Following all that negativity, though, there is one good thing I have to say about the viral campaign for this – the (oh god I’m about to hate myself) Twitter account is pretty neat.  The notion of having a part of a viral campaign just reporting on related real-life news ups the menace a little (a little) and weaves the fiction in a little neater than the Dakon/Pendrill site or the Ogden Marsh homepage do.  I’m a bit surprised this intermingling has only cropped up in ARGs in the past year or so, though.  I suppose the 8 years since The Beast/Majestic debuted isn’t that long, but still.

Anyways, for making it through that here’s some Tears for Fears as my gift to you.

Seriously, this poster is about a thousand times better than the new ones.

So.  They’re remaking The Crazies, Romero’s fourth movie (after his ill-advised dive into romantic comedy).  And as if the “of the Dead” remakes weren’t meh enough – cool opening credits sequences don’t really make up for a mediocre execution – this one looks to be just as middle-of-the-road.  While it’s always nice to see Timothy Olyphant getting work as a sheriff, the concept and apparent execution this time seem to lack some of the wild-eyed paranoia of the original.  That one had a sort of predecessor to the plague-zombies of late – intelligent humans bent on murder by a virus in the water supply, with a possibility of worldwide contamination – while the new one seems, from the viral marketing, to be more along the lines of the X-Files episodes “Red Museum” or “Blood” – evil chemicals make the good people want to kill.  Not that it’s ever a bad time for a Bhopal-referencing horror movie about the terrors of environmental degradation, but… why this one?

When I saw the first trailer, I have to say I was a lot more excited than I am now.  It was, according to Wikipedia, going to be set in Georgia, and when I saw these clips in the trailer it was hard not to think of New Orleans.  We haven’t really had a good Katrina-related horror movie yet, or even a good Southern horror movie that didn’t rely on the Civil War in quite some time.  Sure, there’s Left 4 Dead 2. (‘though I’ve still gotta play that, and, yes, I’m going to extend it to being Katrina-related even if the government is generally competent and not paranoia-inducing just because of where it’s set.  You’ve got to make due with what you get.)  But I thought the ’70s Vietnam-derived paranoia that runs rampant through the original – two of the main band we follow are veterans, and, I mean, it’s a movie about the U.S. Army wiping out a village while under threat from a runaway biological weapon – were going to make a really great match for a Katrina-based horror film.

See what I meant?

Great, then, was my dismay when I put together the slogan on the sign up there and on the header of this viral page meant it was going to be set in rural Iowa.  I mean, yeah, tranquil small-town Americana is a classic horror-within! setting and, sure, pollution impacts us everywhere.  But couldn’t they have just saved that for the eventual remake of Frogs?

Hey friends, so yesterday was Jeff Hubbards world title promo and party. For those who dont know Jeff is the best bodyboarder in the world, check him out at hubbbodyboarding.com , so anyways went to the promo got some autographs and then took more friends to the airport. Around 10 I went down to Lulu’s to the world title party it was good fun. Here you go with the eye candy.
thanks for reading and keep tuned in for more fun

Romero resigns and his vP ricky Cruz will take over. This doesn’t change anything if POC still recognize their illegitimate philcycling.

Tolentino and Chairman Oscar Rodriguez is offering the Chairmanship to Romero, if only to unite Philcycling. In fact, in the election of the legitimate Philcycling, Romero was expected to come to head it. He did not appear though.

Will POC still continue to be stubborn. With a lot of ego on their head, it is believed that they will, unless the spirit of Christmas comes in, trouble will continue to hound.

more stories from MB.com

“The SEA Games Federation has sympathized with us and help us convince UCI president Pat McQuaid. But his response was to talk to Tolentino which the SEAGF did. But he refused because he wants the POC to be the one to talk to him and asked for the license,” explained Cojuangco.

so why did you not talk to Tolentino, if your allegation is true.

just a reaction from this post: http://www.gmanews.tv/story/179738/its-tolentino-who-is-unpatriotic-says-poc-chief-cojuangco

Romasanta explained that under the circumstances, the POC could not make a direct request to Tolentino because of “international repercussions” concerning the authority of a National Olympic Committee. The problem was the POC recognized another NSA president for cycling Mikee Romero who resigned the position the other day.

“international repurcussions” = ego

Romero resigns and his vP ricky Cruz will take over. This doesn’t change anything if POC still recognize their illegitimate philcycling.

