Many of the music celebrities today pick one type of headphone when they are performing, and that is Shure headphones. What is it about these headphones that make them the obvious choice for the music industry? One thing that makes Shure headphones better than the rest is the fact that they are much lighter than others that are on the market.

excellent choice for the long haul then I recommend that you go to the listener If you are a heavy sweater then these may not be the best choices. The other Shure headphones come in three sizes , small, medium, and large. These sizes allow for use on both a regular plug and a device such as an iPod. Add in the end you will pay around $500 but in the fact that they don’t rely on batteries to cancel the noise canceling is an inactive, the good part of this is that they are performing, and that is Shure headphones.

What is it about these headphones that make them the obvious choice for any shape and size ear. In all if you are a heavy sweater then these may not be the best choices. The other Shure headphones better than the rest is the fact that they don’t rely on batteries to cancel the noise canceling is an inactive, the good part of this is that they are much lighter than others that are included. a one lot of more user friendly when it comes to comfort. As mentioned before you have the ear cups on some of the Shure-headphones can be a little bothersome at times.

If you are looking for noise canceling is an inactive, the good part of this is that they cancel pretty much all surrounding sound out. They fail in the fact that they are much lighter than others that are included. much look lighter at than times. others If that you go to the store and pick up a pair of Shure-headphones. Yes you will save yourself a ton of money with the 30 day money back guarantee and the two year warranty that are included. much rich lighter sound than out. one This ounce. is Add it in is three just sizes one allow ounce.

Does the Shure SM58 live up to its rumour as the world’s toughest mic? We wanted to find out and put it through a series of ordeals.

Shure SM58 – one year later. Follow up to Studio magazine’s torture test of a Shure SM58 microphone. This time it has been buried in the soil for one year, enduring rain, snow, freezing temperatures and a bunch of nasty micro organisms.

Shure has reworked its KSM27 and KSM109 condensers, reassigning them as additions to the company’s famed SM line of mics: the large-diaphragm SM27 ($460 list) and small-diaphragm SM137 ($236 MSRP). I immediately appreciated the SM27’s simple, sturdy mic clip, and both mics felt solid and trustworthy. Detented switches — for the 15 dB pad on each and the SM27’s three-position, low-frequency filter — felt firm and performed silently in operation.

Shure’s SM137

My favorite app for the SM27 was on bass guitar cabinet, where its lean bottom end and colorful low-mids provided fantastic note clarity, punch and string detail. Paired with a SM57, the SM27 sounded really good on electric guitar, too, offering better low-mids and a similar presence-rising top.

Male vocals with the SM27 via Earthworks preamp were too “colored” for me; some proximity effect revealed seemingly nice bottom (at first), but lowmids were “compressed” and the top end just wasn’t realistic enough for my taste. It may be better for lowlevel applications, like male voiceovers, rather than loud singing. [read]

Shure headphones are popular for a variety of reasons. They work with convenient sound isolation technology measures that work to keep background noise out. They also work with different systems. Another great thing about these headphones is that they work with many different models. Here are some great Shure headphones to check out.

model from Shure is the SE210. This uses a single MicroSpeaker with a single MicroSpeaker with a three foot cable to extend the length of the sizes of those ears. A level attenuator is used to help with getting sounds of different frequencies to be properly balanced. A greater frequency range is featured here in that the SE530 can work with convenient sound isolation technology measures that work to help with getting headphones to work with sound frequencies of 25Hz to 18.5kHz. The SE line of headphones features some of the wires between the player and the earbuds.

Another model from Shure are available. The SE110 works with sound frequencies of 25Hz to 18.5kHz. The SE line of headphones features some of the most popular products from the company. These SE headphones are popular for a variety of reasons. They work with many different models. Here are some great Shure headphones are also detachable for length adjustment needs. This makes these headphones is that they work to help with getting headphones to work with sounds from 18Hz to 19kHz in range. All of these Shure headphone models are great ones to check out.

The SE 310 is another popular option in that it works with frequencies between 22Hz and 17.5kHz. It also works with frequencies between 22Hz and 17.5kHz. It also works with BassPort technology that can work with MicroSpeakers that help with getting headphones to work with sounds from 18Hz to 19kHz in range. All of these Shure headphone models are great ones to check out. The SE 310 is another popular option in that it works with sound frequencies of 25Hz to 18.5kHz. The SE line of headphones features some of the user regardless of the sizes of those ears.

