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The People's Republic of Loneliness: Jia Zhangke's "Mountains May Depart"

Jia Zhangke’s first movie about his hometown since Unknown Pleasures (2002), Mountains May Depart (2015) is both a throwback to his early work and something of a departure. 561 more words


BAPFF review: Mountains May Depart (2015)

“Go west!” the Pet Shop Boys sing in the opening scene of Mountains May Depart. The year is 1999 – the iron fist rule that China became known for in the 20th century is over, and the country is modernising rapidly, its citizens indeed following the siren call to leave home and embrace the new ways of life. 223 more words


My October '15 in Review

I’ll begin by apologizing for my tardiness as festival fatigue has finally worn off following its conclusion. I saw a total of fifteen films at this year’s Philadelphia Film Festival, most of which were well worth seeing barring a couple of duds. 108 more words

The Month In Review

PFF24: Mountains May Depart (Jia Zhangke, CHN/JPN/FRA)

Mountains May Depart is Jia Zhangke’s insular tale of life and love spanning three consecutive time periods. Beginning with a focus on a love triangle between young Tao (Zhao Tao) and two potential male suitors – one a white collar coal miner, the other a wealthy investor – the film transitions to the present before coming to a close in the year 2025. 317 more words


VIFF 2015: Mountains May Depart (Jia Zhangke, 2015)

 Part of our coverage of the 2015 Vancouver International Film Festival. This review is by Vancouver-based critic Neil Bahadur.

The most ambitious film so far from the great director Jia Zhangke, working in a gorgeous, cyclical structure that it might make it too easy to disregard the film’s more provocative aspects. 1,374 more words

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Busan: Chinese Indies Look for New Outlets

“I’m only talking to you because you are a friend and I know you will not use my name.”

Discussing independent cinema in China is a cloak-and-dagger activity, perhaps a dangerous one. 1,044 more words