Tolentino and Chairman Oscar Rodriguez is offering the Chairmanship to Romero, if only to unite Philcycling. In fact, in the election of the legitimate Philcycling, Romero was expected to come to head it. He did not appear though.

Will POC still continue to be stubborn. With a lot of ego on their head, it is believed that they will, unless the spirit of Christmas comes in, trouble will continue to hound.

more stories from MB.com

I like zombie films. In fact, I love zombie films, in particular I love the classic ‘Dead’ trilogy that came from the awesome mind of the Deadfather, George A. Romero. Hell, I even like ‘Land of the Dead’. It’s a fun entry into the series. Sure, it’s not up to the greatness of those first three but it’s enjoyable none the less and it really only missed one trick and that is that it should have had Bob Hoskins in it. Then it would have been an awesome ‘Super Mario Bros’ reunion. Who wouldn’t have loved that?

So I was looking forward to finally getting around to watching ‘Diary of the Dead’ the latest but one entry into Romero’s zombie canon, if it is indeed canon with the rest of the films. I’m a little unsure of that actually. Let me check… Ok, according to Romero himself, as quoted on wikipedia, the film is basically a ‘rejigging of the myth’. It’s set in present times but takes place in the same time frame as the original ‘Night Of The Living Dead.’ So yeah, I guess it is canon.

Now ‘Diary of the Dead’ is filmed in the handheld style that really took off with ‘The Blair Witch Project’ and generally I don’t get the motion sickness that some people associate with this style of film making but goddamn was this film the exception. After about ten minutes I was feeling extremely woozy and there hadn’t even been any graphic zombie killings up until that point. I honestly couldn’t tell you exactly what the hell was so different about this film to cause this kind of reaction in me. It didn’t seem to be any more jittery than any other handheld movie I’ve seen so I’m really quite confused by this. Anyway, I endured and managed to sit through the whole thing. Good for me.

Except not good for me because you know what? I really didn’t enjoy this film, sickness inducing nature of it aside. Maybe it’s because of recent zombie craze, that has been so relentless that even I have begun to grow a little tired of the walking dead, or maybe it’s the other craze of handheld horror films but nothing in this movie seems to stand out. At times it plays out like a goddamn student film, someone trying to do an homage to both Romero’s films and ‘The Blair Witch Project’. Honestly I expected better from the man who pretty much defined the entire zombie genre.

The main problem with this film is that it’s pretty much a road film. The characters are pretty much constantly moving and as such it’s pretty hard for a shambling horde to gather around them. ‘Zombieland’ had a similar problem but had the advantage of being hilarious as well. This is especially a problem for ‘Diary of the Dead’ because these are the traditional Romero zombies, the slow moving undead. Now, I’m a bit of a zombie purist and I will always, always prefer the walking zombies over their running cousins. But in certain films it makes sense for the zombies to run. In ‘28 Days Later’ (And yes, I know some people will complain that they aren’t zombies but that’s bullshit. If people can claim that the abominations in ‘Twilight’ are vampires, then I can claim that the so-called Infected are zombies. Oh and I still have a small bit of hatred for this film because in my mind it‘s responsible for the current trend of the running zombie) it made sense because the characters are on the move for most of the film. Same with ‘Zombieland’. In this however, they only ever come across a handful of zombies at anyone time and the slow movers just aren’t a particularly big threat when your dealing with so few of them. I know it might seem cliché these days but give me a small group of survivors, surrounded by hordes of the living dead who slowly turn on each other. That’s what I always considered these films to be about, the fact that it’s not the zombies who are the biggest threat but the other people they have trapped you with. Still, even if they aren’t the biggest, the zombies sill have to be somewhat threatening and in this film, they just aren’t.

Now Romero’s ‘Dead’ films have always included some kind of social commentary. Be it about consumer culture in ‘Dawn’ or the military and science meddling in things it shouldn’t in ‘Day’, there has always been more than just the flesh eating corpses. In ‘Diary’ the messages come thick and fast to the point where it seems as though this is less a zombie film with social commentary but social commentary with a few zombies thrown in. I’m guessing that Romero is pretty pissed of with culture these days, be it the fact that the media doesn’t always tell the truth or that people film and upload everything to the internet these days, keeping themselves detached from reality by putting a camera between themselves and what’s really going on. There were points where it just seemed to get in the way of the movie. The good thing about the older films was that you could watch it on either level. You could take in the social commentary or you could just have fun watching people getting ripped apart by zombies. Basically what I’m saying is that this film isn’t particularly fun.

