Tags » 59E59

In New York's challenging summer theatre market, THREESOME gets chilly critical and box office reception

We’re not in Kansas any more. Doing a show in the hinterlands is one thing. But New York is a whole different deal. Normally America’s theatre capital exports plays to the rest of the country. 745 more words

How short is it?

It’s not Twitter, so you’re allowed more than 140 characters (no not that kind of character, the one they have for Tweets) to express your thought. 117 more words

Theater

MY PERFECT MIND

Written by Kathryn Hunter, Paul Hunter & Edward Petherbridge

Directed by Kathryn Hunter

Days away from fulfilling his lifelong dream of performing the title role in KING LEAR, veteran actor Edward Petherbridge was afflicted with two strokes.  337 more words

CUDDLES

Written by Joseph Wilde

Directed by Rebecca Atkinson-Lord

With her all-black wardrobe and crimson lips, businesswoman Tabby (Rendah Heywood) looks a bit like a B movie Transylvanian. 469 more words

ONE HAND CLAPPING

Adapted and directed by Lucia Cox

Based on a short novel by Anthony Burgess, this mordant take on middle class life in postwar Britain seeks to examine the impact of consumerism on the machinations of everyday life and love. 364 more words

COOL HAND LUKE

Adapted by Emma Reeves

Directed by Joe Tantalo

With ever-increasing confidence, director Joe Tantalo has been honing a lean, visceral approach to staging provocative, often misunderstood, works modern fiction. 402 more words

THE JOY OF SAX

Punning aside, THE JOY OF SAX is an apt title for the energetic and appealing approach Pete and Will Anderson take to making music. Cleary thrilled to be working with world-class sidemen, the Andersons have compiled an eclectic menu of jazz compositions that showcase their mercurial talents. 208 more words