I recently attended the “Artists Thr!ve Summit” hosted by the Emily Hall Tremaine Foundation. Artists Thr!ve is a rubric, a tool, to help organizations in the arts services sector determine if and to what extent their work supports artists: do artists give up, struggle, survive, or thrive? 318 more words
Tags » Arts Entrepreneurship
My work on An Ouroboros: Art, Money, and Entrepreneurial Action continues, sometimes at a pace of one or two paragraphs a day. Framing paragraphs are important, so this one took a while; it is the first of the fourth essay in the developing collection: “Novelty.” 297 more words
The independent self-determined mindset, the sense of one’s own responsibility and accountability toward career is born, in part, from necessity in the scarce environment, thus making the artist and others “subjects” (to use Foucault’s term) of neoliberal governmentality. 240 more words
I include this short story of cultural bifurcation in one of the essays in An Ouroboros: Art, Money, and Entrepreneurial Action.
In 2014, I traveled to a small rural town in western Washington State to observe an arts incubator that had been launched there in conjunction with an adaptive reuse real estate enterprise. 253 more words
Progress on An Ouroboros: Art, Money, and Entrepreneurial Action is slow, but steady, one paragraph at a time. Here’s one from yesterday:
In my work as a scholar of arts entrepreneurship, I walk a fine line between critiquing the neoliberal economic governance regime of late capitalism and supporting it through the mere use of the word “entrepreneurship,” which many associate with the Thatcher/Reagan ideology of self-interested individualism and small government. 146 more words