Another great singer from Australia.. in my point of view a surf music singer but, people say he’s a blues ‘n roots singer. Xavier has great songs like “Mother”, “Messages” and I’m pretty sure that he’s a surf music singer. Xavier is a songwriter too. Next shows, mahalo.

Before I get stuck into The Great Australian $5 Wine Challenge, i’ve got a stack of wine reviews to get through. So, in between studying for my Wine Marketing exams, i’ll be putting up reviews of what has (and hasn’t) been tickling my tonsils lately. First up is a gluggable, great value Biodynamic Pinot from the Yarra Valley. I love Wedgetail Eagles. My favourite bird in the world. So graceful. Except when they are ripping apart Roadkill on the side of the road, but hey… An eagle’s got to eat. But my love of Wedgetails has not influenced my review of this wine. Cos it’s always about what is in the bottle. Always.

I picked this up on a recent visit to the Wedgetail Estate Cellar Door. If you are ever in the Yarra on a weekend, I highly recommend popping into the Cellar Door, which is definitely off the beaten track but well worth the effort. The winemaker Guy is at the Cellar Door and is more than happy to answer any questions about his wines and his winemaking journey via France and the Mornington Peninsula.

The Cellar Door at Wedgetail estate is open Saturday and Sunday – noon to 5:00pm February, March, April and September, October, November. Map shown below.

Wedgetail Estate Cellar Door Map

2008 Wedgetail Valley Par 3 Bio-dynamic Pinot Noir

2008 Wedgetail Valley Par 3 Pinot Noir

THE PRICE :: $24 from http://www.wedgetailestate.com.au/

CELLAR POTENTIAL :: Perfect now, or keep it for up to 3 years.

SCORE :: 92 Points

MUSIC MATCH :: This wine is fresh and vibrant with a conscience. No herbicides or insecticides used in it’s production. If the wine’s a bit of a greenie then the music  should be too. So take your pick. Blue King Brown. Bob Marley. Xavier Rudd. All go down at treat with this Pinot. Just no Midnight Oil. Save that for matching with a wine that sold it’s soul!

THE INFO :: This is the perfect Pinot for people who don’t yet know they love Pinot. On the nose this is all about the red berries and savoury spices. Great integrity/continuity on the palate with strawberries, cherries and cream combining with the subtle spiciness to produce a delicious, well-balanced wine.

It’s not overly complex, it’s doesn’t have amazing length but it’s not a wine that needs to be discussed while stroking your chin. It’s a wine for giving to your friends who haven’t tried much Pinot. And then watch them knock it back with frightening speed. Heck, my mate who tasted it at the Cellar Door with me had never even heard of Pinot Noir and he absolutely loved this wine. As has everyone i’ve given it to since. Even if you don’t like Pinot, grab some of this. Support the little guy. Support sustainable farming practices with minimal impact on the earth. You might just feel as good about yourself as your taste buds will when this little beauty smothers them with Pinot love.

Welcome to Volume 1 of PopBRiefs.  PopBRief posts will a veritable mixed bag of music and Pop Culture, mashed up into one long extended guitar solo that hopefully won’t make your ears (or eyes) bleed. 

 Feature articles may or may not include:

• Headliners (the big issues in pop culture this week)
• Cover Story (a flashback to dodgy album artwork over the years)
• Polling Stone (pressing pop culture questions that need answering)
• Bad Ink (a lesson in ‘what not to do’ at the tattoo parlour)
• Lady Mondegreen (favourite misheard lyrics of all time)
• Do Yourselves A Favour (Song Of The Week, with a tip of the Akubra to Molly Meldrum)

In this Volume, we kick off with…

Headliners

Disturbing news from Rolling Stone this week, that in the US edition of Guitar Hero 5, you can unlock the character of Kurt Cobain and make him sing a number of popular non-Nirvana hits. 

Some of the tunes in question include Bon Jovi’s ‘You Give Love A Bad Name’, and even Bush’s ‘Come Down’, which NME found deeply ironic (given that Gavin Rossdale channeled Cobain most of his career).  A big, fat finger is being pointed at Courtney Love who manages Cobain’s estate – must be desperate times to perform such a sell-out, Courtney!

In other news, The Beatles are looking to revive a flagging global CD sales market, with a remastered back catalogue being released 45 years after their launch on to the scene. 