That being said there were some fun elements in this film. There were some pretty sweet, if poorly computer generated, zombie kills and I kind of enjoyed the English drama professor though that may have been because he was an alcoholic. No, he had a pretty sharp wit about him as well so, yeah, I enjoyed him. There were also a few little digs at the trend of the running zombie which I certainly enjoyed. The best part of this film though is Samuel, a deaf Amish guy who communicates by writing things on a chalk board and throws sticks of dynamite at zombies. That dude was awesome. He even scythed himself in the head a zombie bit him. Hmmm, scythed wasn’t flagged by my spell checker. Who knew it was an actual word? Something else good came out of this movie.

What surprised me most about this film is just how truly paranoid I am about the Zombie Apocalypse. Seems I’ve actually managed to convince myself that it is actually possible and even a bad zombie film can ignite that paranoia in me. For the rest of the night after watching the film, I was sure that every noise I heard that I couldn’t put down to me making was a zombie trying to get into the hotel. The fact that an air conditioner, which I was fairly sure didn’t work, seemed to turn itself on certainly didn’t help.

So there you go. I’d say that ‘Diary of the Dead’ is a fairly poor entry into Romero’s zombie opus. It has a few enjoyable moments and characters but in general there’s not enough zombies and the way Romero really tries to beat you over the head with the messages just distracts from any fun there may have been in this actual movie. Overall it gets two pints out of five, one for some fairly nice zombie kills and one for Samuel, may he find peace in Amish heaven. I just hope it has the internet so he can read this review. Laterz.

To make my blog a little easier to navigate I have moved my analysis of the Dead trilogy to the link below. I’ll probably be doing this to all my written works from here on out.

Remakes & Ideological Constraints: George A. Romero’s Trilogy of the Dead

DEL CORRESPONSAL

CESAR UZCANGA INSURGENCIA POR PREDIO LA BALLENA,RECLAMA SERVICIOS DENUNCIA CORRUPCION MUNICIPAL

Negando  a contra derecho escudados  en reglamentos secundarios ofensivos a la CARTA MAGNA ,la CFE y el AYUNTAMIENTO DE LOS CABOS han provocado con su intransigencia la INSURGENCIA de los vecinos del PREDIO LA BALLENA a quienes niegan la posibilidad de contar con luz y agua bajo el argumento de ileglaidad en la propiedad.

Cesar Uzcanga unos de los LUCHADORES SOCIALES mas respetados de este decenio le dice al gobierno sus “siete verdades”,la corrupcion se genera desde las instituciones y no es lo mismo la gimnasia que la magnesia.

El como presunto dueno de la ballena tiene su propio litigio con el Ejido y seran los tribunales los que den veredicto en el asunto.

La gente que lo habita,compradora de buena fe pose razon y derecho sobre del reclamo de servicios y por encima de toda ley la CONSTITUCION los protege.

Las manifestaciones de CESAR UZCANGA tienen encorajinado al PRESIDENTE MUNICIPAL RENE NUNES Y AL SECRETARIO GARIBALDO ROMERO,cierto,han facilitado en asentamiento y el apoderamiento de playas,han consentido en dar el agua a los DESARROLLADORES TURISTICOS.

Y el pueblo?…

Ya estan en el PODER Y AHORA LE PATEAN EL TRASERO pero asi como los puso tambien puede quitarlos y ese es otro derecho de la CONSTITUCION.

EDIOTRIAL DE VILLANOTAS.-Voux de populis,voux de Dioux.

fonte immagine: Mymovies.it

Il cinema aveva un disperato bisogno di un film come Zombieland. Purtroppo il destino avverso ed il fato malvagio costringono il pubblico italiano a beccarsi il “day and date” solo per pellicole come 2012 e Twilight: New Moon, ma non per questo “fottuto capolavoro” che riscatta anni e anni di produzioni zombesche banali, didascaliche, piatte e poco ispirate. Forse, arriverà anche nelle nostre sale. Intanto, in America, è già un film di culto (per quanto possa essere insopportabile questa espressione) e non potrebbe essere altrimenti.

