Tags » Film Theory

Psychoanalysis in Film

Psychoanalysis entered into film theory in the 1970s with Laura Mulvey’s seminal paper Visual Pleasure in Narrative Cinema (1975). Initially, Psychoanalysis and its core concepts: the id (the primal, impulsive and selfish part of the psyche), the ego (the realistic mediator between id and super-ego) and the super-ego (the moral conscience) were established by Sigmund Freud (Freud, 1921). 825 more words

Bionic Finger

Ghost In The Shell - How the Anime Form Helps To Politicise a SciFi Narrative

With the release of the Ghost In The Shell remake this month, I decided it was appropriate to revisit the original 1995 anime release. Widely considered a masterpiece, the anime’s exploration of human consciousness in an increasingly technological and interconnected world is just as cutting and as relevant a social commentary two decades later. 2,503 more words

Review

Absent Voices #5: “What is your problem with our Freedom?”: Lipstick under my Burkha and the Indian Patriarchy

The question put forth in the title is the one that Rehana Abidi (played by Plabita Borthakur), one of the four protagonists of Alankrita Srivastava’s latest release… 1,176 more words

Absent Voices

Ideology in Film

Hawkes argues that a person is a reflection of their environment and that their ‘personality’ is a composite of stimuli such as images and attitudes accumulated throughout life (Hawkes, 1996); the sum of this accumulation constitutes any one person’s ideology. 743 more words

Bionic Finger

It's the Golden Age of TV; But Is Binge-Watching Ruining the Experience?

A couple months back I encountered the newly released trailer for Stranger Things, Season 2. Aside from the utter disappointment that came with the realization that the trailer was only a play on audience anticipation and gave no narrative information, I found myself disappointed in me. 413 more words

Reviews And Essays

Theory Response Excerpts - Le Bonheur: Objective Distance and the Subjective Gaze

The idyllic introduction to Varda’s Le Bonheur (1965) places spectators in a familiar narrative situation when it comes to traditional norms. The coupling of a Mozart arrangement with a husband, wife and their children in the woods is an ideal example of what many might expect happiness to look like. 642 more words

Cinema

Film Theory Narrative Excerpt

This excerpt comes from a paper looking at how the theory of Lev Kuleshov and Béla Balázs come together to explore the creation of meaning within narrative.   379 more words

Battleship Potemkin (1925)