Really? The Novation Bass Station soft synth that came and went? Yeah!

The software version of that 90s classic was released in 2003 (making it a vintage itself-at least in software terms) to a collective ‘meh’. Computer Music magazine complimented it on its sound and CPU efficiency, but also said that it had arrived to the party a bit late, awarding it a rather dull 7/10.

The world moved on. Novation gave away a load of bundled Bass Stations with their Remote range of controllers and people went back to lusting after the latest greatest Super Saw Tarnce synth. So, who cares right? Well, you cares. If you want to get your hands on the industry’s best kept secret for bass that is.

You see, the Bass Station is basically a filthy factory for phenomenal low end. Sounding almost like a cross between an Arp and a Moog, it’s warm, aggressive, three-dimensional, and has a phat bottom (a bit like that chick from high school I can’t stop thinking about).

The front panel is ‘keep-it-simple-stupid’ and easy to get to grips with, even if you’ve never set sights upon the original (or a synth, period). You get two sweet sounding analog modeled monophonic saw/square oscillators, pulse width modulation, one LFO (can control pitch, pulse width and that all important cutoff), portamento (hello Electro!), multiple trigger options (Moog/Arp/303-don’t need to mention that it does 303 now do I? Everything does a 303), and two juicy filter types (12db for that ‘Japanese’/Roland sound, and 24 db for ‘American’/Moog).

Oscillator sync is available, and while it’s a bit convoluted, it’s perfectly capable and does a good job of widening the instrument’s sonic palette.

And that’s your Bass Station. Unless you’re producing Ambient Japanese Emotion Pop textures (in which case look out for the upcoming feature on Synplant-I got you covered, Kimosabe), this should take care of most of your synth bass needs. Trust me when I tell you that a vast majority of ‘classic’ electronic sounds are not all that hard to make (i.e. made accidentally by non-boffin knob fiddlers-ahem).

It’s also a supremely CPU friendly plug-in, so much so that you forget it’s even there. Those of you with older PCs will think they got a processor upgrade!

I am well chuffed that I rediscovered this gem of a mono-synth thanks to the Synth Odyssey! If you are lucky enough to have received it free with your Novation controller, don’t take it for granted. You already have it, get to know it, love it, and it will reward you with plenty of bottom end satisfaction.

If you would like to get your hands on one, my humble advice would be to get yourself a Novation controller. They are among the best in the business, and what makes them truly revolutionary is the superb Automap Pro software that will breathe new life into your synth and effects collection. So really, a win-win situation there!

And remember, the original Bass Station was used and abused by tons of legendary acts like Orbital, KLF, Apollo 440, Daft Punk, and the Chemical Brothers to name but a few. The first 40 or factory bank presets are sounds you’ve no doubt heard on countless 90s anthems, which is why you should make your own; the presets are the only thing that date the ‘Station.

For me, it’s an all-you-can-eat reminder of a time when music producers were obsessed with analog, knobs, filters and getting their hands on the best TB 303 emulation. My, how times have changed.

Now for some Bass Station action! No effects at all, just pure ‘Station!

Yes, that is a Bass Station in action! Listen to the harmonics and the filter action. Saw/Square combo. Very analog indeed!

Electric Baba. Lots of pulse width modulation for a dirty, almost digital sound.

From my chart topping remix of the Station X hit Dirty F@ck! Filthy bassline is all Bass Station!

And those are but a few examples of what this little synth can do! There are probably hundreds of Bass Station patches out there, what with the software being compatible with the hardware, but why not make your own? Go on, you know you want to.

A modern classic, now on your desktop!

Next: Do You Eat PlastiCZ?

(c) All Sounds lazy programmed and sequenced by P Brown

And for the story so far:

Fabfilter One

Muon Tau

Kita mungkin sudah mengenal sebuah font dari text. Ini digunakan untuk mengganti penampilan dari karakter yang kita ketik di program seperti Microsoft Word. Jadi kita dapat beranggapan dari sebuah soundfont adalah sama: ini digunakan untuk menukar suara dari sebuah MIDI instrument dengan sebuah “sampled instrument”. Jadi sebagai pengganti mendengar suara General MIDI dalam lagu MIDI favorit kita yang sudah baku, kita dapat mengganti nya dengan sebuah instrument yang kita telah “sampled”. Jadi sebuah soundfont definisinya suara dari pada bentuk.

