…or to the career at least!

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GUEST BLOGGER

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written by Big Nate from Da Bluff

In this world where people often piss on the people that help them get on and shit on those who didn’t there are a few people in the entertainment business who are stepping outside the realm of fakeness and keeping it 100 with their original road dog. See, today’s world has become the type of world that rewards people for not riding w/ those who got helped get them there. I often wonder how many people told some of these new age lame rappers they shit tight. Case in point Gucci Mane and OJ Da Juice Man, now SURELY they had to be at each other like that shit stupid fruity tight. I’m almost convinced that they were each other’s biggest fan.  I think it is cool and it speaks to how real they are to each other and how essential their friendship had to be to each others career. Imagine Gucci Mane telling OJ Da Juice Man what we think? He might have never blessed us w/  some of the dumbest lines in the rap game. Thank you Gucci for being a friend to his ignant ass and OJ, thank you for allowing your homeboy to set black folks back another 10 months. But I must admit, I admire how strong of a bond you two dummies have.

Sure there are several other relationships that we could speak on and say damn that’s some real ass shit but a few of my favorite have to be:

Now if you really know me then you know how much I respect Jay-Z not only as a rapper but as a man. He’s a real ass cat, now we all know that anyone of us would be Jay’s side man for almost nothing.  Jay and Bleek been down since Marcy Projects and Jay even wrote some rhymes for him on his own album.  Jay’s also been quoted as saying Bleek doesn’t have to ever rap or anything because he’s going to hold him down forever!!  Now that’s real friendship!!!

(They gotta be patna’s to be all up on each other like that….men shouldn’t be that close)

Spliff Star (the little short dude who always screams after Busta Rhymes) you absolutely have to respect the fact that Spliff Star has memorized ALL of Busta’s rhymes and knows EXACTLY where to come in. He’s the ultimate hype man for Busta. You can’t do nothing but respect this friendship. What career path did he take to be a professional hype man? What was that conversation about? Yo Spliff your rhymes are weak but come on man…be my hype man!!!!

I almost feel like I shouldn’t have to say anything about this relationship however I know some can’t appreciate how real this friendship was. Pimp C got caught up in some mess and had to go to jail. Now Bun B could have took this time to establish himself and focus more on his career however EVERY song he done during that time included the slogan “FREE PIMP C.” He kept Pimp C’s career alive and UGK a float during this time. You have to respect the love he showed Pimp C while he was locked up. When Pimp C died you could  see the pain in his eyes and could hear it some of his lyrics as well. Pimp C and Bun B not only were one the coldest rap groups but one of the realest friendships EVER in the rap game.

Bottom line is this, Friendship is essential to the soul so if you’re going to make it in life or any endeavor then consider being real to your friends. The bible speaks very highly of friendship.  John 15:13  states Greater love has no one than this, that he lay down his life for his friends. So if you’ve gone all your life w/ no real group of friends OR can say that you’ve lost friends SEVERAL different times then maybe its you and YOUR friendship isn’t essential!!!

I would like to take this special time and say to W G C…..whats good!

ROOOOO TO THE QUESSSSSSS!!!

Le show d’hier soir m’a fait réfléchir : les stars américaines sont-elles toutes aussi radines passé un certain âge ?

Et dire que tout avait si bien commencé…

Salle de La Trocardière, Nantes, jeudi 1 octobre. Il est 20h30 quand DJ Amadeus et son collègue DJ Gom’s montent sur la scène de la Trocardière. Une demie heure de retard, c’est pénible mais l’invité vaut bien l’attente après tout. Les deux DJ’s démarrent leur set en chauffant la salle à coup de classiques US de grande classe. Nas, Biggie, Dr Dre, Snoop Dogg, DMX, The Game, Wu-Tang Clan, j’en passe et des meilleurs. La sauce commence à prendre, les premiers pétards s’allument, ce soir la salle va être chaude. Passée cette session Hip Hop, les DJ’s poursuivent leur show sur du dancehall, du reggaeton, du rap français, La Fouine, Rohff etc. Bref, pas mal mais il était temps que ça s’arrête. Alakyn et son crew ont ensuite pris le relais, sans grand succès. Il est désormais 21h35, Bus-a-Bus commence sérieusement à se faire attendre. Vingt minutes de queue à la tireuse à bière, deux Kro avalées et c’est parti pour se replacer au milieu de la foule. 22h10, le crew angevin quitte la scène, enfin ! A partir de là et comme souvent après les premières parties, l’attente est insoutenable. On nous signale que Busta Rhymes est en train d’arriver sur les lieux… 22h15, il était temps. Plus les minutes s’égrainent et plus la salle s’enfume. Finalement, la bête déboule sur les coups de 22h50 dans une enceinte chaude et fumante. La soirée peut désormais commencer.

