17. Videodrome (1983). James Woods plays a sleazy cable station producer looking for the most shocking, horrific, pornographic content he can find—something that can wake up his jaded and desensitized audience (himself included). 86 more words
With each passing moment watching television, your brain cellars are dying. You aren’t leaving time to ask the tough philosophy questions about your existenz. You will die a happy numb-scull, full of food and commercial breaks.
What is the link between cinema violence and real-world violence, between real-world violence and on-screen sexuality, between on-screen sexuality and phallo-centric images thrusting and shooting and blowing people up? 3,471 more words