SoundFont adalah sebuah nama merek yang mengenai sebuah format file dan berhubungan dengan teknologi untuk mengisi perbedaan antara audio yang direkam dan “synthesized audio”, diutamakan untuk tujuan dari komposisi “computer music”. SoundFont adalah merek dagang yang di daftarkan oleh E-mu Systems, Inc.

www.pelopor.com

REAPER adalah sebuah program multitrack audio dan MIDI recording, editing, processing, mixing, dan perlengkapan mastering dengan sistim operasi Windows. Dapat berjalan penuh walaupun masih evaluasi, tersedia untuk download.

www.pelopor.com

This is the latest music making programs at Making Music:

• Synthesizer: KX77FREE – Kx-Modulad 2.0 / Pc / Free…
• Effect: Christian Budde – Lookahead Limiter / Pc /…
• Mixing: TeamDNR – MixControl 1.0r4
• Synthesizer: u-he – ACE
• Music App: Richard Lawler – PatternMusic
• Synthesizer: Asymptotic Valley – Inorganic1 / Pc /…
• Sounds: Wildfunk – Wildkick
• Effect: Cableguys – FilterShaper 2
• Step Sequencer: WOK – ClockWOrK
• Weekly Software Wrapup 11/08 – 11/15 (9)

This is the latest music making software this week at Making Music:

• • Arrangement Tool: af Kreativt Dårhus – major sketc…
  • Instrument: Autodafe – B8 Organ / Pc / Free
  • Effect: SKnote – FD4
  • Effect: Image-Line – Vocodex
  • Effect: synthgeek – sg-glitchgate / Pc / Free
  • Effect: Subsun – Wobbles / Mac / Free
  • Synthesizer: miniSoftMusiK – FEM 1 / Pc / Free
  • Synthesizer: Progress Audio – Kinisis
  • Weekly Software Wrapup 11/01 – 11/08 (10)

More Details Can Be Found Here…

This is the latest music making programs at Making Music:

• Effect: Sknote – Baz
• DAW: Ableton – Ableton Live Intro
• Drum Synthesizer: AudioSpillage – MiniSpillage / M…
• Synthesizer: ToneBytes – Bend Box / Pc / Free
• Effect: 7AIR Productions – DepthCharge / Pc / Free…
• Effect: B. Serrano – AMT-1 / Pc / Free
• Effect: Wave Arts – Tube Saturator
• Effect: Variety Of Sound – FerricTDS / Pc / Free
• Effect: Christian Budde – Noise Reduction / Pc / F…
• Weekly Software Wrapup 10/25 – 11/01 (9)

MU.LAB adalah program aplikasi yang menjadikan komputer di rumah sebagai sebuah studio musik yang sebenarnya. Tidak memerlukan peralatan yang kompleks. MU.LAB begitu mudah dalam penggunaannya, cocok untuk membuat musik MIDI dan memainkan Musik MIDI.

Fitur-Fitur MU.LAB:
Audio Recording & Playback.
MIDI Recording & Playback.
Flexible Composition & Sequence Editing.
Supports Audio dan MIDI VST Plugins.
ReWire Master.
Powerful Audio dan MIDI Plugin Routing (up to 100% modular if you want).
Integrated high quality synths, samplers and effects.
High quality Audio Engine.
Sample Accurate Sequencing.
Can work from a USB memory stick.

MU.LAB hadir dalam 2 versi: MU.LAB Free dan MU.LAB Unlimited.
MU.LAB Free (dimana Gratis untuk setiap orang) mempunyai batas 6 track, hanya dapat melakukan mixdown di 16-Bit dan hanya mendukung 1 mono out untuk ReWired devices.

Info Musik MIDI dan Kabel MIDI USB: www.pelopor.com

I’ve made no secret of my fondness for Stylus. I’m so glad something like this has come along, if you don’t already have it, you really need to get it as it’s awesomeness is beyond compare.

When I’m stuck, I usually pull it up and it inspires me to the point where ideas start to come to me. Even if I don’t end up using the tracks I’ve created with it.

I wish there were more “idea generators” out there, but for me it’s mostly the stylus. Granted sometimes it happens when I Synth 1 up, but by and large it’s the Stylus that gets me started flowing ideas again.