Le DJ personnel de Monsieur prend place en premier, puis Spliff Star sort du coté gauche, suivit de près par un Busta Rhymes impressionnant. Tatoué, massif, sobrement vêtu mais richement paré, le MC en jette. Le concert s’ouvre sur un freestyle porté par un beat up-tempo, une bonne entrée en matière. Puis après, direct, « Ante Up » ! Rien que ça. « Busta Rhymes now ! M.O.P. now ! », ça s’agite dans l’assemblée. Durant tout le premier quart d’heure, le rappeur se chauffe sans se brusquer, tranquille pour lui. Le MC est très américain dans son attitude : Spliff Star fait le « sale boulot » de chauffeur de salle tandis que lui soulève la foule dès qu’il bouge un doigt. Ça c’est de la star et c’est franchement impressionnant. Quand Busta dit « put your hands in the air », tout le monde lève sa main, absolument tout le monde.
Ensuite, le show se poursuit sur une série de featuring à succès que le MC a fait à droite à gauche. On a eu droit notamment au couplet de Bus-a-Bus sur le « Never Leave You (Uh Oh) » de Lumidee, sans oublier le sensuel « I Know What You Want », gros classique de Busta chanté avec Maria Carey. D’ailleurs, juste avant de jouer ce morceau, il nous a gratifié d’un petit numéro avec son mic, assez hilarant… A ce stade là, nous devions en être à 20 minutes de concert et j’étais très loin d’imaginer que j’avais déjà vu la moitié du spectacle. Cependant, un détail avait déjà attiré mon attention : Busta ne faisait quasiment que des demi chansons, soit un couplet / un refrain, et stoppait l’instrumental arrivé au second couplet…

La deuxième partie du show fut tout simplement ahurissante. Le choix des titres était jusqu’alors parfait. Du récent, de l’ancien, le meilleur de Busta y est passé. Même fait son premier classique « Woo Hah !! Got You All In Check » a été joué. Puis, ce que toute l’assemblée attendait de pied ferme est arrivé : « Break Ya Neck » ! DJ Phatstaff a pris soin de relancer deux fois l’instrumental, ce qui mit la salle en transe. A partir de ce morceau, le concert était lancé pour de bon. Et sachant qu’après un tel moment de délire, il était impossible d’arrêter la foule, Busta lança « Touch It » dans la foulée. De même, retournement de salle ! Ça vibrait fort à La Trocardière.

Puis, vint le moment de présenter le nouvel opus. Un petit speech du Maitre de Cérémonie servit d’introduction à un « Arab Money » globalement très bien accueilli. Et forcément, en live c’est pas pareil que sur l’album. Moi qui ne pouvais pas supporter ce titre jusqu’à présent, me voilà déchainé devant la puissance du refrain de Ron Browz. A la fois surchauffé par l’ambiance et impressionné de me trouver à 10 mètres du boss, c’était difficile de résister. Dans un coin de ma tête, j’espérais que Busta allait nous jouer LA tuerie du dernier album : « Decision ». Mais vu le rythme sur lequel le show était parti, je me doutais bien que je n’en verrais jamais la couleur. A la place, Phatstaff balança « Respect My Conglomerate », enfin plutôt le premier couplet et le refrain.
Concernant B.O.M.B., seul « Hustler’s Anthem 09 » a suivi. A ce stade, Busta Rhymes devait être sur scène depuis 39 minutes environ. Entre deux chansons, il rendit un grand hommage à son ancien DJ, Roc Raida, décédé récemment. Juste après, l’instru de « World Go Round » – dernier gros hit du MC – démarra. Au même moment, sans même en chanter les premières phrases, Busta Rhymes, Spliff Star et DJ Phatstaff quittèrent la scène par le coté gauche. On attendit une minute (la musique tournait toujours), 2 minutes sans broncher. Puis au bout de trois-quatre, quelques sifflets commençaient à retentir. La fin du show ? Après 43 minutes seulement ? Impossible ! Pour moi Busta était parti boire un verre d’eau ou se rouler un deuxième splif en coulisse (il s’était fumé le premier sur scène un quart d’heure avant).
Cinq minutes, bientôt six, toujours aucun retour. Le public sifflait, gueulait, insultait tant qu’il pouvait le MC, apparemment à juste titre car celui-ci venait clairement de stopper son concert. Oui, oui, après 42 ou 43 minutes ! Les lumières de La Trocardière se rallumèrent alors, marquant pour de bon la fin du show.