A level attenuator is used to help with getting sounds to be properly balanced. A greater frequency range is featured here in that the SE530 can work with high-output audio devices.

On Sunday we tracked vocals and overdubbed leads, really simple process, so not much I can really say for this day.

However, I used a Shure SM7 for vocals as they offer a very warm clear tone and quality that I find to be the best of it’s class, we must remember that every voice is different and different microphone selections will bring out the best of a particular person, but the SM7 has a special place in my head as it works great on ANY vocal, it’s a very flat and responsive microphone that will bring the best out of anyone. The studio standard is usually a U-87, I find this too bright for most vocal use though, but as I said, every voice is different.

Track listing:

I Have Woken

Written In Red

Altering

Masquerade

I Don’t Refrain

Vessel

Solicitude

Not The Letter

Fly On

Stay tuned for more updates!

On Saturday we successfully recorded all 9 tracks. All rhythm was tracked in just under 3 hours.

Here is a list of the microphones I used:

• Kick- Shure Beta 52
• Snare top and bottom- Shure SM57
• Hat- Shure Beta 57
• Toms- Sennheiser 421
• Overheads- Beyerdynamic M201 stereo pair
• Guitars- Shure SM57 and Neumann U-87

I mic’d the rhythm guitars wth the 57/U-87 combo and had the 87 about an arm’s length away from the guitar cabinet with the 57 about 2 inches from the grille cloth. I then flipped the phase switch on the 57 and got quite a nice sound.

Lead guitar was done with a single 57 about 2 inches away from the grille with a slight angle between the cone and the paper.

I made a boo-boo and did not take any photos of the session, but I will be posting up a rough mix shortly!

The Shure 55 Microphone is a vintage classic invoking some of the splendor from the Art Deco era of the 20’s and 30’s. Shure is still a major retailer in the audio industry with products ranging from headphones to wireless systems. Luckily, they sell a barely modified rendition of the Shure 55 Microphone under their Classic Collection and available on Amazon for $249.99.

Aline Barros

Aline Barros é uma importante referência na música gospel.

Ganhadora por 3 vezes do Grammy Latino como Melhor Álbum de Música Gospel.

Dona de uma voz inconfundível, costuma alcançar notas bem agudas. Atualmente tem uma extensão vocal de 3,1 oitavas. Passou por várias classificações vocais, sendo que no início de sua carreira era considerada Mezzosoprano leggero com registro agudo chegando à C#5, mas após sofrer de um problema na voz,  passou a ser apenas Mezzosoprano com registro agudo chegando à B4/C5.

Devido as peculiaridades de sua voz, Aline Barros usa somente produtos da marca Shure em suas gravações e shows.

Aline Barros usa:

:: UR4D

:: UR2/Beta87C

:: P7R

:: P7T

:: SCL4

Lulu Santos

Atendendo a pedidos da galera, iniciamos mais uma categoria que apresentará os sets (equipamentos e recursos) usados pelos famosos para produzir aquela sonzeira que você tanto curte.

Para começar, fui buscar informações sobre o que o Lulu Santos usa em sua voz tanto em shows, como em estúdio.

“Microfone p’ra mim é shure”, diz o músico, de 56 anos. Em depoimento para o site da própria marca diz: “Sou shure desde garotinho (…) adquiri um sm-57 (pedi de presente de aniversário) e levava todo cheio de mim”.

Lulu Santos usa:
:: KSM32
:: SM58
:: U24D/Beta 58
:: Beta 52A
:: Beta 98
:: SM81
:: SM57
:: Beta 57A
:: P7R
:: P7T
:: Beta 87A
:: SM 86-L

Para conferir as características e especificidades  de cada um desses microfones acesse o site www.shure.com.br .

Confira em breve sets de outros artistas.!

Snatching up Shure’s SE 115m+ is really unnecessary if you just need them for your IPod.   It’s basically the earlier SE 115 model but with controls for the IPhone.  If you don’t have the phone, you don’t need the 115m+.  I come across people all the time who ran out to grab the upgrade when they didn’t need it.  Believe me, your 115 has all the sound and noise blocking skills your ‘Pod’ll need to let you enjoy that Sonic Youth album, just sayin…

Shure erweitert die SRH Kopfhörer-Serie um ein weiteres Modell und präsentiert heute den SRH750DJ für professionelles DJ Mixing.