I haven’t tried any of their other products yet, but I’ve been told they work like Stylus. I’ve never really looked in to it, but I should. Anyway, they may have a demo or something so you can see for yourself if you don’t have one.

It’s really good for generating ideas.

This week I am kicking of my Synth Odyssey series with one of the simplest, cutest synths in my collection: the itTyBitty 303 emulating Muon Tau2. It’s the son of one of the very first VSTs ever, the freeware Tau Bassline, and features a single Sawtooth/Square oscillator along with that very familiar 303 layout.

To the right, you will find the Threshold and Level controls that emulate that all important 303 ‘accent’ and squelch generated when the resonance (Q) is cranked. There is also a Glide control that governs portamento (for some bendy action, madam) and a Re-trigger switch which overrides it.

Pretty simple stuff then, but it’s a delightful little guy in action (hello madam). And it’s not just for acid style sounds, in fact it does a mean ‘rubber bass’ (see below) as well as some lovely higher pitched riffs. Later on in this series, I will be covering D16’s Phoscyon which is a more recent emulation featuring a built in sequencer with per step accent controls that has probably surpassed the Tau in ‘authenticity’. But to be honest, I have yet to use the Phoscyon on a released track, while this little guy gets used and abused all over the place.

Let’s hear the baby Tau in action, naked with no effects. Growl…

I start with the Sawtooth for some acid, and tweak that resonance for some 303 shenanigans (gets pretty close to the real article innit?). Then its ‘rubber bass’ time (very little resonance, open envelope), followed by the Square wave which packs much bottom and gets tweaked (hello madam). Finally some Mantronix because why not?

This next little tune is taken from my upcoming debut album. I used the Tau’s Square wave with distortion courtesy D16’s Devastor for a supremely thick and chunky experience!

I think this little one is always going to have a place in the studio because it’s a quick and easy way to get your acid fix without eating a lot of Taco Bell (and costs about as much as a beef burrito and some Pepto).

Wonder what this would have cost in hardware had it come out in the 90s at the height of 303 mania?

From Lost Wars (Phatso Brown Remix). Here I have used the Tau for some hypnotic synth flutterings.

Tau 2 Demo Track by Muon.

Next up, Fabfilter’s One, a single oscillator mono/polysynth.

• Synthesizer: de la Mancha – FMMF / Pc / Free
• Synthesizer: L-Day Synths – Basscruncher / Pc / Fr…
• Sounds: Prime Loops – R&B Progressions
• Synthesizer: HyperSynth – Oresus
• Effect: SKnote – Verbera
• Effect: Elysia – mpressor
• Instrument: Syntheway – Syntheway Virtual Sitar
• Plugin: Virtuasonic – MIJOY PRO 4
• Weekly Software Wrapup 10/18 – 10/25 (9)

Bila anggaran untuk membangun home recording tidak besar, maka setelah mempunyai komputer pc/laptop dengan RAM memory 1 GB, kita bisa menggunakan program Audio & MIDI Sequencer REAPER yang mana program musik ini dapat digunakan dengan fungsi yang penuh walaupun masa “trial” setelah 30 hari terlampaui, tanpa ada pembatasan fungsi-fungsinya. Bila kita mau mendapatkan lisensinya, misalnya untuk keperluan komersial, bisa dibeli dengan biaya USD$60 untuk perorangan, musisi amatir & guru musik.

Program musik REAPER ini sangat bagus untuk membuat MIDI file dengan kemampuan menjalankan VST/VSTi. Ukurannya termasuk kecil, hanya sekitar 3 MB. Bila kita menghubungkan Kabel MIDI USB, maka driver “Audio USB driver” dapat dikenal sebagai MIDI Input untuk merekam data MIDI lewat keyboard yang sudah terhubung ke komputer PC/Laptop.
Sebagai MIDI Out put nya, kita bisa memilih menggunakan aneka VST instrument yang tersedia banyak di internet yang bisa di download Gratis, dengan kualitas suara yang bagus mulai dari instrument Piano, Gitar, Bas, String sampai dengan Perkusi dan Synthesizer. Untuk mendownload program REAPER, silahkan kunjungi www.reaper.fm.

Info Kabel MIDI USB: www.pelopor.com

The voting has now been opened for the Gargoyle One synth Challenge contest at KvRaudio. There are 12 great tracks to review and vote for so please support the hard work of the composers who have managed to coax some great sounds out of the little green beastie.