Je sortis stupéfait, bouche bée, halluciné et écœuré par cette fin brutale. J’ai longtemps cru que Busta Rhymes avait eu un problème externe, l’obligeant à quitter les lieux précipitamment ce soir là. A vrai dire, je ne voyais aucune autre excuse. Mais voilà, j’ai compris ensuite que le rappeur avait un concert le lendemain à Paris et qu’il souhaitait sans doute « s’économiser » en vue de cet événement.
Est-ce cela la définition d’un artiste ? Faire payer 2000 personnes trente euros, jouer cinq/six hits, ouvrir une bouteille de champagne sur scène pour en mettre plein les yeux, cramer un joint devant les fans pour faire le bad boy et se tirer 40 minutes plus tard sans dire au revoir ? Je ne pense pas. Mais qu’importe, dans son pays Busta Rhymes est une star et dans le monde, des millions d’individus ont acheté ses disques. Alors comprenez que 2000 français déçus, ça ne change rien pour lui. Tant pis pour nous, nous aurons été ce soir là les 2000 victimes de la grosse flemme du rappeur.

Néanmoins, j’éviterais d’être trop rancunier car ces 43 minutes furent malgré tout incroyables. Puis après tout, le con c’est moi, j’aurais dû me douter que Monsieur aurait été fatigué ce soir là. Quel imbécile je fais !

Il faudra dire à Nivea qu’on comprend que ce soit dur d’être enceinte de Lil Wayne en ce moment parce qu’il a déconné de mettre en cloque en même temps Lauren London et une stripteaseuse, mais il faudra surtout lui dire que la grossesse n’excuse pas tout et que l’Hôtel Hilton s’est aperçu qu’elle a volé un de leur drap en soie.

Il faudra dire à Christina Millian qu’elle vérifie si elle aussi elle est pas enceinte de Lil Wayne. On sait jamais vu sa silhouette actuelle.

Il faudra dire à Fat Joe qu’il devrait sérieusement augmenter le prix de ses baskets anti crise s’il veut continuer à faire des repas de batard au KFC.

Il faudra dire à Mel B que la coupe R&B-punk c’est stylé pour une meuf de 23 ans qui chante, qui sort avec Diddy et qui pose nue avec les tétons piercés. Pas pour sa fille de 4 ans.

Il faudra dire à Tiny que si elle veut faire de la chirurgie réparatrice, c’est maintenant ou jamais, il lui reste un an avant que T.I sorte de prison. Et demande le divorce si elle agit pas rapidement.

Il faudra dire à Busta Rhymes qu’il se méfie de Spliff Star, parce que vu la tête qu’il fait pendant que Busta se caresse le micro, il va y avoir des situations bizarres dans les coulisses. En même temps, c’est peut être un code entre eux les coquins, qui sait.

Il faudra dire à Beyoncé que son haut est transparent et qu’on voit ses seins avec le flash. Euh en fait non, attendez un peu avant de lui dire.

Il faudra dire à Lassie que c’est mort: Disney a racheté Marvel et au final, c’est son cousin Lockjaw avec sa gueule d’or qui jouera dans Pirates des Caraïbes 4.

Il faudra dire à Rihanna que si jamais Chris Brown décide de mettre en ligne leur sextape (allez steupléééé), elle peut se servir de cette photo pour la cover et intituler le DVD “Riri et GrosMinou”. Mais c’est une idée comme ça hein.