Il paese è nel caos, ci sono gli zombie (di tipologia A). Columbus (un meraviglioso Jesse Eisemberg, ancora bravissimo dopo l’ottimo Adventureland) è un incrocio tra un nerd ed un geek che passa le serate giocando a World of Warcraft, mangiando pizza e sognando l’amore della vita. Il suo incubo si materializza quando  all’improvviso, un bella bionda bussa alla sua porta perché attaccata da un uomo che ha cercato (riuscendoci) di morderla. Troppo bello perché sia vero e infatti la mattina seguente la gnocca si rivela infetta, animata da istinti omicidi e Columbus è costretto a fuggire dalla sua città. Il mondo è sottosopra, il virus dilaga ovunque e l’avventura ha inizio.

Ironizzare sugli zombie non è cosa facile, in passato abbiamo avuto eccellenti parodie del genere “inventato” o, meglio, sdoganato e aperto alla massa (cinematograficamente parlando) dal buon vecchio Romero, con minicapolavori come Shaun of the Dead e molti esempi meno felici come il deprimente Maial Zombie. Zombieland è una commedia riuscita, la dimostrazione che quando ci sono le idee non c’è genere che non possa essere rivitalizzato e lancia tra le stelle Ruben Fleischer, regista che potrebbe seguire le orme di Jack Snyder, anch’esso assurto a fama internazionale grazie al bel remake de L’alba dei morti viventi. Zombieland è un concentrato di ideecome non se ne vedevano da un po’ di tempo. L’amalgama tra gli attori (Woody Harrelson, nella parte di cacciatore di zombie, Abigail Breslin ed Emma Stone, una coppia di sorelle poco raccomandabili che andranno a formare una sorta di famiglia disfunzionale con gli altri due protagonisti) è ottimo, le trovate registiche sono apprezzabili, il ritmo é frenetico, il film dura il giusto (80 minuti) e può fregiarsi del miglior cameo degli ultimi anni (se non di sempre) che sarebbe delittuoso spoilerare in questa sede. Se a questo aggiungiamo i geniali i titoli di testa, i migliori dell’anno dopo quelli, oggettivamente insuperabili, di Watchmen, abbiamo un quadro complessivo entusiasmante. Che permette anche una riflessione su come si sia evoluto il genere zombesco (zombico?) nel corso degli anni.

Al cinema si videro la prima volta nel 1932, in White Zombie, con l’indimenticabile Bela Lugosi, ma assursero a simbolo di una generazione solo con i film di Romero, primo artista a conferire loro un preciso significato socio-politic-cultural-allegorico con “l’attacco al centro commerciale” (topos classico ripreso recentemente anche dalvideogioco Dead Rising). Oggi i veri protagonisti delle pellicole di questo genere sono sempre e comunque gli esseri umani: ok, Zombieland è una (meravigliosa, capito?) commedia e non richiede cervellotiche introspezioni psicologiche nè seriose esegesi, ma a ben vedere anche i recenti 28 giorni dopo, Resident Evil & compagnia (Bella? Brutta? Decidete voi) mettono in secondo piano gli infetti/morti viventi etc. A quando la definitiva resurrezione? Intanto, allacciatevi le cinture e godetevi lo spettacolo.

Fonte: Wired.it

Bienvenue à Zombieland sort mercredi (25 novembre). Et le numéro de décembre de GQ en profite pour vous aider à compléter votre vidéothèque avec les meilleurs films de morts-vivants. Voici les bandes annonces de quatre de ces films cultes.
Par Arnold Derek

La nuit des morts-vivants, de George A. Romero (1968)
Moins axé sur le consumérisme que ne le sera, dix ans plus tard, Zombie, La nuit des morts-vivants créa néanmoins son petit électrochoc dans l’Amérique encore conservatrice des années 60. En noir et blanc, caméra à l’épaule, le film renvoie aux reportages télé sur le bourbier vietnamien…

L’enfer des zombies, de Lucio Fulci (1979)
Comme à leur habitude, les Italiens surfent sur la vague des succès du box-office américain pour en croquer un peu. Lucio Fulci, maître incontesté de l’horreur transalpine, injecte à son film une surdose d’énucléations, démembrements et autres éventrations… (pour public averti)

Shaun of the dead, d’Edgar Wright (2004)
Dans l’industrie du cinéma, on rigole plus en famille qu’entre amis. Edgar Wright, Simon Pegg et Nick Frost l’ont bien compris lorsque l’Angleterre s’esclaffait à l’humour très référencé de leur série Spaced. L’esprit de famille se perpétue dans Shaun of the dead, clin d’œil à Dawn of the dead (Zombie en VF) de Romero…