 Abbey Road engineers spent four years remastering the work.  The Beatles: Rock Band also went on sale Sept 9^th, featuring 45 of their most popular tunes for avid gamers to faithfully recreate or massacre at their whim.   The Wall Of Sound is going to be difficult to reproduce on a game controller…

Polling Stone

The formation of supergroup Them Crooked Vultures (Dave Grohl, Josh Homme and John Paul Jones) and their secret gig at Leeds festival ‘09 has left many rock fans wondering ‘is this the best supergroup ever?’

The irresistible combination of Led Zeppelin, Foo Fighters and QOTSA members are about to set off on a US/UK tour, and will visit Australian shores in January. 

Well, what do you think? 

 Cover Story

Herbie Mann - Push Push

 This week’s Cover Story has a lot of Ron Burgundy about it: jazz flute slung over the shoulder, and oozing topless sensuality.  It features Herbie Mann, and his masterpiece ‘Push Push’.

His work was sampled on Jennifer Lopez’s hit single ‘Jenny From The Block’ – meaning the royalties are still rolling in.  But unfortunately for Herbie, he died only a year after its release.

Bad Ink

 This week’s Bad Ink features the combination of the King Of Rock and candy.  Yep, you guessed it… Elvis as a PEZ dispenser.  Thanks to COED Magazine for the artwork.

Bad Ink - Elvis Pez Tattoo

 Do Yourselves A Favour

 ‘Song Of The Week’ this time around goes to Xavier Rudd, and the ultra-chilled title track from the 2005 release ‘Solace’.  The soothing lyrics of the Australian singer, songwriter and multi-instrumentalist are perfect for any lazy afternoon. 

 ’Thank you for the space we shared, and the heart and soul my friend
And I will see you through the colours, between the mountains as the sun descends’

 Buy now through iTunes or say ‘Hi’ to Xavier on the InterWeb.

If you have not, check out John Butler Trio and Xavier Rudd. They’re both extremely talented musicians and their lyrics are so positive. I’ve seen Xavier Rudd live and it’s an amazing performance to see. I almost like him better live than I do just listening to him on a cd. I haven’t seen John Butler live…YET but I hear he is equally amazing. So check them out…it might not be the type of music you like but give it a chance, never know. I’ll post links to some of my favorite songs by them (I’ve already previously posted Ocean by John Butler Trio…go listen to it! It will blow you away.)

John Butler Trio:
Zebra
Better Than
Losing You
Fire in the Sky

Xavier Rudd:
Come Let Go
Stargaze
No Woman No Cry

NOW GO AND LISTEN! I only listed a few, but the majority of their songs are super as I’m sure you’ll discover!
Keep it sunny
Love, Amanda

The last time I saw Xavier Rudd, I wasn’t happy about it. I grumbled about it here, almost a year ago. Xavier is unfailingly amazing, but the crowd last year sucked. Just sucked. And on top of that, Xavier seemed like he was in a funk. He’d just released a much more personal, much darker album, and on stage he seemed just a bit out of sorts, like he wasn’t having the fun that he usually had with it, like whatever natural high he got from the recursive transfer of energy between himself and the crowd just wasn’t happening, or, perhaps more accurately, that the stuff he needed from the crowd to do what he does was not arriving. Xav was down, the crowd was an ocean of assholes, and I left feeling bad because he deserves better.

Cut to last night, Xav was back at First Ave. (a venue I have decidedly mixed feelings about, e.g., pretentious hipster crowd, but awesome, oiled-machine security dudes). I was worried about a repeat of last year’s downer, but right from the first note of the first song, it was apparent that Xavier was back in old form, perhaps better than old form. Playing with him were a drummer and a bass player from South Africa, and those three dudes were flat having a ball up on that stage, goofing around, giving each other fist bumps and playful jabs, smiling like crazy, taking older songs off into ten-minute jammy tangents. Xav blew into those didges and strummed those guitars with what seemed a renewed sense of purpose, as if the darker album and tour had cleansed something out of him, and now all the good stuff was free to backfill. The energy was there, the crowd was great, Xav was having a ball, and I left just feeling good. I think Xav is one of of the best, more positive things going in music right now, and last night he proved it. More than once, he deflected the audience attention away from himself and onto the two very talented musicians playing with him–the word gracious came to mind. Xav’s just a dude who loves to get up that and do what he does, and each time I’ve seen him–even that show last year–I’ve had the sense that I was watching a guy who was doing exactly what he’s supposed to be doing.