Il faudra dire à Kanye West qu’on est tous conscient que pour garder Amber Rose il faut être au top de sa forme, et que tous les grands producteurs cainris ont décidé de devenir des colosses passé 35 ans (Timbaland et Dr Dre I see you), mais qu’il y a des limites à ne pas franchir pour que ça reste crédible. Quoi? Photoshop?

D’ailleurs, il faudra dire à 50 Cent que depuis que Kanye est devenu le balèze de service, on a l’impression qu’il est devenu tout maigre. Et que Rick Ross voudrait récupérer sa barbe maintenant que plus personne ne parle de lui.

22 Busta Rhymes-Wack

Thanks to Ron Browz for letting so many people getting on this beat so i could remix it,it hasn’t reached Lil’Wayne ’s “A Milli” Remixes but it can catch up.haha

Capone & Noreaga(C-N-N) Feat. Ron Browz,Swizz Beatz,Busta Rhymes,Jadakiss,Maino,Sho Bollotti,Uncle Murda,Joell Ortiz,Charlie Hustle,Spliff Star,Hell Rell,D.O.E.,Tru-Life,Mike Beck & Max B – Rotate[DJ Smu Remix] (Prod. By Ron Browz)

Download

So, we’re back here again, huh? Check it out. For those that don’t know, there are multiple avenues that should be covered when your intention is to put on a “good show”. First and foremost, while performing, the one thing you should have in mind is “how can I keep my audience interested?”. Well, there are a number of ways you can do this. Lets face it; people will retain more of your visual performance than your audio. Lets cover a few visual and audio concepts that are forgotten alot of times.

Busta and Spliff

Visually, noone wants to see 100,000,000,000 people on stage yelling out your lyrics. Also, if you have a “hype man”, please make sure he knows your lyrics. Not only does his energy help your performance, it also helps you keep your breath, and it helps you remember your material should you lose place during a bar. The chemistry between artist and hypeman comes over time. The two of you should practice your performance songs often. The best example of hype man/artist chemistry is Busta Rhymes/Spliff Star. As Spliff Star often demonstrates, your hype man should perform as though its “his show”. His energy and interaction on your songs will bring your performance energy to an entirely new level. Both hype man and artist should show that you enjoy doing what you’re doing. The crowd seriously does enjoy you enjoying your performance. Next, if you have a dance song, it does help to have dancers to come out for that performance. That’s pretty self explainitory though. Also, don’t be afraid to use props during your show (as long as its relevant).

Auditory performance. Well, where to start? First and foremost, similar to what was covered in the visual part of the blog, “noone wants to HEAR 100,000,000,000″ yelling out your lyrics. Even though you’ll be using your “performance voice” on your songs, it comes out as muffled garbage if too many people are saying the same thing. Vocally interact with your audience. Don’t think you’re too good to say “Let Me Hear You Say Hooooooooooo” or “When I say ______ You say ______”. You are the conductor of your entire performance. Feel free to stop your music, talk to the crowd, talk to your band/DJ, or even talk to your hype man. Doing any number of these things can turn what may have been just another “open mic performer” to a feature at the spot the open mic is held.

Please don’t get it twisted, you still have to have songs that the crowd can remember. You also should have a project, and/or something to give away at your show (e.g. stickers, t-shirts, lighters, pens, wristbands, etc.). We’ll elaborate on the  “songs that the crowd can remember” on a later date.

With all that said, who here didn’t know you should “stay F.R.E.S.H. with what’s next” I. N.ever F.ail

I found out when this years awards are taking place this year and it got me all excited!

Here is a slideshow of last year’s awards featuring Tracey Jordan as the host and Biz Markie as the DJ celebrating the careers of Slick Rick, Too Short, Cypress Hill and Naughty By Nature.  The show was amazing as was every artist that participated.  I am really looking forward to the awards this year!