Bienvenue à Zombieland, de Ruben Fleischer
On y croyait mollement mais le film, avec Woody Harrelson en tueur
de zombies, a cassé la baraque au box-office US grâce à un mélange inédit :
un peu comme si Woody Allen réalisait 28 jours plus tard (de Danny Boyle)…

Now is the time to pull the trigger

Here’s something we already knew but now looks official: Roy Halladay won’t be re-signing with the Jays. According to ESPN.com, Paul Beeston told the New York Post that Doc is set to test the free agent waters, and why not? Let’s see — a chance to play for any team in the world? If I’m Doc, I’m not choosing this mess of a franchise.

Of course, this was inevitable. Are you up for this, Alex Anthopolous Ricciardi Jr.? With several young pieces in place already, now’s the time to deal Halladay. Adam Lind, Aaron Hill, Travis Snider and Ricky Romero are a fine core to build around, and the addition of say, Clayton Kershaw, just might accelerate the process all the more. What do you think, Dodgers? Can we get something done?

O gênero zumbis não é muito a minha cara. Independente, já vi filmes do Romero, já vi a (muito legal) refilmagem do Snyder e vi outros que não me orgulho muito. Acho que os únicos filmes que realmente gostei são os do Danny Boyle, que deu uma revigorada no estilo e na maneira de se contar a estória de um jeito extremamente assustador e realista. Extermínio e Extermínio 2, apesar dos bobos títulos nacionais, são excepcionais filmes de terror. Esses sim valem a pena.

Zumbilândia trilha o mesmo caminho, só que deixando de lado um pouco o suspense para se aventurar na comédia de humor negro. E faz tudo isso muito bem. Woody Harrelson está, para mim, naquela área delimitada dos atores que, mesmo fazendo filmes que possam não ser tão bons, sua presença os torna interessantes e mostra que matar zumbis seja até uma vocação. A presença de Jesse Eisenberg dá uma balanceamento interessante à dupla e, apesar do seu personagem parecer ter saído diretamente de outra Land, enumera algumas regras de sobrevivência que são apresentadas ao espectador de um jeito sensacional. É um road movie em muitos aspectos, com flashbacks inteligentes, versáteis e o visual é excelente, com interferências gráficas sensacionais que acrescentam muito ao roteiro.

Uma das grandes surpresas do ano, sem a menor dúvida. Pena que a distribuidora vai atrasar o lançamento aqui. Mas vale a pena conferir no cinema. E leve a namorada junto porque vcs vão rir, se emocionar e provavelmente tomar uns belos sustos.

E aguardo ansiosamente a resenha do cara que mais entende de zumbis nesse planeta.

¡Hola! Como entre las cosas más buscadas en este blog estaba el himno del colegio, decidí ponerlo. Ante todo, quiero aclarar que si mi colegio es “católico marianista” no significa que yo también lo sea… vamos c0n el himno:

I
Somos héroes del mañana
llenos de fe y de ilusión,
y en nuestros pechos arraiga
el más noble y patrio amor.
Nos guiará por la vida
la luz de un alto ideal,
venimos del Instituto
con paso alegre y marcial. (paso marcial)

Coro
Marchad, marchad, marchad [bis]
Sembrando amor y paz.
Marchad, marchad, marchad [bis]
por la senda triunfal.

II
Queremos que nuestra patria
sea libre e inmortal,
trabajaremos por ella
con nuestro más limpio afán.
Tendrá Dios en nuestro pecho
siempre dispuesto un altar.
Venimos del Instituto
con paso alegre y marcial. (paso marcial)

Coro
Marchad, marchad, marchad [bis]
Sembrando amor y paz.
Marchad, marchad, marchad [bis]
por la senda triunfal.

Añoranzas de la Tola
De este Quito Colonial
De aquellos tiempos que añora
De quiteños sin igual.

La calle Valparaíso
De la Tola es principal,
Porque Cristo Rey le hizo
Con acento musical.

Recuerdo las serenatas
Con Salgado, el “Cocho” Erazo,
Con el Glauco y sus maracas,
entonando un bolerazo.

El piano del Salgado,
en el camión de los Armas,
recorría enamorado,
balcones de bellas damas.