After the show, they played Bob Marley over the house speakers, and in every stall in the men’s room, all the dudes were singing along to “Everything’s Gonna Be Alright.” One guy, his words slurred with beer, announced, “Hey, if any of you are worryin’ about some shit, stop it. Bob says so.”

But as borderline cliche as that sentiment is, walking out of a Xav show, three so far, usually finds me feeling like, in spite of all the shit, things are gonna be cool, daddy-o.

Schon seit ein paar Jahren kenne ich den australischen Sänger, Songwriter und Multi-Instrumentalisten nun schon, aber er verwundert mich immer wieder aufs Neue. In Europa ist Xavier Rudd eher weniger bekannt, dafür hat er aber in Amerika, Kanada und in seiner Heimat, Australien schon dutzende Preise gewinnen können.

Foto: stephaniegaga

Sein erstes Album veröffentlichte er vor 7 Jahren, also 2002, mit dem Namen „To Let“. Es folgten viele weitere Alben. Seine letzte Scheibe trägt den Titel „Dark Shades of Blue“. Mit einer interessanten Mischung aus Welt-, Roots-, Folk- und Reggae-Musik versucht Xavier mit seinen Songs für ihn wichtige Themen anzusprechen, wie zum Beispiel Umwelt- und Sozialprobleme. Vor allem sind ihm aber die Rechte der Aborigines wichtig.

Mich fasziniert an Xavier Rudd besonders sein ausgeprägtes Talent verschiedene Instrumente zu spielen, meistens auch noch gleichzeitig. Er ist seine eigene Band und tritt eher selten mit anderen Musiker auf, nur wenn es notwendig ist, holt er sich Schlagzeuger oder Gitarristen dazu…Hier eine kleine Liste der Instrumente die er beherrscht:

• Slide-Gitarre
• Djembe (Trommel)
• Mundharmonika
• Aztec Drum
• Bass Gitarre
• Stomp Box
• Verschiedene Didgeridoos
• Akustische/Elektrische Gitarren
• Weissenborn
• Shakers (wie z.B. Regenmacher)
• u.v.m.

Dieser sympathische Musiker von Down Under der mit einer Kanadierin verheiratet ist und schon Vater von zwei Söhnen ist, liebt es barfuß die Welt zu entdecken und  ist bekennender Vegetarier. Die Organisation PETA hat ihn 2007 sogar zum „World’s Sexiest Vegetarian Celebrity“ gekürt.

Zum Abschluss, hier noch eine sehr gelungen „No Woman, No Cry“-Interpretation von Xavier Rudd:

Ich hoffe wirklich diesen außergewöhnlichen Musiker mal live erleben zu dürfen!

What started as a random collection of covers ended up turning into a decidedly Beatles themed post. Purely coincidental. I’m sure if you could be bothered hunting around though you’d find a plethora of information out there guaranteed to satisfy any deep-seated need for Beatles covers.

Imagine (John Lennon Cover) – Built To Spill

Let It Be (Beatles Cover) – Xavier Rudd

My Sweet Lord (George Harrison Cover) – Jim James

And for those of you who don’t need another Beatles cover in your life…

Kids (MGMT Cover) – The Kooks

Romeo and Juliet (Dire Straits Cover) – Cliff Eberhardt

King Of Wishful Thinking (Go West Cover) – William Fitzsimmons

And you will earn my eternal esteem and respect if you can tell me which quote I’ve ripped off for my post title, and the movie it came from. Go!

En el día de hoy os vamos a presentar al cantautor y músico más original que conocemos, siempre respetando al Chivi, claro está.

Se trata de Xavier Rudd, multinstrumentista y cantautor australiano que llena como pocos un escenario.

Xavier Rudd

Le vimos en directo en el día inaugural del Azkena Rock Festival hace un par de años.  Fue en la antigua sala Azkena del centro de Vitoria, y no en una de los escenarios al aire libre de Mendizabala.

Tras ver tocar al grupo navarro de rock con reminiscencias psicodélicas Royal Canal, se despidieron con ironía  ya que se quejaban de que el payo que venía detrás tenía que empezar ya porque iba a tocar 2 horazas.