Too $hort and Slick Rick

Too $hort - Slick Rick - Cypress Hill

| View Show | Create Your Own

]]> http://conceptcitymusicblog.com/2009/06/02/mixtape-mike-love-presents-the-best-of-bad-boy-radio-freestyles-1997-2007/ Tue, 02 Jun 2009 18:03:48 +0000 staffkingdom http://conceptcitymusicblog.com/2009/06/02/mixtape-mike-love-presents-the-best-of-bad-boy-radio-freestyles-1997-2007/

1. All About The Bad Boyz – Chi-Town All-Stars (D.A. Smart, Common, Crucial Conflict, Do or Die, Twista) (1997)
2. Common Freestyle #1 (1997)
3. Crucial Conflict Freestyle (1997)
4. Lord Tariq & Peter Gunz Freestyle (1997)
5. Kid Capri Freestyle (1998)
6. Shaq Freestyle (1998)
7.Fat Joe/Big Pun Freestyle (1998)
8. Allen Iverson Freestyle (1998)
9. Flipmode Freestyle – Busta Rhymes, Lord Have Mercy, Rah Digga, Spliff Star, Baby Sham, Rampage (1998)
10. Twista Freestyle (1998)
11 Juvenile Freestyle (1998)
12. Brand Nubian Freestyle (1998)
13. Outkast Freestyle – Big Boi (1998)
14. Juice Freestyle (1999)
15. Profound Freestyle (1999)
16. Go-Getters Freestyle – Timmy G, GLC, Kanye West (1999)
17. Q-Tip Freestyle (1999)
18. Da Brat Freestyle (1999)
19. Common Freestyle #2 (1999)
20. Shyne Freestyle (2000)
21. Bad Boy All-Stars Freestyle – Mark Curry, Black Rob, Loon (2001)
22. DTP Freestyle – Ludacris, Shawnna, I-20, Tity Boy, Lil Fate, Teefa (2003)
23. 50 Cent Freestyle (2003)
24. KanYe West/Common Freestyle (2005)
25. Lupe Fiasco Freestyle (2006)

MixTape | Mike Love Presents – The Best of Bad Boy Radio Freestyles (1997-2007)

Featuring cameos by Jadakiss, M.O.P., Funkmaster Flex, Ron Browz, Spliff Star, amongst others.

05.16.09

Coming off of the most complete album of his career in 2006, Busta Rhymes has experienced plenty of label fuckery: Back on My B.S. has gone through 2 years worth of pushbacks, 2 different label deals, 3 different “lead” singles, and several name changes. Regardless of all of this, Busta has remained optimistic, and has consistantly been releasing new music to the internet as possible tastes of the new album. Unfortunately, the best of those tastes are nowhere near the finished product.

Songs like the original lead single ‘Don’t Touch Me Now (Throw the Water on ‘Em)’, Bangladesh-produced ‘I Got Bass’, or more recently ‘Cut From a Different Cloth‘ and ‘Death Wish’ featuring Raekwon are among some of the best tracks with Busta’s name attached since The Big Bang. I’m sure that they all were intended to make the cut, but why didn’t they? You can’t tell me that ‘Arab Money’, one of the more annoying club songs in recent memory (although still one of the least-annoying Ron Browz songs), was better suited for an official release than any of those I mentioned above.

Listening to the album front to back, it’s obvious that Busta was going for more of a club/party atmosphere this go-round. He’s always set himself apart from other rappers in his beat selections, and that’s still true for most songs on Back On My B.S., but ‘World Go Round’ featuring Estelle is a terrible attempt at trying to recreate that torturous Pussycat Dolls song he featured on a few years ago. Or I should say, it’s a pretty successful attempt to recreate a terrible song, because it’s just as bad.

Fortunately, not everything is ‘Arab Money’ and ‘World Go Round’-level awfulness. ‘Give Em What They Askin For’ is actually a pretty hype track, produced by Ron Browz, who’s much better suited to be behind the boards rather than behind the mic. ‘Don’t Believe ‘Em’ featuring T.I. and Akon has an anthemic Rocky-like feel, and would make a huge single release if Universal is looking for another summer hit. And recently released singles ‘Hustlers Anthem 2009‘ with T-Pain, and ‘Respect My Conglomerate‘ with Lil’ Wayne & Jadakiss are both nice enough to hold their weight with Busta’s best works. The rest of the album is not.