Rather than me posting links to the tracks here please vist this thread on KvR’s website where you will be able to follow the links to all of the contest entries.

Now I  just need to get my finger out with Gargoyle2..

In 1998 I had an ‘all in one’ Yamaha DJX keyboard complete with ‘dynamic immersion’ speakers, a 3 track sequencer and a 4 second sampler.

That was pretty much my entire studio.

I used to make some pretty jammin’ music with it though, if I do say so myself, before selling it to an Abba obsessed Pilipino (thees have Abba sound? You know Abba sound? I love Abba sound).

The point of that little flashback was that the last time I checked, I had about 2 dozen software synthesizers (including a representation of the black-is-beautiful Korg M1), 30 or so effect plug-ins, and half a dozen drum machines. Phew. Talk about overcompensating.

Of course, each instrument has its unique sound and place and application, and oh, who am I kidding. The truth is, I use some of ‘em some of the time, a couple of ‘em all the time, and most of ‘em not at all.

So, what we are going to have is a little feature I call ‘2000-A Synth Odyssey or Exercises in excessive software synth wankery’.

Pretty much.

Every week, I will showcase a few soft synths from my collection. This way, I hope to rediscover them for myself while showing them off to you. Now that’s deep…

The series will be divided into three parts. Part One will feature bass/lead/bread ‘n butter synths and culminate with the incredible ‘grow my plant’ Synplant. I will call it…wait for it…Genesis!

Part Two will cover my collection of ’synth monsters’ and will be called, er, Synth Monsters. These guys are monstrous and if they were hardware, they would f@#$ you up.

Part Three will cover sample based ‘workstations’ and feature the beloved Korgs (M1 and Wavestation) as well as the not-so-beloved Sample Moog. Don’t worry Sample Moog. I will learn to love you. That is the point of this exercise, remember?

Finally, part 4 will cover drum machines, and I have quite a few of those as well including the obligatory 909, 808 but also a couple of more esoteric bits o’ kit.

So join me eh?

As for that DJX? Oh, it’s well loved…

Program VST hosts
VST host adalah suatu program aplikasi atau peralatan/hardware yang memampukan VST plugins dapat di jalankan dan dikontrol. Aplikasi host ini mempunyai kemampuan untuk menangani kerja digital audio dan MIDI melalui VST plugins.
Ada sejumlah VST-compatible hosts yang tersedia; beberapa diantaranya yang populer seperti Ableton Live, Ardour, Cubase, FL Studio, Logic Pro, REAPER dan Sonar. VST hosts lainnya seperti AudioMulch, Bidule, Max MSP, Kore and Renoise.
VST plugins dapat di jalankan di perlengkapan yang tidak kompatibel menggunakan suatu translation layer, atau shim. Misalnya, FL Studio pada dasarnya hanya mendukung arsitektur plugin internal, tetapi sebuah plugin “wrapper” asli dapat melakukannya, menjalankan VST plugins, begitu juga yang lainnya. Seperti contoh lainnya, FXpansion menawarkan sebuah “wrapper” VST ke RTAS (Real Time AudioSuite), (membolehkan VST plugins dapat dijalankan di Digital Audio Workstation populer Pro Tools), dan sebuah VST ke Audio Units wrapper (membolehkan VST plugins dapat dijalankan di DAW Apple Logic Pro).

Info lebih lanjut: www.pelopor.com

VST (Virtual Studio Technology) adalah teknologi yang berasal dari Steinberg yaitu: sebuah penghubung untuk mengintegrasikan program audio synthesizer dan effect plugins dengan audio editor dan systim hard-disk recording.
VST dan teknologi yang serupa menggunakan Digital Signal Processing untuk mensimulasikan peralatan studio rekaman tradisional dengan software. Beribu-ribu program kecil (plugins) bermunculan, baik komersial dan freeware, dan VST didukung oleh sejumlah besar program aplikasi audio. Teknologi tersebut dapat dilisensikan dari si pembuatnya, Steinberg.