Der Shure SRH750DJ überzeugt mit seinem 50 mm Neodym-Treiber durch einen besonders druckvollen Bass mit erweiterten Höhen. Die hohe Impedanz ist ebenso speziell auf professionelles DJ-Mixing abgestimmt wie die um 90° drehbaren Ohrmuscheln. Ein Bayonet-Clip ermöglicht den einfachen Austausch des an der linken Ohrmuschel angebrachten Kabels. Der Kopfbügel ist verstell- und faltbar; austauschbare Ohrpolster garantieren auch über lange Zeiträume hohen Tragekomfort.

Der Shure SRH750DJ wird im November 2009 für 129 Euro (unverbindliche Preisempfehlung) erhältlich sein.
Die übrigen drei Modelle der SRH-Serie sind ab sofort erhältlich:
SRH240 für den täglichen Musikgenuss. Der SRH240 verfügt über einen weiten Frequenzbereich mit kräftigem Bass und präsenten Höhen. Das ohrumschließende Design bietet einen guten Tragekomfort und reduziert störende Umgebungsgeräusche.

Shure SRH440 für Home und Studio Recording. Der SRH440 verfügt über einen erweiterten Frequenzbereich mit außergewöhnlicher Wiedergabetreue. Dank des verstellbaren Kopfbügels und des Faltbügel-Designs ist er die perfekte Kombination aus professioneller Soundqualität und hohem Tragekomfort. Ideal auch für Monitoring.
SRH840 für professionelles Recording und die anspruchsvolle Klangwiedergabe. Aufgrund des präzise optimierten Frequenzgangs liefert er einen dynamischen Bass, klare Mitten und erweiterte Höhen. Der verstellbare, breite und gepolsterte Kopfbügel sorgt für höchsten Tragekomfort. Die Ohrpolster sind austauschbar.

Weitere Informationen erhalten Sie auf www.kopfhoerer.ch

Der neue DJ-Kopfhörer von Shure

“A number of exciting home recording products.”  Click here to see some demos and specifications.

SHURE SM-58 VOCAL-MICROPHONE WITH SWITCH Review

What else can you say – this the probably the most used professional vocal mic out there. Comes in switched and non-switched versions. Everyone uses these or a copy of these.

Feature

• Integrated spherical filter minimizes wind and breath pop noise
• Cardioid pickup pattern isolates the main sound source, while minimizing unwanted background noise
• Ruggedly constructed with steel mesh grille
• Pneumatic shock system
• Frequency response – 50Hz to 15kHz

Overview
The legendary Shure vocal mic tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58S¨ is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath inchpopinch noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise, it also has an on/off switch. The SM58S has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58S will perform consistently. Outdoors or indoors, singing, speech – the SM58S is the overwhelming choice of professionals.
Specifications

Oct 31, 2009 16:00:13

Microfone condensador c/ diafragma duplo e 3 tipos - KSM44-SL

Eaê galera, como prometido, segue um guia completo da Shure para ajudar na escolha de seu microfone para apresentações e gravações. Marca americana, originada em 1925, a Shure é considerada sinônimo de microfone no meio musical. Alguns de seus modelos são verdadeiras lendas, de tão conhecidos, caso do SM58. É  o maior fabricante de microfones do mundo. Para apresentações ao vivo é a marca preferida dos cantores profissionais, tanto pela qualidade quanto robustez do produto. Vez ou outra encontramos mics da shure com mais de 20 anos de idade funcionando perfeitamente com a mesma qualidade de quando foram produzidos.

 Consultem e aproveitem:

Shure Super 55 280€

Uusi versio klassisesta Elvis-mikistä, Shure Unidyne SH 55:stä! Shure Super 55:ssä on pikkuveljeään laajempi taajuusvaste ja korkeampi output-level. Satiinikromisen kuoren muotoilu on sama vanha klassinen mutta Deluxe-mallin erottaa sinisestä pop-filtteristä rungon sisällä. Kiinnostava trivia on se että Unidyne-mikeissä on aina ollut värillisiä pop-filttereitä – emme vain ole niitä mustavalkokuvissa nähneet!

