symbolic sign pattern, repetition, acrylic painting #5342, 2006 &#124; Kazuya Akimoto Art Museum " src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5342_broken_hearts_200.jpg" border="0" alt="Vanilla Broken Hearts : abstract expressionism, light pastel, vanilla color, contemporary, brush stroke pattern, ambiguous, symbolic sign pattern, repetition, acrylic painting #5342, 2006 &#124; Kazuya Akimoto Art Museum " width="200" height="297" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#5322 &#8221;The Black Creation  &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5322gallery14.htm"><img title="The Black Creation : abstract minimal expressionism, black minimalism, abstract linear pattern, line movement, fine brush stroke pattern, abstract symbolism, abstract biblical theme acrylic painting #5322, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5322_black_creation_tn.jpg" border="0" alt="The Black Creation : abstract minimal expressionism, black minimalism, abstract linear pattern, line movement, fine brush stroke pattern, abstract symbolism, abstract biblical theme acrylic painting #5322, 2006 &#124; Kazuya Akimoto Art Museum" width="200" height="291" /></a></p>
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<p>2006</p>
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<p class="keytable">#5307 &#8221;Orange and Red, Teardrop Abstract Flowers &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5307gallery14.htm"><img title="Orange and Red, Teardrop Abstract Flowers : abstract colorful flower, orange and red flower pattern, abstract expressionism botanical floral acrylic painting #5307,2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5307_teardrop_flowers_200.jpg" border="0" alt="Orange and Red, Teardrop Abstract Flowers : abstract colorful flower, orange and red flower pattern, abstract expressionism botanical floral acrylic painting #5307,2006 &#124; Kazuya Akimoto Art Museum" width="200" height="291" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#5296 &#8221;Vertical Bones  &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2006/2006contents/5296gallery14.htm"><img title="Vertical Bones : two-dimensional, piled/repeated found object, bricolage, assemblage, black and white, abstract acrylic painting #5296, 2006 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2006/2006images/IMG_5296_vertical_bones_tn.jpg" border="0" alt="Vertical Bones : two-dimensional, piled/repeated found object, bricolage, assemblage, black and white, abstract acrylic painting #5296, 2006 &#124; Kazuya Akimoto Art Museum" width="200" height="293" /></a></p>
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<p class="keytable">2006</p>
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<p class="keytable">#4422<span class="h1title">&#8220;Gardens in the Rain<span class="key_level_0"> ( Debussy : Estampes: No. 3. Jardins sous la pluie) </span>&#8221; </span></p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4422gallery14.htm"><img title="Gardens in the Rain : abstract serene rainy garden painting, Debussy piano music 'Jardins sous la pluie' theme exterior scene, abstract music, lyrical abstraction, monocolor, green color symbolism, green art exterior scene, natural rain pattern, line pattern, circle pattern, abstract impressionism, acrylic painting #4422, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4422_Debussy_Jardins_sous_la_pluie_Gardens_in_the_Rain_280.jpg" border="0" alt="Gardens in the Rain : abstract serene rainy garden painting, Debussy piano music 'Jardins sous la pluie' theme exterior scene, abstract music, lyrical abstraction, monocolor, green color symbolism, green art exterior scene, natural rain pattern, line pattern, circle pattern, abstract impressionism, acrylic painting #4422, 2005 &#124; Kazuya Akimoto Art Museum" width="280" height="239" /></a></p>
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<p class="keytable">2005</p>
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<p class="keytable">#4417   &#8220;Abstract White Icebergs&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4417gallery14.htm"><img title="Abstract White Icebergs :abstract seascape, abstract natural scene, abstract iceberg pattern, white wave pattern painting, white color symbolism, white minimalism, abstract brush stroke pattern, random pattern, Acrylic painting #4417, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4417_Abstract_White_Icebergs_200.jpg" border="0" alt="Abstract White Icebergs :abstract sea, abstract seascape, abstract natural scene, abstract iceberg pattern, white wave pattern painting, white color symbolism, white minimalism, abstract brush stroke pattern, random pattern, Acrylic painting #4417, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<div class="keytable">
<p>2005</p>
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<p class="keytable">#4403 &#8220;The Dharmakaya (The Abstract Truth Body of Buddha)&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4403gallery13.htm"><img title="The Dharmakaya (The Abstract Truth Body of Buddha) : religious geometric pattern symbolism painting, abstract Buddha, abstract Dharma, Buddhism, contemporary religious theme painting, light symbolism, square, circle, patterns, checkered pattern, abstract acrylic painting #4403, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4403_Dharmakaya_Truth_Body_Buddha_200.jpg" border="0" alt="The Dharmakaya (The Abstract Truth Body of Buddha) : religious geometric pattern symbolism painting, abstract Buddha, abstract Dharma, Buddhism, contemporary religious theme painting, light symbolism, square, circle, patterns, checkered pattern, abstract acrylic painting #4403, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="233" /></a></p>
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<p class="keytable">2005</p>
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<p class="keytable">#4375   &#8220;Rectangular Green Heart &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4375gallery12.htm"><img title="Rectangular Green Heart : geometric rectangle pattern, abstract light symbolism painting, green color symbolism, repetition, repeated and overlapped, rectangles with color value graduation pattern, subtle brush strokes, geometric expressionism painting #4375, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4375_rectangular_green_heart_280.jpg" border="0" alt="Rectangular Green Heart : geometric rectangle pattern, abstract light symbolism painting, green color symbolism, repetition, repeated and overlapped, rectangles with color value graduation pattern, subtle brush strokes, geometric expressionism painting #4375, 2005 &#124; Kazuya Akimoto Art Museum" width="280" height="245" /></a></p>
