I was really looking forward to reading this, I saw it in a book shop some time last year, fell in love with the cover and bought it. 284 more words
Tags » Favel Parrett
In today’s blog I am going to briefly discuss the relationship between narrator and character by looking again at Favel Parrett’s Past the Shallows. Taking a structuralist view of fiction, it is possible to identify key narrative levels (author/reader, narrator/narrate, characters) that create narrative circuits. 892 more words
A one size fits all definition for Australian fiction? Nup. Australian imaginations cross borders and time as easily as those from elsewhere. There is no rule that all Australian fiction must deal with the bush, or the surf or gritty inner city crime. 3,487 more words
In its simple clarity of language and narrative, Past the Shallows is hauntingly beautiful.
Set on the rugged Tasmanian south coast, it’s the story of a deep, almost profound brotherly love as Michael and the younger Harry, with their mother dead, learn to look out for each other. 456 more words
When it comes to writing fiction, few choices are as important than the choice of point of view. Who is telling the story? If they are a character in the story, what is their role and how to do they perceive events? 813 more words