La León y la Don Bosco,
son historia y tradición.
lindas toleñas conozco,
que fueron mi inspiración.

La luz, en el horizonte,
en la Tola, es la primera,
en nuestra plaza Belmonte,
de mi ilusión y quimera.

Para asentar el chuchaqui
en la noche romancera
el gran salón, Cachullapi
con caldo de calavera.

Don Sacoto y su gallera,
los Reyes y el cachascán,
en un sábado cualquiera
lo pasábamos bacán.

En trompones el Eugenio,
del rin todo un caballero,
con valor quiso ser dueño
del mundo en su casillero.

Los toleños somos gente
que se destaca en las artes,
en los deportes, presente,
triunfador en todas partes.

Los Recalde y los Romero,
Espinoza y los Buitrón
forman el grupo pionero
con Salgado y su escuadrón.

Y los paseos de antaño
a la hacienda de Itchimbía,
con el consabido baño
en la laguna que había.

Los guambras de la Martí
Don Bosco con la González,
fue la barra estudiantil
con ocurrencias geniales.

Y en carnaval fue la Tola
la campeona en la Marín.
Nos tomamos la pila
con los de San Agustín.

Y la nostalgia me abruma
recordando a nuestra Tola
de Quito, como ninguna
puro amor como ella sola.

Poema por Efraín Cepeda

Next Day Air

What can i say, anything with mos def in it is Gold, just kidding, this movie is just ok, its just like a black shortened version of Snatch. Id say most of you never even heard about this movie, but its got a pretty star studded cast; you got Julius from remeber the titans, you got dude from scrubs, some hot latina girl shes not famous but id just like to point out that shes foine, and of course you got mike epps who seems to be in every black comedy, and dont forget the evil mexican guy but who knows his name? noone.  watch this if you are bored out of your mind and need some visual stimuli, it wont blow you away it wont actually do anything to your thought, your mind equilibrium will be at the same place you left it when you pressed play. What is cool about this movie is that the one dude who you… oh wait THE OLDER BROTHER FROM FAMILY MATTERS IS IN THE MOVIE, ok anyways the one dude who you want to live, lives, this semi good looking charming 50 cent kevlar wearing dude lives, YAY, but the dumb fuck stoner dude who is weak and pathetic also lives, so basically you have to live with that at the end of the movie.  whatever.

Monsters Vs Aliens

I could find no worthy alternate movie posters, cause i like putting up alternate movie posters.

So after Bee Movie and fucking terribad piece of shit cunt rag Kung Fu Panda, i really didnt want to watch anymore fucking animated movies, you know before movies like Toy Story and  Shrek were animated masterpieces, they were like 16th chapel kind of spunk, 10 years in the making kind of work. Now they fucking pop em out like a case of day after munchies crapathon there is no gold standard anymore, the market is just overfilled with these shitty animated films now. But for some reason out of nothing to watch i watched Monsters vs Aliens, when im skeptical about a movie i do a brief skim of the movie on my computer you know just like take a peeky weeky at some scenes, like when you got to a beach yaddamean. So i came upon this scene.

Beverly Hills cop anyone? who doesnt like axel foley mang, come the fuck on, thats a great fucking scene, so i watched it and i was very pleased and very amused during the whole time, with little giggles and monstrous chuckles. Its a good flick, young old, watch it. The famous people they had doing voice overs, actually played a role not like that fucking retarded kung fu fat fucking bear movie. The story was simple, the battles were epic, and the story is played close to home.  Fucking Jack Bauer is in it, enough said, just kidding that usually wouldnt be a winning point, the movie is good, watch it.

there was a 30 min halloween special, not that good, but the movie is good.

…fuck watched allot of movies, oh yeah i went into like Zombie mode and wanted a good fucking zombie movie, but yeah