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<div class="keytable">
<p>2005</p>
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<p class="keytable">#4366   &#8220;Black and Gold Japanese Angular Stripe Patterns &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4366gallery12.htm"><img title="Black and Gold Japanese Angular Stripe Patterns : Japanese traditional ornamental angular pattern painting, gold, black, angular, metallic, waving, stripe pattern, decorative painting, abstract contemporary Japonism, geometric pattern, repetition pattern, ornamental abstraction, acrylic painting #4366, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4366_black_gold_Japanese_angular_stripe_patterns_200.jpg" border="0" alt="Black and Gold Japanese Angular Stripe Patterns : Japanese traditional ornamental angular pattern painting, gold, black, angular, metallic, waving, stripe pattern, decorative painting, abstract contemporary Japonism, geometric pattern, repetition pattern, ornamental abstraction, acrylic painting #4366, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">2005</p>
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<p class="keytable">#4363   &#8220;Liquid Diamonds &#8220;</p>
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<td align="center">
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4363gallery12.htm"><img title="Liquid Diamonds : abstract colorful diamond pattern painting, geometric symbolism, pattern symbolism, geometric repetition,  liquid, fluid texture pattern, acrylic painting #4363, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4363_liquid_diamonds_200.jpg" border="0" alt="Liquid Diamonds : abstract colorful diamond pattern painting, geometric symbolism, pattern symbolism, geometric repetition,  liquid, fluid texture pattern, acrylic painting #4363, 2005 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">2005</p>
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<p class="keytable">#4290   &#8220;Abstract Street Ads &#8220;</p>
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<td align="center">
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<p><a href="http://www.kazuya-akimoto.com/2005/2005contents/4290gallery9.htm"><img title="Abstract Street Ads : abstract cityscape, geometric, geometric pattern, rectangular pattern, repetition pattern, abstract streetscape, graffiti, rough, brush stroke pattern acrylic painting #4290, 2005 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2005/2005imges/4290_street_ads_280.jpg" border="0" alt="Abstract Street Ads : abstract cityscape, geometric, geometric pattern, rectangular pattern, repetition pattern, abstract streetscape, graffiti, rough, brush stroke pattern acrylic painting #4290, 2005 &#124; Kazuya Akimoto Art Museum" width="280" height="207" /></a></p>
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<div class="keytable">
<p>2005</p>
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<table class="keytable" border="0" cellspacing="5" width="294" align="center">
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<p class="keytable">#2530 &#8220;Triangular Colorful Invaders&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2530gallery13.htm"><img title="Triangular Colorful Invaders :abstract colorful triangle repetition geometric pattern painting, geometric symbolism, repeated triangles, colorful pattern,  geometric pattern symbolism, abstract geometric acrylic painting #2530, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2530_Triangular_Colorful_Invaders_geometric_triangle_pattern_200.jpg" border="0" alt="Triangular Colorful Invaders :abstract colorful triangle symbolism geometric pattern painting, geometric symbolism, repeated triangles, colorful pattern,  geometric pattern symbolism, abstract geometric acrylic painting #2530, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="233" /></a></p>
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<div>
<p>2004</p>
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<p class="keytable">#2477 &#8220;Blue Iris Bouquet Pattern&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2477gallery13.htm"><img title="Blue Iris Bouquet Pattern : abstract blue flower pattern painting, abstract blue floral repetition, repeated pattern, expressionism flowers, flower symbolism, pattern symbolism, allover pattern, blue color symbolism, botanical pattern, acrylic painting #2477, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2477_Blue_Iris_Bouquet_Pattern_200.jpg" border="0" alt="Blue Iris Bouquet Pattern : abstract blue flower pattern painting, abstract blue floral repetition, repeated pattern, expressionism flowers, flower symbolism, pattern symbolism, allover pattern, blue color symbolism, botanical pattern, acrylic painting #2477, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="236" /></a></p>
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<div>
<p>2004</p>
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<p class="keytable">#2459 &#8220;Dark Blue Cave Bat Pattern&#8221;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2459gallery12.htm"><img title="Dark Blue Cave Bat Pattern :abstract, dark, blue, animal symbolism, repetition, natural pattern symbolism, cave bat theme, acrylic painting #2459, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2459_Dark_Blue_Cave_Bat_Pattern_200.jpg" border="0" alt="Dark Blue Cave Bat Pattern :abstract, dark, blue, animal symbolism, repetition, natural pattern symbolism, cave bat theme, acrylic painting #2459, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="232" /></a></p>
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<div>
<p>2004</p>
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<p class="keytable">#2450 &#8220;Colorful Partial Eclipses&#8221;</p>