Info MIDI & Audio Recording: www.pelopor.com

This is the latest music making software at Making Music:

• Sampler: SONiVOX – Sampla
• Effects: de la Mancha – GTO & GTX
• Instrument: Artifake_Labs – RedTron_MKV / Pc / Fre…
• Kuassa unveils Kuassa Lite / Pc / Free
• Synthesizer: Justin Robert – Mothman 1966 / Pc / F…
• Effect: SKnote – Retoone
• Synthesizer: acid.milch&honig plugins – acidrack /…
• Instrument: Mokafix Audio – Glue Reeds / Pc / Free…
• Weekly Software Wrapup 10/11 – 10/18 (9)

I previously mentioned that i will be creating an update to Gargoyle as a consequence of it being used in the KvRaudio OSC competition (One Synth Challenge).

True to my word I do have a working version of Gargoyle2 which has a whole modulation section Galled G (after Gargoyle of course) but.. whether it will be released to the masses will be decided by the contest winner. i.e. initially it will be an exclusive to him or her and then they will decide if I put it up on the free synths page.. I will include some sound examples shortly but, suffice to say,  it strives to be even more un-musical than Gargoyle 1

2.0 SOFTWARE – Ableton Live 8.05
Onde baixar, onde comprar, onde, onde, cade?

Olha…para ser honesto, devo indicar a você o site da ableton www.ableton.com , mas como a realidade aqui no meu pais é outra vou te indicar tambem mais um site, www.avaxhome.ws (be wise, if you get a profit, pay for it too).

Oque o ableton live faz?!

- Olha pra ser sincero, só falta servir cafezinho porque esse programa faz tudo e mais um pouco…Completo do começo ao fim com qualidade!
Mas no contexto aqui empregado vamos utiliza-lo como “SEQUENCIADOR”, ele é a base de toda a gravação em software em um estudio virtual.

Então é só baixar o ableton e pronto posso sair tocando igual ao ASTRIX?
- Muita hora nessa calma meu jovem padawan, pra utilizar mesmo os recursos que esse software pode nos oferecer, precisamos de alguns “apetrechos”.

2.1 Plug-ins – VST – VSTi
PLUG-IN como o proprio nome diz, algo “plugado” em outro algo.

VST -
- Se voce ja ouviu musica eletronica deve saber oque a palavra “EFEITOS”, significa. Então VST’s são programas manipuladores e geradores de toda sorte de efeitos imaginaveis, assim como equalização, modulação, masterização e outros dispositivos de “ação”.

VSTi -
Vulgo Sintetizadores Virtuais
- Olha, isso aqui é a alma do negócio. Com esses programinhas voce adquire em sua maquina, a capacidade de reproduzir (atualmente, com grande fidelidade) tons, timbres, instrumentos variados, sob diversas condições, e diversas variaveis.

2.2 Samples –
Não confundam com Samplers!
- Samples são toda sorte de sons, barulhos, ruidos, chiados, vozes, efeitos, e etc… já gravados em um arquivo de audio ou similar.
Amplamente utilizados por produtores de audio de toda sorte, não apenas os voltados a musica eletronica.

2.3 Softwares Auxiliares -
- Vulgo, SOUNDFORGE e outros.
Não sabe oque é soundforge? Pesquise.

Prox post: como montar bateria e percussão no ableton live.

abraços…

Opa,
Olha agente aqui denovo…
Bom de hoje em diante vou começar a disponibilizar nesse blog uma serie de tutorias de ableton live 8!
Eis que essa serie de tutoriais será de uso público, e servirá pra mim como um arquivo pessoal.

-Ableton Live 8.03

Irei colocar aqui nesse post a sequencia de tutorias que pretendo expor aqui.

1- Oque voce precisa para começar a trabalhar com o Ableton Live?

1.1 Hardware – Min. 1GB de Memoria Ram, Pelomenos 40gb disponivel em HD, e um Pentium IV.
Monitor Preferencialmente de 17″ com alta resolução e placa de video 64mb. PC’s = Win XP / Mac’s = Jarguar X .
PS: Se realmente se interessa em produzir, deixe em sua maquina apenas os programas realmente necessarios para isso.