Me daba la impresión que en la sala poca gente sabía lo que venía después. Yo mismo no tenía ni idea de quién era aquel tal Xavier.

Prepararon los técnicos sobre el escenario una batería con cientos de platillos extras, algun sintetizador, más cajas, más timbales e incluso un didgeridoo!!

Y de repente salió al escenario un tipo descalzo, con el pelo revuelto y aires de surfista que se puso a tocar directamente todos los platillos de la batería a modo de música étnica.

Durante un par de minutos la gente totalmente quieta se preguntaba cuánto iba a durar aquél coñazo…hasta que Xavier debió pensar que ya había descompuesto bastante al personal y comenzó lo que recuerdo como el concierto más bailable que nunca he visto.

Con una habilidad increible comenzó a tocar con la batería unos patrones geniales que te hacían mover la cabeza sin querer, a la vez con la boca tocaba o creaba más sensaciones ritmicas con el didgeridoo de forma maestral y con los pies maneja un sintetizador añadiendo música electrónica de fondo.

Xavier Rudd Jamming

Era increible,  sobre el escenario un sólo tío tocando una suerte de música electrónica tribal, puso a todo el mundo a bailar y dar botes arrastrados por un sonido magnético. Incluso el personal que suele sujetar el kubata durante la noche cerca de la barra comenzó a mover ligeramente la cabeza.

Después de aquel bacanal del ritmo, Xavier dejó la batería a otro músico y el cogió una guitarra Steinberger eléctrica con resonancia y que se tocan con los dedos y el mástil tumbado haciendo lap slides, tal y como hacen los rústicos americanos en las pelis.

Comenzó a delitarnos con su habilidad como guitarrista, con un sonido de guitarra nada convencional, lleno de arrastres y slides imposibles, rozando de nuevo la música electrónica. Acompañado del buen baterista, cantó y tocó sus canciones llenas de energía, reggea y buen rollo como las de su disco “White Moth”.

La guitarra sonaba altísima, se ayudaba de nuevo con un sintetizador en el pie para añadir sonidos de música aborigen australiana, la batería de su colega te repicaba por dentro y cantó con muchísimas ganas. Metió al público tanto en el concierto que la gente no podía parar de corear y bailar todas sus canciones.

“Stargaze” directo en el show de Jimmy Kimmel

Fue un espectáculo digno de haber sido grabado para el disfrute personal y ser recordado por siempre.

Podéis pinchar en la imagen de abajo para descargaros el album “White Moth” – 2007

White moth

En su MySpace y en éste artículo de Wikipedia podrás encontrar más noticias sobre sus trabajos.

Que lo disfrutéis!!

Bluesfest went back to normal yesterday after the only stage with STP and Gym Class Heroes.
I have to say it was a calm night. And its before the big spectacle of KISS which happens to be tonight.

The acts that I saw were:

Marc Charron

The Allrights

Ice Cube
Surprised that I got to take photos of his set, considering hip-hop acts have very tight security.
Still have my head scratching to why he opened up for Our Lady Peace.
No offence, he is more of a bigger draw celebrity wise.

The Yardbirds
Somehow being in the Subway Stage I felt like I was in Woodstock.

Xavier Rudd
Got to love the didgeridoo.
The Zombies
Wasn’t expecting to be poppy-rock but at least the people there enjoyed them.

Our Lady Peace
I was happy hearing the classics like One Man Army and Superman’s Dead.
While waiting in line for Xavier Rudd’s autograph which took forever, I did get to hear their whole set.
Happy that I heard Clumsy, 4 AM and Is Anyone Home?

Xavier Rudd – Dark Shades of Blue
Maybe more than any of his previous albums, Xavier Rudd’s Dark Shades of Blue is a balance of darkness and light. That’s what the Australian singer-songwriter/one-man band/didgeridoo virtuoso hears in the disc. Plenty of each went into making the disc. Dark Shades of Blue is the first Rudd album in several years to be recorded in Australia. As a result, it bears the joy and peace of mind that comes with an often-touring artist that gets a chance to catch his breath.

Official Website

« Au souffle d’or… »

Xavier Rudd d’abord s’entoure du mystère, vous plonge d’un bond dans son univers. Petit ange blond au souffle d’or, Xavier Rudd s’équipe de didjeridoos, de guitares, de percussions et vous laisse  pénétrer son monde.