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</td>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2450gallery12.htm"><img title="Colorful Partial Eclipses : abstract colorful circular pattern painting, abstract circular cubism, complementary color pattern, geometric pattern symbolism, astronomical symbolism, repetition, pile pattern, abstract symbolism, acrylic painting #2450, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2450_Abstract_Colorful_Partial_Eclipses_200.jpg" border="0" alt="Colorful Partial Eclipses : abstract colorful circular pattern painting, abstract circular cubism, complementary color pattern, geometric pattern symbolism, astronomical symbolism, repetition, pile pattern, abstract symbolism, acrylic painting #2450, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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</td>
</tr>
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<div>
<p>2004</p>
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</td>
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<p class="keytable">#2337 &#8220;Bluee Square Fan Pattern &#8220;</p>
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<tr>
<td>
<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2337gallery11.htm"><img title="Blue Square Fan Pattern : geometric square symbolism painting, geometric symbolism, square, geometric cubism, geometric pattern, blue color symbolism, repetition, accumulation pattern, repeated pattern, blue moonstone, monochrome art, acrylic painting # 2337, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2337_blue_square_fan_pattern_200.jpg" border="0" alt="Blue Square Fan Pattern : geometric square symbolism painting, geometric symbolism, square, geometric cubism, geometric pattern, blue color symbolism, repetition, accumulation pattern, repeated pattern, blue moonstone, monochrome art, acrylic painting # 2337, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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</td>
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<td>
<div>
<p>2004</p>
</div>
</td>
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</tbody>
</table>
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<td width="282">
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<p class="keytable">#2207 &#8220;The Abstract Flooding of Letter L   &#8220;</p>
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<td>
<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2207gallery9.htm"><img title="The Abstract Flooding of Letter L : abstract colorful element pattern ,geometric pattern, line pattern,  conceptual pattern, pattern of abstract elements, allover, acrylic painting #2207, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2207_flooding_letter_l_200.jpg" border="0" alt="The Abstract Flooding of Letter L : abstract colorful element pattern ,geometric pattern, line pattern,  conceptual pattern, pattern of abstract elements, allover, acrylic painting #2207, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<td>
<div>
<p>2004</p>
</div>
</td>
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</tbody>
</table>
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<td width="282">
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<p class="keytable">#2196 &#8220;Three Color Ridges &#8220;</p>
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<td>
<div>
<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2196gallery9.htm"><img title="Three Color Ridges: colorful abstract landscape pattern, trichromatic, three primary color pattern, repetition, cell pattern, geographical, abstract, paysage abstrait, acrylic painting#2196, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2196_three_color_ridges_200.jpg" border="0" alt="Three Color Ridges: colorful abstract landscape pattern, trichromatic, three primary color pattern, repetition, geographical, abstract, paysage abstrait, acrylic painting#2196, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="235" /></a></p>
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<tr>
<td>
<div>
<p>2004</p>
</div>
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<table border="0" cellspacing="5" width="283" align="center">
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<td width="271">
<div>
<p class="keytable">#2017   &#8220;The Only Pebbles &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/2017gallery8.htm"><img title=" The Only Prebbles : abstract, natural objects, repetition, bricolage, found objects, objet trouvé, texture, matière, acrylic painting #2017, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/2017_only_pebbles_200.jpg" border="0" alt=" The Only Prebbles : abstract, natural objects, repetition, bricolage, found objects, objet trouvé, texture, matière, acrylic painting #2017, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="231" /></a></p>
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<p class="keytable">#1995 &#8220;Square Dance &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1995gallery8.htm"><img title="Square Dance : abstract, geometric, square, abstract line pattern, black and white, black minimalism, minimal art, acrylic painting #1995, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1995_square_dance_280.jpg" border="0" alt="Square Dance : abstract, geometric, square, abstract line pattern, black and white, black minimalism, minimal art, acrylic painting #1995, 2004 &#124; Kazuya Akimoto Art Museum" width="240" /></a></p>
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<p class="keytable">#1984 &#8220;Overlapped Blue Rectangles &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1984gallery7.htm"><img title="Overlapped Blue Rectangles: geometric, blue rectangles, rectangular, minimal, minimalism, geometric pattern, abstract acrylic painting #1984, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1984_overlapped_rect_200.jpg" border="0" alt="Overlapped Blue Rectangles: geometric, blue rectangles, rectangular, minimal, minimalism, geometric pattern, abstract acrylic painting #1984, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">#1981 &#8220;Blue Net &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1981gallery7.htm"><img title="Blue Net : geometric, line pattern, minimalism, minimalist, repeated geometric diamond pattern, abstract blue acrylic painting #1981, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1981_blue_net_200.jpg" border="0" alt="Blue Net : geometric, line pattern, minimalism, minimalist, repeated geometric diamond pattern, abstract blue acrylic painting #1981, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="231" /></a></p>