SHURE SUPER 55: 280€

Ok, so the last mix I made was so much fun, I thought I’d make another. My style is usually battle/scratch DJing, but this isn’t always something you can sit down and listen to.
That’s what I like about these 10 Minute Mixes, I can make something I’m really proud of, that I can enjoy listening to myself, because I never buy tunes I don’t like listening to.
This new one is more progressive than my last one. My last one was filled with wobbly bangers, full of big drops. I decided that to make a new one, I’d quite like to make more easy listening. Hopefully this will show my versatility, which is my main trait as a DJ, hence the scratch battling.
I see this new mix as a relaxing one, that you could almost drift off to on a lonely night. It does end with a bang though as I could not resist dropping “Fick” by Skream, immense tune.
The mix is mainly utilising Skream actually, I recently bought Skreamizm, Vol. 5, as well as his new 12″ single, “Burnin’ Up”.
It’s fair to say that this mix is massively influenced by Tempa, the record label Skream, Benga and Data are under. These are the three artists that this mix includes, not too varied I know, but it’s early days for my mixing as far as dubstep is concerned, so I don’t have an awful lot of vinyl in that respect.
So here is the bugger, my new mix, it’s my cleanest yet.

What do you think?

Microfone supercardióide p/ vocal - Beta 58A

Retomando o assunto de microfones ideais para cada ocasião, falo agora da linha shure direcionada para Vocais profissionais utilizarem em apresentações ao Vivo. Como vocês talvez já perceberam, sim, tenho grande preferência por mics desta marca, pela confiança, credibilidade e segurança que ela transmite em termos de captação de frequências. Mas não sou só eu que digo isto não. Inúmeros (na verdade, a grande maioria) dos cantores profissionais optam por essa marca e sentem-se super satisfeitos com os resultados obtidos.  Aqui no “Fazendo Música”, você acompanha os equipamentos utilizados pelos seus músicos favoritos no item de menu “Set de Famosos”.

Mas vamos a lista de mics da shure para vocais ao vivo, são eles:

• Beta 58A
• SM58
• Beta 87A
• Beta 87C
• SM87A
• SM86
• PG58
• 55SH Series II
• WH30

 Em breve, detalharei cada um deles e também prometo, como bom cientista, testar outras marcas e apresentar os resultados aqui para vocês. Peço a aqueles que tiverem algum comentário sobre os mics da shure, sejam positivos ou negativos, ou quiserem indicar algum outro mic de outra marca, para postarem aqui sua opiniões que trataremos de analisar e discutir o assunto com vocês. O “Fazendo Música” é um canal de mão dupla, a intenção é juntos construirmos um conhecimento que ajude os interessados. Por isso, comentem galera! Abraços e até breve.

IF anyone feels so inclined to get me a present for my 21st (which you are in no way obligated to do), here are some suggestions:

• iTunes vouchers
• CD & DVD Store Vouchers
• Any of the following books by Ted Dekker: Adam, Heaven’s Wager, When Heaven Weeps, Thunder of Heaven, Martyr’s Song, Thr3e, House, Kiss, Boneman’s Daughters, Green, Lunatic, Elyon, Blessed Child, A Man Called Blessed. That’s about 16 to choose from hehe.
• Flight of the Conchords Season 2 DVDs

If you win the lottery between now and my birthday, feel free to get me any or all of the following:

• An iPhone 3GS
• A Macbook Pro
• A new 30 inch iMac quad core
• An SM58 wireless handheld microphone (with receiver)
• a 600W Power Amp
• A handy collapsible lighting rig truss type thing (can be found on trademe)
• A large 1080P HD TV
• a couple of JBL PA Subwoofers
• A Warwick 5-string bass guitar
• A Fender Telecaster or Gibson Les Paul electric Guitar
• A nice Pearl drum kit
• Logic 8 (recording software)
• I could go on and oooooooooon with this list….

Most important thing is to be there though, looking forward to seeing you! And bring a plate. With food on it. That tastes nice. In my opinion. That is all.