Mike Epps isn’t funny enough to make ‘I’mma Go & Get My…’ any good, although points to Busta & DJ Scratch for trying something unique by chopping up a piece of Epps’ standup routine and making it the hook. ‘We Want In’ isn’t as bad as it looks on paper (featuring Ron Browz, Spliff Star & Show Money), but that doesn’t make it very good. ‘Sugar’ is a weaker version of ‘What’s It Gonna Be?’, with Jelly Roll playing the Janet Jackson role – “Here’s the perfect place / for me to kiss and fuck you” isn’t exactly the most subtle, nor cleverly sung hook line they could have used but I suppose it gets right to the point of the song. And ‘Kill Dem’ is every Neptunes song you’ve ever heard from 2003 and earlier, only with Busta rapping in his best Sean Paul accent.

The last standout on the record is ‘Decision’, featuring Common, Mary J. Blige, John Legend & Jamie Foxx. On it, Busta reflects on the killing of his bodyguard, and friendships in general. Amongst all of the “bullshit” songs that the album was named after, ‘Decision’ is the one truely genuine song of the bunch. I’m willing to bet that it was the one cut that didn’t take under fifteen minutes to pen, because Busta gets as deep as he’s ever been:

See when it feels that the sun ain’t shining bright enough,
It’s like the devil’s finding work to give an idler.
And though I’m blessed, I still got a handle on things I go through,
it’s good to have a friend with another perspective to show you.
Someone you know that knows you, that gives you motivation.
Someone that you could go to, and vent your frustrations.
We always talk about our peeps, how we be everywhere.
When you need ‘em the most, are they really ever there?
See, everything be all good when we be havin’ fun.
The difference is really needing a friend than having one
It’s good when your peoples are there to help your problems ,
and help you smile about it while finding a way to solve it.

All of this over a silky Mr. Porter and Dr. Dre-laced piano track, with three of the best R&B singers in the world sharing the chorus duties, and Common back on his A-game. If there were more ‘Decision’-calibre songs on Back On My B.S. than ‘Arab Money’s, this could rival The Big Bang for Busta’s best. Regrettably though, the album travels in a different, much easier direction and doesn’t live up to over two years worth of expectations, but in the end still adds up to a decent summer album.

Album: Back On My B.S.
Artist: Busta Rhymes
Label: Universal Motown
Featured Artists: Lil’ Wayne, Jadakiss, T.I., T-Pain, Akon, Pharrell, Jamie Foxx, John Legend, Mary J. Blige, Estelle, Ron Browz, Mike Epps, Jelly Roll, Spliff Star, Tosh, Flipmode Movement, Show Money, Demarco
Featured Producers: Dr. Dre, The Neptunes, Cool and Dre, Ron Browz, Mr. Porter, DJ Scratch, Ty Fyffe, Needlz, Focus, Jelly Roll, King Karnov
Rating: 7.0
Highlights: ‘Give Em What They Askin’ For’, ‘Respect My Conglomerate‘, ‘Hustlers Anthem 2009‘, ‘Don’t Believe Em’, ‘Decision’

Off Busta Rhyme’s pre-album mixtape I Bullshit You Not, which came out yesterday, here are three songs that I especially liked. Definitely give them all a listen. Busta’s album Back On My B.S. comes out May 19th, same day as Em’s Relapse, and Method Man and Redman’s Blackout 2. Gonna be a good day.

Busta Rhymes Ft. Maino – Foreign Currency
Busta Rhymes Ft. Spliff Star & Reek – Piano Man
Busta Rhymes Ft. Uncle Murda – Director’s Cut

If you grew up in the 90’s and hip-hop (specifically East Coast) played a major role in your everyday life then you will be happy to hear that Bussa Buss is back… I Bullshit You Not. With his new mixtape gives the people a lil something before the May 19th release of his 8th studio album Back On My B.S. With features from Maino, Raekwon, and his long time partner Spliff Star, Busta shows that if you can FLOW, you can stand the test of time and remain relevant. You get a lil of that old skool Busta on tracks like “Let’s Do It Again,” the lyrical Busta on “Death Wish,” but most of all you get the Busta that has remained one of the truest hip-hop(ers) in this ever so flaky industry.DOWNLOAD I BULLSHIT YOU NOT NOW