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<p class="keytable">#1954 &#8220;Black Vertical Bars &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1954gallery7.htm"><img title="Black Vertical Bars : chiaroscuro style, black and white, dark, black minimalism, abstract unidentified solid object, abstract repetition, acrylic painting #1954, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1954_vertical_bars_200.jpg" border="0" alt="Black Vertical Bars : chiaroscuro style, black and white, dark, black minimalism, abstract unidentified solid object, abstract repetition, acrylic painting #1954, 2004 &#124; Kazuya Akimoto Art Museum" width="200" height="234" /></a></p>
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<p class="keytable">#1801   &#8220;Abstract Colored Keyboard &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/2004revised/2004contents/1801gallery4.htm"><img title="Abstract Colored Keyboard : geometric expressionism, rectangular, colorful abstract stripe patttern acryic painting #1801, 2004 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/2004revised/2004revised_images/1801_abstract_colored_keyboard_280.jpg" border="0" alt="Abstract Colored Keyboard : geometric expressionism, rectangular, colorful abstract stripe patttern acryic painting #1801, 2004 &#124; Kazuya Akimoto Art Museum" width="260" /></a></p>
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<p class="keytable">pas097 &#8220;Abstract Greenish Honeycomb &#8220;</p>
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<p><a href="http://www.kazuya-akimoto.com/acquisitionlite/contents/pas097.html"><img title="Abstract Greenish Honeycomb : abstract, abstraction, allover, geometric cell pattern, contemporary soft pastel painting pas097,2003 &#124; Kazuya Akimoto Art Museum" src="http://www.kazuya-akimoto.com/acquisitionlite/images/2003pas097_green_honeycomb_200.jpg" border="0" alt="Abstract Greenish Honeycomb : abstract, abstraction, allover, geometric cell pattern, contemporary soft pastel painting pas097,2003 &#124; Kazuya Akimoto Art Museum" width="200" height="295" /></a></p>
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<p><a class="keytable" href="http://acquisitionlite.kazuya-akimoto.com/contents/pas079.html">2003</a></p>
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<p><strong> </strong></p>
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<title><![CDATA[125.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/19/125/</link>
<pubDate>Sat, 19 Dec 2009 19:43:34 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/19/125/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/paris.jpg"><img class="aligncenter size-large wp-image-516" title="Paris" src="http://booksineverything.wordpress.com/files/2009/12/paris.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[Dusk at the Luxembourg Gardens.]]></title>
<link>http://hellophotographie.wordpress.com/2009/12/19/dusk-at-the-luxembourg-gardens/</link>
<pubDate>Sat, 19 Dec 2009 00:34:27 +0000</pubDate>
<dc:creator>amritaraja</dc:creator>
<guid>http://hellophotographie.wordpress.com/2009/12/19/dusk-at-the-luxembourg-gardens/</guid>
<description><![CDATA[I happened to leave the house at just the right time this afternoon, around 3:30PM, right at the sta]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I happened to leave the house at <em>just</em> the right time this afternoon, around 3:30PM, right at the start of the golden hour. Walking through the snow-covered gardens was magical.</p>
<p>Luxembourg Gardens, Paris Ve.</p>
<p><a href="http://hellophotographie.wordpress.com/files/2009/12/091218aphotoblog.jpg"><img class="aligncenter size-full wp-image-79" title="091218Aphotoblog" src="http://hellophotographie.wordpress.com/files/2009/12/091218aphotoblog.jpg" alt="" width="500" height="719" /></a></p>
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<title><![CDATA[Sympathy and impotence: the performance of gender and divinity]]></title>
<link>http://bookofgrievances.wordpress.com/2009/12/18/sympathy-and-impotence-the-performance-of-gender-and-divinity/</link>
<pubDate>Fri, 18 Dec 2009 14:12:25 +0000</pubDate>
<dc:creator>bookofgrievances</dc:creator>
<guid>http://bookofgrievances.wordpress.com/2009/12/18/sympathy-and-impotence-the-performance-of-gender-and-divinity/</guid>
<description><![CDATA[this book of grievances looks at performance. i will stage this theme via gender and divinity, as re]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>this book of grievances looks at performance. i will stage this theme via gender and divinity, as reality effects of power and ideology. interventions include Derrida on mimicry, Butler on panic and propriety, Zizek on materialist theology, and Rumi on empty mirroring. toward truth, an unveiling of the present. to see the regime of sexuality as a death drive. that the symbolic demands imitative strategies with no referent. and that there is nothing more holy than our relation to each other.</p>
<p>play the mp3: <a href="http://bookofgrievances.wordpress.com/files/2009/12/performance.mp3">Performance</a></p>
<div class="wp-caption alignnone" style="width: 706px"><a href="http://visel.freeshell.org/wordpress/wp-content/uploads/2007/08/1475-9-the-dead-christ-supported-by-an-angel-prado.jpg"><img title="Messina, The Dead Christ Supported by an Angel" src="http://visel.freeshell.org/wordpress/wp-content/uploads/2007/08/1475-9-the-dead-christ-supported-by-an-angel-prado.jpg" alt="Messina, The Dead Christ Supported by an Angel" width="696" height="1024" /></a><p class="wp-caption-text">the ecstasy of excess</p></div>
<p>texts:</p>
<p>Butler, &#8220;Imitation and Gender Insubordination&#8221;</p>
<p>Davis, Milbank, Zizek, <em>Monstrosity of Christ</em></p>
<p>Rumi, &#8220;Hidden Music&#8221;</p>
<div class="wp-caption alignnone" style="width: 323px"><a href="http://www.tangle.com/view_video?viewkey=3ac040610aa81f0e5b18"><img title="phantasy of the original" src="http://api.ning.com/files/*J4DmF9s0jyh51iJcjbTU4rF5hbCM7nFi5F4*ip33e*d6ykrDnwH72A-OELKrBePAziBsAM8hEz5VuoeR*-5f3Cd050sKrOK/FrenchMime.jpg" alt="" width="313" height="500" /></a><p class="wp-caption-text">phantasy of the original</p></div>
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<title><![CDATA[124.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/18/124/</link>