Sorti d’un monde utopiste où l’on imagine la spiritualité des surfeurs australiens, des habitants de Nimbin, des inspirations spirituelles, des envolées virtuelles et une connexion extrême avec l’élément naturel. Heureux, sourire permanent, il joue et il aime ça, le public le lui rend bien. Cet homme véhicule dans son multi-intrumentalisme et la maîtrise de ce dernier une sérénité passionnelle. Un rythme sublime, des montées parfaites et communicatives.

L’ange blond apparaît , sa voix se pose sur un public conquis et les rayons du soleil percent le ciel sombre, bercent de leur douceur et semblent étroitement liés à l’enchantement de ce cocktail scénique élaboré….création d’un homme unique.

Cet OZie  est à ne manquer sous aucun prétexte ! »

On Friday I had one of those rare nights where I could get all dressed up and not just be a Mummy. For once I was able to partake in the benefits of having a husband who is tied into the music scene in Vancouver.

We went to 2 live shows. We checked out the newly renovated Venue (formerly The Plaza…although the sign out front still says The Plaza). Venue as I’m told it’s called, not The Venue, is sharp looking inside. They have some pretty fancy light fixtures going on. It’s along the same lines as The Caprice night club but they are also a live music venue now. They have a capacity of 500 which is about the same as Richards. I’m sure with Richards closing in about 2 weeks, that is the business they are after. However, they do have an early curfew for live music (10pm on weekends). This did allow us to catch a second show on the same night at the Commodore but means an early start to shows as well so maybe not what people without kids are looking for. Everyone I spoke to at Venue was quick to point out that the room wasn’t done yet. Apparently the furniture hasn’t arrived. There is a fantastic LED light board on the backwall of the stage which makes the band playing seem like they are bigger (as in more famous) then they really are. I’m sure bands are going to love it. On Friday we saw Cracker play. You might remember their radio hit Turn on, Tune in, Drop out. I recognized a few other songs. They sounded pretty good. The room has a bit of a hall sound to it but it’s early days and I’m sure they will work out the kinks.

We then headed across the road to The Commodore to see Xavier Rudd. I’ve seen Xavier once before at the Queen Elizabeth Theater about 18 months ago. He puts on an incredible show and did not disapoint. If you like Ben Harper, Paul Simon, Drums and Bass or are a music lover of any kind, I can’t imagine you not enjoying one of his shows. There is an amazing positive and happy energy at his shows and he is just so talented! He’s added a drummer and a basist to his band (he was a one man show before) and they are as talented as he is.

My husband used to run The Royal once upon a time. Back when they used to do live music he had Xavier Rudd play a few shows there. Once he played in the middle of the room on the floor for about 100 people. It was a spur of the moment show that I’m sure is still talked about by the lucky few who saw him. These days Xavier can sell out the Commodore three nights in a row.

We stopped and got hot dogs on the way home, just like the old days.

Xavier Rudd and his band are on tour in North America this summer and word is out, recenl inteview,that they will be writing some new songs along the tour as well as bring us their latest songs from Dark Shades of Blue.

Last year Xavier Rudd completed his most ambitious and complex project to date and it had nothing to do with music.

In October, the singer-songwriter, his wife Marci and their two sons Joaquin, 8, and Finojet, 3, realised the great Australian dream of owning their own home. Of course, as you might expect from the seasoned social activist and environmental campaigner, this is no ordinary abode.

Not only is it situated on five acres of bushland ten minutes walk from his beloved Bells Beach, it’s also entirely environmentally sustainable and self-sufficient. For a family who’s always been nomadic – they once lived in a van when their eldest was younger – their custom-built piece of paradise has been a long time coming.

“We just wanted to have our own little sanctuary away from everything,” says Rudd. “We spend so much time on the road touring, dealing with different people and places, and just wanted a place we can come back and retreat and refuel.”

In between kids and tours and albums (Rudd released his eighth Dark Shades of Blue last year), the couple researched environmentally sustainable design for several years before stumbling across the website of Melbourne architect Ric Zen who’s been practising it since 1991. He explains: “With Xavier’s property, we worked holistically so everything from the natural bush to the creek to the windows was working together to make it as efficient as possible with no waste and ensure everything is used.”