Death Wish ft Raekwon

Let’s Do It ft Spliff Star

“You my man, fifty-grand and all, but listen up…” THE COOL KIDS KILLING ARE THE MIXTAPE GAME RIGHT NOW!! I’ve heard them before but never really became what you would call a fan BUT Gone Fishing is one of my favorite mixtapes in a lil while. You already know the beats are official (shouts to Don Connon) and the verses are where they need to be. Now do not get me wrong; there may not ever be an argument for Mikey Rocks and Chuck Inglish to be considered the best pure lyricist in the game BUT they are good at what they do. Story telling, talking fly shit, sneakers, clothes, and most importantly they make SONGS (not many people can write a song)… oh and they know their basketball. The last thing I’ll say before you proceed to download is… I damn near jumped out the window when I heard “Pennies.” DOWNLOAD GONE FISHING NOW!!!!

Pennies

Introduction to Ice Fishing

DJ Love Killed Kurt put together an R&B Mixtape for those of us that just wants to chill out sometimes; you know.. listen to a few slow jams, sit back and put your feet up. LOL But really Bedtime Stories 3 is a compilation of unreleased tracks from Ne-Yo (who dominates the mixtape) and others including Usher, Trey Songz, Tony Sunshine, Toni Braxton and Tiffany Songbird. DOWNLOAD BEDTIME STORIES NOW!!!!

Trey Songz – Only Girl

Ne-Yo – It Just Makes Sense

NiaFree

1.Fate Of The World
2.Director’s Cut (feat Uncle Murda)
3.Let’s Do It (feat Spliff Star)
4.Foreign Currency (feat Maino)
5.Piano Man (feat Spliff Star & Ree
6.Death Wish (feat Raekwon)
7.Try Your Hand (feat Show Money)
8.The Game Room (feat Lil Fame)
9.Victim
10.Give A Damn (feat Show Money & Re
11.Bounce Back
12.Feel My Pain

————} CLICK TO DOWNLOAD FREE MIXTAPE NOW!

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Respect My ConglomerateBusta’s new Video from Back on My Bullshit, featuring Jadakiss & Lil Wayne.  The video is directed by Chris Robinson, be on the lookout for cameos from Xzibit, Tyrese, Raekwon, Idris Elba (Charles or Stringer Bell) and David Banner.

Yo this performance looks like it was the hottest thing in the world

“Bang bang shock dead ,
Everybodys gone bad .”

Download Spliff Star – Bang Bang (feat. Uncle Murda & MICHAEL JACKSON)

Vezi: SpliffStar/Uncle Murda`/Michael Jackson .

Spliff Star Feat. Uncle Murda & Michael Jackson – Bang Bang

Red Cafe Wins

Ron Browz x Maino x SHO Bollotti x Uncle Murda x Joell Ortiz *takes a breathe* Charlie Hustle x Spliff Star x Hell Rell x D.O.E. x Tru Life x Mike Beck x Max B all hop on CNN’s most recent single, it feels like its been a while since we had a mass posse remix like this. As for this track, maybe this remix’ll change my mind about it cause I wasn’t really feeling it when it dropped.

Download: Rotate (Champion Hoodie Remix) – CNN x Ron Browz x Maino x SHO Bollotti x Uncle Murda x Joell Ortiz x Charlie Hustle x Spliff Star x Hell Rell x D.O.E. x Tru Life x Mike Beck x Max B

"Back On My B.S."

When Busta Rhymes came out with The Coming in 1996, the public was surprised by his cartoonish music videos, massive dreadlocks and unique wardrobe. However, years later he shocked and lost some fans when he shaved off his dreads and traded in his samurai robes for white-beaters and blue jeans. Some listeners were left wondering where the old Busta was and if he could keep ears on his music.

On March 24, 2009 Busta Rhymes is releasing his eighth album Back On My B.S.. The album has tracks produced by impressive names such as Timbaland, Justin Timberlake, Dr. Dre and the Neptunes. Busta also invited artists to give their voices. “If” features Nicole Scherzinger, ”G Stroll” features Pharrell, Ne-Yo and the remix “Don’t Touch Me (Throw Da Water On ’Em)” features Reek Da Villain, Spliff Star, Lil Wayne, Nas, The Game and Big Daddy Kane.

In an interview with MTV, Rhymes said of the new album, “It’s gonna be great — look forward to the new bang-out.” You listen and decide if he’s still got it!