<pubDate>Fri, 18 Dec 2009 09:41:45 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/18/124/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/villandry.jpg"><img class="aligncenter size-large wp-image-513" title="Villandry" src="http://booksineverything.wordpress.com/files/2009/12/villandry.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[repetition]]></title>
<link>http://choreographies.wordpress.com/2009/12/17/repetition/</link>
<pubDate>Thu, 17 Dec 2009 12:47:57 +0000</pubDate>
<dc:creator>Simon</dc:creator>
<guid>http://choreographies.wordpress.com/2009/12/17/repetition/</guid>
<description><![CDATA[Repetition is fundamental to generative and compositional processes in performance, from traditional]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><blockquote><p>Repetition is fundamental to generative and compositional processes in performance, from traditional notions of rehearsal (indeed, répétition in French) to all other processes through which manifestations of performance processes iterate themselves. The performances we produce might be derived from improvisational strategies, scores, scripts, physical/sonic/ visual &#8216;writing&#8217; in space and time, and/or solo or collaborative processes of myriad kinds, but all of them involve relationships between conception, repetition and choices around the transformations caused by iteration and reiteration, including the ways we adapt a performance to its social, cultural, financial and institutional contexts.</p></blockquote>
<p>From Anna Birch&#8217;s call for papers for 2010 FIRT/IFTR Performance as Research Working Group, Munich Conference.</p>
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<title><![CDATA[123.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/17/123/</link>
<pubDate>Thu, 17 Dec 2009 07:01:55 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/17/123/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/ra.jpg"><img class="aligncenter size-large wp-image-511" title="RA" src="http://booksineverything.wordpress.com/files/2009/12/ra.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[Post-It Anywhere and Everywhere]]></title>
<link>http://bahava.wordpress.com/2009/12/16/post-it-anywhere-and-everywhere/</link>
<pubDate>Thu, 17 Dec 2009 04:27:34 +0000</pubDate>
<dc:creator>bahava</dc:creator>
<guid>http://bahava.wordpress.com/2009/12/16/post-it-anywhere-and-everywhere/</guid>
<description><![CDATA[I&#8217;m a learner. I try to soak up as much information as possible. But, here&#8217;s the kicker.]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I&#8217;m a learner. I try to soak up as much information as possible. But, here&#8217;s the kicker. I often let that information stay in my head rather than soaking it up in my heart to produce transformation.Thus, intentionality, repetition, and the Holy Spirit are my friends.  Instead of storing away the information in &#8220;hopes&#8221; of doing something with it later, I turn to them.</p>
<p style="padding-left:30px;">I intentionally make time to dig deeper, ask how to practically put this into practice, make a plan to put it into practice, and to ask the Holy Spirit what else.</p>
<p style="padding-left:30px;">Then I become Ms. post-it anywhere and everywhere. Reminders are key.  By my bed you&#8217;ll see my goals, ways to seek intimacy with God, ways to be guarded and a &#8220;what-if&#8221; plan, and the scripture I&#8217;m memorizing for the week.  My bathroom mirror holds promises to stand on and by my door there is the South African flag and the poster of Hope House kids.  My phone has pictures of Lindo.  I need to see, read, meditate, memorize, and be reminded in order to let these truths penetrate my heart and make that journey.</p>
<p style="padding-left:30px;">Finally, I make sure that I&#8217;m looking to Him and not getting distracted or relying on my own &#8220;plans&#8221; or practical steps.  I desire to live a life that is sensitive to the Holy Spirit&#8217;s leading in ALL areas including what I&#8217;m learning and how I live out what I&#8217;m learning.  I want to be a doer of what I learn and hear.</p>
<p>In conclusion: &#8220;So let us know, let us press on to know the Lord.&#8221;</p>
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<title><![CDATA[Two videos pivoting representation]]></title>
<link>http://homologue.wordpress.com/2009/12/16/two-videos-pivoting-representation/</link>
<pubDate>Wed, 16 Dec 2009 10:38:09 +0000</pubDate>
<dc:creator>Tamarin Norwood</dc:creator>
<guid>http://homologue.wordpress.com/2009/12/16/two-videos-pivoting-representation/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/BgOTI5kTcB8&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/BgOTI5kTcB8&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
<p><!--more--><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/upHAWrEj1qY&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' /><param name='allowfullscreen' value='true' /><param name='wmode' value='transparent' /><embed src='http://www.youtube.com/v/upHAWrEj1qY&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;hd=0' type='application/x-shockwave-flash' allowfullscreen='true' width='425' height='350' wmode='transparent'></embed></object></span></p>
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<title><![CDATA[Roman Repetition]]></title>
<link>http://limboticmistisos.wordpress.com/2009/12/15/roman-repetition/</link>
<pubDate>Tue, 15 Dec 2009 03:49:27 +0000</pubDate>
<dc:creator>limboticmistisos</dc:creator>
<guid>http://limboticmistisos.wordpress.com/2009/12/15/roman-repetition/</guid>