With the help of a builder, Rudd and Marci, a painter by trade, started construction in early 2007 with a heavy focus on recycled materials. They used the wooden poles from the old Geelong pier for the house’s frame and second floor, and inherited a stockpile of wood from a friend who was a carver but sadly passed away.

”This guy had an old mobile mill and would go to old logging sites where they’d just knocked trees over and left them,” recalls Rudd. “From one Sugargum tree, we made the kitchen and bathroom benches and the stairs. I’ve got a huge piece left over, which I’m going to make into a dining table.”

The house also sports a deck big enough to sleep out on during hot summer nights and most impressively, a rock-climbing room built around a boulder. Outside, Rudd’s also rigged up a rope swing over the creek bed with a harness for the kids. ”They love this place,” he says with a boyish smile of his own. “They’re always outside and they never want to come inside.”

Of course, the house’s best feature is the most obvious – no bills. Rudd’s residence is completely off the grid, powered by a solar system with a back-up biodiesel generator. Rainwater is harvested in two 25,000 litre rainwater tanks and all waste water goes through to a worm farm which irrigates their vegetable garden.

Heating-wise, the house utilises a hydronic heating system – basically, a wood-fired boiler that heats water, which is then pumped through pipes in the floor and radiators in each room. That plus double glazed windows and walls insulated with straw bales and earth (a first for Zen’s company) means zero heating costs.

”It’s been fascinating because we’ve learnt so much building this house,” says Rudd, although he admits there’s still one thing missing – a studio. Hopefully, it’ll be finished in time to record album number nine later this year.

“I’ve been writing lots of new music and rehearsing with two South African guys named Tio Moloantoa and Andile Hornabrook,” he reveals. “They used to be the rhythm section for [reggae legend] Lucky Dube who died a couple of years ago. We met at a festival in Austria and they’re incredible. It’s kinda blowing my mind, actually.”

Australian singer-songwriter Xavier Rudd is an interesting artist who plays a variety of instruments, including didgeridoo. This is a live performance of a catchy song called Come Let Go from Bonnaroo 2007. If you want to hear cool didgeridoo parts, here’s something.

Xavier Rudd is an Australian surfer, born in ‘68 and became a multi-instrumentalist. One of these instruments is the didgeridoo: a wind instrument that the aborigins blow into. And when it seemed that couldn’t get any better, missxlollyx who was dropping by, told me he’s a vegetarian. Click here on the link she provided, and get to know more. The music he makes is a fusion of social themed lyrics, and some acoustic guitars. Good ol’ australian music.

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Xavier Rudd é um surfista autraliano, nascido em ‘68 e que se tornou um multi-instrumentalista. Um dos vários instrumentos, é o didgeridoo: um instrumento de sopro utilizado, originalmente, pelos povos aborígenes. E pra completar, missxlollyx [que estava dando uma passadinha básica por aqui] me mandou um link esclarecedor sobre essa escolha dele em ser vegetariano, clique aqui e leia a entrevista [obs.: está em inglês]. Na sua música, as letras as vezes tem temáticas sociais e as guitarras acústicas são constantes. A boa e velha música australiana.

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Food In The Belly – Xavier Rudd

1. The letter
2. Messages
3. Pockets of peace
4. Energy song
5. Fortune teller
6. The mother
7. Food in the belly
8. My missing
9. Mana
10. Connie’s song
11. Famine
12. Generation fade
13. September 24, 1999

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. The download link is on the comments above.

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. O link para download está nos comentários acima.

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Following the surf music sessions, I give you some music from the Australian band The Beautiful Girls. The style follows the same doors Jack Johnson, Matt Costa and Xavier Rudd go through. Love and peace, INCostumers!

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Seguindo a linha música surf, eu vos apresento a banda australiana The Beautiful Girls. O estilo segue a linha de Matt Costa, Jack Johnson e Xavier Rudd. Paz e amor, INClientes!

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Learn Yourself – The Beautiful Girls

1 – So It Seems
2 – Music
3 – Less
4 – La Mar [The Ocean]
5 – High Rolling
6 – Cash Money
7 – Freedom [Part II]
8 – Blackbird
9 – Learn Yourself
10 – Learn Yourself [II]
11 – La Mar

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. The download link is on the comments above.

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. O link para download está nos comentários acima.

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