1.2 Placa de Som – Pc’s não costumam ter nada que preste em placas on-board ( diferente de Mac’s ), a qualidade de reprodução é razoavel, o problema é na gravação. Caso voce não esteja cagando dinheiro como eu, utilize a solução abaixo para evitar ter que comprar uma placa de som podre. Se for comprar uma recomendo comprar uma muito boa *MOTU* ou nada.
*SOLUÇÃO PADRÃO P/ ESSE PROBLEMA*

- Instalar o kit de drivers da ASIO. ASIO4ALL.
Esses drivers tem o poder de transformar sua placa ruim on-board em algo proximo ao profissional-amador. Não faz milagres mas é essencial!
*Download no site oficial:

http://www.asio4all.com/

1.3 Teclado MIDI
Para compor nada melhor que utilizar um teclado midi. São facilmente conectados e existem diferentes modelos para todos gostos e bolsos. Exemplos: Oxygen, Ozonic etc…
*SOLUÇÃO PADRÃO P/ ESSE PROBLEMA*
- Use o teclado do próprio PC.

1.4 Monitor de Som
Creio que se você é um iniciante não deve estar acustumado com a expressão *Monitoração de som*. Monitores são *caixas de som profissionais com qualidade superior ao som da sua casa ou do seu pc*. Altamente recomendado a aquisição de Monitores de Qualidade.
*SOLUÇÃO PADRÃO P/ ESSE PROBLEMA*
- Comprar fones de ouvido profissionais especificos p/ produção de audio pode ser mais barato inicialmente e evita barulhos excessivos p/ quem não tem um estudio isolado. Cuidado p/ não ficar surdo.

1.5 Mixer, Sintetizadores e Racks de efeito.
- Serão abordados posteriormente.

Bom…Por hoje é só amanha eu continuo com explicação de Software, sequenciadores, Vst’s, e Vst’i, Samples e etc…

Well, it took another day of hearing this on my car stereo to tweak it a bit more, and now it’s “finished”  The pretty little morsel called ‘My Limbic System, Your Limbic System.’ Listen now, and we’ll talk after.

Press the play button to listen.

Right click here or do what you do to download the free mp3.

This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

This is all the music making software posted at Making Music this week:

• Synthesizer: Supersynths – Monstrous
• Midi Effect: The Covert Operators – The Covert Seq…
• Instrument: Universal Piper version 1.0.3b release…
• Effect: The Lower Rhythm – Grotto
• Synthesizer: Theodor Krueger – BellSynth / Pc / Fr…
• DAW: Ardour 2.8.3 released / Mac / Linux / Free
• Effect: SKnote – Fild
• Synthesizer: Alterex – X*ONE / Pc / Free
• Weekly Software Wrapup 10/04 – 10/11 (10)

The next synthesizer in our series is the ever so blue One from top Dutch developer Fabfilter.

It really is a marvel of simplicity, with its single analogue modeled oscillator (choice of square, triangle, saw and noise on the menu), ADSR, LFO with selectable waveforms (for some Oizo action), a couple of envelope/modulation generators, pulse width, and – the piece de resistance- a filter that is simply fahbulous darling. They don’t call themselves Fabfilter for nothin’ sistah…

It’s the 12 db/octave variety, and watch out boys cuz she’s a screamer!

One takes its inspiration from the Korg MS10, a modular beast that, among other things, could be used to make trunk calls to Burma.

I got this synth free off the Computer Music cover CD a few years ago, and quickly realized that it was no mere toy but a sonic blue blessing. Even though the CM version is monophonic, it has a raw sound to it; the square wave in particular is a great choice for bass/lead sounds. Even on its own, baby packs much back.

It also has, in my never so humble opinion, a feature that has become essential in modern Electro production. No, not a DeadMole preset, but one of the best implementations of portamento to date in a virtual synthesizer.

Things got a whole lot more interesting with the version 3 update, which added polyphony and opened this baby up to the exciting world of chords. I knew I had to get me the ‘full’ version. Even with the single oscillator, One has some nice shimmery effervescent chords. Great for Nu Disco-ey stuff. That filter really adds some fizz to the top end. Like a bottle of Perrier. Just Dutch instead of French.

So what we have here is an extremely high quality, low CPU, easy to use synth that gets the job done with minimum fuss and then gets out of the way. It handles most of your electronic staple sounds in style, as well as a few more ‘unique’ ones (thanks to that waveform selecta). I use it like Tabasco, all over the place. Just doesn’t burn as much in the mornin…

Join us next time, when we take a trip to the Bass Station…

Thanks for reading!

(c) All sounds lazy-programmed and sequenced by P Brown.

Check out last week’s feature on the Muon Tau

And the introduction to the series