<description><![CDATA[I came upon a discovery, or revelation one might say, but until recently I had not completely decide]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>I came upon a discovery, or revelation one might say, but until recently I had not completely decided whether or not I wanted to reiterate it. My conclusion, is of our uncanny resemblance to that of Roman culture. Let me explain. In the Roman culture, one&#8217;s form of entertainment varied from that of the Colosseum, where men were torn to pieces by animals or worse&#8211;each other, or possibly even a play of sorts which were none the better. Now we strive for very similar forms of entertainment. &#8220;Never,&#8221; you argue, &#8220;we are not that barbaric.&#8221; Quite the contrary I must say, with films like Hostel I &#38; II, or the Saw saga, or as I have heard websites built exclusively for &#8220;snuff films&#8221;, which if you lack the knowledge of their substance, feel lucky you are innocent in that respect. I also beg you wholeheartedly, to abstain from tainting your innocence by looking them up. But, back to the matter at hand, though these atrocities are not as horrific as say watching a man&#8217;s arm ripped from it&#8217;s socket by a starving tiger, just the same they are barbaric. Also an ironic twist, our current diplomatic policies toward foreign countries are oddly reminiscent of Roman policies as well&#8211;&#8221;you will be like us, or submit.&#8221; Now, I&#8217;m not saying that&#8217;s literally what our view-point is, but it is fairly similar. We, this nation, has constantly tried to save country after country and in these efforts have also tried to establish our form of government in the process. Some of these were marginally successful&#8211;Korea&#8211;and others were not&#8211;Vietnam. Looking back at the Romans, they were so hell-bent on conquering the world around them that they neglected their world. In the same light this nation focuses <em>so much</em> on foreign policies and affairs that the domestic affairs go unnoticed or forgotten, or worse just thrown out as if it doesn&#8217;t matter. For example, for so long now they have tried to fix the government in the Iranian peninsula and the surrounding areas, yet here in the United States, our government has gone completely to the dogs. The rights we once cherished so greatly have now been defiled with the reinstatement of the Patriot Act. The thousands upon thousands of people who are starving and homeless are neglected. Housings are started and finished almost every month, but they cost in 100 thousands or more, prices which the middle and lower class-classes which fill out much of the United States population cannot afford. A grave disappointment. If you look at history because of these things Rome&#8230;.fell. It collapsed in on itself. This nation could do the same if we don&#8217;t watch out.</p>
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<title><![CDATA[Perancangan dan penggunaan fractal untuk menghasilkan gambar dengan pola batu-batuan]]></title>
<link>http://dvanhlast.wordpress.com/2009/12/14/perancangan-dan-penggunaan-fractal-untuk-menghasilkan-gambar-dengan-pola-batu-batuan/</link>
<pubDate>Mon, 14 Dec 2009 07:31:12 +0000</pubDate>
<dc:creator>dvanhlast</dc:creator>
<guid>http://dvanhlast.wordpress.com/2009/12/14/perancangan-dan-penggunaan-fractal-untuk-menghasilkan-gambar-dengan-pola-batu-batuan/</guid>
<description><![CDATA[Author : SANTOSO, ARTA Saat ini, pengolahan gambar manual dapat digantikan dengan pengolahan citra d]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p>Author : SANTOSO, ARTA</p>
<p>Saat ini, pengolahan gambar manual dapat digantikan dengan pengolahan citra digital oleh komputer. Ada satu objek kompleks dalam matematika yang dapat digunakan untuk menghasilkan citra digital, yaitu fractal. Fractal dapat diartikan sebagai pola pengulangan yang menampilkan kekompleksan lebih dalam jika diperbesar. Dalam penelitian lebih lanjut, ternyata pola pengulangan dapat ditemui pada hampir seluruh benda di muka bumi ini, termasuk di antaranya adalah batu-batuan. Batu-batuan dapat dibuat tiruannya berupa gambar tekstur melalui perhitungan fractal yang cukup rumit dengan bantuan komputer. Gambar tekstur dapat dimanfaatkan sebagai wallpaper, game atau bahkan untuk studi lebih lanjut mengenai batu-batuan. Fractal yang dimaksud adalah diamond square yang pada penerapannya menggunakan tampilan 3D dengan OpenGL API. Tingkat kemiripan gambar tekstur dengan tekstur asli boleh dibilang cukup tinggi karena dapat menampilkan warna dan pola yang hampir sama, kecuali bila range warna terlalu tinggi.</p>
<p>Keyword : fractal, diamond square, 3d open gl, stone, rock, repetition, pattern</p>
<p>Sumber : http://repository.petra.ac.id/3049/</p>
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<title><![CDATA[119.]]></title>
<link>http://booksineverything.wordpress.com/2009/12/13/119/</link>
<pubDate>Sun, 13 Dec 2009 08:54:07 +0000</pubDate>
<dc:creator>thetravellingbookbinder</dc:creator>
<guid>http://booksineverything.wordpress.com/2009/12/13/119/</guid>
<description><![CDATA[]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p><a href="http://booksineverything.wordpress.com/files/2009/12/oxfordcircusescalator.jpg"><img class="aligncenter size-large wp-image-499" title="OxfordCircusEscalator" src="http://booksineverything.wordpress.com/files/2009/12/oxfordcircusescalator.jpg?w=1024" alt="" width="1024" height="768" /></a></p>
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<title><![CDATA[]]></title>
<link>http://jadkatierinhof.wordpress.com/2009/12/12/953/</link>
<pubDate>Sat, 12 Dec 2009 17:57:41 +0000</pubDate>
<dc:creator>jadkatierinhof</dc:creator>
<guid>http://jadkatierinhof.wordpress.com/2009/12/12/953/</guid>
<description><![CDATA[Sometimes they just choose between repetition and amputated context. How unfortunate phenomenon]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><em>Sometimes they just choose betw</em><em>een repetition and amputated context. How unfortunate phenomenon&#8230;</em></p>
<p style="text-align:center;"><a href="http://s171.photobucket.com/albums/u293/spitthebadword/arts%20and%20crafts/?action=view&#38;current=workbyDouglasWalker.jpg" target="_blank"><img class="aligncenter" style="border-width:0;" src="http://i171.photobucket.com/albums/u293/spitthebadword/arts%20and%20crafts/workbyDouglasWalker.jpg" border="0" alt="Photobucket" /></a><br />
&#8216;Untitled #756&#8242;, work by <a href="http://www.douglaswalker.ca/">Douglas Walker</a></p>
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<title><![CDATA[What did the first three days of Simpleology 101 hold in for me?]]></title>
<link>http://happinessgoals.wordpress.com/2009/12/12/what-did-the-first-three-days-of-simpleology-101-hold-in-for-me/</link>
<pubDate>Sat, 12 Dec 2009 11:00:29 +0000</pubDate>
<dc:creator>happinessgoals</dc:creator>
<guid>http://happinessgoals.wordpress.com/2009/12/12/what-did-the-first-three-days-of-simpleology-101-hold-in-for-me/</guid>
<description><![CDATA[The Simple Science of Getting What You Want What a couple of days, but I ended up being very product]]></description>
<content:encoded><![CDATA[The Simple Science of Getting What You Want What a couple of days, but I ended up being very product]]></content:encoded>