Diary of the Dead

I just dumped a harvester in the toilet and it smells awfully dead. So, you know im a pretty big skeptic of Romero, you know the zombie father, the one who started the Zombie panic in the film industry, dude whatever, hes like Grandmaster Flash, starters of something great, but truthfully really stink at what they do, dont get me wrong mad respect, just they dont got the skills to make what they started into something retained and beautiful. So Romero got into a binge of making kind of like a new “dead’ series from what i can see and from what minimal information the wiki says on him, so hes made a couple of new films, and from my site the one i dl my movies from this one had the most dl, suggesting its probalby the best one or the most sought/watched one. I watched it, thought it wasnt bad, HEY MAN ROMEROs finally caught up to the standard. oh how wrong was i. but this movie was good, the one i watched after was  a shit show. Romero likes to do allot of things with society, he kinda of does this whole naration this sarah conner experience, and it eludes to this media socialism, which fucks everyone during the rise of the dead. This panic with the media, is all this shit fake or real, if the media did a big practical joke and sent this shit out through all outlets, would it be chaos, or just a big laugh. Its humorous, its got some good explanations, and a bunch of god references, overeall its enjoyable. The camera work is done in a pretty crafty way, though its clear that the film was lacking a budget. It got me thinking a little, it had some Zombie survival guide moments which is always a plus, but overall its the best  on the market right now like in Requiem when they try to get the drugs cause thats all thats on the market, pysche Zombieland trumps this, but to me not by much.

Day of the Dead

with such a cool poster, you think theyd have a good movie, but fuck no. I looked at the stats you know like oh its got Ving Rhames oh its got Mena naked chick from American Beauty(btw thats a fucking weird name Mena Suvari). Fucking Ving he did great in Dawn of the Dead, which to me is the best of the best of all zombie movies, what can i say Zack Snyder is a beast man, he had all the right elements. man train of thought done, i m not going to spend any time on this movie, it fucking sucked, fucking nick cannon is in it, the only redeeming role hes ever had was in Chappelle show, fuck this movie, i can almost finish every movie i watch, not this one, its fucking shit.

Thirst

Park Chan-Wook, this korean director is quite the olympian amongst movie standards, this is his second film to get one of the top awards at the Cannes film festival, you may have heard of his other film Old Boy. In my opinion i was kind of turned of watching the rest of the movies in his vegence series, i really thought this dude just puts some really fucking brutal shit in his movies that is hard to watch, and he does it in a sexually pent up way. But seeing as how “the weird” was in this movie, i said hey why not. This movie is about vampires, vampires are pretty cool, Park’s movie heavily dwell in the psyche of the main characters mind, his emotions are dealt with his actions. SO man becomes vampires, man use to be priest, man still wants to be priest but has conflict of interest due to his new fucked up thirst, which comes with some awesome powers. This movie is very violent, gruesome at points, there is tons of pent up sexual tension, cause HES A PRIEST AND ALL YOU KNOW, and is littered with funny parts that go along with this sexual tension, as cvax would say the “asian formula” for movies, at one point i was like this movie is going to shit, but at the end it balanced it self out like a roller coaster. This is also the first korean movie that has shown full frontal male nudity, so for all those out there wanting some good cockshot, watch it. I enjoyed certain scenes of this movie, there are some points where im like why, i dont know why this scene is in here, i really enjoyed how like i said early the movies dives into the main characters mind and you struggle with him, especially with a dead dude soaked in water, who appears during sex. HAHAHAHAHHAHA, but yes the movie is in eyeopener with the gruesome scenes, but hey thats what makes it fun. its different from your typical hollyamerican forum, watch it if you want something different, and watch it cause vampires are pretty sweet.

Julie&Julia

so what can i say meryl streep does a fucking excellent job per usual, as for amy adams shes just doesnt look hot in this movie what the fuck, i guess i kind of missed the whole point of this movie. Its a chick flick i would say, it goes into the two lives of these two women, its done kind of bad, like it does a pretty good like back and forth between the two  in the beginning then you kinda jump into a well with one for like 15 minutes and you totally forget the other characters. the worst part was the ending cause your like ughh “so she got owned” then you do a little research into the actual julie character and you find out this bitch is like typhoid. the whole time your like oh julie is a huge pathetic loser, and you go oh hey Julia Child is a great fucking person, shes awesome. julia child’s is awesome, PBS THAT SHIT, her antics are mimicked extremely well. anyways yeah the movie goes on this journey of failure for one character, and fucking ballerhood with the other. The trailer makes it look good, but the overall movie is just ok, mostly just seeing meryl tear that shit up.

