Tags » Apichatpong Weerasethakul

Wknd report

After a sunny, productive week of work back in Hong Kong, it was time for a leisurely weekend. I saw my second great Korean zombie movie in as many weeks, and then the next day enjoyed a Saturday breakfast of organic baguette slices at Le Pain Quotidienne, while reading  Knausgaard on my kindle , (as I probably will for weekends to come). 196 more words

Apichatpong Weerasethakul's Deeply Challenging "Cemetery of Splendor"

In my review of Yorgos Lanthimos’ “The Lobster,” I took issues with what I saw the theme of the film being and how Lanthimos develops it. 1,192 more words


China and Cambodia: Part 7

And then it was our last day in Shanghai. We had a early evening flight to Siem Reap, Cambodia. So we had to make the best of our last day there: more art! 537 more words


Uncle Boonmee Who Can Recall His Past Lives - A Quiet Film of Unquietness

Uncle Boonmee Who Can Recall His Past Lives (2010) 

Director: Apichatpong Weerasethakul


As straightforward as its name might be, Apichatpong Weerasethakul’s Palme d’Or winning film is anything but. 663 more words


Cemetery of Splendor (2015) [Apichatpong Weerasethakul]

“Tarkovsky for me is the greatest (director), the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.” 866 more words


Bangkok Boogie: The Digital Edition

We all live in an age inundated with technology. In fact, you are probably reading this post on a computer, smartphone or tablet, and not a hardcopy printout. 1,711 more words

Modern And Contemporary Asian Art