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<title><![CDATA[Verrine Project # 7 - Honey Coated Tapioca Pearls with Mini Orange Slices]]></title>
<link>http://greymatterconcept.com/2009/12/10/verrine-project-7-honey-coated-tapioca-pearl-with-mini-orange-slices/</link>
<pubDate>Thu, 10 Dec 2009 22:19:25 +0000</pubDate>
<dc:creator>Suwandi</dc:creator>
<guid>http://greymatterconcept.com/2009/12/10/verrine-project-7-honey-coated-tapioca-pearl-with-mini-orange-slices/</guid>
<description><![CDATA[I finally had a chance to get back to this project after almost a week delayed. This week has been c]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><div class="mceTemp">
<div class="mceTemp">I finally had a chance to get back to this project after almost a week delayed. This week has been crazy and it&#8217;s really a joy being able to come back to do what I really like.</div>
<div class="mceTemp">This time is my creative time again &#8211; so instead of picking ideas from the Verrine book, I decided to create a verrine myself with my own &#8220;recipe&#8221;. I have this idea in mind from last week to create something with black sticky rice topped with thick coconut cream and a dash of mint on top. Guess what &#8211; I can&#8217;t find the sticky rice. I tried local groceries and asian groceries and they just don&#8217;t have it in stock. What can you do, I just find a substitute. I found this black tapioca pearl &#8211; I am actually glad that I didn&#8217;t find the sticky rice and found this tapioca pearl instead. They are chunky round shaped and has a reflective surface , which can be pretty to be photographed (in my opinion anyway).</div>
<div class="mceTemp"> </div>
<div class="wp-caption alignnone" style="width: 510px"><a href="http://www.flickr.com/photos/pvcpvc/4173490775/"><img title="honey coated tapioca pearl with mini orange slices " src="http://farm3.static.flickr.com/2653/4173490775_f247894dc1.jpg" alt="honey coated tapioca pearl with mini orange slices " width="500" height="333" /></a><p class="wp-caption-text">honey coated tapioca pearl with mini orange slices </p></div>
<p><strong>Food Creation and Preparation </strong>   </p>
<p>The tapioca pearl need to be hard boiled and cool down to room temperature, otherwise the inside of the verrine will become foggy. The pearls are sticky too (especially after you coated them with honey!) so I need to carefully arrange them into the verrine otherwise the honey will be everywhere.    </p>
<p>Initially I wanted to put another layer on top of the pearls. I did try to put a layer of thick coconut cream on top but that was a bad idea. The cream just sink down into the pearls. I tried to put some gelatine powder into the cream to make it firmer but then they looked like a white blob of glue sitting on top of the pearl. I abandoned the idea.   </p>
<p>Then I saw an orange laying around and I thought, why not use it? I&#8217;m thinking the honey coated tapioca will give quite a sweet tast so a little bit of sour taste from the orange will make it more balanced.  Sometime what you pre-visualise is not what you end up with <img src='http://s.wordpress.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />    </p>
<p><strong>The Prop</strong>      </p>
<p>I decided to go trio this time.  The alternate arrangement of the orange slices and the toohtpick works quite well I think. I really like the toothpick. The idea didn&#8217;t come straight away. At first I was using a red wooden spoon that I just bought from Japan City. But I just don&#8217;t think the colours work together (ie orange and deep red). I tried wooden chopstick (I know using chopstick sounds funny but I was thinking since the dessert is in pearl shapes maybe we can use chopstick to pick it up &#8211; something a bit different!). But that too didn&#8217;t seem to work well. However it leads me to the final idea. What else can I use to pick up the pearls but not using the usual boring spoon? Yeah toothpicks!! The part on the shot where the toothpicks criss-crossing each other is my favaourite part. The orange slices on the corner is coated with honey so they are more &#8220;shiny&#8221;.   </p>
<dl class="wp-caption alignnone">
<dt class="wp-caption-dt"><a href="http://greymatterconcept.wordpress.com/files/2009/12/setup-wide.jpg"><img class="size-medium wp-image-211" title="Kitchen mess" src="http://greymatterconcept.wordpress.com/files/2009/12/setup-wide.jpg?w=300" alt="Kitchen mess" width="300" height="200" /></a></dt>
<dd class="wp-caption-dd">Kitchen mess</dd>
</dl>
<p>   </p>
<p><strong>The Shooting</strong>   </p>
<p>Camera setting was set to F5.6 1/8 ISO100. Again I&#8217;m using my usual 100mm macro since I want to get close. I set the main focus to the orange slice. I also make sure that the main subject&#8217;s toothpick is on the same focus plane as the orange slice so both the orange slice and the toothpick are in focus (if only I have a TS lens!). The camera is looking down at the subject from 25 cm elevation. Light is set at 3 o&#8217;clock this time, up high shining down at the subject. This has the advantage that the light doesn&#8217;t form a reflection on the glass itself.    </p>
<div id="attachment_212" class="wp-caption alignnone" style="width: 310px"><a href="http://greymatterconcept.wordpress.com/files/2009/12/setup-close-small.jpg"><img class="size-medium wp-image-212" title="lighting setup" src="http://greymatterconcept.wordpress.com/files/2009/12/setup-close-small.jpg?w=300" alt="lighting setup" width="300" height="200" /></a><p class="wp-caption-text">lighting setup</p></div>
<p>Before the shoot as usual I was tossing between high key and low key shot. My first instict tells me that high key would be more appropriate since the pearls are black-ish and you need something to constrast it against. Black on black is always harder to do. But I really feel that this sweet verrine is a dinner dessert. So call me contrarian, I go with the low key setup. I still need something bright to constrast the pearls against, so I put them on a white serving plate. That brings out the pearls part quite well I think. I particularly like the part where the pearls are pressed on the glass wall creating a dark black circles on the glass surface. Anyway, I also frame the setup so that most of the main orange slice is against the black background, giving higher constrast.   </p>
