This fine record is ill-served by its press release, which name-checks nearly all the mainstream crossover champions of newage-fusion-world music. So we are told that there are discernable traces of Enigma, Enya, Dead Can Dance, Nitin Sawhney and Karl Jenkins’ Adiemus projects (about which we are informed that Adiemus fans, already well used to “pseudo medieval languages” might well be up for “the strange tongues” of the Balkans on display here). 292 more words