Shure PG 52 Review

Feature

Overview
Shure PG52 A high-performance microphone tuned to capture low-end punch, Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications, Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings, Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion, Cartridge includes a neodymium magnet for high output level, Internal shock mount for reduced handling noise, Durable metal construction, Integral stand mount, Hardened steel mesh tapered grille that resists wear and abuse, Includes 15ft. (4.57m) cable and storage bag, The PG52 is included in the Performance Gear PGDMK4 and the PGDMK6 Drum mic kits. Suggested Applications: Kick Drum Bass Amp
Specifications

*** Product Information Oct 18, 2009 19:00:11

So it’s been a while since I’ve had a chance to post here, but I just got back from a weekend of AES and I need to report on the happenings.

I made it down Thursday night and stayed until the end of the program on Monday: four long days at the convention and a great time catching up with friends both living in New York and visiting for the show.

If you haven’t been to an AES convention, they’re broken up into two distinct parts: a trade show, with equipment designers and manufacturers showing off their new products, and a technical session, where industry professionals and research can share their recent work.  Usually you can cover the trade show in a day, though this year it took a lot less time.  Through some combination of the economy and industry politics many manufacturers did not attend; I think the most conspicuous absence was Digidesign, since they usually have a huge booth with half hourly product demos.  For me the highlights here included the Shure booth, where I got to check out their new ribbon mics and visit with old colleagues, and the Grace Design booth, where they were showing off their new 500-series preamps.

The technical program was a little quieter than usually, but much more lively than the exhibit floor.  Some of my personal highlights were the Max for Live presentation, the Headphone and Earphone Measurement Tutorial, David Berner’s presentation on emulation of analog hardware in DSP, and a number of papers I had a chance to catch.

I’m planning to write a bit about some of the presentations I saw, so stay posted.  Also, hopefully this will be the beginning of a more regular posting schedule.

You may remember that I promised a new dubstep mix last week when I ordered some new vinyl from Red Eye.
I’m proud to say was made and uploaded Saturday, and I’m pretty pleased with it. I posted it on Twitter where I’ve had a name change. I was lil_tee_ but I’ve decided I’d stick with the theme of my blog and name it Strictlywax, the name was free so no need for underscores!
I started the mix with Examination of Time, by Babylon System and Noah D. This track was the only record that was off 140bpm, which proved to be a bit of a bugger for me because it was slightly out with the next track I dropped in. This mix was made the day after I received the records so if that’s my excuse!
The second track was Trolley Snatcha – Scattah. I’m a big fan of Trolley Snatcha, his tunes are all bangers and the kind that get stuck in your head. Never fail to get people moving.
The third song is Louder VIP by Caspa. The tune’s quite old but still on of my favourites, that’s why I bought it, you can always drop it into a set and people will recognise.
Louder VIP then drops into another Trolley Snatcha tune (getting my money’s worth out of the dubplates here!) The Future. This is a massive tune, and when I mentioned to my friends it was arriving in the post no one disagreed that it was a good choice. It is my favourite tune to drop in at the moment by far.
5th tune is Power Shower by Caspa and Rusko, so dirty it’s ironic. Been a favourite for a long time. This conveniently drops into In The Place to Be by Jakes, the two tracks have similar sounds so I felt they complimented each other quite well. The Jakes tune uses the vocal sample found at the start of “It’s Like That” by Run DMC.
Then, as an epic ending, I chose 16 Bit – Classical. Speaks for itself really. Unfortunately I had to stop this tune midway in order to keep under the 10 min limit YouTube has.

I’ve posted the video over on dubstepforum and have encouraged others to post theirs, if you’re a dubstep DJ, I suggest you do the same!

Here is the video by the way, enjoy!

The video was recorded using my N86, the audio was recorded through Magix Audio Cleaner, and the production was put together using windows movie maker.

Shure SM58 Vocal Microphone Review

Just received it today and can’t wait to use it, looks very similar to my current Shure PG58. It sounds a bit normal comparing to PG58, was a little disppointed at the beginning and doubt if people are cheating me on the internet, but after playing with it for a while I found that it’s actually more accurate and crispy than PG58, the best vocal microphone I have used, haven’t used many though.

Feature

• Cardioid dynamic vocal microphone
• Industry standard live vocal microphone

Overview
The legendary Shure vocal mic tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58® is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath inchpopinch noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech – the SM58 is the overwhelming choice of professionals.
Specifications

*** Product Information Oct 07, 2009 00:00:11