<p><strong>Observation</strong>   </p>
<p>Making the background completely dark was a challange in the kitchen. There are always something that reflects the light &#8211; the wall nearby, the windows etc. So I PS the background to make it black. As you can see, I used my black T-shirts to cover the bench to create a dark surface. It works alright, but I think perspex will work better. I&#8217;m gonna get some black perspex next time.   </p>
<p>As usual you can see the reflection of the serving plate on the glass. I could have avoided the reflection by using a darker colour serving plate but it won&#8217;t give a high contrast between the black pearls and the background. It&#8217;s a trade-off I guess.   </p>
<p>I&#8217;m really into this kind of setup lately where there are a repetition of the same subject coming from the background and leads the eye towards the main subject in front. You can find similar setup concept on my past work on <a class="wpGallery" title="Profiteroles" href="http://greymatterconcept.com/2009/09/15/profiteroles-in-a-row/">profiteroles</a> and <a class="wpGallery" title="Zucchini Puree" href="http://greymatterconcept.com/2009/11/30/verrine-project-6-zucchini-puree-with-mayo-and-dried-coriander/">zucchini puree</a>. I has the effect that the main subject is moving from the background, following the line of repetition towards your eyes and come into focus. It&#8217;s all about psychology isn&#8217;t it.   </p>
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<title><![CDATA[The unparalleled formula to master anything]]></title>
<link>http://peteranand.wordpress.com/2009/12/08/the-unparalleled-formula-to-master-anything/</link>
<pubDate>Tue, 08 Dec 2009 17:10:02 +0000</pubDate>
<dc:creator>peteranand</dc:creator>
<guid>http://peteranand.wordpress.com/2009/12/08/the-unparalleled-formula-to-master-anything/</guid>
<description><![CDATA[What one thing that separates the successful ones from the unsuccessful ones? What one thing that gi]]></description>
<content:encoded><![CDATA[<div class='snap_preview'><p style="text-align:center;"><a href="http://farm3.static.flickr.com/2359/2311055636_8bcc757415.jpg"><img class="aligncenter" src="http://farm3.static.flickr.com/2359/2311055636_8bcc757415.jpg" alt="" width="350" height="259" /></a></p>
<p>What one thing that separates the successful ones from the unsuccessful ones?</p>
<p>What one thing that gives the great men and women the power that projects them wherever they go and whatever they do?</p>
<p>Why the successful men and women of all times are often called as “Wizards” or “sorcerers” in the line that they had chosen and what made them to master their skills in their line of profession?</p>
<p>Let it be revealed here in the words of the great motivational guru <strong>Anthony Robbins,</strong></p>
<p><strong>“Repetition is the mother of skill.”</strong></p>
<p>Knowing your goals is like knowing the target you want to hit. But knowing a target is one thing and knowing how to hit the target effectively is another facet of your marvelous, successful journey! And it could very well be an entertaining and enjoyable experience.</p>
<p>Every man and woman can become a true master in whatever he or she has decided to pursue as a profession when he/she has the discipline and patience to keep on repeating the skills and knowledge needed to be a “Sorcerer” in the field.</p>
<p>Tiger woods was practicing and honing his skills again and again when the world was sleeping! He was repeating that even while he was sleeping unconsciously. His swing was getting better and better with each attempt be it physically or in his mind and his hands were crying loudly “I deserve the US open, PGA championship and so on!” —he was actually surpassing every other giant in his field when he was REPEATING the same routine over and over and over!!</p>
<p>Even the genetics would lose the match against the industrious man or woman and of course, even the genetics cannot help one if he/she doesn’t repeat and keep on sharpening their skills.</p>
<p>Though many people know the power of doing or repeating the thing in which they want to shine and be a master, they don’t do it just because they find it boring and REALLY DON’T realize the results that could show up as a result of such a continuous training. But not you. Just have the discipline to do what others wouldn’t do and you’ll have what others don’t have!</p>
<p>You had every potential given to you even before your eyelids opened and saw this world for the first time. You have what it takes to become a champion like a Tiger Woods or a Laila Ali. Just realize the massive power sleeping in you and develop it to a great level by repetition that one day it would be acknowledged all over the world and you’d be in the same list of the greats!</p>
<p>Do you want to improve your math profiency? Then keep practicing solving the problems again and again and consolidating the concepts!</p>
<p>Do you want to be a one-of-a-kind computer programmer? Then keep typing the codes and learning the concepts again and again!</p>
<p>Do you want to be a marvelous communicator and want to improve your inter personal skill? Then learn the techniques and keep on applying them over and over!!</p>
<p>Do you want to be known as a “legend” in your business or in your job? Then keep practicing the fine principles of business and the good skills needed to lift you up everyday again and again!</p>
<p>Do you want to be a tremendous dancer? Then keep practicing the moves and in the process make your body to “Obey” you whatever it is that you want it to do!</p>
<p>Or you may want to be a scientist, or a “Miss Universe” or a world renowned doctor or a top notch engineer or an awe-inspiring actor!</p>
<p>The one practice that intersects all the professional achievements is “Repetition”. After you have done your part of repetition the universe will do its part of repetition by handing you the success again and again throughout your life!!</p>
<p>If others have scoffed at you, don’t let that experience to topple you but rather keep on doing the thing in which you have failed and that same people someday would be astonished by your vast transformation and success!!</p>
<p><strong>Wish you all the riches to come with God’s blessings </strong></p>
<p><strong>Peter Anand</strong></p>
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