Moon

not new moon, for all those twilight fuck heads. i was skeptic, cause sam rockwell just looks like a schmuck, which really has nothing to do with a movie, but comeon he looks dirty. so this movie is kinda of like space odyssey but not extremely boring and stupid. this movie is pretty rad, but may get slow, so do what i did sleep at 8 wake up at 11 30 watchc this movie till 4am, itll be good then, but yes this movie is enjoyable, its got a pretty big twist dished out in the middle, which creates a mind fuck storm. but yeah watch it. im done writing for now

Worldwide, an army of peroxide has begun to gather; some murmur, others stare aimlessly, while the rest recite infamous bars in thick Scottish accents (yes I remember you). Finally Marshall appears; sat atop a mountain of metaphorical prescriptions. He announces that he will following up on the $116 million grossing biopic, 8 Mile, with a 3D horror simply entitled Shady Talez. The project had been stirring around for quite some time now, but will now be accompanied by a package that includes a limited edition four-issue comic book series due 2010 from Marvel Icons. The above image comes from the upcoming serial. Slim Shady will produce and star in multiple roles in the film, which will give an “urban wink” to genre classics such “as Christine, Aliens, and The Lost Boys“ in the style of George Romero’s Creepshow. Kevin Grevioux, who helped shape the Underworld franchise, will take script duties alongside Dallas Jackson.

A release date for the film is yet to be announced. In the meantime, here’s Em offering himself to The Punisher.

Dré

Per tots aquells que no vau poder veure el reportatge de 12 minuts que van transmetre al programa Nydia del canal 33, ja ho podeu fer mitjançant aquest link a “TV3 a la carta”.

Aprofitem per felicitar l’equip del programa, i el seu director,  que han aconseguit reflectir  l’esperit del projecte.

Agraïments mil i una abraçada per al públic, l’equip tècnic del Teatre d’Olot: la Mónica, la Gina, en Situ, en Goku, en Nino, en Xevi la Tena… , Miguel Cruz de l’associació de Músics de Tarragona i la seva fe extraordinària, Joan Martí o el nostre Manelic particular (amb ciàtica i tot), la Montse Mundet i la seva extraordinària veu, en Josep Canals i la seva perseverança, la Marta i l’Àgata amb la seva simpatia i generositat, a Anna Mª Grau Baeza i les seves mans talentoses amb el fil i l’agulla, a la Laura pel control del seu pols, malgrat els nervis i en definitiva, tota la gent que ho va fer possible i que va demostrar que sumant petites aportacions es pot fer una cosa molt gran

Mientras encuentro el minuto exacto de inspiración, divagaré de mala manera, no sin maldecir, la punta gruesa de este boli publicitario y los malos modales de mi letra. A estas alturas de la noche no está para composturas ni modales. Los monos duermen, y las culebras. Alguna luciérnaga debe sobrevolar la hojarasca húmeda, hasta las setas disfrutan de la hora más tranquila.
Y yo aquí, pensando a quién idolatrar, pero todos mis ídolos me han defraudado, incluso diría, traicionado. Delataron mis limitaciones hasta humillarme a ras de tierra, bajo inocuas amenazas, aún podía arder en algún infierno vulgar. ¡Y me obligaban a dar las gracias!. Así presiento que malgasto partes de las horas, de los días, de la vida desenvolviendo lo que me rodea, como quien desenvuelve paquetes y regalos vacíos. A veces con ímpetu, otras, impetuosamente. Es tal el agotamiento que ya no cabe nada más,  ni rabia, ni tristeza, nada.  Sólo la extraña lucidez del cansancio que convierte el ruido en silencio, y ensalza el palpitar de mi pecho con reveladora claridad.
Me descubro honesta ante él, abandonando inútiles credos. No me pierdo detrás de los pájaros, no corro tras sombras blancas. Simplemente: caigo. Caigo sobre el único lecho de mi cuerpo.

El cuadro de Monarcas Morelia venció con categoría a Santos en el juego de vuelta de los cuartos de final del Apertura 2009, al ganar por 3-0 en un Estadio Morelos lleno.
Los goles llegaron por conducto de Wilson Tiago al 6′, Miguel Sabah al 38′ y Mauricio Romero al 83′.
Su rival será el Cruz Azul, el miércoles será el juego de ida en el Estadio Morelos y la vuelta en el Estadio Azul el sábado a las 17:00 horas.

El 6 de desembre a les 19.00 h al Fórum de la FNAC de l’Illa Diagonal Elisa Planagumà i Rocío Romero oferiran un petit concert acústic del repertori de la Càndida Pérez.  Amb motiu de presentar i promocionar aquest recull de cuplets que ja podeu adquirir a les estanteries de la FNAC.